Amara La Negra About

Total Page:16

File Type:pdf, Size:1020Kb

Amara La Negra About AMARA LA NEGRA ABOUT AMARA LA NEGRA is the embodiment of today’s woman, created with a hint of the past and a twist of tomorrow. She describes herself as eccentric, vibrant, and ambitious and draws inspiration from music legends Celia Cruz and Beyoncé. Diana Danelys De los Santos is a Dominican-American entrepreneur, recording artist, dancer, spokesperson, philanthropist, model, and actor that sheds light on the woes of navigating the entertainment industry as an Afro-Latina. The rising sensation embodies a multitude of musical genres, particularly rhythms from the Caribbean including Dembow, Reggaeton, Tropical, Soul, Dance, Pop, R&B and Soca. Having shared the stage with notable artists like Gloria Estefan, Oscar de León, and Milly Quezada, she has been a part of distinguished engagements around the world such as Premios Lo Nuestro, the Latin GRAMMYs, Premios Juventud, Latin Billboards, among others. With her Love & Hip Hop: Miami debut at the top of 2018, the 26-year-old Miami artist (who also grew up a child star on Spanish-language TV network Univision) focuses on bringing to light the many hardships she and women like her have to constantly endure, while trying to carve a lane for themselves in an industry so historically entrenched in sexism, classism, colorism and racism. In addition to reaching several triumphs in the entertainment industry, the multi-faceted business woman has added a fashion line to her name. “ALN” which infuses vibrant fashion-forward swimwear made for every woman of the world and will introduce a variety of garments in the near future, which includes sweaters, hats, and t-shirts. Most recently, Amara has signed to Fast Life Entertainment Worldwide for management and to BMG for a multi-album record deal. Upon the signing, the multi-hyphenate performer is continuing to record material with prolific producers including Rock City, Supa Dups, Jim Jonsin, and more. Beyond her music, she is an avid philanthropist known for her charitable work. She has performed at benefit concerts such as The American Cancer Society and is an activist for racial equality. HIGHLIGHTS • Recently inked a multi-album record deal with Fast Life Entertainment Worldwide and BMG. • Launched her own clothing line, ALN • Named Billboard’s Artist on Rise in November 2017 • Has shared the stage with Gloria Estefan, Oscar de León, Johnny Ventura, Los Hnos, Rosario, Tito Puente, Tito Nieves and Milly Quezada. PRESS BILLBOARD PEOPLE ESSENCE 'Love & Hip Hop Miami' Breakout Star Amara 5 Reasons to Love Amara La Negra, Love & Amara La Negra: 7 Things To Know About The La Negra Lands Multi-Album Record Deal Hip Hop's Dominican Star 'Love & Hip Hop Miami' Star BILLBOARD MTV THE FADER 'Love & Hip Hop' Star Amara La Negra Is Lauv & Amara La Negra Share Their Views On Watch the video for Amara La Negra’s “What Billboard's Artist on the Rise Love On TRL a Bam Bam” BILLBOARD HUFFINGTON POST ALLURE Amara La Negra Talks 'Love & Hip Hop' Amara La Negra Drops First Song And Music Amara La Negra Took Out Her Braids on Debut, New Record Deal and Anti-Blackness in Video Since Record Deal Instagram — The Perfect Clapback to Her Afro the Latin Industry Truthers VIDEOS SE QUE SOY (MV) INSECURE (MV) Understanding (MV) LOVE & HIP HOP MIAMI CLIP THE BREAKFAST CLUB BOOKING LINDA LEWIS [email protected] www.leftofcenterproductions.com Office: 856.778.3081 Mobile: 609.792.6611 PRESS KIT BY PINKBUTTER CREATIVE.
Recommended publications
  • If You Are Going to Say You're Afro-Latina That Means That You Are Black
    “If you are going to say you’re Afro-Latina that means that you are Black”: Afro-Latinxs Contesting the Dilution of Afro-Latinidad Rene Ayala Mellon Mays Undergraduate Fellowship Final Research Paper 15 May 2019 Ayala 1 The second half of the 2010’s has brought an increase in the visibility of, and conversations about, Afro-Latinx identity in the United States. Afro-Latinx, in its simplest definition, is a term that describes Latin Americans and Latin American Descendants who are of African Descent. While Afro-Latinidad as a concept and an identity has existed for decades, both in Latin America and the United States, the current decade has brought many advances in terms of the visibility of Afro-Latinidad and Afro-Latinx people in the United States. Univision, one of the five main Spanish language news channels targeted towards Latinxs living the United States, in late 2017 promoted Ilda Calderon, an Afro-Colombian news anchor, to main news anchor on their prime-time news program Noticiero Univsion (Hansen 2017). This promotion makes her the first Afro-Latina to anchor the news in Univsion’s history as well as the first Afro-Latina to anchor in any major network in the U.S. The decision comes at the heel of the networks airing of Calderon’s interview with a Ku Klux’s Klan Leader in August of 2017 (Univision 2017). The interview was particularly interesting because it showed the complexities of Afro-Latinidad to their Latinx audience. The network has historically been criticized for their exclusion and erasure of Afro-Latinxs in both their coverage of news that occurs in Latin America and the U.S.
    [Show full text]
  • Stories of Mudanca (Change): Black Brazilian Teachers and Activists On
    Stories of Mudança (Change): Black Brazilian Teachers and Activists on Afro Hair and Antiracism in Education and Society Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Marla Goins, M.A. Graduate Program in Teaching and Learning The Ohio State University 2020 Dissertation Committee: Mollie Blackburn, Advisor Timothy San Pedro, Advisor Theodore Chao Candace Stout Copyrighted by Marla Goins 2020 Abstract In this research, I explored how and why Black Brazilian women preservice teachers and activists performed afro hair activism, and how they sought to impact education and society through their work. Hair is a socio-politicized feature—one which carries cultural significance and has been racialized and gendered in various ways across time and space. For Black people internationally, the specific ways in which their hair is politicized are integral to their gendered racialization by the dominant societies in which they live. Societies which carry a legacy of slavery and colonization have characteristically oppressed Black bodies. Afro hair discrimination exists as an extension of that oppression. In an effort to mitigate their discrimination, Black people have practiced hair straightening globally since the advent of chemical straighteners in the early 1900s. However, 21st century afro hair activists have challenged the dejection of afro hair and promoted its embrace. In this study, I observed afro hair activism and its educational
    [Show full text]
  • The Power of Pleasure | Norient.Com 23 Sep 2021 14:59:08
    The Power of Pleasure | norient.com 23 Sep 2021 14:59:08 The Power of Pleasure by Petra R. Rivera-Rideau Dances such as perreo in reggaeton receive much criticism for being sexist. But what do women who actually dance to them think? Petra R. Rivera-Rideau explores issues of female self-representation and sheds a different light on reggaeton’s sexual politics. From the Norient book Seismographic Sounds (see and order here). In June of 2014, a series of photographs called «Usa la razón, que la música no degrade tu condición» (Use reason, don’t let music degrade you) by Colombian photographers Alejandra Hernández, John Fredy Melo, and Lineyl Ibáñez circulated widely on social media. The campaign featured four photographs depicting the literal meaning of controversial lyrics by artists like Daddy Yankee and Tego Calderón who, the photographers claimed, advocated violence against women. For example, a photo of a young man eating the innards of a small, naked woman strewn across a plate illustrated the lyrics, «A ella le gusta que le den duro y se la coman» (She likes it when they give it to her hard and eat her) by Daddy Yankee. I wasn’t surprised by the photos, which many people posted on my Facebook wall. Of course, many reggaeton songs contain sexist and misogynist lyrics. Among reggaeton’s controversial elements is its accompanying dance, perreo, which usually features a woman grinding back-to-front with a man. Still, reggaeton’s treatment of women cannot be viewed in a vacuum; it is not https://norient.com/stories/the-power-of-pleasure Page 1 of 4 The Power of Pleasure | norient.com 23 Sep 2021 14:59:08 the first or only music to have problematic representations of women, nor are the societies in which it flourishes devoid of sexism, patriarchy, or misogyny.
    [Show full text]
  • Prof. Jossianna Arroyo-Martínez AFR-370/SPC-320 (@Canvas AFR-370) Fall, 2020 [email protected] Office Hours-W @By Zoom 9-11 AM Or by Appointment
    Prof. Jossianna Arroyo-Martínez AFR-370/SPC-320 (@Canvas AFR-370) Fall, 2020 [email protected] Office Hours-W @by Zoom 9-11 AM or by appointment Literature and Media in Caribbean Cultures This course focuses on contemporary Caribbean culture and the ways literature and culture in the Spanish Caribbean have incorporated the language of the spectacle to create what I define as “Caribbean mediascapes.” Caribbean mediascapes mixes these uses of media technologies derived from film, television, and new media and the ways they engage, are used and read in the Spanish Caribbean. In this course we will analyze the cultures of production, distribution, exhibition, reception, as well as the texts themselves from several Caribbean authors, from Puerto Rico, Cuba, Haiti and the Dominican Republic and their respective U.S. enclaves in the diaspora (New York, Miami). Some of the questions we will discuss are: How are blackness and the body represented in contemporary visual culture in the Caribbean and the U.S? How “Caribbean diva stardom” influences U.S. media contemporary cultures (Iris Chacón, Rihanna, J.Lo, Nicki Minaj)? What is the link between Iris Chacón and Beyoncé? How are new forms of racialization shaping discourses around “whiteness,” blackness and Latinidad in the Caribbean and the United States? How new performing artists are using self-video platforms such as YouTube, Vine or TikTok? (Maluca, John Skiletz, Amara La Negra)? What is the role of writers and literary scholars vis à vis these views of spectacle, globalization and transnational media productions? Are there possible forms of agency in these Caribbean mediascapes? The literary, cultural and news platforms will be discussed in class as well as in a blog where students should add their own materials as well as post comments bi- weekly.
    [Show full text]
  • Blackish: Afrolatinidad and Dominican Identity in NYC
    Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 Blackish: Afrolatinidad and Dominican Identity in NYC Salim Elias Chagui-Sanchez Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Caribbean Languages and Societies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Chagui-Sanchez, Salim Elias, "Blackish: Afrolatinidad and Dominican Identity in NYC" (2018). Senior Projects Spring 2018. 142. https://digitalcommons.bard.edu/senproj_s2018/142 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Blackish: Afrolatinidad and Dominican Identity in NYC Senior Project Submitted to The Division of Social Studies of Bard College by Salim Elias Chagui-Sanchez Annandale-on-Hudson, New York May 2018 Acknowledgements First and foremost I’d like to thank my advisor, Tabetha Ewing, because without your everlasting patience and uplifting words, I would not have been able to finish this project. Even on the worst days when I showed up to your office frustrated and empty-handed you always found a way to ground me.
    [Show full text]
  • San Francisco Pride Announces Amara La Negra As Headline
    FOR IMMEDIATE RELEASE February 19, 2018 CONTACT: [email protected] | (415) 508-5538 SAN FRANCISCO PRIDE ANNOUNCES AMARA LA NEGRA AS HEADLINE ENTERTAINMENT International Entertainer and TV Personality will appear on Pride Main Stage and Don Julio Latin Stage on Sunday June 30, 2019 San Francisco, CA – San Francisco Pride is pleased to announce the first entertainer to Join the lineup of performers at the annual Celebration in June 2019. Musician and TV personality Amara La Negra will appear on multiple stages at the 49th Annual LGBT Pride Celebration and Rally. Amara La Negra, a star of Miami Afro-Latina culture, is an international entertainer, singer/songwriter, actress, model, and esteemed philanthropist. Amara La Negra performs a wide variety of musical genres, particularly rhythms hailing from the Caribbean including dembow, reggaeton, tropical, soul, dance, pop, R&B and soca. Born and raised in Miami, Amara La Negra conVeys a Vibrant collage of Spanish and Caribbean eXperience while channeling R&B and hip hop inspirations. La Negra has a formal educational background in performing arts, dance, modeling, and acting. The break-out star of Love & Hip Hop: Miami, La Negra also appears in the film Fall Girls which premiered on BET in January. She was also a finalist on the Univision dance competition show, Mira Quién Baila All Stars. This month, Amara La Negra will release her new EP, UNSTOPPABLE, which she describes as a Spanglish presentation of her growth as a musical artist. “I’m just so happy because I’Ve worked so hard for a moment like this,” the artist remarked on the release and the success of her many other projects.
    [Show full text]
  • Performing Blackness in Mexican Cinema: Eusebia Cosme, Rita Montaner and Juan José Laboriel
    Performing Blackness in Mexican Cinema: Eusebia Cosme, Rita Montaner and Juan José Laboriel Today, Mediático is delighted to belatedly present for Black History Month three excellent film essays and accompanying text by regular contributor, independent researcher Roberto Carlos Ortiz. Ortiz’s prefaces his film essays with some timely observations about the inclusion of Blaxican R&B star Miguel on the soundtrack of Disney Pixar’s Coco and in the performance of “Remember Me” at the 90th Oscars ceremony last Sunday. Ortiz’ film essays reassess the role of three black actors (Cubans Eusebia Cosme and Rita Montaner and Honduran Juan José Laboriel) in several purportedly “anti-racist” films from classical Mexican Cinema. The short essay accompanying these film essays goes from Miguel to talk about contemporary colorism debates and asks how, in light of these debates, we can reassess and honor the performances of largely forgotten black artists who often played stereotypes. Ortiz’ other posts on for Mediático focus on Holly Woodlawn and Maria Montez Performing Blackness in Mexican Cinema: Eusebia Cosme, Rita Montaner and Juan José Laboriel by Roberto Ortiz Too proper for the black kids / Too black for the Mexicans Published by MEDIÁTICO: http://reframe.sussex.ac.uk/mediatico | 1 Performing Blackness in Mexican Cinema: Eusebia Cosme, Rita Montaner and Juan José Laboriel – Miguel, “What’s Normal Anyway?” During the 2018 Oscars, Blaxican R&B singer Miguel joined Mexican pop star Natalia Lafourcade for a bilingual pop rendition of Coco’s theme song “Remember Me.” The colorful production number may have seemed more evocative of Disney’s The Three Caballeros (1944) than the “culturally aware” Coco.
    [Show full text]
  • Let's Talk About Racism
    To my mom and sisters, my life has meaning because of you . And for you daddy - no hay pa l abras for what you mean t to me. Thank you for lov ­ ing me and showing me the ways of this l ife. Thank you for making me th i nk an d reflect. Thank you for be i ng l o max im a and rem i nd i ng me of who I was , who I could be , and who I am. Thank you for ra i sing, but la dedicaci6n more i mportantly , supporti ng me, as a peruana . Thinking of you always . Te adoro . 16 Representation Matters Da na Da nelyc 0,111111,,,, ! v e ,, ,wn as Amara La Ne gra , is a s i·,1-, I I II I I ' II I I 'I I, 1 1: 11 · 1·~ Iv show Love and Hip Hop : Mi ,,11,i . I, I, I, - ,j i I l - 'It ,Ir rasachil d star on U11 · ·•-1-11 ,·,11 , • ,, La Negra , a proud Domii­ ll t ·1, , - , , . •; , " of no t be i ng accep t ed a, - 1 ~1:c colc, 1 I·, skin. Her fame J in the rec~11· .~, I ' 'I ·. , ,11,, ,10I c~1ly f, ,, .. -,~, 111., s i c , but al so ,Ill Il l; herdel i bu, 11 "·111 discussiori" .ilori sm in the h ll Lat i nx com ni .11 11- I , · 1 liel ieve in c r: ,, 111i ng to Eurocen- . :I I S O f---1 ~\ ~~ #IAMLAT\\\ ,1 "It's hard because, and I always mention these women .
    [Show full text]
  • How Big Pun Preceded the Movement of Afro-Latinidad
    HOW BIG PUN PRECEDED THE MOVEMENT OF AFRO-LATINIDAD by Victoria Kabeya «The strength of a Black man The heart of an Indian The pride of a Spaniard» Intro, Yeeeah Baby, 2000 Introduction This article focuses on the importance of the late Boricua rapper Big Pun in the Afro-Latin movement which became mainstream in the United States in the mid 2010s during the apex of the Black Lives Matter movement. It will explore how Pun managed to surpass the divisions nurtured by a racist American system which divided the diaspora in showcasing the Afro-Indigenous heritage of the Hispanic Caribbeans, at a time when their racial identity, deemed complex by the Black Americans, was always dismissed and never acknowledged, out of disdain and lack of political power. BORICUA. MORENA? Throughout the years, the Black American community often asked themselves about the racial identity of the Boricuas and the Spanish speaking Caribbean immigrants in New-York, as well, espcially for those living in the Bronx. Even if the Young Lords of Chicago always advocated for the union between black and brown bodies, many members of the political organization being Afro-Caribbeans as well. Yet, the Caribbean body was, from the start, in opposition to the rigidity of the racial caste system of the United States. There, Black Americans never could understand the concept of triracial identity, as a consequence of slavery and colonialism, when their own heritage had been erased and solely reduced to the color black. On the contrary, the Spanish speaking Caribbeans were more than a simple color, and though the descendants of colonized places, they were first considered regarding their nationalities, whether Dominican, Boricua, Cuban or Haitian.
    [Show full text]
  • Hispanic Heritage Month: Impromptu Prompts Created by the National Speech & Debate Association and the Sam Donaldson Center for Communication Studies
    WE ARE SPEECH & DEBATE Hispanic Heritage Month: Impromptu Prompts Created by the National Speech & Debate Association and the Sam Donaldson Center for Communication Studies I. QUOTATIONS “We have to be honest, we have to be truthful and speak to the one dirty secret in American life, and that’s racism.” — Henry Cisneros, Politician “Sí se puede. (Yes, we can.)” — Dolores Huerta, Activist “Es mejor morir de pie que vivir de rodillas. (It is better to die on your feet than to live on your knees.)” — Emiliano Zapata, Revolutionary “Los jóvenes tienen el deber de defender su Patria con las armas del conocimiento. (Young people have a duty to defend their country with weapons of knowledge.)” — Pedro Albizu Campos, Politician “Chicano meant looking at oneself through one’s ‘own’ eyes and not through Anglo bifocals.” — Ruben Salazar, Journalist “Non-violence is very weak in the theoretical sense; it cannot defend itself. But it is most powerful in the action situation where people are using non-violence because they want desperately to bring about some change. Non-violence in action is a very potent force and it can’t be stopped.” — Cesar Chavez, Activist “Some people are meant only to stay in your heart, not in your life.” — Dolores Del Rio, Actor “My only weapon is the question.” — Jorge Ramos, Journalist II. FAMOUS CONTEMPORARY LATINA/O/X Julián Castro, Former Secretary of Housing and Urban Development Castro is an American Democratic politician who served as the 16th United States Secretary of Housing and Urban Development under President Barack Obama from 2014 to 2017.
    [Show full text]
  • Afro-Latino Language Attitudes and Identity in the United States and Latin America
    © Copyright Arielle Lanae Akines May, 2019 AFRO-LATINO LANGUAGE ATTITUDES AND IDENTITY IN THE UNITED STATES AND LATIN AMERICA ___________________________________ A Dissertation Presented to The Faculty of the DepartMent of Hispanic Studies University of Houston ___________________________________ In Partial FulfillMent of the RequireMents for the Degree of Doctor of Philosophy ___________________________________ By Arielle Lanae Akines May, 2019 AFRO-LATINO LANGUAGE ATTITUDES AND IDENTITY IN THE UNITED STATES AND LATIN AMERICA ___________________________________ An Abstract of a Dissertation Presented to The Faculty of the DepartMent of Hispanic Studies University of Houston ___________________________________ In Partial FulfillMent of the RequireMents for the Degree of Doctor of Philosophy ___________________________________ By Arielle Lanae Akines May, 2019 ii ABSTRACT This research project sought to collectively study the identity and linguistic attitudes of Afro- Latinos in the diaspora and in the homeland. The diaspora being the United States and the homeland being Latin AMerica and Bogotá, Colombia. This study eMploys Tabouret-Keller’s (1998) concepts on language as acts of identity and Toribio’s (2006) model which incorporates race and ethnicity as factors that play a role in how language and identity work together. The participants in this study represent only a sMall population of Afro-Latinos from diverse socioeconomic and educational backgrounds. The interviews included in this project are an authentic reflection of Afro-Latinos living in and outside of the United States. These first-hand experiences allow Afro-Latinos to be heard and reflect on their truths as Black Latinos. It offers a panoraMic view on Afro-Latino language attitudes, their identity, relationships with other Latinos and Black peoples, and their connection to Latin AMerica.
    [Show full text]
  • Periodo De Reparto : 2019-01 COMUNICACION PUBLICA ( No Identificados )
    Detallado por Tocada, por Asociado, Administrado y Mandante Periodo de Reparto : 2019-01 COMUNICACION PUBLICA ( No Identificados ) [9,999] - ( NO IDENTIFICADOS ) ISRC Titulo Nombre del Artista Sello Track Monto Track 2019-01 OLLIE & JERRY Independiente 0.00 PEMG98309004 AMOR DE CONTRABANDO (REMASTERED) "CHOLO" BERROCAL Independiente 0.00 PEMG98308008 CARAVELI (REMASTERED) "CHOLO" BERROCAL Mgp 0.63 PEMG98310006 EL HUÉRFANO (REMASTERED) "CHOLO" BERROCAL Mgp 0.10 USA2P1850911 AMERIKKA'S NIGHTMARE #9 Council Music 5.65 ARF410700760 LET'S CALL THE WHOLE THING OFF (G.GERSHWIN/I.GERSHWIN) Unassigned 0.00 ARF411100844 THE MAN I LOVE (GERSHWIN/GERSHWIN) Independiente 0.00 ARF411500943 TENDERLY (GROSS/LAWRENCE) Independiente 0.00 JPPO01704270 Party Work (Groovy Workshop Mix) *Groovy Workshop. 0.07 POP *NSYNC Unassigned 0.03 QM4TW1603169 ...POR HABLAR ...POR HABLAR ...Por Hablar 1.23 USHM81186307 ACHA ?? ??? (SUPER JUNIOR) Independiente 0.00 THE TUNE ???? ??? | ROY DAHAN Unassigned 0.03 USQY51437612 ???? ???? RHYTHM POWER Amoeba Culture 0.42 FR0W61316555 COME AND GET YOUR LOVE ?????? ??????? Rendez-Vous Digital 2.31 ITG270800241 DON'T STOP BELIEVIN' ????? Independiente 0.00 TR0441211505 GÖZLERIMIN ETRAF?NDAKI ÇIZGILER ?EBNEM FERAH Pasaj Müzik 3.62 TR5411300049 SANA NERDEN GÖNÜL VERDIM ?ECAATTIN TANYERLI Independiente 0.00 TR5411300053 SEVDIM BIR GENÇ KAD?N? ?ECAATTIN TANYERLI Independiente 0.00 TR0331108314 BITER K?R?EHIR'IN GÜLLERI ?SMAIL ALTUNSARAY Kalan Ses Görüntü 2.78 L O V E B U R N (L O V E B U R N) ~ D R E X E R ~ Unassigned 0.00 ALGUIEN MAS 09 VIDAS Unassigned 0.83 USEE10181047 TROUBLE ME 10,000 MANIACS Mtv Networks 0.28 FR04Q9900077 SANS RETOUR 113 CLAN S.M.A.L.L.
    [Show full text]