The Third Reich: Politics and Propaganda, Second Edition
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The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-5-2021 The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 Denali Elizabeth Kemper CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/661 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 By Denali Elizabeth Kemper Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2020 Thesis sponsor: January 5, 2021____ Emily Braun_________________________ Date Signature January 5, 2021____ Joachim Pissarro______________________ Date Signature Table of Contents Acronyms i List of Illustrations ii Introduction 1 Chapter 1: Points of Reckoning 14 Chapter 2: The Generational Shift 41 Chapter 3: The Return of the Repressed 63 Chapter 4: The Power of Nazi Images 74 Bibliography 93 Illustrations 101 i Acronyms CCP = Central Collecting Points FRG = Federal Republic of Germany, West Germany GDK = Grosse Deutsche Kunstaustellung (Great German Art Exhibitions) GDR = German Democratic Republic, East Germany HDK = Haus der Deutschen Kunst (House of German Art) MFAA = Monuments, Fine Arts, and Archives Program NSDAP = Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Worker’s or Nazi Party) SS = Schutzstaffel, a former paramilitary organization in Nazi Germany ii List of Illustrations Figure 1: Anonymous photographer. -
The Development and Character of the Nazi Political Machine, 1928-1930, and the Isdap Electoral Breakthrough
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 The evelopmeD nt and Character of the Nazi Political Machine, 1928-1930, and the Nsdap Electoral Breakthrough. Thomas Wiles Arafe Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Arafe, Thomas Wiles Jr, "The eD velopment and Character of the Nazi Political Machine, 1928-1930, and the Nsdap Electoral Breakthrough." (1976). LSU Historical Dissertations and Theses. 2909. https://digitalcommons.lsu.edu/gradschool_disstheses/2909 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. « The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing pega(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
Operation Valkyrie
Operation Valkyrie Rastenburg, 20th July 1944 Claus Philipp Maria Schenk Graf von Stauffenberg (Jettingen- Scheppach, 15th November 1907 – Berlin, 21st July 1944) was a German army officer known as one of the leading officers who planned the 20th July 1944 bombing of Hitler’s military headquarters and the resultant attempted coup. As Bryan Singer’s film “Valkyrie”, starring Tom Cruise as the German officer von Stauffenberg, will be released by the end of December, SCALA is glad to present you the story of the 20 July plot through the historical photographs of its German collections. IClaus Graf Schenk von Stauffenberg 1934. Cod. B007668 2 Left: Carl and Nina Stauffenbergs’s wedding, 26th September 1933. Cod.B007660. Right: Claus Graf Schenk von Stauffenberg. 1934. Cod. B007663 3 Although he never joined the Nazi party, Claus von Stauffenberg fought in Africa during the Second World War as First Officer. After the explosion of a mine on 7th March 1943, von Stauffenberg lost his right hand, the left eye and two fingers of the left hand. Notwithstanding his disablement, he kept working for the army even if his anti-Nazi believes were getting firmer day by day. In fact he had realized that the 3rd Reich was leading Germany into an abyss from which it would have hardly risen. There was no time to lose, they needed to do something immediately or their country would have been devastated. Claus Graf Schenk von Stauffenberg (left) with Albrecht Ritter Mertz von Quirnheim in the courtyard of the OKH-Gebäudes in 4 Bendlerstrasse. Cod. B007664 The conspiracy of the German officers against the Führer led to the 20th July attack to the core of Hitler’s military headquarters in Rastenburg. -
Playbook T a B L E O F C O N T E N T S
Playbook T A B L E O F C O N T E N T S 11.0 Hitler’s Reich Design Notes ............................................2 15.0 Solitaire Modes .............................................................11 12.0 Compendium of Events .................................................3 16.0 Examples of Play ..........................................................17 13.0 Optional Rules ................................................................4 Index ......................................................................................24 14.0 Multi-Player Mode .........................................................9 GMT Games, LLC • P.O. Box 1308, Hanford, CA 93232-1308 • www.GMTGames.com 2 Hitler’s Reich ~ Playbook Additionally, the Allies’ superior Amphibious Attack capabilities 11.0 Hitler’s Reich Design Notes are accounted for in that the Higgins Boats card is potentially These notes are formulated using a Q&A editorial approach. reusable. However, the Axis Landing Craft card is a one-use Event, regardless of whether it is successfully employed. How did the game map come to be? Why no Free French Partisans? The Hitler’s Reich game map was inspired by other WWII European Theatre of Operations strategic games using Areas Within the game’s scope, the Free French did not match the sheer rather than hexagons, such as Axis & Allies. size, magnitude, and impact of major Soviet or Yugoslavian partisan efforts. Use of theArtillery & Partisans Event reflects The final map’s configuration of Land Areas and Sea Zones Allied logistical support of guerillas, extra naval resources, and was developed to provide players the historic objectives and in the case of the use of Allied Artillery & Partisans in Africa campaign flows, with their opportunities and challenges. or the Middle East, it represents the legendary Long Range Desert Groups (think of that classic TV show The Rat Patrol). -
Berger ENG Einseitig Künstlerisch
„One-sidedly Artistic“ Georg Kolbe in the Nazi Era By Ursel Berger 0 One of the most discussed topics concerning Georg Kolbe involves his work and his stance during the Nazi era. These questions have also been at the core of all my research on Kolbe and I have frequently dealt with them in a variety of publications 1 and lectures. Kolbe’s early work and his artistic output from the nineteen twenties are admired and respected. Today, however, a widely held position asserts that his later works lack their innovative power. This view, which I also ascribe to, was not held by most of Kolbe’s contemporaries. In order to comprehend the position of this sculptor as well as his overall historical legacy, it is necessary, indeed crucial, to examine his œuvre from the Nazi era. It is an issue that also extends over and beyond the scope of a single artistic existence and poses the overriding question concerning the role of the artist in a dictatorship. Georg Kolbe was born in 1877 and died in 1947. He lived through 70 years of German history, a time characterized by the gravest of political developments, catastrophes and turning points. He grew up in the German Empire, celebrating his first artistic successes around 1910. While still quite young, he was active (with an artistic mission) in World War I. He enjoyed his greatest successes in the Weimar Republic, especially in the latter half of the nineteen twenties—between hyperinflation and the Great Depression. He was 56 years old when the Nazis came to power in 1933 and 68 years old when World War II ended in 1945. -
German Jewish Refugees in the United States and Relationships to Germany, 1938-1988
UNIVERSITY OF CALIFORNIA, SAN DIEGO “Germany on Their Minds”? German Jewish Refugees in the United States and Relationships to Germany, 1938-1988 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Anne Clara Schenderlein Committee in charge: Professor Frank Biess, Co-Chair Professor Deborah Hertz, Co-Chair Professor Luis Alvarez Professor Hasia Diner Professor Amelia Glaser Professor Patrick H. Patterson 2014 Copyright Anne Clara Schenderlein, 2014 All rights reserved. The Dissertation of Anne Clara Schenderlein is approved, and it is acceptable in quality and form for publication on microfilm and electronically. _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Co-Chair _____________________________________________________________________ Co-Chair University of California, San Diego 2014 iii Dedication To my Mother and the Memory of my Father iv Table of Contents Signature Page ..................................................................................................................iii Dedication ..........................................................................................................................iv Table of Contents ...............................................................................................................v -
The Holocaust: Historical, Literary, and Cinematic Y, Timeline
The Holocaust: Historical, Literary, and Cinematic Timeline (Note: Books and films are cited in the following formats: Books: Authorr, Tittle; Films: Tittle (Director, Country). For non-English language texts in all cases the standard English title has been used.) 1933 Januarry 30: Nazistake power March 9: concentration camp established at Dachau, outside Munich Appril1: state-sponsored boycott of Jewish shops and businesses 1935 May 21: Jews forbidden to serve in the German armed forces Septtember 15: promulgation of Nuremberg Laws 1936 June 17: Reichsführer SS Heinrich Himmler appointed head of all German police and security services 1938 March 12: Anschluss [union] of Austria; Austrian Jews immediately deprived of civil rights, subjected to Nazi race laws; by Septemberr, all Viennese Jewish busineses (33,000 in March) liquidated May: concentration camp established in the granite quarries at Mauthausen, near Linz (Hitler’s birthplace) June 9: main synagogue in Munich burnt down by Nazi stormtroopers Julyy–September: Jews forbidden to practice law or medicine October 6: Italy enacts anti-Semitic racial laws; 27: 18,000 Polish- born Jews deported to Poland November 10: Kristallnachtt; 191 synagogues fired; 91 Jews murdered; over 30,000 arrested; 20% of all Jewish property levied confiscated to paay for damage; 12: Göring orders the liquidation of all Jewish businesses by year’s end; 15: Jewish children banned from German schools December: no Jewish-owned businesses (of over 6,000 in 1933) remain in Berlin (Kathrine) Kressmann Taylor’s ‘Address Unknown’, published in Storry Magazine 1939 Januarry 30: in his annual speech commemorating the Nazi seizure of power, Hitler predicts that a new world war will result in “the annihilation of the Jewish race in Europe” March 15: Partition of Czechoslovakia: 118,000 more Jews fall under German dominion September 1: Germany invades Poland (Jewish population in 1939: approx. -
A Youth in Upheaval! Christine E
Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 5-2006 A Youth in Upheaval! Christine E. Nagel Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Nagel, Christine E., "A Youth in Upheaval!" (2006). Honors Theses. Paper 330. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. A Youth in Upheaval! Christine E. Nagel University Honors Thesis Dr. Thomas F. Thibeault May 10,2006 A Youth in Upheaval Introduction The trouble started for the undesirables when the public systems started being filtered. Jewish and other non Aryan businesses were being boycotted. The German people (not including Jews and other non Aryans) were forbidden to use these businesses. They could not shop in their grocery stores. Germans could not bring their finances to their banks. It eventually seemed best not to even loiter around these establishments of business. Not stopping there, soon Jewish people could no longer hold occupations at German establishments. Little by little, the Jewish citizens started losing their rights, some even the right to citizenship. They were forced to identifY themselves in every possible way, wherever they went, so that they were detectable among the Germans. The Jews were rapidly becoming cornered. These restrictions and tragedies did not only affect the adults. Children were affected as well, if not more. Soon, they were not allowed to go to the movies, own bicycles, even be out in public without limitations. -
The AVALON HILL
$2.50 The AVALON HILL July-August 1981 Volume 18, Number 2 3 A,--LJ;l.,,,, GE!Jco L!J~ &~~ 2~~ BRIDGE 8-1-2 4-2-3 4-4 4-6 10-4 5-4 This revision of a classic game you've long awaited is the culmination What's Inside . .. of five years of intensive research and playtest. The resuit. we 22" x 28" Fuli-color Mapboard of Ardennes Battlefield believe, will provide you pleasure for many years to come. Countersheet with 260 American, British and German Units For you historical buffs, BATTLE OF THE BULGE is the last word in countersheet of 117 Utility Markers accuracy. Official American and German documents, maps and Time Record Card actual battle reports (many very difficult to obtain) were consuited WI German Order of Appearance Card to ensure that both the order of battle and mapboard are correct Allied Order of Appearance Card to the last detail. Every fact was checked and double-checked. Rules Manual The reSUlt-you move the actual units over the same terrain that One Die their historical counterparts did in 1944. For the rest of you who are looking for a good, playable game, BATTLE OF THE BULGE is an operational recreation of the famous don't look any further. "BULGE" was designed to be FUN! This Ardennes battle of December, 1944-January, 1945. means a simple, streamlined playing system that gives you time to Each unit represents one of the regiments that actually make decisions instead of shuffling paper. The rules are short and participated (or might have participated) in the battle. -
The Kpd and the Nsdap: a Sttjdy of the Relationship Between Political Extremes in Weimar Germany, 1923-1933 by Davis William
THE KPD AND THE NSDAP: A STTJDY OF THE RELATIONSHIP BETWEEN POLITICAL EXTREMES IN WEIMAR GERMANY, 1923-1933 BY DAVIS WILLIAM DAYCOCK A thesis submitted for the degree of Ph.D. The London School of Economics and Political Science, University of London 1980 1 ABSTRACT The German Communist Party's response to the rise of the Nazis was conditioned by its complicated political environment which included the influence of Soviet foreign policy requirements, the party's Marxist-Leninist outlook, its organizational structure and the democratic society of Weimar. Relying on the Communist press and theoretical journals, documentary collections drawn from several German archives, as well as interview material, and Nazi, Communist opposition and Social Democratic sources, this study traces the development of the KPD's tactical orientation towards the Nazis for the period 1923-1933. In so doing it complements the existing literature both by its extension of the chronological scope of enquiry and by its attention to the tactical requirements of the relationship as viewed from the perspective of the KPD. It concludes that for the whole of the period, KPD tactics were ambiguous and reflected the tensions between the various competing factors which shaped the party's policies. 3 TABLE OF CONTENTS PAGE abbreviations 4 INTRODUCTION 7 CHAPTER I THE CONSTRAINTS ON CONFLICT 24 CHAPTER II 1923: THE FORMATIVE YEAR 67 CHAPTER III VARIATIONS ON THE SCHLAGETER THEME: THE CONTINUITIES IN COMMUNIST POLICY 1924-1928 124 CHAPTER IV COMMUNIST TACTICS AND THE NAZI ADVANCE, 1928-1932: THE RESPONSE TO NEW THREATS 166 CHAPTER V COMMUNIST TACTICS, 1928-1932: THE RESPONSE TO NEW OPPORTUNITIES 223 CHAPTER VI FLUCTUATIONS IN COMMUNIST TACTICS DURING 1932: DOUBTS IN THE ELEVENTH HOUR 273 CONCLUSIONS 307 APPENDIX I VOTING ALIGNMENTS IN THE REICHSTAG 1924-1932 333 APPENDIX II INTERVIEWS 335 BIBLIOGRAPHY 341 4 ABBREVIATIONS 1. -
PROPAGANDA FILMS DURING the THIRD REICH by ASHLEY
PROPAGANDA FILMS DURING THE THIRD REICH by ASHLEY SCHRENK (Under the Direction of Christine Haase) ABSTRACT Films produced during the Third Reich generally fall into two categories: blatant propaganda films, which this paper terms hard-core propaganda films, or subtler, soft- core propaganda films. The first category frequently features vilification of Jews, as well as glorification of the German Volk, Heimat and of Hitler. Third Reich hard-core propaganda films portray Aryan Germans in opposition to other races, resulting in the extreme exclusion of the Other. The soft-core propaganda films are a toned down version of the hard-core propaganda films. This thesis proposes an inverse relationship between the level of inherent inconsistencies and contradictions within Third Reich films and the categorization of a film as hard-core propaganda. The greater the inconsistencies in relation to Nazi ideology, the more a film becomes soft-core propaganda and vice versa. A variety of hard and soft-core propaganda films are analyzed, and the overall effectiveness of such propaganda is examined. INDEX WORDS: Third Reich, Propaganda Ministry, Nazi film, Nazi cinema, Goebbels, Riefenstahl, Hitler, Nazi propaganda, Fascism, Fascist aesthetics, Nazi popular film, Triumph des Willens, Jud Süß, Der ewige Jude, Zu neuen Ufern, Die große Liebe, Die goldene Stadt PROPAGANDA FILMS DURING THE THIRD REICH by ASHLEY SCHRENK B.A., The University of Georgia, 2004 B.B.A., The University of Georgia, 2004 A thesis Submitted to the Graduate Faculty of The University -
Rechtsextremismus Und Antifaschismus Herausgegeben Von Klaus Kinner Und Rolf Richter
Rechtsextremismus und Antifaschismus herausgegeben von Klaus Kinner und Rolf Richter 1 Schriften 5 herausgegeben von der Rosa-Luxemburg-Stiftung Sachsen e. V. und der Rosa-Luxemburg-Stiftung, Gesellschaftsanalyse und Politische Bildung e. V. 2 Rechtsextremismus und Antifaschismus Historische und aktuelle Dimensionen herausgegeben von Klaus Kinner und Rolf Richter Karl Dietz Verlag Berlin 3 Die Deutsche Bibliothek – CIP-Einheitsaufnahme Rechtsextremismus und Antifaschismus : historische und aktuelle Dimensionen / hrsg. von Klaus Kinner und Rolf Richter. – Berlin : Dietz, 2000 (Schriften / Rosa-Luxemburg-Stiftung ; Bd. 5) ISBN 3-320-02015-3 © Karl Dietz Verlag Berlin GmbH 2000 Umschlag: Egbert Neubauer, MediaService Fotos: Gabriele Senft, Berlin Typografie: Brigitte Bachmann Satz: MediaService, Berlin Druck und Bindearbeit: BärenDruck, Berlin Printed in Germany 4 INHALT Editorial 7 WERNER BRAMKE Antifaschistische Tradition und aktueller Antifaschismus 8 ROLF RICHTER Über Theoretisches und Praktisches im heutigen Antifaschismus 14 KLAUS KINNER Kommunistischer Antifaschismus – ein schwieriges Erbe 45 ANDRÉ HAHN Zum Umgang mit Rechtsextremen in den Parlamenten 52 NORBERT MADLOCH Rechtsextremismus in Deutschland nach dem Ende des Hitlerfaschismus 57 Vorbemerkung 58 Rechtsextremistische Tendenzen und Entwicklungen in der DDR, speziell in Sachsen, bis Oktober 1990 63 Hauptetappen der Entwicklung des Rechtsextremismus in den alten Bundesländern bis zur deutschen Vereinigung 1990 106 Zur Entwicklung des Rechtsextremismus im geeinten Deutschland 1990 bis 1990 – besonders in den neuen Bundesländern 146 Ursachen und Perspektiven des Rechtsextremismus in der Bundesrepublik 206 ROLAND BACH Zur nationalen und sozialen Demagogie der extremen Rechten 215 5 Anhang 251 NORBERT MADLOCH Lexikalische Erläuterungen zu den im Rechtsextremismus-Teil verwandten Hauptbegriffen 252 Rechtsextremismus 253 Rechtsradikalismus = Grauzone 255 Rechtspopulismus 256 Faschismus/Nazismus – Neofaschismus/Neonazismus 257 Neue Rechte 261 Rassismus 264 Ausländer- bzw.