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DAIDO MORIYAMA Born 1938 Ikeda City, Osaka, Japan Lives and Works in Tokyo, Japan
DAIDO MORIYAMA Born 1938 Ikeda City, Osaka, Japan Lives and works in Tokyo, Japan AWARDS 2012, Lifetime Achievement Infinity Award, International Center for Photography, New York, NY 2004, Culture Award, Deutsche Gesellschaft für Photographie, Cologne, Germany 2004, Lifetime Achievement Award, Photographic Society of Japan 2003, 44th Mainichi Art Award, Japan 1983, Photographer of the Year Award, Photographic Society of Japan 1967, New Artist Award, Japan Photo Critics Association SOLO EXHIBITIONS 2017 Artist Rooms: Daido Moriyama, Tate Modern, London, England Daido Moriyama, Miyanomori International Museum of Art, Sapporo, Japan Daido Moriyama: Tokyo Color, Luhring Augustine Bushwick, Brooklyn, NY Daido Moriyama: Pretty Woman, Akio Nagasawa, Tokyo, Japan* 2016 Color + tights, Taka Ishii Gallery Kitsando, Tokyo, Japan Color 1970-1990, Taka Ishii Gallery Paris, Paris, France Daido Moriyama: Marrakech 2015 (Record no. 30), Galerie Folia, Paris, France Daido Moriyama: Prints and Books from 1960s–1980s, Singapore International Photography Festival, DECK, Singapore Daido Moriyama: Terayama, Shuji Terayama Museum, Aomori, Japan Daido Moriyama: Tokyo Meshed World, Yoshii Gallery, New York, NY Daido Tokyo, Fondation Cartier pour l’Art Contemporain, Paris, France* Scandalous, Akio Nagasawa Gallery, Tokyo, Japan 2015–2016 Daido Moriyama in Color, Galleria Carla Sozzani, Milan, Italy 2015 Catching Eye, Catching Mind, Kwai Fung Hin Art Gallery, Hong Kong, China Fragments: Silkscreens of Daido Moriyama, Three Shadows Photography Art Centre, Xiamen, China Kiss, Taka Ishii Gallery Paris, Paris, France A Room, Aura Gallery, Taipei, Taiwan 2014 Accident, Shadai Gallery, Tokyo, Japan Daido Moriyama: Dazai, Art Space AM, Tokyo, Japan Daido Moriyama Endless Works N/S, Okinawa Prefectural Museum and Art Museum, Naha, Japan* Hokkaido, Miyanomori International Museum of Art, Sapporo, Japan Searching Journeys, Simon Lee Gallery, Hong Kong, China Tono 2014, Canon Gallery S, Tokyo, Japan * A catalogue was published with this exhibition. -
Japan: Super Global High Schools
July 2015 Japan: Super Global High Schools The Japanese Government’s Super Global High School (SGH) project was launched in 2014, and aims “to develop leaders with international competencies”. Working with universities, industry and international organisations, SGH schools develop and implement tailored curricula for five years. SGH Associate schools will work with SGH schools to develop a broader SGH community. SGH Associate schools also develop and implement targeted educational programs for “nurturing global leaders” for one year. Students from SGH schools will be “expected to hone their communication and problem-solving skills as they tackle global issues” in concert with Japan-based universities and international organisations, industry and non-profit groups. The SGH project complements the government’s focus on internationalisation of universities – where possible, connections between SGH schools and universities are noted below. List of Super Global High Schools (appointed in 2014) Project duration: April 2014-March 2018 Prefecture Type Name of School Aichi Prefectural Aichi Prefectural Asahigaoka Senior High School Aichi Private Meijo University Senior High School Aomori Prefectural Aomori High School Chiba Private Makuhari Junior and Senior High School Ehime Prefectural Matsuyama Higashi High School Fukui Prefectural Fukui Prefectural Koshi Senior High School Gifu Prefectural Ogaki Kita High School Gunma Prefectural Gunma Prefectural Chuo Secondary School Gunma Municipal Takasaki Municipal High School of Takasaki Coty University -
フラン•パルレ Franc-Parler
無料 フ ラ ン ・ パ ル レ gratuit Nº 109 FRANC-PARLER 10月号 octobre http://franc-parler.main.jp 2007 Le mensuel de la culture et de l’actualité francophones 月刊フランス語圏情報誌 ROBERT MÉNARD, REPORTERS SANS FRONTIÈRES: POUR UNE PRESSE LIBRE ロベール・メナール:国境なき記者団−自由な報道のために L’ONG internationale 国際的NGOである Reporters sans fron- 国境なき記者団は tières a été créée en 1985年に現事務局 1985 par le journaliste 長であるジャーナリ Robert Ménard, son スト、ロベール・メ ナールによって、ジ secrétaire général, ャーナリストと報道 dans le but de défen- の基本的権利を護 dre les journalistes et る目的で設 立され le droit fondamental à た。その活動は、各 l’information. Son ac- 国の支部、事務所と tion s’étend aux cinq 120を超える通信員 continents au moyen によって、五大陸に de ses sections na- 及んでいる。このス tionales, ses bureaux ローガンとともに: et son réseau de plus 報道を禁止されるこ de cent vingt corre- とに抗うために手を こまぬいていてはい spondants. Avec pour けない。 slogan: N’attendez pas qu’on vous prive フラン・パルレ:国境 de l’information pour なき記者団によって la défendre. 用いられる方法はど んなものですか? Franc-Parler: ロベール・メナール: Quelles sont そうですね、いいで les méthodes すか、国境なき記者 employées par 団によって果たされ Reporters sans ている活動には、3 frontières? つのタイプがあるの です。何よりまず、メ Robert Ménard: ディアを通じて一般 Bien écoutez, il y a 大衆に情報を与える trois types d’actions 仕事があります。そ qui sont menées の目的は自らに問う par Reporters sans ということです。ひ frontières. D’abord, どい態度をとる国家 t o u t u n t r a v a i l は、一般的に、これ d’information du らの国家が必要とし grand public via les ている、彼らがもの médias. L’objectif すごく必要としてい c’est de se dire: les るのは国際社会であ り、彼らのブランドイ États qui se com- メージは重要なので por tent mal, en す。彼らのブランドイ général , ces États, メージが重要である ils ont besoin, ils ont から、もし私達が、メ énormément besoin ディアを通じて彼ら de la communauté の良くない宣伝をす internationale et leur ると、それは彼らの image de marque est 態度に影響を与える importante. -
The Union of National Economic Associations in Japan
No .. 4 入\ ECS 1 ) ル 、., ゜° 含、。 も Information Bulletin of そ云OLo/‘ 名 ;,,..ssoThe Union of National C、 ち ゞ Economic Associations 令 シ匁 1 in Japan 日本経済学会連合 1984 INFORMATION BULLETIN OF THE UNION OF NATIONAL ECONOMIC ASSOCIATIONS IN JAPAN This Information Bulletin is designed to serve as an introduction of the academic activities of member associations of the Union t_p the economic societies throughout the world. It will be distril5uted by the secretariat of the L/nion to. economists and societies in other countries which are recognized by the member associations of the Union. - Managing Editors Makoto IKEDA, Hitotsubashi University Hisanori NISHIYAMA,. Meiji University Fumimasa HAMADA, Keio University Kazuo NIMURA, Hosei University Tsuneo NAKAUCHI_, International Christian University Kiyoshi OKAMOTO, Hitotsubashi University Junko NISHIKAWA, Tokyo Metropolitan College of Commerce Haruo SHIMADA, Keio University Shizuya NISHIMURA, Hosei University Hideo TAMURA, Chuo-University Editorial Committee Seiji FURUTA, Keio University lsamu OTA, Toyo University Tian Kang GO, Chuo University Yasuo OKADA, Keio University Toshir,obu KATO, Asia University Moriyuki TAJIMA, Hitotsubashi University Masamj KIT A, Soka University Shigeru T ANESE, Hitotsubashi Univ釘sity Kenichi MASUI, Mi甜suzaka University Koichi TANOUCHI, Hitotsubashi University Syunsaku NISHIKAWA, Keio University Nobuo YASUI, Chuo iUniversity lkujiro NONAKA, Hitotsubashi University Directors of the Union President Su�umu TAKAMIYA, Sophia University Secretary General Takashi SHIRAISHI, Keio University -
(ASCJ) Saitama University June 29-30, 2019
The Twenty-third Asian Studies Conference Japan (ASCJ) Saitama University June 29-30, 2019 Information correct as of June 11, 2019. Please check the website for any late changes: https://ascjapan.org Registration will begin at 9:15 a.m. on Saturday, June 29. Sessions will be held in the Liberal Arts Building of Saitama University. Registration and Book Display: Ground floor lobby. All rooms are equipped with projector, video and DVD player. PROGRAM OVERVIEW SATURDAY JUNE 29 9:15 – Registration 10:00 A.M. – 12:00 NOON Sessions 1–7 12:00 NOON – 1:30 P.M. Lunch break 12:30 P.M. – 13:00 P.M. Lion Dance Demonstration 1:30 P.M. – 3:30 P.M. Sessions 8–16 3:40 P.M. – 5:40 P.M. Sessions 17–26 6:00 P.M. – 6:45 P.M. Keynote Address 6:50 P.M. – 8:30 P.M. Reception SUNDAY JUNE 30 9:15 – Registration 9:30 A.M. – 9:50 A.M. ASCJ Business Meeting 10:00 A.M. – 12:00 NOON Sessions 27–35 12:00 NOON – 1:30 P.M. Lunch break 1:30 P.M. – 3:30 P.M. Sessions 36–43 3:40 P.M. – 5:40 P.M. Sessions 44–48 1 The Twenty-third Asian Studies Conference Japan (ASCJ) Saitama University June 29-30, 2019 SATURDAY, JUNE 29 SATURDAY MORNING SESSIONS: 10:00 A.M. - 12:00 P.M. Session 1: Room 21 Modern Art History of East Asia in the Digital Age: Collaborations beyond National Borders Organizer: Magdalena Kolodziej, Duke University Chair: Stephanie Su, Assistant Professor 1. -
Concert Hall Acoustics, Springer-Verlag, It Is Considered That the Scale Value of Apparent Heidelberg
Orthogonal Factors Describing Primary and Spatial Sensations of the Sound Field in a Concert Hall Yoichi Ando Graduate School of Science and Technology, Kobe University Rokkodai, Nada, Kobe 657-8501 Japan Subjective preference of the sound field in a concert hall is described based on the model of human auditory-brain system. The model consists of the autocorrelation function (ACF) mechanism and the interaural crosscorrelation function (IACF) mechanism for signals arriving at two ear entrances, and the specialization of human cerebral hemispheres [Ando, Architectural Acoustics, AIP/Springer, 1998]. From this view point, primary sensations such as pitch or missing fundamental, loudness, timbre, and in addition duration sensation which is introduce here as a fourth are well described by the temporal factors extracted from the ACF associated with left hemisphere. And, spatial sensations such as apparent source width (ASW) and subjective diffuseness are described by the spatial factors extracted from the IACF associated with the right hemisphere ORTHOGONAL FACTORS peak. Usually, there are certain correlation between τ τ φ φ n and n +1, and between n and n+1; Primary sensations and spatial sensations as well as (3) Effective duration of the envelope of the subjective preference for sound fields are well normalized ACF, τe, which is defined by the ten- described by a model of the auditory-brain system. The percentile delay and which represents a repetitive model includes autocorrelation function (ACF) and feature or reverberation containing the sound interaural crosscorrelation function (IACF) source it. mechanisms [1,2]. Important evidences supporting this (a) 1 model were discovered in relation to the auditory-brain activity [2]. -
Development of Design and Theory of Bridge Structures in Modern Japan *
Development of design and theory of bridge structures in modern Japan * 近代日本の橋梁設計技術および、構造解析理論の発達について Hiroshi ISOHATA**, Tetsukazu KIDA*** Abstract, This paper describes the development of bridge technology in modern Japan from the viewpoint of the diffusion of knowledge of design and theory of structures introduced from western countries. In the first half of Meiji Era (1868-1912) most of iron bridges were imported from western countries or designed and fabricated by foreign engineers hired by Japanese government. From the end of 19th century to the beginning of 20th century design and theory of structures had been started to diffuse, which was greatly supported by the publications on bridge engineering in Japanese language. In this study the process of the development of design and theory of bridge structures has been clarified and studied by examining the publications on bridge engineering. 1. Background and the purpose of the study In the important sources, “History on Railway Bridge in Japan” 1), Knowledge of design and theory of bridge structure had been “History on Civil Engineering in Japan” 2) and “History of Industry in developed behind technology of erection and fabrication. Early Meiji Era (Civil Engineering)” 3) which supply basic information for the experience of iron bridge was made by the construction of the railway study on modern bridge engineering history, change of bridge structures, bridges on the line of Osaka and Kobe and several road bridges in specifications, materials, fabrication and erection methods, organizations Nagasaki, Osaka, Yokohama and Tokyo. These bridges were imported and systems are described, however design technology and theory of from England or designed and fabricated by hired foreign engineers and structures are not mentioned. -
Dossier De Presse
Dossier de presse Vernissage le 9 mai de 10h à 12h En présence du photographe 2 SOMMAIRE Communiqué de presse ..................................................... p.3 Introduction par Agnès Sire ............................................... p.6 Biographie ......................................................................... p.7 Visuels libres de droits ...................................................... p.8 Catalogue d’exposition (Toluca Editions /RM) .................... p.12 Infos utiles......................................................................... p.13 Conversations de la Fondation HCB .................................... p.14 Communiqué de la Fondation HCB .................................... p.15 Yutaka Takanashi à la Fondation HCB, 2 impasse Lebouis 75014 Paris, du 10 mai au 29 juillet 2012 www.henricartierbresson.org Contact Presse : Jessica Retailleau T 01 56 80 27 03 / F 01 56 80 27 01/ [email protected] 3 J’ai pris quantité de photos de la ville en train de changer au fil du temps. J’ai changé d’appareil. J’ai changé la focale de mes objectifs. J’ai changé mon rythme de marche pendant que je prenais mes photos. Mon but n’est pas d’empiler jusqu’au ciel des chefs d’œuvre pour former une pyramide, mais de marcher les pieds sur terre pour faire des images anonymes. Je vais continuer à marcher de plus en plus loin en traçant une ligne infinie et ce sera tout. Yutaka Takanashi Depuis toujours, Yutaka Takanashi photographie la ville de près, de loin, voire de très loin. Du 10 mai au 29 juillet et pour la première fois en France, la Fondation HCB expose les séries majeures de ce photographe, figure essentielle de la photographie japonaise du XXème siècle. Au premier étage de la Fondation, sera présentée la série Toshie-e (vers la ville). -
Ⅱ公衆への観覧 1 展覧会 Exhibitions
Ⅱ公衆への観覧 1 展覧会 Exhibitions 1-1 入館者数 平成26年度入館者数(人) 所蔵作品展 企画展 合 計 本館 171,220 217,973 389,193 工芸館 56,276 20,817 77,093 入館者総数 227,496 238,780 466,286 回数 展覧会名 入館者数(人) 500 映画をめぐる美術―マルセル・ブロータースから始める 9,000人( 1日平均 250人) 501 現代美術のハードコアはじつは世界の宝である展 ヤゲオ財団コレクションより 36,601人( 1日平均 642人) 502(工104) 青磁のいま―受け継がれた技と美 南宋から現代まで 11,741人( 1日平均 186人) 503 菱田春草展 120,570人( 1日平均 3,259人) 504 奈良原一高 王国 31,618人( 1日平均 368人) 505 高松次郎ミステリーズ 20,184人( 1日平均 273人) 506(工105) 中村ミナトのジュエリー:四角・球・線・面 6,222人( 1日平均 189人) 507(工106) 大阪万博1970 デザインプロジェクト 2,854人( 1日平均 238人) 36 1-2 これまでの展覧会一覧 Exhibitions from the Opening in 1952 until 2014 回数 展覧会名 1 日本近代美術展:近代絵画の回顧と展望 昭和 年度[1952] 27 Modern Japanese Art: Retrospective and Perspective of Modern Painting 2 近代美術展:近代洋画の歩み(西洋と日本) Development of Modern Western-style( Oil) Painting: Europe and Japan 3 世界のポスター展 昭和 年度[1953] 28 World Posters 4 近代日本絵画展:日本画の流れ(系譜と展開) Mainstream of Japanese-style Painting: Its Schools and Development 5 近代彫塑展:日本と西洋 Modern Sculpture: Europe and Japan 6 現代写真展:日本とアメリカ e Exhibition of Contemporary Photography: Japan and America 7 四人の画家:中村彝 小茂田青樹 萬鉄五郎 土田麦僊 Exhibition of Four Painters: Tsune Nakamura,Seiju Omoda, Tetsugoro Yorozu, Bakusen Tsuchida 8 抽象と幻想:非写実絵画をどう理解するか Abstraction and Fantasy: How to Understand Non-gurative( Non-realistic) Painting 9 近代の肖像画 Exhibition of Modern Japanese Portraiture 10 第27回ヴェニス・ビエンナーレ国際美術展:出品作品国内展示 Preview Exhibition of the 27th Venice Biennial Exhibits from Japan 11 国吉康雄遺作展 e Memorial Art Exhibition of the Works of Yasuo Kuniyoshi 12 大正期の画家 昭和 年度[1954] 29 e Exhibition of the Painting of the Taisho -
Pressemappe Die City-Das Land
Presseinformation Die City – Das Land Japanische Fotografie der 1960er- und 1970er-Jahre aus der Sammlung des Museum der Moderne Salzburg 20. Juni – 13. September 2020 Rupertinum Atrium, [1] & [2] Presse Mit Die City – Das Land präsentiert das Museum der Moderne Salzburg erneut einen Teil seiner weltweit einzigartigen Bestände an japanischer Mönchsberg 32 5020 Salzburg Fotografie aus den 1960er- und 1970er-Jahren. Im Mittelpunkt steht Austria diesmal das Verhältnis von Stadt, Land und Gesellschaft. T +43 662 842220-601 F +43 662 842220-700 Salzburg, 1. Juni 2020. Zu den größten künstlerischen Entwicklungen der [email protected] neueren Zeit in Japan gehört die atemberaubende Fotografie der 1960er- www.museumdermoderne.at und 1970er-Jahre. Die von den Fotografen entwickelte neue visuelle Sprache steht für einen radikalen Bruch mit der traditionellen Bildauffassung. Das Museum der Moderne Salzburg besitzt dank des persönlichen Engagements von Otto Breicha, dem Gründungsdirektor des Museums, ein Konvolut von rund 600 Vintage-Abzügen jener Zeit – das ist ein in Österreich einmaliger Bestand. Über 40 Jahre nach der Entstehung der Fotografien wurde ein erster Teil der Sammlung unter dem Titel I-Photo präsentiert, ein Begriff, der sich an das literarische Genre der Ich-Erzählung anlehnt. Die zweite Ausstellung japanischer Fotografie mit dem Titel Die City – Das Land rückt nun das Verhältnis von Stadt, Land und Gesellschaft ins Zentrum. „Durch den visionären Sammeleifer von Otto Breicha befindet sich dieser außergewöhnliche Bestand heute in Salzburg. Es freut mich sehr, dass wir die 2018 begonnene Reihe zur japanischen Fotografie fortsetzen und somit auch unsere Kompetenz als Zentrum für künstlerische Fotografie in Österreich erneut unter Beweis stellen können“, so Thorsten Sadowsky, Direktor des Museum der Moderne Salzburg. -
Directory 2007 2Nd Edition Nd Edition
아시아예술극장 아시아 공연예술 아시아예술극장 아시아 공연예술 Directory 2007 2 Directory Directory 2007 2nd Edition nd Edition 주최: 주관: 110-809 서울시 종로구 동숭동 1-50 보생빌딩 2∙4∙5층 전화 02-745-2052 팩스 02-745-2072 www.gokams.or.kr 아시아예술극장 아시아 공연예술 Directory 2007 2nd Edition CONTENTS 서론 I. 지원단체/협회 II. 축제/아트마켓 III. 공연장 IV. 공연단체 1. 기획의 배경 및 목적 4 호주 Austraila 12 호주 Austraila 56 호주 Austraila 82 1 무용 2. 수록범위 5 방글라데시 Bangladesh 17 방글라데시 Bangladesh 61 방글라데시 Bangladesh 93 호주 Austraila 140 대만 Taiwan 187 3. 조사방법 6 캄보디아 Cambodia 18 캄보디아 Cambodia 62 캄보디아 Cambodia 93 중국 China 143 태국 Thailand 193 4. 디렉토리북의 활용 7 중국 China 20 중국 China 63 중국 China 95 홍콩 Hong Kong 145 베트남 Vietnam 193 홍콩 Hong Kong 26 홍콩 Hong Kong 63 홍콩 Hong Kong 97 인도네시아 Indonesia 146 마카오 Macau 28 마카오 Macau 64 마카오 Macau 99 일본 Japan 147 3. 연극 인도 India 28 인도 India 65 인도 India 99 말레이시아 Malaysia 156 호주 Austraila 194 인도네시아 Indonesia 30 인도네시아 Indonesia 65 인도네시아 Indonesia 101 필리핀 Philippines 157 캄보디아 Cambodia 199 일본 Japan 30 일본 Japan 66 일본 Japan 101 싱가포르 Singapore 159 중국 China 200 라오스 Laos 43 말레이시아 Malaysia 73 말레이시아 Malaysia 127 대만 Taiwan 160 홍콩 Hong Kong 201 말레이시아 Malaysia 43 몽고 Mongolia 74 미얀마 Myanmar 128 베트남 Vietnam 165 인도네시아 Indonesia 202 몽고 Mongolia 44 네팔 Nepal 74 네팔 Nepal 128 일본 Japan 202 미얀마 Myanmar 44 파키스탄 Pakistan 75 파키스탄 Pakistan 128 2. -
Reference 1. Major Nuclear Forces
Reference Reference 1. Major Nuclear Forces U.S. Russia U.K. France China 550 508 46 Intercontinental Minuteman III: 500 SS-18: 80 DF-5 (CSS-4): 20 ballistic missiles Peacekeeper: 50 SS-19: 126 — — DF-31 (CSS-9): 6 (ICBMs) SS-25: 254 DF-4 (CSS-3): 20 SS-27: 48 35 IRBMs — — — — DF-3 (CSS-2): 2 MRBMs DF-21 (CSS-5): 33 SRBMs — — — — 725 Missiles 432 252 48 64 12 Trident C-4: 120 SS-N-18: 96 Trident D-5: 48 M-45: 64 JL-1 (CSS-N-3): 12 Submarine Trident D-5: 312 SS-N-19: 60 (SSBN [Nuclear- (SSBN [Nuclear- (SSBN [Nuclear- launched (SSBN [Nuclear- SS-N-23: 96 powered submarines powered submarines powered submarines ballistic missiles powered submarines (SSBN [Nuclear- with ballistic missile with ballistic missile with ballistic missile (SLBMs) with ballistic missile powered submarines payloads]: 4) payloads]: 4) payloads]: 1) payloads]: 14) with ballistic missile payloads]: 15) 114 79 Long-distance B-2: 19 Tu-95 (Bear): 64 — — — (strategic) bombers B-52: 94 Tu-160 (Blackjack): 15 Note: Sources: Military Balance 2008, etc. — 391 — Reference 2. Performance of Major Ballistic and Cruise Missiles Maximum Item Country Name Warhead (yield) Guidance System Remarks range MIRV (170 KT, 335-350 KT or Minuteman III 13,000 Inertial Three-stage solid U.S. 300-475 KT × 3) Peacekeeper 9,600 MIRV (300–475 KT × 10) Inertial Three-stage solid MIRV (1.3 MT × 8, 500 -550 KT × 10 or SS-18 10,500-16,000 Inertial Two-stage liquid 500-750KT × 10) or Single (24MT) Russia MIRV (550 KT × 6 or 500-750 ICBM SS-19 9,000-10,000 Inertial Two-stage liquid KT × 6) SS-25 10,500 Single (550 KT) Inertial + Computer control Three-stage solid SS-27 10,500 Single (550 KT) Inertial + GLONASS Three-stage solid Single (4 MT) or DF-5 (CSS-4) 12,000-13,000 Inertial Two-stage liquid MIRV (150-350 KT × 4-6) China Single (1 MT) or DF-31 (CSS-9) 8,000-14,000 Inertial + Stellar reference Three-stage solid MIRV (20–150 KT × 3–5) Trident C-4 7,400 MIRV (100 KT × 8) Inertial + Stellar reference Three-stage solid U.S.