Nalini Ghuman, Resonances of the Raj (Oxford University Press, 2014)

Bibliography of materials and works cited

1. Manuscript Sources and Archival Collections

Maud MacCarthy and John Foulds

Composer John Foulds Files I (1924-1938) and II (1940-1958), BBC Written Archives in Caversham, part of the UK National Archives (BBC WAC)

Foulds, ‘A Few Indian Records’, John Foulds Sketches and Papers, Private Family Collection, held in trust by Malcolm MacDonald (UK) (JF Papers)

Foulds, letter to , April 25 1925, (BL) Add MS 50519 f. 224

Foulds, MS list of works, BL Add Mss 56483

Foulds, MS Collection, BL Add Mss 56482

Foulds, Orpheus Abroad. Series of twelve radio programmes broadcast from All Radio in on the following dates in 1937: 6, 13, 23, 31 March; 7, 18, 22, 28 April; 2, 14, 22, 30 May; Scripts held in Maud MacCarthy Papers, Private Family Collection (MM Papers)

Foulds, two letters to Maud MacCarthy, BL Add MS 56478

John Foulds Autograph Manuscript Scores. Collection of Graham Hatton (Hatton & Rose, UK)

John Foulds Sketches and Papers, Private Family Collection, held in trust by Malcolm MacDonald (UK) (JF Papers)

MacCarthy-Foulds Papers, Borthwick Institute for Archives, University of York (UK) (Borthwick Archive)

Maud MacCarthy Papers, Private Family Collection (MM Papers)

1 Walter Kaufmann Archive, The William and Gayle Cook Music Library, Indiana University, Bloomington, Indiana

Walter Kaufmann Composer File: BBC WAC

Sir

Arnold, Edwin. ‘Imperial Ode’, written for India by Imre Kiralfy. 1895. BL: 1779. K. 6, folio 5

‘Crystal Palace Programme and Guide to Entertainments, 1901’. Miscellaneous programmes 1898-1923, BL Rare Books and Music: 341 no. 4

‘Crown of India Imperial Masque’. Coliseum program for the opening week (commencing 11 March 1912). BL: London Playbills (1908-13), ref. 74/436

Curzon Collection PDP 430 (1-89): BL India Office Print Room

‘Dhar: Viceroy’s visit: Musicians who performed for the Viceroy 1902’. BL India Office Print Room: Photograph collection ref. 430/23 (18c and d)

Elgar, Edward. Concert Programmes. Especially collection of 1912, ref. 1126. , Worcester, UK (EBM)

Elgar, Edward. Press-cuttings. Especially volume 7 (June 1911-June 1914) ref. 1332 Cuttings Files (EBM)

Empire of India Exhibition, 1895 ̶ The conception, design and production of Imre Kiralfy. BL 1801.d1(187)

India and Ceylon Exhibition (1896), notes by Imre Kiralfy: BL India Office, V 26652

Kiralfy, Imre. India: An operatic-historical production in two acts, 1895. BL 1779. K. 6, folio 5

‘ Girls c.1891’. BL India Office Print Room: Photograph no. 291 (57)

Papers of Edward Elgar 1889-1940, Special Collections, University of Birmingham: EE 1/1/3

‘Programme of the Ceremonies to be observed on the occasion of the Coronation Durbar, December 12th 1911’. BL: Miscellaneous Official Publications, ref. 930.i.50

2

Gustav Holst

Holst, Gustav. Hymns from the Rig Veda, Group 3. Copyist’s score. Holst Birthplace Museum, Cheltenham, UK (HBM)

Fox Strangways, Arthur. Ethnographic cylinder recordings from India. BL, National Sound Archive, London: International Music Collection, C 72

Franco-British Exhibition: Official Guide. London: Bemrose & Sons Ltd., 1908 Victoria & Albert Art Library, ref. A35

Holst, Gustav. ‘Scrapbook 1914-1919’: Press-Cuttings vol. 6. HBM

______. Concert Programmes and Press Cuttings: Microfilms, reel 2: volumes 3-5 (1905-1914); reel 3: vol. 7 (1919-22); vol. 8 (1922-24); reel 4: vol. 9 (1923-25); Cheltenham Art Gallery and Museum (UK)

______. ‘Holst’s Catalogue of his Compositions. Collection (Part II). Vol. I. ‘List of Compositions’; 1895-1933. BL Add MS 57863

______. Indra Op. 13: BL Add Mss 47816

______. Sita. BL Add Mss 47821-3

Holst’s personal library of books. Holst Music Room, St Paul’s Girls School, London

‘India and Ceylon Exhibition of 1896’. BL India Office Print Room: Photograph no. 888 (88 prints)

‘Indian Matinee’, Concert Programme (2 April 1935), Playhouse Theatre, London WC2: Holst Birthplace Museum, Scrapbook 1914-1919: Press-Cuttings vol. 6

‘London Playbills’1870-1901 (D - G). BL Rare Books and Music: ref 74/343 (84)

‘London Playbills’ 1895-1924 (C). BL Rare Books and Music: ref. 74/336 (122)

Thurston, Edgar. Ethnographic cylinder recordings from India. National Sound Archive: International Music Collection, C 624

3 Amy Woodforde-Finden

Boosey & Hawkes Archive, London

London Playbills 1870-1901 (H - O). BL Rare Books and Music: ref 74/344

‘Pageant of Empire Programme’. British Empire Exhibition pamphlet no.7, part II July 21 - Aug 30 1924. London: Fleetway Press Ltd, 1924. Elgar Birthplace Museum. Concert Programmes 1912, ref. 1126: 5C. T

Woodforde-Finden letters, 1914-1927, Manuscripts Department, Lilly Library, Indiana University (USA)

Kaikhosru Sorabji

Collected ‘Music’ articles by K. S. Sorabji from The New Age (1924-34) and The New English Weekly (1932-45) compiled by Nazlin Bhimani [microfilm]

Kaikhosru Sorabji Papers, facsimiles and autograph manuscript scores. The Sorabji Archive, Eaton Bishop, Hereford, UK

Roberge, Marc-André. Annotated Indexes to “Around Music” and “Mi Contra Fa” by Kaikhosru Shapurji Sorabji. 1992. Sorabji Archive

Sorabji’s letters to Philip Heseltine (Peter Warlock): BL Add MS 57963

Sorabji, A Personal Statement (19 October, 1959), manuscript in the Sorabji Archive

Sorabji, letter to Cecil Gray, 15 April 1944: BL Add Ms 57786 (75)

Sorabji, photographs and letters, private collection of Clive J. Spencer-Bentley

General

Papers of Arnold and Cornelia Bake. British Library, India Office Records and Private Papers, Linlithgow Papers Mss Eur F191: 1910-1979

Papers of . British Library, India Office Records and Private Papers, Mss Eur F191

4 Additional materials which are referenced in the book are held in the following departments of the British Library:

National Sound Archive; Oriental and India Office Collections; India Office Print Room; The Asia, Pacific and Africa Collections; Manuscripts Department of the Rare Books and Music Section; The Colindale Newspaper Library

2. Unpublished Manuscripts and Dissertations

Benson, M. M. ‘“The Opus Clavicembalisticum” by Kaikhosru Shapurgi [recte Shapurji] Sorabji: An Analysis with References to its Model, the “Fantasia Contrappuntistica” by Ferruccio Busoni’. DMA diss., American Conservatory of Music, 1987

Bhattacharjya, Nilanjana. ‘Aesthetic Fusions: British Asian Music and Diaspora Culture’, PhD diss., Cornell University, 2007

Bhimani, Nazlin. ‘Kaikhosru Sorabji’s Writings on British Music in The New Age (1924-34)’. MA thesis, University of British Columbia, 1985

Fuller, Sophie. ‘Women Composers during the British Musical Renaissance, 1880- 1918’. PhD diss., University of London, 1998

______. ‘Creative women and “Exoticism” at the last fin-de-siècle’. Unpublished paper presented at the symposium ‘From Musical Exoticism to World Music: Constructing Ends of Centuries’, City University, London, 6-8 July 2000

Gwynne [Ghuman], A. Nalini, ‘India in the English Musical Imagination, 1890-1940’, PhD diss., University of California at Berkeley, Dec. 2003

Ghuman, Nalini. ‘John Foulds’ World Requiem: A Cenotaph in Sound’. Article manuscript

______. ‘Indian Music and the BBC: John Foulds and Walter Kaufmann’. Article manuscript

——————. ‘The Real Pioneers of Indian Music in the West’. Paper presented at the Society for Ethnomusicology’s 58th Annual Meeting, 14-17 November 2013, Indianapolis, Indiana

Habermann, M. ‘A Style Analysis of the Nocturnes for Solo Piano by Kaikhosru Shapurji Sorabji with special Emphasis on Le jardin parfumé’. DMA diss., Peabody Institute of the Johns Hopkins University, 1985

5

Owen, Sean. ‘Kaikhosru Shapurji Sorabji: An Oral Biography’. PhD diss., University of Southampton, 2006

Scheer, Christopher. ‘Fin-de-Siècle Britain: Imperialism and Wagner in the Music of Gustav Holst’. PhD diss., University of Michigan, 2007

3. Contemporary Works and Periodical Articles

Abdulla, Shaikh Mian Gulam Hussein. The Morning Star: Indian Music Book, Series No 2; ‘Selected songs from famous Hindustani, Marathi, Gujarati Dramas and Extra’. London: The Soho Press, 1934

Anderton, H. Orsmond. Granville Bantock. New York and London: John Lane, 1915

Arnold, Edwin. East and West. London, New York and Bombay: Longmans, Green & Co., 1896

Ashworth, E. C. ‘Music - Opus Clavicembalisticum’. New English Weekly 9 (30 April 1936): 55

Atkinson, G. F. Curry and Rice on Forty Plates or the Ingredients of Social Life at ‘Our Station in India’. 1859. 5th ed. London: Thacker & Co., 1911

Awāz 2, no. 11 (1 June 1937), cover feature

Barton, N. D. ‘The Durbar Ceremonials’. In At the Delhi Durbar 1911: Being the impressions of the Head Master and a party of fourteen Boys of the King’s School, Parramatta, New South Wales, who had the good fortune to be present (March 1912), edited by Stacy Waddy. Paramatta, 1912. BL: Asia, Pacific & Africa RW.1989.a.2237

Bax, Clifford. ‘Recollections of Gustav Holst’. Music and Letters 20, no. 1 (January 1939), 1-6

Beck, Lilly Adams. The Interpreter: A Romance of the East. In The Ninth Vibration and Other Stories. New York: Dodd, Mead and Company, 1922

Bechert, Paul. ‘Persian Composer-Pianist Baffles’. Musical Courier, 2 March 1922, 7

Bell, G. H. [pseud. John Travers]. Sahib-log. London: Duckworth, 1910

6

Bernier, François. Travels in the Mogul Empire A.D. 1656-1668. Translated by Archibald Constable, 1891; 2nd ed., rev. by Vincent A. Smith. London: Humphrey Milford, Oxford University Press, 1916

Besant, Annie. ‘Occultism, Semi-Occultism and Pseudo-Occultism’: a lecture delivered to the Blavatsky Lodge, London (30 June 1898). Madras: Theosophical Publishing House, 1912, repr. 1920

Bird, William Hamilton. The Oriental Miscellany; being a collection of the most favourite Airs of Hindoostan, compiled and adapted for the Harpsichord. Calcutta: J. Cooper, 1789

Biswas, Tarak Nath. Emperor George and Empress Mary: The Early Lives of Their Gracious Majesties the King-Emperor and Queen-Empress of India, 4th ed. rev. by Panchanon Neogi. London: New Britannia Press, 1921

Blavatsky, H. P. From the Caves and Jungles of Hindostan 1883-1886. Trans. by the author. London: Theosophical Publishing Society, 1892

Bloch, Regina Miriam. The Confessions of Inayat Khan. London: The Sufi Publishing Society Ltd, 1915

Eric Blom, Richard Capell, Hester C. Colles, George Dyson, Maud Karpeles, et al. ‘Obituary: A. H. Fox Strangways (1859-1948)’ In Music & Letters 29, no. 3 (July 1948): 229-237

Boult, Adrian. ‘Gustav Holst: the man and his work’. Radio Times 43 no. 559 (15 June, 1934): 819

Bradley, Shelland. An American Girl at the Durbar. London: John Lane, 1912

Brian, Havergal. ‘On the Other Hand’. Musical Opinion, June 1932: 747-48. Repr. In Havergal Brian on Music: Selections from his Journalism, edited by Malcolm MacDonald. Volume One: British Music. London: Toccata Press, 1986

______. ‘The Death of John Foulds’. Obituary published in Musical Opinion, April 1939. Reprinted in Havergal Brian on Music. Op. Cit

British Empire Exhibition pamphlet no. 7: Pageant of Empire Programme - Part II July 21-Aug 30. London: Fleetway Press Ltd, 1924

Brough, William. Lalla Rookh; or, the princess, the peri, & the troubadour: a burlesque and pantomime, in one act. London: T.H. Lacy, 1850

7

Browne, A. G. ‘The Music of Kaikhosru Sorabji’. Music and Letters 11, January 1930: 6-16

Burton, Richard. Sindh Revisted. 2 vols. London: Richard Bentley and Son, 1877

______, trans. The Kama Sutra of Vatsyayana. London and Benares: Cosmopoli for the Kama Shastra Society, and for private circulation only, 1885

______, trans. The Perfumed Garden of the Cheikh Nefzaoui : a manual of Arabian erotology (XVI. century). London and Benares: Cosmopoli for the Kama Shastra Society, and for private circulation only, 1886

______, trans. The Book of the Thousand Nights and a Night. 1885. Reprint, 12 vols. London: H. S. Nichols, 1897

______, and F. F. Arbuthnot, trans. Ananga-Ranga, or the Hindu art of love. London and Benares: Cosmopoli for the Kama Shastra Society, and for private circulation only, 1885

Busoni, Ferruccio. Selected Letters, translated and edited by Anthony Beaumont. New York: , 1987

______. Entwurf einer neuen Ästhetik der Tonkunst. Trieste: 1907. Translated by Theodore Baker as ‘Sketch of a New Aesthetic of Music’ in 1911. Trans. Repr. In Three Classics in the Aesthetic of Music New York: Dover Publications, Inc., 1962, 88-95

Busoni: Briefe an seine Frau, ed. Friedrich Schnapp Erlenbach-Zürich und Leipzig: Rotapfel-Verlag, 1935. Translated by Rosamond Ley as Letters to His Wife London: Edward Arnold, 1938. Repr. ed., New York: Da Capo Press, 1975

Capell, Richard. ‘Gustav Holst: notes for a biography’. Musical Times 67, no.1006 (December 1926): 1073-75; MT 68, no. 1007 (January, 1927): 17-19

______. ‘Gustav Holst: III’. Music and Letters 8, no. 4 (October 1927): 73-82

______. ‘Mood pictures: Mr Holst’s analysis of The Planets’. Glasgow Herald 144, 8 February 1926, p.13

______. ‘The Music of the Spheres’. Radio Times 30, no. 384 (6 February 1931)

______. ‘Death Comes to Satyavan’. Radio Times 49, no. 629 (18 October 1935), 15

8 Carman, Bliss. ‘Poetry of the Month’, Reader 1 no. 1 (November 1902): 87-8

Chatterton, Julia. ‘Indian Music’, Musical Standard (12 August 1922), 57

Clements, Ernest. Introduction to The Study of Indian Music. An attempt to reconcile modern Hindustani Music with Ancient Musical Theory and to Propound an accurate and comprehensive method of treatment of the subject of Indian Musical Intonation. London, New York, Bombay and Calcutta: Longmans, Green, 1913

______. Lectures on Indian Music. Delivered under the auspices of the University of Bombay (January 1926). Bombay: University of Bombay, 1927

______, ed. The Rāgas of Tanjore: songs and hymns from the répertoire of the Karnatic singer [Vaidyanatha Iyer], Natrajan, arranged in staff notation (1st ed., 1921)

Cohen, Alex. ‘Elgar: Poetic visions and patriotic vigour’. Radio Times, 2 Dec 1932: 669

Colonial and Indian Exhibition (1886). Catalogues ‘Empire of India: Special Catalogue of Exhibits by the Government of India and Private Exhibitors’. London: William Clowes and Sons, 1886. BL India Office: T10284

Coomaraswamy, Ananda K. ‘Indian Music’. In Essays in National Idealism. London: Probsthain & Co and Madras: G.A. Natesan & Co, 1911

______. The Deeper Meaning of the Struggle. Broad Camden, Gloucester: Essex House Press, 1907

______. Thirty Songs from the Punjab and Kashmir. Recorded by Ratan Devi and Coomaraswamy. London: Kahn & Averill Ltd., 1913

______. The Dance of Śiva: Fourteen Indian Essays. 1918. Reprint, with an introductory preface by Romain Rolland. Bombay: Asia Publishing House, 1952

Coomaraswamy, A. K. ‘Foreword’ to E. Clements, Introduction to the Study of Indian Music. London, Bombay, and Calcutta: Longmans, Green, and Co., 1913

Cooper, A. B. ‘Songs that Moved the World: The Story of The Indian Love Lyrics’. Radio Times 4, no. 47 (15 August 1924): 310

Cousins, James. ‘Maud MacCarthy’. Sunday Statesman: Delhi and Calcutta. 13 October 1935

Cousins, Margaret E. The Music of Orient and Occident: Essays towards mutual understanding. Madras: B G Paul & Co., 1935

9 Cross, Victoria [pseud. Vivian Cory]. Anna Lombard. First published, London: John Long, 1901. Republished, London: Continuum, 2002

Crown of India, photographs. Daily Sketch, 12 March 1912, pp.8-9

Crown of India: An Imperial Masque, libretto, by Henry Hamilton. London: Enoch & Sons, 1912. BL: 11775. h 5/2

Crown of India Orchestral Suite Op. 66, by Edward Elgar. Concert Programme of premiere at Three Choirs Festival, Hereford on 11 September 1912. EBM, Concert Programmes, ref. 1037

‘Crystal Palace Programme and Guide to Entertainments, 1901’. Miscellaneous programmes 1898-1923, BL Rare Books and Music: 341 no. 4

Cundall, Frank, ed. Reminiscences of the Colonial and Indian Exhibition. London: William Clowes & Sons Ltd, 1886

Day, Captain C. R. ‘Notes on Indian Music’. Proceedings of the Music Association 20th session (1893-94): 45-66. London: Novello, Ewer & Co, 1894

______. The Music and Musical Instruments of Southern India and the Deccan. London: Novello, 1891

Debussy, Claude. ‘Monsieur Croche the Dilettante Hater’. In Music in the Western World: A History in Documents, compiled and annotated by and Richard Taruskin. New York: Schirmer Books, 1994

The Delhi Durbar Medal 1911 to the British Army, compiled by Peter Duckers. Shrewsbury: Squirrel Publishing, 1998

The Great Delhi Durbar of 1911. Written to accompany a series of lantern slides (1912), BL: 010056.g.26

Dent. Edward J. ‘The Alleged Stupidity of Singers’. Musical Times 58, no. 896 (Oct 1, 1917): 443-45.

Dieren, Bernard van. Down among the Dead Men and other Essays. London: Humphrey Milford for Oxford University Press, 1935

Diver, Maud. Far to Seek: A Romance of England and India. Boston and New York: Houghton Mifflin Company, 1921

______. The Englishwoman in India. Edinburgh and London: W. Blackwood, 1909

10 Dumas, F. G. Franco-British Exhibition Illustrated Review. London: Chatto & Windus, 1908

Duncan-Rubbra, E. ‘Sorabji’s Enigma’. Monthly Musical Record 62 (September 1932): 148

Eaton, Quaintance. ‘Gustav Holst, on American Visit, Approves our Ways’. Musical America 52, no. 3 (10 Feb 1932): 6

Editorial. ‘The India Society’. Modern Review: A Monthly Review and Miscellany (), 8 (1910): 161-3

Ellis, Havelock. Sexual Inversion. London: Wilson and Macmillan, 1897

Engel, Carl. An Introduction to the Study of National Music. London: Longmans, Green, Reader, and Dyer, 1866

Evans, Edwin. ‘Modern British Composers: Liza Lehmann’. Musical Standard 10 (17 October 1903): 243

______. ‘Modern British Composers: VI. Gustav Holst’. Musical Times 60, no. 920 (1 Oct. 1919): 524-28; no. 921 (1 Nov, 1919): 588-92; no. 922 (1 Dec. 1919): 657-61

Finnemore, John Peeps. Delhi and the Durbar with twelve full-page illustrations in colour by Mortimer Menpes. London: Adam and Charles Black, 1912

Flaubert, Gustave. The Temptation of St. Anthony, translated by Kitty Mrosovsky. Harmondsworth: Penguin Books, 1983

Flecker, James Elroy. ‘Laurence Hope’. The Monthly Review, June 1907: 164-68

Flournoy, Théodore. From India to the Planet Mars. Trans. Daniel B. Vermilye. London: Harper & Brothers, 1900

Forster, E. M. ‘The Indian Boom’. Daily News and Leader, 2 February, 1915: 10

______. A Passage to India (1924). London: Marshall Cavendish Ltd, 1988

Forsyth, C. Music and Nationalism. London: Macmillan, 1911

Fortescue, John. Narrative of the visit to India of their Majesties King and Queen Mary and of the Coronation Durbar held at Delhi 12 December 1911. London: Macmillan & Co., 1912

Foulds, John. Music To-Day: Its Heritage from the Past, and Legacy to the Future (Opus 92). London: Ivor Nicholson & Watson, 1934

11

______.‘The Present and Future of Music in India: I’. The Music Magazine 2, no. 1 (November 1936):1-3

______. ‘The Present and Future of Music in India: II Harmony’. The Music Magazine 2, no. 2 (December 1936): 17-18

______. ‘The Present and Future of Music in India: III Orchestration’. The Music Magazine 2, no. 3 (January 1937): 29

______. ‘The Present and Future of Music in India: IV Notation’. The Music Magazine 2 no. 4 (February 1937): 1-3

______. ‘An East and West Concert’. Musical Times 79, no. 1146 (Aug 1938): 623

______. ‘Modern Tendencies in Indian Music’. Indian Listener (7 July 1938)

______. ‘East and West in Music’. Sunday Statesman, 18 October 1935

______.‘Indo-European Music’. Indian Listener, 7 April, 1938, 497

Fox Strangways, Arthur H. The Music of Hindostan. Oxford: Clarendon Press, 1914

______. Music Observed. London: Methuen, 1936

______. ‘Elgar’. Music and Letters 25 (1934): 109

Franco-British Exhibition held at Shepherd’s Bush, London, 1908, Official Guide. London: Bemrose & Sons Ltd, 1908

Franco-British Exhibition Illustrated Review. London: Chatto & Windus, 1908

Frazer, R. W. Silent Gods and Sun-Steeped Lands. 2nd ed. London: T. F. Unwin, 1896

Gaisberg, Fred. Music on Record. London: Robert Hale Ltd, 1947

Garden of Kama and Other Love Lyrics from India, arranged in verse by Laurence Hope, illustrated by Byam Shaw. London: William Heinemann, 1914

Grace, Harvey. ‘New music: pianoforte music’. Musical Times, 1 June 1924: 520

Grace, Harvey and William McNaught. Elgar tribute article. Musical Times 75 (April 1934): 305-313

Gray, Cecil. A Survey of Contemporary Music. London: Oxford University Press: 1924

12 ______. Peter Warlock - a Memoir of Philip Heseltine. London: Jonathan Cape, 1934

______. ‘Sorabji, Kaikhosru’. In Cobbett’s Cyclopedic Survey of Chamber Music, edited by W. Cobbett, vol. 2, 436-37. London: Oxford University Press, 1930

Grew, Sydney. Our Favourite Musicians from Stanford to Holbrooke. Edinburgh and London: T. N. Foulis, 1922

______. ‘Gustav von Holst’. Musical Opinion 37, no. 437 (February 1914): 359-61

Griffith, Ralph T. H. Hymns from the Rig Veda, 2 Vols. 1889-92. 2nd ed., Benares: E. J. Lazarus & Co., 1896

Griffith, Ralph, trans. and ed. Idylls from the Sanskrit. 1866. Reprint : Panini Office, 1912

______, trans. and ed. Specimens of Old Indian Poetry. London: A. Hall, Virtue & Co., 1852

______, trans. and ed. Scenes from the Ramayana. 1868. Reprint Allahabad: Panini Office, 1912

______, trans. and ed. The Ramayana of Valmiki. London: Trubner & Co.; Benares: Lazarus & Co., 1870-74

Grove, George. The Royal College of Music. London: Clowes, 1883

Hadland, F. A. ‘Indian Music: Ratan Devi’s Recital’. Musical Times 57 (1 January, 1916): 27-8

Hadow, W. H., ed. The Oxford History of Music. Oxford: Oxford University Press, 1901-5

______. English Music. London: Longman, 1931

Haggard, H. Rider. King Solomon’s Mines. London: Cassell & Co., 1885; new illustrated ed. 1905; repr. 1907

Hall, Radclyffe. The Well of Loneliness. London: Jonathan Cape, 1928

Hesse, Hermann and Romain Rolland. Correspondence, Diary Entries 1915-1940. London: Oswald Wolff, 1978

Heward, Leslie. ‘Gustav Holst and a method, or; composition without tears’. 1, no. 12 (December 1923): 12-14

13

Hobson, J. A. The Psychology of Jingoism. London: G. Richards, 1901

Holbrooke, Joseph. Contemporary British Composers. London: Cecil Palmer, 1925

Hope, Laurence. ‘Dedication to Malcolm Nicolson’ in Indian Love. London: Heinemann, 1905

______. ‘On the City Wall’, India’s Love Lyrics including The Garden of Kama. New York: Dodd Mead & Company, 1906, repr. 1927

______. ‘Song of the Parao’, in Complete Love Lyrics in three volumes. New York: Dodd, Mead & Company, 1929, 397.

______. Kashmiri Song, in India’s Love Lyrics including The Garden of Kama New York: Dodd Mead & Company, 1906, repr. 1927, 100

Howes, Frank. ‘The Two Elgars’. Music and Letters 15 no. 1 (Jan 1935): 26-29

Hull, A. E. Cyril Scott: The Man and his Works. London: The Waverley Book Co., c.1918

Hull, Robert. ‘Music of Our Time: From Elgar to Britten’. In Hinrichsen’s Year Book, 1944: Music of Our Time, edited by R. Hill and M. Hinrichsen, 9-17. London: Hinrichsen Edition, 1944

Hymns from the Rig Veda, Tenth Book, transl. Ralph T. H. Griffith 2nd ed. Kotagiri, Nilgiri, 1896)

India and the Durbar: A reprint of Indian Articles in the ‘Empire Day’ Edition of , May 24th, 1911. London: MacMillan, 1911

‘Indian Music’, Wireless Times, Feb. 1926, 741

‘Indian Water Gardens’. Journal of the Royal Society of Arts 62 (1914)

‘Indian Garden-Palaces, The Garden-Palaces of Nishat Bagh and Shalimar Bagh and Deeg’, Country Life 37 (1915), 827-32

‘The Indian Paradise Garden’, Journal of the Royal Society of Arts 79 (1931): 794–808

Jean-Aubry, Georges. Gustav Holst. Miniature Essays Series. London: J. & W. Chester Ltd, 1924

14 Jones, Sir William. ‘On The Musical Modes of the Hindoos’, Asiatick Researches 3 (1784). Reprinted in Hindu Music from Various Authors, edited by Surindro Mohan Tagore, ed., 125-160 (1875). Repr. : Chowkhanba Sanskrit Series Office, 1965

‘John Foulds, 1880-1939’. Obituary, Indian Listener 4, no. 10 (7 May, 1939): 688

Kabraji, Pheroze K. ‘Some Impression of European and Indian Music’. Indian Magazine and Review 442 (October 1907): 265

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Kipling, Rudyard. Gunga Din and Other Favorite Poems, Dover Thrift Editions (New York: Dover Publications Inc., 1990

______. Kim. London: Macmillan, 1901

______. ‘The Ballad of East and West’. Reprinted in Gunga Din and Other Favorite Poems. New York: Dover, 1990, 6-9

______. Beyond The Pale. 1888. Reprinted in Plain Tales from the Hills, edited with an Introduction by Andrew Rutherford, 127-32. Oxford: Oxford University Press, 1987

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Kiralfy, Imre. India: An operatic-historical production in two acts, 1895. BL 1779. K. 6, folio 5

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Lehmann, Liza. The Life of Liza Lehmann, by Herself. New York: E. P. Dutton, 1918

‘Lieutenant-Colonel Woodforde-Finden (1845-1916)’. Obituary, British Medical Journal 1, no. 2889 (13 May 1916): 707

Leo, Alan. How to Judge a Nativity. 4th ed. London: Modern Astrology, 1928

______. A Thousand and One Notable Nativities. Number 11 of Leo’s Astrological Manuals. London: L.N. Fowler & Co. 1911

______. The Art of Synthesis (1912). Reprint, Barzun Press, 2008

Leopold, Nathan. Life Plus 99 Years. Garden City, N.Y: Doubleday, 1958

15 Maine, Basil. Elgar: his life and works. London: G. Bell Ltd, 1933

Mann [MacCarthy], Maud. ‘Some Indian Conceptions of Music’. A paper read before the Musical Association, London (January 16, 1912). Revised and reprinted with a preface and some additional notes. London: Theosophical Publishing Society, 1913

MacCarthy, Maud. ‘The Art of Improvisation’, Sunday Statesman (Delhi and Calcutta), 22 Sep 1935

______. ‘Harmony and the ’, in the series ‘The Ideals of Indian Music’, Sunday Statesman, Calcutta and Delhi 6 Oct, 1935

______. ‘Ideals of Indian Music I - How to Listen’, Sunday Statesman, 15 Sep, 1935, front page, Magazine Section

______. ‘Ideals of Indian Music II: The Art of Improvisation’, Sunday Statesman, 22 September 1935

______. ‘Ideals of Indian Music: Harmony and the Orchestra’, Sunday Statesman, 6 October 1935

______. ‘Indian Music Education’, Modern Review (Calcutta) June 1911, 1-6

______. ‘The Indo-European Orchestra’, Civil and Military Gazette (CMG), 2 September 1938

Mann [MacCarthy], Maud. ‘Some Indian Conceptions of Music’, a paper read before the Musical Association, London, January 16, 1912; revised and reprinted from the Proceedings of the Association, with a preface and some additional notes. London: Theosophical Publishing Society, 1913

Mayo, Katherine. Mother India. London: Jonathan Cape, 1927

Mead, G. R. S. and Jagdish Chandra Chattopadhyaya. The Theosophy of the Vedas: The Upanishads, Vols. I and II. London: Theosophical Publishing Society, 1896

Mead, G. R. S., ed. The Quest Series. 6 vol. London: G. Bell & Sons, 1913-14

‘Mr. Kaikhasroo Shapurji Sorabji’. Indian Radio Times (December 1932): 2118

‘Mood pictures: Mr Holst’s analysis of The Planets’. Glasgow Herald 144 (8 February 1926): 13

Moore, Thomas. Lalla Rookh: An Oriental Romance. London: Longman, 1817

16 Mudaliyar, Chinnaswami A. M. Oriental Music in European Notation, a monthly Periodical. Madras: Ave Maria Press, 1893. BL India Office: 14053.g.14

Murdoch, Blaike W. G. The Renaissance of the Nineties. London: Moring, 1911

Naidu, Sarojini. The Golden Threshold. London: Heinemann, 1905

Newman, Ernest. Elgar. London: J. Lane, 1906

Nichols, Beverley. Verdict on India. London: Jonathan Cape and Bombay: Thacker, 1944

Nowrosjee, Barjorjee, ed. Cartoons from the ‘Hindi Punch’1905. Bombay: Bombay Samachar Press, 1905

Orage, Alfred Richard. ‘Foreword’ to Around Music by K. S. Sorabji, ix-xii. London: Unicorn Press, 1932

Orr, C. W. ‘Elgar and the Public’. Musical Times (Jan 1931): 17-18

Parry, Hubert Hastings. The Evolution of the Art of Music, 1893. 9th ed. London: Kegan Paul, Trench, Trübner & Co. Ltd, 1925

Philp, E. A. With the King to India, 1911-12. Plymouth: Western Morning News Co., 1912

A. R., Review of The Garden of Kama, The Imperial and Asiatic Quarterly Review and Oriental and Colonial Record (Jan-Apr 1902): 415-16

K. V. R., ‘Books in Brief’, Hindu, 26 Jun. 1938: p. 6

Rao, H. P. Krishna. First Steps in Hindu Music in English Notation. London: Weekes & Co., 1906

‘Recent Verse’. The Athenaeum (15 March 1902), 331

Reed, Sir Stanley, KBE. The King and Queen in India. A Record of the visit of Their Imperial Majesties to India, from December 2nd 1911 to January 10th 1912. Bombay: Bennet, Coleman & Co, 1912

Rubbra, Edmund. Gustav Holst. Monaco: The Lyrebird Press, 1947

Rubbra, E. ‘Sorabji’s Enigma’. Monthly Musical Record (September 1932): 148

Sanjana, Rastamji Edulji Dastoor Peshotan. Zarathushtra and Zarathushtrianism in the Avesta. Leipzig: Otto Harrosowitz, 1904

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Schlesinger, Kathleen. ‘The Basis of Indian Music’. Musical Times 56, no. 868 (1 Jun 1915): 335-39

Scott, Cyril. Music: Its Secret Influence through the Ages. 1933. Rev. ed., London: Rider & Co., 1958

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Shera, F. H. Elgar: Instrumental Works. London: Oxford University Press, 1931

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Schmitz, Oskar. Das Land ohne Musik – Englische Gesellschaftsprobleme. München: G. Müller, 1914

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______. ‘The Greatness of Medtner’. In Nicolas Medtner, edited by R. Holt, 122-32. London: Dennis Dobson, 1954

______. ‘Shortform-Analysis of Opus Clavicembalisticum’. In the booklet with the recording of Opus Clavicembalisticum by John Ogdon, 21-7. Altarus AIR-CD-9075, 1989 ______. ‘The Validity of the Aristocratic Principle’. In Art and Thought, a tribute to Dr. A. Coomaraswamy, edited by Bharatha Iyer, 214-18. K. London: Luzac, 1947

______. ‘Music’, New English Weekly 5, no. 9 (14 June, 1934), 208-9

______. ‘Oriental Atmosphere’, Around Music. London: Unicorn Press, 1932

______. ‘Indian Music’, letter March 1937, Musical Times, 258

______. ‘The Validity of the Aristocratic Principle’, in Art and Thought ed. K. Bharatha Iyer. London: Luzac, 1947

‘The Spirit of Indian Music’, Indian Magazine and Review 519 (March 1914)

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18 C. T. ‘Women’s Work in Music’. Radio Times, 3 April 1925: 51

Swabey, Hilda M. The Chief Commissioner. 3rd ed. London: Methuen, 1912

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Tagore, Rabindranath. My Reminiscences. 1917. Reprint with an introduction by Andrew Robinson, London and Basingstoke: Papermac, 1991

______. Foreword to Thirty Songs from the Punjab and Kashmir, recorded by Ratan Devi [and] Ananda K. Coomaraswamy. London: Kahn & Averill, Ltd., 1913

Tagore, S. M. Hindu Music from Various Authors. Calcutta: Babu Punchanun Mukerjea, 1875

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‘The Indian Paradise Garden’, Journal of the Royal Society of Arts 79 (1931), 794-808

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Torrens, Lieut.-Colonel Henry D’Oyley. Travels in Ladâk, Tartary and Kashmir (Second Edition). London: Saunders, Otley and Co., 1863

Thomas, Edith M. ‘India’s Love Lyrics’, Critic 40 (1902), 549

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19 ______, ed. The English Hymnal With Tunes. Oxford: Oxford University Press, 1906

______. ‘What Have We Learned From Elgar?’ Music and Letters (January 1935): 13-19

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4. Secondary Works and Periodical Articles

Adams, Byron, ed. Elgar and His World. Princeton: Princeton University Press, 2007

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Ali, Agha Shahid. A Country Without a Post Office. New York: W.W. Norton & Co., 1997 ______, ed. Ravishing Disunities: Real Ghazals in English. Middletown: Wesleyan University Press, 2000

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Bachchan, Ashok Kumar. ‘A Critical Estimate of Sarojini Naidu’s Folk Songs in The Golden Threshold’. In Perspectives on Indian English Literature, edited by Vinod Kumar Maheshwari, 46-57. New Delhi: Atlantic Publishers and Distributors, 2002

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21 Ballard, Roger, ed. Desh Pardesh: The South Asian Presence in Britain London: C. Hurst, 1994

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______. Gerald Finzi: An English Composer. London: Faber and Faber, 1997

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22

Boone, Joseph A. ‘Vacation Cruises: or, The Homoeroticsm of Orientalism’. In Postcolonial, Queer: Theoretical Intersections edited by John C. Hawley. Albany: State University of New York Press, 2001

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Burton, Antoinette, At the Heart of Empire: Indians and the Colonial Encounter in Late-Victorian Britain. University of California Press: Berkeley, Los Angeles, London, 1998

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______. The Female Thermometer: 18th-Century Culture and the Invention of the Uncanny. Oxford and New York: Oxford University Press, 1995

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24 ______. ‘A. H. Fox Strangways and “The Music of Hindostan”: Revisiting Historical Field Recordings’. Journal of the Royal Musical Association 124, no. 1 (1999) 86-118

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______. ‘Hexatonic Poles and the Uncanny in Parsifal’. Opera Quarterly 22 no. 2 (2006): 230-48

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25 Dalrymple, William. White Mughals: love and betrayal in eighteenth-century India. New York: Penguin Books, 2004

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De Gruchy, John Walter. Orienting Arthur Waley: Japonism, Orientalism, and the Creation of Japanese Literature in English. Honolulu: University of Hawai‘i Press, 2003

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Edwards, Michael. Bound to Exile: The Victorians in Exile. London: Sidgwick & Jackson, 1969

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______, ed. Vaughan Williams Studies. Cambridge and New York: Cambridge University Press, 1996

______. “‘Getting its History Wrong”: English Nationalism and the Reception of Vaughan Williams’. In Music and Nationalism, edited by Toni Makela, 145-61. Hamburg: Von Bockel, 1997

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27 ______. ‘Creative Women and ‘Exoticism’. In Music and Orientalism in the British Empire, 1780s-1940s, Martin Clayton and Bennett Zon eds, 237-55. Aldershot: Ashgate, 2007

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______. ‘MacCarthy, Maud’. The New Grove Dictionary of Music and Musicians, Oxford Music Online (forthcoming)

______. ‘The Third “E” - Elgar and Englishness’. Elgar Society Journal 15, no. 3 (November 2007): 5-12

______. ‘Elgar’s Pageant of Empire, 1924: an Imperial Leitmotiv’. In Exhibiting the Empire: Cultures of Display and the British Empire, ed. John McAleer and John M. MacKenzie. Manchester: Manchester University Press, forthcoming

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______. Coping with Two Cultures: British Asian and Indo-Canadian Adolescents. Clevedon, Philadelphia, Adelaide: Multilingual Matters Ltd, 1994

______. Asian Adolescents in the West. Leicester and Stirling VA: The British Psychological Society, 1999

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28

Gould, Corissa. ‘Edward Elgar, and the Image of Empire’. Elgar Society Journal 13, no. 1 (March 2003): 25-35

______. ‘‘Behind thy veil close-drawn’: Elgar, The Crown of India, and the Feminine Other’. In Europe, Empire, and Spectacle in nineteenth-century British music, edited by Rachel Cowgill and Julian Rushton, 203-20. Aldershot: Ashgate, 2006

______. ‘An Inoffensive Thing: Edward Elgar, The Crown of India and Empire’. In Music and Orientalism in the British Empire, 1780s-1940s, op. cit., 147-64

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______. Holst: The Planets. Cambridge: Cambridge University Press, 1995

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29 Hardy, Lisa. The British Piano Sonata, 1870-1945. Woodbridge: The Boydell Press, 2001

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______. ‘Holst - Astrology and Modernism in “The Planets”’. Tempo 187 (December 1993): 15-22

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5. Selected List of Music Consulted

Unpublished Manuscripts

Foulds, John (held in private collections)

Indian Suite: full score and piano-conductor arrangement (by the composer)

Three Mantras for Orchestra: full score and partial piano-conductor arrangement (by the composer)

Song of Ram Dass: full score and piano-conductor arrangement (by the composer)

Kashmiri Wedding Tune: conductor reduction and instrumental parts

Pahari [Hill] Tune: conductor reduction and instrumental parts

Lento Quieto, Quartetto Geniale: full score and parts

A World Requiem: full score.

Holst, Gustav. The Planets manuscript score. Bodleian Library, Oxford: Ms Mus b.18.

Sorabji, Kaikhosru. Facsimiles, and some manuscript, full scores held at the Sorabji

Archive

45 Arabesque

Chaleur

Symphonic Variations for Piano

Tāntrik for Piano Alone

Published Scores

Addinsell, Richard. Warsaw Concerto from the R.K.O. picture ‘Dangerous Moonlight’. Arranged for piano solo by Henry Geehl. London: Keith Prowse & Co. Ltd, 1942

Bantock, Granville. Songs of India. Wiesbaden: Brietkopf and Härtel, 1918. Repr. 2010 in Hunstville TX by Recital Publications

Elgar, Edward. The Crown of India: An imperial masque written by Henry Hamilton. Op. 66. Vocal score. London: Enoch & Sons,1912. Repr. The Crown of India. London: Elgar Society, in association with Novello, 2004, Vol. 18

______. , op.37, in Solo Songs with Orchestra, ed. Julian Rushton. Rickmansworth : Elgar Society Edition, c2012

______. The Crown of India, Suite for orchestra, op.66. Kalmus [n.d.]. Repr. The Crown of India. London: Elgar Society, in association with Novello, 2004, Vol. 18

______. In Smyrna: in Two Piano Pieces: In Smyrna; Skizze. Includes introduction by Jerrold Northrop Moore. Borough Green: Novello, 1976

______. , in Music for string orchestra, ed. Julian Rushton. Rickmansworth: Elgar Society Edition, c2011

______. . London: Novello & Co., 1910, reprinted Mineola: Dover Publications, 1995

______. Variations on an Original Theme ‘Enigma’. London: Novello & Co., 1899, reprinted Mineola: Dover Publications, 1992

Foulds, John. Gandharva Music (London: Theosophical Publishing House, 1927?)

______. Essays in the Modes Paris: Éditions Maurice Senart: 1928

______. A World Requiem, vocal score: London: W. Paxton & Co, 1923

46 Hindustani Tune Book: A collection of Bhajans and Ghazals arranged for piano or organ. Harmonized by Emma Moore Scott. 2nd ed. : The Methodist Publishing House, 1894

Hindustani Verses set to music by Emily Bickersteth Durrant. London: Charles Vincent, 1898

Holst, Gustav. Choral Hymns from the Rig Veda, Op.26, Groups I – IV. London: Stainer & Bell, 1911-1912

______. Vedic Hymns for Voice and Piano. London: Chester, 1920

______. Savitri. Op. 25. London: Eulenberg Ltd., 1976

______. The Planets, suite for large orchestra, Op. 32. Edited by Imogen Holst and Colin Matthews. London: Eulenberg Ltd. 1985

______. Collected facsimile edition of autograph manuscripts of the published works. Vol.1, Chamber Operas : 1, Savitri, Op.25, 2, The Wandering Scholar, Op.50 / Ed. I. Holst. Faber Music, 1974

Hymns Ancient and Modern Revised. London: William Clowes and Sons, Ltd, 1950

Lehmann, Liza. The Golden Threshold. Words by Sarojini Naidu. London: Boosey & Co. Ltd., 1906

Scott, Cyril. Lotus Land. Kent: Elkin & Co., 1905

______. Indian Suite. London: Schott & Co. Ltd., 1922

Sorabji, Kaikhosru. Opus Clavicembalisticum. London: J. Curwen and Sons, 1932

The Rāgas of Tanjore: songs and hymns from the répertoire of the Karnatic singer Natrajan [Vaidyanatha Iyer], arranged in staff notation with an introduction by E. Clements. London: The Dharwar Gayan Samaj, 1920

Venzani, Angelo. Music for Imre Kiralfy's operatic-historical production in two acts Historical Production, India, produced at the 1895 Earl’s Court Indian Exhibition. London: E. Ascherberg & Co, 1895. BL G.603.a (9)

Williams, M., arranger. “Kashmiri Foxtrot” by Woodforde-Finden. Boosey & Co. 1925. Boosey & Hawkes Archive, London

Woodforde-Finden, Amy. Four Indian Love Lyrics. Words by Laurence Hope. London: Boosey & Co. Ltd., 1903

47 Woodforde-Finden, Four More Indian Love Lyrics. Words by Hope. London: Boosey & Co. Ltd., 1912

Woodforde-Finden, On Jhelum River. Words by Frederick John Fraser. London: Boosey & Co. Ltd., 1906

6. Selected Non-Print Sources

Brown, Geoff. ‘A World Requiem: Review’. The Times (13 November 2007): http://www.thetimes.co.uk/tto/arts/music/livereviews/article1865977.ece

Chalabi, Selma, ‘Casting light on a dark part of Britain’s history’, BBC News, 21 April 2010: http://news.bbc.co.uk/1/hi/uk/8632310.stm.

Clements, Andrew. CD review - Elgar: The Crown of India, etc, BBCPO/Davis; The Guardian, November 6, 2009, p.13: http://www.theguardian.com/music/2009/nov/06/elgar-the-crown-of-india-review

Dalrymple, William. ‘Kashmir: The Scarred and the Beautiful’. New York Review of Books (May 2008): http://www.nybooks.com/articles/archives/2008/may/01/kashmir-the- scarred-and-the-beautiful/?page=1

Jeremy Dibble. ‘Parry, Sir Hubert’. Grove Music Online. Oxford Music Online. Oxford University Press: http://www.oxfordmusiconline.com/subscriber/article/grove/music/20949

Duchen, Jessica. ‘Edward Elgar: A maestro you can bank on’. (16 March 2007): http://www.jessicaduchen.co.uk/pdfs/indi-2007/elgar-mar16.pdf

From Clonmel to Calcutta: The Untold Story of Maud MacCarthy, produced by Karishmeh Felfeli. Dublin City FM (18 July 2012).

Futehally, Laeeq. ‘Enchanted Gardens: Babur’s Gift’. In The Hindu Folio, special issue with the Sunday Magazine from the publishers of The Hindu. Online edition. 4 June 2000: http://www.hindu.com/folio/fo0006/00060200.htm

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Ghosh, Amitav. ‘“The Ghat of the Only World”: Agha Shahid Ali in Brooklyn’, 1 Jan. 2002: http://www.amitavghosh.com/aghashahidali.html

48

Holst, Imogen. Illustrated talk on Savitri. BBC broadcast, 30 April 1967. National Sound Archive, ref. T31307.

Hopkins, Charles. ‘Love and Mysticism: Sorabji, Sa’di, and the Sufic Tradition’. In the booklet accompanying Hopkin’s Gulistan recording (1995). Altarus, 1AIR-CD- 9036.

Huckdale, David. ‘Fairest Isle: Exotic, Erotic, and Edwardian’. BBC broadcast, 1995. National Sound Archive, ref. H4594/3.

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Johari, Aarefa. ‘Parsis debate race vs. religion’. Hindustan Times (Mumbai, September 19, 2010): http://www.hindustantimes.com/india-news/mumbai/parsis-debate-race-vs- religion/article1-601959.aspx

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Kenrick, John. ‘Our Love Is Here To Stay - Part III B 1900-1940: Life Upon The Wicked Screen’: http://www.musicals101.com/gay3b.htm; see also ‘Famous figures talk gay’:

The Maharajas’ Motor Car: The Story of the Rolls-Royce in India. BBC documentary (July 2011).

Matthews, Colin. ‘Holst, Gustav’. Grove Music Online. Oxford Music Online. Oxford University Press http://www.oxfordmusiconline.com/subscriber/article/grove/music/13252.

Nevile, Pran. ‘What a Heaven She Must Make of Cashmere’. The Tribune India. Online edition. 22 July 2000. Main feature: http://www.tribuneindia.com/2000/20000722/windows/main1.htm

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Palmer, Tony. ‘The Inner Orbit of Gustav Holst’. The Guardian. (April 21, 2011): http://www.guardian.co.uk/music/2011/apr/21/gustav-holst-tony-palmer

49 ‘Preamble to “Master and Pupil - Phillip Fowke plays piano music by Edmund Rubbra and Cyril Scott’. BBC broadcast, 27 Sept 1979. National Sound Archive, ref. T2517BW C1

Rubbra, Edmund. ‘Composer Portrait: Cyril Scott’. BBC broadcast, 26 April 1967. National Sound Archive, ref. MT32008

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Tommasini, Anthony. ‘The Symphony as a Vessel to view Other Worlds’. New York Times (30 Jan, 2010): http://www.nytimes.com/2010/01/30/arts/music/30symphony.html?_r=2

Thompson, Warwick, director. Somebody Bin Usin’ that Thing. Played at the Rosemary Branch Theatre, London N1 in March 2001.

Thompson, Warwick. ‘Have a Gay Old Time’, Guardian Unlimited, 9 March 2001: http://www.guardian.co.uk/friday_review/story/0,3605,448635,00.html

Van Houdt, Reiner and René van Peer. ‘Finding one’s way through an immense building of music’, an essay on Sorabji’s music using program note of Chaleur as an epilogue. On the Sorabji Archive’s website: http://www.sorabji-archive.co.uk/articles/vanhoudt_vanpeer_1.php

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