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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
En El Cómic Nadie Puede Oír Tus Gritos: a Propósito De Las Adaptaciones Del Cine Al Cómic1
En el cómic nadie puede oír tus gritos: a propósito de las adaptaciones del cine al cómic 25 EN EL CÓMIC NADIE PUEDE OÍR TUS GRITOS: A PROPÓSITO DE LAS ADAPTACIONES DEL CINE AL CÓMIC1 Eduard BAILE LÓPEZ Dept. de Filologia Catalana-Aula de Còmic (Universitat d’Alacant) RESUMEN En este artículo se propone un acercamiento a las adaptaciones del cine al cómic, a menudo dejadas de lado en comparación con el fenómeno inverso, más habitual y de mayor impacto mediático. Ciertamente, el camino que lleva del celuloide a las viñetas suele estar plagado de obras olvidables, a menudo fruto tan solo de intereses publicitarios, pero pensamos que, bajo una premisa intermedial, se puede proponer un compendio breve de ejemplos merecedores de análisis. Así pues, queremos presentar una propuesta de diez ítems que se constituyen como una suerte de canon artístico expuesto al debate. Posteriormente, una de las obras escogidas, Alien: The Illustrated Story (1979), será objeto específico de reflexión como ítem modélico. Palabras clave: cómic, cine, adaptación, intermedialidad. 1. LOS CAMINOS QUE CONDUCEN A LAS ADAPTACIONES (EN CÓMIC) SON INESCRUTABLES La valoración y la conveniencia de adaptar una obra de un medio a otro ha sido, a menudo, un tema controvertido, bien por juicios apriorísticos de muy dudosa profundidad respecto a las cualidades supuestamente inherentes a cada arte (abandonemos ya el debate sobre la alta y la baja cultura) o bien, en un plano de crítica intelectual más honesta, por las dificultades de traslación si fuera la circunstancia de que uno de los ítems estuviera 1 La elaboración de este artículo se integra dentro del proyecto europeo Investigation on Comics and Graphic Novels in the Iberian Cultural Area (CA19119-iCOn-MICS) y de la red de docencia universitaria Coneixement del cànon artístic del còmic a les aules universitàries: possibilitats didàctiques. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
Legendary Pop Culture Innovator JIM STERANKO Joins Liquid Avatar to Create Digital Icons, New Format Comic Books with Augmented Reality, Nfts and More!
Legendary Pop Culture Innovator JIM STERANKO Joins Liquid Avatar to Create Digital Icons, New Format Comic Books with Augmented Reality, NFTs and more! From cinema to comic books, the visionary artist, designer, author, illusionist, and storyteller—who electrified the Marvel and DC universes—now brings his legendary touch to the digital world! Toronto, Canada / New York, NY – May 4, 2021 –Liquid Avatar Technologies Inc. (CSE: LQID / OTC:TRWRF / FRA:4T51) (“Liquid Avatar Technologies” or the “Company”,), a global blockchain, digital identity and fintech solutions company is teaming up with Jim Steranko, legendary artist, comic book creator, storyteller, illusionist, and contributor to films, including Steven Spielberg’s Raiders of the Lost Ark and Francis Ford Coppola’ s Bram Stoker’s Dracula. Steranko is bringing his iconic talents which have reached millions of fans in the Marvel and DC universes over the past 50 years, to Liquid Avatar. Steranko will create new, integrated, multi-media programs consisting of custom Liquid Avatar icons, Augmented Reality, alongside conventional media programs to the Liquid Avatar Mobile App. Steranko will also be creating a series of original digital artwork for Non-Fungible Tokens (NFTs) for the comic book, pop-culture, and blockchain community through Oasis Digital Studios. This Summer, Steranko is scheduled to focus his talents on the Liquid Avatar Marketplace, and will engage in a series of projects, including Augmented Reality, 3D Avatars, and NFTs. His massive international fanbase has been anxiously anticipating his next venture into narrative art, and Steranko promises to deliver compelling characters, dynamic imagery, and a format unique in comic book history. -
Click Above for a Preview, Or Download
JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
List of American Comics Creators 1 List of American Comics Creators
List of American comics creators 1 List of American comics creators This is a list of American comics creators. Although comics have different formats, this list covers creators of comic books, graphic novels and comic strips, along with early innovators. The list presents authors with the United States as their country of origin, although they may have published or now be resident in other countries. For other countries, see List of comic creators. Comic strip creators • Adams, Scott, creator of Dilbert • Ahern, Gene, creator of Our Boarding House, Room and Board, The Squirrel Cage and The Nut Bros. • Andres, Charles, creator of CPU Wars • Berndt, Walter, creator of Smitty • Bishop, Wally, creator of Muggs and Skeeter • Byrnes, Gene, creator of Reg'lar Fellers • Caniff, Milton, creator of Terry and the Pirates and Steve Canyon • Capp, Al, creator of Li'l Abner • Crane, Roy, creator of Captain Easy and Wash Tubbs • Crespo, Jaime, creator of Life on the Edge of Hell • Davis, Jim, creator of Garfield • Defries, Graham Francis, co-creator of Queens Counsel • Fagan, Kevin, creator of Drabble • Falk, Lee, creator of The Phantom and Mandrake the Magician • Fincher, Charles, creator of The Illustrated Daily Scribble and Thadeus & Weez • Griffith, Bill, creator of Zippy • Groening, Matt, creator of Life in Hell • Guindon, Dick, creator of The Carp Chronicles and Guindon • Guisewite, Cathy, creator of Cathy • Hagy, Jessica, creator of Indexed • Hamlin, V. T., creator of Alley Oop • Herriman, George, creator of Krazy Kat • Hess, Sol, creator with -
K1 Timer with Remote Start Switch Instructions
Micro Wizard Instructions How to install your Fast Track flashing light display timer model K1 with optional remote start switch (If you have ordered the Quick Mount or have a Best Track, disregard this section and refer to the mounting instruction sheet for installing your timer) Enclosed you will find the Fast Track finish tine, remote start switch, a computer interface cable and USB converter* , AC adapter (and any options ordered). The Fast Track finish line contains all the electronics, sensors and displays for the Fast Track system. To install the Fast Track finish line to your track, mark the finish line on your track with a pencil. Now mark the midpoint of each lane where it crosses the finish line. These marks should align with the location of the sensors in the bottom rail of your Fast Track timer, which was manufactured according to the track measurements provided on the order form. Next, measure from the nearest sensor to the mounting screws. Mark this spot where it crosses the finish line. This marks the spot to put the mounting screws. The other marks are for the sensors that are mounted in the bottom rail of the Fast Track finish line. Now carefully drill these marks in the finish line of your track with a 3/16 inch drill bit. The sensor holes should be in the middle of each lane. The two other holes are for mounting and should be countersunk with a 1/4 inch bit so that the mounting screws are flush with the surface of the track. -
Operator's Manual
Operator’s Manual FinishLynx 32 Lynx System Developers, Inc. 175 N New Boston Street, Woburn, MA 01801 http://www.finishlynx.com Important Notice Use of FinishLynx is governed by the Sales and License Agreement signed by you or your agent (the “Buyer”), Section 7a of which is reprinted below: 7a.Ownership of Software. Lynx System Developers, Inc. (Lynx) owns and retains all title, copyright, trademark, and other proprietary rights in the software, firmware and documentation provided with the software and firmware (collectively, “Software”). Buyer acknowledges that the Software is the confidential property of Lynx and the Buyer will not disclose the Software to any other person without Lynx’s consent. FinishLynx™, Etherlynx™, CyberScoreboard™, ReacTime™ and the FinishLynx logo are registered trademarks of Lynx System Developers, Inc. SeriaLynx, FieldLynx, LaserLynx, InterLynx, ClerkLynx, Exchange, ResulTV, LynxTV and AirLynx are trademarks of Lynx System Developers, Inc. Windows 95, Windows 98, Windows 2000, Windows ME and Windows NT are registered trademarks of Microsoft Corp. Photoshop and PostScript are registered trademarks of Adobe Systems Incorporated. Palm OS, Palm Computing, Graffiti, HotSync, are registered trademarks of Palm, Inc. Palm, the Palm logo, the HotSync logo are trademarks of Palm, Inc. All other trademarks are properties of their respective companies. The following statement applies to the Independent JPEG Group's software which is included with FinishLynx 32. The authors make NO WARRANTY or representation, either express or implied, with respect to this software, its quality, accuracy, merchantability, or fitness for a particular purpose. This software is provided "AS IS", and you, its user, assume the entire risk as to its quality and accuracy. -
Marvel Comics Marvel Comics
Roy Tho mas ’Marvel of a ’ $ Comics Fan zine A 1970s BULLPENNER In8 th.e9 U5SA TALKS ABOUT No.108 MARVELL CCOOMMIICCSS April & SSOOMMEE CCOOMMIICC BBOOOOKK LLEEGGEENNDDSS 2012 WARREN REECE ON CLOSE EENNCCOOUUNNTTEERRSS WWIITTHH:: BIILL EVERETT CARL BURGOS STAN LEE JOHN ROMIITA MARIIE SEVERIIN NEAL ADAMS GARY FRIIEDRIICH ALAN KUPPERBERG ROY THOMAS AND OTHERS!! PLUS:: GOLDEN AGE ARTIIST MIKE PEPPE AND MORE!! 4 0 5 3 6 7 7 2 8 5 6 2 8 1 Art ©2012 Marvel Characters, Inc.; Human Torch & Sub-Mariner logos ™ Marvel Characters, Inc. Vol. 3, No. 108 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) AT LAST! Ronn Foss, Biljo White LL IN Mike Friedrich A Proofreader COLOR FOR Rob Smentek .95! Cover Artists $8 Carl Burgos & Bill Everett Cover Colorist Contents Tom Ziuko With Special Thanks to: Writer/Editorial: Magnificent Obsession . 2 “With The Fathers Of Our Heroes” . 3 Glenn Ald Barbara Harmon Roy Ald Heritage Comics 1970s Marvel Bullpenner Warren Reece talks about legends Bill Everett & Carl Burgos— Heidi Amash Archives and how he amassed an incomparable collection of early Timelys. Michael Ambrose Roger Hill “I’m Responsible For What I’ve Done” . 35 Dave Armstrong Douglas Jones (“Gaff”) Part III of Jim Amash’s candid conversation with artist Tony Tallarico—re Charlton, this time! Richard Arndt David Karlen [blog] “Being A Cartoonist Didn’t Really Define Him” . 47 Bob Bailey David Anthony Kraft John Benson Alan Kupperberg Dewey Cassell talks with Fern Peppe about her husband, Golden/Silver Age inker Mike Peppe. -
Download Complete-Skywald-Checklist
MAY JUL SEP http://w w w .enjolrasw orld.com/Richard%20Arndt/The%20Complete%20Skyw ald%20Checklist.htmGo Close 44 captures 16 21 Jan 05 - 13 Feb 15 2010 Help2011 2012 Last updated 2 Dec. 2010. The latest version of this document can always be found at www.enjolrasworld.com. See last page for legal & © information. Additions? Corrections? Contact Richard J. Arndt: [email protected]. The Complete Skywald Checklist This index is as complete as possible given Skywald’s custom of often dropping credits off stories, hiding credits in the art of the story {mostly under Hewetson’s reign—in windowsills, gables, panel borders, as debris, etc.}, the heavy use of pseudomyns & single names and the miscrediting of stories to the wrong artist. Many of the mysteries regarding credits have been solved by access to Al Hewetson’s notes & checklists as well as the extensive aid of Christos N. Gage. Check out the end of the bibliography for interviews with Al Hewetson, Ed Fedory, Augustine Funnell & Maelo Cintron. You’ll be glad you did! Nightmare 1. cover: Brendan Lynch? (Dec. 1970) 1) The Pollution Monsters [Mike Friedrich/Don Heck & Mike Esposito] 10p 2) Master Of The Dead! [?/Martin Nodell &Vince Alascia] 6p [reprint from Eerie #14, Avon, 1954] 3) Dance Macabre [?/? & Bill Everett?] 6p [reprint from the 1950s] 4) Orgy Of Blood [Ross Andru & Mike Esposito/Ross Andru & Mike Esposito] 8p 5) A Nightmare Pin-Up [Bill Everett] 1p 6) The Skeletons Of Doom! [Art Stampler/Bill Everett] 3p [text story] 7) Help Us To Die! [?/?] 6p [reprint from the 1950s] 8) The Thing From The Sea! [?/Wally Wood & Mike Esposito?] 7p [reprint from Eerie #2, Avon, 1951] 9) The Creature Within! [?/?] 3p [reprint from the1950s] 10) The Deadly Mark Of The Beast! [Len Wein/Syd Shores & Tom Palmer] 8p open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com 11) Nightmares’s Nightmail [letters’ page] 1p Notes: Publisher: Sol Brodsky & Israel Waldman. -
Free Catalog
Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come.