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Pressemappe Die City-Das Land Presseinformation Die City – Das Land Japanische Fotografie der 1960er- und 1970er-Jahre aus der Sammlung des Museum der Moderne Salzburg 20. Juni – 13. September 2020 Rupertinum Atrium, [1] & [2] Presse Mit Die City – Das Land präsentiert das Museum der Moderne Salzburg erneut einen Teil seiner weltweit einzigartigen Bestände an japanischer Mönchsberg 32 5020 Salzburg Fotografie aus den 1960er- und 1970er-Jahren. Im Mittelpunkt steht Austria diesmal das Verhältnis von Stadt, Land und Gesellschaft. T +43 662 842220-601 F +43 662 842220-700 Salzburg, 1. Juni 2020. Zu den größten künstlerischen Entwicklungen der [email protected] neueren Zeit in Japan gehört die atemberaubende Fotografie der 1960er- www.museumdermoderne.at und 1970er-Jahre. Die von den Fotografen entwickelte neue visuelle Sprache steht für einen radikalen Bruch mit der traditionellen Bildauffassung. Das Museum der Moderne Salzburg besitzt dank des persönlichen Engagements von Otto Breicha, dem Gründungsdirektor des Museums, ein Konvolut von rund 600 Vintage-Abzügen jener Zeit – das ist ein in Österreich einmaliger Bestand. Über 40 Jahre nach der Entstehung der Fotografien wurde ein erster Teil der Sammlung unter dem Titel I-Photo präsentiert, ein Begriff, der sich an das literarische Genre der Ich-Erzählung anlehnt. Die zweite Ausstellung japanischer Fotografie mit dem Titel Die City – Das Land rückt nun das Verhältnis von Stadt, Land und Gesellschaft ins Zentrum. „Durch den visionären Sammeleifer von Otto Breicha befindet sich dieser außergewöhnliche Bestand heute in Salzburg. Es freut mich sehr, dass wir die 2018 begonnene Reihe zur japanischen Fotografie fortsetzen und somit auch unsere Kompetenz als Zentrum für künstlerische Fotografie in Österreich erneut unter Beweis stellen können“, so Thorsten Sadowsky, Direktor des Museum der Moderne Salzburg. Für Christiane Kuhlmann, Kuratorin Fotografie und Medienkunst, sind die präsentierten Aufnahmen „einzigartige Zeitdokumente. Japan hatte durch seine geografische Lage bis 1945 eine in sich abgeschlossene Kultur-, Kunst- und Fototradition. Die Öffnung nach außen – mit den Olympischen Sommerspielen 1964, der Weltausstellung 1970 in Osaka und dem Bau des internationalen Flughafens in Tokio – ermöglichte einerseits einen bis dato nie gekannten wirtschaftlichen Aufschwung und erschütterte im Gegenzug das tradierte Selbstverständnis der ganzen Nation. Die Fotografien spiegeln weniger den Glanz dieser Blütezeit, sondern den Prozess der Veränderung und ihre Schattenseiten.“ Die Ausstellung Die City – Das Land verdeutlicht, wie die japanische Topografie von Stadt und Land wahrgenommen wurde. Der Stil der Bilder wird als „are, bure, boke“ beschrieben, was sich als „rau, unscharf, unfokussiert“ übersetzen lässt. Damit schuf die neue japanische Fotografie – in gleicher Weise, wie dies die Kunst der Nachkriegszeit getan hatte – ein Bewusstsein für die sich verändernde politische und soziale Realität. Im Mittelpunkt der Ausstellung stehen die bedeutenden Serien Toshi-e / Towards the City (1974) von Yutaka Takanashi und To the Village (1973– 76) von Kazuo Kitai. Daneben werden die surrealen Bilder von Ikkō Narahara und Werke von Kikuji Kawada und Chōtoku Tanaka, der in den 1970er-Jahren in Wien lebte und auch am Salzburg College unterrichtete, erstmalig in Salzburg ausgestellt. Insgesamt werden ca. 200 Werke von Museum der Moderne – Rupertinum Betriebsgesellschaft mbH 1/3 Presseinformation Die City – Das Land. Japanische Fotografie der 1960er- und 1970er-Jahre aus der Sammlung FN 2386452 des Museum der Moderne Salzburg Firmenbuchgericht Salzburg Presse zwölf Fotografen zu sehen sein, die zusammen mit einem Rückblick auf die Highlights von I-Photo ein Gesamtbild dieses einzigartigen T +43 662 842220-601 F +43 662 842220-700 Sammlungsbereichs ergeben. Unter den in der Sammlung des Museum der Moderne Salzburg vertretenen Fotografen befinden sich so berühmte [email protected] Namen wie Nobuyoshi Araki, von dem mehr als 120 Arbeiten vorhanden www.museumdermoderne.at sind, Daidō Moriyama, Masahisa Fukase und der kürzlich verstorbene Issei Suda. Im Anschluss an die Ausstellung in Salzburg wird eine Auswahl von 50 Bildern aus dem Bestand des Museums von September bis Ende November 2020 im renommierten Japanischen Kulturinstitut in Köln zu sehen sein. Mit Werken von Nobuyoshi Araki (1940 Tokio, JP), Takashi Hanabusa (1949 Kobe, JP – Tokio, JP), Tetsuya Ichimura (1930 Nagasaki, JP – Tokio, JP), Yoji Jikihara (1950 Shizuoka, JP – Yokohama, JP), Kikuji Kawada (1933 Tsuchiura, JP – Tokio, JP), Kazuo Kitai (1944 Anshan, Mandschurei, CN – Tokio, JP), Jun Morinaga (1937 Nagasaki, JP – 2018 Tokio, JP), Daidō Moriyama (1938 Osaka, JP – Tokio, JP), Ikkō Narahara (1931 Fukuoka, JP – 2020 Tokio, JP), Shinzō Shimao (1948 Kobe, JP – 2020 Tokio, JP), Issei Suda (1940–2019 Tokio, JP), Chōtoku Tanaka (1947 Tokio, JP), Hajime (Gen) Tokura (1950 Okayama, JP), Matsutoshi Takagi (1948 Tokio, JP), Yutaka Takanashi (1935 Tokio, JP), Shuji Yamada (1939 Nishinomiya, JP – Minami-Awaji, JP) Kuratorinnen: Christiane Kuhlmann mit Andrea Lehner-Hagwood Begleitprogramm: 13. August 2020, 16 Uhr Kuratorenführung mit Andrea Lehner-Hagwood Teilnahme frei mit Museumsticket 10. September 2020, 16 Uhr Kuratorenführung mit Christiane Kuhlmann Teilnahme frei mit Museumsticket 2/3 Presseinformation Die City – Das Land. Japanische Fotografie der 1960er- und 1970er-Jahre aus der Sammlung des Museum der Moderne Salzburg Presse Pressekontakt Martin Moser T +43 662 842220-601 F +43 662 842220-700 T +43 662 842220-601 M +43 664 8549 983 [email protected] [email protected] www.museumdermoderne.at Besucher_innen-Information Museum der Moderne Salzburg Rupertinum Wiener-Philharmoniker-Gasse 9 5020 Salzburg, Austria T +43 662 842220 [email protected] www.museumdermoderne.at Öffnungszeiten Di bis So 10–18 Uhr Mi 10–20 Uhr Während der Festspiele zusätzlich Mo 10–18 Uhr Eintrittspreise Rupertinum Regulär € 6 Ermäßigt € 4,50 Gruppen (10 pax) € 4,50 Kinder/Jugendliche (6 – 18) € 3,50 Familien 2 Erwachsene + Kinder € 12 1 Erwachsener + Kinder € 9 3/3 Presseinformation Die City – Das Land. Japanische Fotografie der 1960er- und 1970er-Jahre aus der Sammlung des Museum der Moderne Salzburg Pressebilder Die City – Das Land Japanische Fotografien der 1960er- und 1970er-Jahre aus der Sammlung des Museum der Moderne Salzburg 20. Juni– 13. September 2020 Rupertinum [1] & [2] Presse Die Verwendung des Bildmaterials ist ausschließlich in Zusammenhang mit der Berichterstattung über die Ausstellung und Mönchsberg 32 5020 Salzburg unter Angabe der angeführten Bildunterschriften und Copyrights Austria gestattet. Download: http://www.museumdermoderne.at/de/presse/ T +43 662 842220-601 F +43 662 842220-700 Benutzername: presse [email protected] Passwort: 123456 www.museumdermoderne.at Takashi Hanabusa Ohne Titel, um 1975 Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Takashi Hanabusa Tetsuya Ichimura Nagasaki, 1971−72 Chromogener Abzug Museum der Moderne Salzburg © Tesuya Ichimura Museum der Moderne – Rupertinum Betriebsgesellschaft mbH 1/5 Pressebilder Die City – Das Land. Japanische Fotografien der 1960er- und 1970er-Jahre aus der Sammlung des FN 2386452 Museum der Moderne Salzburg Firmenbuhgericht Salzburg Yōji Jikihara Ohne Titel, 1973 – 1975 Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Yoji Jikihara Kikuji Kawada Ohne Titel, 1960−1962 Aus der Serie Youth Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Kikuji Kawada Kazuo Kitai Inbanuma, Präfektur Chiba, Flussfischer, 1975 Aus der Serie To the Village Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Kazuo Kitai Jun Morinaga Ohne Titel, 1972 Aus der Serie Japanese Cities Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Jun Morinaga 2/5 Pressebilder Die City – Das Land. Japanische Fotografien der 1960er- und 1970er-Jahre aus der Sammlung des Museum der Moderne Salzburg Ikko Narahara Two Garbage Cans, Indian Village, New Mexico, 1972, Aus der Serie Where Time Has Vanished Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Esate Ikko Narahara Shinzō Shimao Nathan Road, Hong Kong, 1970 Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Shinzo Shimao Matsutoshi Takagi Ohne Titel, 1974–1975 Aus der Serie Under Clouds Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Matsutoshi Takagi 3/5 Pressebilder Die City – Das Land. Japanische Fotografien der 1960er- und 1970er-Jahre aus der Sammlung des Museum der Moderne Salzburg Yutaka Takanashi Ohne Titel, 1974 Aus der Serie Toshi-e (Towards the City) Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Yutaka Takanashi Chotoku Tanaka Ohne Titel, 1973–77 Aus der Serie Wien, Japan Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Chotoku Tanaka Hajime (Gen) Tokura Straßenecke in Kobe, um 1970 Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Gen Tokura 4/5 Pressebilder Die City – Das Land. Japanische Fotografien der 1960er- und 1970er-Jahre aus der Sammlung des Museum der Moderne Salzburg Shuji Yamada Landschaft, Shinjuku Station West, Teil 2 , 1969 Silbergelatineabzug auf Barytpapier Museum der Moderne Salzburg © Shuji Yamada 5/5 Pressebilder Die City – Das Land. Japanische Fotografien der 1960er- und 1970er-Jahre aus der Sammlung des Museum der Moderne Salzburg Ausstellungsansichten Die City – Das Land Japanische Fotografien der 1960er- und 1970er-Jahre aus der Sammlung des Museum der Moderne Salzburg
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