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Document generated on 09/27/2021 7:30 p.m. Circuit Musiques contemporaines Catalogue des oeuvres commandées par la smcq Solenn Hellégouarch Souvenirs du futur : pour les 50 ans de la smcq Volume 27, Number 2, 2017 URI: https://id.erudit.org/iderudit/1040877ar DOI: https://doi.org/10.7202/1040877ar See table of contents Publisher(s) Circuit, musiques contemporaines ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this document Hellégouarch, S. (2017). Catalogue des oeuvres commandées par la smcq. Circuit, 27(2), 53–66. https://doi.org/10.7202/1040877ar Tous droits réservés © Circuit, musiques contemporaines, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Catalogue des œuvres commandées par la smcq Solenn Hellégouarch Ce catalogue présente les œuvres commandées (ou co-commandées) par la Société de musique contemporaine du Québec (smcq) entre 1968 et 2017. Les œuvres sont classées par année de création, puis par date de création1. La 1. Dès lors, seules les œuvres créées présence d’un astérisque indique que la commande a reçu l’aide du Conseil ont été retenues dans le présent catalogue. des arts du Canada (cac). 1968 § *Gilles Tremblay, Souffles (Champs II) (1968), 2 flûtes (et piccolo), hautbois, clari- nette, cor, 2 trompettes en si bémol (et trompettes en do), 2 trombones, piano, 2 per- cussions et contrebasse. -
1Er Février 2015 — 15 H Salle De Concert Bourgie Prixopus.Qc.Ca
e 18 GALA1er février 2015 — 15 h Salle de concert Bourgie prixOpus.qc.ca LE CONSEIL QUÉBÉCOIS DE LA MUSIQUE VOUS SOUHAITE LA BIENVENUE À LA DIX-HUITIÈME ÉDITION DU GALA DES PRIX OPUS 14 h : accueil 15 h : remise des prix 17 h 30 : réception à la Galerie des bronzes, pavillon Michal et Renata Hornstein du Musée des beaux-arts de Montréal Écoutez l’émission spéciale consacrée au dix-huitième gala des prix Opus, animée par Katerine Verebely le lundi 2 février 2015 à 20 h sur les ondes d’ICI Musique (100,7 FM à Montréal) dans le cadre des Soirées classiques. Réalisation : Michèle Patry La Fondation Arte Musica offre ses félicitations à tous les finalistes et aux lauréats des prix Opus de l’an 18. La Fondation est fière de contribuer à l’excellence du milieu musical québécois par la production et la diffusion de concerts et d’activités éducatives, à la croisée des arts. Au nom de toute l’équipe du Musée des beaux-arts de Montréal et de la Fondation Arte Musica, je vous souhaite un excellent gala ! Isolde Lagacé Directrice générale et artistique sallebourgie.ca 514-285-2000 # 4 Soyez les bienvenus à cette 18e édition du gala des prix Opus. Votre fête de la musique. Un événement devenu incontournable au fil des ans ! Le gala des prix Opus est l’occasion annuelle de célébrer l’excellence du travail des interprètes, compositeurs, créateurs, auteurs et diffuseurs. Tout au long de la saison 2013-2014, ces artistes ont mis leur talent, leur créativité et leur ténacité au service de la musique de concert. -
An Evening of New Canadian and American Music
Music At Bennington Presents: An Evening of New Canadian and American Music with guest artists Sylvia Shadick-Taylor & Karen J. Minish Friday, March 7, 1997 at 8 p.m. Deane Carriage Barn "This concert is made possible in part through the generous support of Judith Rosenberg Hoffberger '54 and the Henry and Bennington College Ruth Blaustein Rosenberg Foundation." About the Artists: Toronto Women's Chorus, the Claude Watson School of the Arts Orchestra, the Edmonton Symphony, and the Toronto Symphony. Competition awards have included SYLVIA SIIADICK-TAYLOR - Pianist first place prizes in th e Canadian Contempora1y Music Workshop, and Arraynrnsic's Canadian pianist, Sylvia Shadick-Taylor holds a Il.Mus. cum laude Young Composers' Competition. Hi s compositions have been recorded by CBC with from the University of Alberta, where she studied with Alexandra Munn, as future broadcasts to include the Three Spanish Songs. Two Etudes For Organ had its well as Licentiate and Associate Diplomas. Her studies have taken her from European debut in Warsaw. IJpcoming performances will feature the CBC commissioned her early years with Sheila Shinkewski in Saskatchewan, to Ilanff, Aspen, work The Painter Suite for Edmonton's Hammerhead Consort, and an orchestral work New York and Salzburg. Other teachers who have contributed ~o Sylvia's entitled 011ve1·h1re Sauvage, commissioned by the Edmonton Symphony through the musicianship have been Thomas Muraco, Menahem Pressler, Ed 1th Oppens, and Gyorgy Sebok. Now based in Edmonton, she has worked for Edmonton Alberta Arts Foundation. Opera, the Edmonton Symphony Orchestra, Pro Coro Canada, Alberta College, and the CosmoPohtan Music Society. -
Finding Aid Prepared by David Kennaly Washington, D.C
THE LIBRARY OF CONGRESS RARE BOOK AND SPECIAL COLLECTIONS DIVISION THE RADICAL PAMPHLET COLLECTION Finding aid prepared by David Kennaly Washington, D.C. - Library of Congress - 1995 LIBRARY OF CONGRESS RARE BOOK ANtI SPECIAL COLLECTIONS DIVISIONS RADICAL PAMPHLET COLLECTIONS The Radical Pamphlet Collection was acquired by the Library of Congress through purchase and exchange between 1977—81. Linear feet of shelf space occupied: 25 Number of items: Approx: 3465 Scope and Contents Note The Radical Pamphlet Collection spans the years 1870-1980 but is especially rich in the 1930-49 period. The collection includes pamphlets, newspapers, periodicals, broadsides, posters, cartoons, sheet music, and prints relating primarily to American communism, socialism, and anarchism. The largest part deals with the operations of the Communist Party, USA (CPUSA), its members, and various “front” organizations. Pamphlets chronicle the early development of the Party; the factional disputes of the 1920s between the Fosterites and the Lovestoneites; the Stalinization of the Party; the Popular Front; the united front against fascism; and the government investigation of the Communist Party in the post-World War Two period. Many of the pamphlets relate to the unsuccessful presidential campaigns of CP leaders Earl Browder and William Z. Foster. Earl Browder, party leader be—tween 1929—46, ran for President in 1936, 1940 and 1944; William Z. Foster, party leader between 1923—29, ran for President in 1928 and 1932. Pamphlets written by Browder and Foster in the l930s exemplify the Party’s desire to recruit the unemployed during the Great Depression by emphasizing social welfare programs and an isolationist foreign policy. -
Perusal Score
P e r u s a l October‘ poem for dayes end for alto flute Donald Steven ISMN: 979-0-706080-74-1 CP094 Program Note by the Composer October is the first work in the central part of the triptych Floating Verses1, a set of pieces written for four woodwind players (alto flute, clarinet, bassoon and shakuhatchi), harp, percussion, viola, cello, piano, and recorded material. Traditional music comes to us through the generations primarily via the oral tradition. While some of this music undoubtedly remains remarkably true to its origins, due to its important cultural role and the rigor of the transmission process from one generation to the next, much traditional music has mutated countless times. A significant aspect of this repetitive/regenerative process, particularly in improvised blues, is the adoption or transmigration of lyrics from one song to another, a process sometimes referred to as floating verses, floating lyrics, or maverick stanzas. In this triptych, a similar process unfolds, as specific moments, mostly of limited scope, reappear from one piece to another, in different contexts though not in dissimilar spirit. The seed for this reflective unfolding is the use, in the opening and closing of October, of the Epitaph of Seikilos, which is generally acknowledged as the oldest surviving complete musical composition. The inscription on the epitaph is taken from Plato’s Meno, quoting Socrates and inviting us to wonder about the possibility that the soul may be reborn and to take from that sense how we ought to strive to live our time on earth ‘in perfect holiness.’ October is written for alto flute, though I can see no reason beyond practical considerations, why it could not be beautifully realized on other instruments — including traditional instruments — that have the range and ability to speak to the intimacy of the work. -
The American Legion Magazine [Volume 54, No. 2 (February 1953)]
THE AMERICAN SEE PAGE 22 50 WAYS TO SAVE ON LEGION INCOME TAXES MAGAZINE EBRUARH 1928 PLYMOUTH — the first Plymouth—was powered by a 4-cylinder, 45-h.p. engine. It was the first car in the low-priced class to have 4-wheel hydraulic brakes. CARS RUN THEIR BEST ON THE BEST GASOLINE 1953 PLYMOUTH Belvedere is powered by a 100-h.p., high compression engine. It's described as the "first truly balanced car in the low-priced field." 1904 GENERAL ELECTRIC hada novel elec- tric transmission. A gasoline engine ran a generator which supplied power to two electric motors driving the rear wheels. There was no gear shift. IN 1928, automobile advertisements offered "flash- ing power at your fingertips." Then, as now, car owners wanted better performance —and "Ethyl" gasoline helped them get it. And just as the car of today is far superior to the average car of a quarter century ago — so, too, has "Ethyl" gasoline improved over the years. Today's "Ethyl" gasoline helps you get top power and performance. 1900 GASMOBILE was the first 6-cylinder ETHYL it to fill the car That's why pays up at pump with sold in the U. S. It actually had two CORPORATION the familiar "Ethyl" emblem. Remember, there's 3-cylinder engines. Though hailed as "fu- York 17, York New New a powerful difference between gasoline and turistic," the company failed in 1902. Ethyl Antiknock Ltd., in Canada "Ethyl" gasoline! 0 / Made the extra mow THE AMERICAN LEGION MAGAZINE VOL. 54 No. 2 CONTENTS FOR FEBRUARY, 1953 LADY ON THE REEF (fiction) 15 BY BENEDICT THIELEN The Admiral's daughter sized him up as a good mate. -
Commencement1982.Pdf (5.469Mb)
Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/commencement1982 ORDER OF PROCESSION MARSHALS Paul R. Daniels Peter Newman Sidney S. Forrest Dennis A. Powers Carol J. Gray Henry M. Seidel Richard L. Higgins Carl E. Taylor William H. Huggins Mack Walker Joseph L. Katz Charles R. Westgate Warner E. Love Ira William Zartman THE GRADUATES MARSHALS David S. Olton Saul Roseman THE DEANS MEMBERS OF THE SOCIETY OF SCHOLARS OFFICERS OF THE UNIVERSITY THE TRUSTEES MARSHALS Matthew A. Crenson Paul R. Olson THE FACULTIES CHIEF MARSHAL Isaiah Frank THE CHAPLAINS THE HONORARY DEGREE CANDIDATES THE PROVOST OF THE UNIVERSITY THE CHAIRMAN OF THE BOARD OF TRUSTEES THE PRESIDENT OF THE UNIVERSITY ORDER OF EVENTS STEVEN MULLER President of the University, presiding PRELUDE La Mourisque TlELMAN SUSATO ( -1561) Sonata from Die Bankelsangerlieder Anonymous PROCESSIONALS The audience is requested to stand as the Academic Procession moves into the area and to remain standing after the Invocation. Marches from Belshazzar, Floridante, Ezio, Judas Maccabaeus, Saint Cecilia's Day and Rinaldo Georg Frederich Handel (1685-1759) THE PRESIDENT'S PROCESSION Fanfare Walter Piston (1894-1976) March from Scipione Georg Frederich Handel (1685-1759) INVOCATION CHESTER L. WICKWIRE Chaplain, The Johns Hopkins University * THE NATIONAL ANTHEM * GREETINGS ROBERT D. H. HARVEY Chairman of the Board of Trustees PRESENTATION OF NEW MEMBERS OF THE SOCIETY OF SCHOLARS Maurice M. Bursey Elizabeth D. Hay J. Michael Criley Gordon L. Kane Carlos E. Eyzaguirre David M. Kipnis Hans Fuchtbauer Carl Kupfer Robert S. Gordon, Jr. Leonard T. -
Paul Pedersen Collection Finding
Paul Pedersen Collection A Finding Aid to the Collection in the Marvin Duchow Music Library Prepared by Michaela Dickey Edited by Cynthia A. Leive Marvin Duchow Music Library Schulich School of Music, McGill University Montreal, Quebec Finding Aid URL: http://www.mcgill.ca/library/library-findinfo/subjects/music/special/paul-pedersen Latest Revision: July 2012 Collection Summary Title: Paul Pedersen Collection Span Dates: 1955-2005 Creator: Pedersen, Paul, b. 1935. Language: Collection material in English, French, German and Swedish. Repository: Marvin Duchow Music Library, Schulich School of Music, McGill University, Montréal, Québec, Canada. Abstract: The Paul Pedersen Collection, at 18 linear feet, contains approximately 8200 items, organized into 29 boxes within 10 different series. The collection consists of compositions and sketches, as well as teaching materials, university administration documents, published and unpublished writings, information about special projects and consultations, concert programmes, clippings, reviews, photographs and audio/visual materials. Selected Search Terms The following terms have been used to index the description of this collection in the Library’s online catalogue. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. 1 Administrative Information Provenance Gift; Paul Pedersen; 2009. Accruals Currently, no further accruals are expected. Processing History The Paul Pedersen Collection was processed in 2012 by Michaela Dickey. This Finding Aid was prepared with Microsoft Word, MAC 2008. Copyright Status The status of copyright on the materials of the Paul Pedersen Collection is governed by the Copyright Law of Canada. Restrictions The Paul Pedersen Collection is open to research. Researchers are advised to contact the Marvin Duchow Library prior to visiting. -
Book of Discipline of the United Methodist Church
THE NORTHERN EUROPE & EURASIA BOOK of DISCIPLINE OF THE UNITED METHODIST CHURCH 2009 Copyright © 2009 The United Methodist Church in Northern Europe & Eurasia. All rights reserved. United Methodist churches and other official United Methodist bodies may reproduce up to 1,000 words from this publication, provided the following notice appears with the excerpted material: “From The Northern Europe & Eurasia Book of Discipline of The United Methodist Church—2009. Copyright © 2009 by The United Method- ist Church in Northern Europe & Eurasia. Used by permission.” Requests for quotations that exceed 1,000 words should be addressed to the Bishop’s Office, Copenhagen. Scripture quotations, unless otherwise noted, are from the New Revised Standard Version of the Bible, copyright © 1989 by the Division of Christian Education of the National Council of the Churches of Christ in the USA. Used by permission. Name of the original edition: “The Book of Discipline of The United Methodist Church 2008”. Copyright © 2008 by The United Methodist Publishing House Adapted by the 2009 Northern Europe & Eurasia Central Conference in Strandby, Denmark. An asterisc (*) indicates an adaption in the paragraph or subparagraph made by the central conference. ISBN 82-8100-005-8 2 PREFACE TO THE NORTHERN EUROPE & EURASIA EDITION There is an ongoing conversation in our church internationally about the bound- aries for the adaptations of the Book of Discipline, which a central conference can make (See ¶ 543.7), and what principles it has to follow when editing the Ameri- can text (See ¶ 543.16). The Northern Europe and Eurasia Central Conference 2009 adopted the following principles. The examples show how they have been implemented in this edition. -
Jules Léger Prize | Prix Jules-Léger
Jules Léger Prize | Prix Jules-Léger Year/Année Laureates/Lauréats 2020 Kelly-Marie Murphy (Ottawa, ON) Coffee Will be Served in the Living Room (2018) 2019 Alec Hall (New York, NY) Vertigo (2018) 2018 Brian Current (Toronto, ON) Shout, Sisyphus, Flock 2017 Gabriel Turgeon-Dharmoo (Montréal, QC) Wanmansho 2016 Cassandra Miller (Victoria, BC) About Bach 2015 2015 Pierre Tremblay (Huddersfield, UK) Les pâleurs de la lune (2013-14) 2014 Thierry Tidrow (Ottawa, ON) Au fond du Cloître humide 2013 Nicole Lizée (Lachine, QC) White Label Experiment 2012 Zosha Di Castri (New York, NY) Cortège 2011 Cassandra Miller (Montréal, QC) Bel Canto 2010 Justin Christensen (Langley, BC) The Failures of Marsyas 2009 Jimmie LeBlanc (Brossard, QC) L’Espace intérieur du monde 2008 Analia Llugdar (Montréal, QC) Que sommes-nous 2007 Chris Paul Harman (Montréal, QC) Postludio a rovescio 2006 James Rolfe (Toronto, ON) raW 2005 Linda Catlin Smith (Toronto, ON) Garland 2004 Patrick Saint-Denis (Charlebourg, QC) Les dits de Victoire 2003 Éric Morin (Québec, QC) D’un château l’autre 2002 Yannick Plamondon, (Québec, QC) Autoportrait sur Times Square 2001 Chris Paul Harman (Toronto, ON) Amerika Canada Council for the Arts | Conseil des arts du Canada 1-800-263-5588 | canadacouncil.ca | conseildesarts.ca 2000 André Ristic (Montréal, QC) Catalogue 1 (bombes occidentales) 1999 Alexina Louie (Toronto, ON) Nightfall 1998 Michael Oesterle (Montréal, QC) Reprise 1997 Omar Daniel (Toronto, ON) Zwei Lieder nach Rilke 1996 Christos Hatzis (Toronto, ON) Erotikos Logos 1995 John Burke (Toronto, ON) String Quartet 1994 Peter Paul Koprowski (London, ON) Woodwind Quintet 1993 Bruce Mather (Montréal, QC) YQUEM 1992 John Rea (Outremont, QC) Objets perdus 1991 Donald Steven (Montréal, QC) In the Land of Pure Delight 1989 Peter Paul Koprowski (London, ON) Sonnet for Laura 1988 Michael Colgrass (Toronto, ON) Strangers: Irreconcilable Variations for Clarinet, Viola and Piano 1987 Denys Bouliane (Montréal, QC) À propos.. -
Catalogue Des Oeuvres Commandées Par La Smcq Solenn Hellégouarch
Document generated on 09/28/2021 6:51 p.m. Circuit Musiques contemporaines Catalogue des oeuvres commandées par la smcq Solenn Hellégouarch Souvenirs du futur : pour les 50 ans de la smcq Volume 27, Number 2, 2017 URI: https://id.erudit.org/iderudit/1040877ar DOI: https://doi.org/10.7202/1040877ar See table of contents Publisher(s) Circuit, musiques contemporaines ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this document Hellégouarch, S. (2017). Catalogue des oeuvres commandées par la smcq. Circuit, 27(2), 53–66. https://doi.org/10.7202/1040877ar Tous droits réservés © Circuit, musiques contemporaines, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Catalogue des œuvres commandées par la smcq Solenn Hellégouarch Ce catalogue présente les œuvres commandées (ou co-commandées) par la Société de musique contemporaine du Québec (smcq) entre 1968 et 2017. Les œuvres sont classées par année de création, puis par date de création1. La 1. Dès lors, seules les œuvres créées présence d’un astérisque indique que la commande a reçu l’aide du Conseil ont été retenues dans le présent catalogue. des arts du Canada (cac). 1968 § *Gilles Tremblay, Souffles (Champs II) (1968), 2 flûtes (et piccolo), hautbois, clari- nette, cor, 2 trompettes en si bémol (et trompettes en do), 2 trombones, piano, 2 per- cussions et contrebasse. -
1975-76-Annual-Report.Pdf
19th Annual Report The Canada Council 1975-1976 Honorable Hugh Faulkner Secretary of State of Canada Ottawa, Canada Sir, I have the honor to transmit herewith the Annual Report of the Canada Council, for submission to Parliament, as required by section 23 of the Canada Council Act (5-6 Elizabeth 11, 1957, Chap. 3) for the fiscal year ending March 31, 1976. I am, Sir, Yours very truly, Gertrude M. Laing, O.C ., Chairman June 1,1976 The Canada Council is a corporation created by an Act of This report is produced and distributed by Parliament in 1957 "to foster and promote the study and Information Services, enjoyment of, and the production of works in, the arts, The Canada Council, humanities and the social sciences." It offers a broad 151 Sparks Street, range of grants and provides certain services to individuals Ottawa, Ontario and organizations in these and related fields. It is also re- sponsible for maintaining the Canadian Commission for Postal address: Unesco. Box 1047, Ottawa, Ontario K1 P 5V8 The Council sets its own policies and makes its own deci- Telephone: sions within the terms of the Canada Council Act. It re- (613) 237-3400 ports to Parliament through the Secretary of State and appears before the Standing Committee on Broadcasting, Films and Assistance to the Arts. The Canada Council itself consists of a Chairman, a Vice- Chairman, and 19 other members, all of whom are ap- pointed by the Government of Canada. They meet four or five times a year, usually in Ottawa where the Council of- fices are located.