The Buy Pile: Valiant's Handbook Saves the Week
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II a Master's Thesis Presented to College of Arts & Sciences Departmen
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II A Master’s Thesis Presented To College of Arts & Sciences Department of Communications and Humanities _______________________________ In Partial Fulfillment of the Requirements for the Master of Science Degree _______________________________ SUNY Polytechnic Institute By David Dellecese May 2018 © 2018 David Dellecese Approval Page SUNY Polytechnic Institute DEPARTMENT OF COMMUNICATIONS AND HUMANITIES INFORMATION DESIGN AND TECHNOLOGY MS PROGRAM Approved and recommended for acceptance as a thesis in partial fulfillment of the requirements for the degree of Master of Science in Information Design + Technology. _________________________ DATE ________________________________________ Kathryn Stam Thesis Advisor ________________________________________ Ryan Lizardi Second Reader ________________________________________ Russell Kahn Instructor 1 ABSTRACT American comic books were a relatively, but quite popular form of media during the years of World War II. Amid a limited media landscape that otherwise consisted of radio, film, newspaper, and magazines, comics served as a useful tool in engaging readers of all ages to get behind the war effort. The aims of this research was to examine a sampling of messages put forth by comic book publishers before and after American involvement in World War II in the form of fictional comic book stories. In this research, it is found that comic book storytelling/messaging reflected a theme of American isolation prior to U.S. involvement in the war, but changed its tone to become a strong proponent for American involvement post-the bombing of Pearl Harbor. This came in numerous forms, from vilification of America’s enemies in the stories of super heroics, the use of scrap, rubber, paper, or bond drives back on the homefront to provide resources on the frontlines, to a general sense of patriotism. -
K1 Timer with Remote Start Switch Instructions
Micro Wizard Instructions How to install your Fast Track flashing light display timer model K1 with optional remote start switch (If you have ordered the Quick Mount or have a Best Track, disregard this section and refer to the mounting instruction sheet for installing your timer) Enclosed you will find the Fast Track finish tine, remote start switch, a computer interface cable and USB converter* , AC adapter (and any options ordered). The Fast Track finish line contains all the electronics, sensors and displays for the Fast Track system. To install the Fast Track finish line to your track, mark the finish line on your track with a pencil. Now mark the midpoint of each lane where it crosses the finish line. These marks should align with the location of the sensors in the bottom rail of your Fast Track timer, which was manufactured according to the track measurements provided on the order form. Next, measure from the nearest sensor to the mounting screws. Mark this spot where it crosses the finish line. This marks the spot to put the mounting screws. The other marks are for the sensors that are mounted in the bottom rail of the Fast Track finish line. Now carefully drill these marks in the finish line of your track with a 3/16 inch drill bit. The sensor holes should be in the middle of each lane. The two other holes are for mounting and should be countersunk with a 1/4 inch bit so that the mounting screws are flush with the surface of the track. -
Operator's Manual
Operator’s Manual FinishLynx 32 Lynx System Developers, Inc. 175 N New Boston Street, Woburn, MA 01801 http://www.finishlynx.com Important Notice Use of FinishLynx is governed by the Sales and License Agreement signed by you or your agent (the “Buyer”), Section 7a of which is reprinted below: 7a.Ownership of Software. Lynx System Developers, Inc. (Lynx) owns and retains all title, copyright, trademark, and other proprietary rights in the software, firmware and documentation provided with the software and firmware (collectively, “Software”). Buyer acknowledges that the Software is the confidential property of Lynx and the Buyer will not disclose the Software to any other person without Lynx’s consent. FinishLynx™, Etherlynx™, CyberScoreboard™, ReacTime™ and the FinishLynx logo are registered trademarks of Lynx System Developers, Inc. SeriaLynx, FieldLynx, LaserLynx, InterLynx, ClerkLynx, Exchange, ResulTV, LynxTV and AirLynx are trademarks of Lynx System Developers, Inc. Windows 95, Windows 98, Windows 2000, Windows ME and Windows NT are registered trademarks of Microsoft Corp. Photoshop and PostScript are registered trademarks of Adobe Systems Incorporated. Palm OS, Palm Computing, Graffiti, HotSync, are registered trademarks of Palm, Inc. Palm, the Palm logo, the HotSync logo are trademarks of Palm, Inc. All other trademarks are properties of their respective companies. The following statement applies to the Independent JPEG Group's software which is included with FinishLynx 32. The authors make NO WARRANTY or representation, either express or implied, with respect to this software, its quality, accuracy, merchantability, or fitness for a particular purpose. This software is provided "AS IS", and you, its user, assume the entire risk as to its quality and accuracy. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Flashtiming FT-FAT User Manual for Line Scan and Full Frame Video
FlashTiming FT-FAT User Manual For Line Scan and Full Frame Video Version 1.3 Table of Contents 1 Introduction .......................................................................................................................................... 1 1.1 Minimum System Requirement .................................................................................................... 1 1.2 Installation .................................................................................................................................... 1 2 System Setup ........................................................................................................................................ 2 2.1 Camera Setup ................................................................................................................................ 2 Lens Adjustment ................................................................................................................... 2 2.2 Computer Setup ............................................................................................................................ 2 2.3 Networking Computers ................................................................................................................. 3 2.4 The Capture Folder ...................................................................................................................... 3 2.5 Scoring Data Folder Setup (Optional) ........................................................................................... 4 Hy-Tek’s Meet Manager -
Annual Report 2011–2012
Annual Report 2011–2012 San Diego Natural History Museum Our Mission To interpret the natural world through research, education and exhibits; to promote understanding of the evolution and diversity of southern California and the peninsula of Baja California; and to inspire in all a respect for nature and the environment. October 2012 Dear Museum Friends, We close the 2011–12 fi scal year with renewed optimism and a collective sigh of relief. Over this past year we continued to realize the benefi ts of the many diffi cult decisions made in years 2008 through 2010. The year 2008 felt like the perfect economic storm, but critical analysis over the period of the recession and nimble strategic management last fall ushered in a new day when the Museum secured Titanic: The Artifact Exhibition which generated a critical revenue stream. Coupled with our self-imposed austerity measures, this year’s strong admissions and attendance numbers have helped to bring the Museum back to a fi rm fi nancial footing. This begs an important question: why is the San Diego Natural History Museum doing an exhibition on the Titanic? What does Titanic have to do with natural history? Our strategy for traveling exhibitions stems from a philosophy fi rst espoused by the Legler Benbough Foundation. When the Benbough Foundation funded the traveling exhibition hall that bears their name, the Foundation did so with the goal of “providing opportunities for San Diegans that would be otherwise unavailable.” As an important member of the San Diego regional arts and culture community, we are providing opportunities to experience the fi nest exhibitions available regionally, nationally, and internationally. -
WOLVERINE and the X-MEN TEAM CHARACTER CARDS Original Text
WOLVERINE AND THE X-MEN TEAM CHARACTER CARDS Original Text ©2013 WizKids/NECA LLC. TM & © 2013 Marvel & Subs. PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Under Pages to Print>Pages input the pages you would like to print. (See Table of Contents) 3. Under Page Sizing & Handling>Size select Actual size. 4. Under Page Sizing & Handling>Multiple>Pages per sheet select Custom and enter 1 by 2. 5. Under Page Sizing & Handling>Multiple> Orientation select Landscape. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border (under Page Sizing & Handling>Multiple). 7. Click OK. ©2013 WizKids/NECA LLC. TM & © 2013 Marvel & Subs. TABLE OF CONTENTS Brotherhood of Mutants™, 16–17 Excalibur™, 8–9 Hellfire Club: Inner Circle™, 14–15 New Mutants™, 10–11 Shi’ar Imperial Guard™, 12–13 X-Men: Blue Strike Force™, 4–5 X-Men: Gold Strike Force™, 6–7 ©2013 WizKids/NECA LLC. TM & © 2013 Marvel & Subs. X-Men: Blue Strike Force™ X-MEN: BLUE STRIKE FORCE™ X-Men CARDS AND BEAMS (Penetrating/Psychic Blast) Beast X-Men: Blue Strike Force can use Combat Reflexes. Non-Petey Cannonball When you use Solo Adventure to Give X-Men: Blue Strike More a Family Than a Team remove Wolverine from the team base, you may place him in any Cyclops X-Men: Blue Strike Force can use Precision Strike and the Force a power action. This turn, modify the attack value of friendly non-adjacent square within 8 squares and line of fire. -
BANK EEGISTER Him* W"Klr
.•*«'•* BANK EEGISTER him* W"klr. Sat««<> M S»eoo.d-Olass Hatter at th« Post- [VOLUME L; NO. 52. —• oBce at Bed 8uk, M. J. aadei tt« lot dt Maxell f, M»». SKED.BANK, N. J./[WEDNESDAY, JUNE 20,1928. $1.50 PER IYEAR PAGES nephew, Raymond Fary, are the will also go to college. Harry THIRTEEN NEW TEACHERS CAPT. PATTERSON'S Will executors ot tho will. VISITING MODEL FARMS. SCHOOL DAYS FINISHED. Kruse will attend Rutgers, James A NEW CHIMNEY SWEEP. BOATS LEAVE RED BANK. Mrs. Mary E. VanBrunt of West VanNostrand will go to the Univer- WILL TEACH AT RED HIS WIFE AND HIS BUSINESS Long Branch bequeathed $G0O each ANNUAL TOUR OP MIDDLE- HIGH SCHOOL GRADUATING sity of Pennsylvania and Kileen THE WORK IS NOW DONE BY SEA BIRD AND ALBERTINA IK Walder will enter Simmons college BANK NEXT YEAR. PARTNER GET HIS ESTATE. to thrco grandsons, Clinton Davis, TOWN AGRICULTURE PUPIL3. EXERCISES LAST WEEK, ELECTRICITY. i NEW WATERS. ' ' Irving Davis and Wilbur Davis. The They Left Monday .Morning on a m Boston. S.T.nN.w Teacher. Will ba In,the Mn, Patterson Named »• Executrix sum of $100 was left to her son-in- ThI. Year's Claia Wat the Largatt Anson Hoyt will make a trip The Holland Ftirnace Company Gets They Will be UseTby Grtnam U*aj' <! Junior High School and Six In ih« r—George W. Ogllvie LMVM Estate law, William Davis, and the same . Bu» Trip to Varioui Placet and in tha Hi.torr of the School—Ex- around the world. He will sail as a Contracts to Sweep tha Chimneys Between New York and Midland River Street School—No Changes to Hii Wife—Wills of Other Rw sum was left to Catherine F. -
The Learning Lives of High School Students in Addis Ababa
Living in Wait: The Learning Lives of High School Students in Addis Ababa A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Solen Feyissa IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Aaron Doering and Angelica Pazurek, Co-advisors December, 2016 © Solen Feyissa 2016 ACKNOWLEDGEMENTS This dissertation would have been impossible without the support of many people. First and foremost, I would like to thank the four Ethiopian youth whose stories are told in this dissertation. I am grateful to the parents, who welcomed me into their homes and shared their stories. I would like to thank the teachers, and school administrators, who welcomed me and provided all the support I needed. This work would have also been impossible without the support of the Graduate School and the Department of Curriculum and Instruction. Thank you for your generous funding. I would especially like to thank my advisors Aaron Doering and Angelica Pazurek. I want to thank Aaron for his support throughout the years. He has been a constant and enthusiastic advisor and mentor. I am deeply thankful to Angel for her empathetic reading of my work and her generosity throughout the dissertation writing process. Her guidance has helped me advance my thinking in profound and meaningful ways. Aaron and Angel’s ideas and encouragement permeate through all of my work. I want to thank my committee members Cassie Scharber and Bhaskar Upadhyay for their support and guidance throughout the years. Cassie has been a source of wisdom. She helped me to keep my doctoral studies in perspective and to remember what is most important in my scholarly work as well as in life. -
Owner's Manual
DRAG TIMING SYSTEM ’ owner s manual MODEL 6570 INTRODUCTION 2 PRECAUTIONS Thank you for purchasing the Traxxas DTS-1 drag timing system. The Traxxas DTS-1 is designed to operate and run races that are an accurate simulation of NHRA drag racing. We have tried to capture every detail and nuance 4 TIMING SYSTEM so that you and your friends can experience the intensity of competition of the real thing. Cutting the best light COMPONENTS and achieving the lowest ET requires practice and skill that develops over time. That’s all part of the fun. While 5 GETTING STARTED you may already be familiar with drag racing, in order to better understand the procedures and operation of the DTS-1, we recommend that you go to Traxxas Drag Racing School on page 14 of this manual. There you will find 6 SYSTEM SETUP a glossary of terms and we’ll take you through the steps of an actual race. From there, go through the following ® 9 RACING instructions to get your system set up and Ready-To-Race. Precautions 10 MAINTENANCE Warning: The DTS-1 uses visible lasers for the beams. Places where laser light is emitted are marked by yellow 11 TROUBLESHOOTING warning stickers on the consoles. To avoid the potential for injury, do not look into the beam windows on the consoles. Make sure the on/off switch is in the off position before installing batteries. Make sure the consoles are 12 SYSTEM flat on the ground before turning the power on. Do not direct the lasers at persons or animals. -
Hcmaps' Marvel Team Base List
HCMaps' Marvel Team Base List Character Set Number Asset ability X-men: Blue Strike Force Wolverine WATX 1 X-Men: Blue Strike Force can use Regeneration. Cyclops WATX 16 X-Men: Blue Strike Force can use Precision Strike and the Sharpshooter ability. Gambit WATX 31 Give X-Men: Blue Strike Force a power action and remove an object from the map in a square they occupies or is adjacent to. If you do, they may immediately be given a ranged combat action as a free action. Jubilee WATX 47a Modify X-Men: Blue Strike Force defense value by +1 against range combat attacks. Beast WATX 62 X-Men: Blue Strike Force can use Combat Reflexes. Psylocke WATX 63 X-Men: Blue Strike Force can use Mind Control. Rogue WATX 64 X-Men: Blue Strike Force can use Steal Energy. Wolverine WATX 201 X-Men: Blue Strike Force can use Regeneration. Psylocke WKM 20 Characters on a Solo Adventure from this team character can use Shape Change. Rogue WKM 21 When a character goes on a Solo Adventure from this team character, choose a standard power the team character can use. Rogue can use that power as long as this asset is displayed. X-Men: Gold Strike Force Colossus WATX 2 X-Men: Gold Strike Force can use i8 Jean Grey WATX 17 X-Men: Gold Strike Force can draw lines of fire and count range and squares as if they occupied the squares of characters that began the game on their base. Bishop WATX 32 X-Men: Gold Strike Force can use Steal Energy. -
The Suspension Clause: English Text, Imperial Contexts, and American Implications
HALLIDAY/WHITE_BOOK 4/14/2008 7:48 PM THE SUSPENSION CLAUSE: ENGLISH TEXT, IMPERIAL CONTEXTS, AND AMERICAN IMPLICATIONS Paul D. Halliday and G. Edward White∗ INCE at least 2001, the Supreme Court of the United States has S signaled that the jurisprudence of the writ of habeas corpus, and its possible suspension, should be informed by an understanding of the writ and of the Habeas Suspension Clause in the U.S. Constitution “as it existed in 1789.” This Article recovers the historical basis of the Suspension Clause. It begins by exploring, in the English context, previously unexamined court archives and other manuscript sources. It then traces the path of the writ across the British Empire in the years before 1789. Finally, it analyzes early American uses of the writ, including its treatment in the Judiciary Act of 1789 and Chief Justice John Marshall’s decision in Ex parte Bollman. The Article concludes that the writ’s peculiar force was the product of judicial rather than statutory innovation; that judicial authority was premised on the idea that judges enacted powers peculiar to the king—his prerogative—when ∗ Associate Professor of History, Corcoran Department of History, University of Vir- ginia, and David and Mary Harrison Distinguished Professor of Law, University of Virginia School of Law. The authors thank the staff of the conservation department of the National Archives in London (Kew) for making it possible to study the recorda files of the Court of King’s Bench, where writs of habeas corpus and their returns were filed. We are grateful to seminar participants at the Georgetown Law Center and the law schools of Harvard University, New York University, and the Universi- ties of Michigan and Virginia for comments on earlier drafts.