"Martha, Does Our Hero Insurance Cover Reality Warping?" Ever Heard
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Editor: Henry Reichman, California State University, East Bay Founding Editor: Judith F. Krug (1940–2009) Publisher: Barbara Jones Office for Intellectual Freedom, American Library Association ISSN 1945-4546 March 2013 Vol. LXII No. 2 www.ala.org/nif Filtering continues to be an important issue for most schools around the country. That was the message of the American Association of School Librarians (AASL), a division of the American Library Association, national longitudinal survey, School Libraries Count!, conducted between January 24 and March 4, 2012. The annual sur- vey collected data on filtering based on responses to fourteen questions ranging from whether or not their schools use filters, to the specific types of social media blocked at their schools. AASL survey The survey data suggests that many schools are going beyond the requirements set forth by the Federal Communications Commission (FCC) in its Child Internet Protection explores Act (CIPA). When asked whether their schools or districts filter online content, 98% of the respon- dents said content is filtered. Specific types of filtering were also listed in the survey, filtering encouraging respondents to check any filtering that applied at their schools. There were in schools 4,299 responses with the following results: • 94% (4,041) Use filtering software • 87% (3,740) Have an acceptable use policy (AUP) • 73% (3,138) Supervise the students while accessing the Internet • 27% (1,174) Limit access to the Internet • 8% (343) Allow student access to the Internet on a case-by-case basis The data indicates that the majority of respondents do use filtering software, but also work through an AUP with students, or supervise student use of online content individually. -
GUÍA De Creación De Personaje CTHULHU
Foundation for Archeological Research Guía para nuevos miembros Una guía no-oficial para crear investigadores para el juego de rol “La Llamada de Cthulhu” ” publicado en España por Edge Entertainment bajo licencia de Chaosium. Para ser utilizado principalmente en “Los Misterios de Bloomfield”-“The Bloomfield Mysteries”, una adaptación de “La Sombra de Saros”, campaña escrita por Xabier Ugalde, para su uso en las aulas de Primaria en las áreas de Ciencias Sociales, Lengua Castellana y Lengua Extranjera: Inglés Adaptado para Educación Primaria por: ÓscarRecio Coll [email protected] https://jueducacion.com/ El Copyright de las ilustraciones de La Llamada de Cthulhu y de La Sombra de Saros además de otras presentes en este material así como la propiedad intelectual/comercial/empresarial y derechos de las mismas son exclusiva de sus autores y/o de las compañías y editoriales que sean propietarias o hayan comprado los citados derechos sobre las obras y posean sobre ellas el derecho a que se las elimine de esta publicación de tal manera que sus derechos no queden vulnerados en ninguna forma o modo que pudiera contravenir su autoría para particulares y/o empresas que las hayan utilizado con fines comerciales y/o empresariales. Esta compilación no tiene ningún uso comercial ni ánimo de lucro y está destinada exclusivamente a su utilización dentro del ámbito escolar y su finalidad es completamente didáctica como material de desarrollo y apoyo para la dinamización de contenidos en las diferentes áreas que componen la Educación Primaria. Bienvenidos/as a la F.A.R. (Fundación de Investigaciones Arqueológicas), en este sencillo manual encontrarás las instrucciones para ser parte de nuestra fundación y completar tu registro como miembro. -
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#396 | SEP21 PREVIEWS world.com Name: ORDERS DUE SEP 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM Sep21 Cover ROF and COF.indd 1 8/5/2021 10:52:51 AM GTM_Previews_ROF.indd 1 8/5/2021 8:54:18 AM PREMIER COMICS NEWBURN #1 IMAGE COMICS 34 A THING CALLED TRUTH #1 IMAGE COMICS 38 JOY OPERATIONS #1 DARK HORSE COMICS 84 HELLBOY: THE BONES OF GIANTS #1 DARK HORSE COMICS 86 SONIC THE HEDGEHOG: IMPOSTER SYNDROME #1 IDW PUBLISHING 114 SHEENA, QUEEN OF THE JUNGLE #1 DYNAMITE ENTERTAINMENT 132 POWER RANGERS UNIVERSE #1 BOOM! STUDIOS 184 HULK #1 MARVEL COMICS MP-4 Sep21 Gem Page ROF COF.indd 1 8/5/2021 10:52:11 AM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Guillem March’s Laura #1 l ABLAZE The Heathens #1 l AFTERSHOCK COMICS Fathom: The Core #1 l ASPEN COMICS Watch Dogs: Legion #1 l BEHEMOTH ENTERTAINMENT 1 Tuki Volume 1 GN l CARTOON BOOKS Mutiny Magazine #1 l FAIRSQUARE COMICS Lure HC l FANTAGRAPHICS BOOKS 1 The Overstreet Guide to Lost Universes SC/HC l GEMSTONE PUBLISHING Carbon & Silicon l MAGNETIC PRESS Petrograd TP l ONI PRESS Dreadnoughts: Breaking Ground TP l REBELLION / 2000AD Doctor Who: Empire of the Wolf #1 l TITAN COMICS Blade Runner 2029 #9 l TITAN COMICS The Man Who Shot Chris Kyle: An American Legend HC l TITAN COMICS Star Trek Explorer Magazine #1 l TITAN COMICS John Severin: Two-Fisted Comic Book Artist HC l TWOMORROWS PUBLISHING The Harbinger #2 l VALIANT ENTERTAINMENT Lunar Room #1 l VAULT COMICS MANGA 2 My Hero Academia: Ultra Analysis Character Guide SC l VIZ MEDIA Aidalro Illustrations: Toilet-Bound Hanako Kun Ark Book SC l YEN PRESS Rent-A-(Really Shy!)-Girlfriend Volume 1 GN l KODANSHA COMICS Lupin III (Lupin The 3rd): Greatest Heists--The Classic Manga Collection HC l SEVEN SEAS ENTERTAINMENT APPAREL 2 Halloween: “Can’t Kill the Boogeyman” T-Shirt l HORROR Trese Vol. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
American Gothic: a Creative Exploration
AMERICAN GOTHIC: A CREATIVE EXPLORATION Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in English By Aaron Trevor Goode UNIVERSITY OF DAYTON Dayton, Ohio May 2019 AMERICAN GOTHIC: A CREATIVE EXPLORATION Name: Goode, Aaron Trevor APPROVED BY: ___________________________________ Bryan Bardine, Ph.D. Committee Chair Professor ___________________________________ Christopher Burnside, MFA Committee Member Professor ___________________________________ Stephen Wilhoit, PhD. Committee Member Professor ii © Copyright by Aaron Trevor Goode All rights reserved 2019 iii ABSTRACT AMERICAN GOTHIC: A CREATIVE EXPLORATION Name: Goode, Aaron Trevor University of Dayton Advisor: Bryan Bardine This work endeavors to explore the various movements of American Gothic by presenting an original narrative that represents key facets of each movement. Various authors and subgenres are mentioned throughout via text boxes containing annotative notes. These annotations are intended to enhance reader understanding of the American Gothic genre by familiarizing them with the stylistic conventions common to key authors and famous works of the genre. The story itself is broken up into seven sections, each distinct with regard to style and content while maintaining a cohesive narrative with a unified plot. As the readers progress through the plot, they will also progress chronologically through the history of American Gothic. from the earliest work of Charles Brockden Brown up to the Postmodern style of Mark Danielewski. iv Dedicated to My Wife v ACKNOWLEDGEMENTS I would first like to thank my advisor, Dr. Bardine, for his openness to this unconventional project, as well as for the opportunity to discuss metal and attend shows with his students. -
V for Vendetta’: Book and Film
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS DEPARTAMENTO DE ESTUDOS ANGLÍSTICOS “9 into 7” Considerations on ‘V for Vendetta’: Book and Film. Luís Silveiro MESTRADO EM ESTUDOS INGLESES E AMERICANOS (Estudos Norte-Americanos: Cinema e Literatura) 2010 UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS DEPARTAMENTO DE ESTUDOS ANGLÍSTICOS “9 into 7” Considerations on ‘V for Vendetta’: Book and Film. Luís Silveiro Dissertação orientada por Doutora Teresa Cid MESTRADO EM ESTUDOS INGLESES E AMERICANOS (Estudos Norte-Americanos: Cinema e Literatura) 2010 Abstract The current work seeks to contrast the book version of Alan Moore and David Lloyd‟s V for Vendetta (1981-1988) with its cinematic counterpart produced by the Wachowski brothers and directed by James McTeigue (2005). This dissertation looks at these two forms of the same enunciation and attempts to analise them both as cultural artifacts that belong to a specific time and place and as pseudo-political manifestos which extemporize to form a plethora of alternative actions and reactions. Whilst the former was written/drawn during the Thatcher years, the film adaptation has claimed the work as a herald for an alternative viewpoint thus pitting the original intent of the book with the sociological events of post 9/11 United States. Taking the original text as a basis for contrast, I have relied also on Professor James Keller‟s work V for Vendetta as Cultural Pastiche with which to enunciate what I consider to be lacunae in the film interpretation and to understand the reasons for the alterations undertaken from the book to the screen version. An attempt has also been made to correlate Alan Moore‟s original influences into the medium of a film made with a completely different political and cultural agenda. -
Captain Britain: End Game V. 5 PDF Book
CAPTAIN BRITAIN: END GAME V. 5 PDF, EPUB, EBOOK Alan Moore,Jamie Delano,Alan Davis | 256 pages | 06 Dec 2010 | Panini Publishing Ltd | 9781846534591 | English | Tunbridge Wells, United Kingdom Captain Britain: End Game v. 5 PDF Book Books : Captain Britain Vol. Zgodovinsko ljubezenski romani. The series also implied a strong mystical connection between Braddock and the knight Lancelot. Brian Braddock just so happens to be the alter ego of the superhero known as Captain Britain. About this product Product Information Captain Britain returns once more, as he battles the terror of the ultimate superhero slayer, the Fury, as well as the Crazy Gang and Gatecrasher and her Technet. Mnenja kupcev. Preveri zalogo v knjigarnah. The biggest hurdle to the character's introduction would be his relative obscurity with non-comic book readers, as well as being so closely identified with the United Kingdom, though the MCU has overcome similar obstacles before. She assumed her brother Brian's mantle and position in the Corps [80] while he was unavailable but she soon left the position after being blinded by Slaymaster. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. He's as strong as he used to be, and he can fly, and that's all due to his magical nature, not to his costume. David Perlmutter. The stripes across his chest started as two crossed sashes and underwent numerous changes. So if he's feeling very determined and confident, then he's very powerful, but if he's losing it then he'll really be losing it. -
By JOHN WELLS a M E R I C a N C H R O N I C L E S
AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of -
FREE FESTIVAL GUIDE @Comicartfest 12-14 October 2018 Main Funder Kendal, Cumbria 2 the LAKES INTERNATIONAL COMIC ART FESTIVAL 2018
LIMITED FESTIVAL PASSES AVAILABLE BUY NOW THE LAKES INTERNATIONAL COMIC ART FESTIVAL 2018 FREE FESTIVAL GUIDE @comicartfest www.comicartfestival.com 12-14 October 2018 Main Funder Kendal, Cumbria 2 THE LAKES INTERNATIONAL COMIC ART FESTIVAL 2018 INTRODUCTION Welcome festival-goers. A sincere thank you to our regulars for their steadfast support and a warm welcome to newcomers for giving LICAF a go. This year is our sixth festival and we continue to refine, adapt and add to our programme to keep it relevant, fresh and challenging too. This year we have more special guests than ever before, an expanded Clocktower (which maintains its intimacy), a bigger social, “out of hours” programme and more new countries represented including Russia, the Czech Republic, Denmark, India and Nepal. Our partnership with Wacom, Lancaster University, the University of Cumbria and the National Cartoonists’ Society continues to grow and we welcome our new partners, Dundee University and Lyon BD Festival, with whom we expect to work more closely over coming months. We also welcome back Amiens Comics Festival, the Finnish Institute, a fresh delegation from the Netherlands and representatives from the Flemish EVENTS Literature Fund. Times, dates and venues for A huge thank you to our funders this year’s amazing events and partners but most of all to our 4 tremendous team of volunteers without whom we’d be lost, fumbling around in a sea of intent! Julie, Carole, Sharon, Marianne, Aileen, Matt, Nick, Steve, John, Jo and Chris CONTENTS 4 Festival Overview 5 Festival -
BTPS 2020 Canada Fall Catalog
BAKER & TAYLOR PUBLISHER SERVICES BAKER & TAYLOR CANADA SPRING 2020 www.btpubservices.com For a complete list of titles, visit Baker & Taylor Publisher Services on Edelweiss. CAnada • Spring 2020 888.814.0208 (toll free) or 567.215.0030 BAKER & TAYLOR NOTES Vice President of Client Services Director of National Accounts Director of Marketing Jeff Tegge Andi Richman Matt Warner 312.438.7960 973.495.0690 419.564.4931 [email protected] [email protected] [email protected] Vice President of Sales Director of Special Sales/Gift Graphic & Web Designer Mark Hillesheim Christina Noriega Jake Schritz 646.670.1710 419.606.2133 567.215.0030 x1432 [email protected] [email protected] [email protected] Director of National Sales Sales Administration Coordinator Remittance, Warehouse & General Address Dan Verdick Emilee Graehling 30 Amberwood Parkway 651.226.5572 567.215.0030 x1409 Ashland, OH 44805 [email protected] [email protected] CONTACT & ORDERING INFORMATION Contact Customer Service Fraser Direct 905.877.4411 8300 Lawson Road [email protected] Milton, Ontario, Canada L9T 0A4 CANADIAN SALES REPRESENTATIVES Ampersand, Inc. Ontario Evette Sintichakis British Columbia/Alberta/Saskatchewan/ Saffron Beckwith 416.703.0666, ext. 121 Manitoba/Yukon/Nunavut/NWT 416.703.0066, ext. 124 Toll-free 866.736.5620 [email protected] Ali Hewett Toll-free 866.736.5620 Tel 604.448.7166 [email protected] Jenny Enriquez [email protected] Morgen Young 416.703.0666, ext. 126 Toll-free 866.736.5620 Dani Farmer 416.703.0666, ext. 128 [email protected] Tel 604.448.7168 Toll-free 866.736.5620 [email protected] [email protected] Head Office: Suite 213, 321 Carlaw Avenue, Toronto, Jessica Price Laureen Cusak ON, M4M 2S1 Tel 604.448.7170 416.703.0666, ext. -
Graphic Novels in Your School Library
GRAPHIC NOVELS IN YOUR SCHOOL LIBRARY Jesse Karp ILLUSTRATED BY Rush Kress AMERICAN LIBRARY ASSOCIATION CHICAGO 2012 For more than ten years, JESSE KARP has been a school librarian at LREI (Little Red School House and Elisabeth Irwin High School), one of Manhattan’s oldest independent schools and a long-standing leader in progressive education. He works with students across the cur- riculum, from beginning readers to high school students, with all kinds of material, includ- ing graphic novels. He regularly reviews graphic novels and picture books for Booklist and contributes to the magazine’s yearly graphic novel best list roundup; he has written articles for Book Links and American Libraries as well. He has delivered seminars on the sequen- tial art form at Pratt Institute and Queens College and teaches a graduate course about the history and analysis of the form at Pratt. He has served as a graphic novel panelist at Book Expo America for two years running and served on YALSA’s Great Graphic Novels for Teens committee from 2009 to 2012. He cocreated the education webcomic Dr. Lollipop and is the author of the young adult novel Those That Wake, which is set in Manhattan, where he lives with his wife and two daughters. Please visit his website at www.beyondwhereyoustand.com. RUSH KRESS graduated from the illustrious Joe Kubert School of Cartoon and Graphic Illustration in 1999. He has produced corporate comics for Derivatives Strategy magazine, cocreated the education webcomic Dr. Lollipop, and produced assorted covers for Early Music America magazine. He lives and works in New York City. -
The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats.