Alexander Salkind Santa Claus Movie
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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
YVONNE BLAKE Costume Designer
(3/18/15) YVONNE BLAKE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “THERE BE DRAGONS” Roland Joffe Immi Pictures Wes Bentley Golshifteh Farahani Unax Ugalde “GOYA’S GHOST” Milos Forman The Saul Zaentz Co. Natalie Portman Nomination: Satellite Award Stellan Skarsgard “TIRANTE EL BLANCO” Vicente Aranda Carolina Films (Spain) Giancaro Giannini Future Films (UK) Jane Asher Victoria Abril Leonor Watling Casper Zafer “THE BRIDGE OF SAN LUIS REY Mary McGuckian Pembridge Pictures Robert De Niro Winner: Goya Award for Best Costume Design Kanzaman S.A. Kathy Bates Harvey Keitel “THE RECKONING” Paul McGuigan Renaissance Films Willem Dafoe Paramount Classics Paul Bettany Caroline Wood “CARMEN” Vicente Aranda Star Line Paz Vega Winner: Goya Award for Best Costume Design Leonardo Sbaraglia “JAMES DEAN” Mark Rydell Concourse Prods. James Franco Nomination: Emmy Award for Best Costume Design TNT Michael Moriarty “GAUDI AFTERNOON” Susan Seidelman Lola Films Judy Davis Marcia Gay Harden Juliette Lewis "PRESENCE OF MIND" Antonio Aloy Presence of Mind, LLC. Lauren Bacall Sadie Frost Harvey Keitel "WHAT DREAMS MAY COME" Vincent Ward Interscope/Polygram Robin Williams Barnet Bain Annabella Sciorra Stephen Simon Cuba Gooding, Jr. "CRIME OF THE CENTURY" Mark Rydell HBO Stephen Rea Barbara Broccoli Isabella Rossellini "LOOKING FOR RICHARD" Al Pacino Fox Searchlight Al Pacino (Battle sequences) Kevin Spacey "COMPANY BUSINESS" Nicholas Myer Pathe Screen Ent. Gene Hackman Mikhail Baryshnikov (cont.) SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Pierre Spengler Started in the Industry in 1964 on the Film PARIS SECRET
Pierre Spengler started in the industry in 1964 on the film PARIS SECRET and went on working as an assistant director, assistant editor and a production assistant on such major films as THE MADWOMAN OF CHAILLOT starring Katharine Hepburn (1968), LE MANS starring Steve Mc Queen (1969) and THE LIGHT AT THE EDGE OF THE WORLD staring Kirk Douglas (1970). He went on to production responsibilities within the Salkind Organisation and soon was in charge of producing all of their films including the globally successful THE THREE MUSKETEERS, THE FOUR MUSKETEERS, SUPERMAN I, SUPERMAN II, SUPERMAN III and SANTA CLAUS. Since 1986, he has been independent and has produced such motion pictures as THE RETURN OF THE MUSKETEERS and UNDERGROUND (Golden Palm in Cannes 1995) and coproduced more than 20 films out of the United Kingdom including UNLEASHED starring Jet Li and Morgan Freeman, Guy Ritchie’s REVOLVER starring Jason Statham, and 7 SECONDS starring Wesley Snipes. In addition to his activities in the United Kingdom, he cofounded in 2000 the production company Cadenza Films in the Netherlands, which produced SNAPSHOTS, TIRZA and SUSKIND and currently ORESTES based on Aeschylus classic tragedy to be directed by Rudolf Van den Berg. In the recent past, in addition to his regular production activities he has been involved in the development of a number of films based upon the prestigious Humanoids graphic novel catalogue. Due for production are BOUNCER based on the comic book series by Alejandro Jodorowsky and Francois Boucq, to be directed by Floria Sigismondi, LEGION based on the comic series by Fabien Nury and John Cassaday, screenplay by Richard Stanley directed by Nacho Cerda, and a feature film based upon the comic book THE ZOMBIES THAT ATE THE WORLD to be directed by Sundance sensation the Candian trio RKSS. -
Batman V Superman: Dawn of Justice: the Art of the Film Ebook
BATMAN V SUPERMAN: DAWN OF JUSTICE: THE ART OF THE FILM PDF, EPUB, EBOOK Peter Aperlo | 192 pages | 11 Apr 2016 | Titan Books Ltd | 9781783297498 | English | London, United Kingdom Batman v Superman: Dawn of Justice: The Art of the Film PDF Book It's mostly sketches and conceptual artwork. Glenn Ford P. Part of the script took place in Smallville , where Clark goes into exile with Lana Lang. Lists with This Book. Archived from the original on October 1, Singer stressed that it would have been more action-packed than Superman Returns. Retrieved July 10, January 17, DVD Talk. Archived from the original on October 29, Nathanael Johnson. Notify me of new comments via email. Jul 11, Noahconstrictor Studios rated it really liked it. About this product. If you are interested in this film and enjoy Snyder's visual style, then you'll probably enjoy this book. Jerry Siegel Joe Shuster Other writers and artists. More from Peter Aperlo and book picks sent right to your inbox. Additional Product Features Dewey Edition. Following several unsuccessful attempts to reboot the franchise, Bryan Singer , who was said to be a childhood fan of Richard Donner 's film , was approached by Warner Bros to direct a new Superman film. After all, I've hopefully scored myself one of the limited edition signed copies come May. Fawcett Publications, Inc. It's a really nice book and a great sort of collector's item, but I just wish there was a little more artwork. Archived from the original on October 6, L Director's cut", and with the caption "Is it real? Dylan Sprayberry Y. -
Kirby Letterhead
SUPERGIRL IN THE BRONZE AGE! October 2015 No.84 $ 8 . 9 5 Supergirl TM & © DC Comics. All Rights Reserved. 0 9 Pre-Crisis Supergirl I Death of Supergirl I Rebirths of Supergirl I Superwoman ALAN BRENNERT interview I HELEN SLATER Supergirl movie & more super-stuff! 1 82658 27762 8 Volume 1, Number 84 October 2015 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow TM DESIGNER Rich Fowlks COVER ARTISTS Karl Heitmueller, Jr., with Stephen DeStefano Bob Fingerman Dean Haspiel Kristen McCabe Jon Morris Jackson Publick COVER DESIGNER Michael Kronenberg PROOFREADER John Morrow SPECIAL THANKS Cary Bates Elliot S. Maggin Alan Brennert Andy Mangels ByrneRobotics.com Franck Martini BACK SEAT DRIVER: Editorial by Michael Eury . .2 Glen Cadigan Jerry Ordway FLASHBACK: Supergirl in Bronze . .3 and The Legion George Pérez The Maid of Might in the ’70s and ’80s Companion Ilya Salkind Shaun Clancy Anthony Snyder PRINCE STREET NEWS: The Sartorial Story of the Sundry Supergirls . .24 Gary Colabuono Roger Stern Oh, what to wear, what to wear? Fred Danvers Jeannot Szwarc DC Comics Steven Thompson THE TOY BOX: Material (Super) Girl: Pre-Crisis Supergirl Merchandise . .26 Jim Ford Jim Tyler Dust off some shelf space, ’cause you’re gonna want this stuff Chris Franklin Orlando Watkins FLASHBACK: Who is Superwoman? . .31 Grand Comics John Wells Database Marv Wolfman Elliot Maggin’s Miracle Monday heroine, Kristen Wells Robert Greenberger BACKSTAGE PASS: Adventure Runs in the Family: The Saga of the Supergirl Movie . .35 Karl Heitmueller, Jr. Hollywood’s Ilya Salkind and Jeannot Szwarc take us behind the scenes Heritage Comics Auctions FLASHBACK: Crisis on Infinite Earths #7 . -
Films and Videos on Tibet
FILMS AND VIDEOS ON TIBET Last updated: 15 July 2012 This list is maintained by A. Tom Grunfeld ( [email protected] ). It was begun many years ago (in the early 1990s?) by Sonam Dargyay and others have contributed since. I welcome - and encourage - any contributions of ideas, suggestions for changes, corrections and, of course, additions. All the information I have available to me is on this list so please do not ask if I have any additional information because I don't. I have seen only a few of the films on this list and, therefore, cannot vouch for everything that is said about them. Whenever possible I have listed the source of the information. I will update this list as I receive additional information so checking it periodically would be prudent. This list has no copyright; I gladly share it with whomever wants to use it. I would appreciate, however, an acknowledgment when the list, or any part, of it is used. The following represents a resource list of films and videos on Tibet. For more information about acquiring these films, contact the distributors directly. Office of Tibet, 241 E. 32nd Street, New York, NY 10016 (212-213-5010) Wisdom Films (Wisdom Publications no longer sells these films. If anyone knows the address of the company that now sells these films, or how to get in touch with them, I would appreciate it if you could let me know. Many, but not all, of their films are sold by Meridian Trust.) Meridian Trust, 330 Harrow Road, London W9 2HP (01-289-5443)http://www.meridian-trust/.org Mystic Fire Videos, P.O. -
Super Heroes V Scorsese: a Marxist Reading of Alienation and the Political Unconscious in Blockbuster Superhero Film
Kutztown University Research Commons at Kutztown University Kutztown University Masters Theses Spring 5-10-2020 SUPER HEROES V SCORSESE: A MARXIST READING OF ALIENATION AND THE POLITICAL UNCONSCIOUS IN BLOCKBUSTER SUPERHERO FILM David Eltz [email protected] Follow this and additional works at: https://research.library.kutztown.edu/masterstheses Part of the Film Production Commons, Literature in English, North America Commons, and the Screenwriting Commons Recommended Citation Eltz, David, "SUPER HEROES V SCORSESE: A MARXIST READING OF ALIENATION AND THE POLITICAL UNCONSCIOUS IN BLOCKBUSTER SUPERHERO FILM" (2020). Kutztown University Masters Theses. 1. https://research.library.kutztown.edu/masterstheses/1 This Thesis is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Kutztown University Masters Theses by an authorized administrator of Research Commons at Kutztown University. For more information, please contact [email protected]. SUPER HEROES V SCORSESE: A MARXIST READING OF ALIENATION AND THE POLITICAL UNCONSCIOUS IN BLOCKBUSTER SUPERHERO FILM A Thesis Presented to the Faculty of the Department of English Kutztown University of Pennsylvania Kutztown, Pennsylvania In Partial Fulfillment of the Requirements for the Degree Master of Arts in English by David J. Eltz October, 2020 Approval Page Approved: (Date) (Adviser) (Date) (Chair, Department of English) (Date) (Dean, Graduate Studies) Abstract As superhero blockbusters continue to dominate the theatrical landscape, critical detractors of the genre have grown in number and authority. The most influential among them, Martin Scorsese, has been quoted as referring to Marvel films as “theme parks” rather than “cinema” (his own term for auteur film). -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
Rewiring the Text
Rewiring the Text: Adaptation and Translation in the Digital Heterogossia. Richard Berger. A thesis in partial fulfilment of the requirements of Bournemouth University for the degree of Philosophy Doctorate. March 2005. Bournemouth University. Rewiring the Text: Abstract. This dissertation is concerned with adaptation, in the context of new emerging digital media platforms. The project proposes that new media has allowed for the creation of a universal digital heteroglossia; a heteroglossia that contains the plurality of the unstable utterances of cinema, radio, television, the web and computer games. This has allowed for the process of adaptation to become more instantaneous in the simultaneous deployment of narratives across the digital heteroglossia. Therefore, the process of adaptation is far more dialogical, with previous variants of narratives being ‘rewired’ and gaining an ‘afterlife’ through adaptation, and through the creation of new variants and versions. The Internet has allowed for adaptation to move into a participatory mode, where fanfic writers fill in ‘gaps’ left by the creators of televisual and filmic texts. Videogames, based on pre-existing or co-existing texts, mean that players can experience moments of supreme and non-permanent adaptation themselves. This thesis suggests that this participation has democratised adaptation, and has fundamentally altered the nature of ‘traditional’ adaptation. The thesis concludes that, due to a digital heteroglossia, ‘traditional’ adaptation will decline, as the process becomes more plural and instantaneous. With previous variants of narratives being summoned back into life - due to adaptation, remaking and refashioning - it is increasingly unlikely that ‘fidelity’ strategies of adaptation will continue to be the dominant discourse, as all variants of narratives begin to exist in a dialogical plurality with one another; a mutual exchange of fluctuating source and target texts, cross-referenced through intertextuality and assembling a collage of influences. -
Crisis of Infinite Intertexts! Continuity As Adaptation in the Superman Multimedia Franchise
Crisis of Infinite Intertexts! Continuity as Adaptation in the Superman Multimedia Franchise Jack Peterson Teiwes ORCID identifier 0000-0001-8956-1602 Doctor of Philosophy November 2015 School of Culture and Communication The University of Melbourne Submitted in total fulfillment of the requirements of the PhD degree Produced on archival quality paper Abstract Since first appearing as a comic book character over three quarters of a century ago, Superman was not only the first superhero, spawning an entire genre of imitators, but also quickly became one of the most widely disseminated multi-media entertainment franchises. This achieved a degree of intergenerational cultural dissemination that far surpasses his comic book fandom. Yet despite an unprecedented degree of adaptation into other media from radio, newspaper strips, film serials, animation, feature films, video games and television, Superman’s ongoing comic books have remained in unbroken publication, developing a long and complex history of narrative renewal and reinvention. This thesis investigates the multifaceted intertextuality between the comic book portrayals of Superman and its many adaptations over the years, including how such retellings in other media have a generally stronger cultural impact, which exerts in turn an adaptive influence upon these continuing comics’ internalised narrative continuity. I shall argue that Superman comics, as a case study for the wider phenomenon in the superhero genre, demonstrate via their frequent revisions and relaunches of continuity, a process of deeply palimpsestuous self-adaptation. The Introduction positions my research methodology in relation to intertextual theory, with an emphasis on providing terminological clarity, while Chapter 1 expands into a literature review on pertinent key scholarship on adaptation studies and the comics studies field specifically. -
1 Tom Pollock, Montecito Picture Company October 22, 2010
Tom Pollock, Montecito Picture Company October 22, 2010 MIP: We would like to start by having you describe your career. In a nutshell can you describe its trajectory? What are the highlights? Tom Pollock: I’ve had three different careers, none of which were really planned, they all just sort of happened. There wasn’t any grand scheme when I was in college. Back then I really didn’t know what it was I wanted to do. I went to law school in large part because of the draft and the Vietnam War. I didn’t want to go to war, and if you were in school you were deferred. That included graduate school. I didn’t have any great desire to be a lawyer but it seemed like a better alternative than getting a Ph.D. It was in law school that I got really fascinated with the movies. I went to law school in New York at Columbia and then I came out to Los Angeles and got a job at a large firm that did entertainment work. I thought I would use my legal skills to get into the entertainment business. “Use what you got,” I figured, and what I had was a law degree. I worked for a firm called Mitchell Silberberg & Knupp, though I quit after six months because it wasn’t a terribly rewarding experience. I thought that was just my experience, but what I didn’t know then was that law firm partners are notorious for treating their associates with disdain. After that, I didn’t do anything much for a while.