Introduction Anne Dunan-Page
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Newton.Indd | Sander Pinkse Boekproductie | 16-11-12 / 14:45 | Pag
omslag Newton.indd | Sander Pinkse Boekproductie | 16-11-12 / 14:45 | Pag. 1 e Dutch Republic proved ‘A new light on several to be extremely receptive to major gures involved in the groundbreaking ideas of Newton Isaac Newton (–). the reception of Newton’s Dutch scholars such as Willem work.’ and the Netherlands Jacob ’s Gravesande and Petrus Prof. Bert Theunissen, Newton the Netherlands and van Musschenbroek played a Utrecht University crucial role in the adaption and How Isaac Newton was Fashioned dissemination of Newton’s work, ‘is book provides an in the Dutch Republic not only in the Netherlands important contribution to but also in the rest of Europe. EDITED BY ERIC JORINK In the course of the eighteenth the study of the European AND AD MAAS century, Newton’s ideas (in Enlightenment with new dierent guises and interpre- insights in the circulation tations) became a veritable hype in Dutch society. In Newton of knowledge.’ and the Netherlands Newton’s Prof. Frans van Lunteren, sudden success is analyzed in Leiden University great depth and put into a new perspective. Ad Maas is curator at the Museum Boerhaave, Leiden, the Netherlands. Eric Jorink is researcher at the Huygens Institute for Netherlands History (Royal Dutch Academy of Arts and Sciences). / www.lup.nl LUP Newton and the Netherlands.indd | Sander Pinkse Boekproductie | 16-11-12 / 16:47 | Pag. 1 Newton and the Netherlands Newton and the Netherlands.indd | Sander Pinkse Boekproductie | 16-11-12 / 16:47 | Pag. 2 Newton and the Netherlands.indd | Sander Pinkse Boekproductie | 16-11-12 / 16:47 | Pag. -
Maty's Biography of Abraham De Moivre, Translated
Statistical Science 2007, Vol. 22, No. 1, 109–136 DOI: 10.1214/088342306000000268 c Institute of Mathematical Statistics, 2007 Maty’s Biography of Abraham De Moivre, Translated, Annotated and Augmented David R. Bellhouse and Christian Genest Abstract. November 27, 2004, marked the 250th anniversary of the death of Abraham De Moivre, best known in statistical circles for his famous large-sample approximation to the binomial distribution, whose generalization is now referred to as the Central Limit Theorem. De Moivre was one of the great pioneers of classical probability the- ory. He also made seminal contributions in analytic geometry, complex analysis and the theory of annuities. The first biography of De Moivre, on which almost all subsequent ones have since relied, was written in French by Matthew Maty. It was published in 1755 in the Journal britannique. The authors provide here, for the first time, a complete translation into English of Maty’s biography of De Moivre. New mate- rial, much of it taken from modern sources, is given in footnotes, along with numerous annotations designed to provide additional clarity to Maty’s biography for contemporary readers. INTRODUCTION ´emigr´es that both of them are known to have fre- Matthew Maty (1718–1776) was born of Huguenot quented. In the weeks prior to De Moivre’s death, parentage in the city of Utrecht, in Holland. He stud- Maty began to interview him in order to write his ied medicine and philosophy at the University of biography. De Moivre died shortly after giving his Leiden before immigrating to England in 1740. Af- reminiscences up to the late 1680s and Maty com- ter a decade in London, he edited for six years the pleted the task using only his own knowledge of the Journal britannique, a French-language publication man and De Moivre’s published work. -
How Musical Is Gesture?
How Musical is Gesture? Mary Ann Smart. 2004. Mimomania: Music and Gesture in Nineteenth-Century Opera. Berkeley and Los Angeles: University of California Press. Reviewed by Gabriela Cruz Sometime in 1852 Louis Bonaparte sat on the grand loge of the Academie Imperiale de Musique for a performance of Jacques Fromental HaUvy's Charles VI (1843). The work, a grandiose national pageant, was a spectacle befitting an emperor forever campaigning for public opinion. In the theater, the man who wished to "appear as the patriarchal benefactor of all classes" (Marx 1996:125) was to be seen surveying the sight of Ie petit peuple as it rushed on stage to save a legitimate dauphin. He was also to lend an ear to the opera's chanson fran~aise, a crowd-pleaser significantly associated with republican patriotism close to the time of the 1848 revolution (Hallman 2003:246). The song, an old soldier's rallying cry against foreign invasion, was sung that night by a young bass-baritone with the right booming voice: Jean Baptiste Meriy. The singer carried the first verse on French courage and abhorrence of oppression. Then, as expected, he pulled a prop dagger above his head and continued with the stirring refrain: Guerre aux tyrans! Jamais en France, Jamais l'Anglais ne regnera. (Act 1, scene 1) [War to all tyrants Never in France, Never shall the English rule.] But here something went amiss. His "Guerre" came out as "mort" and the dagger was seen pointing toward the imperial loge. Song became a call to regicide and amidst the ensuing scandal the singer was quickly dismissed, never to appear again on the imperial stage. -
Inventing a French Tyrant: Crisis, Propaganda, and the Origins of Fénelon’S Ideal King
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository INVENTING A FRENCH TYRANT: CRISIS, PROPAGANDA, AND THE ORIGINS OF FÉNELON’S IDEAL KING Kirsten L. Cooper A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History. Chapel Hill 2013 Approved by: Jay M. Smith Chad Bryant Lloyd S. Kramer © 2013 Kirsten L. Cooper ALL RIGHTS RESERVED ii ABSTRACT Kirsten L. Cooper: Inventing a French Tyrant: Crisis, Propaganda, and the Origins of Fénelon’s Ideal King (Under the direction of Jay M. Smith and Chad Bryant) In the final decades of the seventeenth century, many voices across Europe vehemently criticized Louis XIV, the most well-known coming from the pen of François Fénelon from within Versailles itself. There were, however, many other critics of varied backgrounds who participated in this common discourse of opposition. From the 1660s to the 1690s the authors of these pamphlets developed a stock of critiques of Louis XIV that eventually coalesced into a negative depiction of his entire style of government. His manner of ruling was rejected as monstrous and tyrannical. Fénelon's ideal king, a benevolent patriarch that he presents as an alternative to Louis XIV, was constructed in opposition to the image of Louis XIV developed and disseminated by these international authors. In this paper I show how all of these authors engaged in a process of borrowing, recopying, and repackaging to create a common critical discourse that had wide distribution, an extensive, transnational audience, and lasting impact for the development of changing ideals of sovereignty. -
Les Mots Et Les Choses: the Obscenity of Pierre Bayle
Les mots et les choses: the obscenity of Pierre Bayle van der Lugt, Mara Date of deposit 12/02/2019 Document version Author’s accepted manuscript Access rights © Modern Humanities Research Association 2018. This work is made available online in accordance with the publisher’s policies. This is the author created, accepted version manuscript following peer review and may differ slightly from the final published version. Citation for van der Lugt, M. (2018). Les mots et les choses: the obscenity of published version Pierre Bayle. Modern Language Review, 113(4), 714-741 Link to published https://doi.org/10.5699/modelangrevi.113.4.0714 version Full metadata for this item is available in St Andrews Research Repository at: https://research-repository.st-andrews.ac.uk/ LES MOTS ET LES CHOSES : THE OBSCENITY OF PIERRE BAYLE ‘Pourquoi se gêner dans un Ouvrage que l'on ne destine point aux mots, mais aux choses…?’ - Pierre Bayle, Éclaircissement sur les Obscénités. Why bother with words in a work devoted to things? asks Pierre Bayle, early modern philosopher and troublemaker extraordinaire. That is: why should the author of an historical-critical dictionary, which deals with things and acts and events, with the content of words rather than with words themselves, concern himself with such a trivial matter as the politeness of style?1 This question, of the relationship between words and things, and the responsibilities of authors using words to describe things, is at the centre of Bayle’s curious semi-provocative semi-apologetic essay or Éclaircissement sur les Obscénités. It is also part of an age-old argument attributed to the Cynics and sometimes the Stoics, which would become a locus communis for early modern discussions of obscenity. -
Roger L'estrange and the Huguenots: Continental Protestantism and the Church of England
Roger L’Estrange and the Huguenots: Continental Protestantism and the Church of England Anne Dunan-Page To cite this version: Anne Dunan-Page. Roger L’Estrange and the Huguenots: Continental Protestantism and the Church of England. Anne Dunan-Page et Beth Lynch. Roger L’Estrange and the Making of Restoration Culture, Ashgate, pp.109-130, 2008, 978-0-7546-5800-9. halshs-00867280 HAL Id: halshs-00867280 https://halshs.archives-ouvertes.fr/halshs-00867280 Submitted on 27 Sep 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. CHAPTER SIX Roger L’Estrange and the Huguenots: Continental Protestantism and the Church of England1 Anne Dunan-Page, University of Montpellier At the end of October 1680, Roger L’Estrange disappeared from his London home. Traversing muddy roads and wintry seas, he first joined the duke of York in Edinburgh and then set sail for The Hague. There he informed Thomas Ken, the almoner of the Princess of Orange and the future bishop of Bath and Wells, that he intended to take communion at Ken’s Anglican service.2 This was one way to escape charges of crypto-catholicism.3 Another was to make himself scarce. -
Responses to the Treatise and Abstract in the Bibliothèque Raisonné
Responses to Hume’s Treatise in the Bibliothèque raisonnée, 1739-41 David Fate Norton, McGill University Dario Perinetti, Université du Québec à Montréal The earliest response to Hume’s Treatise was a short notice of the work published in the French-language journal, Bibliothèque raisonnée des ouvrages des savans de L’Europe (BR) in its spring 1739 issue. One year later, the BR published a review of vol. 1 of the Treatise, and then in spring 1741, published the only known review of vol. 3. We undertake to show 1) that the author of the BR notice was Pierre Des Maizeaux (1673- 1745); 2) that the two BR reviews were very likely written by a single author; and 3) that the author in question was most likely Armand Boisbeleau de La Chapelle (1676-1746). After setting out our reasons for these conclusions, we offer brief accounts of these two founding members of the society of Hume scholars. A substantially abridged copy of this paper will be presented at the conference. Responses to Hume’s Treatise in the Bibliothèque raisonnée, 1739-41 Hume’s ascerbic summary of the reach of the Treatise of Human Nature is well known. The Treatise, he said, ‘fell dead-born from the Press; without reaching such distinction as even to excite a Murmur among the Zealots’12 But as research has shown, Hume’s claim is not the last word on the early reception of the Treatise. It is true that the work was not a publishing success, nor was it received as the revolutionary work Hume thought he had written, but it was certainly not entirely ignored. -
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Boomin Bass and Bari one BEST LOVED OPERA ARIAS Best loved opera arias for Bass and Baritone 1 Gioachino ROSSINI (1792–1868) 6 Jacques OFFENBACH (1819–1880) 11 Gioachino ROSSINI 15 George Frideric HANDEL (1685–1759) Il barbiere di Siviglia 4:57 Les Contes d’Hoffmann 4:09 Guillaume Tell (‘William Tell’) (1829) 2:41 Acis and Galatea (1718) 3:26 (‘The Barber of Seville’) (1816) (‘The Tales of Hoffmann’) (1881) Act III, Finale – Aria: Sois immobile (Guillaume) Act II – Aria: O ruddier than the cherry Act I – Cavatina: Largo al factotum Act II – Scintille, diamant! (Dappertutto) Andrew Foster-Williams, Bass-baritone (Polyphemus) della città (Figaro) Samuel Ramey, Bass • Munich Radio Orchestra Virtuosi Brunensis • Antonino Fogliani Jan Opalach, Bass • Seattle Symphony Orchestra Lado Ataneli, Baritone Julius Rudel (8.555355) (8.660363-66) Gerard Schwarz (8.572745-46) Württemberg Philharmonic Orchestra 7 Wolfgang Amadeus MOZART (1756–1791) 12 Giuseppe VERDI (1813–1901) 16 Gioachino ROSSINI Lodovico Zocche Le nozze di Figaro 4:01 Nabucco (1842) 4:14 Mosè in Egitto 4:55 (8.572438) (‘The Marriage of Figaro’) (1786) Act II, Scene 2 – Recitative: (‘Moses in Egypt’) (1818, Naples version 1819) 2 Georges BIZET (1838–1875) Act I, No. 10 – Aria: Non più andrai (Figaro) Vieni, o Levita! (Zaccaria) Act II – Dal Re de’ Regi (Mosè) Carmen (1875) 4:53 Renato Girolami, Baritone Michele Pertusi, Bass-baritone Lorenzo Regazzo, Bass-baritone Act II – Couplets: Votre toast, je peux Nicolaus Esterházy Sinfonia • Michael Halász Filarmonica Arturo Toscanini Württemberg Philharmonic Orchestra vous les rendre (Toreador Song) (Escamillo) (8.660102-04) Orchestra Giovanile della Via Emilia Antonino Fogliani (8.660220-21) Lado Ataneli, Baritone Francesco Ivan Ciampa (Dynamic CDS7867) 8 Wolfgang Amadeus MOZART 17 Giacomo MEYERBEER (1791–1864) Württemberg Philharmonic Orchestra Die Zauberflöte 2:59 13 Giuseppe VERDI Les Huguenots (‘The Huguenots’) (1836) 3:01 Lodovico Zocche (‘The Magic Flute’) (1791) Rigoletto (1851) 4:16 Act I – Piff, paff, piff, cernons-les! (Marcel) (8.572438) Act II, No. -
Portable Library of Liberty DVD Which Contains Over 1,000 Books and Quotes About Liberty and Power, and Is Available Free of Charge Upon Request
The Online Library of Liberty A Project Of Liberty Fund, Inc. Trevor Colbourn, The Lamp of Experience [1965] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. -
Historical Writing in Britain from the Late Middle Ages to the Eve of Enlightenment
Comp. by: pg2557 Stage : Revises1 ChapterID: 0001331932 Date:15/12/11 Time:04:58:00 Filepath:d:/womat-filecopy/0001331932.3D OUP UNCORRECTED PROOF – REVISES, 15/12/2011, SPi Chapter 23 Historical Writing in Britain from the Late Middle Ages to the Eve of Enlightenment Daniel Woolf Historical writing in Britain underwent extraordinary changes between 1400 and 1700.1 Before 1500, history was a minor genre written principally by clergy and circulated principally in manuscript form, within a society still largely dependent on oral communication. By the end of the period, 250 years of print and steadily rising literacy, together with immense social and demographic change, had made history the most widely read of literary forms and the chosen subject of hundreds of writers. Taking a longer view of these changes highlights continuities and discontinuities that are obscured in shorter-term studies. Some of the continu- ities are obvious: throughout the period the past was seen predominantly as a source of examples, though how those examples were to be construed would vary; and the entire period is devoid, with a few notable exceptions, of historical works written by women, though female readership of history was relatively common- place among the nobility and gentry, and many women showed an interest in informal types of historical enquiry, often focusing on familial issues.2 Leaving for others the ‘Enlightened’ historiography of the mid- to late eighteenth century, the era of Hume, Robertson, and Gibbon, which both built on and departed from the historical writing of the previous generations, this chapter suggests three phases for the principal developments of the period from 1400 to 1 I am grateful to Juan Maiguashca, David Allan, and Stuart Macintyre for their comments on earlier drafts of this essay, which I dedicate to the memory of Joseph M. -
Sur L'esprit De M. Arnauld De Pierre Jurieu
SUR L’ESPRIT DE M. ARNAULD DE PIERRE JURIEU par Antony Mc KENNA Ce n’est pas sans naïveté que nous avons entrepris de présen ter un ouvrage de controverse de Pierre Jurieu. Dès qu’il s’est agi de préciser le contexte de la publication de l’ouvrage, nous avons pris conscience de l’immensité de la bibliographie. Nous donnons donc en annexe une bibliographie qui permet de saisir d’un coup d’œil le rôle capital de Port-Royal (ou du moins des principaux théo logiens de Port-Royal) dans la controverse anti-protestante entre 1664 et 1709, ainsi que la place de Jurieu dans cette même bataille. Encore nous sommes-nous limité à la controverse qui ressurgit lors de la Paix de l’Eglise. Pour une bibliographie complète de la controverse entre catholiques et protestants depuis la promulgation de l’Edit de Nantes en 1598, nous nous permettons de renvoyer aux ouvrages capitaux de Jacques Solé, de Louis Desgraves, d’Emile Kappler et de Bernard Dompnier : on trouvera toutes les références utiles à leurs travaux et à quelques autres ouvrages critiques dans notre Annexe bibliographique. La controverse se définit comme une guerre d’informations et d’arguments, d’accusations d’erreur, de mauvaise foi et de calom nie, comme une bataille de propagande. Le principe premier d’une telle guerre est de répondre toujours présent, de répondre coûte que coûte, de ne jamais admettre la véracité de l’adversaire ni même sa bonne foi. La multiplication des écrits et l’âpreté du ton dans la controverse entre catholiques et protestants de la fin du XVIIe siècle répondent bien à ce principe. -
John Locke on Conversation with Friends and Strangers Richard
John Locke on Conversation with Friends and Strangers Author Yeo, Richard Published 2009 Journal Title Parergon DOI https://doi.org/10.1353/pgn.0.0157 Copyright Statement © 2009 ANZAMEMS. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/30176 Griffith Research Online https://research-repository.griffith.edu.au John Locke on Conversation with Friends and Strangers Richard Yeo John Locke did not write an ‘essay’ on the standard humanist topic of friendship; yet his letters, notebooks, and major works contain significant reflections on it, if not a systematic position. This article considers what Locke thought about the importance of conversation, often paired in humanist writings with the ideal of a perfect friendship between two equals. He entertained a version of this notion, asserting that best friends must be lovers of truth, but also valued informal exchanges with strangers as sources of new information and ideas. For Locke, conversation with both friends and strangers was a necessary instrument in the pursuit of truth. In 1702, shortly before his death, the English philosopher and physician, John Locke (1632–1704), suffered severe loss of hearing. He told Edward Clarke that ‘I have been little better than out of the world these last twelve months by a deafness that in great measure shut me out of conversation.’1 In a letter of 12 January 1705, Damaris Masham replied to Jean Le Clerc’s request for her memories of ‘our dead Friend’,2 reporting that Locke had once said that he would prefer ‘to be Blind than Deaf’.3 We can accept, then, that Locke 1 John Locke to Edward Clarke, 30 November 1702 (letter no.