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Table of Contents Provided by Blackwell's Book Services and R.R List of Illustrations p. xiii Chronology p. xv Introduction p. xxi The Man Forebears p. 5 [The Aldridge Saga Begins] (1933) [Aldridge Family Strengths] (1933) [Aldridge Family Weaknesses] (1933) [Frank and Clara Aldridge] (1933) Father p. 15 John H. Grainger (1956) [John H. Grainger in Adelaide] (ca. 1933) My Father's Comment on Cyril Scott's Magnificat (1953) Mother's Experience with Scotch & Irish (1953) How Would We Ordinary Men Get On If the Clever Ones Did Not Destroy Themselves? (1953) My Father in My Childhood (1954) Mother p. 27 Dates of Important Events and Movements in the Life of Rose Grainger (1923) [How I Have Loved Her, How I Love Her Now] (1922) Thought Mother Was 'God'. Something of This Still Remains (1923) Arguments with Beloved Mother (1926) Mother's Neuralgia in Australia (1926) Mother on My Love of Being Pitied (1926) Beloved Mother's Swear-Words (1926) Mother a Nietzschean? (1926) Thots of Mother while Scoring To a Nordic Princess (1928) Bird's-Eye View of the Together-Life of Rose Grainger and Percy Grainger (1947) Friends p. 79 [Dr Henry O'Hara] (1933) Dr Hamilton Russell Called Me 'A Tiger for Work' (1953) A Day of Motoring with Dr Russell (1953) Karl Klimsch's Purse of Money, for Mother to Get Well On (1945) The English Are Fickle Friends, Tho Never Vicious in Their Fickleness (1954) My First Meeting with Cyril Scott (1944) Walter Creighton & Cyril Scott (1944) Walter Creighton on Roger Quilter's Hide-Fain-th ((Secretiveness)) (1944) Roger Quilter Failed Me at Harrogate (1944) Balfour Gardiner Disliked What He Considered Political Falsification in Busoni & Harold Bauer (1953) Balfour Gardiner with Me in Norway, 1922 (1953) Mrs L[owrey] and My Early London Days (1945) Frau Kwast-Hiller, Evchen, Mrs Lowrey in Berlin (1953) Miss Devlin's Sweet Australian Ways (1953) Jacques Jacobs on First Ada Crossley Tour (1953) Eliza Wedgewood, Out to Buy Old Furniture from Folksingers (1953) Sargent's and His Set's Set-of-Mind toward My Betrothal to Margot (1944) Wife p. 107 On Board the 'Aorangi' (1927) The Nordic Nature of My Love for Her (1927) My Joy in Forming a Two-Some with Her (1927) Pevensey (1928) [Sex-Life] (1928) Ella's Rime-Piece 'In Search of Gold' (1937) Read This If Ella Grainger or Percy Grainger Are Found Dead Covered with Whip Marks (1932) Self p. 125 [George Percy] (1933) [For My Autobiography] (1902) [Art and Craft] (1902) The London Gramophone Co. (Now 'His Master's Voice') & the Joseph Taylor Folksong Records (1932) Money Spent on Ideals, Friends, Etc., 1920-End 1923 (ca. 1924) [The Centrality of Race] (1933) [Pure-Nordic Beauty] (1933) [A Flawlessly Nordic Way of Living] (1933) [The Truly Nordic Life] (1933) The Thots I Think as I Grow Old (1937) [Fraud with Food, Fraud with Hair] (1938) Growing Nasty-Spoken as I Near My Sixties (1940) Put-Upon Percy (1945) The Things I Dislike (1954) To Whoever Opens the Package Marked 'Do Not Open until 10 Years after My Death' (1956) The Musician Composer p. 165 [The Goal of My Art] (1922) Notes on Whip-Lust (1948) What Is Behind My Music (1954) Why 'My Wretched Tone Life? (1953) Length (Size) in Tone-Art & Other Art (1935) The Strange Idea That I Compose for Piano & Then 'Arrange' for Strings, Orchestra, Etc. (1937) 'The Inuit' at La Crosse, Wis[consin] (1923) My Dealings with Stanford anent His 'Four Irish Dances' (1949?) Stanford Deemed My 'Irish Tune' Un-Irish & My 'Brigg Fair' Un-English. His Disapproval of Vaughan Williams's Norfolk Rhapsodies (1949?) Beecham's Cheek about 'Colonial Song' (1945) Balfour Gardiner's Criticisms of Sparre Olsen, Ravel, My 'Colonial Song' (1952) Grieg's Growing Fretfulness at My Tone-Works (1949/52) Sargent & Rathbone Lost Interest in My Compositions When Publicly Performed (1953) Vaughan Williams's Praise of a Detail in 'Irish Tune from County Derry' (1953) Delius Hostile to Harmonium Parts in My Chamber-Music Scores (1953) Mother Thought My Music Sounded Like Hymn-Tunes (1953) Anent 'Elastic Scoring (1929) [Letter to Roy Harris] (1937) A World-Wide Tone-Wright ((Composer)) Guild (1945) Perfomer p. 209 [Letter to Mabel Gardner] (1901) P.G.'s Powers during Australian Tour of 1926 (1926) Native Art and Stage Fright (1938) Call-to-Mindments about Delius Piano Concerto (1941) The Lower the Fee, the Better I Play (1941) Memories of Tchaikovsky Concertos (1943) Percy Grainger on Ideals (mid-1920s) Grieg on Busoni's Lightning Octaves in Grieg Concerto (1949) Stanford Wanted to Take Me to the Norfolk, Conn. Festival, to Play His 'Down Among the Dead Men' Variations (1949?) Nina Grieg Thought Sostenuto Pedal Sounded 'Unclear' in 'Jeg gar i tusen tanker' (1949) H. Allerdale Grainger (1953) Cyril Scott's 1st Sonata at Bexhill (Suicidal Mood) (1953) P.G. Rehearses 'Song of the High Hills' with Frankfurt Ruhlscher Gesangverein (1953) 'The Bit You Played to Mark Hambourg' (Chopin Polonaise) (1953) Commentator p. 235 [The Expressive Potential of Music] (1901) After Reading Parry (1902) Donald Francis Tovey's Aunt (1953) Dr Russell's Statement: 'It's Too Early. You Must Wait Till You're Dead' (1941) Facts about Percy Grainger's Year in Europe (1923) ['The King Is Dead, Long Live the King': World, Racial and Tone-Art Loyalties] (1933) [Parry's 'Judith'] (1935) [The Gifted and Half-Gifted] (1935) Balfour Gardiner's Judgement on Vaughan Williams [Holst and Bax] (1949/52) Grieg on His Romanticism, My Scientificness, re Folksong (1952) Mother Liked Sibelius. P.G.'s Estimate of Him & Other Nordic Music (1953) The Cheek of Band-Bosses ((Conductors)) (1945) Rudolf Ganz Praised Reger & Mahler to Busoni (1953) Busoni & P.G. (1953) My First Hearing of Fritz Kreisler, with Mrs Lowrey (1945) Melbourne Miss Rowe and Erno Rappe's Stolen Music (1953) Balfour Gardiner: 'Obscure Successes' (1953 Tonery (Japanese Singer, Javanese Tone-Tool, Pablo Casals) (1945) Intelligence versus Education (1943) List of Sources p. 265 Select Grainger Bibliography p. 269 Index p. 271 Table of Contents provided by Blackwell's Book Services and R.R. Bowker. Used with permission..
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