Annual Report 2017-2018
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NATION, NATIONALISM and the PARTITION of INDIA: PARTITION the NATION, and NATIONALISM , De Manzoor Ehtesham
NATION, NATIONALISM AND THE PARTITION OF INDIA: TWO MOMENTS FROM HINDI FICTION* Bodh Prakash Ambedkar University, Delhi Abstract This paper traces the trajectory of Muslims in India over roughly four decades after Independ- ence through a study of two Hindi novels, Rahi Masoom Reza’s Adha Gaon and Manzoor Ehtesham’s Sookha Bargad. It explores the centrality of Partition to issues of Muslim identity, their commitment to the Indian nation, and how a resurgent Hindu communal discourse particularly from the 1980s onwards “otherizes” a community that not only rejected the idea of Pakistan as the homeland for Muslims, but was also critical to the construction of a secular Indian nation. Keywords: Manzoor Ehtesham, Partition in Hindi literature, Rahi Masoom. Resumen Este artículo estudia la presencia del Islam en India en las cuatro décadas siguientes a la Independencia, según dos novelas en hindi, Adha Gaon, de Rahi Masoom Reza y Sookha Bargad, de Manzoor Ehtesham. En ambas la Partición es el eje central de la identidad mu- sulmana, que en todo caso mantiene su fidelidad a la nación india. Sin embargo, el discurso del fundamentalismo hindú desde la década de 1980 ha ido alienando a esta comunidad, 77 que no solo rechazó la idea de Paquistán como patria de los musulmanes, sino que fue fundamental para mantener la neutralidad religiosa del estado en India. Palabras clave: Manzoor Ehtesham, Partición en literatura hindi, Rahi Masoom. DOI: https://doi.org/10.25145/j.recaesin.2018.76.06 Revista Canaria de Estudios Ingleses, 76; April 2018, pp. 77-89; ISSN: e-2530-8335 REVISTA CANARIA 77-89 DE ESTUDIOS PP. -
2017-18 I SEMESTER CORE COURSE PAPER – I URDU ZABAN – O – ADAB(Ibtedai Tareekh)
M.L.S. UNIVERSITY, UDAIPUR 41701 M.A. URDU – 2017-18 I SEMESTER CORE COURSE PAPER – I URDU ZABAN – O – ADAB(Ibtedai Tareekh) Unit – I: Hind Ariyai Ka Aghaz, Ahed – e – Qadeem, Ahed – e – Usta, Ahed – e – Jadeed Unit – II: Maqhribi Hindi Aur Uski Mukhtalif Boliyan. Unit – III: Urdu Zaban Ke Aghaz ke Mukhtalif Nazriyat. Unit –IV: Urdu Zaban Ka Irtiqua, Urdu Zaban Ke Irtiqua Mein Sufia Karam Ka Hissa, . Unit – V: A- Dakkan mein Urdu Nazm-o- Nasr Ka Ibtedai Farogh B- Shumali Hindustsn mein Urdu Adab ka Ibtedai Farogh, Khaja Banda Nawaz, Faqhredin Nizami (Masnavi Kadamrao Padamrao) Meeranji Shamsul Usshaque. Recommended Books : 1. Hind Ariyai Aur Hindi – Sarojani Kumar Chataraji. 2. Rud-e-Kausar – Shaikh Mohd. Ekram. 3. Urdu Ki Kahani – Dr. Suhail Bukhari 4. Abe Hayat – Mohd. Hussain Azad 5. Urdu Adab Ki Tareekh – Jamil Jalabi 6. Muqaddama Zuban-e-Urdu – Masaud Hussain Khan 7. Urdu Adab Ki Tanqidi Tareekh – Ehtesham Hussain 8. Urdu Ki Lisani Tashkil – Mirza Khalil Ahmad Beg 9. Lisani Mutaliya – Gayan Chand Jain 10. Lisaniyat Kya Hai – Nasir Ahmad 1 M.L.S. UNIVERSITY, UDAIPUR 41702 M.A. URDU – 2017-18 I – SEMESTER CORE COURSE PAPER – II QADEEM URDU SHAIRI (1700-1800) Uint – I : Wali Se Qubal shumali Hind Ka Adabi Mahul- Shumali Hind Ke Shoera Par Wali Ke Asarat Deccani Ghazal Ki Khususiyat (Ibiteda se Siraj Tak). Ghazal: Wali Mohammed Wali Deccani. 1. Tujh Lab Ki Sifat Lal-e - Badaghshan Soon Kahoon Ga. 2. Kiya Mujh Ishq Ne Zalim Koon Aab Ahista Ahista. 3. Khub Roo Khub Kam Karte Hain. Siraj Aurangabadi: 1. -
Sacralizing the City: the Begums of Bhopal and Their Mosques
DOI: 10.15415/cs.2014.12007 Sacralizing the City: The Begums of Bhopal and their Mosques Jyoti Pandey Sharma Abstract Princely building ventures in post 1857 colonial India included, among others, construction of religious buildings, even as their patrons enthusiastically pursued the colonial modernist agenda. This paper examines the architectural patronage of the Bhopal Begums, the women rulers of Bhopal State, who raised three grand mosques in their capital, Bhopal, in the 19th and early 20th century. As Bhopal marched on the road to progress under the Begums’ patronage, the mosques heralded the presence of Islam in the city in the post uprising scenario where both Muslims and mosques were subjected to retribution for fomenting the 1857 insurrection. Bhopal’s mosques were not only sacred sites for the devout but also impacted the public realm of the city. Their construction drew significantly on the Mughal architectural archetype, thus affording the Begums an opportunity to assert themselves, via their mosques, as legitimate inheritors of the Mughal legacy, including taking charge of the latter’s legacy of stewardship of Islam. Today, the Bhopal mosques constitute an integral part of the city’s built heritage corpus. It is worth underscoring that they are not only important symbols of the Muslim faith but also markers of their patrons’ endeavour to position themselves at the forefront in the complex political and cultural scenario of post uprising colonial India. Keywords Bhopal Begums; Modernity; Mosques; Mughal legacy; Uprising INTRODUCTION The architecture of British ruled Indian Subcontinent has been a popular subject of scholarship from the colonial perspective with the architectural patronage of princely India also receiving due academic attention1. -
Golden Triangle with Tiger Safari
Experience Cultural - Historical -Romantic Fantasy Tour of India - 2020 Day 01: ARRIVE DELHI ( Check in 1200 Hrs) On arrival at Indira Gandhi international airport, meet and greet by our representative. Later, assistance and transfer to hotel. Delhi - the capital of India, is a fascinating city with complexities and contradictions, beauty and dynamism, where the past co-exists with the present. Many dynasties ruled from here and the city s rich in the architecture of its monuments. Delhi is not only the present metropolis of India but also a Necropolis. Because of its location, being on the banks of the River Yamuna, many cities have risen and fallen over the last five millenniums. Overnight in Delhi Day 02: DELHI After breakfast proceed sightseeing tour of Old Delhi, drive past from the historic Red Fort (outside only) – Shah Jehan’s elegant citadel in red sandstone, which was built as an octagon measuring 900m by 550m and surrounded by a 9 –meter deep moat, which was at its inception fed by the waters of the Yamuna River. Very near the Fort is the JAMA MASJID, India’s largest mosque, also built by Shah Jahan. Take an interesting rickshaw ride through the famous bazaars of Chandni Chowk, which is adjacent to both the Fort and the Mosque. Also visit RAJ GHAT – the memorial to Mahatma Gandhi. Visit the Qutub Minar, a Tower of Victory which was built in the 12th century by Qutbuddin Aibak. Within its spacious courtyard stands the Iron Pillar, which dates back to the 4th century AD and bears a Sanskrit inscription in the Gupta style. -
The Mughal Audience Hall: a Solomonic Revival of Persepolis in the Form of a Mosque1
THE MUGHAL AUDIENCE HALL: A SOLOMONIC REVIVAL OF PERSEPOLIS IN THE FORM OF A MOSQUE1 Ebba Koch Shah Jahan’s Court After Shah Jahan (rul. 1628–58), the fifth emperor of the Mughal dynasty, was enthroned on 8th Jumada al-Thani of the Hijri year 1037, corresponding to 14 February 1628 CE, he issued an order that halls for his public audiences should be constructed in all the great fortress palaces of the capitals of the Mughal empire. The audience hall was a new building type in the Mughal palace, of central importance for the proceedings of the Mughal court and for the interaction of the emperor with his subjects. Under the rule of Shah Jahan, the Mughal empire entered its classi- cal phase of greatest prosperity and stability.2 The conquests of Babur (1526), enlarged and consolidated under Akbar (rul. 1556–1605) and Jahangir (rul. 1605–1627), had established the Empire of the Great Moghul (or Mughal) as one of the three leading powers of the Islamic world, the other two being the Ottoman Empire and Safavid Persia. The informal set up of Babur asprimus inter pares among his Central Asian followers, had—in particular through the efforts of Akbar— developed into the court of an absolute ruler who, as head of a cen- tralized state, personally and diligently oversaw the administration of 1 This paper is based on an earlier study of the audience halls of Shah Jahan with detailed references, see Ebba Koch, ‘Diwan-i ‘Amm and Chihil Sutun: The Audience Halls of Shah Jahan’, Muqarnas 11 (1994) pp. -
Page 01 Oct 14.Indd
www.thepeninsulaqatar.com BUSINESS | 17 SPORT | 24 Qatari food Halvorsen bags products to reach U-23 title with global stage late surge FRIDAY 14 OCTOBER 2016 • 13 MOHARRAM 1438 • Volume 21 • Number 6949 2 Riyals thepeninsulaqatar @peninsulaqatar @peninsula_qatar Ministry clamps GCC & Turkey flay UN inaction on Aleppo down on erring QNA/AFP RIYADH: Turkey’s foreign minister and his Arab counterparts in the Gulf yesterday condemned “indiscrim- restaurants inate” air strikes on Syria’s Aleppo and expressed “deep regret” at the UN’s inability to stop the raids. The concerns came in a state- The Municipality said that storing ment closing a meeting in the Saudi and preparing food in such envi- capital between Ankara’s Foreign Keeping food in ronment increases the possibility Minister Mevlut Cavusoglu and his stores located of contamination. GCC counterparts. Since the stores are located Foreign Minister H E Sheikh inside labour camps inside the camps, they could escape Mohamed bin Abdulrahman Al Thani invites punishments the routine inspections conducted participated in the fifth joint minis- by the Municipality at the eateries. It terial meeting for strategic dialogue ranging from fines will go undetected if expired or con- between GCC and Turkey, which took to jail term and even taminated food is kept in the stores place yesterday at the GCC general deportation in case and this poses a major health risk, secretariat in Riyadh. said the municipality. It stressed the depth of GCC ties of an incident of Transporting cooked food from with Turkey and reviewed means poisoning. the camp to the eateries also poses of boosting relations between the danger, if the necessary health two sides in implementation of the requirements are not met. -
Mosque Architecture in Delhi : Continuity and Change in Its Morphology
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/267627164 MOSQUE ARCHITECTURE IN DELHI : CONTINUITY AND CHANGE IN ITS MORPHOLOGY Article · December 2012 DOI: 10.13140/2.1.2372.7042 CITATIONS READS 0 1,103 1 author: Asif Ali Aligarh Muslim University 17 PUBLICATIONS 20 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Development of Mosque Architecture in North India and its Influence on Malaysian Mosques View project Virtual Archeology View project All content following this page was uploaded by Asif Ali on 01 November 2014. The user has requested enhancement of the downloaded file. MOSQUE ARCHITECTURE IN DELHI : CONTINUITY AND CHANGE IN ITS MORPHOLOGY Asif Ali* ABSTRACT This paper presents the summary of a recently completed dissertation by the author keeping in view the objectives viz. 1) to study and identify the essential elements of the mosque, their meanings and their functions, 2) to study the evolution of the mosque architecture in Delhi from early Islamic period to present time and 3) to identify and establish the continuity and the change in the morphology of the mosque in Delhi and the factors which influenced its development through time. To answer the research question and to accomplish the objectives mentioned above, following methodologies were adopted. In order to view the continuity and changes in the mosque architecture in Delhi, it seemed essential to study their historical enquiry. It was not only the survey of the historical mosque but the approach was to understand the future of mosque architecture through their past. -
Mutala – E – Adab” (Part – I)
DEPARTMENT OF URDU UNIVERSITY COLLEGE OF ARTS & SOCIAL SCIENCES MAHATMA GANDHI UNIVERSITY B.A., B. Sc & B.Com FIRST YEAR -2016-2017 URDU SECOND LANGUAGE “MUTALA – E – ADAB” (PART – I) SEMESTER : I PAPER – I URDU PROSE & POETRY UNIT: I GHAZALS: Selected two Ghazals of every poet like Quli Qutub Shah – Wali Deccani – Siraj Aurangabadi – Meer Taqi Meer. 1. QULI QUTUB SHAH 1. Suno Aaqilan Sab Ke Dunai Hai Fani. 2. Meri Sanwli manki piyari dise. 2. WALI DECCANI 1. Pi ke hote Na Kar Too Mah Ki Sana. 2. Sajan ke bad Aalam mein Dagar nain. 3. SIRAJ AURANGABADI 1. Mujhku Ek dam kharar Nain Hargis. 2. Jo Tere gham ki Tamanna Na Kiya. 4. MEER TAQI MEER 1. Koei Nahin Jahan Mein Jo Andhogeen nahin. 2. Hum se tuk Aage Zaman-e-mein Huwa Kya Kya Kuch. UNIT: II POETRY: 1. TAWHEED By Nazeer Akbarabadi. 2. MUSTAQBIL By Akber Allahabadi. 3. FUNOON – E – LATIFA By Allama Iqbal. 4. BAARISH By Zafar Ali khan. UNIT: III HIKAYAAT : By Mazhar Ali Vila – Chand Muntaqab Hikayat. UNIT: IV DRAMA: By Imtiaz Ali Taaj & Begum Qudsia Zaida– Talash. UNIT: V SAFARNAMA: By Saleha Abed Hussain – Hindustan Jannat Nishan. Reference Book: Compiled by Urdu Department, Osmania University. Hyd. (Published in August 2008 by Urdu Academy – Hyderabad). DEPARTMENT OF URDU UNIVERSITY COLLEGE OF ARTS & SOCIAL SCIENCES MAHATMA GANDHI UNIVERSITY B.A., B. Sc & B.Com FIRST YEAR - 2016-2017 URDU SECOND LANGUAGE “MUTALA – E – ADAB” (PART – I) SEMESTER : II PAPER – II URDU PROSE & POETRY UNIT : I GHAZALS: Selected two Ghazals of every poet Hyder Ali Aatish – Mirza Ghalib – Khaja Altaf Hussain Hali – Maqboom Mohiuddin. -
South Asia Institutepakistan in the 21St Century the University of Texas at Austin September 21-22, 2012 NEWSLETTER AVAYA Auditoriumfall ACES 2013 2.302
Emergent Voices: Pakistan in the 21st Century The University ofSeptember TexasFALL 21-22,at Austin 2013 2012 South Asia InstituteAVAYA Auditorium ACES 2.302 NEWSLETTER 2012, digital print, 24” x 34” x 24” digital print, 2012, Asma Mundrawala, by Around” “I’ll Be This workshop brings together recent scholarship on Pakistan from a range of disciplines. The discussion will open up new avenues of dialogue and debate based on themes from urban history, The South Asia Institute, Universitycultural of Texas politics, at to Austin art and aesthetics and social movements. While rethinking the dominant paradigm in presents: Pakistan studies, the workshop will introduce new perspectives that showcase the dynamic and changing North indiannature of Pakistani society. Musical folk theaterParticipants: • Asad Ahmed, Harvard University • Aamir Mufti, UCLA • Iftikhar Dadi, Cornell University • Tahir Naqvi, Trinity University NAUTANKI INDAL• Will Glover, HARAN University of Michigan • Paula Newberg, Georgetown University • Matthew Hull, University of Michigan • Sameera Raja, Gallerist and Curator (THE ABDUCTION • OFHumeira INDAL) Iqtidar, Kings College London • Nada Raza, Curator, Iniva Performance by Devendra Sharma’s Swang• Naveeda and Khan, Nautanki Johns Hopkins Mandali University • Cabeiri Robinson, University of Washington • Rochona Majumdar, University of Chicago • Sadia Shirazi, Architect and Curator Directed by Dr. Devendra• Farina Sharma Mir, University of Michigan • Karin Zitzewitz, Michigan State University Under the guidance of Guru Pandit Ramdayal Sharma south asia institute South Asia Institute • voice: 512.471.3550 • fax:the university 512.471.3336 of texas at austin • www.utexas.edu/cola/insts/southasia/ Swang-Nautanki is one of the most popular operatic Friday April 26, 2013 performance traditions of northern India. -
Edited Form for Upload 2
Name Title and Affiliation 1 Jinee Lokaneeta Professor, Drew University 2 Bhavani Raman Associate Professor, University of Toronto 3 Gopal Guru Former Professor, JNU, Editor, EPW 4 Arjun Appadurai Professor, New York University and Hertie School (Berlin) 5 Veena Das Professor, Johns Hopkins University 6 David Harvey Distinguished Professor, The Graduate Center of the City University of New York 7 G N Devy Chairman, People’s Linguistic Survey of India 8 Faisal Devji Professor of Indian History, University of Oxford 9 Chandra Talpade Mohanty Distinguished Professor, Syracuse University 10 Joan Scott Professor Emerita School of Social Science Institute for Advanced Study, Princeton 11 Natalie Zemon Davis Professor of History Emeritus, Princeton University 12 Rajeswari Sunder Rajan Professor, New York University 13 Chayanika Shah Member, LABIA - A Queer Feminist LBT Collective Mumbai 14 Geeta Seshu Joint Founder-Editor, Free Speech Collective 15 Nandita Haksar Advocate and Writer 16 Romila Thapar Professor Emerita, Jawaharlal Nehru University 17 Akeel Bilgrami Professor of Philosophy, Columbia University 18 Alladi Sitaram Professor (Retd.), Indian Statistical Institute 19 Soni Sori Activist, Bastar 20 Nirjhari Sinha Chairperson Jan Sangharsh Manch, Ahmedabad 21 Rajesh Mahapatra Journalist 22 Shabnam Hashmi Founding Trustee, Anhad 23 Ali Kazimi Filmmaker and Associate Professor, York University, Canada 24 V. Geetha Independent Scholar 25 Sugata Bose Gardiner Professor of Oceanic History and Affairs, Harvard University 26 Prof. C. Lakshmanan Dalit Intellectual Collective 27 Saheli- Women's Resource Centre Autonomous Women's Group 28 Anand Patwardhan Filmmaker 29 Rinaldo Walcott Professor, University of Toronto 30 Utsa Patnaik Professor Emeritus, JNU 31 Dolly Kikon Faculty. The University of Melbourne 32 Anjali Monteiro Professor, Tata Institute of Social Sciences 33 Tarun Bhartiya Raiot Collective 34 Partha Chatterjee Professor of Anthropology, Columbia University 35 Jodi Dean Professor, Hobart-William Smith 36 Prabhat Patnaik Professor Emeritus, JNU. -
Homosexual (Pederastic) Love in Pre-Modern Urdu Poetry
1 C.M. Naim * )t permanent black Contents 1 The Art of the Urdu Marsiya 1 2 Homosexuar(Pederastic) Love in Pre-Modern Urdu Poetry 19 3 Transvestic \\fords? The Rekhti in Urdu 42 4 Yes, The Poent Itself 67 5 The Ghazal Itselfc Translating Ghalib 79 6 ‘Pseudo-dramatic’ Poems of Iqbal 96 7 Poet-Audience Interaction at Urdu Musha’irahs 108 8 Prize-Winning 120 9 Mughal and English Patronage of Urdu Poetry 151 10 The Consequences of Indo-Pakistani War for Urdu Language and Literature 178 11 How Bibi Ashraf Learned to Read and Write 202 12 Popular Jokes and Political History: The Case of Akbar, Birbal and Mulla Dp-Piyaza 225 13 Ghalib’s Delhi: A Shamelessly Revisionist Look at Two Popular Metaphors 250 UKUU TEXTS & CONTEXTS ■■«-., .re «a.„ anyreligious ambiguity zeal and or ritualcomplexity piety concen^in?^^^^the Z, burdenedremoving with spite of its substantial lenet/ tZlT ^ motives. Thus, in Homosexual (Pederastic) Love quitenor worse an epic, than it ^anlSmlsL"its parts the’- neither-better In Pre-Modern Urdu Poetry* In an article in The Journal of Social History, Randolph Trumbach rather convincingly presents' the thesis that ‘the European anxiety over homosexual behaviour is a unique cul tural trait which cannot^be found in the rest of the world.’ He believes that ‘outside of Europe homosexual behaviour be tween adult man and adolescent boy was neither stigmatized nor forced into any permanent role.’ He further mairftains that, since 1800, ‘Westerners have carried throughout the world their peculiar opposition t6 any form of licit and insti tutionalized homosexual behaviour. -
Of Sixth Edition
BAYAAZ OF SIXTH EDITION All these nohay are available on: www.youtube.com/OldNohay (Links included with the text of each Nauha) Request to recite Surah-e-Fatiha for: Asghar Mirza Changezi (ibne Mirza Mumtaz Hussain) Noor Jehan Begum (binte Syed Wirasat Ali Rizvi) Agha Meher Qasim Qizalbash (ibne Agha Mumtaz Hussain) Naveed Banoo, Saeed Banoo & Fahmeed Banoo (binte Raza Haider Rizvi) All the Shayar E Ahlebait and Nauhakhwans who have passed away And All Momineen and Mominaat English Transliteration of Contents 1. Janab Aale Raza .................................................................................. 13 1.1. Pukari laash pe Zehra mere Hussain Hussain ....................................................13 1.2. Salaam Khak-na shi no n-pa .......................................................................................13 2. Janab Afsar Lucknowi Sahib ............................................................... 15 2.1. Raat aadhi aa gayi ai Jaan e Madar ghar mein aao .........................................15 3. Janab Ahsan Tabatabai Sahib ............................................................. 16 3.1. Karbala aaye thay Shah, Dunia se jaane ke liye ................................................16 4. Janab Ali Raza Baqri Sahib ................................................................. 17 4.1. Asghar Huñ Maiñ Asghar .........................................................................................17 5. Mohtarma Akthar Sahiba .................................................................... 18 5.1.