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YVONNE BLAKE Costume Designer
(3/18/15) YVONNE BLAKE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “THERE BE DRAGONS” Roland Joffe Immi Pictures Wes Bentley Golshifteh Farahani Unax Ugalde “GOYA’S GHOST” Milos Forman The Saul Zaentz Co. Natalie Portman Nomination: Satellite Award Stellan Skarsgard “TIRANTE EL BLANCO” Vicente Aranda Carolina Films (Spain) Giancaro Giannini Future Films (UK) Jane Asher Victoria Abril Leonor Watling Casper Zafer “THE BRIDGE OF SAN LUIS REY Mary McGuckian Pembridge Pictures Robert De Niro Winner: Goya Award for Best Costume Design Kanzaman S.A. Kathy Bates Harvey Keitel “THE RECKONING” Paul McGuigan Renaissance Films Willem Dafoe Paramount Classics Paul Bettany Caroline Wood “CARMEN” Vicente Aranda Star Line Paz Vega Winner: Goya Award for Best Costume Design Leonardo Sbaraglia “JAMES DEAN” Mark Rydell Concourse Prods. James Franco Nomination: Emmy Award for Best Costume Design TNT Michael Moriarty “GAUDI AFTERNOON” Susan Seidelman Lola Films Judy Davis Marcia Gay Harden Juliette Lewis "PRESENCE OF MIND" Antonio Aloy Presence of Mind, LLC. Lauren Bacall Sadie Frost Harvey Keitel "WHAT DREAMS MAY COME" Vincent Ward Interscope/Polygram Robin Williams Barnet Bain Annabella Sciorra Stephen Simon Cuba Gooding, Jr. "CRIME OF THE CENTURY" Mark Rydell HBO Stephen Rea Barbara Broccoli Isabella Rossellini "LOOKING FOR RICHARD" Al Pacino Fox Searchlight Al Pacino (Battle sequences) Kevin Spacey "COMPANY BUSINESS" Nicholas Myer Pathe Screen Ent. Gene Hackman Mikhail Baryshnikov (cont.) SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Pierre Spengler Started in the Industry in 1964 on the Film PARIS SECRET
Pierre Spengler started in the industry in 1964 on the film PARIS SECRET and went on working as an assistant director, assistant editor and a production assistant on such major films as THE MADWOMAN OF CHAILLOT starring Katharine Hepburn (1968), LE MANS starring Steve Mc Queen (1969) and THE LIGHT AT THE EDGE OF THE WORLD staring Kirk Douglas (1970). He went on to production responsibilities within the Salkind Organisation and soon was in charge of producing all of their films including the globally successful THE THREE MUSKETEERS, THE FOUR MUSKETEERS, SUPERMAN I, SUPERMAN II, SUPERMAN III and SANTA CLAUS. Since 1986, he has been independent and has produced such motion pictures as THE RETURN OF THE MUSKETEERS and UNDERGROUND (Golden Palm in Cannes 1995) and coproduced more than 20 films out of the United Kingdom including UNLEASHED starring Jet Li and Morgan Freeman, Guy Ritchie’s REVOLVER starring Jason Statham, and 7 SECONDS starring Wesley Snipes. In addition to his activities in the United Kingdom, he cofounded in 2000 the production company Cadenza Films in the Netherlands, which produced SNAPSHOTS, TIRZA and SUSKIND and currently ORESTES based on Aeschylus classic tragedy to be directed by Rudolf Van den Berg. In the recent past, in addition to his regular production activities he has been involved in the development of a number of films based upon the prestigious Humanoids graphic novel catalogue. Due for production are BOUNCER based on the comic book series by Alejandro Jodorowsky and Francois Boucq, to be directed by Floria Sigismondi, LEGION based on the comic series by Fabien Nury and John Cassaday, screenplay by Richard Stanley directed by Nacho Cerda, and a feature film based upon the comic book THE ZOMBIES THAT ATE THE WORLD to be directed by Sundance sensation the Candian trio RKSS. -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: -
Alexander Salkind Santa Claus Movie
Alexander Salkind Santa Claus Movie Aziz remains aglimmer after Englebart slumbers destructively or seises any krakens. Wigless Micky tidy seasonally. Biafran or dry-cleaned, Osborn never dining any sensualists! Super high think of views. Some movies turn out simply mediocre. How dumb Is Rudolph? When salkind was much further over. Super high above as assistant, judy cornwell are joined by henry mancini and kenwood golf and. The film chronicles the origins of Santa Claus, who, along with his wife Anya, goes from being a simple working man to becoming an international icon of Christmas. Going all the flute back zipper Black Christmas and Halloween, holiday horror movies have remained a staple for the genre for well for four decades now. It was directed by Ron Underwood Who is Kate Pierce? Mysteries channel but it was still a holiday hit. Okay, admittedly, in retrospect certain things are a little hard to swallow. Polarised whilst they live making 195's Santa Claus The Movie. Santa claus came back and face certain things up considerably become the salkinds, the definitive santa fall off as a mysterious man inadvertently loses the! That is not Santa Claus. Of a jaded from joyous to a good movie santa claus? Ilya Salkind was so convinced would happen. Christmas too, adding to joy awkward and miserable situation. Santa Claus the movie videorecording DVD an Alexander and Ilya Salkind production Edition 20th anniversary edition Publisher Date Troy MI Anchor. But considering how big Lithgow goes with the performance, you may find him delightful. ALEX AND ILYA SALKIND IN INTERVIEW BY HARLAN. -
Crisis of Infinite Intertexts! Continuity As Adaptation in the Superman Multimedia Franchise
Crisis of Infinite Intertexts! Continuity as Adaptation in the Superman Multimedia Franchise Jack Peterson Teiwes ORCID identifier 0000-0001-8956-1602 Doctor of Philosophy November 2015 School of Culture and Communication The University of Melbourne Submitted in total fulfillment of the requirements of the PhD degree Produced on archival quality paper Abstract Since first appearing as a comic book character over three quarters of a century ago, Superman was not only the first superhero, spawning an entire genre of imitators, but also quickly became one of the most widely disseminated multi-media entertainment franchises. This achieved a degree of intergenerational cultural dissemination that far surpasses his comic book fandom. Yet despite an unprecedented degree of adaptation into other media from radio, newspaper strips, film serials, animation, feature films, video games and television, Superman’s ongoing comic books have remained in unbroken publication, developing a long and complex history of narrative renewal and reinvention. This thesis investigates the multifaceted intertextuality between the comic book portrayals of Superman and its many adaptations over the years, including how such retellings in other media have a generally stronger cultural impact, which exerts in turn an adaptive influence upon these continuing comics’ internalised narrative continuity. I shall argue that Superman comics, as a case study for the wider phenomenon in the superhero genre, demonstrate via their frequent revisions and relaunches of continuity, a process of deeply palimpsestuous self-adaptation. The Introduction positions my research methodology in relation to intertextual theory, with an emphasis on providing terminological clarity, while Chapter 1 expands into a literature review on pertinent key scholarship on adaptation studies and the comics studies field specifically. -
FEATURE FILMS: FANTASTIC BEASTS 3 Senior Art Director – Leavesden Studios 2020 • Feature Based on J.K
FEATURE FILMS: FANTASTIC BEASTS 3 Senior Art Director – Leavesden Studios 2020 • Feature based on J.K. Rowling’s characters, starring Johnny Depp, Jude Law & Ezra Miller • • Director David Yates • Production Design: Stuart Craig & Neil Lamont • Supervising Art Director Al Bullock • TOP GUN : MAVERICK Art Director (Additional Photography) – Leavesden Studios 2019 • Feature starring Tom Cruise & Val Kilmer• • Director Joseph Kosinski • Supervising Art Director Andrew Bennett• UNTITLED ‘GAME OF THRONES’ PREQUEL Senior Art Director – Titanic Studios, Belfast 2019 • TV Movie starring Naomi Watts, Miranda Richardson et al • • Director S.J.Clarkson • Production Designer Luke Hull• THE VOYAGE OF DR. DOLITTLE Senior Art Director – Shepperton Studios 2017 - 2018 • Feature starring Robert Downey Jnr • • Director Stephen Gaghan • Production Designer Neil Lamont / Dominic Watkins• FLASHPOINT Senior Art Director – Leavesden Studios 2017 • Preliminary concept development work • CHRISTOPHER ROBIN Art Director – Shepperton Studios 2017 • Feature starring Ewan McGregor & Hayley Atwell • • Director Marc Forster • Production Designer Jennifer Williams• JUSTICE LEAGUE Art Director – Leavesden Studios 2016 • Feature starring Ben Affleck, Henry Cavill & Gal Gadot • • Director Zack Snyder • Production Designer Patrick Tatopoulos • JASON BOURNE Art Director – Leavesden Studios and Tenerife 2015 • Feature starring Matt Damon, Alicia Vikander & Julia Stiles • • Director Paul Greengrass • Production Designer Paul Kirby • Sup Art Director Paul Inglis • PAN Art Director -
Adaptations Cinématographiques De Comic Books Carl Rodrigue
Document généré le 28 sept. 2021 11:06 Séquences La revue de cinéma Adaptations cinématographiques de comic books Carl Rodrigue Numéro 227, septembre–octobre 2003 URI : https://id.erudit.org/iderudit/48279ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Rodrigue, C. (2003). Adaptations cinématographiques de comic books. Séquences, (227), 18–23. Tous droits réservés © La revue Séquences Inc., 2003 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ ADAPTATIONS CINÉMATOGRAPHIQUES DE comic books De gauche à droite et de haut en bas : Batman (1966), Spider-Man (2002), Superman (1978), Hulk (2003), Batman (1989), X2 (2003), Conan The Barbarian (1982), Men In Black (1997), Road To Perdition (2002), The Crow (1994), Batman 1989), Blade (1998), Superman II (1980), Daredevil (2003), Batman (1966) « Il y a en moyenne 35 pages et 124 illustrations dans chaque comic book. Le prix d'un seul numéro peut varier d'un dollar après de 140 000 dollars US. 172 000 comic books se vendent chaque jour aux États-Unis, soit plus de 62 780 000 chaque année. -
Defiant Lives HHH1/2 Greater Mysteries of the Human Brain, This (2017) 85 Min
November-December 2018 VOL. 33 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE Love & Bananas: An Elephant Story | What Lies Upstream | Three Identical Strangers | The Mayo Clinic | Defi ant Lives | The S Word Spotlight Review Love & Bananas: freeing Noi Na takes viewers to the edge of An Elephant Story their seats, and there are unforeseen divi- HHH dends when the company’s owner begins to 1/2 regret what he has done to elephants. Bell (2018) 75 min. In has made a fine documentary, an inspiring Publisher/Editor: Randy Pitman English & Thai w/English subtitles. DVD: $24.95 portrait of compassion that also captures Associate Editor: Jazza Williams-Wood ($495 w/PPR from www. the fantastic bond between humans and loveandbananas.com/ Editorial Assistant: Christopher Pitman elephants. Extras include deleted scenes host-a-screening/). Cargo and the film’s soundtrack. Highly recom- Film & Releasing. Graphic Designer: Carol Kaufman mended. Aud: C, P. (T. Keogh) Marketing Director: Anne Williams Actress Ashley Bell (The Last Exorcism, Novitiate) directs this emotionally-charged documentary, serving Contributing Writers as a passionate onscreen advocate for ad- A fine companion dressing the sad state of the Asian elephant. documentary to Love & Bananas, filmmakers Sean Axmaker, Reviewer, While African elephants are estimated to Ben Bowie and Geoff Seattle Times, Turner Classic Movies Online, be just under a half-million in number, the Luck’s PBS-aired Nature Parallax View Asian variety is currently less than 50,000. It’s no wonder that the population is dwin- documentary Naledi: Kathleen C. Fennessy, Reviewer, ( dling, considering the tormented lives of One Little Elephant VL The Stranger Online-4/18) tells the these wondrous mammals (the film includes story of a newborn ele- Susan Granger, SSG Syndicate brief sickening footage of the prolonged tor- phant who arrives in a Botswana reserve Donald Liebenson, Reviewer, ture of a captured elephant being driven to called Abu Camp, a halfway house for Entertainment Weekly, Amazon.com madness and submission). -
Movie Trivia
------------------------------------------------------------------------------- MOVIE TRIVIA Frequently Asked Questions Copyright (C) 1992-5 Murray Chapman ------------------------------------------------------------------------------- Compiled by Murray Chapman ([email protected]), from sources too numerous too mention. Thank-you one and all. INTRODUCTION ------------ This is a list of interesting trivia, ``did you notice’’-type things for movies. This list is part of The Internet Movie Database. See the notes at the end for more information. This, and MANY other FAQs are available for anonymous FTP wherever news.answers is archived, for example: rtfm.mit.edu:/pub/usenet/news.answers/movies/trivia-faq The followup field is set to rec.arts.movies. Additions and suggestions welcome: if you can confirm any rumors, or dispute any ``facts’’, then please do so! PLEASE read the notes at end before you submit anything. This is becoming increasingly important. Thanks! DISCLAIMER ---------- The data contained in this file has been supplied by numerous sources, many of which are anonymous and second- or third-hand. By its very nature, the data contained herein is particularly susceptible to innuendo and rumor. While I have exercised considerable editorial control by: a) attempting to eliminate scandal, sensationalism, and/or slander, b) seeking confirmatin of rumours, and c) expressing a willingness to debate the validity of included data, I will not (and could not possibly be expected to) accept responsibility or liability for any views/claims/rumours/errors that appears herein. The views expressed in this file do not necessarily agree with my own. I have attempted to present information in a professional and non-sensationalist manner, but as far as the information itself goes, I am obviously at the mercy of those who supply the data. -
December 2018 Exploring the Superman Movies' Effects on Comic
NON SPEAKS! JACK O’HALLORAN INTERVIEW Superman and Brainiac TM & © DC Comics. All Rights Reserved. December 2018 1 82658 00151 3 SUPERMAN NOVELS BY ELLIOT S! MAGGIN CARY BATES’ PLANS FOR SUPERMAN V Exploring theSuperman Movies’Effectson Comic Books, Media,andCollectibles Plus interviews with ILYA SALKIND • AARON “Baby Clark” SMOLINSKI • JEFF “Young Clark” EAST DIANE SHERRY “Lana Lang” CASE • and Superman Movie Contest winner ED FINNERAN’s recollections ™ Volume 1, Number 109 December 2018 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Gary Frank (Detail from the cover of Superman: Secret Origin #4. Original art scan courtesy of Matthew Popp.) COVER COLORIST (Superman figure) Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER IN MEMORIAM: Margot Kidder. 2 Rob Smentek BACK SEAT DRIVER: Editorial by Michael Eury. 3 SPECIAL THANKS Cary Bates Chris Ma TIMELINE: The Super ’70s. 4 John Byrne Elliot S! Maggin Diane Sherry Case Deborah Moore A countdown of Super-milestones leading up to the release of Superman: The Movie Michael Chaudhuri/ Charlie Niemeyer Fayetteville Luigi Novi INTERVIEW: Ilya Salkind: The Art of the Super Deal . 6 ComicCon Jack O’Halloran How Superman became a movie, in the words of the film’s executive producer Mike Ciemcioch Karla Ogle/Superman Shaun Clancy Celebration PRINCE STREET NEWS: Getting Superman . 8 Neil A. Cole/Superman Jerry Ordway A new cartoon by Karl Heitmueller, Jr. Super Site Martin Pasko DC Comics Mike Peacock BACKSTAGE PASS: We’ll Always Remember Smallville . 10 Kevin Dooley David M. Petrou Recollections from Superman co-stars Aaron Smolinski, Jeff East, and Diane Sherry Case Sean Dulaney Jon Pinto Jeff East Rose Rummel-Eury Mark Engblom Ilya Salkind OFF MY CHEST: Winning the Great Superman Movie Contest. -
Australian SF News 30
PROFESSIONAL NEWS GERALD MURNANE 2010: ODYSSEY TWO by ARTHUR C.CLARKE will be published by GRANADA late 1982. It is expected to be on sale in Australia late 1982 or early 1983. Clarke has sold a collection of short stories to Byron Preiss Visual NEW NOVEL FROM Productions, which will be presented as a "lavishly illustrated" book with an NORSTRILIA PRESS autobiographical introduction by Clarke. Norstrilia Press launched their latest Berkley will publish in the U.S.A. publication, THE PLAINS, by Gerald Murnane at a party held on Sunday BRIAN ALDISS became the first author August 15th. Although it is science with a number-one science fiction best fiction or fantasy, THE PLAINS is expected seller in England recently when the to appeal to a more general audience, as first part of his trilogy, HELLICONIA did this authors previous two books, SPRING hit the top of the list, beating TAMARISK ROW and A LIFETIME ON CLOUDS, out such books as NOBLE HOUSE and CUJO. neither of which could be classed as The American edition published by f or sf. TAMARISK ROW came close to being (MELBOURNE OR BUST.Q Atheneum was sold out within a few days and the publisher obviously underestim the best Australian novel of the year Artwork for sew on patch in 1974 and A LIFETIME OF CLOUDS was by Mike McGann ated the demand. Aldiss reports that also well received in 1976. the second volume, HELLICONIA SUMMER is near completion in first draft. The THE PLAINS is set in an alternative third title will be HELLICONIA WINTER.