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Never Say Never Again Ariel E. Levite Nuclear Reversal Revisited
Never Say Never Again Never Say Never Again Ariel E. Levite Nuclear Reversal Revisited A serious gap exists in scholarly understanding of nuclear proliferation. The gap derives from inade- quate attention to the phenomena of nuclear reversal and nuclear restraint as well as insufªcient awareness of the biases and limitations inherent in the em- pirical data employed to study proliferation. This article identiªes “nuclear hedging” as a national strategy lying between nuclear pursuit and nuclear roll- back. An understanding of this strategy can help scholars to explain the nu- clear behavior of many states; it can also help to explain why the nightmare proliferation scenarios of the 1960s have not materialized. These insights, in turn, cast new light on several prominent proliferation case studies and the unique role of the United States in combating global proliferation. They have profound implications for engaging current or latent nuclear proliferants, underscoring the centrality of buying time as the key component of a non- proliferation strategy. The article begins with a brief review of contemporary nuclear proliferation concerns. It then takes stock of the surprisingly large documented universe of nuclear reversal cases and the relevant literature.1 It proceeds to examine the empirical challenges that bedeviled many of the earlier studies, possibly skew- ing their theoretical findings. Next, it discusses the features of the nuclear reversal and restraint phenomena and the forces that inºuence them. In this context, it introduces and illustrates an alternative explanation for the nu- clear behavior of many states based on the notion of nuclear hedging. It draws on this notion and other inputs to reassess the role that the United States At the time this article was written, Ariel E. -
In the News Health and Nutrition
www. universityofcalifornia.edu UC: Serving California through education, research and public service Vol. 17, No. 1, July 2006 The following is a glimpse of Tech prize … Shuji Nakamura, a UC Santa Barbara some recent achievements by the professor of materials and of electrical and computer faculty, staff and students of the engineering, has been awarded the 2006 Millennium Technology Prize for his invention of revolutionary new light University of California and the sources: blue, green, and white light-emitting diodes and the national laboratories managed blue laser diode. The Millennium Technology Prize, which by the university. includes a cash prize of one million Euros (approximately $1.3 million), is the world’s biggest technology award and recognizes outstanding technological achievement. IN THE NEWS Largest gift … Two long-time Riverside couples are HEALTH AND NUTRITION collaborating on the largest gift ever to UC Riverside. The Alzheimer’s breakthrough … Researchers at UC Riverside $15.5-million planned gift from the charitable trusts of Bart and colleagues have found evidence that weakened or and Barbara Singletary and William and Toby Austin will be suppressed immune responses may be responsible for used to create 22 professorships in social sciences, medical Alzheimer’s disease and that boosting the immune system education and research, and agriculture. This will nearly of Alzheimer’s mice with cells from normal mice causes double the number of endowed professorships at UCR. dramatic improvement in learning and memory. The William Austin and Bart Singletary were partners for 35 years findings, by Douglas Ethell, assistant professor in UCR’s in William Austin Co., a property management firm, now biomedical sciences division, and colleagues, were based on a owned by Singletary’s son, Chris, and William Austin. -
UCLA University Archives. Subject Files (Reference Collection)
http://oac.cdlib.org/findaid/ark:/13030/c8v1266j No online items University Archives. Subject Files (Reference Collection). 1881- Finding aid prepared by University Archives staff, 2012 September; finding aid revised by cbbrown, 2013 March; machine-readable finding aid created by Katharine Lawrie, 2013 June; additional EAD encoding revision by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online findinga aid last updated 30 March 2017. University Archives. Subject Files 746 1 (Reference Collection). 1881- Title: UCLA University Archives. Subject files (Reference Collection). Collection number: 746 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 40.0 linear ft. Date: 1881- Abstract: Record Series 746 contains information on academic programs, buildings, events, and organizations affiliated with: the Los Angeles State Normal School (LASNS), 1881-1919; the University of California, Southern Branch, 1919-1926; and the University of California, Los Angeles, 1927- . The contents of the Subject Files (Reference Collection) include: reports, statistical data, histories of academic departments, organization charts, pamphlets, and other miscellaneous items. Creator: UCLA University Archives. Conditions Governing Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. All requests to access special collections materials must be made in advance through our electronic paging system using the "Request items" button. Publication Rights Copyright of portions of this collection has been assigned to The Regents of the University of California. The UCLA University Archives can grant permission to publish for materials to which it holds the copyright. -
Los Angeles Philharmonic
LOS ANGELES PHILHARMONIC Critical Acclaim “The most successful American orchestra.” - Los Angeles Times “It should be chiseled above the doors of every symphony hall: What an orchestra plays matters as much as how it plays, if not more so. By that measure a strong case can be made that the Los Angeles Philharmonic…is the most important orchestra in the country.” - The New York Times “If ever an orchestra was riding the crest of a wave, it is the Los Angeles Philharmonic.” - The Times (London) “…the most multi-faceted orchestra in the world and certainly the one putting the greatest emphasis on music of our time.” - Los Angeles Times “Under Salonen, the [Los Angeles] Philharmonic became the most interesting orchestra in America; under Dudamel, it shows no signs of relinquishing the title.” - The New Yorker Best Orchestras of 2012 – #1) Los Angeles Philharmonic Orchestra – “The most talked-about and widely-travelled US orch, carrying Brand Dudamel to all four corners of the earth, split a Mahler cycle between US and Venezuela, advanced tremendous outreach work across its own urban area.” - Norman Lebrecht’s Slipped Disc “The L.A. Phil still boasts the most varied and venturesome offerings of any major orchestra.” - Los Angeles Times “At a time when many orchestras are offering ‘safer,’ crowd-pleasing repertoire picks online, it’s refreshing to see the LA Phil coming out of the gate with programming that speaks to why it is at the forefront of American orchestras today.” - Billboard “‘Blow bright’ is the seventh work commissioned and performed by the L.A. -
When Are Arms Races Dangerous? When Are Arms Races Charles L
When Are Arms Races Dangerous? When Are Arms Races Charles L. Glaser Dangerous? Rational versus Suboptimal Arming Are arms races dan- gerous? This basic international relations question has received extensive at- tention.1 A large quantitative empirical literature addresses the consequences of arms races by focusing on whether they correlate with war, but remains divided on the answer.2 The theoretical literature falls into opposing camps: (1) arms races are driven by the security dilemma, are explained by the rational spiral model, and decrease security, or (2) arms races are driven by revisionist adversaries, explained by the deterrence model, and increase security.3 These Charles L. Glaser is a Professor in the Irving B. Harris Graduate School of Public Policy Studies at the Uni- versity of Chicago. For their helpful comments on earlier drafts of this article, the author would like to thank James Fearon, Michael Freeman, Lloyd Gruber, Chaim Kaufmann, John Schuessler, Stephen Walt, the anonymous reviewers for International Security, and participants in seminars at the Program on In- ternational Security Policy at the University of Chicago, the Program on International Political Economy and Security at the University of Chicago, the John M. Olin Institute at Harvard Univer- sity, and the Institute of War and Peace Studies at Columbia. He also thanks John Schuessler for valuable research assistance. 1. The pioneering study is Samuel P. Huntington, “Arms Races: Prerequisites and Results,” Public Policy, Vol. 8 (1958), pp. 41–86. Historical treatments include Paul Kennedy, “Arms-Races and the Causes of War, 1850–1945,” in Kennedy, Strategy and Diplomacy, 1870–1945 (London: George Allen and Unwin, 1983); and Grant T. -
PHILIPPE QUINT Biography (Updated July 2016)
PHILIPPE QUINT biography (updated July 2016) Lauded by Daily Telegraph (UK) for his “searingly poetic lyricism” violinist Philippe Quint is carving an unconventional path with his impassioned musical desire for reimagining traditional works, rediscovering neglected repertoire to commissioning works by contemporary composers. His dedication to exploring different styles and genres with an award winning discography has solidified him as one of the foremost violinists of today. Receiving several Grammy nominations for his two albums of Korngold and William Schuman Concertos, Mr. Quint is in constant demand worldwide appearing with major orchestras at venues ranging from the Gewandhaus in Leipzig to Carnegie Hall in New York. Philippe Quint plays the magnificent 1708 "Ruby" Antonio Stradivari violin on loan to him through the generous efforts of The Stradivari Society®. Highlights of the 2015/2016 season included performances with Colorado, Seattle & North Carolina Symphonies, Luzern’s Zaubersee Festival with pianist Marc-Andre Hamelin, and a first visit to Verbier Festival performing with Joshua Bell and Tabea Zimmerman among others. At the invitation of Maestro Vladimir Spivakov, Philippe opened the 28th edition of Colmar Festival dedicated to Jascha Heifetz with Tugan Sokhiev conducting the Orchestre National du Capitole de Toulouse in a performance of Korngold Violin Concerto. Earlier this year he was part of the opening of Mary B. Galvin’s new hall in Chicago hosted by Renee Fleming. Winner of the “Ambassador of Arts” award in 2014, presented to Philippe by Brownstone and Gateway Organizations at the United Nations last March, his 2014-2015 season highlights included debuts with Seattle Symphony with Ludovic Morlot, Milwaukee Symphony with Edo de Waart, Kansas Symphony with Michael Stern, Vancouver Symphony with James Gaffigan, and returns to San Diego Symphony with Jahja Ling and Indianapolis Symphony with Krzysztof Urbanski. -
Media Outlets Media Information
Duis nibh ex exer si bla at acil iril etum zzril ex el in ver illaore MEDIA INFORMATION PRESS CREDENTIALS practice schedules. Arrangements to UCLA campus at the corner of Bellagio Media and photography credentials for attend practice must be made in advance and DeNeve Drive. Use above directions UCLA home games may be obtained by through the sports information offi ce. There to reach campus, but exit the 405 Freeway working press only by writing or calling Amy will be no availability on gamedays prior onto Sunset Boulevard. Travel east on Hughes at the UCLA Sports Information to competition. Post game interviews at Sunset to Bellagio Drive, which is just east of Offi ce, PO Box 24044, Los Angeles, CA UCLA’s Easton Stadium are conducted Veteran Ave. (approx. 1 mile from freeway) 90024, (310) 206-8123; email: asymons@ in the home bullpen following the team and before the Westwood Blvd. entrance to ucla.edu. All requests should be submitted meeting. Please contact Amy Hughes in the campus. Turn right onto Bellagio, then right at least 24 hours in advance. Press and sports information department to schedule onto DeNeve Drive to enter parking lot 11. photo credentials can be picked up at the all interviews. The entrance to Easton Stadium is on the entrance gate. northeast corner of Bellagio and DeNeve. TRAVEL INFORMATION Parking can be purchased at lot 11 on game PHOTOGRAPHY For security purposes, the UCLA Sports days, or at the parking kiosk located at the Television and photo credentials entitle Information Offi ce does not release to the Westwood Plaza entrance to campus. -
The Life and Death of Classical Music: Featuring the 100 Best and 20 Worst Recordings Ever Made Free Download
THE LIFE AND DEATH OF CLASSICAL MUSIC: FEATURING THE 100 BEST AND 20 WORST RECORDINGS EVER MADE FREE DOWNLOAD Norman Lebrecht | 324 pages | 10 Apr 2007 | Anchor Books | 9781400096589 | English | United States WHY MAHLER? See all books by Norman Lebrecht. Now go back to your fiddling-diddling. Xav rated it it was ok Mar 22, Norman Mailer Paperback Books. More By and About This Author. Really gives you an idea of how the classical culture and industry operate. The Debussy, says Lebrecht, "shimmered like the English Channel at Eastbourne on a summer's day, a pointillist's paradise. And then after that, it turns out that some of them have just forgotten their violin instead of it having been stolen. You have made mistakes with posting such stories as well. Oct 28, Samuel rated it liked it. Sign Up. Buy It Now. Make an offer:. Log in. I'd pass. While flawed, I liked this book enough that I'd like to add it to my collection at some point, mainly as a reference when seeking out performances. The history is great, and just as good is his list at the end of the book of essential and worthless recordings. An engrossing memoir as well as a lively treatise on what extraordinary grace under extraordinary pressure looks like. I've enjoyed Norman Lebrecht in his earlier books-- "Discord," "The Maestro Myth"-- where he's consistently been witty, engaging, cynical, informed, opinionated and quirky. Please sign up to continue. Probably the last part of the book will get more attention-- his lists of what he feels to be the most important classical recordings of all time, from the s to the s, and the 20 absolutely worst of all time. -
Los Angeles Philharmonic
LOS ANGELES PHILHARMONIC Critical Acclaim “The L.A. Phil still boasts the most varied and venturesome offerings of any major orchestra.” Los Angeles Times Best Orchestras of 2012 – #1) Los Angeles Philharmonic Orchestra – “The most talked- about and widely-travelled US orch, carrying Brand Dudamel to all four corners of the earth, split a Mahler cycle between US and Venezuela, advanced tremendous outreach work across its own urban area.” Norman Lebrecht’s Slipped Disc “At a time when many orchestras are offering ‘safer,’ crowd-pleasing repertoire picks online, it’s refreshing to see the LA Phil coming out of the gate with programming that speaks to why it is at the forefront of American orchestras today.” Billboard “…the Los Angeles Philharmonic tops the list of America’s premier orchestras and serves as a lesson in how to update an august cultural institution without cheapening its work.” The New York Times “Under Salonen, the [Los Angeles] Philharmonic became the most interesting orchestra in America; under Dudamel, it shows no signs of relinquishing the title.” The New Yorker “If ever an orchestra was riding the crest of a wave, it is the Los Angeles Philharmonic.” The Times (London) Walt Disney Concert Hall (January 18, 2013) Pablo Heras-Casado, conductor; Midori, violin KODÁLY Háry János Suite, EÖTVÖS Violin Concerto (world premiere, LA Phil commission), BARTÓK Concerto for Orchestra “Barok’s Concerto for Orchestra is an L.A. Phil specialty and Heras-Casado’s performance was meticulous…He dazzles without calling attention to himself. What he did call attention to was the L.A. -
THE ART of CARLOS KLEIBER Carolyn Watson Thesis Submitted In
GESTURE AS COMMUNICATION: THE ART OF CARLOS KLEIBER Carolyn Watson Thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Conservatorium of Music University of Sydney May 2012 Statement of Originality I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed: Carolyn Watson Date: ii Abstract This thesis focuses on the art of orchestral conducting and in particular, the gestural language used by conductors. Aspects such as body posture and movement, eye contact, facial expressions and manual conducting gestures will be considered. These nonverbal forms of expression are the means a conductor uses to communicate with players. Manual conducting gestures are used to show fundamental technical information relating to tempo, dynamics and cues, as well as demonstrating to a degree, musical expression and conveying an interpretation of the musical work. Body posture can communicate authority, leadership, confidence and inspiration. Furthermore, physical gestures such as facial expressions can express a conductor’s mood and demeanour, as well as the emotional content of the music. Orchestral conducting is thus a complex and multifarious art, at the core of which is gesture. These physical facets of conducting will be examined by way of a case study. The conductor chosen as the centrepiece of this study is Austrian conductor, Carlos Kleiber (1930-2004). Hailed by many as the greatest conductor of all time1, Kleiber was a perfectionist with unscrupulously high standards who enjoyed a career with some of the world’s finest orchestras and opera companies including the Vienna Philharmonic, La Scala, Covent Garden, the Met and the Chicago Symphony. -
International Security at Twenty-ªve the Modern ªeld of International Security Studies Is Roughly Half a Century Old
International Security at Steven E. Miller Twenty-ªve From One World to Another International Security at Twenty-ªve The modern ªeld of international security studies is roughly half a century old. It emerged after World War II and took hold in the 1950s.1 The journal International Security has spanned half that period, having now completed twenty-ªve years of publica- tion. During that time, the world and the ªeld have changed dramatically. We are not in the habit of utilizing the pages of this journal for introspective or self-referential ruminations, but it seems appropriate to mark the passage of a quarter-century with some reºections on the history of the journal, the evolu- tion of the ªeld within which it operates, and the altered world that the ªeld seeks to understand, explain, and perhaps even inºuence. Here, the aim is sim- ply to sketch suggestive snapshots of then and now, in the hope of conveying the magnitude and character of the changes that a quarter of a century has wrought. This exercise provides the opportunity to revisit some of the issues and articles that have justiªed and animated the pages of International Security over its ªrst twenty-ªve years.2 The Origins and Conception of International Security Nearly thirty years ago, then-President of the Ford Foundation McGeorge Bundy launched a major initiative to promote university-based research and Steven E. Miller is Editor-in-Chief of International Security and Director of the International Security Program at the Belfer Center for Science and International Affairs at the John F. -
CSIA Occasional Paper Series a Primer for the Nuclear Age Edited by Graham T Allison, Jr
CSIA Occasional Paper Series A Primer for the Nuclear Age Edited by Graham T Allison, Jr. Robert D. Black will Albert Carnesale Joseph S. Nye, Jr. Robert P. Beschel, Jr. Copyright © 1990 by the President and Fellows of Harvard College University Press of America Inc. 4720 Boston Way Lanham, Maryland 20706 3 Henrietta Street London WC2E 8LU England All rights reserved Printed in the United States of America British Cataloging in Publication Information Available Co-published by arrangement with the Center for Science and International Affairs, Harvard University Library of Congress Cataloging-in-Publication Data A Primer for the nuclear age / Graham T. Allison, Jr.... [et-al.], editors. p. cm. , (CSIA occasional paper ; no. 6) 1. United States-Military policy. 2. Nuclear weapons-- United States. 3. Nuclear warfare. 4. Nuclear disarmament-United States. I. Allison, Graham T. II. Series. UA23.P69 1990 355'.033573--dc20 89-70587 CIP ISBN 0-8191-7700-8 (alk. paper) ISBN 0-8191-7701-6 (pbk.: alk. paper) The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences- Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. CONTENTS Preface Assessing the Danger 1. Paths to Superpower Nuclear War Robert P. Beschel, Jr. 2. Nuclear Crises David A. Welch Nuclear Weapons: Their Effects, Control, and Historical Development 3. The Effects of Nuclear Detonations and Nuclear War Steve Fetter 4. Command and Control of Nuclear Forces Ashton B. Carter 5. Technology and the Evolution of Nuclear Weapons and Forces Ivan Oelrich Nuclear Doctrine and Force Structure 6. The Evolution of American Nuclear Doctrine Peter D.