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Autumn 2019 Catalogue Reflects the Ground-Plan of Our Imprints
HEAD OF ZEUS NEW TITLES JULY–DECEMBER 2019 The Summer of 2019 marks the 7th anniversary of Head of Zeus. For us it also marks the watershed between a hopeful start-up in a Covent Garden garret and our coming of age as an established independent with a clear sense of identity and purpose. Head of Zeus now comprises a portfolio of six imprints. Each is tasked with a distinctive mission in different markets, categories and genres. Our aim is to develop these as centres of excellence where we aspire to innovate and lead rather than imitate others and follow the field. APOLLO is a non-fiction imprint devoted to History, Science and Civilization. It features a number of series: The Great Lives (historical biography), Chronicles (empires, dynasties and revolutions), Landmarks (the footprints of civilization) and Cosmos (the frontiers of science). ANIMA addresses the quality, diversity and opportunities of life in our times: health and mental healing, nature and the environment, inspiration and aspiration. HoZ FICTION publishes General and Literary novels alongside a strong presence in the hardy perennials of Genre Fiction: Crime & Thrillers, Science Fiction & Fantasy, Historical Fiction & Adventure, Sagas & Contemporary Women’s Fiction. Our fiction list also features a range of short story anthologies that now offers more than a thousand stories. ARIA and ARES are our twin e-book specialists, delivering genre fiction to a mass-market readership. ZEPHYR is our children’s imprint. Our authors create make-believe worlds for children of all ages. The Autumn 2019 catalogue reflects the ground-plan of our imprints. It is our strongest and most ambitious list to date. -
Timescape Free
FREE TIMESCAPE PDF Gregory Benford | 416 pages | 09 Mar 2000 | Orion Publishing Co | 9781857989359 | English | London, United Kingdom Watch Star Trek: The Next Generation Season 6 Episode Timescape - Full show on CBS All Access Timescape is a science fiction novel by American writer Gregory Benford with unbilled co-author Hilary Foister, Benford's sister-in-law, who is credited as having "contributed significantly to the manuscript". Pocket Books used the title of this book Timescape their science fiction imprint. The story is written from two viewpoints, equidistant from the novel's publication in Timescape The first Timescape is set in a ravaged by ecological disasters such as algal blooms and diebacks on the brink of large scale Timescape. Various other events are mentioned in passing, Timescape as student riots and an event of nuclear terrorism against New York City which took place before the events of the novel. This thread follows a group of scientists in the United Kingdom connected with the University of Cambridge and their attempts to warn the past of the impending disaster by sending tachyon -induced messages to the astronomical position the Earth occupied in — Given the faster-than-light nature of the tachyon, these messages will effectively reach the past. The second thread is set in the University of California, San Diego UCSDin La Jolla, Timescapein where a young scientist, Gordon Bernstein, discovers Timescape noise in a physics experiment relating to Timescape resonance and indium antimonide. He and his student assistant, Albert Cooper also likely based on Timescape author and his experiences at UCSDdiscover that the noise is Timescape in bursts timed to form Morse code. -
University Microfilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the mateiial submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Program Final (Sept 17, 2012)
Program Final (Sept 17, 2012) Where not otherwise indicated, the chair of the session is the final speaker. Session 1 - Thurs 1:30pm - 3pm Session 1 (D) Frontier 202A Disease and Subjectivity M.K. Nixon. Keep Bleeding: Hemorrhagic Sores, Trade, and the Necessity of Leaky Boundaries in Defoe’s Journal of the Plague Year This paper considers the way in which nonhuman contagious disease is crucial in shaping human subjectivity. To this end, this essay probes notions of two boundaries that are both political and personal—the border between the national subject and the international other, and the boundary between the self and all that lies outside of it—in a consideration of Daniel Defoe’s 1722 text, A Journal of the Plague Year. Operating from the notion that the personal is indeed political, this essay asserts that these two borders are largely intertwined, particularly when considering infectious diseases. By way of examining attitudes towards national and personal boundaries, this paper focuses in large part on Defoe’s representation of the eponymous buboes of the bubonic plague, juxtaposing and exploring his depiction of suppurated and calcified bubonic sores as metonymic signifiers of both personal and national boundaries that are transgressed or fortified, respectively. Examination of Defoe’s illustration of bubonic sores shows that Defoe depicted the Great Plague of 1665 in ways that I assert were thoroughly influenced by his conceptualization of international trade—a conceptualization which resisted the nationalistic xenophobia typical of his day and instead embraced a type of individualistic mercantilism. Defoe’s views on economics and trade, then, influenced his understanding of the Great Plague and cycled back to result in a view of man and nation that advocates permeable boundaries even in response to the hugely threatening potential of a complete breakdown of self- and nation-constituting borders. -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
YVONNE BLAKE Costume Designer
(3/18/15) YVONNE BLAKE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “THERE BE DRAGONS” Roland Joffe Immi Pictures Wes Bentley Golshifteh Farahani Unax Ugalde “GOYA’S GHOST” Milos Forman The Saul Zaentz Co. Natalie Portman Nomination: Satellite Award Stellan Skarsgard “TIRANTE EL BLANCO” Vicente Aranda Carolina Films (Spain) Giancaro Giannini Future Films (UK) Jane Asher Victoria Abril Leonor Watling Casper Zafer “THE BRIDGE OF SAN LUIS REY Mary McGuckian Pembridge Pictures Robert De Niro Winner: Goya Award for Best Costume Design Kanzaman S.A. Kathy Bates Harvey Keitel “THE RECKONING” Paul McGuigan Renaissance Films Willem Dafoe Paramount Classics Paul Bettany Caroline Wood “CARMEN” Vicente Aranda Star Line Paz Vega Winner: Goya Award for Best Costume Design Leonardo Sbaraglia “JAMES DEAN” Mark Rydell Concourse Prods. James Franco Nomination: Emmy Award for Best Costume Design TNT Michael Moriarty “GAUDI AFTERNOON” Susan Seidelman Lola Films Judy Davis Marcia Gay Harden Juliette Lewis "PRESENCE OF MIND" Antonio Aloy Presence of Mind, LLC. Lauren Bacall Sadie Frost Harvey Keitel "WHAT DREAMS MAY COME" Vincent Ward Interscope/Polygram Robin Williams Barnet Bain Annabella Sciorra Stephen Simon Cuba Gooding, Jr. "CRIME OF THE CENTURY" Mark Rydell HBO Stephen Rea Barbara Broccoli Isabella Rossellini "LOOKING FOR RICHARD" Al Pacino Fox Searchlight Al Pacino (Battle sequences) Kevin Spacey "COMPANY BUSINESS" Nicholas Myer Pathe Screen Ent. Gene Hackman Mikhail Baryshnikov (cont.) SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Catalogue XV 116 Rare Works of Speculative Fiction
Catalogue XV 116 Rare Works Of Speculative Fiction About Catalogue XV Welcome to our 15th catalogue. It seems to be turning into an annual thing, given it was a year since our last catalogue. Well, we have 116 works of speculative fiction. Some real rarities in here, and some books that we’ve had before. There’s no real theme, beyond speculative fiction, so expect a wide range from early taproot texts to modern science fiction. Enjoy. About Us We are sellers of rare books specialising in speculative fiction. Our company was established in 2010 and we are based in Yorkshire in the UK. We are members of ILAB, the A.B.A. and the P.B.F.A. To Order You can order via telephone at +44(0) 7557 652 609, online at www.hyraxia.com, email us or click the links. All orders are shipped for free worldwide. Tracking will be provided for the more expensive items. You can return the books within 30 days of receipt for whatever reason as long as they’re in the same condition as upon receipt. Payment is required in advance except where a previous relationship has been established. Colleagues – the usual arrangement applies. Please bear in mind that by the time you’ve read this some of the books may have sold. All images belong to Hyraxia Books. You can use them, just ask us and we’ll give you a hi-res copy. Please mention this catalogue when ordering. • Toft Cottage, 1 Beverley Road, Hutton Cranswick, UK • +44 (0) 7557 652 609 • • [email protected] • www.hyraxia.com • Aldiss, Brian - The Helliconia Trilogy [comprising] Spring, Summer and Winter [7966] London, Jonathan Cape, 1982-1985. -
Pierre Spengler Started in the Industry in 1964 on the Film PARIS SECRET
Pierre Spengler started in the industry in 1964 on the film PARIS SECRET and went on working as an assistant director, assistant editor and a production assistant on such major films as THE MADWOMAN OF CHAILLOT starring Katharine Hepburn (1968), LE MANS starring Steve Mc Queen (1969) and THE LIGHT AT THE EDGE OF THE WORLD staring Kirk Douglas (1970). He went on to production responsibilities within the Salkind Organisation and soon was in charge of producing all of their films including the globally successful THE THREE MUSKETEERS, THE FOUR MUSKETEERS, SUPERMAN I, SUPERMAN II, SUPERMAN III and SANTA CLAUS. Since 1986, he has been independent and has produced such motion pictures as THE RETURN OF THE MUSKETEERS and UNDERGROUND (Golden Palm in Cannes 1995) and coproduced more than 20 films out of the United Kingdom including UNLEASHED starring Jet Li and Morgan Freeman, Guy Ritchie’s REVOLVER starring Jason Statham, and 7 SECONDS starring Wesley Snipes. In addition to his activities in the United Kingdom, he cofounded in 2000 the production company Cadenza Films in the Netherlands, which produced SNAPSHOTS, TIRZA and SUSKIND and currently ORESTES based on Aeschylus classic tragedy to be directed by Rudolf Van den Berg. In the recent past, in addition to his regular production activities he has been involved in the development of a number of films based upon the prestigious Humanoids graphic novel catalogue. Due for production are BOUNCER based on the comic book series by Alejandro Jodorowsky and Francois Boucq, to be directed by Floria Sigismondi, LEGION based on the comic series by Fabien Nury and John Cassaday, screenplay by Richard Stanley directed by Nacho Cerda, and a feature film based upon the comic book THE ZOMBIES THAT ATE THE WORLD to be directed by Sundance sensation the Candian trio RKSS. -
Sf Commentary 76
SF COMMENTARY 76 30TH ANNIVERSARY EDITION October 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION SF COMMENTARY No. 76 THIRTIETH ANNIVERSARY EDITION OCTOBER 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION COVER GRAPHICS Ditmar (Dick Jenssen) Introductions 3 GEORGE TURNER: THE UNRELENTING GAZE Bruce Gillespie 4 GEORGE TURNER: CRITIC AND NOVELIST John Foyster 6 NOT TAKING IT ALL TOO SERIOUSLY: THE PROFESSION OF SCIENCE FICTION No. 27 12 SOME UNRECEIVED WISDOM Famous First Words 16 THE DOUBLE STANDARD: THE SHORT LOOK, AND THE LONG HARD LOOK 20 ON WRITING ABOUT SCIENCE FICTION 25 The Reviews 31 GOLDEN AGE, PAPER AGE or, WHERE DID ALL THE CLASSICS GO? 34 JOHN W. CAMPBELL: WRITER, EDITOR, LEGEND 38 BACK TO THE CACTUS: THE CURRENT SCENE, 1970 George and Australian Science Fiction 45 SCIENCE FICTION IN AUSTRALIA: A SURVEY 1892–1980 George’s Favourite SF Writers URSULA K. LE GUIN: 56 PARADIGM AND PATTERN: FORM AND MEANING IN ‘THE DISPOSSESSED’ 64 FROM PARIS TO ANARRES: ‘The Wind’s Twelve Quarters’ THOMAS M. DISCH: 67 TOMORROW IS STILL WITH US: ‘334’ 70 THE BEST SHORT STORIES OF THOMAS M. DISCH GENE WOLFE: 71 TRAPS: ‘The Fifth Head of Cerberus’ 73 THE REMEMBRANCE OF THINGS PRESENT: ‘Peace’ George Disagrees . 76 FREDERIK POHL AS A CREATOR OF FUTURE SOCIETIES 85 PHILIP K. DICK: BRILLIANCE, SLAPDASH AND SLIPSHOD: ‘Flow My Tears, the Policeman Said’ 89 LETTERS TO THE EDITOR: ‘New Dimensions I’ 93 PLUMBERS OF THE COSMOS: THE AUSSIECON DEBATE Peter Nicholls and George Turner George and the Community of Writers 100 A MURMURATION OF STARLING OR AN EXALTATION OF LARK?: 1977 Monash Writers’ Workshop Illustrations by Chris Johnston 107 GLIMPSES OF THE GREAT: SEACON (WORLD CONVENTION, BRIGHTON) AND GLASGOW, 1979 George Tells A Bit About Himself 111 HOME SWEET HOME: HOW I MET MELBA 114 JUDITH BUCKRICH IN CONVERSATION WITH GEORGE TURNER: The Last Interview 2 SF COMMENTARY, No. -
Selected Scifi 201102.Xlsx
Selected Used SciFi Books- Subject to availability - Call/email store to receive purchasing link ([email protected] 540206-2505) StorePri AuthorsLast Title EAN Publisher ce Cross-Currents: Storm Season, The Face of Chaos, Abbey, Robert Lynn Asprin and Lynn B000GPXLOQ Nelson Doubleday,. $8.00 and Wings of Omen Adams, Douglas Life, The Universe and Everything 9780517548745 Harmony Books $8.00 Adams, Douglas Mostly Harmless 9781127539635 BALLANTINE BOOKS $15.00 Adams, Douglas So Long, and Thanks for All the Fish 9780795326516 HARMONY BOOKS $6.00 Adams, Douglas The Restaurant at the End of the Universe 9780517545355 Harmony $8.00 Adams, Richard MAIA 9780394528571 Knopf $8.00 Alan, Foster Dean Midworld B001975ZFI Ballentine $8.00 Aldiss, Brian W. Helliconia Summer (Helliconia Trilogy, Book Two) 9781111805173 Atheneum / $8.00 Aldiss, Brian W. Non-Stop B0057JRIV8 Carroll & Graf $10.00 Aldiss, Brian Wilson Helliconia Winter (Helliconia, 3) 9780689115417 Atheneum $7.00 Allen, Roger E. Isaac Asimov's Inferno 9780441000234 Ace Trade $6.00 Allen, Roger Macbride Isaac Asimov's Utopia 9781857982800 Orion Publishing Co $8.00 Allston, Aaron Enemy lines (Star wars, The new Jedi order) 9780739427774 Science Fiction $15.00 Anderson, Kevin J and Rebecca The Rise of the Shadow Academy 9781568652115 Guild America $15.00 Moesta Anderson, Kevin J,Herbert, Brian Hunters of Dune 9780765312921 Tor Books $10.00 Anderson, Kevin J. A Forest of Stars: The Saga of Seven Suns Book 2 9780446528719 Aspect $8.00 Anderson, Kevin J. Darksaber (Star Wars) 9780553099744 Spectra $10.00 Anderson, Kevin J. Hidden Empire: The Saga of Seven Suns - Book 1 9780446528627 Aspect $8.00 Anderson, Kevin J. -
VECTOR 6 Winter Im
VECTOR---------- NO. 6 0FF1CJAL ORGAN OF THE BSFA -- VECTOR 6 winter im -CONTENTS This issue of VECTOR is published from: 41, North End Road, Fitz James' Ave., W.14. Editorial staff: Roberta Grey, Michael Moorcock, Sandra Hall and John Phillifent. Artwork and lettering by Jim Cawthorn, Michael Jones and Mike Moorcock. Pages Items Authors 3 Editorial R. Grey 5 Treasure's Report A. Mercer 7 The Complete Enchanter M. Moorcock 13 The Secretary Reports S. Hall 15 Magazine Reviews T. Jeeves 19 Book Reviews A. Weir (B.Sc) 22 SF in Portugal The CDLP 25 Psionics Fiction E. Bentcliffe 28 Film Review M. Moorcock 30 Letter Column BSFA Members Editors Mrs Roberta Grey (nee Wild) 14» Bennington Street, Cheltenham, GLOUCESTERSHIRE Secretarys Sandra Hall, 41, North End House, Fitz Janes-’ -Awenaq, London, W. 14. Treasurers Archie Mercer, 434/4» Newark Road, North Hykeham, LINCOLN. Librarian: Peter Mabey, BSFA Postal Library, 130, London Road, Cheltenham, GLOUCESTERSHIRE. WE WOULD LIKE TO KNOW WHaT YOU THINK OF VECTOR. All letters should be sent to the Editor at the address given above and not to North End House VECTOR, The Official Organ of the British Science Fiction Association is published and produced by the BSFA 1/1/60 3 'Ne had hoped to have Vector ready for you- hy Christmas, but one or two holds up have occurred so we can only say now that we hope you all had a wonderful Christmas and wish you the very best for a happy and prosperous New Year. Once again we have Mike Moorcock to thank for helping with the material and arranging for the artwork with Jim Cawthorn.