WHO WAS CICERO's REGINA? in Half a Dozen Letters to Atticus Written
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Monday 20Th April 2020 LQ: Can I Research and Gather Information
Monday 20th April 2020 LQ: Can I research and gather information about Shakespeare? WilliamShakespeare Fact File William Shakespeare was born in April 1564. He then died in April 1616.William Shakespeare’s occupation was playwright, actor and a poet, these are some reasons William shakespeare is known through generations of history.His parents were named Mary shakespear and John shakespeare. William shakespears father was a successful leather merchant who once held the public position of alderman. He was the third of six children including three older sisters, their names were Joan shakespeare,Margaret shakespeare and Anne shakespare. Along with three brothers they were called Gilbert shakespeare, Edum shakespeare and Richard shakespeare.His education was in a school called King Edward VI school. His spouse (wife) was called Anne Hathway they got married in 1582,when William was 18 and Anne was 26. Anne managed to outlive her husband by 7 years.William shakespeare had 3 children the first was susanna. She was born 6 months after the wedding of William and Anne.Fast forward to 2 years in the future the twins Hamnet and Judith were born. Williams' first job was as an actor. The first quarto editions of his plays appeared in 1594.After more then 2 decades william shakespeare had multiple roles in london theater as an actor, playwright and in time a business partner.Some of shakespeare’s earliest plays include The Taming of the Shrew,Richard III,Romeo and Juliet and A midsummer Night’s Dream.The Globe Theatre was a theatre in london where William Shakespeare’s plays were performed .This wooden Theatre was built by his team,the lord chamberlain’s men, on land owned by Thomas Brend. -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
The Illnesses of Herod the Great 1. Introduction 2. Sources of Information
The illnesses of Herod the Great THE ILLNESSES OF HEROD THE GREAT ABSTRACT Herod the Great, Idumean by birth, was king of the Jews from 40BC to AD 4. An able statesman, builder and warrior, he ruthlessly stamped out all perceived opposi- tion to his rule. His last decade was characterised by vicious strife within his family and progressive ill health. We review the nature of his illnesses and suggest that he had meningoencephalitis in 59 BC, and that he died primarily of uraemia and hyper- tensive heart failure, but accept diabetes mellitus as a possible underlying etiological factor. The possibility that Josephus’s classical description of Herod’s disease could be biased by “topos” biography (popular at the time), is discussed. The latter conside- ration is particularly relevant in determining the significance of the king’s reputed worm- infested genital lesions. 1. INTRODUCTION Herod the Great, king of the Jews at the onset of the Christian era, had no Jewish blood in his veins. Infamous in Christian tradition for the massacre of the newborn in Bethlehem, he was nevertheless a vigorous and able ruler, a prolific builder, friend and ally of Rome and founder of an extensive Herodian dynasty which significantly influenced the history of Palestine. His miserable death at the age of 69 years was seen by the Jewish religious fraternity as Jahweh’s just retribution for his vio- lation of Judaic traditions (Ferguson 1987:328-330; Sizoo 1950:6-9). The nature and cause of his illness and death is the subject of this study. 2. SOURCES OF INFORMATION With the exception of fragmentary contributions from Rabbinic tradi- tions, Christian records in the New Testament and evidence from con- temporary coins, Herod’s biography comes to us predominantly through the writings of Flavius Josephus, a Jewish priest of aristocratic descent, military commander in a revolt against Rome, but subsequent recipient of Roman citizenship. -
Roman Architecture with Professor Diana EE Kleiner Lecture 9
HSAR 252 - Roman Architecture with Professor Diana E. E. Kleiner Lecture 9 – From Brick to Marble: Augustus Assembles Rome 1. Title page with course logo. 2. Portrait of Julius Caesar, from Egypt, now Berlin. Reproduced from Cleopatra and Rome by Diana E.E. Kleiner (2005), fig. 8.5. Portrait of Pompey the Great, Copenhagen. Reproduced from Cleopatra and Rome by Diana E.E. Kleiner (2005), fig. 8.3. 3. Text. 4. Text. 5. Rome, aerial view of ancient core of city. Credit: Google Earth. 6. Forum of Julius Caesar, Rome, plan. Credit: Yale University. 7. Forum of Julius Caesar, Rome, general view [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:Caesarforumrom.jpg (Accessed February 10, 2009). Coin with Forum of Julius Caesar and Temple of Venus Genetrix. Reproduced from Pictorial Dictionary of Ancient Rome I by Ernest Nash (1961), fig. 26. 8. Forum of Julius Caesar, Rome, fragments of Temple of Venus Genetrix. Image Credit: Diana E. E. Kleiner. 9. Forum of Julius Caesar, Rome, restored view with Temple of Venus Genetrix. Reproduced from Ancient Rome, Monuments Past and Present by Romolo A. Staccioli (2000), p. 21. 10. Portrait of Augustus, Athens [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:Acaugustus.jpg (Accessed February 10, 2009). Portrait of Mark Antony, Kingston Lacey. Reproduced from Cleopatra and Rome by Diana E. E. Kleiner (2005), fig. 2.3. 11. Text. 12. Text. 13. Carrara, quarries. Reproduced from National Geographic July 1982, p. 49. Carrara, transporting marble down the mountain. Reproduced from National Geographic July 1982, p. 56. 14. -
Introduction
chapter 1 Introduction The study of Herod Antipas is relevant from both histor- region. This volume is meant to help expand the current ical and theological perspectives. Research of his life and understanding of Herod Antipas, his reign and his territo- reign is important for the understanding, inter alia, of first- ries and its inhabitants by examining and discussing his century Galilee and the historical Jesus. coinage in detail. Antipas ruled Galilee, a region in the northern part of Palestine, along with Peraea, which lay in Transjordan. Naturally, “Antipas has emerged as the decisive factor of 1.1 Documentary Sources for Antipas explanation of the socio-economic realities of early first- century Galilee” (Jensen 2010:46). Numismatic studies, in As with many important individuals and events that took particular, are fundamental components of any study of place in Early Roman Palestine (63bce–70ce), most of the the Galilean economy. The dispersion and reasons for primary information we have regarding Herod Antipas is minting of coins of Antipas provide reflections of how from the works of Jewish historian Flavius Josephus (c. 37– trade was carried out. c. 100ce). His works are an invaluable and often unique Research on Antipas has become a vital component of source for near-eastern history. They provide insight into understanding the so-called “urban-rural” relationship in the society and culture of the late Second Temple period. Galilee: did Antipas act as a “buffer against direct Roman Josephus was a military leader in Galilee at the beginning rule and exploitation, thereby providing a good basis for of the First Revolt, thereby obtaining first-hand knowledge trade and mutual enrichment of both urban and rural of the region, albeit after Antipas’ rule (bj 2:568; Vita 28– areas” or was he a “typical tyrant extracting heavy taxes 29). -
Civil War in Rome and the End of the Roman Republic
Civil War in Rome and the End of the Roman Republic © Student Handouts, Inc. www.studenthandouts.com Tiberius Gracchus and Land Reform The lower classes (plebeians) were suffering. 133 BCE – Tiberius Gracchus was elected as tribune He promised land reform of the plebeians Tiberius Gracchus told the people: “You fight and die to give luxury to other men…but you have not a foot of ground to call your own.” Wanted to limit the Wanted to rebuild the The patricians were not Tiberius Gracchus and amount of land each farming class by pleased with Tiberius hundreds of his followers person could own redistributing land Gracchus were murdered Gaius Gracchus and Reform Gaius was elected tribune in 122 BCE, about ten He also wanted land Gaius wanted even more years after his brother reform. than land reform. was murdered. Gaius wanted the Gaius proposed that Gaius wanted a public government to sell grain landless Romans be works program to employ to the poor at reduced settled in the provinces. the poor. prices. Gaius wanted to reform Riots erupted. In 121 the way that taxes were Gaius wanted to decrease BCE, he was killed along collected by publicans in the Senate’s power. with thousands of his the provinces. supporters. Differing Parties Continued to Argue Optimates Populares • Senatorial party • People’s party • Wanted to maintain • Had its strength in the position and the Comitia power of the (Assembly) wealthy patrician • Wanted reforms class Military Dictators Come to Power • Why did military dictators come to power? – Constant fighting in Rome between the rich and poor – Restlessness in the provinces – Slave rebellions (e.g., Spartacus) – Barbarian invasions (though not as serious as they became during the era of the Roman empire) – The people needed strong leadership Gaius Marius (ca. -
Cleopatra VII: How Modernity Altered One of Egypt's Most Infamous
Phi Alpha Theta Pacific Northwest Conference, 8–10 April 2021 Isabeau Newbury, Carroll College, undergraduate student, “Cleopatra VII: How Modernity Altered One of Egypt’s Most Infamous Pharaohs” Abstract: In the course of history, many people are fascinated by the “other” but this fascination stems from works that are not factual depictions of an event or person. If the personification of historical figures is continuously perpetuated in fictional works, how we interpret the evidence can then be affected by these works. This is especially true of the ancient women in power in Ancient Egypt, but specifically in the case of Cleopatra VII, who was the last Pharaoh of Egypt. This study is designed to look at how desire vs fact changes the narrative, and how we need to be cautious about exotifying the “other.” Cleopatra VII’s image in modernity has been shaped by her portrayal in Shakespeare and Dante, as well as in Renaissance and contemporary artwork (including film). By keeping this in mind, it is not wrong to be fascinated by the “other” but it raises the question of how much of a historical person’s character can we really know if the facts we perceive to be true are affected by fictional manipulations of them. Cleopatra VII: How Modernity Altered One of Egypt’s Most Infamous Pharaohs Isabeau Newbury Carroll College Omega-Eta Undergraduate 2 Cleopatra VII: How Modernity Altered One of Egypt’s Most Infamous Pharaohs Women throughout ancient history have been portrayed by those who write it as the damsel in distress, the snake, the jealous and enraged, and as the seductress. -
The Representation of Nicolaus of Damascus in Josephus' Judaean Antiquities
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CU Scholar Institutional Repository University of Colorado, Boulder CU Scholar Classics Graduate Theses & Dissertations Classics Spring 1-1-2012 The Representation of Nicolaus of Damascus in Josephus’ Judaean Antiquities Sarah Christine Teets University of Colorado at Boulder, [email protected] Follow this and additional works at: http://scholar.colorado.edu/clas_gradetds Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Classical Literature and Philology Commons, and the Jewish Studies Commons Recommended Citation Teets, Sarah Christine, "The Representation of Nicolaus of Damascus in Josephus’ Judaean Antiquities" (2012). Classics Graduate Theses & Dissertations. Paper 3. This Thesis is brought to you for free and open access by Classics at CU Scholar. It has been accepted for inclusion in Classics Graduate Theses & Dissertations by an authorized administrator of CU Scholar. For more information, please contact [email protected]. Historian Historicized: The Representation of Nicolaus of Damascus in Josephus’ Judaean Antiquities by Sarah Christine Teets B.A., California State University, Long Beach, 2007 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Classics 2012 !! This thesis entitled: Historian Historicized: The Representation of Nicolaus of Damascus in Josephus’ Judaean Antiquities written by Sarah Christine Teets has been approved for the Department of Classics Professor Jacqueline M. Elliott Professor John Gibert Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. -
Alana Phelan Fictional Rome March 10, 2008 First Paper
Alana Phelan Fictional Rome March 10, 2008 First Paper Who Can It Be Now? The first season of HBO’s Rome plays fast and loose with its story. Historical events are fudged, timelines are iffy, and some of the characters become quite problematic. Certain well-known characters are accurate enough sketches of either their historical counterparts or their popular literary portrayals: Cicero, for instance, is sufficiently snarky; Brutus is, as always, terribly conflicted and tragic. And the show portrays Caesar at his most ambiguous, hiding his true intentions behind a placid face. Perhaps the writers, in the midst of their research, read A History of Rome, which states, “In the end, it must be admitted that there is really no way to know what Caesar had in mind” (140). The audience is left to decide for themselves whether Caesar wanted power and took it, or whether he wanted to “fix” the Republic, having its best interests at heart. Other characters, however, do not receive such subtle treatment. Atia, Caesar’s niece, is written as the villain of the show. Cato is played by an actor considerably older than the historical figure would have been. And, strangely, Octavia’s husband’s name is changed. Where these discrepancies occur, there seems to be one consistent factor: in some way, the character becomes a composite of historical figures. This is seen straightforwardly in the character of Cato. The casting choice of Karl Johnson cannot be due to his considerable talents alone. After all, the historical Cato “the Younger” was only forty-nine years old at the time of his death, almost a decade younger than Johnson in 2005 when his final episode “Utica” aired (imdb.com). -
Julius Caesar
Working Paper CEsA CSG 168/2018 ANCIENT ROMAN POLITICS – JULIUS CAESAR Maria SOUSA GALITO Abstract Julius Caesar (JC) survived two civil wars: first, leaded by Cornelius Sulla and Gaius Marius; and second by himself and Pompeius Magnus. Until he was stabbed to death, at a senate session, in the Ides of March of 44 BC. JC has always been loved or hated, since he was alive and throughout History. He was a war hero, as many others. He was a patrician, among many. He was a roman Dictator, but not the only one. So what did he do exactly to get all this attention? Why did he stand out so much from the crowd? What did he represent? JC was a front-runner of his time, not a modern leader of the XXI century; and there are things not accepted today that were considered courageous or even extraordinary achievements back then. This text tries to explain why it’s important to focus on the man; on his life achievements before becoming the most powerful man in Rome; and why he stood out from every other man. Keywords Caesar, Politics, Military, Religion, Assassination. Sumário Júlio César (JC) sobreviveu a duas guerras civis: primeiro, lideradas por Cornélio Sula e Caio Mário; e depois por ele e Pompeius Magnus. Até ser esfaqueado numa sessão do senado nos Idos de Março de 44 AC. JC foi sempre amado ou odiado, quando ainda era vivo e ao longo da História. Ele foi um herói de guerra, como outros. Ele era um patrício, entre muitos. Ele foi um ditador romano, mas não o único. -
The Temple of Divus Iulus and the Restoration of Legislative
Connecticut College Digital Commons @ Connecticut College Classics Faculty Publications Classics Department 2011 The eT mple of Divus Iulus and the Restoration of Legislative Assemblies under Augustus Darryl Phillips Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/classfacpub Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Phillips, Darryl A. "The eT mple of Divus Iulus and the Restoration of Legislative Assemblies under Augustus" in Phoenix. Vol. 65: 3-4 (2011), 371-392 This Article is brought to you for free and open access by the Classics Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Classics Faculty Publications by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. THE TEMPLE OF DIVUS IULIUS AND THE RESTORATION OF LEGISLATIVE ASSEMBLIES UNDER AUGUSTUS DARRYL A. PHILLIPS I. INTRODUCTION /JLUGUSTUS' ACHIEVEMENT IN BRINGING ORDER TO THE STATE after the turbu- lent years of civil war is celebrated in many and diverse sources. Velleius Pater- culus (2.89.3) records that "force was returned to laws, authority to the courts, and majesty to the Senate, that the power of magistrates was brought back to its old level" (restituta vis legibus, iudiciis auctoritas, senatui maiestas, imperium magistratuum adpristinum redactum modum). Velleius continues on to offer the general summation that the old form of the republic had been reinstated (prisca ilia et antiqua reipublicae forma revocata).^ An aureus from 28 B.C. -
Rehak Alexstatues.Pdf
75. Dio 56.34.2: kai\ meta\ tau&tav ai# te tw=n propato&rwn au)tou= kai\ ai( tw=n a!llwn suggenw=n tw=n teqnhko&twn, plh\n th=v tou= Kai&sarov o#ti e)v tou\v h#rwav e)sege&grapto, ai# te tw=n a!llwn (Rwmai&wn to=n kai\ kaq' o(tiou=n prowteusa&ntwn, a)p' au)touu= tou= (Rwmu&lou a)rca&menai, e)fe&ronto. 76. Dio 56.34.1. 77. Suet, Aug. 100.2. 78. Cf. Deipnosophistai 197A-202B; E.E. Rice, The Grand Procession of Ptolemy Philadelphus, ( --, 1983); H. von Hesberg, "Temporäre Bilder oder die Grenzen der Kunst. Zur Legitimation frühhellenistischer Königsherrschaft im Fest," JdI 104 (1989) 61-82. 79. J.-C. Richard, "Recherches sur certains aspects du culte impérial: les funérailles des empereurs romains aux deux premiers siècles de notre ère," ANRW II.16.2 (1978) 1122-1125.I: "Idéologie funéraire et idéologie triomphale." On the possible contribution of Etruscan imagery, see P. Holliday, "Processional Imagery in Late Etruscan Funerary Art," AJA 94 (1990) 73-93. 80. Vell. Pat. 2.39.2 (supra n. 24). 81. Dio 56.34.2: mentions specifically the figures of ethne acquired by Pompey the Great: ta& te e!qnh pa&nq' o#sa prosekth&santo, e)pixwri&wv sfi&sin w(v e#kasta a)ph?kasme&na e)pe&mfqh; cf. Tac., Ann. 1.8.1. 82. R.R.R. Smith, "The Imperial Reliefs from the Sebasteion at Aphrodisias," JRS 77 (1987) 88- 138. 83. On the Erechtheum caryatids, see B.