Hartford Jewish Film Festival Film Festival
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Shabbat Parshat Vaera at Anshe Sholom B'nai Lsrael Congregation
Welcome to Shabbat Parshat Vaera ANNOUNCEMENTS at Anshe Sholom B’nai lsrael Congregation We regret to inform you of the passing of Charles Smoler, father of Adam Smoler. January 12 – 13, 2018 / 26 Tevet 5778 Shiva will take place at Adam & Libby's home (507 W. Roscoe St. #2) Sunday, January 14, 10:00 AM - 1:00 PM & 5:15 - 8:30 PM, and Monday, January 15, 5:15 - 8:00 PM. May the memory of the righteous be a blessing and a comfort to us Kiddush is co-sponsored by Milt’s BBQ. all. Amen. ASBI Board of Directors: The next ASBI Board of Directors meeting is Monday, January 15, at 7:00 PM. Thank you to this week’s volunteer Tot Shabbat leader, Mayer Grashin, and SCHEDULE FOR SHABBAT volunteer readers, Yinnon Finer & Josh Shanes. Friday, January 12 Light Candles 4:23 PM Mincha, Festive Kabbalat Shabbat & Ma’ariv 4:25 PM ANSHE SHOLOM TRIBUTES Saturday, January 13 Aliyah Hashkama Minyan 8:00 AM Neil Berkowitz Shacharit with sermon by Rabbi Wolkenfeld 9:00 AM Alan Hepker A User's Guide to Prophecy Youth Tefillah Groups (see inside for details) 10:30 AM In Memory of Charles “Chip” Smoler, a”h Daf Yomi & Parsha Discussion with Dr. Leonard Kranzler 12:30 PM Donald & Julia Aaronson Mincha followed by Shalosh Seudot 4:10 PM R. Yehuda Aaronson Havdalah 5:24 PM Alison & Eytan Fox Denise & Stuart Sprague Yahrzeit Repeat Evening Sh’ma: January 12, after 5:26 PM Ruth Binter in memory of her father, Gershon Zev Futerko, a”h, and her mother, Latest time to recite Morning Sh’ma: January 13, 9:38 AM Chaya Futerko, a”h Allen Hoffman in memory of Dr. -
Rutgers Jewish Film Festival Goes Virtual, November 8–22
The Allen and Joan Bildner Center BildnerCenter.rutgers.edu for the Study of Jewish Life [email protected] Rutgers, The State University of New Jersey 12 College Avenue 848-932-2033 New Brunswick, NJ 08901-1282 Fax: 732-932-3052 October 20, 2020 FOR IMMEDIATE RELEASE EDITOR’S NOTE: For press inquiries, please contact Darcy Maher at [email protected] or call 732-406-6584. For more information, please visit the website BildnerCenter.Rutgers.edu/film. RUTGERS JEWISH FILM FESTIVAL GOES VIRTUAL, NOVEMBER 8–22 NEW BRUNSWICK, N.J. – Tickets are now on sale for the 21st annual Rutgers Jewish Film Festival, which will be presented entirely online from November 8 through 22. This year’s festival features a curated slate of award-winning dramatic and documentary films from Israel, the United States, and Germany that explore and illuminate Jewish history, culture, and identity. The virtual festival offers a user-friendly platform that will make it easy to view inspiring and entertaining films from the comfort and safety of one’s home. Many films will also include a Q&A component with filmmakers, scholars, and special guests on the Zoom platform. The festival is sponsored by Rutgers’ Allen and Joan Bildner Center for the Study of Jewish Life and is made possible by a generous grant from the Karma Foundation. The festival kicks-off on Sunday, November 8, with the opening film Aulcie, the inspiring story of basketball legend Aulcie Perry. A Newark native turned Israeli citizen, Perry put Israel on the map as a member of the Maccabi Tel Aviv team in the 1970s. -
The Semitic Component in Yiddish and Its Ideological Role in Yiddish Philology
philological encounters � (�0�7) 368-387 brill.com/phen The Semitic Component in Yiddish and its Ideological Role in Yiddish Philology Tal Hever-Chybowski Paris Yiddish Center—Medem Library [email protected] Abstract The article discusses the ideological role played by the Semitic component in Yiddish in four major texts of Yiddish philology from the first half of the 20th century: Ysroel Haim Taviov’s “The Hebrew Elements of the Jargon” (1904); Ber Borochov’s “The Tasks of Yiddish Philology” (1913); Nokhem Shtif’s “The Social Differentiation of Yiddish: Hebrew Elements in the Language” (1929); and Max Weinreich’s “What Would Yiddish Have Been without Hebrew?” (1931). The article explores the ways in which these texts attribute various religious, national, psychological and class values to the Semitic com- ponent in Yiddish, while debating its ontological status and making prescriptive sug- gestions regarding its future. It argues that all four philologists set the Semitic component of Yiddish in service of their own ideological visions of Jewish linguistic, national and ethnic identity (Yiddishism, Hebraism, Soviet Socialism, etc.), thus blur- ring the boundaries between descriptive linguistics and ideologically engaged philology. Keywords Yiddish – loshn-koydesh – semitic philology – Hebraism – Yiddishism – dehebraization Yiddish, although written in the Hebrew alphabet, is predominantly Germanic in its linguistic structure and vocabulary.* It also possesses substantial Slavic * The comments of Yitskhok Niborski, Natalia Krynicka and of the anonymous reviewer have greatly improved this article, and I am deeply indebted to them for their help. © koninklijke brill nv, leiden, ���7 | doi �0.��63/�45�9�97-��Downloaded34003� from Brill.com09/23/2021 11:50:14AM via free access The Semitic Component In Yiddish 369 and Semitic elements, and shows some traces of the Romance languages. -
Jewish Humor and Commercial Entertainment in Twentieth-Century America and Central Europe
Jewish Humor and Commercial Entertainment in Twentieth-Century America and Central Europe Spring 2019 Mary Gluck Jewish Studies Program Central European University General Introduction: Jewish humor is universally celebrated for its wit and creativity. It is just as frequently criticized for its negative stereotypes of Jews. The seminar attempts to explain this contradiction by focusing on the complex historical function of Jewish humor in early twentieth-century America and Central Europe. It argues that Jewish humor in the modern period was both transgressive and integrative, challenging existing taboos and institutions, but also envisioning new social possibilities and cultural identities. These dual impulses found expression in a variety of forms, ranging from joke books, musical recordings, satirical magazines, jargon theaters, all the way to institutions of mass entertainment such as Vaudeville, music hall, Broadway and Hollywood. The course will explore these different manifestations of Jewish humor and ask how they created a new form of minority discourse that fostered inclusion even while emphasizing difference. The seminar will conclude with a look at contemporary iterations of Jewish humor in the work of Jerry Seinfeld, Larry David, Sarah Silverman, Sacha Baron Cohen and others. Requirements: Students are expected to come to class prepared to discuss the assigned readings. In addition, all students are required to make a presentation on a reading recommended for one of the weekly topics. Finally, students are asked to write a research paper of roughly 4,000 words on a topic of their choice, which is due at the end of the semester. The final paper should be linked to the themes discussed during the term. -
The Role of Religion in American Jewish Satire
Syracuse University SURFACE Dissertations - ALL SURFACE 1-1-2015 All Joking Aside: The Role of Religion in American Jewish Satire Jennifer Ann Caplan Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Arts and Humanities Commons Recommended Citation Caplan, Jennifer Ann, "All Joking Aside: The Role of Religion in American Jewish Satire" (2015). Dissertations - ALL. 322. https://surface.syr.edu/etd/322 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT Jewish humor is a well-known, if ill-defined genre. The prevalence and success of Jewish comedians has been a point of pride for American Jews throughout the twentieth and twenty-first centuries. What I undertake in this dissertation is to isolate one particular form of humor—namely satire—and use it as a way to analyze the changing relationship of American Jews to traditional religious forms. I look at the trends over three generations, the third generation (who came of age in the 40s and 50s), the Baby Boom generation (who came of age in the 60s and 70s) and the contemporary generation (who came of age in the 80s and 90s). When the satire produced by each generation is analyzed with the depiction of Judaism and Jewish practices in mind a certain pattern emerges. By then reading that pattern through Bill Brown’s Thing Theory it becomes possible to talk about the motivations for and effects of the change over time in a new way. -
Jewish Giants of Music
AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 Jewish Giants of Music Also: George Washington and the Jews Yiddish “Haven to Home” at the Theatre Library of Congress Posters Milken Archive of American Jewish Music th Anniversary of Jewish 350 Settlement in America AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 ~ OFFICERS ~ CONTENTS SIDNEY LAPIDUS President KENNETH J. BIALKIN 3 Message from Sidney Lapidus, 18 Allan Sherman Chairman President AJHS IRA A. LIPMAN LESLIE POLLACK JUSTIN L. WYNER Vice Presidents 8 From the Archives SHELDON S. COHEN Secretary and Counsel LOUISE P. ROSENFELD 12 Assistant Treasurer The History of PROF. DEBORAH DASH MOORE American Jewish Music Chair, Academic Council MARSHA LOTSTEIN Chair, Council of Jewish 19 The First American Historical Organizations Glamour Girl GEORGE BLUMENTHAL LESLIE POLLACK Co-Chairs, Sports Archive DAVID P. SOLOMON, Treasurer and Acting Executive Director BERNARD WAX Director Emeritus MICHAEL FELDBERG, PH.D. Director of Research LYN SLOME Director of Library and Archives CATHY KRUGMAN Director of Development 20 HERBERT KLEIN Library of Congress Director of Marketing 22 Thanksgiving and the Jews ~ BOARD OF TRUSTEES ~ of Pennsylvania, 1868 M. BERNARD AIDINOFF KENNETH J. BIALKIN GEORGE BLUMENTHAL SHELDON S. COHEN RONALD CURHAN ALAN M. EDELSTEIN 23 George Washington RUTH FEIN writes to the Savannah DAVID M. GORDIS DAVID S. GOTTESMAN 15 Leonard Bernstein’s Community – 1789 ROBERT D. GRIES DAVID HERSHBERG Musical Embrace MICHAEL JESSELSON DANIEL KAPLAN HARVEY M. KRUEGER SAMUEL KARETSKY 25 Jews and Baseball SIDNEY LAPIDUS PHILIP LAX in the Limelight IRA A. LIPMAN NORMAN LISS MARSHA LOTSTEIN KENNETH D. MALAMED DEBORAH DASH MOORE EDGAR J. -
Jewish Humor
Jewish Humor Jewish Humor: An Outcome of Historical Experience, Survival and Wisdom By Arie Sover Jewish Humor: An Outcome of Historical Experience, Survival and Wisdom By Arie Sover This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Arie Sover All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6447-9 ISBN (13): 978-1-5275-6447-3 With love to my parents, Clara (Zipkis) and Aurel Sober, and my grandmother, Fanny Zipkis: Holocaust survivors who bequeathed their offspring with a passion for life and lots of humor. TABLE OF CONTENTS Acknowledgements .................................................................................. xii Preface ..................................................................................................... xiii Introduction ................................................................................................ 1 Literacy and critical Jewish thought ........................................................... 2 The sources of Jewish humor ..................................................................... 6 The Bible .............................................................................................. -
Resume Wizard
Israeli Cinema Course ID ICINE-UT 0136 (Cinema Studies, Tisch)/DRLIT-UA 9524 (Dramatic Literature) Eytan Fox Instructor Details with Hannah Brown [email protected] [email protected] Hannah 02-570-2077; 054-438-5100 Eytan 052-822-2202 Class Details Fall Semester 2011 Wednesdays 17:15-20:15 Prerequisites No prerequisites Class Eytan Fox, one of Israel’s most acclaimed directors, will teach a course on the art of filmmaking. He Description will use his work to discuss the history and culture of Israel. For their final assignment, the students will write a proposal for a film based on their experiences in Tel Aviv. Putting Fox’s work in the context of Israeli cinema, Jerusalem Post film critic and novelist Hannah Brown will give a three-part survey of Israeli film history and will suggest a viewing list for students, as well as giving a brief introduction to critical theory and writing. Students will write a critical essay on a film they have seen in the course in which they will analyze the work and put it in the context of Israeli cinema. In addition, other established Israeli directors, including Ari Folman and Hagai Levy will guest lecture. Course To give students an understanding of and appreciation for the creative process of filmmaking, through Objectives an examination of the work of director Eytan Fox by the director himself, and to give a history of Israeli cinema in order to place his work in this context. Grading and 1. Midterm critical essay – 40% Assessment 2. Final film proposal – 60% Required Brown, Hannah. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
Get the Latest at Forward.Com 1
GET THE LATEST AT FORWARD.COM 1 GET THE LATEST AT FORWARD.COM Culture Shira Haas talks collaging, quarantine routine, and learning Russian for her latest film By Irene Katz Connelly Shira Haas and Ruthy Pribar wanted to make sure I wasn’t I asked Haas and Pribar about the challenges of filming “Asia,” filming our interview. their quarantine routines, and their favorite ways to unwind. (Spoiler: They don’t.) The following conversation has been That’s because they were curled up on a couch in Pribar’s Tel edited for length and clarity. Aviv apartment, sharing the same blanket. They may be two of the Israeli film industry’s most exciting up-and-comers, and Irene Katz Connelly: I want to ask you a little bit about how they certainly spent much of the last year racking up awards at you’re working right now, since COVID has messed with virtual film festivals while the rest of us baked sourdough, but everyone’s routines. What’s the first thing you do when you they looked like old friends recovering from a long sleepover. wake up? The chatty, informal vibe belied the big career moment that Haas: Well, first of all I wake up very delayed, so I immediately Haas, 26, and Pribar, 39, are very rightly enjoying. We spoke via turn off my alarm. I hear the first sound and I’m like, “Enough.” I Zoom as they prepared for the American debut of “Asia,” a film try not to touch my phone when I wake up, but sometimes it’s directed by Pribar and starring Haas, at the Tribeca Film challenging. -
Essays on Humor and Identity in American Jewish Fiction
UNLV Retrospective Theses & Dissertations 1-1-2004 Joke-making Jews /jokes making Jews: Essays on humor and identity in American Jewish fiction Jason Paul Steed University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Steed, Jason Paul, "Joke-making Jews /jokes making Jews: Essays on humor and identity in American Jewish fiction" (2004). UNLV Retrospective Theses & Dissertations. 2577. http://dx.doi.org/10.25669/501a-0s8y This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. E56AYS(3NPnJNK%tAfü3E&ENTTrf n^/UÆEKKLANTEM%SHI%CTK%% by Jason Paul Steed Bachelor of Arts Brigham Young University 1995 Master of Fine Arts University of Idaho 1999 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy in English Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas May 2004 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3143390 Copyright 2004 by Steed, Jason Paul All rights reserved. -
Wellington Programme
WELLINGTON 24 JULY – 9 AUGUST BOOK AT NZIFF.CO.NZ 44TH WELLINGTON FILM FESTIVAL 2015 Presented by New Zealand Film Festival Trust under the distinguished patronage of His Excellency Lieutenant General The Right Honourable Sir Jerry Mateparae, GNZM, QSO, Governor-General of New Zealand EMBASSY THEATRE PARAMOUNT SOUNDINGS THEATRE, TE PAPA PENTHOUSE CINEMA ROXY CINEMA LIGHT HOUSE PETONE WWW.NZIFF.CO.NZ NGĀ TAONGA SOUND & VISION CITY GALLERY Director: Bill Gosden General Manager: Sharon Byrne Assistant to General Manager: Lisa Bomash Festival Manager: Jenna Udy Publicist (Wellington & Regions): Megan Duffy PROUDLY SUPPORTED BY Publicist (National): Liv Young Programmer: Sandra Reid Assistant Programmer: Michael McDonnell Animation Programmer: Malcolm Turner Children’s Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Content Manager: Hayden Ellis Materials and Content Assistant: Tom Ainge-Roy Festival Accounts: Alan Collins Publications Manager: Sibilla Paparatti Audience Development Coordinator: Angela Murphy Online Content Coordinator: Kailey Carruthers Guest and Administration Coordinator: Rachael Deller-Pincott Festival Interns: Cianna Canning, Poppy Granger Technical Adviser: Ian Freer Ticketing Supervisor: Amanda Newth Film Handler: Peter Tonks Publication Production: Greg Simpson Publication Design: Ocean Design Group Cover Design: Matt Bluett Cover Illustration: Blair Sayer Animated Title: Anthony Hore (designer), Aaron Hilton (animator), Tim Prebble (sound), Catherine Fitzgerald (producer) THE NEW ZEALAND FILM