Promaxbda Europe 2014
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Greece: Audio Visual Market Guide Page 1 of 4 Greece: Audio Visual Market Guide
Greece: Audio Visual Market Guide Page 1 of 4 Greece: Audio Visual Market Guide Betty Alexandropoulou December 14 Overview The audio-visual (AV) market in Greece is showing signs of recovery after 4 years of double-digit decline for home audio and cinema spending. Retail sales have demonstrated signs of recovering, along with expected GDP growth in 2015. Demand for audiovisual equipment is covered by imports, mainly from European Union countries China, Korea, and Japan. The United States is a supplier of computers and peripherals.. Out of a population of 10.8 million people and 3.7 million households, there is an average of two television sets per household. Ninety-nine percent of these households have access to free broadcast TV, 19.5 percent have access to satellite and IP Pay TV, and 3 percent have satellite internet and pay TV bundled service. Market Trends The end of 2014 is expected to mark the completion of analogue broadcasting and a transfer to digital service. The switchover requires technological upgrades for media outlets, households, and businesses. Within this context, Digea was formed as a network operator providing a digital terrestrial television transmission in Greece for seven nationwide private TV channels (Alpha TV, Alter Channel, ANT1,Macedonia TV, Mega Channel, Skai TV, and Star Channel). In addition to these free nationwide broadcast stations, the network is open to other station broadcasts. With respect to pay-TV, fierce competition between the two main providers (Nova/Forthnet & OTE) resulted in record-high satellite and IP-TV subscriptions as well as the introduction of new channels and relevant content by the two rival platforms. -
Joukkoviestimet 2013
Kulttuuri ja viestintä 2014 Kultur och media Culture and the media Kulttuuri ja viestintä 2014 Kulttuuri Joukkoviestimet – Finnish Mass Media on artikkeleihin ja tilastoaineistoon perustuva monipuolinen katsaus Suomen joukkoviestinnän tilaan. Julkaisussa tarkastellaan joukko- viestimiä seuraavina kokonaisuuksina: joukkoviestinnän talous ja kulutus, sanomalehdet, aikakauslehdet, radio, televisio ja verkkomedia. Julkaisussa on myös kansainväli- siä vertailutietoja sisältävä luku. Jokaisesta joukkoviestin- nän sektorista on lisäksi tilastokatsausten yhteydessä tiiviit johdantoartikkelit. Joukkoviestimet 2013 Joukkoviestimet 2013 Finnish Mass Media ISSN 2242−6477 (pdf) ISBN 978−952−244−499−8 (pdf) ISSN 1455−9447 (print) ISBN 978−952−244−500−1 (print) Tuotenumero 3090 (print) 9 789522 445001 Tietopalvelu ja viestintä Kommunikation och informationstjänst Communication and Information Services Tilastokeskus Statistikcentralen Statistics Finland puh. 029 551 2220 tfn 029 551 2220 tel. +358 29 551 2220 www.tilastokeskus.fi www.stat.fi www.stat.fi Julkaisutilaukset: Beställning av publikationer: Publication orders: Edita Publishing Oy Edita Publishing Oy Edita Publishing Oy puh. 020 450 05 tfn 020 450 05 tel. +358 20 450 05 [email protected] www.editapublishing.fi www.editapublishing.fi www.editapublishing.fi Untitled-1 1 12.6.2014 13:07:39 Kulttuuri ja viestintä 2014 Kultur och media Culture and the media Joukkoviestimet 2013 Finnish Mass Media Helsinki – Helsingfors 2014 Tiedustelut – Förfrågningar – Inquiries: Tuomo Sauri Puh. 029 551 3449 Tel. +358 29 551 3449 [email protected] Kansikuva – Pärmbild – Cover photograph: Ilkka Kärkkäinen Kannen suunnittelu – Pärmplanering – Cover design: Irene Koumolou Taitto – Ombrytning – Layout: Eeva-Liisa Repo © 2014 Tilastokeskus – Statistikcentralen – Statistics Finland ISSN 2242−6477 (pdf) ISBN 978−952−244−499−8 (pdf) ISSN 1455−9447 (print) ISBN 978−952−244−500−1 (print) Taulukoissa käytetyt symbolit Key to symbols used in Tables Ei mitään ilmoitettavaa No information....... -
A Message That We All Share Title Sheet
A MESSAGE THAT WE ALL SHARE TITLE SHEET A message that we all share A research of the campaign ‘All that we share’ released in 2017 by TV 2 Denmark. In addition, an understanding of the Danish viewers' interaction with the message hereof and a view of the campaign in an international context. MASTER THESIS IN CULTURE, COMMUNICATION & GLOBALISATION 10th semester, June 2020. Aalborg University STUDENTS Cristian Voicu (20180685) Ida Marie Stenumgaard (20181122) SUPERVISOR Birthe Mousten Nielsen CHARACTERS: 281,574 PREFACE The thesis is made from an interest concerning a Danish TV networks’ decision to use the message of connectedness and diversity as part of their brand identity. We find is interesting to research why TV 2 decided to do this and further, how they did it. In addition to this, we want to see how the Danish consumers interact with this message and, given the large international response to the campaign and its message, we also want to investigate the international viewers' perception of the campaign. We want to give a special thanks to the 12 respondents and to Vicky Wassman Dahi who participated in our data collection and contributed with interesting and essential meanings and insights to our research. Further, we want to thank our supervisor, Birthe, for her perspectives and constructive feedback. We hope you enjoy the reading. Abstract Today companies employ increasingly more complex branding strategies as they try to keep up with the competition and with the evolving needs and behaviours of consumers. Brand managers are turning to using cultural or ideological principles as the core of their branding efforts. -
Drama Directory
2015 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia ......................................................................... 124 Introduction ................................................................. 3 Lithuania ................................................................... 127 Luxembourg ............................................................ 133 Austria .......................................................................... 4 Malta .......................................................................... 135 Belgium ...................................................................... 10 Netherlands ............................................................. 137 Bulgaria ....................................................................... 21 Norway ..................................................................... 147 Cyprus ......................................................................... 26 Poland ........................................................................ 153 Czech Republic ......................................................... 31 Portugal ................................................................... 159 Denmark .................................................................... 36 Romania ................................................................... 165 Estonia ........................................................................ 42 Slovakia .................................................................... 174 -
A Channel Guide
Intelsat is the First MEDIA Choice In Africa Are you ready to provide top media services and deliver optimal video experience to your growing audiences? With 552 channels, including 50 in HD and approximately 192 free to air (FTA) channels, Intelsat 20 (IS-20), Africa’s leading direct-to- home (DTH) video neighborhood, can empower you to: Connect with Expand Stay agile with nearly 40 million your digital ever-evolving households broadcasting reach technologies From sub-Saharan Africa to Western Europe, millions of households have been enjoying the superior video distribution from the IS-20 Ku-band video neighborhood situated at 68.5°E orbital location. Intelsat 20 is the enabler for your TV future. Get on board today. IS-20 Channel Guide 2 CHANNEL ENC FR P CHANNEL ENC FR P 947 Irdeto 11170 H Bonang TV FTA 12562 H 1 Magic South Africa Irdeto 11514 H Boomerang EMEA Irdeto 11634 V 1 Magic South Africa Irdeto 11674 H Botswana TV FTA 12634 V 1485 Radio Today Irdeto 11474 H Botswana TV FTA 12657 V 1KZN TV FTA 11474 V Botswana TV Irdeto 11474 H 1KZN TV Irdeto 11594 H Bride TV FTA 12682 H Nagravi- Brother Fire TV FTA 12562 H 1KZN TV sion 11514 V Brother Fire TV FTA 12602 V 5 FM FTA 11514 V Builders Radio FTA 11514 V 5 FM Irdeto 11594 H BusinessDay TV Irdeto 11634 V ABN FTA 12562 H BVN Europa Irdeto 11010 H Access TV FTA 12634 V Canal CVV International FTA 12682 H Ackermans Stores FTA 11514 V Cape Town TV Irdeto 11634 V ACNN FTA 12562 H CapeTalk Irdeto 11474 H Africa Magic Epic Irdeto 11474 H Capricorn FM Irdeto 11170 H Africa Magic Family Irdeto -
Power, Communication, and Politics in the Nordic Countries
POWER, COMMUNICATION, AND POLITICS IN THE NORDIC COUNTRIES POWER, COMMUNICATION, POWER, COMMUNICATION, AND POLITICS IN THE NORDIC COUNTRIES The Nordic countries are stable democracies with solid infrastructures for political dia- logue and negotiations. However, both the “Nordic model” and Nordic media systems are under pressure as the conditions for political communication change – not least due to weakened political parties and the widespread use of digital communication media. In this anthology, the similarities and differences in political communication across the Nordic countries are studied. Traditional corporatist mechanisms in the Nordic countries are increasingly challenged by professionals, such as lobbyists, a development that has consequences for the processes and forms of political communication. Populist polit- ical parties have increased their media presence and political influence, whereas the news media have lost readers, viewers, listeners, and advertisers. These developments influence societal power relations and restructure the ways in which political actors • Edited by: Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard Kristensen, & Lars Nord • Edited by: Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard communicate about political issues. This book is a key reference for all who are interested in current trends and develop- ments in the Nordic countries. The editors, Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard Kristensen, and Lars Nord, have published extensively on political communication, and the authors are all scholars based in the Nordic countries with specialist knowledge in their fields. Power, Communication, and Politics in the Nordic Nordicom is a centre for Nordic media research at the University of Gothenburg, Nordicomsupported is a bycentre the Nordic for CouncilNordic of mediaMinisters. research at the University of Gothenburg, supported by the Nordic Council of Ministers. -
Where to Watch ISU World Skating Championships 2021
March 23, 2021 Stockholm, Sweden Where to Watch ISU World Skating Championships 2021 #FigureSkating #WorldFigure Viewers will be able to watch the ISU World Figure Skating Championships 2021 either via their national broadcaster / channel and for countries where there are no broadcasters, the ISU will offer a live stream on the Skating ISU YouTube Channel. Although the live stream will be available in a number of countries, below is a list of territories where geo-restrictions could apply. Best efforts will be used to communicate any changes and updates to the list of geo-restricted territories. For precise details of broadcaster coverage please check local listings. ISU World Figure Skating Championships 2021 live stream and broadcast schedule: Asia CCTV China Elta Taiwan Taiwan Fuji TV Japan iCable Hong Kong JSports Japan SBS South Korea Singtel CAST Singapore Singtel TV Go Singapore Tencent China TapSport Philippines Europe Arenasport Bosnia, Croatia, Kosovo, Montenegro BBC United Kingdom Channel 1 Russia Channel 1* Armenia, Azerbaijan, Georgia, Kazakhstan, Kyrgyzstan, Moldova, Tajikistan, Turkmenistan, Uzbekistan Czech TV* Czech Republic ERR* Estonia ERT* Greece Eurosport Albania, Belgium, Cyprus, Estonia, France-Andorra- Monaco, Greece, Ireland, Luxembourg, Malta, Moldova, Portugal, United Kingdom France TV* France (Highlights only) LRT* Lithuania MRKTV* North Macedonia MTVA Hungary NENT Denmark, Finland, Norway, Sweden NOS* Netherlands (Highlights only) One Germany ORF* Austria Polsat* Poland Poverkhnost* Ukraine RAI Italy RTS* Serbia RTVE Spain RTVS Slovakia Spotschau.de Germany SRG Switzerland TRT Turkey TV Romania* Romania North America CBC* Canada NBC USA NBCSN USA Peacock Premium USA Central America Sky Sport Mexico Belize, Costa Rica, Dominican Republic, El Salvador, Guatemala, Hondurus, Mexico, Nicaragua, Panama Oceania SBS Australia Sky New Zealand *Events also available as a live stream on the ISU Skating YouTube. -
EC Beadvány Final Final
Complaint against Hungary - Application of State aid rules to public service broadcasting (2016/045446, update) 1.) Organisational questions: MTVA v Duna Médiaszolgáltató Nonprofit Zrt Public media service provider The media law defines the Duna Media Service Non-Profit Ltd (Duna Médiaszolgáltató Nonprofit Zrt.) as the public media service provider, 1 even though in practice these functions are discharged by the Media Service Support and Asset Management Fund (Médiaszolgáltatás- támogató és Vagyonkezel ő Alap, abbreviated as MTVA in Hungarian). - Budget: The sum total of the MTVA’s spending in 2016: 87.6 billion HUF, including 1.8 billion HUF for the Duna Media Service.2 The total annual budget of the Duna Media Service in 2016: 2.2bn HUF. 3 - In total, the Duna Media Service spent 5.5 million HUF in 2016 on show acquisition and show production; this information was revealed in response to a freedom of information (FOI) request by Mérték Media Monitor.4 - Personnel: MTVA in Q4 2016: 2032 persons; 5 Duna Media Service in 2016: 110 persons; 6 total personnel expenditures as a share of the 2016 budget: 63.9%.7 In 2016 the Head of the Media Authority rendered 7 billion HUF of additional financial support to the Media Services and Support Trust Fund. 8 In 2015 the MTVA had received 10.6 billion HUF of “additional resources” in 2015 as well. 9 The conditions of granting these resources and the data on their utilisation are not open for the public. According to the law, the MTVA is not a media service provider but a “distinct asset management and financial fund” entity with the responsibility to support public media services, as well as to produce and support public service media shows. -
Brändin Merkitys Television Markkinointikampanjoissa
Brändin merkitys television markkinointikampanjoissa TV5 kanavailmeen selkiytys LAHDEN AMMATTIKORKEAKOULU Muotoilun ja media-alan uudistava osaaminen Opinnäytetyö YAMK Kevät 2018 Krista Badwal Lahden ammattikorkeakoulu Muotoilun ja media-alan uudistava osaaminen BADWAL, KRISTA: Brändin merkitys television markkinointikampanjoissa TV5 kanavailmeen selkiytys 67 sivua, 0 liitesivua Kevät 2018 TIIVISTELMÄ Opinnäytetyöni pohtii ja selventää yhtenäisen ja kirkkaan kanavailmeen viestintää eri medioissa. Televisiokanavat eivät näy pelkästään vain televisiossa, vaan niiden markkinoiminen ja brändin rakentaminen ovat esillä vahvasti monimediassa kuten sosiaalisessa mediassa, maksetuissa ulkomainoksissa tai radiospoteissa. Katsojaluvuista kilpaileminen tarkoittaa usein vahvasti markkinointiin ja viestintään panostamista. Kanavabrändin rakentaminen kaikkiin media-alustoihin yhtenäiseksi ja selkeäksi edesauttaa bränditunnettuutta. Mainostettavan tuotteen eli tässä kohtaa mainostettavan ohjelman on oltava viestinnän avulla tarpeeksi huomiota herättävä. Televisiokanava, josta kyseinen ohjelma tulee pitää jäädä katsojan mieleen, jotta hän löytää ohjelman. Selkeällä visuaalisella brändi-ilmeellä rakennetaan mielikuvaa kanavasta ja luodaan säännönmukainen ilme. Katsojan näkökulmaa tarkastelen someviestinnän vastaanottamisesta olevan yleisen, aiemman tutkimuksen tuomassa valossa. Siinä on tullut esiin muun muassa selailun lyhytjänteisyys ja samanaikaisesti usean median seuraaminen. Asiasanat: bränditunnettuus, kanavailme, markkinointi, graafinen ohjeistus, -
Hungary | Freedom House Page 1 of 5
Hungary | Freedom House Page 1 of 5 Hungary freedomhouse.org Hungary’s media environment, which has suffered from increased state regulation and other interference since 2010, deteriorated slightly in 2014 as the government continued to exert pressure on private owners to influence coverage, and a new advertising tax disproportionately affected a major private television station. However, a proposed tax on internet data traffic was withdrawn in October after opponents mounted large demonstrations. Legal Environment Hungary’s constitution protects freedom of speech and of the press, but complex and extensive media legislation adopted in 2010 is widely deemed to have undermined these guarantees. A ruling by the Constitutional Court in December 2011 and amendments adopted during 2011 and 2012 to meet objections from the European Commission did little to limit the power of a new media regulation authority created by the 2010 laws. The authority is currently controlled by appointees of the ruling Fidesz party. Fidesz has used its supermajority in the parliament to amend the constitution at will, at times doing so as a means of enacting legislation that was previously rejected by the Constitutional Court. Changes adopted in this manner in 2013 included a rule that political advertising during campaign periods may only be placed in media outlets free of charge. Critics argued that private outlets would have little incentive to carry such material, further limiting media access for opposition parties in particular. The Hungarian penal code places a number of restrictions on freedom of speech through provisions that prohibit incitement to hatred, incitement to violence, incitement against a community, and denial of crimes “committed by national socialist or communist systems.” Defamation remains a criminal offense, and both defamation and related charges—for example, breach of good repute and hooliganism—are regularly brought against journalists and other writers. -
Medienboard Berlin-Brandenburg Gmbh
Curriculum Vitae: Dirk Beinhold Dirk Beinhold is co-owner and CEO of Akkord Film. A member of the German Film Academy and formerly a Visiting Professor for International Co-Productions at California’s Chapman University’s Producing Program in Singapore (2010-14) and member of the International Academy for Television Arts & Sciences, he looks back at 28 years of producing experience. With a B.A. in Political Science from the Free University of Berlin, he started his career in local television and soon created innovative TV magazines. He then moved to Los Angeles to become the first German to enter the Peter Stark Graduate Producing Program at the University of Southern California where he received an MFA in 1996. While still attending USC film school, he started as Management Trainee at Warner Bros. followed by a stint as Financial Consultant at Prelude/Paramount. He was then appointed Creative Executive at New Regency Productions where he was involved in key creative aspects of half a dozen feature films including iconic films like L.A. CONFIDENTIAL and HEAT. Wanting to learn more about the European film & television industry, he moved to Munich to become Co-Head of Production at German TV broadcaster ProSieben (Pro7) where Dirk oversaw all German fiction production and initiated some of ProSieben’s most successful movie specials. In 1998, Studio Babelsberg appointed him Head of Creative Production. While rounding up his international co- production experience, he produced a German feature film with Senator Film and oversaw a TV movie cycle for UFA & ZDF. In 2001, Dirk founded his company, Akkord Film Produktion GmbH. -
Suomalainen Televisiotarjonta 2013
Suomalainen televisiotarjonta 2013 Julkaisuja 19/2014 Liikenne- ja viestintäministeriön visio Hyvinvointia ja kilpailukykyä hyvillä yhteyksillä toiminta-ajatus Liikenne- ja viestintäministeriö edistää väestön hyvinvointia ja elinkeinoelämän kilpailukykyä. Huolehdimme toimivista, turvallisista ja edullisista yhteyksistä. arvot Rohkeus Oikeudenmukaisuus Yhteistyö Julkaisun päivämäärä 13.8.2014 Julkaisun nimi Suomalainen televisiotarjonta 2013 Tekijät VTM Laura Juntunen & VTM Aino Koskenniemi, Helsingin yliopiston Viestinnän tutkimuskeskus CRC Toimeksiantaja ja asettamispäivämäärä Liikenne- ja viestintäministeriö Julkaisusarjan nimi ja numero ISSN (verkkojulkaisu) 1795-4045 Liikenne- ja viestintäministeriön ISBN (verkkojulkaisu) 978-952-243-406-7 URN http://urn.fi/URN:ISBN: 978-952-243-406-7 julkaisuja 19/2014 Asiasanat televisio, ohjelmisto, monipuolisuus Yhteyshenkilö Neuvotteleva virkamies Sini Wirén Muut tiedot Tiivistelmä Raportti tarkastelee maanpäällisessä digiverkossa vuonna 2013 vapaasti saatavilla olleiden valtakunnallisten kanavien ohjelmatarjontaa. Mukana tarkastelussa olevat kanavat ovat: Yle TV1, Yle TV2, Yle Fem, Yle Teema, MTV3, Sub, AVA, Nelonen, JIM, Liv, Kutonen, TV5 ja FOX. Päätulokset: · Vuonna 2013 maksuttomien suomalaisten televisiokanavien yhteenlaskettu varsinainen ohjelmatarjonta oli otanta-aineiston perusteella keskimäärin 1429 tuntia viikossa eli noin 204 tuntia vuorokaudessa. Tarjonta kasvoi vuoteen 2012 nähden 75 viikkotunnilla. · Valtakunnallisen tv-tarjonnan suurimmat yksittäiset ohjelmaluokat olivat tositelevisio