VORLAGETITEL ORIGINALTITEL (Sortiert) FF NR. Abel Mit Der
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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Pressemitteilung Pressekonferenz 6. Juli, 11
Pressemitteilung 13. Juni 2005 Marika Rökk (1913 bis 2004) Präsentation des Nachlasses 7. Juli bis 4. September 2005 im Filmmuseum Berlin Pressekonferenz 6. Juli, 11 Uhr Filmmuseum Berlin im Filmhaus, 1. Obergeschoss Potsdamer Straße 2 10785 Berlin Für das Pressegespräch stehen zur Verfügung: Hans Helmut Prinzler Direktor des Filmmuseums Berlin Werner Sudendorf Leiter der Sammlungen des Filmmuseums Berlin Gabriele Jacoby Schauspielerin (Tochter von Marika Rökk) Marika Rökk in HALLO JANINE, D 1939, R.: Carl Boese Der Nachlass wird im 1. Obergeschoss präsentiert. Der Eintritt ist frei. Öffnungszeiten: Di bis So 10 bis 18 Uhr, Do 10 bis 20 Uhr Informationen: Tel. 030 / 300 903 - 0, www.filmmuseum-berlin.de Die Eröffnung findet am 6. Juli um 19 Uhr im Filmmuseum Berlin statt. Nach der Be- grüßung durch Hans Helmut Prinzler sprechen Peter Schamoni, Gabriele Jacoby und Cornelia Froboess. Aus diesem Anlass zeigen wir am Tag der Eröffnung um 17 Uhr im Kino Arsenal im Filmhaus den Film KORA TERRY (D 1940, R.: Georg Jacoby, 102 Min.; mit Marika Rökk, Will Quadflieg, Josef Sieber u. a.). Der Kartenvorverkauf erfolgt über das Kino Arsenal, Tel. 030 / 269 55 - 100. Weitere Informationen sowie druckfähiges Bildmaterial erhalten Sie bei der Pressestelle: (Interviewwünsche mit Frau Jacoby und Frau Froboess nehmen wir gern entgegen.) Heidi Berit Zapke, Tel. 030 / 300 903 – 820 oder [email protected] Um Ihre Anmeldung zur Pressekonferenz wird gebeten unter Tel. 030 / 300 903 – 820. www.filmmuseum-berlin.de 1 Marika Rökk (1913 bis 2004) Präsentation des Nachlasses 7. Juli bis 4. September 2005 im Filmmuseum Berlin Als Marika Rökk 1935 mit dem Zirkusfilm LEICHTE KAVALLERIE (D 1935, R.: Werner Hochbaum) ihre Filmkarriere in Deutschland beginnt, ist sie 21 Jahre alt, doch aus dem "Ufa-Baby" - zuvor schon als "wildes Bretterkind" in Tanzshows in Paris, New York und Budapest bekannt - wird rasch ein Star des deutschen Revue- und Operettenfilms. -
ORIGINALTITEL (Alle) ORIGINALTITEL (Sortiert) FF NR
BESTAND FILMFOTOGRAFIE TWS SCHLOSS WAHN REGISTER DER ORIGINALTITEL ORIGINALTITEL (alle) ORIGINALTITEL (sortiert) FF NR. Abarembo kaido Abarembo kaido FF 1981 Abel mit der Mundharmonika Abel mit der Mundharmonika FF 5 Abenteuer des Prinzen Achmed, Die Abenteuer des Prinzen Achmed, Die FF 2 Abenteuer eines Zehnmarkscheines, Abenteuer eines Zehnmarkscheines, FF 4 Die Die Abenteuer G.m.b.H., Die Abenteuer G.m.b.H., Die FF 9 Abenteuer im Nachtexpress Abenteuer im Nachtexpress FF 10 Abenteuer im Spielzeugland Abenteuer im Spielzeugland FF 8 Abenteuer im Südexpress Abenteuer im Südexpress FF 3072 Abenteuerin von Tunis, Die Abenteuerin von Tunis, Die FF 11 Abfahrer, Die Abfahrer, Die FF 12 Abominable Snowman, The Abominable Snowman, The FF 2993 Above and Beyond Above and Beyond FF 1438 Abschiedsgeschenk, Das Abschiedsgeschenk, Das FF 3073 Acciaio Acciaio FF 100 8 Mädels in einem Boot 8 Mädels in einem Boot FF 3074 Acht Stunden sind kein Tag Acht Stunden sind kein Tag FF 17 Achtung - Kriminalpolizei! Gefangene Achtung - Kriminalpolizei! Gefangene FF 770 Nr. 7 Nr. 7 Achtzehnjährigen, Die unbekannt [Achtzehnjährigen, Die FF 3122 (?)] Acquittal, The Acquittal, The FF 702 Across to Singapore Across to Singapore FF 1982 Action of the Tiger Action of the Tiger FF 1915 Actress, The Actress, The FF 1363 Adama Hamah Adama Hamah FF 2556 Addition, L' Addition, L' FF 14 Adieu, Lebewohl, Goodbye Adieu, Lebewohl, Goodbye FF 3075 Adjutant des Zaren, Der Adjutant des Zaren, Der FF 19 Adorable Julia Julia, du bist zauberhaft FF 1228 Adrian und die Römer Adrian und die Römer FF 20 Adventures of Buckaroo Banzai Across Adventures of Buckaroo Banzai Across FF 284 the 8th Dimension, The the 8th Dimension, The BESTAND FILMFOTOGRAFIE TWS SCHLOSS WAHN REGISTER DER ORIGINALTITEL ORIGINALTITEL (alle) ORIGINALTITEL (sortiert) FF NR. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
The Picture Show Annual (1928)
Hid •v Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannuaOOamal Corinne Griffith, " The Lady in Ermine," proves a shawl and a fan are just as becoming. Corinne is one of the long-established stars whose popularity shows no signs of declining and beauty no signs of fading. - Picture Show Annual 9 rkey Ktpt~ thcMouies Francis X. Bushman as Messala, the villain of the piece, and Ramon Novarro, the hero, in " Ben Hut." PICTURESQUE PERSONALITIES OF THE PICTURES—PAST AND PRESENT ALTHOUGH the cinema as we know it now—and by that I mean plays made by moving pictures—is only about eighteen years old (for it was in the Wallace spring of 1908 that D. W. Griffith started to direct for Reid, the old Biograph), its short history is packed with whose death romance and tragedy. robbed the screen ofa boyish charm Picture plays there had been before Griffith came on and breezy cheer the scene. The first movie that could really be called iness that have a picture play was " The Soldier's Courtship," made by never been replaced. an Englishman, Robert W. Paul, on the roof of the Alhambra Theatre in 18% ; but it was in the Biograph Studio that the real start was made with the film play. Here Mary Pickford started her screen career, to be followed later by Lillian and Dorothy Gish, and the three Talmadge sisters. Natalie Talmadge did not take as kindly to film acting as did her sisters, and when Norma and Constance had made a name and the family had gone from New York to Hollywood Natalie went into the business side of the films and held some big positions before she retired on her marriage with Buster Keaton. -
Films Refusés, Du Moins En Première Instance, Par La Censure 1917-1926 N.B
Films refusés, du moins en première instance, par la censure 1917-1926 N.B. : Ce tableau dresse, d’après les archives de la Régie du cinéma, la liste de tous les refus prononcés par le Bureau de la censure à l’égard d’une version de film soumise pour approbation. Comme de nombreux films ont été soumis plus d’une fois, dans des versions différentes, chaque refus successif fait l’objet d’une nouvelle ligne. La date est celle de la décision. Les « Remarques » sont reproduites telles qu’elles se trouvent dans les documents originaux, accompagnées parfois de commentaires entre [ ]. 1632 02 janv 1917 The wager Metro Immoral and criminal; commissioner of police in league with crooks to commit a frame-up robbery to win a wager. 1633 04 janv 1917 Blood money Bison Criminal and a very low type. 1634 04 janv 1917 The moral right Imperial Murder. 1635 05 janv 1917 The piper price Blue Bird Infidelity and not in good taste. 1636 08 janv 1917 Intolerance Griffith [Version modifiée]. Scafold scenes; naked woman; man in death cell; massacre; fights and murder; peeping thow kay hole and girl fixing her stocking; scenes in temple of love; raiding bawdy house; kissing and hugging; naked statue; girls half clad. 1637 09 janv 1917 Redeeming love Morosco Too much caricature on a clergyman; cabaret gambling and filthy scenes. 1638 12 janv 1917 Kick in Pathé Criminal and low. 1639 12 janv 1917 Her New-York Pathé With a tendency to immorality. 1640 12 janv 1917 Double room mystery Red Murder; robbery and of low type. -
THE BRADY STANDARD 8 P Ages
Guaranteed the Largest Paid Circulation of Any Newspaper Published in McCulloch Cot ity. 8 Pages THE BRADY STANDARD 8 P a g e s TWICE-A-WEEK ABSORBED THE BRADY ENTERPRISE AND THE McCULLOCH COUNTY STAR, May 2, 1910. TUESDAY-FRIDAY VOL. XV.. No. 78. THE BRATiY ENTERPRISE Vol. XIII. No. 84 Brady, McCulloch County, Texas. Tuesday, December 18, 1923. McJUlXOCH COUNTY STAE - - Vol. III. No. 1 Whole No. 1353. | LEE DOWNS ACCEPTS OFFER $40,000 FIRE FRIDAY NIGHT WIPES TO COACH MILLIONAIRE PO flast week. In addit'on to routine bu LO CLCH IN RIVERSIDE. CAL. STATE APPROVES IFIRE ESCAPE IS siness, the commissioners decided to OUT MAYHEW PRODUCE CO. PLANT place a standard stair type fire es- Lee Downs, leader of the Brady MASON ROAD WORK NEW YEAR'S GIFT ’ cape on the court house, thereby com Polo club, and well-known citizen of plying with the state law requiring McCulloch county, has just received a fire escapes on all bu ldingg o f three DESTRUCTION INCLUDES BUILDING. 810.000 FEED. 5.000 wire from the Riverside Polo club of SPECIFICATIONS TO COURT H0NSE stories or more. The contract has POUNDS PECANS. TWO CARS SALT. ONE CAR FEATH Riverside, Californ a, offering him a been let to the Southern Manufactur ERS. 1.200 HEAD DRESSED TURKEYS. AUTO TRUCK. position as polo coach for the club at Just before aujoumment last ing Co., and calls for one standard I The McCulloch county court house a highly remunerative salary. Mr, Thursday, the McCulloch county com- , .. stair type fire escape, to conform in — . -
Request a Printed Copy
Request a printed copy SKU Title 100 DAYS BEFORE THE COMMAND (Sto Dney do Prikaza) (1991) * with switchable 5989 English and German subtitles * 1858 12 MINUTEN NACH 12 (1939) 590 13 MANN UND EINE KANONE (1938) 3098 1860 (1934) * with switchable English subtitles * 776 1914 - DIE LETZTEN TAGE VOR DEM WELTBRAND (1931) * improved picture quality * 5290 1922 (1978) * with switchable English subtitles * 2554 24 STUNDEN AUS DEM LEBEN EINER FRAU (1931) * with switchable English subtitles * 1864 4 TREPPEN RECHTS (1945) 5697 491 (1964) * with switchable English and German subtitles * 356 5 FINGERS (1952) 681 A.D. – THE GLORY OF THE KHAN (1984) * with hard-encoded Bulgarian 2453 subtitles * 1857 7 OHRFEIGEN (1937) 4878 80 HUSZAR (80 Hussars) (1978) * with switchable English subtitles * 5505 A BAD JOKE (Skvernyy anekdot) (1966) * with switchable English subtitles * A BRIVELE DER MAMEN (A LETTER TO MAMA) (1938) *Hard-Encoded English 786 subtitles* 3056 A CANTERBURY TALE (1944) 5040 A CARRIAGE TO VIENNA (1966) * with switchable English subtitles * 4163 A COTTAGE ON DARTMOOR (1929) 3066 A DEADLY INVENTION (Vynález zkázy) (1958) 5575 A DREAM (1964) * with switchable English subtitles * 2769 A FIRE HAS BEEN ARRANGED (1935) 319 A FOREIGN AFFAIR (1948) * with or without hard-encoded German subtitles * 2919 A GIRL IN BLACK (To koritsi me ta mavra) (1956) * with switchable English subtitles * 2590 A HISTORY OF MILITARY PARADES ON RED SQUARE (1918 – 2010) (2013) 312 A JOURNEY THROUGH OLD EAST PRUSSIA *with switchable English subtitles* 313 A JOURNEY THROUGH -
Lost Silent Feature Films
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 11/16/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) Ableminded Lady, -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Cinema and Berlin's Spectacle of Destruction: the 'Ruin' Film, 1945-50 Author(S): Ralph Stern Source: AA Files, No
Cinema and Berlin's Spectacle of Destruction: The 'Ruin' Film, 1945-50 Author(s): Ralph Stern Source: AA Files, No. 54 (Summer 2006), pp. 48-60 Published by: Architectural Association School of Architecture Stable URL: https://www.jstor.org/stable/29544634 Accessed: 26-03-2019 08:47 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Architectural Association School of Architecture is collaborating with JSTOR to digitize, preserve and extend access to AA Files This content downloaded from 95.183.184.51 on Tue, 26 Mar 2019 08:47:31 UTC All use subject to https://about.jstor.org/terms Cinema and Berlin's Spectacle of Destruction The 'Ruin' Film, 1945-50 Ralph Stern The new reality. The sign of our time is the ruin. She surrounds our life. She lines the streets of our cities. She is our reality. In her burned-out fagades blooms not the blue flower of the Romantics but the demonical spirit of destruction, collapse and Apocalypse. The ruin is the outer sign of the inner insecurity of the people of our age. The ruin lives in us as we live in her. She is our new reality, one which wants to be designed.