DOCSLIB.ORG

Sandspur, Vol 101 No 15, February 9, 1995

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sandspur, Vol 101 No 15, February 9, 1995 University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 2-9-1995 Sandspur, Vol 101 No 15, February 9, 1995 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 101 No 15, February 9, 1995" (1995). The Rollins Sandspur. 35. https://stars.library.ucf.edu/cfm-sandspur/35 MU «om v-nc-OTioN AND mw TO MIMICI ^: r THE NEWSPAPER OF ROLLINS COLLEGE • 1995 KB?:?HSS>2^»£SiS::JS5?: Florida Februa r Rollins in Israel: Rolliewood! A Field Report Jennifer Stuart ssSiii Sandspur Contributor old Palestinian woman hosted say no to a man with an M-16 This is Dr. Greenburg's Win­ us for lunch and eloquently de­ strapped to his back? ter Term class just back from scribed the lack of freedom Pal­ Our two weeks in Israel were Israel, reporting. Yes, we have estinians deal with. Interactions intense. We saw holy sites, from deserves braved The Middle East to bring such as these forced our group the Western Wall and the Dome 'dios choi you a realistic account of what to readjust preconceived notions of the Rock to the Church of the filming < it's really like there. Soldiers about the nature of the conflict Holy Sepulchre. But often what 'sodeof*. and their M-16s were every­ in Israel. made these sites real and alive line, ait* where. Startling sounds of mili­ We also talked to many people for us were the devoted wor­ it's chan tary manuevers accompanied us without political agendas. On shippers at the sites and differ­ on our tours of religious sites our way out of the Negev Desert, ent reactions from members of our locati and Roman ruins. This is all we stopped at a random bedouin our own group to these places. one prod true, but not the whole truth. tent where we were promptly Along with the intensity of ac­ •'Audit ws Actually, we felt relatively safe served tea and coffee. Amazed tive religions so near to each Universal during our trip. The scariest- by the hospitality, we visited other, political tensions were shoot the looking people I saw were in the first the men's tent and then the unavoidable. We grew accus­ The Ur JFK Airport when we changed women's tent, where we met a tomed to having our bags used the B planes in New York. gracious seventeen-year-old checked for bombs with each Cornell Fii Most of our time was spent mother, eager to share knowl­ visit to the Wall. We even met a terior>, an Uxe talking with real, live, and usu­ edge of her culture with us. Rabbi who carried a gun for their sets. ally friendly Israelis and Pales­ Later, in the Galilee area, we protection. But the guns, the tinians. We listened to radically had coffee with Eli, an amateur soldiers and even the suicide different perspectives on the archaeologist, photographer and bombings that occurred about Arab-Jew conflict. In Jerusa­ storyteller. But we did more than twenty miles from us were only lem, we heard a politician at the drink coffee in Israel. We fully a small part of Israel as we expe­ Rollins Refugees Knesset persuasively defend .explored the night life — from rienced it. After two weeks of Israel's role in the peace pro­ the movie Pulp Fiction (in En­ non-stop walks, meetings, talks cess, criticizing Arafat's lead­ glish with Hebrew subtitles) to and adventures, we found our­ Learn new Skills ership ofthe Palestinians. Later bars and clubs full of soldiers selves viewing the world a little in Bethlehem, a twenty-two year wanting to dance. How do you differently than before. in Uganda Arnold Wettstein Sandspur Contributor The syllabus at Habitat Vil­ decent, affordable homes. lage this Winter Term includes Home-owners volunteer along breaking rocks, laying brick, with prospective home owners, erecting roofs and learning to working with us. Twenty-six say "Orairota" (good morning; houses are already in use. In our how are you?) and "Ndoho two-week work camp, we in­ kurungi" (Just fine). Dan tend to construct two more, from Kempinger, Creighton Knight start to completion. and Laurel Tripp mix mortar We were welcomed with song with style, Lu Randolph con­ and dances, led on tour of the quered her fear of heights by community and have been "flooding," scrambling up a hosted generously. Cathy scaffold to the top of the house Stauffer, Megan Brown and Al to help set the rafters. Shawn Hancock have become avid Pfister could nail down a 2x4 chewers of sugar cane. Jo Weiss from any angle. lays brick straight and true. We are in a very populated Though without running water area deep in the African bush. and electricity, enjoy wonder­ Habitat for Humanity had much ful meals every evening by lan­ suspicion and antagonism to tern-light: everything from overcome in order to begin this chicken and dumplings to project in 1989, on an attractive natooki (cooked bananas), cab­ parcel of land. Mobs knocked bage and tomato salads and suc­ down two houses under con­ culent sweet pineapple. Our struction. But they were pa­ major social event this week tiently rebuilt, winning the con­ was a hash-hash, a Monday night fidence of the Ugandan people by showing how to construct Continued on Page 10 The Sandspur Volume 101 Issue*] page T u p" *#*^ A i^irjBrv^ p 11 R 0 17 o no (7 Doors open at 9:00 p.m.. miisic'starts at 10:00. * - Covert alcohol delivery is optional. Intoxication prior to arrival is encouraged. -,„,ary°, 199j Family Weekend 1995 Yes kids, family weekend is here again. President Bornstein - Galloway Room And if you happen to have parents that 10:00 a,m.-11:00 a.m. - The An of Plan­ show enough interest to attend, here is ning a Career - Galloway Room the schedule of events so that you and 10:00 a.rn.-11:00 a.m. - The Role of Compiled from Associated Press Wire Reports your parents can have a happy and punc­ Technology in Liberal Arts - Jok tual time. Center 125 BUDGETING THEIR SUPPORT - 10:00 a.m.-11:00 a.m. - Planning out the home's windows. Fire­ riculum - Orlando Hall 101 (Washington) - Heftier in we fighters say the eleven - pou- Friday 10:00 a.m.-l 1:00 ajn. - Parenting from but lea ce tag. seven-week-old potbellied pig 8:30 a.m.*5:30 p.m. - Registration - Afar: Enhancing Communicatior budget fbr 1996 hit Washington died of smoke inhalation. Neigh­ Alumni Fieldhouse your Student - Woolson House s week. The budget is 3.9 inches bors in Union County have do­ 8:30 a.m.-3:Q0 p.m. - Attend - Regularly 11:00 a.m. - Parent/ Student Round Robin thick tops 2,062 pages, weighs nated cash, clothes, and fumit. Scheduled Classes Tennis Tournament 10 pounds, and comes in a fash- IVSss South Carolina, Kristie Greene, 9:00 a.m.-5:00 p.m. - Parent Confer­ 11:00 a.m. - Waterski Exhibition ionab! e rh black g^ave If ew pig, which: win ences with Faculty Advisors 1:00 p.m. - Final Home Swimming Meet n. CHnton says that his budget carry on the family's favorite name 2:30 p.m. - Women's Tennis vs. Florida vs. Florida A&M and Tampa does It all. He says that rt would Southern 1:30 p.m. - Family Weekend Golf Tour­ government bureaucracy, re­ 3:00 p.m.-4:00 p.m. - Renewing your nament - Dubsdread GolfCourse duce the deficit, and provide for a I THINK 1 CAN, I THIN K i CAN... Financial Aid 5:15 p.m.-9:30 p.m. - Tars Basketball ^die-class tax cut without cut- Washington) - Senate Majority 4:00 p.m.-5:30 p.m. - INFOEXPO - Stu­ and Mid-Game Meal - Enyart-Ahanni el back on defense, educati Leader Bob' Dole .says he's got the dent Center Field House Medicare, or Social Se experience to be president. Dole 5:00 p.m. - Jewish Student League Ser­ SI .6 billion dollar proposal, how­ says he's been "tested in a lot of vice - French House ever faces crippling opposite and that qualities him for Sunday 5 6:00 p.m.-9:00 p.m. - Candlelight Jazz While s -at the budgei was the Z^^ ^ ofl^ce. Ap­ Dinner - Women's Club of Winter Park 8:30 p.m. - Roman Catholic Mass - • dead on arhvai. New Mexicos pearing on NJB.C/s "Meet the 9:30 p.m. - Fettucini Brothers - Student Knowles Memorial Chapel Pete Domenlci states that the bud­ Press,*' Dole said he would for- Center 9:00' aum. - Family 5K run - Mills Lawn get sort/ Repu 11:00 a.m. - Interdenominational Wor­ cans blast the president for ship Service - Knowles Memorial Chapel proposing a method to balance being •• Saturday 3:00 p.m. - Lecture American Art from the een- kdked 8:30 a.m.-3:00 p.m. Registration - Georgia Collections - Cornell Fine Arts Alumni House Museum cant experience fbr hir 9:00 a.m.-9:45 a.m. - Conversation with NO SHIRT, mi£ BEER - (Boone. says sc ; -Jgg* /",,„ Can Virtue be Taught? get a few a avoided the - Author and nationally recognized phi­ In addition to her many other accom­ losopher Amelie Rorty will offer a talk plishments, Roily is the Marina Souretis Service.
Load more

Recommended publications
  • GUÍA De Creación De Personaje CTHULHU
    Foundation for Archeological Research Guía para nuevos miembros Una guía no-oficial para crear investigadores para el juego de rol “La Llamada de Cthulhu” ” publicado en España por Edge Entertainment bajo licencia de Chaosium. Para ser utilizado principalmente en “Los Misterios de Bloomfield”-“The Bloomfield Mysteries”, una adaptación de “La Sombra de Saros”, campaña escrita por Xabier Ugalde, para su uso en las aulas de Primaria en las áreas de Ciencias Sociales, Lengua Castellana y Lengua Extranjera: Inglés Adaptado para Educación Primaria por: ÓscarRecio Coll [email protected] https://jueducacion.com/ El Copyright de las ilustraciones de La Llamada de Cthulhu y de La Sombra de Saros además de otras presentes en este material así como la propiedad intelectual/comercial/empresarial y derechos de las mismas son exclusiva de sus autores y/o de las compañías y editoriales que sean propietarias o hayan comprado los citados derechos sobre las obras y posean sobre ellas el derecho a que se las elimine de esta publicación de tal manera que sus derechos no queden vulnerados en ninguna forma o modo que pudiera contravenir su autoría para particulares y/o empresas que las hayan utilizado con fines comerciales y/o empresariales. Esta compilación no tiene ningún uso comercial ni ánimo de lucro y está destinada exclusivamente a su utilización dentro del ámbito escolar y su finalidad es completamente didáctica como material de desarrollo y apoyo para la dinamización de contenidos en las diferentes áreas que componen la Educación Primaria. Bienvenidos/as a la F.A.R. (Fundación de Investigaciones Arqueológicas), en este sencillo manual encontrarás las instrucciones para ser parte de nuestra fundación y completar tu registro como miembro.
    [Show full text]
  • American Gothic: a Creative Exploration
    AMERICAN GOTHIC: A CREATIVE EXPLORATION Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in English By Aaron Trevor Goode UNIVERSITY OF DAYTON Dayton, Ohio May 2019 AMERICAN GOTHIC: A CREATIVE EXPLORATION Name: Goode, Aaron Trevor APPROVED BY: ___________________________________ Bryan Bardine, Ph.D. Committee Chair Professor ___________________________________ Christopher Burnside, MFA Committee Member Professor ___________________________________ Stephen Wilhoit, PhD. Committee Member Professor ii © Copyright by Aaron Trevor Goode All rights reserved 2019 iii ABSTRACT AMERICAN GOTHIC: A CREATIVE EXPLORATION Name: Goode, Aaron Trevor University of Dayton Advisor: Bryan Bardine This work endeavors to explore the various movements of American Gothic by presenting an original narrative that represents key facets of each movement. Various authors and subgenres are mentioned throughout via text boxes containing annotative notes. These annotations are intended to enhance reader understanding of the American Gothic genre by familiarizing them with the stylistic conventions common to key authors and famous works of the genre. The story itself is broken up into seven sections, each distinct with regard to style and content while maintaining a cohesive narrative with a unified plot. As the readers progress through the plot, they will also progress chronologically through the history of American Gothic. from the earliest work of Charles Brockden Brown up to the Postmodern style of Mark Danielewski. iv Dedicated to My Wife v ACKNOWLEDGEMENTS I would first like to thank my advisor, Dr. Bardine, for his openness to this unconventional project, as well as for the opportunity to discuss metal and attend shows with his students.
    [Show full text]
  • Cinema Studies & Moving Image Arts Schedule of Courses
    CINEMA STUDIES & MOVING IMAGE ARTS SCHEDULE OF COURSES SPRING 2019 Attendance is mandatory for all classes and screenings. Students who miss one or more class sessions during the first two weeks of the semester may be administratively dropped in order to make room for students on the waitlist who have been attending class. Waitlists are sequenced by class rank; however, attendance does affect one’s chances of getting into a course. It is up to the individual to make sure that s/he is in (or no longer in) any given course by the drop/add deadline. Please note this sheet has detailed course and topic descriptions not found in MyCUInfo. CINEMA STUDIES COURSES FILM 1003 (3) – Space Odysseys: Astrophys/Astronomy via Cinema/Arts. Understanding representation of space in cinematic arts, as well as the underlying science. What are the political, societal, scientific and commercial motives in attempting to show our species venturing beyond Earth? These adventures highlight our hopes and fears for the future, while simultaneously clarifying contemporary anxieties. From the director G. Melies to the screenwriter B. Marling. Sec. 001 Perez-Gallego M/W 11:00am-12:15pm ATLS 102 60 limit 25789 F Screening 10:00am-12:50pm ATLS 102 FILM 1502 (3) Introduction to Film Studies. Introduces basic media literacy by exploring the technical and aesthetic principles behind the production, analysis, and interpretation of films. Explores comprehension and thinking about movies critically as technological, cultural, and artistic products. Study of films in different social and historical contexts and discussion of the importance of movies as cultural products.
    [Show full text]
  • “I Am an Other and I Always Was…”
    Hugvísindasvið “I am an other and I always was…” On the Weird and Eerie in Contemporary and Digital Cultures Ritgerð til MA-prófs í menningafræði Bob Cluness May 2019 Háskóli Íslands Hugvísindad Menningarfræði “I am an other and I always was…” On the Weird and Eerie in Contemporary and Digital Cultures Ritgerð til MA-prófs í menningafræði Bob Cluness Kt.: 150676-2829 Tutor: Björn Þór Vilhjálmsson May 2019 Abstract Society today is undergoing a series of processes and changes that can be only be described as weird. From the apocalyptic resonance of climate change and the drive to implement increasing powerful technologies into everyday life, to the hyperreality of a political and media landscape beset by chaos, there is the uneasy feeling that society, culture, and even consensual reality is beginning to experience signs of disintegration. What was considered the insanity of the margins is now experienced in the mainstream, and there is a growing feeling of wrongness, that the previous presumptions of the self, other, reality and knowledge are becoming untenable. This thesis undertakes a detailed examination of the weird and eerie as both an aesthetic register and as a critical tool in analysing the relationship between individuals and an impersonal modern society, where agency and intention is not solely the preserve of the human and there is a feeling not so much of being to act, and being acted upon. Using the definitions and characteristics of the weird and eerie provided by Mark Fisher’s critical text, The Weird and the Eerie, I set the weird and eerie in a historical context specifically regarding both the gothic, weird fiction and with the uncanny, I then analyse the presence of the weird and the eerie present in two cultural phenomena, the online phenomenon of the Slender Man, and J.G.
    [Show full text]
  • [In Announcer-Style Voice] on This Episode, We Discuss: Holmes and Watson! 00:00:05 Stuart Host Live from Portland, Oregonnnn!
    00:00:00 Dan Host [In announcer-style voice] On this episode, we discuss: Holmes and Watson! 00:00:05 Stuart Host Live from Portland, Oregonnnn! [Audience applauds and cheers at enthusiastic length.] 00:00:16 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:43 Dan Host Hey everyone, and welcome to The Flop House! I’m Dan McCoy. 00:00:45 Stuart Host I’m Stuart Wellington! 00:00:46 Elliott Host Hey, over here! It’s Elliott Kalan! Hey, Dan, where are we? 00:00:49 Dan Host [Laughs.] We’re in— [Audience laughter.] We’re in Portland, Oregon. [Audience cheers.] Oregon? [Pronounces it “Or-eh-gin.”] Oregon? [Pronounces it “Or- eh-gone.”] 00:00:56 Elliott Host I—the people here pronounce it “region.” 00:00:58 Stuart Host Mm-hm. [Audience laughter.] 00:01:00 Dan Host We’re the O-regional peaches. 00:01:01 Elliott Host [Laughs.] Yep! That’s… uh, I got, I think I’m—I might’ve pulled a hamstring hearing you tell that. [Audience laughter.] Um—we’ve been having a fun old time here with the audience here. And now it’s time for us to do a real show. A real live show. 00:01:15 Crosstalk Crosstalk Dan: Now it’s time to stop the fun! Stuart: What do you—what, do you consider what we’ve done warming them up? [All laugh.] 00:01:18 Elliott Host I don’t know. It’s hard to tell. 00:01:21 Dan Host Grudging tolerance is what we’re getting from the audience at this point.
    [Show full text]
  • Downloaded’ Into the Cultural Mainframe, Engender Apocalyptic Positive Feedback Cycles
    1 synth a reader for Now 2 synth April 2020 Confusion to our enemies! synth 3 Table of Contents List of Additional Readings ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 4 Revolutionary Letters, Diane Di Prima ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 5 Age, Race, Class, and Sex: Redefining Difference, Audre Lorde ~ ~ ~ ~ ~ 25 The Personal is Political, Carol Hanisch ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 35 Napster was only the beginning ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 41 Les Guerilleres, Monique Wittig ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 43 The Master’s Tools Will Never Dismantle the Master’s House, Audre Lorde ~ ~ 129 The Beautiful Warriors: Technofeminist Practice in the 21st century ~ ~ ~ ~ 132 A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century, Donna Haraway ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 277 Declaration of the Independence of Cyberspace, John Perry Barlowe ~ ~ ~ 306 Rejection of Closure, Lyn Hejinian ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 308 Hyperstitions, Delphi Carstens ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 320 Something’s Missing: A Discussion betwen Ernst Bloch and Theodor W. Adorno on the Contradictions of Utopian Longing ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 324 Art Practice as Fictioning (or, myth-science), Simon O’Sullivan ~ ~ ~ ~ ~ 341 From Science Fiction to Science Fictioning (or, What is the Traction of Science Fiction on the Real?), Simon O’Sullivan ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 346 Beyond the Screens: Films, Cyberpunk, and Cyberfeminism, Sadie Plant ~ ~ 373 Fiction as Method, Introduction, ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 379 Artifact of Hope, Carla Harryman ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 433 Dreaming The Dark, Chapters 1 & 2, Starhawk ~ ~ ~ ~ ~ ~ ~ ~ 468 Everting the Virtual, lecture transcript excerpt, Maggie Mer Roberts ~ ~ ~ 500 Now, Introduction, Invisible Committee ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 503 Non-Philosophy as Art Practice (or, Fiction as Method), Simon O’Sullivan ~ 508 4 synth dedicated to Bob Dylan PUBLISHER’S NOTE: This version published 2005 without permission, and is based on the 3rd edition Additional Books for Now of the work by City Lights. Anti-profit, anti-copyright.
    [Show full text]
  • "Martha, Does Our Hero Insurance Cover Reality Warping?" Ever Heard
    Reality Warper "Martha, does our Hero Insurance cover Reality Warping?" "Today's seminar is about a subject near and dear to my heart: Reality Benders. Type Greens. Mary Sues. Bixbies, Shapers,Wizards, Gods, Devils, Outside Observers, call them what you will, these are the guys that change reality based on perception and willpower." — Transcript of Dr. Clef's Seminar, "Reality Benders and You: How To Survive When The Universe Doesn't ", SCP Foundation Ever heard of the Superpower Lottery? Well, kid, you just won the grand prize. You can create, change, or destroy things or even alter reality just by thinking about it. The key issue here is how far they can take this. A character with a mild form of this power (which isn't seen very often) may be able to will a new subatomic particle into existence. A ridiculously overpowered character may be able to hiccup and accidentally tear the very fabric of the space-time continuum asunder. High-end Reality Warpers tend to also be Reality Makers. For the really high end ones, see The Omnipotent. Needless to say, running into characters with such powers can be incredibly chancy. Arguing with the more powerful ones may well be futile, especially since they can literally, in the words of Paul from The Dungeonmaster (or Adam Savage), reject your reality and substitute their own. Since absolute power corrupts absolutely, a character with this high a level of power is quite likely to go bad. They might even deem themselves to be gods. Especially for the higher-end ones, it's hard to dispute this assessment.
    [Show full text]
  • BA Ritgerð H.P. Lovecraft Og Kosmískur Hryllingur
    BA ritgerð Kvikmyndafræði H.P. Lovecraft og kosmískur hryllingur Þróun og arfleifð yfir í nýmiðla Heiðar Bernharðsson Leiðbeinandi Björn Þór Vilhjálmsson Febrúar 2019 Háskóli Íslands Hugvísindasvið Kvikmyndafræði H.P. Lovecraft og kosmískur hryllingur Þróun og arfleifð yfir í nýmiðla Ritgerð til B.A.-prófs Heiðar Bernharðsson Kt.: 010595-2079 Leiðbeinandi: Björn Þór Vilhjálmsson Febrúar 2019 Útdráttur Í þessari ritgerð verður þróun kosmísk hryllings á milli miðla rædd og sett í samhengi við bókmenntalegan uppruna sinn. Markmið ritgerðarinnar er að sýna fram á breytingar í merkingarvirkni hins kosmíska hryllings samhliða tilkomu nýrra miðla. Sýnt verður fram á þessa þróun með greiningu á leiknum Bloodborne (FromSoftware), þar sem áhrif H.P. Lovecrafts, Cthulhu sagnaheimsins og annarra verka verða notuð til samanburðar. Kosmískur hryllingur er undirgrein gotnesku hryllingssögunnar, og einkum tengdur rithöfundinum H.P. Lovecraft. Óttavekjandi þættir hins kosmíska hryllings hverfast um yfirgnæfandi stærð alheimsins, smæð og kraftleysi mannkynsins í samanburði við hann og þau áhrif sem skilningur á smæð og tilgangsleysi mannsins hafa á einstaklinga. Lovecraft sótti innblástur til forvera síns, bandaríska nítjándu aldar höfundarins Edgar Allan Poe, sem hann taldi mikilvægasta hryllingsrithöfund síns tíma. Auk þess er hægt að sjá ýmsar tengingar á kosmískum hryllingi Lovecrafts og skrifum Immanuel Kant og Edmund Burke um hið upphafna. 1 Efnisyfirlit 1 Inngangur .................................................................................................................
    [Show full text]
  • Universidade Do Estado Do Rio De Janeiro Centro De Educação E Humanidades
    Universidade do Estado do Rio de Janeiro Centro de Educação e Humanidades Faculdade de Comunicação Social Yuri Garcia Strange Aeons in Dark Rooms: a mitologia de Lovecraft na cultura contemporânea e suas apropriações cinematográficas Rio de Janeiro 2019 Yuri Garcia Strange Aeons in Dark Rooms: a mitologia de Lovecraft na cultura contemporânea e suas apropriações cinematográficas Tese apresentada como requisito parcial para a obtenção do título de Doutor ao Programa de Pós-Graduação em Comunicação da Universidade do Estado do Rio de Janeiro (PPGCom/Uerj). Área de concentração: Tecnologias de Comunicação e Cultura Orientador: Prof. Dr. Erick Felinto de Oliveira Rio de Janeiro 2019 CATALOGAÇÃO NA FONTE UERJ / REDE SIRIUS / BIBLIOTECA CEH/A G216 Garcia, Yuri. Strange Aeons in Dark Rooms: a mitologia de Lovecraft na cultura contemporânea e suas apropriações cinematográficas / Yuri Garcia. – 2019. 223 f. Orientador: Erick Felinto de Oliveira. Tese (Doutorado) – Universidade do Estado do Rio de Janeiro. Faculdade de Comunicação Social. 1. Comunicação Social – Teses. 2. Lovecraft, H. P. (Howard Phillips), 1890- 1937 – Teses. 3. Literatura – Teses. 4. Cinema – Teses. 5. Universidade do Estado do Rio de Janeiro – Teses. I. Oliveira, Erick Felinto de. II. Universidade do Estado do Rio de Janeiro. Faculdade de Comunicação Social. III. Título. es CDU 316.77 Autorizo, apenas para fins acadêmicos e científicos, a reprodução total ou parcial desta dissertação, desde que citada a fonte. ___________________________________ _______________ Assinatura Data Yuri Garcia Strange Aeons in Dark Rooms: a mitologia de Lovecraft na cultura contemporânea e suas apropriações cinematográficas Tese de Doutorado apresentada, como requisito parcial para obtenção do título de Doutor, ao Programa de Pós-Graduação em Comunicação Social, da Universidade do Estado do Rio de Janeiro (PPGCom/Uerj).
    [Show full text]
  • Cult of Cthulhu Bible, Which You Now Hold, Suggests That There Is Enough Blasphemous Lore to Sustain a Para- Digm of Cthulhuism and Yog Sothothery
    1 - 2 - Cthulhu Cult, The accursed writings of that dreaded cult and its ungodly practices whereby the Old Ones may be stirred… Venger Satanis Cult of Cthulhu High Priest Cthulhu Cult is the bible for the religious, philoso- phical, and magical organization: the Cult of Cthulhu. Be forewarned, this tome gets into the more treacherous areas of reality, consciousness, belief, and sorcery. Published by Lulu 168 pages © 2007 by Venger Satanis also known as Darrick Dishaw All rights reserved. ISBN 978-1-4303-0631-3 Invaluable thanks are given to: H.P. Lovecraft, Anton Szandor LaVey, Gurdjieff, Ouspen- sky, Aleister Crowley, Friedrich Nietzsche, Thomas Ligotti, Phil Hine, John J. Coughlin, my parents, girlfriend, and all the Cthulhu Cultists for which this bible was writ- ten… - 4 - Contents I. The Beginning …………….…page 16 II. Reality ………………………page 49 III. Unification …………………page 56 IV. Asleep ……………………...page 60 V. Laws ………………………...page 65 VI. Lovecraft …………………..page 71 VII. Man, Subjectivity ………...page 74 VIII. Chaos …………………….page 78 IX. Aeon of Cthulhu ……….....page 80 X. Theories, Fanatics …………page 84 XI. Awakening ………………..page 91 XII. Pleasure …………………..page 96 XIII. Spiritual Politics ………..page 100 XIV. Magic ……………………page 103 XV. The Cult of Cthulhu …….page 118 XVI. SoDOS …………………..page 124 XVII. Angles ……………….....page 135 XVIII. The End ………………..page 164 We must be the darkness we wish to see in the world. - 6 - The Cult of Cthulhu shall never die. Its untenable spirit, unearthly and ichorous, is spreading far and wide through the Matrix-esque reality program that we are immersed in. As you read these words, try to wake up from the illu- sions surrounding you.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Dark Matter: British Weird Fiction and the Substance of Horror, 1880-1927 Permalink https://escholarship.org/uc/item/4ns5q1fv Author Camara, Anthony Christopher Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Dark Matter: British Weird Fiction and the Substance of Horror, 1880-1927 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy In English by Anthony Christopher Camara 2013 © Copyright by Anthony Christopher Camara 2013 ABSTRACT OF THE DISSERTATION Dark Matter: British Weird Fiction and the Substance of Horror, 1880-1927 by Anthony Christopher Camara Doctor of Philosophy in English University of California, Los Angeles, 2013 Professor Joseph Bristow, Chair This dissertation examines the origins of British weird horror fiction, an understudied literary genre that had an extraordinary impact on later writers whose works appeared in popular magazines such as The Argosy (1882-1978) and Weird Tales (1923-1954). By far the most popular writer associated with the latter publication is H.P. Lovecraft, an American practitioner of cosmic weird horror whose astounding fictions have become emblematic of the genre in the mainstream imagination. This dissertation locates Lovecraft’s early modernist predecessors in British authors Vernon Lee (Violet Paget), Arthur Machen, Algernon Blackwood, and William Hope Hodgson. By tracking the evolution of the genre through these authors’ works, this study addresses the following question: “How does weird horror fiction distinguish itself from prior supernatural traditions, in particular the Gothic romance and the Victorian ghost story?” The chapters answer that inquiry by demonstrating that British weird horror fiction destabilizes scientific and philosophical accounts of physical matter, as well as the materialistic theories of ii biological life and the cosmos that issue from such accounts.
    [Show full text]
  • Forbidden Planet Catalogue
    Forbidden Planet Catalogue Generated 28th Sep 2021 TS04305 Batman Rebirth Logo T-Shirt $20.00 Apparel TS04301 Batman Rebirth Logo T-Shirt $20.00 TS04303 Batman Rebirth Logo T-Shirt $20.00 Anime/Manga T-Shirts TS04304 Batman Rebirth Logo T-Shirt $20.00 TS04302 Batman Rebirth Logo T-Shirt $20.00 TS19202 Hulk Transforming Shirt $20.00 TS21001 Black Panther Shadow T Shirt $20.00 TS06305 HXH Gon Hi T-Shirt $20.00 TS10801 Black Spider-punk T-Shirt $20.00 TS11003 Marvel Zombies T-Shirt $20.00 TS10804 Black Spider-punk T-Shirt $20.00 TS11004 Marvel Zombies T-Shirt $20.00 TS10803 Black Spider-punk T-Shirt $20.00 TS11002 Marvel Zombies T-Shirt $20.00 TS01403 BPRD T-Shirt $20.00 TS11001 Marvel Zombies T-Shirt $20.00 TS01401 BPRD T-Shirt $20.00 TS15702 Mega Man Chibi T-Shirt $20.00 TS01402 BPRD T-Shirt $20.00 TS15704 Mega Man Chibi T-Shirt $20.00 TS01405 BPRD T-Shirt $20.00 TS15705 Mega Man Chibi T-Shirt $20.00 TS01404 BPRD T-Shirt $20.00 TS15703 Mega Man Chibi T-Shirt $20.00 TS15904 Cable T-Shirt $20.00 TS15701 Mega Man Chibi T-Shirt $20.00 TS15901 Cable T-Shirt $20.00 TS13505 Captain Marvel Asteroid T-Shirt $20.00 Comic T-Shirts TS13504 Captain Marvel Asteroid T-Shirt $20.00 TS03205 Carnage Climbing T-Shirt $20.00 TS05202 Alex Ross Spider-Man T-Shirt $20.00 TS03204 Carnage Climbing T-Shirt $20.00 TS05203 Alex Ross Spider-Man T-Shirt $20.00 TS03202 Carnage Climbing T-Shirt $20.00 TS05201 Alex Ross Spider-Man T-Shirt $20.00 TS03201 Carnage Climbing T-Shirt $20.00 TS05204 Alex Ross Spider-Man T-Shirt $20.00 TS03904 Carnage Webhead T-shirt Extra Large
    [Show full text]