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Download (GL 1, AC 3) wx9m2s AC 3 Special days, special events Here is some information on more special days in Britain. Halloween Halloween (October 31st) is the day before All Saints’ Day. On this day the Celtic people of Ireland celebrated the end of summer and the beginning of the Celtic New Year, and they wore scary costumes to chase away ghosts. In the 1840s people from Ireland took this tradition with them to America. Today people in many parts of the world celebrate Halloween. In Britain, many people have costume parties, or they tell ghost stories or watch horror films. A favourite game on Halloween is apple bobbing. You put your hands behind your back and try to take apples out of the water with your mouth. Trick-or-treating goes back to an old Christian The children shout: “Trick or treat, smell tradition and is very popular in the USA – but more my feet, give me something good to eat!” and more children in Britain do it too. They wear costumes and go from door to door to ask for money or sweets. April Fool’s Day April Fool’s Day is always on 1st April every year. People often play jokes on each other and say “April Fool!”. But only till noon (12:00 p.m.)! What’s a bank holiday? A bank holiday is a special day when the banks and many shops are closed. It’s often on a Monday, so people have a long weekend. New Year’s Eve On New Year’s Eve there are parties and fireworks. At midnight, people say “Happy New Year” and sing A famous April Fool’s Day joke in Britain the song ‘Auld Lang Syne’. from 1957: “You can grow spaghetti on trees!” (And people really believed it!) Auld Lang Syne [+EUld lxN *zaIn] traditionelles schottisches Lied ● beginning [bIGInIN] Anfang ● Celtic [*keltIk] keltisch ● to chase away [+tSeIs E*weI] verjagen ● Christian [*krIstSEn] christlich ● ghost [GEUst] Gespenst ● to grow [GrEU] hier: anbauen ● to play a joke [dZEUk] einen Streich spielen ● spaghetti [spE*Geti] Spaghetti © Ernst Klett Verlag GmbH, Stuttgart 2017 | www.klett.de Fotos: (1) Thinkstock – Getty Images Deutschland (Bananastock); (2) Getty Images (Photolibrary), München Von dieser Druckvorlage ist die Vervielfältigung für den eigenen 1/1 Unterrichtsgebrauch gestattet. Die Kopiergebühren sind abgegolten. ON_803010_AC3_wx9m2s.indd 1 23.08.2016 16:56:50.

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ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With ofﬁces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation.
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ROBERT BURNS and FRIENDS Essays by W. Ormiston Roy Fellows Presented to G
University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy Patrick G. Scott University of South Carolina - Columbia, [email protected] Kenneth Simpson See next page for additional authors Publication Info 2012, pages 1-192. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Book - Full Text is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Author(s) Patrick G. Scott, Kenneth Simpson, Carol Mcguirk, Corey E. Andrews, R. D. S. Jack, Gerard Carruthers, Kirsteen McCue, Fred Freeman, Valentina Bold, David Robb, Douglas S. Mack, Edward J. Cowan, Marco Fazzini, Thomas Keith, and Justin Mellette This book - full text is available at Scholar Commons: https://scholarcommons.sc.edu/burns_friends/1 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy G. Ross Roy as Doctor of Letters, honoris causa June 17, 2009 “The rank is but the guinea’s stamp, The Man’s the gowd for a’ that._” ROBERT BURNS AND FRIENDS essays by W.
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November 2020
‘The Vision’ The Robert Burns World Federation Newsletter Issue 47 November 2020 I have decided to give the newsletter the title of ‘The Vision’ as a nod to Burns’s poem of that name in which he bemoans the lack of recognition for poets from his native Ayrshire. His vision involves the appearance the muse Coila. However, the critic David Daiches remarked that ‘the poet does not quite know what to do with her when he brought her in.’ In composing this edition of the newsletter, I felt much the same as I didn’t know what I was going to do about the lack of copy which normally flows in unsolicited from around the world. Fortunately, my colleagues on the Board came up trumps and offered various leads for suitable material. It is a pleasure to report on a very successful Tamfest which explored Burns’s famous poem Tam o’ Shanter in great depth. The importance of music in relation to Burns also comes across strongly with a couple of articles highlighting his continuing influence on contemporary performers. Editor In this Issue: Page Halloween - Profile of President Marc Sherland 1-2 - A New Tartan for the Federation 2 Amang the bonie winding banks, - Lesley McDonald elected at President of LABC 2 Where Doon rins, wimpling, clear; - Tamfest 2020 3 - Simon Lamb Performance Poet 3 Where Bruce ance ruled the martial ranks, - Singer Lauren McQuistin 4-5 An’ shook his Carrick spear; - Heritage Item, Burns’s Mother’s Well 5 Some merry, friendly, country-folks - 200 Club 6 - New Burns Selection for Every Day 6 Together did convene, - St Andrew’s Day Lecture 6 To burns their nits, an’ pou their stocks, - Volunteers for Ellisland 7 An’ haud their Hallowe’en - Habbie Poetry Competition 8 - Federation Yule Concert 9 Fu’ blythe that night.
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1993 the Digital Conversion of This Burns Chronicle Was Sponsored By
Robert BurnsLimited World Federation Limited www.rbwf.org.uk August 1993 The digital conversion of this Burns Chronicle was sponsored by Lodge Greenock Kilwinning NoXII Burns Club The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com BURNS CHRONICLE INCORPORATING "THE BURNSIAN" Official Publication of The Burns Federation VOLUME 3 (NEW SERIES) AUGUST 1993 NUMBER 1 PRICE: £1.70 'that greatest of benevolent institutions established in honour of Robert Burns'. - Glasgow Herald. The National Burns Memorial Homes, Mauchline, Ayrshire Created for Deserving Old People - as the most fitting Memorial to Robert Burns EIGHTEEN of these comfortable houses, built at Mauchline, in the heart of the Burns Country, are occupied by deserving old folks, carefully selected from all quarters. Many of the Cottagers left tied houses on retirement with nowhere else to stay. There are no irksome restrictions. They have their own key, their own furniture if they so desire, come and go as they please, and have their own friends calling on them as they wish. The whole aim and object of the scheme is to allow the Cottagers to continue the enjoyment of the quiet comfort of their 'ain fireside' in ideal surroundings. The amenities of the Homes are constantly being improved and added to, and for this purpose MONEY IS ALWAYS REQUIRED WILL YOU PLEASE HELP by sending a donation to : A. J. Campbell, Secretary, Mitchells Roberton George House, 36 North Hanover Street, Glasgow G1 2AD Tel. 041-552-3422 - BURNS CHRONICLE INCORPORATING "THE BURNSIAN" Contents President Charles Kennedy .................
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St. Andrew's Society of Mid-Maryland 2021 Event Calendar
St. Andrew's Society of Mid-Maryland 2021 Event Calendar Month Day Time SASMM Sponsored * = Via ZOOM Celtic Festivals January 23 4pm Dundee Dorothy Presents Dorothy's Shortbread 31 7pm Book Club (Monthly)* February 6 7pm Pre-Burns Cooking Lesson:* Scotch Broth 13 7pm Pre-Burns Cooking Lesson:* Vegetarian Haggis 20 7pm Pre-Burns Cooking Lesson:* Honey & Whisky Mousse 21 7pm Book Club (Monthly): The Queen's Gambit by Walter Tevis 27 5pm "Throwback Burns" Supper* SASMM celebrates the life, works and spirit of the great Scottish poet, Robert Burns (1759-1796) on, or about, the Bard's birthday, January 25th. Join us for a “Throwback” Burns Supper similar to the first one when nine of Burns’ friends gathered to mark the fifth anniversary of his death. Prepare your meal to share with a small gathering of your family, friends, or pod-mates, whomever you are comfortable at home. Then we will eat ‘together but separately’ and enjoy an evening of traditional and not-so-traditional fun via Zoom. March 13 7pm St Patrick's Day Party* Hosted by Robert and Lady Kate Patrick 30 7pm New Member Welcome* Hosted by Karen Roberton and the Board of Directors 21 7pm Book Club* The Keeper of Lost Things by Ruth Hogan Hosted by Dawn Spruill April 10 5pm National Tartan Day- The National Holiday for All Scottish-Americans * Southern Maryland Celtic http://www.tartanday.org/Tartan Day (April 6) Festival Join us for an entertaining an educational experience with Scottish talent from "across the http://www.cssm.org/events/fes pond"! (Via Zoom) tival/ Last Friday in April In 1998, April 6 was officially recognized on a permanent basis when the U.S.
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Robert Burns's Satiric Poetry. Jane Bowling Kennerly Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 Robert Burns's Satiric Poetry. Jane Bowling Kennerly Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kennerly, Jane Bowling, "Robert Burns's Satiric Poetry." (1976). LSU Historical Dissertations and Theses. 3026. https://digitalcommons.lsu.edu/gradschool_disstheses/3026 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.
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Fifteen Songs of Robert Burns
FIFTEEN SOMGS OF ROBERT BURNS LOIS G. WILLIAMS B. A., University of California, 1963 A MASTER'S REPORT suijmltted in partial fulfillioent of the requirements for the degree V MASTER OF ARTS Department of English KANSAS STATE UNIVERSITY Manhattan, Kansas 1966 Approved by: .tl^±Scmierv^^ Major Professor The great fascination vlth £olk song ^ilch began In the eighteenth century and grew to gigantic proportions in the twentieth con8taxU;ly seeks new avenues of interest. Ei^teenth-century collectors and editors amassed large collections of songs. Although the collector was concerned with the antiquity of a song, he was inclined to edit elements of "barbarista." Collectors of the twentieth century, on the other hand, have been concerned with tracing the genealogies of songs, with establishing the ''authenticity" of words or tune. As everyone knows, a folk song must be very old, must betray no polished literary skill, and must certainly be anonymous. Contenqiorary collectors would probably disregard the songs o£ Robert Bums, since, after all, they are not really old, are not works of an unskilled literary hand, and are not even sanctified by anonymity. A song has two equally important elemeots: words and noisic. Until recently, song collectors have been primarily Interested in words because of the difficulties in tracing old tunes which are caused by notational problems and absence of historical records. In the divorce of these two elements, as Gavin Greig points out, both have suffered: Taken apart from the music the words have come to be judged mainly by literary standards. But 'good is good for what it suits'; and the words of a song being intended for singing cannot fairly be judged apart from the music.
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Robert Burns and the Tradition of the Makars Robert L
Studies in Scottish Literature Volume 30 | Issue 1 Article 11 1998 Robert Burns and the Tradition of the Makars Robert L. Kindrick Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Kindrick, Robert L. (1998) "Robert Burns and the Tradition of the Makars," Studies in Scottish Literature: Vol. 30: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol30/iss1/11 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Robert L. Kindrick Robert Bums and the Tradition of the Makars One of the major questions involving the poetry of Robert Bums is the poet's awareness of earlier literary tradition. On the one hand is Henry Macken zie's notion that Bums is a "natural" poet, replete with all of the gifts of nature that Rousseau ever envisioned. His use of folk meters and folk tales as his sources, and his love for the traditions and common folk culture of Scotland seem to some to embody all the elements of "untutored genius" which reaches its zenith in the Romantic period of British verse. I A genius, Bums surely was. But whether he was "untutored" has constantly been called in doubt. The case is hardly a simple one, for even though Mackenzie's interpretation has been largely rejected, it remains in general circulation. It is sometimes difficult to believe that a number of poets who draw their inspiration from folk verse and exhibit a sym pathy towards the common man are deeply learned.
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Poem S, Chiefly Scottish
POEM S, CHIEFLY SCOTTISH NOTES CRITICAL AND HISTORICAL ADDED. TO THE HEADER. BEFORE perusal of these wonderful Poems, chiefly in the Scottish Dialect, it may be of importance to the general reader to have some authoritative rule for pronouncing the language. The following directions by the Author himself, although usually reserved for an Appendix, are therefore prefixed the one from the Kilmarnock, the other from the Edinburgh Edition : The terminations be thus the may known ; participle present, instead of ing, ends, in the Scotch Dialect, in an or in; in an, particularly, when the verb is composed of the participle present, and any of the tenses of the auxiliary, to be. The past time and participle past are usually made by shortening the ed into '. The ch and gh have always the guttural sound. The sound of the English diphthong oo, is commonly spelled ou. The French u, a sound which often occurs in the Scotch language, is marked oo, or ui. The a in genuine Scotch words, except when forming a diphthong, or followed by an e mute after a single consonant, sounds generally like the broad English a in watt. The Scotch diphthongs, ae always, and ea very often, sound like the French <? masculine. The Scotch diphthong ey sounds like the Latin ei. To these may be added the following other general rules : 1. That ea, ei, ie, diphthongs, = ee, English: 2. That ow, final, in words at least of one syllable, = ou, English : 3. That owe, or ow-e, in like situations, . = ow, English : 4. That ch, initial or final, is generally soft, = ch, English; otherwise, or in such syllables as och, ach, aueh, hard, = gh, German : 5.
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Robert Burns's Halloween Corey E
University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 Footnoted Folklore: Robert Burns's Halloween Corey E. Andrews Publication Info Published in 2012, pages 24-37. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Chapter is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Footnoted Folklore: Robert Burns’s “Hallowe’en” Corey E. Andrews Robert Burns’s interest in folklore and the supernatural started at an early age and found its way into nearly everything he wrote. In his famous autobiographical letter to Dr. John Moore in 1787, Burns testified that his wide knowledge of Scottish folk beliefs concerning the supernatural “owed much to an old Maid of my Mother’s, remarkable for her ignorance, credulity, and superstition” (Roy I: 135). He continues that She had, I suppose, the largest collection in the county of tales and songs concerning devils, ghosts, fairies, brownies, witches, warlocks, spunkies, kelpies, elf-candles, dead- lights, wraiths, apparitions … and other trumpery.
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Robert Burns & Friends
Studies in Scottish Literature Volume 37 Article 18 Issue 1 Robert Burns & Friends 8-2012 Index to Volume 37 (Robert Burns & Friends) Follow this and additional works at: https://scholarcommons.sc.edu/ssl Recommended Citation (2012) "Index to Volume 37 (Robert Burns & Friends)," Studies in Scottish Literature: Vol. 37: Iss. 1, 186–192. Available at: https://scholarcommons.sc.edu/ssl/vol37/iss1/18 This Back Matter is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Index Abbreviations used, x Barthes, Roland, 53 and n.10 Adelman, Seymour, 159 Basbanes, Nicholas A., 155 Ainslie, Robert, 101, 162 Battlefield Band, 85 Aiton, William, 51 Beattie, James, 86, 91 Aldine edition, 105 Beethoven, 86, 87 Allen, W.H., and Merry Muses, Beggar’s Benison, 97 105 Berlin, Isaiah, 88 Anderson, James, 26 Bewick, Thomas, 56-57 Andrews, Corey E., Blair, Hugh, 17, 110, 111 “Footnoted Folklore: Bogle, Eric, 85 Robert Burns’s Bold, Valentina, “On Editing ‘Halloween’,” 24-37 The Merry Muses,” 95-107 Angus, W. Craibe, 99, 102 Boswell, James, 66 Armour, James, 7 n.2 Bowman, Gill, 97 Armour, Jean, 99, 101 Boyle, David, of Ontario, 140 Atholl, Duchess of, 114 Bremner, Robert, 74 Auk Society, 103, Brown, Richard, 24 Aytoun, William Bruce, Michael, 111-116; Edmonstone, 134 Robert Burns on, 113-115 Bain, James, of Toronto, 140 Buchan, Earl of, 59 Baird, George, 108-121 Burn, Robert, architect, 7, Barke, James, 95 et seq., 107 and n.2 n.
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The Romantic Letters of Rabbie
George Scott Wilkie Robert Burns His Life In His Letters A Virtual Autobiography A Chronology of Robert Burns 1757 Marriage of William Burnes (1721 – 84) at Clochnahill Farm, Dunnottar, Kincardineshire) to Agnes Broun (1732 – 1820) at Craigenton, Kirkoswald) at Maybole, Ayrshire (15 December). 1759 Birth of Robert Burns at Alloway (25 January) 1760 Gilbert (brother) born. 1762 Agnes (sister) born. (1762 – 1834) 1764 Anabella (sister) born.(1764 – 1832) 1765 Robert and Gilbert are sent to John Murdoch's school at Alloway. 1766 William Burnes rents Mount Oliphant Farm, near Alloway and moves his family there (25 May). 1767 Birth of William Burns (brother) 1767 – 1790). 1768 John Murdoch closes the Alloway school, leaving the Burns brothers to be educated at home by their father. 1769 Birth of John Burns (brother). (1769 – 1785) 1770 Robert and Gilbert assist their father in labouring and farming duties. 1771 Birth of Isabella Burns (sister) (1771 – 1858). 1772 Robert and Gilbert attend Dalrymple Parish School during the summer, but having to go on alternate weeks as one is needed to assist on the farm. 1773 Robert studies grammar and French with John Murdoch for three weeks at Ayr 1774 Robert becomes the principal labourer on his father's farm and writes Handsome Nell in praise of Nellie Kilpatrick. 1777 He joins a dancing class, much to his father's horror. William Burnes moves the family from Mount Oliphant to Lochlea (25 May). Burns spends the summer on the smuggling coast of Kirkoswald and attends school there. 1780 With Gilbert and six other young men, Robert forms the Tarbolton Bachelor's Club.
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