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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
YVONNE BLAKE Costume Designer
(3/18/15) YVONNE BLAKE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “THERE BE DRAGONS” Roland Joffe Immi Pictures Wes Bentley Golshifteh Farahani Unax Ugalde “GOYA’S GHOST” Milos Forman The Saul Zaentz Co. Natalie Portman Nomination: Satellite Award Stellan Skarsgard “TIRANTE EL BLANCO” Vicente Aranda Carolina Films (Spain) Giancaro Giannini Future Films (UK) Jane Asher Victoria Abril Leonor Watling Casper Zafer “THE BRIDGE OF SAN LUIS REY Mary McGuckian Pembridge Pictures Robert De Niro Winner: Goya Award for Best Costume Design Kanzaman S.A. Kathy Bates Harvey Keitel “THE RECKONING” Paul McGuigan Renaissance Films Willem Dafoe Paramount Classics Paul Bettany Caroline Wood “CARMEN” Vicente Aranda Star Line Paz Vega Winner: Goya Award for Best Costume Design Leonardo Sbaraglia “JAMES DEAN” Mark Rydell Concourse Prods. James Franco Nomination: Emmy Award for Best Costume Design TNT Michael Moriarty “GAUDI AFTERNOON” Susan Seidelman Lola Films Judy Davis Marcia Gay Harden Juliette Lewis "PRESENCE OF MIND" Antonio Aloy Presence of Mind, LLC. Lauren Bacall Sadie Frost Harvey Keitel "WHAT DREAMS MAY COME" Vincent Ward Interscope/Polygram Robin Williams Barnet Bain Annabella Sciorra Stephen Simon Cuba Gooding, Jr. "CRIME OF THE CENTURY" Mark Rydell HBO Stephen Rea Barbara Broccoli Isabella Rossellini "LOOKING FOR RICHARD" Al Pacino Fox Searchlight Al Pacino (Battle sequences) Kevin Spacey "COMPANY BUSINESS" Nicholas Myer Pathe Screen Ent. Gene Hackman Mikhail Baryshnikov (cont.) SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Pierre Spengler Started in the Industry in 1964 on the Film PARIS SECRET
Pierre Spengler started in the industry in 1964 on the film PARIS SECRET and went on working as an assistant director, assistant editor and a production assistant on such major films as THE MADWOMAN OF CHAILLOT starring Katharine Hepburn (1968), LE MANS starring Steve Mc Queen (1969) and THE LIGHT AT THE EDGE OF THE WORLD staring Kirk Douglas (1970). He went on to production responsibilities within the Salkind Organisation and soon was in charge of producing all of their films including the globally successful THE THREE MUSKETEERS, THE FOUR MUSKETEERS, SUPERMAN I, SUPERMAN II, SUPERMAN III and SANTA CLAUS. Since 1986, he has been independent and has produced such motion pictures as THE RETURN OF THE MUSKETEERS and UNDERGROUND (Golden Palm in Cannes 1995) and coproduced more than 20 films out of the United Kingdom including UNLEASHED starring Jet Li and Morgan Freeman, Guy Ritchie’s REVOLVER starring Jason Statham, and 7 SECONDS starring Wesley Snipes. In addition to his activities in the United Kingdom, he cofounded in 2000 the production company Cadenza Films in the Netherlands, which produced SNAPSHOTS, TIRZA and SUSKIND and currently ORESTES based on Aeschylus classic tragedy to be directed by Rudolf Van den Berg. In the recent past, in addition to his regular production activities he has been involved in the development of a number of films based upon the prestigious Humanoids graphic novel catalogue. Due for production are BOUNCER based on the comic book series by Alejandro Jodorowsky and Francois Boucq, to be directed by Floria Sigismondi, LEGION based on the comic series by Fabien Nury and John Cassaday, screenplay by Richard Stanley directed by Nacho Cerda, and a feature film based upon the comic book THE ZOMBIES THAT ATE THE WORLD to be directed by Sundance sensation the Candian trio RKSS. -
Batman V Superman: Dawn of Justice: the Art of the Film Ebook
BATMAN V SUPERMAN: DAWN OF JUSTICE: THE ART OF THE FILM PDF, EPUB, EBOOK Peter Aperlo | 192 pages | 11 Apr 2016 | Titan Books Ltd | 9781783297498 | English | London, United Kingdom Batman v Superman: Dawn of Justice: The Art of the Film PDF Book It's mostly sketches and conceptual artwork. Glenn Ford P. Part of the script took place in Smallville , where Clark goes into exile with Lana Lang. Lists with This Book. Archived from the original on October 1, Singer stressed that it would have been more action-packed than Superman Returns. Retrieved July 10, January 17, DVD Talk. Archived from the original on October 29, Nathanael Johnson. Notify me of new comments via email. Jul 11, Noahconstrictor Studios rated it really liked it. About this product. If you are interested in this film and enjoy Snyder's visual style, then you'll probably enjoy this book. Jerry Siegel Joe Shuster Other writers and artists. More from Peter Aperlo and book picks sent right to your inbox. Additional Product Features Dewey Edition. Following several unsuccessful attempts to reboot the franchise, Bryan Singer , who was said to be a childhood fan of Richard Donner 's film , was approached by Warner Bros to direct a new Superman film. After all, I've hopefully scored myself one of the limited edition signed copies come May. Fawcett Publications, Inc. It's a really nice book and a great sort of collector's item, but I just wish there was a little more artwork. Archived from the original on October 6, L Director's cut", and with the caption "Is it real? Dylan Sprayberry Y. -
Kirby Letterhead
SUPERGIRL IN THE BRONZE AGE! October 2015 No.84 $ 8 . 9 5 Supergirl TM & © DC Comics. All Rights Reserved. 0 9 Pre-Crisis Supergirl I Death of Supergirl I Rebirths of Supergirl I Superwoman ALAN BRENNERT interview I HELEN SLATER Supergirl movie & more super-stuff! 1 82658 27762 8 Volume 1, Number 84 October 2015 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow TM DESIGNER Rich Fowlks COVER ARTISTS Karl Heitmueller, Jr., with Stephen DeStefano Bob Fingerman Dean Haspiel Kristen McCabe Jon Morris Jackson Publick COVER DESIGNER Michael Kronenberg PROOFREADER John Morrow SPECIAL THANKS Cary Bates Elliot S. Maggin Alan Brennert Andy Mangels ByrneRobotics.com Franck Martini BACK SEAT DRIVER: Editorial by Michael Eury . .2 Glen Cadigan Jerry Ordway FLASHBACK: Supergirl in Bronze . .3 and The Legion George Pérez The Maid of Might in the ’70s and ’80s Companion Ilya Salkind Shaun Clancy Anthony Snyder PRINCE STREET NEWS: The Sartorial Story of the Sundry Supergirls . .24 Gary Colabuono Roger Stern Oh, what to wear, what to wear? Fred Danvers Jeannot Szwarc DC Comics Steven Thompson THE TOY BOX: Material (Super) Girl: Pre-Crisis Supergirl Merchandise . .26 Jim Ford Jim Tyler Dust off some shelf space, ’cause you’re gonna want this stuff Chris Franklin Orlando Watkins FLASHBACK: Who is Superwoman? . .31 Grand Comics John Wells Database Marv Wolfman Elliot Maggin’s Miracle Monday heroine, Kristen Wells Robert Greenberger BACKSTAGE PASS: Adventure Runs in the Family: The Saga of the Supergirl Movie . .35 Karl Heitmueller, Jr. Hollywood’s Ilya Salkind and Jeannot Szwarc take us behind the scenes Heritage Comics Auctions FLASHBACK: Crisis on Infinite Earths #7 . -
Alexander Salkind Santa Claus Movie
Alexander Salkind Santa Claus Movie Aziz remains aglimmer after Englebart slumbers destructively or seises any krakens. Wigless Micky tidy seasonally. Biafran or dry-cleaned, Osborn never dining any sensualists! Super high think of views. Some movies turn out simply mediocre. How dumb Is Rudolph? When salkind was much further over. Super high above as assistant, judy cornwell are joined by henry mancini and kenwood golf and. The film chronicles the origins of Santa Claus, who, along with his wife Anya, goes from being a simple working man to becoming an international icon of Christmas. Going all the flute back zipper Black Christmas and Halloween, holiday horror movies have remained a staple for the genre for well for four decades now. It was directed by Ron Underwood Who is Kate Pierce? Mysteries channel but it was still a holiday hit. Okay, admittedly, in retrospect certain things are a little hard to swallow. Polarised whilst they live making 195's Santa Claus The Movie. Santa claus came back and face certain things up considerably become the salkinds, the definitive santa fall off as a mysterious man inadvertently loses the! That is not Santa Claus. Of a jaded from joyous to a good movie santa claus? Ilya Salkind was so convinced would happen. Christmas too, adding to joy awkward and miserable situation. Santa Claus the movie videorecording DVD an Alexander and Ilya Salkind production Edition 20th anniversary edition Publisher Date Troy MI Anchor. But considering how big Lithgow goes with the performance, you may find him delightful. ALEX AND ILYA SALKIND IN INTERVIEW BY HARLAN. -
Crisis of Infinite Intertexts! Continuity As Adaptation in the Superman Multimedia Franchise
Crisis of Infinite Intertexts! Continuity as Adaptation in the Superman Multimedia Franchise Jack Peterson Teiwes ORCID identifier 0000-0001-8956-1602 Doctor of Philosophy November 2015 School of Culture and Communication The University of Melbourne Submitted in total fulfillment of the requirements of the PhD degree Produced on archival quality paper Abstract Since first appearing as a comic book character over three quarters of a century ago, Superman was not only the first superhero, spawning an entire genre of imitators, but also quickly became one of the most widely disseminated multi-media entertainment franchises. This achieved a degree of intergenerational cultural dissemination that far surpasses his comic book fandom. Yet despite an unprecedented degree of adaptation into other media from radio, newspaper strips, film serials, animation, feature films, video games and television, Superman’s ongoing comic books have remained in unbroken publication, developing a long and complex history of narrative renewal and reinvention. This thesis investigates the multifaceted intertextuality between the comic book portrayals of Superman and its many adaptations over the years, including how such retellings in other media have a generally stronger cultural impact, which exerts in turn an adaptive influence upon these continuing comics’ internalised narrative continuity. I shall argue that Superman comics, as a case study for the wider phenomenon in the superhero genre, demonstrate via their frequent revisions and relaunches of continuity, a process of deeply palimpsestuous self-adaptation. The Introduction positions my research methodology in relation to intertextual theory, with an emphasis on providing terminological clarity, while Chapter 1 expands into a literature review on pertinent key scholarship on adaptation studies and the comics studies field specifically. -
1 Tom Pollock, Montecito Picture Company October 22, 2010
Tom Pollock, Montecito Picture Company October 22, 2010 MIP: We would like to start by having you describe your career. In a nutshell can you describe its trajectory? What are the highlights? Tom Pollock: I’ve had three different careers, none of which were really planned, they all just sort of happened. There wasn’t any grand scheme when I was in college. Back then I really didn’t know what it was I wanted to do. I went to law school in large part because of the draft and the Vietnam War. I didn’t want to go to war, and if you were in school you were deferred. That included graduate school. I didn’t have any great desire to be a lawyer but it seemed like a better alternative than getting a Ph.D. It was in law school that I got really fascinated with the movies. I went to law school in New York at Columbia and then I came out to Los Angeles and got a job at a large firm that did entertainment work. I thought I would use my legal skills to get into the entertainment business. “Use what you got,” I figured, and what I had was a law degree. I worked for a firm called Mitchell Silberberg & Knupp, though I quit after six months because it wasn’t a terribly rewarding experience. I thought that was just my experience, but what I didn’t know then was that law firm partners are notorious for treating their associates with disdain. After that, I didn’t do anything much for a while. -
FEATURE FILMS: FANTASTIC BEASTS 3 Senior Art Director – Leavesden Studios 2020 • Feature Based on J.K
FEATURE FILMS: FANTASTIC BEASTS 3 Senior Art Director – Leavesden Studios 2020 • Feature based on J.K. Rowling’s characters, starring Johnny Depp, Jude Law & Ezra Miller • • Director David Yates • Production Design: Stuart Craig & Neil Lamont • Supervising Art Director Al Bullock • TOP GUN : MAVERICK Art Director (Additional Photography) – Leavesden Studios 2019 • Feature starring Tom Cruise & Val Kilmer• • Director Joseph Kosinski • Supervising Art Director Andrew Bennett• UNTITLED ‘GAME OF THRONES’ PREQUEL Senior Art Director – Titanic Studios, Belfast 2019 • TV Movie starring Naomi Watts, Miranda Richardson et al • • Director S.J.Clarkson • Production Designer Luke Hull• THE VOYAGE OF DR. DOLITTLE Senior Art Director – Shepperton Studios 2017 - 2018 • Feature starring Robert Downey Jnr • • Director Stephen Gaghan • Production Designer Neil Lamont / Dominic Watkins• FLASHPOINT Senior Art Director – Leavesden Studios 2017 • Preliminary concept development work • CHRISTOPHER ROBIN Art Director – Shepperton Studios 2017 • Feature starring Ewan McGregor & Hayley Atwell • • Director Marc Forster • Production Designer Jennifer Williams• JUSTICE LEAGUE Art Director – Leavesden Studios 2016 • Feature starring Ben Affleck, Henry Cavill & Gal Gadot • • Director Zack Snyder • Production Designer Patrick Tatopoulos • JASON BOURNE Art Director – Leavesden Studios and Tenerife 2015 • Feature starring Matt Damon, Alicia Vikander & Julia Stiles • • Director Paul Greengrass • Production Designer Paul Kirby • Sup Art Director Paul Inglis • PAN Art Director -
Connecting Content with Consumers Volume 8 Issue 14
The Fastest Growing DVD, CD and Blu-ray Retail Catalog Connecting Content with Consumers Volume 8 Issue 14 We're back from the holidays with a significant wave of new releases, new to DVD catalog titles, Blu-rays and Award Winning Independent Films, all exclusively available to Allied Vaughn participating retailers! Major releases coming your way include Warner's beautifully BD mastered "Supergirl" streeting on 7/24 and from Gunpowder & Sky, trending hot in the theaters now is the indie "Hearts Beat Loud", available on PreOrder. Join us also in welcoming our newest studio from the UK, Digicom TV with its very broad catalog of content- classics, documentaries and more. The Fall Season is fast approaching...shouldn't you be considering Allied Vaughn technologies for your distribution and retail?! Richard Skillman Vice President Allied Vaughn [email protected] http://www.alliedvaughn.com AV MOD Studio Brochure AV MOD Gallery Title Library AV MOD Newsletter Archives Warner Announces Special Edition Supergirl on Blu-ray 7/24/2018 888574645045 Supergirl [Blu-ray] BD-50 1984 "Ilya and Alexander Salkind continue to bring the lore and legend behind the World's Greatest Super Hero to the big screen in this follow-up to the beloved Christopher Reeve Superman films. Helen Slater (in her screen debut) stars as the sensational Supergirl! Though Superman grew up believing himself to be the Last Son of Krypton, part of his home planet survived: Argo City, home of his uncle, Zor-El (Simon Ward), and Zor-El's wife, Alura (Mia Farrow). Saved by the wizardry of Zaltar (Peter O'Toole) and the Omegahedron, their daughter Kara comes of age as a Kryptonian when a disaster whisks the Omegahedron to her cousin's adoptive planet, Earth. -
Adaptations Cinématographiques De Comic Books Carl Rodrigue
Document généré le 28 sept. 2021 11:06 Séquences La revue de cinéma Adaptations cinématographiques de comic books Carl Rodrigue Numéro 227, septembre–octobre 2003 URI : https://id.erudit.org/iderudit/48279ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Rodrigue, C. (2003). Adaptations cinématographiques de comic books. Séquences, (227), 18–23. Tous droits réservés © La revue Séquences Inc., 2003 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ ADAPTATIONS CINÉMATOGRAPHIQUES DE comic books De gauche à droite et de haut en bas : Batman (1966), Spider-Man (2002), Superman (1978), Hulk (2003), Batman (1989), X2 (2003), Conan The Barbarian (1982), Men In Black (1997), Road To Perdition (2002), The Crow (1994), Batman 1989), Blade (1998), Superman II (1980), Daredevil (2003), Batman (1966) « Il y a en moyenne 35 pages et 124 illustrations dans chaque comic book. Le prix d'un seul numéro peut varier d'un dollar après de 140 000 dollars US. 172 000 comic books se vendent chaque jour aux États-Unis, soit plus de 62 780 000 chaque année.