DOCSLIB.ORG

Pierre Spengler

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pierre Spengler PIERRE SPENGLER Producer SHORT BIOGRAPHY Pierre Spengler started in the industry in 1964 on the film PARIS SECRET and went on working as an assistant director, assistant editor and a production assistant on such major films as THE MADWOMAN OF CHAILLOT starring Katharine Hepburn(1968), LE MANS starring Steve Mc Queen(1969) and THE LIGHT AT THE EDGE OF THE WORLD staring Kirk Douglas(1970). He went on to production responsibilities within the Salkind Organisation and soon was in charge of producing all of their films including such international successes as THE THREE MUSKETEERS, THE FOUR MUSKETEERS, SUPERMAN I, SUPERMAN II, SUPERMAN III and SANTA CLAUS. Since 1986, he has been independent and has produced such major motion pictures as THE RETURN OF THE MUSKETEERS and UNDERGROUND (Golden Palm in Cannes 1995). He has worked in England, Italy, Spain, France, Germany, The Netherlands, U.S.A., Canada, Russia, Czech Republic, Hungary, Poland, Yugoslavia, Bulgaria and Romania. FILMS: 2003/2004 CO-PRODUCER Film REVOLVER directed by Guy Ritchie starring Jason Stratham (In preproduction) CO-PRODUCER Film KING SHOT directed by Alejandro Jodorowsky starring Nick Nolte, Marylin Manson (In preproduction) PRODUCER Film MAN WITH A MOVIE CAMERA directed by Bernard Rose (In preproduction) PRODUCER Film 7 SECONDS directed by Simon Fellows Starring Wesley Snipes PRODUCER Film: BLESSED directed by Simon Fellows Starring Heather graham, James Purefoy 2002/2003 CO-PRODUCER Film: DANNY THE DOG directed by Louis Leterrier, produced by Luc Besson starring: Jet Li, Morgan Freeman, Bob Hoskins EXECUTIVE PRODUCER Film: SUMMER IN THE GOLDEN VALLEY directed by Srdjan Vuletic PRODUCER Film: METHOD Directed by Duncan Roy Starring: Elisabeth Hurley, Jeremy Sisto 2002 CO-PRODUCER Film: STRATOSPHERE GIRL directed by :MX OBERG starring: Chloé Vinkel, John NG PRODUCER Film: TRIPTYCH Directed by Alejandro Jodorowsky (In preparation) PRODUCER EXHIBITION directed by Rudolf van deb Berg (in preparation) 2000-01 PRODUCER Film: SNAPSHOTS Directed by Rudolf van den Berg With Burt Reynolds,Julie Christie, Carmen Chaplin 1997-99 PRODUCER Film:JOAN OF ARC directed by Ronald F. Maxwell (pre-production) PRODUCER Film:PROGENITOR directed by Patrick Read Johnson (preparation) PRODUCER Film:ISLAND OF THE MOON Directed by Michael Cimino (development) 1995-96 EXECUTIVE PRODUCER UNDERGROUND T.V. Series (6 Episodes) directed by Emir Kusturica 1993-95 EXECUTIVE PRODUCER Film: UNDERGROUND by Emir Kusturica Golden Palm Cannes 1995 1992 EXECUTIVE PRODUCER Film: THE TURN OF THE SCREW by Rusty Lemorande with Patsy Kensit, Julian Sands, Stephane Audran 1990-91 EXECUTIVE PRODUCER TV Series: SHADOW OVER MOSCOW by Alexander Proschkin EXECUTIVE PRODUCER Film: RAINBOW THIEF by Alejandro Jodorowsky with Peter O'Toole, Omar Sharif EXECUTIVE PRODUCER Film: THE DEATH OF IVAN THE TERRIBLE by Boris Blank 1987-89 PRODUCER Film: THE RETURN OF THE MUSKETEERS by Richard Lester with Oliver Reed, Michael York, Richard Chamberlain, Philippe Noiret, etc. 1984-85 PRODUCER Film: SANTA CLAUS by Jeannot Szwarcz with Dudley Moore, John Lithgow 1983 CONSULTANT Film: SUPERGIRL by Jeannot Szwarcz with Faye Dunaway Film: WHERE IS PARSIFAL by Henry Helman with Tony Curtis, Orson Welles, etc. 1981-82 PRODUCER Film: SUPERMAN III by Richard Lester with Christopher Reeve, Richard Pryor, Robert Vaughn 1979-80 PRODUCER Film: SUPERMAN II by Richard Lester with Christopher Reeve, Gene Hackman, Terence Stamp 1977-78 PRODUCER Film: SUPERMAN by Richard Donner with Marlon Brando, Gene Hackman, Christopher Reeve. 1976 PRODUCER AND CO-WRITER Film: THE PRINCE AND THE PAUPER by Richard Fleischer with Oliver Reed, Charlton Heston, Rex Harrisson, Raquel Welch, etc. 1975 PRODUCER Film: FOLIES BOURGEOISES by Claude Chabrol with Bruce Dern, Stephane Audran, Ann Margret 1974 PRODUCER Film: THE FOUR MUSKETEERS by Richard Lester with Charlton Heston, Raquel Welch, Richard Chamberlain 1973 PRODUCER Film: THE THREE MUSKETEERS by Richard Lester with Charlton Heston, Raquel Welch, Faye Dunaway, Richard Chamberlain, etc. 1972 PRODUCER Film: BLUE BEARD by Edward Dmytryk with Richard Burton, Raquel Welch, Virna Lisi, Nathalie Delon, etc. 1971 ASSOCIATE PRODUCER Film: KILL by Romain Gary with Jean Seberg, James .
Load more

Recommended publications
  • Movie Actresses 10 Mar 2017
    Movie Actresses 10 Mar 2017 251-2017-07 This article is about my favorite movie actresses of all time. Movie critics and most people will not agree with my picks. However, my criteria is quite simple - the actress must have made at least three movies I have seen and liked and would watch again if they happened to come on the TV movie channel when I’m in the mood to see a good show. I’m going to pick my Top 20 Actresses. I could not decide on a header so you can pick the one you like best. Faye Dunaway Sharon Stone Liz Taylor #1 Faye Dunaway Born: Dorothy Faye Dunaway on January 14, 1941 (age 76) in Bascom, Florida Alma mater: Boston University Years active: 1962–present (Appeared in 81 movies) Spouse(s): Peter Wolf (m. 1974–79) Terry O'Neill (m. 1983–87) Children: Liam O'Neill (b. 1980) Facts: The daughter of Grace April, and John MacDowell Dunaway, a career officer in the United States Army. She is of Scots-Irish, English, and German descent. She spent her childhood traveling throughout the United States and Europe. Bonnie and Clyde (1967) with Warren Beatty. In the middle of the Great Depression, Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde, and decides to take up with him and become his partner in crime. Three Days of the Condor (1975) with Robert Redford.
    [Show full text]
  • Fact Or Fiction: Hollywood Looks at the News
    FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Winter 2016-2017 $7.9 9 Intelligent Collector
    HERITAGE AUCTIONS | WINTER 2016-2017 $7.9 9 INTELLIGENT COLLECTOR STEVE McQUEEN Book, Auction Thomas Moran Max Ember Auction Previews Spotlight Painting Captures The Fascinating Collection Willis, Stallone, McMurtry, ‘The King of Cool’ America’s Wild Frontier of a Hollywood Writer Spillane, Ruth, Kerouac HERITAGE AUCTIONS HERMLUXURY BOUTIQUEÈS The Heritage Boutique is your unrivaled resource for high-quality, genuine Hermès handbags on the secondary market — fully guaranteed and delivered to you immediately. Shop and purchase outright at HA.com/Luxury, or visit us at 445 Park Avenue in New York. Heritage will also buy your Hermès handbags, or you may wish to consign to our upcoming auctions. Inquiries: 212.486.3500 HA.com/Luxury DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | CHICAGO | PARISPALM BEACH| GENEVA | PARIS | AMSTERDAM | GENEVA | HONGAMSTERDAM KONG | HONG KONG 43965 38188 44 contents HIGHLIGHTS AUCTION PREVIEWS Vintage Posters: My How to Bid Estates: The Max Ember 40 Favorite Things 18 28 Collection Director of Vintage Posters Grey Smith Hollywood writer’s fascination with reveals the tales behind these seven early 20th century art and objects treasures Novelists: McMurtry’s rooted in era’s drive to modernity 19 Typewriters Author used portable Hermes 3000s to Pop Culture: King of Cool write Lonesome Dove Asian Art: Michael York 44 In this excerpt from the bio-graphic 31 Collection novel Steve McQueen: Full-Throttle Classically trained actor sharing Cool, Dwight Jon Zimmerman Literature: Mickey Spillane imperial Chinese
    [Show full text]
  • Download PDF to Read Full Article from Apollo Magazine
    INTERVIEW I By Stuart Rowland In an exclusive celebrity interview for Apollo Executive Review, Stuart Rowlands talks to Michael I like to keep testing the waters… York “In late December 2007 I got back to Los If the answer is “YES!” to the question Angeles after filming in Russia, Germany, “do you want to act and you are aged Poland and Israel”, he remembers. “2008 ” got off to a quick start with the continued between 13 and 21, the National Youth narration of a new audio version of the entire Bible – a huge undertaking that would Theatre, Britain's Premiere youth theatre take most of the year to complete. This was followed by a recording of Alan Paton’s company, is just the place for you! extraordinary classic tale of apartheid in South Africa, Cry the Beloved Country. Next or a sixteen year old schoolboy from was a project very dear to my heart - Bromley, Kent, the school board performing with the Long Beach Opera Fnotice was a siren song to the start of company on a very daring double bill, a career that has spanned nearly 45 years Strauss Meets Frankenstein” . and shows absolutely no signs of slowing By March, Michael and his wife Pat were down. In fact Michael York has no plans to headed east to Maine where Pat, a celebrated retire. In late December, a few days before and published photographer, was shooting Christmas, he has finally returned to his renowned American ‘pop art movement home high in the Hollywood Hills above Los icon’ artist Robert Indiana for a new book.
    [Show full text]
  • YVONNE BLAKE Costume Designer
    (3/18/15) YVONNE BLAKE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “THERE BE DRAGONS” Roland Joffe Immi Pictures Wes Bentley Golshifteh Farahani Unax Ugalde “GOYA’S GHOST” Milos Forman The Saul Zaentz Co. Natalie Portman Nomination: Satellite Award Stellan Skarsgard “TIRANTE EL BLANCO” Vicente Aranda Carolina Films (Spain) Giancaro Giannini Future Films (UK) Jane Asher Victoria Abril Leonor Watling Casper Zafer “THE BRIDGE OF SAN LUIS REY Mary McGuckian Pembridge Pictures Robert De Niro Winner: Goya Award for Best Costume Design Kanzaman S.A. Kathy Bates Harvey Keitel “THE RECKONING” Paul McGuigan Renaissance Films Willem Dafoe Paramount Classics Paul Bettany Caroline Wood “CARMEN” Vicente Aranda Star Line Paz Vega Winner: Goya Award for Best Costume Design Leonardo Sbaraglia “JAMES DEAN” Mark Rydell Concourse Prods. James Franco Nomination: Emmy Award for Best Costume Design TNT Michael Moriarty “GAUDI AFTERNOON” Susan Seidelman Lola Films Judy Davis Marcia Gay Harden Juliette Lewis "PRESENCE OF MIND" Antonio Aloy Presence of Mind, LLC. Lauren Bacall Sadie Frost Harvey Keitel "WHAT DREAMS MAY COME" Vincent Ward Interscope/Polygram Robin Williams Barnet Bain Annabella Sciorra Stephen Simon Cuba Gooding, Jr. "CRIME OF THE CENTURY" Mark Rydell HBO Stephen Rea Barbara Broccoli Isabella Rossellini "LOOKING FOR RICHARD" Al Pacino Fox Searchlight Al Pacino (Battle sequences) Kevin Spacey "COMPANY BUSINESS" Nicholas Myer Pathe Screen Ent. Gene Hackman Mikhail Baryshnikov (cont.) SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax:
    [Show full text]
  • Download Checklist
    Yasumasa Morimura November 23, 1996 - January 4, 1997 First gallery, starting from left: Self-Portrait (Actress) / After Vivien Leigh 1, 1996 llfochrome / Acrylic sheet Edition #4/10 47.25 x 37.40 inches C6890 Self-Portrait (Actress) / After Vivien Leigh 3, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6955 Self-Portrait (A'Ctress) / After Catherine Deneuve 1, 1996 llfochrome Acrylic sheet Edition #3/1 0 47.25 x 37.40 inches C6865 Self-Portrait (Actress) / After Catherine Deneuve 4, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6956 Self-Portrait (Actress) / After Red Marilyn, 1996 llfochrome / Acrylic sheet Edition #7/10 47.25 x 37.40 inches P6753 Self-Portrait (Actress) / After Brigitte Bardot 2, 1996 llfochrome / Acrylic sheet Edition #4/10 47.25 x 37.40 inches C6864 Self-Portrait (Actress) / After Marlene Dietrich 1, 1996 llfochrome / Acrylic sheet Edition #3/10 47.25 x 37.40 inches C6962 Self-Portrait (Actress) / After Marlene Dietrich 2, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6963 Self-Portrait (Actress) / After Liza Minelli 1, 1996 llfochrome / Acrylic sheet Edition #2/1 0 47.25 x 37.40 inches C6964 Self-Portrait (Actress) / After Elizabeth Taylor 1, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6885 Self-Portrait (Actress) / After Elizabeth Taylor 4, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6965 Self-Portrait (Actress) / After Jodie Foster 1, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches
    [Show full text]
  • How Superman Developed Into a Jesus Figure
    HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations.
    [Show full text]
  • Stem Cell Research, Part 3 Hearings Committee On
    S. HRG. 106–413 STEM CELL RESEARCH, PART 3 HEARINGS BEFORE A SUBCOMMITTEE OF THE COMMITTEE ON APPROPRIATIONS UNITED STATES SENATE ONE HUNDRED SIXTH CONGRESS SECOND SESSION SPECIAL HEARINGS APRIL 26, 2000—WASHINGTON, DC SEPTEMBER 7, 2000—WASHINGTON, DC SEPTEMBER 14, 2000—WASHINGTON, DC Printed for the use of the Committee on Appropriations ( Available via the World Wide Web: http://www.access.gpo.gov/congress/senate U.S. GOVERNMENT PRINTING OFFICE 66–482 cc WASHINGTON : 2001 For sale by the U.S. Government Printing Office Superintendent of Documents, Congressional Sales Office, Washington, DC 20402 COMMITTEE ON APPROPRIATIONS TED STEVENS, Alaska, Chairman THAD COCHRAN, Mississippi ROBERT C. BYRD, West Virginia ARLEN SPECTER, Pennsylvania DANIEL K. INOUYE, Hawaii PETE V. DOMENICI, New Mexico ERNEST F. HOLLINGS, South Carolina CHRISTOPHER S. BOND, Missouri PATRICK J. LEAHY, Vermont SLADE GORTON, Washington FRANK R. LAUTENBERG, New Jersey MITCH MCCONNELL, Kentucky TOM HARKIN, Iowa CONRAD BURNS, Montana BARBARA A. MIKULSKI, Maryland RICHARD C. SHELBY, Alabama HARRY REID, Nevada JUDD GREGG, New Hampshire HERB KOHL, Wisconsin ROBERT F. BENNETT, Utah PATTY MURRAY, Washington BEN NIGHTHORSE CAMPBELL, Colorado BYRON L. DORGAN, North Dakota LARRY CRAIG, Idaho DIANNE FEINSTEIN, California KAY BAILEY HUTCHISON, Texas RICHARD J. DURBIN, Illinois JON KYL, Arizona STEVEN J. CORTESE, Staff Director LISA SUTHERLAND, Deputy Staff Director JAMES H. ENGLISH, Minority Staff Director SUBCOMMITTEE ON LABOR, HEALTH AND HUMAN SERVICES, AND EDUCATION, AND RELATED AGENCIES ARLEN SPECTER, Pennsylvania, Chairman THAD COCHRAN, Mississippi TOM HARKIN, Iowa SLADE GORTON, Washington ERNEST F. HOLLINGS, South Carolina JUDD GREGG, New Hampshire DANIEL K. INOUYE, Hawaii LARRY CRAIG, Idaho HARRY REID, Nevada KAY BAILEY HUTCHISON, Texas HERB KOHL, Wisconsin TED STEVENS, Alaska PATTY MURRAY, Washington JON KYL, Arizona DIANNE FEINSTEIN, California ROBERT C.
    [Show full text]
  • Pierre Spengler Started in the Industry in 1964 on the Film PARIS SECRET
    Pierre Spengler started in the industry in 1964 on the film PARIS SECRET and went on working as an assistant director, assistant editor and a production assistant on such major films as THE MADWOMAN OF CHAILLOT starring Katharine Hepburn (1968), LE MANS starring Steve Mc Queen (1969) and THE LIGHT AT THE EDGE OF THE WORLD staring Kirk Douglas (1970). He went on to production responsibilities within the Salkind Organisation and soon was in charge of producing all of their films including the globally successful THE THREE MUSKETEERS, THE FOUR MUSKETEERS, SUPERMAN I, SUPERMAN II, SUPERMAN III and SANTA CLAUS. Since 1986, he has been independent and has produced such motion pictures as THE RETURN OF THE MUSKETEERS and UNDERGROUND (Golden Palm in Cannes 1995) and coproduced more than 20 films out of the United Kingdom including UNLEASHED starring Jet Li and Morgan Freeman, Guy Ritchie’s REVOLVER starring Jason Statham, and 7 SECONDS starring Wesley Snipes. In addition to his activities in the United Kingdom, he cofounded in 2000 the production company Cadenza Films in the Netherlands, which produced SNAPSHOTS, TIRZA and SUSKIND and currently ORESTES based on Aeschylus classic tragedy to be directed by Rudolf Van den Berg. In the recent past, in addition to his regular production activities he has been involved in the development of a number of films based upon the prestigious Humanoids graphic novel catalogue. Due for production are BOUNCER based on the comic book series by Alejandro Jodorowsky and Francois Boucq, to be directed by Floria Sigismondi, LEGION based on the comic series by Fabien Nury and John Cassaday, screenplay by Richard Stanley directed by Nacho Cerda, and a feature film based upon the comic book THE ZOMBIES THAT ATE THE WORLD to be directed by Sundance sensation the Candian trio RKSS.
    [Show full text]
  • Shak Shakespeare Shakespeare
    Friday 14, 6:00pm ROMEO Y JULIETA ’64 / Ramón F. Suárez (30’) Cuba, 1964 / Documentary. Black-and- White. Filming of fragments of Shakespeare’s Romeo and Juliet staged by the renowned Czechoslovak theatre director Otomar Kreycha. HAMLET / Laurence Olivier (135’) U.K., 1948 / Spanish subtitles / Laurence Olivier, Eileen Herlie, Basil Sydney, Felix Aylmer, Jean Simmons. Black-and-White. Magnificent adaptation of Shakespeare’s tragedy, directed by and starring Olivier. Saturday 15, 6:00pm OTHELLO / The Tragedy of Othello: The Moor of Venice / Orson Welles (92’) Italy-Morocco, 1951 / Spanish subtitles / Orson Welles, Michéal MacLiammóir, Suzanne Cloutier, Robert Coote, Michael Laurence, Joseph Cotten, Joan Fontaine. Black- and-White. Filmed in Morocco between the years 1949 and 1952. Sunday 16, 6:00pm ROMEO AND JULIET / Franco Zeffirelli (135’) Italy-U.K., 1968 / Spanish subtitles / Leonard Whiting, Olivia Hussey, Michael York, John McEnery, Pat Heywood, Robert Stephens. Thursday 20, 6:00pm MACBETH / The Tragedy of Macbeth / Roman Polanski (140’) U.K.-U.S., 1971 / Spanish subtitles / Jon Finch, Francesca Annis, Martin Shaw, Nicholas Selby, John Stride, Stephan Chase. Colour. This version of Shakespeare’s key play is co-scripted by Kenneth Tynan and director Polanski. Friday 21, 6:00pm KING LEAR / Korol Lir / Grigori Kozintsev (130’) USSR, 1970 / Spanish subtitles / Yuri Yarvet, Elsa Radzin, GalinaVolchek, Valentina Shendrikova. Black-and-White. Saturday 22, 6:00pm CHIMES AT MIDNIGHT / Orson Welles (115’) Spain-Switzerland, 1965 / in Spanish / Orson Welles, Keith Baxter, John Gielgud, Jeanne Moreau, Margaret 400 YEARS ON, Rutherford, Norman Rodway, Marina Vlady, Walter Chiari, Michael Aldridge, Fernando Rey. Black-and-White. Sunday 23, 6:00pm PROSPERO’S BOOKS / Peter Greenaway (129’) U.K.-Netherlands-France, 1991 / Spanish subtitles / John Gielgud, Michael Clark, Michel Blanc, Erland Josephson, Isabelle SHAKESPEARE Pasco.
    [Show full text]
  • Cinematic Fashionability and Images Politics
    Journalism and Mass Communication, Mar.-Apr. 2021, Vol. 11, No. 2, 73-80 doi: 10.17265/2160-6579/2021.02.002 D DAVID PUBLISHING Cinematic Fashionability and Images Politics Chan Ka Lok Sobel Hong Kong Baptist University, Hong Kong SAR, China The marriage of cinema and fashion? When, where and how their interaction and origin is begun? There should be no glamor and red carpet when The Lumière brothers short films like Workers leaving the Lumière factory, The Gardener, Baby’s Breakfast on the birth of cinema in 1895. However, we notice that artificially costumes are tailor-made for A Trip to the Moon in Georges Méliès and D. W. Griffith’s Intolerance. Suddenly, it adds the aesthetical and modernist elements into the blood of cinema beside the raw-realism of how the daily life of the common people is represented on the silver screen. Some kinds of bourgeois ideology and middle class value is enhanced. It is so unbelievable that some ordinary actress like Mary Pickford transforming into a movie star after beautifully dressing up. Not only the audience feel the power of movie magic but also the fashion magic. This paper explores the different perspective of movie and fashion in terms of fashion and film costumes, movie stars icon, fashion trends influenced by movies, and how fashion designers changes the look of cinema as well, etc. Keywords: ideology, movie images, stardom, fashionability Introduction Cinema is somehow like a showcase of fashion. General audiences are fans of movie stars not just because of their personal charisma, but because of the fashion they wear.
    [Show full text]