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The Cinema of Oliver Stone
Interviews Stone on Stone Between 2010 and 2014 we interviewed Oliver Stone on a number of occasions, either personally or in correspondence by email. He was always ready to engage with us, quite literally. Stone thrives on the cut- and- thrust of debate about his films, about himself and per- ceptions of him that have adorned media outlets around the world throughout his career – and, of course, about the state of America. What follows are transcripts from some of those interviews, with- out redaction. Stone is always at his most fascinating when a ques- tion leads him down a line of theory or thinking that can expound on almost any topic to do with his films, or with the issues in the world at large. Here, that line of thinking appears on the page as he spoke, and gives credence to the notion of a filmmaker who, whether loved or loathed, admired or admonished, is always ready to fight his corner and battle for what he believes is a worthwhile, even noble, cause. Oliver Stone’s career has been defined by battle and the will to overcome criticism and or adversity. The following reflections demonstrate why he remains the most talked about, and combative, filmmaker of his generation. Interview with Oliver Stone, 19 January 2010 In relation to the Classification and Ratings Administration Interviewer: How do you see the issue of cinematic censorship? Oliver Stone: The ratings thing is very much a limited game. If you talk to Joan Graves, you’ll get the facts. The rules are the rules. -
CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Links to the Past User Research Rage 2
ALL FORMATS LIFTING THE LID ON VIDEO GAMES User Research Links to Game design’s the past best-kept secret? The art of making great Zelda-likes Issue 9 £3 wfmag.cc 09 Rage 2 72000 Playtesting the 16 neon apocalypse 7263 97 Sea Change Rhianna Pratchett rewrites the adventure game in Lost Words Subscribe today 12 weeks for £12* Visit: wfmag.cc/12weeks to order UK Price. 6 issue introductory offer The future of games: subscription-based? ow many subscription services are you upfront, would be devastating for video games. Triple-A shelling out for each month? Spotify and titles still dominate the market in terms of raw sales and Apple Music provide the tunes while we player numbers, so while the largest publishers may H work; perhaps a bit of TV drama on the prosper in a Spotify world, all your favourite indie and lunch break via Now TV or ITV Player; then back home mid-tier developers would no doubt ounder. to watch a movie in the evening, courtesy of etix, MIKE ROSE Put it this way: if Spotify is currently paying artists 1 Amazon Video, Hulu… per 20,000 listens, what sort of terrible deal are game Mike Rose is the The way we consume entertainment has shifted developers working from their bedroom going to get? founder of No More dramatically in the last several years, and it’s becoming Robots, the publishing And before you think to yourself, “This would never increasingly the case that the average person doesn’t label behind titles happen – it already is. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Jim Gianopulos Takes 20Th Century Fox Into the New Millennium
S o C V st ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ W ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ E 101 ΑΠΟ ΤΟ 1915 The National Herald anniversa ry N www.thenationalherald.com A weekly Greek-AmeriCAn PuBliCAtion 1915-2016 VOL. 19, ISSUE 970 May 14-20, 2016 c v $1.50 Cielo Gala Jim Gianopulos Takes Acclaims 20th Century Fox into Daskalakis’ The New Millennium Leadership By Vasilis Papoutsis the sinking of the Greek Navy cruiser Elli that was hit by an LOS ANGELES, CA – For the Italian submarine in August TNH Staff last 16 years Fox Filmed Enter - 1940 while anchored on the is - tainment Chairman Jim Gianop - land of Tinos. His survival was NEW YORK — Dr. Demetre ulos' innovative leadership has solely a matter of luck and tim - Daskalakis, Assistant Commis - been instrumental in producing ing, as he was on a higher part sioner of the Bureau of Oscar-winning movies such as of the vessel when the torpedo HIV/AIDS Prevention and Con - Avatar, Titanic, Sideways, and hit the Elli’s bottom. A few trol of the New York City De - The Martian. months later, Italy invaded partment of Health and Mental In 2000, he became co-Chair - Greece after Ioannis Metaxas re - Hygiene, was honored at the man of Fox Film (formerly 20th fused to surrender. Cielo Gala on May 6 at Cipriani Century Fox and 21st Century When Nikos Gianopulos ar - in New York. Fox) along with Tom Rothman, rived in the United States in The annual benefit gala for and he is now sole chair. 1951, he created the American the Latino Commission on AIDS With the distinction of hav - Ship Repair Co. -
Mama Bear, Baby Bear, Dog and Dog Owner Survive
SATURDAY, JUNE 15, 2019 VOLUME 13 NO. 24 MAMA BEAR, BABY BEAR, SIERRA MADRE CIVIC CLUB AWARDS GRANTS DOG AND DOG OWNER TO 14 ORGANIZATIONS SURVIVE ENCOUNTER WITHOUT CATASTROPHE The City of Sierra Madre is a Wildlife KeepMeWild.org. CDFW also recently Sanctuary and as such any incident in- published seven things to know about volving the clashing of cultures between California bear activity right now. humans, and in this case domesticated animals, concerns just about the entire (1) Has there been an increase in the town. number of bears entering residential Early last week, a black bear and her areas? cub came down from the hillsides and encountered a dog who apparently did There is a definite uptick in bear activ- not care for the visitors in the dogs back- ity, which occurs every year around this yard, Numerous accounts say the dog time, all across the state. In most in- was particularly interested in why the stances, we’re witnessing the dispersal cub was in the tree and that did not sit of young male black bears. Young bears well with Mama Bear who decided to typically spend about two years with protect her cub. In turn, the homeown- their mother, after which the mother er came out to save his dog, and he too chases off her young male offspring in was 'addressed' by Mama bear. That is the spring to fend for themselves. The the lighter version of the incident. behavior itself is not unusual for the Both the man and his dog escaped seri- time of year. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory .................................................................................................................... -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Baskin-Robbins Kicks Off the Ice Cream Season with a Scoop Fest Celebration
BASKIN-ROBBINS KICKS OFF THE ICE CREAM SEASON WITH A SCOOP FEST CELEBRATION Guests are Encouraged to Visit Participating Baskin-Robbins Shops Nationwide from April 22-24 for Super Sweet Deals CANTON, Mass. (April 14, 2014) – Baskin-Robbins, the world’s largest chain of ice cream specialty shops, is kicking off the ice cream season with a three-day Scoop Fest promotion from April 22 through April 24 at participating Baskin-Robbins locations nationwide. Ice cream lovers are encouraged to visit their local Baskin-Robbins shop to take part in sweet Scoop Fest deals, including: • $1.00 for a Single Kids Scoop (2.5 oz scoop) • $2.00 for a Double Scoop (4 oz scoops) • $3.00 for a Triple Scoop (4 oz scoops) Guests can visit http://www.amazingscoopfest.com to get more information about these great deals on their favorite Baskin-Robbins ice cream flavors, including the new April Flavor of the Month, The Amazing Spider-Man 2™ ice cream, which features blue and red vanilla-flavored ice creams with a dark chocolate flavored web and popping candies that combine to make an amazing hero of a flavor. “We are excited to offer our guests three days of great deals during Scoop Fest and invite them to try our new hero-inspired April Flavor of the Month, The Amazing Spider-Man 2™ice cream, to celebrate the movie, which is in theaters May 2, and ice cream season,” said Carol Austin, Vice President of Marketing, Baskin-Robbins. “Scoop Fest is a fun and delicious way for us to kick off the ice cream season with our guests and thank them for their patronage by offering sweet deals on their favorite Baskin-Robbins flavors.” Additionally, Baskin-Robbins is offering its guests a range of festive ice cream treats to help celebrate the Easter holiday on April 20th. -
2018 Star Wars Archives Signatures Checklist
2018 Star Wars Archives Signatures Checklist 103 Unique Actors - 108 Unique Characters Actor Set - Story Chapter Character Chris Parsons Classic Saga 4-LOM Amy Allen Prequel Aayla Secura Tim Rose Classic Saga Admiral Ackbar Tim Rose New Trilogy Admiral Ackbar Tom Kane New Trilogy Admiral Ackbar Kenneth Colley Classic Saga Admiral Piett Stephen Stanton Rogue One Admiral Raddus Ken Leung New Trilogy Admiral Statura Ashley Eckstein Star Wars Rebels Ahsoka Tano Ashley Eckstein Dual Subject Ahsoka Tano Ashley Eckstein The Clone Wars Ahsoka Tano Hayden Christensen Prequel Anakin Skywalker Matt Lanter The Clone Wars Anakin Skywalker Nika Futterman The Clone Wars Asajj Ventress Dickey Beer Classic Saga Barada Brian Herring New Trilogy BB-8 Dave Chapman New Trilogy BB-8 Garrick Hagon Classic Saga Biggs Darklighter Nick Kellington Dual Subject Bistan Nick Kellington Rogue One Bistan Daniel Logan Prequel Boba Fett Daniel Logan Dual Subject Boba Fett Daniel Logan The Clone Wars Boba Fett Dickey Beer Classic Saga Boba Fett Jeremy Bulloch Classic Saga Boba Fett Jeremy Bulloch Dual Subject Boba Fett John Morton Classic Saga Boba Fett John Morton Dual Subject Boba Fett Aidan Cook New Trilogy Bobbajo Riz Ahmed Rogue One Bodhi Rook Alan Harris Classic Saga Bossk Alan Harris Dual Subject Bossk Dee Bradley Baker Dual Subject Bossk Dee Bradley Baker The Clone Wars Bossk Paul Kasey New Trilogy C'ai Threnalli Aidan Cook Dual Subject Caitken Adrian Edmondson New Trilogy Captain Peevey Stephen Stanton The Clone Wars Captain Tarkin Derek Arnold New Trilogy Chancellor -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: