If You Are Going to Say You're Afro-Latina That Means That You Are Black
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Defining Race: Addressing the Consequences of the Law’S Failure to Define Race
PEERY.38.5.4 (Do Not Delete) 6/2/2017 2:55 PM (RE)DEFINING RACE: ADDRESSING THE CONSEQUENCES OF THE LAW’S FAILURE TO DEFINE RACE Destiny Peery† Modern lawmakers and courts have consistently avoided discussing how to define race for legal purposes even in areas of law tasked regularly with making decisions that require them. This failure to define what race is in legal contexts specifically requiring such determinations, and in the law more broadly, creates problems for multiple actors in the legal system, from plaintiffs deciding whether to pursue claims of discrimination, lawyers deciding how to argue cases, and legal decision-makers deciding cases where race is not only relevant but often central to the legal question at hand. This Article considers the hesitance to engage with questions of racial definition in law. Drawing on findings from social psychology to demonstrate how race can be defined in multiple ways that may produce different categorizations, this Article argues that the lack of racial definition is problematic because it leaves a space for multiple definitions to operate below the surface, creating not only problematic parallels to a bad legal past but also producing inconsistency. The consequences of this continued ambiguity is illustrated through an ongoing dilemma in Title VII anti-discrimination law, where the courts struggle to interpret race, illustrating the general problems created by the law’s refusal to define race, demonstrating the negative impact on individuals seeking relief and the confusion created as different definitions of race are applied to similar cases, producing different outcomes in similar cases. -
Thin Lizzy Colour Match Kit
Thin Lizzy Colour Match Kit Find the perfect shade of 6in1, Mineral Foundation or Concealer Crème to match your skin tone. Finding the shade that’s right for you: Our skin tone and complexion can change throughout the season, so you may be one shade in winter and a slightly darker shade in summer with the increase of sun exposure. To find your perfect shade: Swipe the colours that look closest to your skin tone on your jaw line down to your neck. The shade that matches your neck is the one you should choose. Warm or Cool Tones: Do you wear fake tan? If so you may need to go a shade darker than your regular colour and a warm tone will probably blend in better. For Rosy / Cool Skin tones – for skin that blushes or burns easily For Fair Skin For Medium Skin Light Skin with Pink undertones Medium Skin with yellow undertones Tends to look better with Silver jewellery Tends to look better with Gold jewellery Celebrity reference: Drew Barrymore, Celebrity reference: Cameron Diaz, Kate Winslet Celine Dion, Kate Hudson For Olive / War Skin tones – for skin that tans easily without burning For very fair skin For Fair Skin Light Skin with Pink undertones Light Skin with neutral undertones Tends to look better with Silver jewellery Always burns before tanning Celebrity reference: Kate Middleton Celebrity reference: Adele, Amy Adams, Taylor Jennifer Anniston Swift For Medium Skin For Medium-Dark Skin Medium Skin with Yellow undertones Very Gold, Light Tan, Honey Skin tones Tends to look better with Gold Jewellery Common shade in Mediterranean / Latin Celebrity reference: Diane Kruger, Celine Dion demographic, tans easily Lucy Liu, Penelope Cruz Celebrity reference: Kim Kardashian, Paula Patton, Halle Berry For Dark Skin For Deep Dark Skin Tan with neutral undertones, deep olive skin tones Rich brown with yellow undertones Common Shade in African American demographic, Common Shade in Pacific Island demographic Tans very easily Celebrity reference: Janet Jackson Celebrity reference: Jennifer Lopez Mary J. -
Notions of Beauty & Sexuality in Black Communities in the Caribbean and Beyond
fNotions o Beauty & Sexuality in Black Communities IN THE CARIBBEAN AND BEYOND VOL 14 • 2016 ISSN 0799-1401 Editor I AN B OX I LL Notions of Beauty & Sexuality in Black Communities in the Caribbean and Beyond GUEST EDITORS: Michael Barnett and Clinton Hutton IDEAZ Editor Ian Boxill Vol. 14 • 2016 ISSN 0799-1401 © 2016 by Centre for Tourism & Policy Research & Ian Boxill All rights reserved Ideaz-Institute for Intercultural and Comparative Research / Ideaz-Institut für interkulturelle und vergleichende Forschung Contact and Publisher: www.ideaz-institute.com IDEAZ–Journal Publisher: Arawak publications • Kingston, Jamaica Credits Cover photo –Courtesy of Lance Watson, photographer & Chyna Whyne, model Photos reproduced in text –Courtesy of Clinton Hutton (Figs. 2.1, 4.4, 4.5, G-1, G-2, G-5) David Barnett (Fig. 4.1) MITS, UWI (Figs. 4.2, 4.3) Lance Watson (Figs. 4.6, 4.7, G.3, G-4) Annie Paul (Figs. 6.1, 6.2, 6.3) Benjamin Asomoah (Figs. G-6, G-7) C O N T E N T S Editorial | v Acknowledgments | ix • Articles Historical Sociology of Beauty Practices: Internalized Racism, Skin Bleaching and Hair Straightening | Imani M. Tafari-Ama 1 ‘I Prefer The Fake Look’: Aesthetically Silencing and Obscuring the Presence of the Black Body | Clinton Hutton 20 Latin American Hyper-Sexualization of the Black Body: Personal Narratives of Black Female Sexuality/Beauty in Quito, Ecuador | Jean Muteba Rahier 33 The Politics of Black Hair: A Focus on Natural vs Relaxed Hair for African-Caribbean Women | Michael Barnett 69 Crossing Borders, Blurring Boundaries: -
The Genetics of Human Skin and Hair Pigmentation
GG20CH03_Pavan ARjats.cls July 31, 2019 17:4 Annual Review of Genomics and Human Genetics The Genetics of Human Skin and Hair Pigmentation William J. Pavan1 and Richard A. Sturm2 1Genetic Disease Research Branch, National Human Genome Research Institute, National Institutes of Health, Bethesda, Maryland 20892, USA; email: [email protected] 2Dermatology Research Centre, The University of Queensland Diamantina Institute, The University of Queensland, Brisbane, Queensland 4102, Australia; email: [email protected] Annu. Rev. Genom. Hum. Genet. 2019. 20:41–72 Keywords First published as a Review in Advance on melanocyte, melanogenesis, melanin pigmentation, skin color, hair color, May 17, 2019 genome-wide association study, GWAS The Annual Review of Genomics and Human Genetics is online at genom.annualreviews.org Abstract https://doi.org/10.1146/annurev-genom-083118- Human skin and hair color are visible traits that can vary dramatically Access provided by University of Washington on 09/02/19. For personal use only. 015230 within and across ethnic populations. The genetic makeup of these traits— Annu. Rev. Genom. Hum. Genet. 2019.20:41-72. Downloaded from www.annualreviews.org Copyright © 2019 by Annual Reviews. including polymorphisms in the enzymes and signaling proteins involved in All rights reserved melanogenesis, and the vital role of ion transport mechanisms operating dur- ing the maturation and distribution of the melanosome—has provided new insights into the regulation of pigmentation. A large number of novel loci involved in the process have been recently discovered through four large- scale genome-wide association studies in Europeans, two large genetic stud- ies of skin color in Africans, one study in Latin Americans, and functional testing in animal models. -
Genetic Determinants of Skin Color, Aging, and Cancer Genetische Determinanten Van Huidskleur, Huidveroudering En Huidkanker
Genetic Determinants of Skin Color, Aging, and Cancer Genetische determinanten van huidskleur, huidveroudering en huidkanker Leonie Cornelieke Jacobs Layout and printing: Optima Grafische Communicatie, Rotterdam, The Netherlands Cover design: Annette van Driel - Kluit © Leonie Jacobs, 2015 All rights reserved. No part of this thesis may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without prior written permission of the author or, when appropriate, of the publishers of the publications. ISBN: 978-94-6169-708-0 Genetic Determinants of Skin Color, Aging, and Cancer Genetische determinanten van huidskleur, huidveroudering en huidkanker Proefschrift Ter verkrijging van de graad van doctor aan de Erasmus Universiteit Rotterdam op gezag van rector magnificus Prof. dr. H.A.P. Pols en volgens besluit van het College voor Promoties. De openbare verdediging zal plaatsvinden op vrijdag 11 september 2015 om 11:30 uur door Leonie Cornelieke Jacobs geboren te Rotterdam PROMOTIECOMMISSIE Promotoren: Prof. dr. T.E.C. Nijsten Prof. dr. M. Kayser Overige leden: Prof. dr. H.A.M. Neumann Prof. dr. A.G. Uitterlinden Prof. dr. C.M. van Duijn Copromotor: dr. F. Liu COntents Chapter 1 General introduction 7 PART I SKIn COLOR Chapter 2 Perceived skin colour seems a swift, valid and reliable measurement. 29 Br J Dermatol. 2015 May 4; [Epub ahead of print]. Chapter 3 Comprehensive candidate gene study highlights UGT1A and BNC2 37 as new genes determining continuous skin color variation in Europeans. Hum Genet. 2013 Feb; 132(2): 147-58. Chapter 4 Genetics of skin color variation in Europeans: genome-wide association 59 studies with functional follow-up. -
An Ethnographic Study in Barkly East
Land as a Site of Remembrance: An Ethnographic Study in Barkly East By Karen Nortje Supervisor: Dr. R. Ebr.- Vally A THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS University of the Witwatersrand Department of Social Anthropology 2006 1 Abstract This thesis is an examination of the ways in which people in Barkly East, a small town in the Eastern Cape, attribute feelings of belonging to the land they own and work. In a country such as South Africa, where the contestation of land is prominent and so integral to the political and social discourse, questions related to the idea of belonging are necessary and important. Significant questions addressed by this thesis are: Who belongs and why do they feel they belong? More importantly, the question of who does not belong, is addressed. In Barkly East a tug of war exists between groups and individuals who want matters to remain constant and those who need the status quo to change. What stands out, moreover, in this community, is its duality on many levels of society, which is played out both consciously and unconsciously. This duality is also manifested through social, racial and economic relations, and is supported by an unequal access to land. This thesis identifies three main elements which contribute to the creation of narratives of belonging in Barkly East. Firstly, history and the perception of history create strong links between personal and communal identity, which in turn reinforces and legitimises claims of belonging. Secondly, hierarchy in terms of gender and race plays an important part in this narration, as some residents are more empowered in this process due to either their gender or race. -
The Case of Imposed Identity for Multiracial Individuals
YOUR PERCEPTION, MY REALITY: THE CASE OF IMPOSED IDENTITY FOR MULTIRACIAL INDIVIDUALS A Dissertation by NICHOLE CRYSTELL BOUTTÉ-HEINILUOMA Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2012 Major Subject: Sociology Your Perception, My Reality: The Case of Imposed Identity for Multiracial Individuals Copyright 2012 Nichole Crystell Boutté-Heiniluoma YOUR PERCEPTION, MY REALITY: THE CASE OF IMPOSED IDENTITY FOR MULTIRACIAL INDIVIDUALS A Dissertation by NICHOLE CRYSTELL BOUTTÉ-HEINILUOMA Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Joe Feagin Committee Members, Sarah Gatson Alex McIntosh Jane Sell Head of Department, Jane Sell August 2012 Major Subject: Sociology iii ABSTRACT Your Perception, My Reality: The Case of Imposed Identity for Multiracial Individuals. (August 2012) Nichole Crystell Boutté-Heiniluoma, B.A., Texas A&M University; M.I.A., Texas A&M University Chair of Advisory Committee: Dr. Joe Feagin Prior to this exploratory study, issues of multiracial identity development and imposed identity had not been explored in great detail. This study sought to expand the current knowledge base by offering an examination of a) multiracial identity development for different bi/multiracial backgrounds, b) the influence of the perception of race on social interactions (imposed identity), and c) racial identification in the public and private spheres from the perspective of multi-racial individuals. A literature based survey was developed and piloted with an expert panel to increase face and content validity. -
Iranian-American Racial Ambiguity in Relation to Whiteness and Blackness
Bard College Bard Digital Commons Senior Projects Spring 2019 Bard Undergraduate Senior Projects Spring 2019 Checking White, Feeling Brown: Iranian-American Racial Ambiguity in Relation to Whiteness and Blackness Lily Yasmin Mojdehi Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2019 Part of the Social and Behavioral Sciences Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Mojdehi, Lily Yasmin, "Checking White, Feeling Brown: Iranian-American Racial Ambiguity in Relation to Whiteness and Blackness" (2019). Senior Projects Spring 2019. 112. https://digitalcommons.bard.edu/senproj_s2019/112 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Checking White, Feeling Brown Iranian-American Racial Ambiguity in Relation to Whiteness and Blackness Senior Project Submitted to The Division of Social Studies of Bard College by Lily Yasmin Moghtader Mojdehi Annandale-on-Hudson, New York May 2019 To three fershtehs dar behesht (Persian lit. ‘angels in heaven’) My grandparents, Lily Farahi and Mohammad Massoud, and my wise friend and teacher, Wakil ACKNOWLEDGEMENTS First and foremost I need to acknowledge my mom, Haida Mojdehi. -
Samba Showgirls Cross-Cultural Practice in Australian Popular Dance Entertainment
Samba Showgirls Cross-cultural practice in Australian popular dance entertainment Lillian Jean Shaddick A thesis submitted in fulfilment of the requirements for the degree of Master of Arts (Research) Department of Theatre and Performance Studies Faculty of Arts and Social Sciences The University of Sydney 1 This is to certify that to the best of my knowledge the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Lillian Jean Shaddick 2 Abstract The popularisation of Latin American dance genres in societies outside of Latin America has long contributed to evolving and appropriated styles. This research looks at such a case: the ‘Samba Showgirl’, the cross-cultural dance practice of Brazilian ‘samba no pé’ in an Australian environment. This hybrid is the result of bringing, what is at its origin, an Afro-Brazilian dance practice into the bodies of jazz and ballet trained commercial dancers. Beyond the hybridisation of samba in Australia, the way in which practitioners engage with this imported dance form is examined. Here we see how ideas of authenticity are caught up in notions of exoticism, how commercialising the form contributes to the way it is presented, and how aesthetic values of dance differ between Australia and Brazil. This research contains both ethnographic and biographic data, collected through my engagement in the Australian samba scene as both a working dancer and performance studies researcher. -
Dilution Anxiety and the Black Phallus
Dilution Anxiety and the Black Phallus Margo Natalie Crawford T H E O H I O S T A T E U N IVER S I T Y P R E ss / Columbus Crawford_final4print.indb 1 7/25/2008 11:52:45 AM Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Crawford, Margo Natalie. Dilution anxiety and the black phallus / Margo Natalie Crawford. p. cm. Includes bibliographical references and index. ISBN 978–0–8142–5168–3 (pbk. : alk. paper)—ISBN 978–0–8142–1091–8 (cloth : alk. paper) 1. American literature—20th century—History and criticism. 2. Human skin color in literature. 3. Politics and literature—United States—History—20th century. 4. Human skin color—United States—Psychological aspects. 5. Human skin color—Social aspects—United States. 6. Race awareness in literature. 7. Race in literature. 8. Race relations in literature. 9. Miscegenation in literature. 10. Body, Human, in literature. 11. Difference (Psychology) in literature. I. Title. PS228.S57C73 2008 810.9'3552—dc22 2008015056 This book is available in the following editions: Cloth (ISBN 978–0–8142–1091–8) Paper (ISBN 978–0–8142–5168–3) CD-ROM (ISBN 978–0–8142–9171–9) Cover design by Janna Thompson-Chordas. Text design by Jennifer Shoffey Forsythe. Type set in Adobe Minion Pro. Printed by Thomson Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Mate- rials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Crawford_final4print.indb -
Stories of Mudanca (Change): Black Brazilian Teachers and Activists On
Stories of Mudança (Change): Black Brazilian Teachers and Activists on Afro Hair and Antiracism in Education and Society Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Marla Goins, M.A. Graduate Program in Teaching and Learning The Ohio State University 2020 Dissertation Committee: Mollie Blackburn, Advisor Timothy San Pedro, Advisor Theodore Chao Candace Stout Copyrighted by Marla Goins 2020 Abstract In this research, I explored how and why Black Brazilian women preservice teachers and activists performed afro hair activism, and how they sought to impact education and society through their work. Hair is a socio-politicized feature—one which carries cultural significance and has been racialized and gendered in various ways across time and space. For Black people internationally, the specific ways in which their hair is politicized are integral to their gendered racialization by the dominant societies in which they live. Societies which carry a legacy of slavery and colonization have characteristically oppressed Black bodies. Afro hair discrimination exists as an extension of that oppression. In an effort to mitigate their discrimination, Black people have practiced hair straightening globally since the advent of chemical straighteners in the early 1900s. However, 21st century afro hair activists have challenged the dejection of afro hair and promoted its embrace. In this study, I observed afro hair activism and its educational -
The Power of Pleasure | Norient.Com 23 Sep 2021 14:59:08
The Power of Pleasure | norient.com 23 Sep 2021 14:59:08 The Power of Pleasure by Petra R. Rivera-Rideau Dances such as perreo in reggaeton receive much criticism for being sexist. But what do women who actually dance to them think? Petra R. Rivera-Rideau explores issues of female self-representation and sheds a different light on reggaeton’s sexual politics. From the Norient book Seismographic Sounds (see and order here). In June of 2014, a series of photographs called «Usa la razón, que la música no degrade tu condición» (Use reason, don’t let music degrade you) by Colombian photographers Alejandra Hernández, John Fredy Melo, and Lineyl Ibáñez circulated widely on social media. The campaign featured four photographs depicting the literal meaning of controversial lyrics by artists like Daddy Yankee and Tego Calderón who, the photographers claimed, advocated violence against women. For example, a photo of a young man eating the innards of a small, naked woman strewn across a plate illustrated the lyrics, «A ella le gusta que le den duro y se la coman» (She likes it when they give it to her hard and eat her) by Daddy Yankee. I wasn’t surprised by the photos, which many people posted on my Facebook wall. Of course, many reggaeton songs contain sexist and misogynist lyrics. Among reggaeton’s controversial elements is its accompanying dance, perreo, which usually features a woman grinding back-to-front with a man. Still, reggaeton’s treatment of women cannot be viewed in a vacuum; it is not https://norient.com/stories/the-power-of-pleasure Page 1 of 4 The Power of Pleasure | norient.com 23 Sep 2021 14:59:08 the first or only music to have problematic representations of women, nor are the societies in which it flourishes devoid of sexism, patriarchy, or misogyny.