Television Viewing in Finland 2008
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Joukkoviestimet 2013
Kulttuuri ja viestintä 2014 Kultur och media Culture and the media Kulttuuri ja viestintä 2014 Kulttuuri Joukkoviestimet – Finnish Mass Media on artikkeleihin ja tilastoaineistoon perustuva monipuolinen katsaus Suomen joukkoviestinnän tilaan. Julkaisussa tarkastellaan joukko- viestimiä seuraavina kokonaisuuksina: joukkoviestinnän talous ja kulutus, sanomalehdet, aikakauslehdet, radio, televisio ja verkkomedia. Julkaisussa on myös kansainväli- siä vertailutietoja sisältävä luku. Jokaisesta joukkoviestin- nän sektorista on lisäksi tilastokatsausten yhteydessä tiiviit johdantoartikkelit. Joukkoviestimet 2013 Joukkoviestimet 2013 Finnish Mass Media ISSN 2242−6477 (pdf) ISBN 978−952−244−499−8 (pdf) ISSN 1455−9447 (print) ISBN 978−952−244−500−1 (print) Tuotenumero 3090 (print) 9 789522 445001 Tietopalvelu ja viestintä Kommunikation och informationstjänst Communication and Information Services Tilastokeskus Statistikcentralen Statistics Finland puh. 029 551 2220 tfn 029 551 2220 tel. +358 29 551 2220 www.tilastokeskus.fi www.stat.fi www.stat.fi Julkaisutilaukset: Beställning av publikationer: Publication orders: Edita Publishing Oy Edita Publishing Oy Edita Publishing Oy puh. 020 450 05 tfn 020 450 05 tel. +358 20 450 05 [email protected] www.editapublishing.fi www.editapublishing.fi www.editapublishing.fi Untitled-1 1 12.6.2014 13:07:39 Kulttuuri ja viestintä 2014 Kultur och media Culture and the media Joukkoviestimet 2013 Finnish Mass Media Helsinki – Helsingfors 2014 Tiedustelut – Förfrågningar – Inquiries: Tuomo Sauri Puh. 029 551 3449 Tel. +358 29 551 3449 [email protected] Kansikuva – Pärmbild – Cover photograph: Ilkka Kärkkäinen Kannen suunnittelu – Pärmplanering – Cover design: Irene Koumolou Taitto – Ombrytning – Layout: Eeva-Liisa Repo © 2014 Tilastokeskus – Statistikcentralen – Statistics Finland ISSN 2242−6477 (pdf) ISBN 978−952−244−499−8 (pdf) ISSN 1455−9447 (print) ISBN 978−952−244−500−1 (print) Taulukoissa käytetyt symbolit Key to symbols used in Tables Ei mitään ilmoitettavaa No information....... -
Brändin Merkitys Television Markkinointikampanjoissa
Brändin merkitys television markkinointikampanjoissa TV5 kanavailmeen selkiytys LAHDEN AMMATTIKORKEAKOULU Muotoilun ja media-alan uudistava osaaminen Opinnäytetyö YAMK Kevät 2018 Krista Badwal Lahden ammattikorkeakoulu Muotoilun ja media-alan uudistava osaaminen BADWAL, KRISTA: Brändin merkitys television markkinointikampanjoissa TV5 kanavailmeen selkiytys 67 sivua, 0 liitesivua Kevät 2018 TIIVISTELMÄ Opinnäytetyöni pohtii ja selventää yhtenäisen ja kirkkaan kanavailmeen viestintää eri medioissa. Televisiokanavat eivät näy pelkästään vain televisiossa, vaan niiden markkinoiminen ja brändin rakentaminen ovat esillä vahvasti monimediassa kuten sosiaalisessa mediassa, maksetuissa ulkomainoksissa tai radiospoteissa. Katsojaluvuista kilpaileminen tarkoittaa usein vahvasti markkinointiin ja viestintään panostamista. Kanavabrändin rakentaminen kaikkiin media-alustoihin yhtenäiseksi ja selkeäksi edesauttaa bränditunnettuutta. Mainostettavan tuotteen eli tässä kohtaa mainostettavan ohjelman on oltava viestinnän avulla tarpeeksi huomiota herättävä. Televisiokanava, josta kyseinen ohjelma tulee pitää jäädä katsojan mieleen, jotta hän löytää ohjelman. Selkeällä visuaalisella brändi-ilmeellä rakennetaan mielikuvaa kanavasta ja luodaan säännönmukainen ilme. Katsojan näkökulmaa tarkastelen someviestinnän vastaanottamisesta olevan yleisen, aiemman tutkimuksen tuomassa valossa. Siinä on tullut esiin muun muassa selailun lyhytjänteisyys ja samanaikaisesti usean median seuraaminen. Asiasanat: bränditunnettuus, kanavailme, markkinointi, graafinen ohjeistus, -
Mari Mäntyläfinal.Indd
Orfeo Amoroso Mari Mäntylä decacorde1 Orfeo Amoroso My second decacorde disc is like a set of Orphean and the same to some extent applies to Pekka Jalkanen’s attributes: belief in the spellbinding power of music, Nocturne for Insomnia and The Bog Gypsies. The courage to rush headlong into danger, to love contrasts, four lowest strings have no frets in this ten-stringed to act rationally yet at the same time to rely on intuition guitar. I developed the instrument in partnership with and spontaneous displays of emotion. guitar maker Kauko Liikanen in 2015. In the earlier model I play for the other pieces (also built by Kauko There is contrast between the pieces, too. Almost all of Liikanen, in 2001), there are frets under all the strings. them were composed at my request; a few found their The absence of frets affords both the player and the way into my repertoire via other routes. The stylistic composer some interesting potential. Glissandos are range is broad. Most of the new works are in modern, unhindered and soft, microintervals come naturally neotonal styles such as those that have followed post- and the completely novel touch – the four lowest serialism. There is also evidence of instrumental fun bass strings being pressed on the fingerboard direct – and games in dialogue with the history of music, gives the colour scale of this big guitar instrument a Neoclassical stylisations and distancings, echoes of delightful, pizzicato-like hue. Estonian minimalism and ethnic influences. Only the work by Jukka Tiensuu for the new decacorde model, in which the lowest bass strings have no frets, travels a different, microtonal path. -
Suomalainen Televisiotarjonta 2013
Suomalainen televisiotarjonta 2013 Julkaisuja 19/2014 Liikenne- ja viestintäministeriön visio Hyvinvointia ja kilpailukykyä hyvillä yhteyksillä toiminta-ajatus Liikenne- ja viestintäministeriö edistää väestön hyvinvointia ja elinkeinoelämän kilpailukykyä. Huolehdimme toimivista, turvallisista ja edullisista yhteyksistä. arvot Rohkeus Oikeudenmukaisuus Yhteistyö Julkaisun päivämäärä 13.8.2014 Julkaisun nimi Suomalainen televisiotarjonta 2013 Tekijät VTM Laura Juntunen & VTM Aino Koskenniemi, Helsingin yliopiston Viestinnän tutkimuskeskus CRC Toimeksiantaja ja asettamispäivämäärä Liikenne- ja viestintäministeriö Julkaisusarjan nimi ja numero ISSN (verkkojulkaisu) 1795-4045 Liikenne- ja viestintäministeriön ISBN (verkkojulkaisu) 978-952-243-406-7 URN http://urn.fi/URN:ISBN: 978-952-243-406-7 julkaisuja 19/2014 Asiasanat televisio, ohjelmisto, monipuolisuus Yhteyshenkilö Neuvotteleva virkamies Sini Wirén Muut tiedot Tiivistelmä Raportti tarkastelee maanpäällisessä digiverkossa vuonna 2013 vapaasti saatavilla olleiden valtakunnallisten kanavien ohjelmatarjontaa. Mukana tarkastelussa olevat kanavat ovat: Yle TV1, Yle TV2, Yle Fem, Yle Teema, MTV3, Sub, AVA, Nelonen, JIM, Liv, Kutonen, TV5 ja FOX. Päätulokset: · Vuonna 2013 maksuttomien suomalaisten televisiokanavien yhteenlaskettu varsinainen ohjelmatarjonta oli otanta-aineiston perusteella keskimäärin 1429 tuntia viikossa eli noin 204 tuntia vuorokaudessa. Tarjonta kasvoi vuoteen 2012 nähden 75 viikkotunnilla. · Valtakunnallisen tv-tarjonnan suurimmat yksittäiset ohjelmaluokat olivat tositelevisio -
Mapping Digital Media:Finland
COUNTRY REPORT MAPPING DIGITAL MEDIA: FINLAND Mapping Digital Media: Finland A REPORT BY THE OPEN SOCIETY FOUNDATIONS WRITTEN BY Sampsa Saikkonen and Paula Häkämies EDITED BY Marius Dragomir and Mark Thompson (Open Society Media Program editors) EDITORIAL COMMISSION Yuen-Ying Chan, Christian S. Nissen, Dusˇan Reljic´, Russell Southwood, Damian Tambini The Editorial Commission is an advisory body. Its members are not responsible for the information or assessments contained in the Mapping Digital Media texts OPEN SOCIETY MEDIA PROGRAM TEAM Meijinder Kaur, program assistant; Stewart Chisholm, associate director OPEN SOCIETY INFORMATION PROGRAM TEAM Vera Franz, senior program manager; Darius Cuplinskas, director 5 January 2014 Contents Mapping Digital Media ..................................................................................................................... 4 Executive Summary ........................................................................................................................... 6 Context ............................................................................................................................................. 9 Social Indicators ................................................................................................................................ 11 Economic Indicators ......................................................................................................................... 13 1. Media Consumption: Th e Digital Factor .................................................................................. -
UPDATE Contents
2013 UPDATE CONTENTS Acknowlegements ................................................................................... 2 Introduction ............................................................................................... 3 Austria ......................................................................................................... 4 Belgium ....................................................................................................... 8 Cyprus ......................................................................................................... 18 Czech Republic ........................................................................................ 23 Denmark .................................................................................................... 28 Finland ........................................................................................................ 34 France ......................................................................................................... 39 Germany .................................................................................................... 57 Iceland ........................................................................................................ 78 Ireland ........................................................................................................ 83 Italy .............................................................................................................. 88 Netherlands ............................................................................................. -
Mobile Television Services Are Described
ESPOO 2003 VTT PUBLICATIONS 506 VTT PUBLICATIONS 506 Watching television from a wireless pen tablet or pocket-sized terminal is interesting in many situations. Public and private transportation vehicles, and public places are potential environments for mobile television services. Even in homes, mobile television handsets are interesting, both as a personal Mobile television - technology and user experiences. Report on the ... television set and as a tool for establishing closer interaction with the television programs. This publication presents results about people´s real interest in mobile television. The results come from interviewing a large number of persons and from building and trialing a prototype system. A total of 293 people took part in the interviews and the trial. The trial system combined several types of wireless networks in a 4G fashion. It took digital terrestrial television broadcasts from the air and delivered them over the Internet to mobile terminals in hot-spot areas covered by Wireless Local Area Networks (WLAN). Two kinds of terminals were used - a pocket-sized PDA and an A5- sized tablet PC. In the field trial the user could watch almost the entire program content of the three leading Finnish TV channels. The user was also able to access all programs transmitted during the previous week from the media server (TV-Anytime feature). This publication is intended for producers and distributors of television content, as well as for people in the handset device industry; it is also useful for students and people who are generally interested in the future of television. The publication starts with a review of television usage patterns and early experiences of digital television and mobile television trials around the world. -
Confirmed 2021 Buyers / Commissioners
As of April 13th Doc & Drama Kids Non‐Scripted COUNTRY COMPANY NAME JOB TITLE Factual Scripted formats content formats ALBANIA TVKLAN SH.A Head of Programming & Acq. X ARGENTINA AMERICA VIDEO FILMS SA CEO XX ARGENTINA AMERICA VIDEO FILMS SA Acquisition ARGENTINA QUBIT TV Acquisition & Content Manager ARGENTINA AMERICA VIDEO FILMS SA Advisor X SPECIAL BROADCASTING SERVICE AUSTRALIA International Content Consultant X CORPORATION Director of Television and Video‐on‐ AUSTRALIA ABC COMMERCIAL XX Demand SAMSUNG ELECTRONICS AUSTRALIA Head of Business Development XXXX AUSTRALIA SPECIAL BROADCASTING SERVICE AUSTRALIA Acquisitions Manager (Unscripted) X CORPORATION SPECIAL BROADCASTING SERVICE Head of Network Programming, TV & AUSTRALIA X CORPORATION Online Content AUSTRALIA ABC COMMERCIAL Senior Acquisitions Manager Fiction X AUSTRALIA MADMAN ENTERTAINMENT Film Label Manager XX AUSTRIA ORF ENTERPRISE GMBH & CO KG content buyer for Dok1 X Program Development & Quality AUSTRIA ORF ENTERPRISE GMBH & CO KG XX Management AUSTRIA A1 TELEKOM AUSTRIA GROUP Media & Content X AUSTRIA RED BULL ORIGINALS Executive Producer X AUSTRIA ORF ENTERPRISE GMBH & CO KG Com. Editor Head of Documentaries / Arts & AUSTRIA OSTERREICHISCHER RUNDFUNK X Culture RTBF RADIO TELEVISION BELGE BELGIUM Head of Documentary Department X COMMUNAUTE FRANCAISE BELGIUM BE TV deputy Head of Programs XX Product & Solutions Team Manager BELGIUM PROXIMUS X Content Acquisition RTBF RADIO TELEVISION BELGE BELGIUM Content Acquisition Officer X COMMUNAUTE FRANCAISE BELGIUM VIEWCOM Managing -
Legal Assessment of State Aid Incompatible with the Internal Market
Legal assessment of State aid incompatible with the internal market Funding for online learning services and video-on-demand (“VOD”) to the Finnish public service broadcaster Yleisradio Oy (“Yle”) Before the European Commission 23 April 2021 Table of Contents I. Introduction ............................................................................................................................ 4 II. Factual background ............................................................................................................... 8 A. Overview of Sanoma ................................................................................................ 8 B. Overview of Yleisradio Oy and its activities .......................................................... 9 1. Yle’s public service remit .................................................................................. 10 2. Yle’s corporate governance and supervisory structure ..................................... 13 3. Yle’s financing .................................................................................................. 15 4. Yle’s broadcasting offering ............................................................................... 18 5. Yle’s non-broadcasting online activities ........................................................... 20 5.1. Yle’s expansion into online learning services ....................................... 22 5.2. Yle’s expansion into VOD .................................................................... 23 III. Legal assessment ................................................................................................................. -
INVITING the AUDIENCE – Interactive, Participatory, and Social Television in Finland 2004–2014
INVITING THE AUDIENCE – Interactive, Participatory, and Social Television in Finland 2004–2014 Pauliina Tuomi TURUN YLIOPISTON JULKAISUJA – ANNALES UNIVERSITATIS TURKUENSIS Sarja - ser. B osa - tom. 401 | Humaniora | Turku 2015 University of Turku Faculty of Humanities Department of History, Culture and Arts Studies Digital culture JUNO doctoral program Supervised by mnn Prof. Jaakko Suominen, University of Turku, Finland PhD, docent Mari Pajala, University of Turku, Finland Reviewed by iiiiiiiiii Prof. Artur Lugmayr, Curtin University of Technology, Australia Prof, Kaarina Nikunen, University of Jyväskylä Opponent iiiiiiiiii Prof. Artur Lugmayr, Curtin University of Technology, Australia The originality of this thesis has been inspected with the Turnitin Originality Check system according to the quality monitoring of the University of Turku. ISBN 978-951-29-6138-2 (PRINT) ISBN 978-951-29-6139-9 (PDF) ISSN 0082-6987 Suomen Yliopistopaino Oy, Juvenes Print, Turku, Finland 2015 Summary in English UNIVERSITY OF TURKU Faculty of Humanities School of History, Culture and Arts Studies Degree Program of Cultural Production and Landscape Studies Cultural Heritage Studies Digital Culture TUOMI, PAULIINA: INVITING THE AUDIENCE – Interactive, Participatory, and Social Television in Finland 2004–2014 PhD thesis, pp. 214 Juno doctoral program June 2015 The television and the ways it has invited the audience to take part have been changing during the last decade. Today’s interaction, or rather participation, comes from multiplatform formats, such as TV spectacles that combine TV and web platforms in order to create a wider TV experience. Multiplatform phenomena have spread television consumption and traditional coffee table discussions to several different devices and environments. Television has become a part of the bigger puzzle of interconnected devices that operates on several platforms instead of just one. -
Drama Directory 2014
2014 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia .......................................................................... 122 Introduction ................................................................. 3 Lithuania ................................................................... 125 Luxembourg ............................................................ 131 Austria .......................................................................... 4 Malta .......................................................................... 133 Belgium ...................................................................... 10 Netherlands ............................................................. 135 Bulgaria ....................................................................... 21 Norway ..................................................................... 145 Cyprus ......................................................................... 26 Poland ........................................................................ 151 Czech Republic ......................................................... 31 Portugal .................................................................... 157 Denmark .................................................................... 36 Romania ................................................................... 160 Estonia ........................................................................ 42 Slovakia ................................................................... -
Audiovisuaalisen Alan Tuottajakentän Toimialakartoitus 30.11.2013
Marianne Toiskallio & Minna Laukkanen Audiovisuaalisen alan tuottajakentän toimialakartoitus 30.11.2013 1 Toimialakartoitus Sisällys 1. Laaja-alainen ja moni-ilmeinen audiovisuaalinen ala .........................................5 1.1. Monimuotoinen audiovisuaalinen kulttuuri .........................................................5 1.2. Tietoa audiovisuaalista toimialasta .......................................................................6 1.3. Toimialakartoituksen organisointi ......................................................................... 8 1.4. Toimialakartoituksen sisällön kuvaus ....................................................................9 1.5. Kansainvälisten mediaklusterien menestyminen ..............................................9 2. Audiovisuaalisen alan toimintaympäristö ...........................................................12 2.1. Audiovisuaalisen alan tuotannon ja jakelun ekosysteemi ............................ 12 2.2. Televisiotoiminnan, elokuvan ja teletoiminnan markkinoiden koko........... 15 2.3. Valtakunnalliset tv-kanavat ja toimijat .............................................................. 17 2.4. TV-kanavien rahoitus ..............................................................................................20 3. Kotimainen sisällöntuotanto ................................................................................. 22 3.1. Moninainen yksityisten riippumattomien tuotantoyhtiöiden kenttä ........ 22 3.2. Edunvalvonta ..............................................................................................................27