sign in sign up
<<
Home , Albert Paley, Architectural glass, Beth Lipman, Charles Crodel, Chinese Souls, Corning Museum of Glass

eview

The Corning Museum of NewGlass Review 22

The Corning, 2001 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made between der Voraussetzung ausgewahlt, dass sie zwi- October 1, 1999, and October 1, 2000. schen dem 1. Oktober 1999 und dem 1. Okto- ber 2000 entworfen und gefertig wurden.

For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Review konnen angefordert werden bei: The Corning Museum of Glass Buying Office One Museum Way Corning, New York 14830-2253 Telephone: (607) 974-6479 Fax: (607) 974-7365 E-mail: [email protected]

To Our Readers An unsere Leser Since 1985, New Glass Review has been printed by Seit 1985 wird New Glass Review won der Ritterbach Ritterbach Verlag GmbH in Frechen, . This Verlag GmbH in Frechen, Deutschland, gedruckt. Dieser firm also publishes NEUES GLAS/NEW GLASS, a Verlag veroffentlicht seit 1980 auBerdem NEUES GLAS/ quarterly magazine devoted to contemporary glass- NEW GLASS, eine zweisprachige (deutsch/englisch), making. vierteljahrlich erscheinende Zeitschrift, die uber zeitge- New Glass Review is published annually as part of the nossische Glaskunst weltweit berichtet. April/June issue of NEUES GLAS/NEW GLASS. It is Die New Glass Review wird jedes Jahr als Teil der Mai- also available as an offprint. Both of these publications, ausgabe von NEUES GLAS/NEW GLASS veroffentlicht. as well as subscriptions to New Glass Review, are avail­ Sie ist aber auch als Sonderdruck erhaltlich. Diese able from the Buying Office of The Corning Museum of beiden Publikationen sind ebenso wie Abonnements fur Glass (see address above). die New Glass Review im Verkaufsburo des Corning The other three issues of NEUES GLAS/NEW GLASS Museums of Glass (siehe obenstehende Adresse) er­ that are published yearly may be ordered by writing to haltlich. NEUES GLAS/NEW GLASS, Ritterbach Verlag GmbH, Die ubrigen drei Ausgaben von NEUES GLAS/NEW Rudolf-Diesel-Strasse 5-7, D-50226 Frechen, Germany. GLASS, die jedes Jahr veroffentlicht werden, Oder Abon­ Readers wishing to subscribe to NEUES GLAS/NEW nements konnen uber NEUES GLAS/NEW GLASS, GLASS should also write to that address. Ritterbach Verlag GmbH, Rudolf-Diesel-StraBe 5-7, Readers in the can order subscriptions D-50226 Frechen, Germany, Tel. +49 22 34 1866-17, and single copies of NEUES GLAS/NEW GLASS by Fax +49 22 34 186690, e-mail [email protected] contacting the American Sales Department of German (auch einzeln) bestellt werden. Language Publications Inc., 153 South Dean Street, Lesern in den USA empfiehlt es sich, Abonnements Englewood, NJ 07631, USA, phone: (201) 871-1010, oder Einzelausgaben uber das amerikanische Vertriebs- fax: (201) 871-0870, e-mail: [email protected]. buro des Verlages in zu bestellen: German Language Publications, Inc. 153 South Dean Street, Englewood, NJ 07631, USA, Tel. +10 2018 71 -1010, Fax +10 201871-0870, e-mail [email protected]

All rights reserved, 2001 Alle Rechte vorbehalten, 2001 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253

Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland

Standard Book Number 0-< 1-151-3 ISSN: 0275-469X

Library of Congress Control Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt

Page/Seite Artists and Objects/Kunstler/innen und Objekte 4 Jury Statements/Statements der Jury 26 Jurors' Choice/Die Wahl der Juroren 35 Bibliography/Bibliografie 42 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 82 1. Jan Ambruz 4. William Bernstein Artists and Objects* Hranice, 469 Hannah Branch Road Blue Cylinder in the Willow Burnsville, Forest (detail) 28714 Slumped opaque glass; The Glass Blower Kunstler und Objekte iron tube, string Blown glass; color, cane Abgesenktes Opakglas; drawing * Descriptive information has been provided by the entrants. Eisenrohr, Draht Geblasenes Glas; Farbe, * Die Objektbeschreibungen sind von den Teilnehmerinnen und H. 290 cm, W. 340 cm, Zeichnung Teilnehmern geliefert worden. D. 340 cm H. 27 cm, W. 12 cm, D. 12 cm JA, KE, TO TSB 2. Vaida Andrasiunaite 5. Cristiano Bianchin Traunsteinerstrasse 7/03 Marina Barovier D-81549 , Germany Salizada S. Samuele 3216, S. Marco Cast and sandblasted glass; 30124 , Canopi Gegossenes und sand- Blown glass, wheel-ground; gestrahltes Glas; Metall hemp threads, , found H. 160 cm, W. 90 cm, D. 24 cm ethnographic objects JA, TSB, KE, TO Geblasenes Glas; radgraviert, radgeschliffen, Hanffasern, Pa­ Veronika Beckh pier, ethnographische Fund- Gernheim 12 stucke D-32469 Petershagen, Tallest: H. 73 cm Germany TSB, KE, TO Blossom (detail) Blown glass, cut, sandblasted, assembled Geblasenes Glas, geschliffen, sandgestrahlt, montiert H. 19 cm, Diam. 35 cm TSB, KE, TO

4 IJ 6. Gabriella Bisetto Blown glass; decal 68B High Street, Kensington Geblasenes Glas; Abziehbild SA 5068 Adelaide, H. 25 cm, W. 8 cm, D. 8 cm JA, TSB, TO Houer Blown glass, wheel-cut 9. Scott Chaseling Geblasenes Glas, radgraviert 7 Beltana Road H. 18 cm, W. 23 cm, D. 20 cm ACT 2609 , Australia KE, TO Pixilated Recall 7. Jane Bruce Blown glass, fused, "roll-up" Canberra School of Art technique G.P.O. 804, Childers Street Geblasenes Glas, verschmol- ACT 2601 Canberra, Australia zen, „Roll-up"-Technik H. 53 cm, W. 21 cm, D. 21 cm IvoryA/Vhite Tall "Lidded" Ves­ TSB, KE, TO sel ("Series IV") Blown glass, wheel-cut, 10. Tessa Clegg sandblasted 18 Gransden Avenue Geblasenes Glas, radgraviert, London E8 3QA, sandgestrahlt H. 55 cm, W. 14 cm, D. 14 cm Jazz Box TO Cast glass Gegossenes Glas 8. Sydney Cash H. 10 cm, W. 18 cm, D. 40 cm Marlboro, New York JA, TSB, KE, TO Optical Designed for the Museum of Modern Art 11. Katharine Coleman El Country 114 Winchcombe Street Blown glass; Cheltenham GL52 2NW, Geblasenes Glas; Mixed England Media H. 97 cm, W. 204 cm, D. 33 Oranges and Lemons cm , copper-wheel TSB, TO engraved Geschliffenes Glas, Kupferrad 14. Miriam Di Fiore graviert Via Marco D'Oggiono 7 H. 6 cm, Diam. 8 cm 20123 , Italy JA, KE, TO Sunset Painter Case (image of 12. Giselle Courtney Ticinun River Park, Italy) 91 Lord Street, Newtown fused glass, NSW 2042 Sydney, Australia pate de verre\ wood, roots Verschmolzenes Micromosaik- Water Spirits (light installation) glas, Pate de Verre\ Holz, Flameworked borosilicate Wurzeln glass; electroformed copper, H. 45 cm, W. 35 cm, D. 35 cm 24-karat plating, alumi­ JA, TSB, KE, TO num, stainless steel, light track 11 Lampengearbeitetes Boro- 15. Mel Douglas silikatglas, elektrolytisch aufge- Canberra, Australia tragenes Kupfer, 24 Karat Goldauflage, Aluminium, rost- Diverge freier Stahl, Lichtspur Blown and H. 45 m, W. 100 cm, D. 100 cm Geblasenes und graviertes TO Glas H. 28 cm, W. 30 cm, D. 34 cm 13. Einar De La Torre and JA, TSB, KE, TO Jamex De La Torre Ensenada, Mexico

13 6 16. Franck Ehrler Shu Shi-001 (Seed-001) Galleria Rossella Junck Pate de verre San Marco 2360 Pate de Verre 30124 Venice, Italy H. 9 cm, W. 9 cm, D. 7 cm KE, TO Presence Blown glass; metal, string 19. Morgan Graff Geblasenes Glas; Metall, Draht Rochester, New York H. 22 cm, W. 11.5 cm JA, TSB, TO Bioluminescence Blown glass; copper, Mylar, 17. Jo Ann Feher phosphorescence 1933 Broadway East, #1B Geblasenes Glas; Kupfer, , 98102 Mylar, Phosphoreszenz H. 7 cm, W. 15 cm Up, Up, and Away JA, KE, TO Stitched and knotted glass 20. Katherine Gray Aufgestickte und verknotete Elliott Brown Gallery Glasperlen, Phosphoreszenz 215 Westlake Avenue North H. 18 cm, W. 9 cm, D. 9 cm Seattle, Washington 98109 TSB Decanter Tower 18. Miho Fukui Blown glass 3-8-11-201 Yoga Geblasenes Glas Setagaya-ku, Tokyo, H. 61 cm, W. 18 cm, D. 18 cm KE, TO

17 20 21. Beata Gryt-Tomaszewska Descansos Kwiska 46 Blown glass, sandblasted Wroclaw 54-210, Geblasenes Glas, sandge- strahlt Road, Complement I H. 17.5 cm, W. 38 cm, D. 38 cm Broken glass; copper, glue TSB, TO Glasstucke; Kupfer, Klebstoff H. 35 cm, W. 45 cm, D. 30 cm 24. Niki Harley TSB 14/100 Argyle Street 22. Henri Guerin Vic. 3182 St. Kilda, Australia 9, rue du Docteur Armaing Perpetuity No. 3 31830 Plaisance-du-Touch, Kiln-cast lead crystal Ofengegossenes Bleikristall H. 29 cm, W. 50 cm, D. 32 cm Offrande du soir (private KE, TO chapel, France) Fused glass 25. Rika Hawes Verschmolzenes Glas 13-1174 Kelsey Court H. 65 cm, W. 40 cm, D. 2 cm Oakville, Ontario L6H 5E3, TSB Canada 23. Carrie Gustafson Exhibit "A" 147 Sherman Street Pate de verre; mixed media, Cambridge, paint 02140 Pate de Verre] Mixed Media, Farbe H. 42 cm, W. 39 cm, D. 12 cm KE

23 8 26. Matthias Hinsenhofen Bleiglas; Neonfaser, projizierte Rosenhagen Nr. 3 Bilder D-31134 Hildesheim, Germany Diam. 62 cm KE, TO Commosso Blown glass; metal 29. Hobson Geblasenes Glas; Metall Ben Lomond, H. 40 cm, W. 18 cm, D. 18 cm KE, TO Language of the Trees (ele­ mental traces installation, site- 27. Amber Hiscott and specific) David Pearl Hot-worked glass spirals; 1 Greenfield Terrace, Sketty tree ferns Swansea SA2 9BS, HeiB bearbeitete Glasspiralen; Baumfarne Glass Towers - Bute Square - Each spiral/jede Spirale: , UK H. 19 cm, W. 6.5 cm, D. 1 cm Slumped, silkscreened, KE, TO enameled, and laminated glass 30. Deborah Jane Holloway Abgesenktes, siebbedrucktes, 6/16 Tytloe Gardens emailliertes und laminiertes Edinburgh EH8 8HS, Scotland Floatglas H. 10 m, W. 2 m Transitive JA, TSB, TO Blown glass; water Geblasenes Glas; Wasser 28. Chiho Hitomi KE, TO London, England Rings ; nylon thread, projected image 31. Timothy Horn Untitled Canberra, Australia Blown glass; copper wire, silicone, sand Love Muscle Geblasenes Glas; Kupferdraht, Cast crystal; metallic foil, Silikon, Sand bronze, nickel-plated metal H. 22 cm, W. 20 cm, D. 12 cm Gegossenes Kristallglas, Blatt- JA, TSB, TO metall, Bronze, vernickeltes Metall 34. Sachi Imai H. 40 cm, W. 22 cm, D. 16 cm 1-60 Yasukuni-cho, Naka- TSB mura-ku 32. Kanako Idei Nagoya, Aichi 453-0065, Japan 4-19-34-608 Yokodai Isogo-ku Time (detail) Yokohama-shi, Kanagawa-ken Pate de verre 235-0045, Japan Pate de Verre H. 170 cm, W. 180 cm, Tear of Leaf D. 50 cm Pate de verre JA, TSB Pate de Verre H. 13 cm, W. 5.5 cm, D. 6 cm 35. Akihiro Isogai JA, TSB, KE, TO 2-26-41 Tamashima 33. Mayumi Igari Kurashiki, Okayama 713-8102, Japan #3-C, c/o Takeuchi, Hakuyoso 4-66 Matsuba-cho, Naka- Untitled gawa-ku Blown glass, cut, enameled Nagoya, Aichi 454-0818, Geblasenes Glas, geschliffen, Japan emailliert H. 30 cm, W. 100 cm, D. 60 cm 31 KE, TO

A ilMr mw.

i: ^ nS'JMf •: m " 'm^ku mars

3V Mrifxdm&s S. &«E '^"aigsssw 36. Menno Jonker The Beacons Noorderstraat 80 Laminated holographic glass; 1017 TW , stainless steel, granite The Laminiertes Glas mit Hologra- fien; rostfreier Stahl, Granit Shades of Pale (from series H. 12.7 m, W. 273 cm (base), made for "Aperto Vetro 2000," D. 182 cm (top) Venice) TSB Blown and cold-worked glass Geblasenes und kalt bearbei- 39. Ryosuke Kinoshita tetes Glas 2-4-9 Midorigaoka H. 18 cm, W. 30 cm, D. 30 cm Meguro-ku JA, TSB, TO Tokyo 152-0034, Japan 37. Gerry King Books of Tundra /-/// 122 Sheoak Road Kiln-cast glass; staining SA 5152 Crafers, Australia Ofengegossenes Glas; Malerei Each: H. 20 cm, W. 13 cm, Fleurette D. 3 cm Kiln-formed, hot-worked, and TSB, TO cold-worked glass; stainless steel 40. Edward Kirshner Ofengeformtes, heiB und kalt 5954 Ocean View Drive bearbeitetes Glas; rostfreier Oakland, California Stahl 94618-1843 H. 158 cm, W. 32 cm, D. 30 cm KE Cone of Chaos Blown glass; neon 38. Ray King Geblasenes Glas; Neon 835 North Third Street H. 50 cm, W. 25 cm, D. 25 cm , KE, TO 19123 41. Yasuko Kita 44. Matgorzata Klimek 13-10 Yanagi-cho, Kana- Wyszogrod 17 zawa-ku Olesnica 56-400, Poland Yokohama-shi, Kanagawa-ken Screens 236-0026, Japan Engraved glass; glass mat, For Long wood Pate de verre Graviertes Glas; Glasmatte, Pate de Verre Holz H. 18 cm, W. 53 cm, D. 22 cm H. 170 cm, W. 70 cm, D. 15 cm KE TO

42. Yuri Kitazato 45. Toshikazu Kobayashi 396-1 Nakano-cho 202 River East, 130-1 Ikeda Sakaiminato-shi, Tottori Toyoda-cho, Iwata-gun 684-0041, Japan Shizuoka 438-0805, Japan Bowl of Just after the Rain Human Form Mold-blown glass, sand­ Blown glass blasted, slumped Geblasenes Glas Formgeblasenes Glas, H. 47 cm, W. 30 cm, D. 30 cm sandgestrahlt, abgesenkt JA, TSB, KE, TO H. 11 cm, W. 23 cm, D. 22 cm TSB

43. Ireneusz Kizinski Dubois 20A/23 Wroctaw 50-207, Poland Self-Portrait Blown and hot-worked glass, sandblasted; metal Geblasenes und hei3 bearbei- tetes Glas, sandgestrahlt; Metall H. 56 cm, W. 57 cm, D. 15 cm TSB 46. Makoto Kojima Turf Gunma-ken, Japan Mold-blown and enameled glass Moonlight Formgeblasenes und emaillier- Blown and cut glass tes Glas Geblasenes und geschliffenes H. 23 cm, W. 10 cm, D. 9 cm Glas JA, TO H. 9 cm, W. 8.5 cm, D. 8.5 cm TSB 49. Jacqueline Lillie 47. Ariel Kotker Rosanne Raab Associates 35 East 75th Street 2159 Dorchester Avenue, New York, New York 10021 Floor 2 Boston, Massachusetts 02124 Disc Neckpiece Glass beads; Helmet (detail) Glasperlen; Titan Broken glass; wire L. 60 cm, Diam. 5 cm Glasstucke; Draht JA, TSB, KE, TO H. 22 cm, Diam. 64 cm JA, TO 50. Hanna Ljungstrom 48. Michael Krumrine Syster Estrids Gata 6 413 25 Gothenburg, 5535 Ridge Avenue Philadelphia, Pennsylvania Rabbits 19128 Mold-blown glass Formgeblasenes Glas H. 25 cm, W. 10 cm, D. 10 cm JA, KE, TO

46

50 Andrea Marcus Nakid or Vacant 5 Ava Crescent Hot-worked glass; mixed Toronto, Ontario M5P 3B2, media Canada Heif3 bearbeites Glass; Mixed Media Lady-slipper Orchids on Green H. 60 cm, W. 60 cm, D. 60 cm Blown glass; hot applications TSB, KE, TO Geblasenes Glas; heif3e Appli- kationen 54. Eraldo Mauro H. 36 cm, W. 20 cm, D. 17 cm Cannaregio 1812 TSB 30121 Venice, Italy 52. Noriko Marukawa Slide-Grey Toyama-shi, Japan Fused glass Verschmolzenes Glas Female H. 50 cm, W. 50 cm, D. 2 cm Kiln-cast glass TO Ofengegossenes Glas H. 16 cm, W. 23.5 cm, 55. Monique McNally D. 15.5 cm with the assistance of Ethan TO Stearn 53. Takashi Matsuzaki P.O. Box 218 Alfred Station, New York #5 Daiichi-Motookaso 14803 124 Kosakamachi-naka Kanazawa-shi, Ishikawa-ken Homage 920-0018, Japan Blown glass; video projection, milk Geblasenes Glas; Videopro- jektion, Milch H. 135 cm, W. 155 cm, D. 90 cm JA, KE 56. Yuko Mizuyoshi Pine Cone ("Digital " 2-10-23 Kajiyama Tsurumi-ku Series) Yokohama, Kanagawa Fused and blown glass canes 230-0072, Japan Verschmolzene und geblasene Glasrohre Fish Lamp (Wrasse) H. 23 cm, W. 20 cm, D. 20 cm Fused and slumped glass JA, TSB Verschmolzenes und abge- senktes Glas 59. Keiko Mukaide H. 16 cm, W. 41 cm, D. 10 cm Edinburgh, Scotland TSB Lucid in the Sky No. 3 57. Carlo Moretti Dichroic and scientific glass -Venice, Italy fragments Dichroid- und Labor-Glas- Monolite 12.Z.C stucke Fused and blown glass H. 300 cm, W. 600 cm, D. 3 cm Verschmolzenes und geblase- KE, TO nes Glas H. 18 cm, W. 13 cm, D. 5.3 cm 60. Joel Philip Myers JA, KE, TO 151 West Market Street 58. Ralph Mossman Marietta, Pennsylvania 17547 P.O. Box 458 Enticement #9 Driggs, Idaho 83422 Mold-blown glass Formgeblasenes Glas H. 42.9 cm, Diam. 14.1 cm TSB, KE, TO 61. Koharu Nakamura 64. Tatiana Novikova 1525-39 Shinyoshida-cho, Moscow, Russia Kohoku-ku Trojan Horse Yokohama-shi, Kanagawa-ken Mold-blown and hot-worked 223-0056, Japan glass; metal table Natural Formgeblasenes und heifB Pate de verre, wood bearbeitetes Glas; Metalltisch Pate de Verre, Holz H. 27 cm, W. 40 cm, D. 30 cm H. 18.5 cm, W. 31.5 cm, KE, TO D. 31.5 cm JA, TSB, KE, TO 65. Masayo Odahashi 1-14-7 Sakuradai 62. Satoko Narita Yokkaichi-shi, Mie 512-1214, 1-38-14 Yutaka, Minami Ward Japan Nagoya, Aichi 457-0863, A Blessing Japan Cast and enameled glass Animal Man 3 Gegossenes und emailliertes Cast glass Glas Gegossenes Glas H. 28 cm, W. 11 cm, D. 18 cm H. 18 cm, W. 23 cm, D. 9 cm TSB, KE JA, TSB, KE 63. Tatsuya Niimura Nagahama, Japan After Image Blown and cut glass, assembled Geblasenes und geschliffenes Glas, montiert H. 45 cm, W. 18 cm, D. 20 cm JA

63 16 66. Yumi Oguchi Dorthy 16-1 Wo, Utatsu-machi Kiln-cast glass Kanazawa-shi, Ishikawa Ofengegossenes Glas 920-0832, Japan H. 47 cm, W. 15 cm, D. 15 cm KE, TO A Warm and Sunny Day Pate de verre 69. Guillermo Patino Pate de Verre C. Larralde 1918 H. 32 cm, W. 25 cm, D. 17 cm 1429 Buenos Aires, KE, TO Espacio urbano: Circulo verde 67. Jackie Pancari Blown and fused glass; mixed P.O. Box 1200 media Alfred, New York 14802 Geblasenes und verschmolze- nes Glas; Mixed Media Light Cones Largest vessel: H. 40 cm, Blown glass; solid neodymium Diam. 30 cm spheres KE Geblasenes Glas; massive Neodymiumkugeln 70. Karen Paust H. 45.7 cm, W. 25.4 cm 948 East Market Street J A, KE, TO York, Pennsylvania 17403 68. Charles Parriott Sunset and Sapphire Elliott Brown Gallery Glass beads; thread, wire, 215 Westlake Avenue North wood, sterling Seattle, Washington 98109 Glasperlen; Fasern, Draht, Holz, Sterlingsilber H. 28 cm, W. 28 cm, D. 6 cm JA, KE, TO 71. Line Gottfred Petersen 74. Randolph Repass Adelgade 7 St. Hurbert Stables, Geaglum 8660 Skanderborg, Denmark Derrylin, Co. Fermanagh BT92 Cut Vases 9GN, Blown and cut glass Whole Body Prayer Geblasenes und geschliffenes Hot-worked and sandblasted Glas glass; watercolor, lacquer Largest: H. 19 cm, W. 6.5 cm, HeifB bearbeitetes und sand- D. 4 cm gestrahltes Glas; Wasserfarbe, TSB H. 35.5 cm, W. 17.8 cm, 72. Richard Posner D. 12.7 cm Ardeystrasse 325-A TSB D-58453 Witten, Germany 75. Gerhard Ribka The Gate of Heaven Broken Glass Garden Kopenick, Berlin Rugenerstrasse 4 Broken recycled glass; herbs D-63075 Offenbach am Main, Recycelte Glasstucke; Krauter Germany H. 1 m, W. 12 m, D. 24 m The Drummer JA, KE, TO Kiln-cast glass; mixed media Ofengegossenes Glas; Mixed 73. Karim Rashid Media 357 West 17th Street H. 28 cm, W. 14 cm, D. 8 cm New York, New York 10011 KE New Move Collection for Leonardo Blown glass Geblasenes Glas H. 29 cm, W. 30 cm JA, TO

> f 76. Michael Rogers Blackberry Banded Vessel 2595 Findley Avenue Blown, sculpted, and flame- Columbus, 43210 worked glass; cold-fabricated Geblasenes, geformtes und Sea of Words lampengearbeitetes Glas; Blown and cast glass, kalt bearbeitet engraved H. 48 cm, W. 31 cm, D. 31 cm Geblasenes und gegossenes TSB Glas, graviert H. 56 cm, W. 20 cm, D. 20 cm 79. Joyce J. Scott TSB, KE, TO , Maryland 77. Amy Rueffert Fall 236 Garland Road Blown, sandblasted, and Barnstead, New Hampshire painted glass; , 03218 mixed media Geblasenes, sandgestrahltes Triple und bemaltes Glas; Perlen, Blown glass; knitted cozy Mixed Media Geblasenes Glas; verknupfte H. 91.4 cm, W. 61 cm, Warmer D. 61 cm H. 30.5 cm, W. 23 cm, JA, TSB, KE, TO D. 23 cm KE, TO 80. Karli Sears 78. Kari Russell-Pool and Toronto, Canada Marc Petrovic Gathering VII 2 View Street Blown and sandblasted glass Centerbrook, Connecticut Geblasenes und sandgestrahl­ 06409 tes Glas H. 30 cm, W. 30 cm, D. 30 cm TSB

', 81. Patrick Seegers 84. Kathleen Sheard Achtern Schranken 3 P.O. Box 574 D-25489 Haselau, Germany Saint Helens, Oregon 97051 Hohenhorster Schafchen Loxodonta Africana—Majestic Schale Delta Mystery Kiln-cast lead glass Kiln-formed micromosaic glass Ofengegossenes Bleiglas Ofengeformtes Mikromosaik- H. 23 cm, W. 60 cm, D. 60 cm glas JA, TSB, TO H. 72.4 cm, W. 129.5 cm, D. 1.9 cm 82. Oya §enocak JA, TO §irin Sok 106 80850 Emirgan, Istanbul, 85. Michiko Shibata Turkey 76-6 Taiheizi-aza-Sekinoue Zig Zag (Whisky Glass 5153) Fukushima-shi, Fukushima Blown and cut glass 960-8151, Japan Geblasenes und geschliffenes Sweet Things Glas Fused and slumped glass H. 10 cm, Diam. 8.2 cm canes JA, TSB, KE Verschmolzene und abge- senkte Glasrohren 83. Randy Sewell H. 3 cm, W. 60 cm, D. 60 cm 38 Muscogee Avenue TSB, TO , Georgia 30305 Vase Glasmosaik H. 52 cm, W. 18 cm TSB

83 20 86. Minako Shirakura Untitled 1110-9, Honmachida Glass frit on ; spotlight Machida, Tokyo 194-0032, Glasfritten auf Spiegeln; Japan Scheinwerferlicht H. 366 cm, W. 183 cm Rest (detail) KE Hot-worked glass; metal Heif3 bearbeitetes Glas; Metall 89. Etsuko Tashima H. 84 cm, W. 40 cm, D. 51 cm 7-8-2, Sumjiyata JA, TSB, KE, TO Higashisumiyoshi-ku 87. Boyd Sugiki Osaka 546-0022, Japan 3237 Southwest Genesee Cornucopia OO-X Street Kiln-formed glass; ceramic Seattle, Washington 98126 Ofengeformtes Glas; Keramik H. 43 cm, W. 34 cm, D. 30 cm Convergence TO Hot-worked glass; oil paint HeiB bearbeitetes Glas; 90. ShihoTokoro Olfarbe 2087-24 Kagashima H. 132 cm, W. 144 cm, Gifu, Gifu 501-0111, Japan D. 38 cm TO Blown glass; snow 88. KanaTanaka Geblasenes Glas; Schnee 139 Ives Street H. 100 cm, W. 200 cm, Providence, D. 10 cm 02906 KE

I 89 91. Pamina Traylor 94. Elmarie van der Merwe Oakland, California 39 Amatori, Herold Street Cove 7600 Stellenbosch, Western Hot-worked glass; steel Cape, South HeifB bearbeitetes Glas; Stahl Wolf Masks H. 16 cm, W. 117 cm, D. 51 cm Blown and engraved glass; TO paint Geblasenes und graviertes 92. Takahiro Tsuchihashi Glas; Farbe Nagahama, Japan H. 20 cm, W. 30 cm, D. 10 cm Shell TSB, KE, TO Blown glass 95. Norwood Viviano Geblasenes Glas H. 23 cm, W. 24 cm, D. 10 cm 2233 Northeast 46th Street, JA, TSB #302 Seattle, Washington 98105 93. Midori Tsukada Simulation Serpent Goblet Toyama, Japan Stereolithography resin Stereolithographisches Harz A Nest of Heart Blown and kiln-formed glass H. 26 cm, W. 9 cm, D. 9 cm Geblasenes und ofengeform- JA, TO tes Glas H. 28 cm, W. 41 cm, D. 24 cm JA, TSB, KE, TO

91 96. Kenneth F. vonRoenn Jr. 99. Teruo Yamada Louisville, Tokyo, Japan Three First Union Born Laminated ; dichroic Blown, cut, and sandblasted glass; holographic film glass Verbundkunstglas; Dichroic- Geblasenes, geschliffenes glas, holographischer Film und sandgestrahltes Glas H. 17.3 m, W. 203 cm, H. 13.5 cm, W. 21 cm, D. 20 cm D. 21 cm JA, KE, TO TSB 97. Carrie Webster 100. Udo Zembok Canberra School of Art 8, rue des Augustins 1 Childers Street, Acton F-68000 Colmar, France ACT 2600 Canberra, Australia Hommage a Rothko 2 Untitled Fused and slumped glass; Blown, engraved, and acid- enamels, grisaille etched glass Verschmolzenes und abge- Geblasenes, graviertes und senktes Glas; Emaille, sauregeatztes Glas Grisaille H. 9 cm, W. 9 cm, D. 9 cm H. 27 cm, W. 83 cm, D. 16 cm TSB TSB 98. Richard Whiteley Sydney, Australia Delta Cast and cold-worked Bullseye glass Gegossenes und kalt bearbei- tetes Bullseye Glas H. 32 cm, W. 41 cm, D. 5 cm TSB

PgjMj j; Countries Represented/Vertretene Lander

Argentina Japan Turkey Patino, Guillermo Fukui, Miho §enocak, Oya Idei, Kanako Australia Igari, Mayumi United Kingdom Bisetto, Gabriella Imai, Sachi Clegg, Tessa Bruce, Jane Isogai, Akihiro Coleman, Katharine Chaseling, Scott Kinoshita, Ryosuke Hiscott, Amber and David Pearl (27) Courtney, Giselle Kita, Yasuko Hitomi, Chiho Douglas, Mel Kitazato, Yuri Holloway, Deborah Jane Harley, Niki Kobayashi, Toshikazu Mukaide, Keiko Horn, Timothy Kojima, Makoto Repass, Randolph King, Gerry Marukawa, Noriko Webster, Carrie Matsuzaki, Takashi United States Whiteley, Richard Mizuyoshi, Yuko Bernstein, William Nakamura, Koharu Cash, Sydney Canada Narita, Satoko Feher, Jo Ann Hawes, Rika Niimura, Tatsuya Graff, Morgan Marcus, Andrea Odahashi, Masayo Gray, Katherine Sears, Karli Oguchi, Yumi Gustafson, Carrie Shibata, Michiko Hobson, Diana Czech Republic Shirakura, Minako King, Ray Ambruz, Jan Tashima, Etsuko Kirshner, Edward Tokoro, Shiho Kotker, Ariel Denmark Tsuchihashi, Takahiro Krumrine, Michael Petersen, Line Gottfred Tsukada, Midori Lillie, Jacqueline Yamada, Teruo McNally, Monique France Mossman, Ralph Guerin, Henri Mexico Myers, Joel Philip Zembok, Udo De La Torre, Einar and Jamex De La Torre Pancari, Jackie (13) Parriott, Charles Germany Paust, Karen Andrasiunaite, Vaida The Netherlands Rashid, Karim Beckh, Veronika Jonker, Menno Rogers, Michael Hinsenhofen, Matthias Rueffert, Amy Posner, Richard Poland Russell-Pool, Kari and Marc Petrovic (78) Ribka, Gerhard Gryt-Tomaszewska, Beata Scott, Joyce J. Seegers, Patrick Kizinski, Ireneusz Sewell, Randy Klimek, Mafgorzata Sheard, Kathleen Italy Sugiki, Boyd Bianchin, Cristiano Russia Tanaka, Kana Di Fiore, Miriam Novikova, Tatiana Traylor, Pamina Ehrler, Franck Viviano, Norwood Mauro, Eraldo South Africa vonRoenn, Kenneth F., Jr. Moretti, Carlo van der Merwe, Elmarie

Sweden Ljungstrom, Hanna Correction

The photographs that accompanied three of the entries in the "Artists Aufgrund eines Versehens beim Druck sind drei Fotos aus dem Bereich and Objects" section of New Glass Review 21 (2000) were published in­ „Kunstler und Objekte" der New Glass Review 21 (2000) falsch verof- correctly. These three entries are reprinted below, with the photographs fentlicht worden. Diese drei Einreichungen werden unten noch einmal in the proper position. vollstandig abgebildet, wobei die Objekte dieses Mai korrekt ausgerich- tet sind.

1. A. J. Bocchino 236 Krams Avenue, #2B Philadelphia, Pennsylvania 19127 Untitled #1 Blown glass; steel wool Geblasenes Glas; Stahlwolle H. 70 cm, W. 80 cm, D. 26 cm DO

2. John P. Brekke Canberra, Australia Wirraway - Nowra Blown glass Geblasenes Glas H. 48 cm, W. 48 cm, D. 5 cm MD, MT

3. Dan Dailey 2 North Road Kensington, New Hampshire 03833 Dancers in Light Pate de verre, , bronze, aluminum Pate de verre, Glasscheiben, Bronze, Aluminium H. 91.4 cm, W. 106.7 cm, D. 50.8 cm TSB, MT Jury Statements

he millennium edition of New Glass Review revealed an interesting ie Jahrtausendausgabe der New Glass flew'ewenthullte eine inte- Tand unexpected fact. The vast majority of submissions fell under the Dressante und unerwartete Tatsache. Der weitaus groBte Teil der rubric "." Only a fraction of the art was production glass or Einreichungen fielen unter die Rubrik „Studioglas". Nur ein Bruchteil der . These entries came from an international group of Kunst war Produktions- oder Architekturglas. Diese Eingange kamen artists with diverse backgrounds and differing approaches to glass. von einer internationalen Gruppe von Kunstlern mit unterschiedlichen However, each artist achieved a wondrous result by harnessing the Hintergrunden und verschiedenen Herangehensweisen an Glas. Den- mechanical and utilizing technology to produce elegant glassware and noch erreichte jeder Kunstler ein auBerordentliches Resultat, indem das towering . Why have we seen so few of these projects? Mechanische nutzbar gemacht und die Technologie verwendet wurde, The history of 20th-century intertwines individual creativity um elegante Glasware und aufragende Architektur herzustellen. Warum and industrial productivity. Throughout their history, the manufacturers haben wir so wenige dieser Projekte gesehen? Steuben and Tiffany in America, Lalique in France, Orrefors in Sweden, Die Geschichte der Glaskunst des 20. Jahrhunderts verbindet indi- and Venini in Italy, among others, have supported individual artists by viduelle Kreativitat und industrielle Produktivitat. Wahrend ihrer Ge­ allowing them to experiment with the medium and to create singular schichte haben unter anderen die Hersteller Steuben und Tiffany in objects by utilizing factory facilities. Many of these artists, in turn, have Amerika, Lalique in Frankreich, Orrefors in Schweden und Venini in made design contributions that were mass-produced. This synergy of Italien, individuelle Kunstler unterstutzt, indem sie ihnen ermoglichten - artist and industry resulted in works that have become , bearing die Einrichtung der Fabrik nutzend - mit dem Medium zu experimentie- the names of both the artist and the manufacturer. ren und einzelne Objekte zu kreieren. Viele dieser Kunstler lieferten Sidney Biehler Waugh, Steuben's chief designer from the mid-1930s ihrerseits, Designbeitrage, die als Massenprodukt hergestellt wurden. until his death in 1963, began his career as a sculptor. He studied under Diese Synergie von Kunstler und Industrie resultierte in Arbeiten, die zu Emile Bourdelle in , and he later concentrated on architectural Ikonen wurden und die die Namen von beiden, von den Kunstlern und in his Bleeker Street studio. In 1935, Waugh designed Gazelle Herstellern trugen. Bowl for Steuben. The elegantly loping gazelles, inspired by the classi­ Sidney Biehler Waugh, von Mitte der 30er bis zu seinem Tod 1963 cal motifs so prevalent in French , were engraved on the trans­ Steubens Chefdesigner, begann seine Karriere als Bildhauer. Er stu- parent, virtually colorless Steuben bowl. The combination of artistry and dierte bei Emile Bourdelle in Paris und konzentrierte sich spater in industry was dazzling. Gazelle Bowl remains in production today. seinem Studio in der Bleeker StraBe auf architektonische Skulpturen. In the 1930s and 1940s, the Venetian architect Carlo Scarpa worked 1935 entwarf Waugh Gazelle Bowl fur Steuben. Die elegant springen- in historic Muranese glasshouses as a freelance designer. He observed den Gazellen, inspiriert von den im franzosischem Art Deco weit ver- the glassmaking of the masters and reinterpreted such techniques as breiteten klassischen Motiven, waren auf die transparente, fast farblose murrine and filigrana to make new, unique vessels that could have been Steuben-Schale graviert. Die Kombination von Kunstlertum und Indus­ achieved only by uniting his creativity with the facilities of the factory. trie war verbluffend. Gazelle Bowl wird noch heute hergestellt. New Glass Review offers artists an open invitation to submit slides of In den 1930er und 1940er Jahren arbeitete der venezianische Archi- their works so that they can be considered for publication by The Cor­ tekt Carlo Scarpa als freischaffender Designer in historischen Murane- ning Museum of Glass. From the inception of the competition, the sole ser Glasmanufakturen. Er beobachtete die Glasherstellung der Meister requirement has been that these works must be "new" (a term defined und reinterpretierte Techniken wie Murrine und Filigrana um neue, ein- as "designed and made within the current year"). This process is not malige GefaBe zu machen, was nur durch die Verbindung von seiner restrictive in any other way. Works are judged by a panel of jurors Kreativitat mit den Moglichkeiten der Hutte erreicht werden konnte. whose main objective is to search for that "newness" in its broadest Die New Glass Review bietet Kunstlern in einer offentlichen Aus- sense, justifying choices only to each other. It is a labor of for the schreibung die Moglichkeit, Dias von ihren Arbeiten einzureichen, damit material, as well as an intellectual and aesthetic trip. Within this liberal diese fur eine Publikation des Corning Glasmuseum in Betracht gezo- context, then, and with the historical antecedents just mentioned, I ask gen werden konnen. Seit Beginn dieses Wettbewerbs bestand die again, Why are there so few entries of industrially produced glass? einzige Bedingung darin, dass diese Arbeiten „neu" sein mussten (ein Until the early 1960s, glass objects, almost without exception, were Ausdruck der als „innerhalb des laufenden Jahres entworfen und herge­ blown or cast in an industrial setting. It was then that , a stellt" definiert wurde). Dieses Verfahren ist in keiner anderen Weise professor of fine arts at the University of and son of the einschrankend. Die Arbeiten werden von einem Ausschuss von Juroren director of research at Corning Glass Works, held a series of informal beurteilt, deren Hauptziel es ist, nach jener „Neuheit" im weitesten workshops to explore the art of hot glassmaking in a studio setting. The Sinne zu suchen, wobei die Wahl nur untereinander gerechtfertigt wird. shift from factory to artist's studio came suddenly and swiftly following Es ist sowohl eine gern getane Arbeit des Materials wegen, als auch ein Littleton's workshops and 's invention of a glass for­ intellektueller und asthetischer Trip. Aus diesem liberalen Kontext mula that melted at low temperatures. The successes of young studio heraus also und der eben erwahnten historischen Vorgeschichte, frage glass artists produced an explosive, snowballing effect. New studio ich noch einmal: „Warum gibt es so wenige Eingange von industriell technologies and a more open social and political climate, especially in produziertem Glas?" America, cleared the way for varied and sometimes radical experimen­ Bis in die fruhen 1960er wurden Glasobjekte fast ohne Ausnahme in tation that met with critical acclaim in the art world. The previous pigeon­ industrieller Umgebung geblasen oder gegossen. Es war damals, als holing of individuals as artists, craftsmen, or designers melted away as Harvey Littleton, Professor der bildenden Kunst an der Universitat all stages in the creation of the work were accomplished by a single Wisconsin und Sohn des Direktors fur Forschungsarbeit bei Corning hand. Glass Works, eine Reihe informeller Workshops hielt, um die Kunst der Today, we see a broad range of works by masters of the glass me­ heiBen Ver- und Bearbeitung von Glas in einem Studio zu erforschen. dium. Many of these works are unconsciously rooted in this recent Der Wechsel von der Fabrik zum Kunstlerstudio kam plotzlich und folgte history of collaboration between artist and industry, either in the choice rasch auf Littletons Workshops und Dominick Labinos Erfindung einer of materials or in the techniques and equipment now modified for the Glasformel, die bei niedrigen Temperaturen schmolz. Der Erfolg der studio. They include Tom Patti's brilliant use of commercially produced jungen Studioglaskunstler bewirkte einen explosiven Schneeballeffekt. plate glass and 's virtuoso blown interpretations of historic Neue Studio-Technologien und ein offeneres soziales und politisches cultures. The profusion of this new kind of glass, created over the past Klima, vor allem in Amerika, bahnte den Weg fur unterschiedliches und 25 years, is unmatched in art history. manchmal radikales Experimentieren, dem man in der Kunstwelt mit Josiah McElheny explores the theme of glass and industry through kritischem Beifall begegnete. Das fruhere Kategorisieren von Personen ingenious installations inspired by design and art history. In "Untitled als Kunstler, Handwerker oder Designer schwand dahin, da alle Her- (White)," now in the collection of The Corning Museum of Glass, he stellungsphasen eines Werkes von einer einzigen Hand ausgefuhrt reproduces 20th-century industrial glass by such well-known artists as wurden. Tapio Wirkkala, Fulvio Bianconi, Josef Hoffmann, and , which Heute sehen wir eine groBe Bandbreite von Meisterarbeiten im Glas- he groups in a spare, International Style display case. The work recog­ bereich. Viele dieser Arbeiten wurzeln unbewusst in jener kurzlichen nizes the importance of these objects and pays tribute to their place in Entwicklung der Zusammenarbeit zwischen Kunstlern und Industrie, the history of art and design. entweder in der Wahl des Materials oder der Techniken und Einrichtun- It is almost heroic for contemporary artists to make glass art that gen, die unterdessen fur das Studio modifiziert worden sind. Darunter reverses the tide of the creative ocean known as the Studio Glass befindet sich Tom Patti's brillante Verwendung von kommerziell herge- movement. Such artists are offering significant works that are well stelltem Flachglas und William Morris' virtuos geblasene Interpretatio- designed, utilitarian, and beautiful - without stressing their uniqueness. nen historischer Kulturen. Die Fulle dieser neuen Art von Glas, die in den Even more astonishing in today's art world is the artist whose specific letzten 25 Jahren entstand, ist unvergleichlich in der Kunstgeschichte. intent is to produce indeterminate numbers of the same design. Josiah McElheny erkundet das Thema von Glas und Industrie uber Sydney Cash, Karim Rashid, Oya §enocak, Menno Jonker, and Carlo raffinierte, von Design und Kunstgeschichte inspirierten Installationen. Moretti chose to enter their production-line glassware in this year's In „ohne Titel (WeifB)", das sich jetzt in der Kollektion des Glasmuseums review. Each of these artists combined an unfettered creative spirit with von Corning befindet, reproduziert er industrielles Glas des 20. Jahr- current technology in a sensitive style, enabling the vast majority of hunderts von so bekannten Kunstlern wie Tapio Wirkkala, Fulvio Bian­ consumers access to their art. The architectural glass projects by Jan coni, Josef Hoffman und Gio Ponti, die er in einer schlichten Vitrine im Ambruz, Ray King, Amber Hiscott and David Pearl, and Kenneth F. internationalen Stil arrangiert hat. Die Arbeit erkennt die Bedeutung vonRoenn Jr. add a further dimension to our understanding of the prop­ dieser Objekte und honoriert ihren Platz in der Geschichte der Kunst erties of the simple yet magical material known as glass. To these und des Designs. artists we owe our appreciation for proffering a renewed spirit in glass Es ist beinahe heroisch fur zeitgenossische Kunstler, Glaskunst zu production and installation. We also owe New Glass Review a debt of machen, die die Gezeiten des kreativen Ozeans, bekannt als Studio- gratitude for continuing to look for the "new." glasbewegung, zuruckdrehen. Solche Kunstler bieten signifikante Arbei­ ten, die gut entworfen, nutzlich und schon sind, ohne ihre Einmaligkeit Jane Adlin (JA) zu betonen. Noch erstaunlicher in der heutigen Kunstwelt ist der Kunst­ Curatorial Assistant, Modern Art ler, dessen spezifische Absicht es ist, eine unbestimmte Zahl desselben The Metropolitan Museum of Art Designs zu produzieren. New York, New York Sydney Cash, Karim Rashid, Oya §enocak, Menno Jonker und Carlo Moretti beschlossen Arbeiten aus ihrer FlieBbandglasproduktion fur die diesjahrige Review einzureichen. Jeder dieser Kunstler verbindet einen uneingeschrankten kreativen Geist mit zeitgenossischer Technologie zu einem gefuhlvollen Stil, der der groBen Mehrheit der Konsumenten Zugang zu ihrer Kunst ermoglicht. Die architektonischen Glasprojekte von Jan Ambruz, Ray King, Amber Hiscott und David Pearl und Kenneth F. vonRoenn Jr. erweitern unser Verstandnis von den Eigenschaften des einfachen aber magischen als Glas bekannten Werkstoffs um eine zusatzliche Dimension. Diesen Kunstlern schulden wir unsere Anerken- nung dafur, dass sie in der Glasproduktion und -installation den Geist erneuern. Wir stehen auBerdem bei der New Glass Review in Dankes- schuld, die weiter das „Neue" sucht.

Jane Adlin (JA) Curatorial Assistant, Modern Art The Metropolitan Museum of Art New York, New York his is a piece about taste. Fifty years ago, I started buying glass for s geht um Geschmack. Vor funfzig Jahren fing ich an, fur Corning TCorning. The company had hired me from The Metropolitan Mu­ EGlas zu kaufen. Die Firma hatte mich vom Metropolitan Kunstmuse- seum of Art, where I was working in the Display Department, arranging um abgeworben, wo ich in der Abteilung fur die Presentation arbeitete; cases and designing graphics and exhibitions. My new workspace on ich arrangierte Vitrinen und gestaltete Graphiken und Ausstellungen. 56th Street was lined with raw wood shelving, much of it bare. The Mein neuer Arbeitsplatz in der 56. StraBe war von rohen Holzregalen was to fill the shelves with objects describing the entire , gesaumt, viele davon leer. Meine Arbeit war es, die Regale mit Objek- from its first appearance to the present day. We were in a great hurry ten zu fullen, die die komplette Glasgeschichte beschreiben, von den because the new Corning Museum of Glass was to open on May 21, Anfangen bis zum heutigen Tag. Wir waren in groBer Eile, da das neue 1951, and it was already December 1950. Corning Glasmuseum am 21. Mai 1951 eroffnet werden sollte und es The driving force behind all of this was Arthur A. Houghton Jr., presi­ bereits Dezember 1950 war. dent of Steuben Glass, a director and member of the founding of Die treibende Kraft hinter all diesem war Arthur A. Houghton Jr., Pre­ Corning Glass Works. The occasion was the 100th anniversary of the sident von Steuben Glas, ein Direktor und Mitglied der Grundungsfami- company. Now Arthur was extraordinary, a visionary with an immaculate lie von Corning Glass Works. Der Anlass war der 100. Geburtstag der sense of how to achieve his goals. On his staff was Douglas Carson, Firma. Nun war Arthur auBergewohnlich, ein Visionar mit einem ein- then head of the Antique Glass Department at Steuben, which sold wandfreien Sinn dafur, wie seine Ziele zu erreichen sind. Unter seinen 18th- and early 19th-century English and Irish table glass. (World War II Angestellten war Douglas Carson, damals Leiter des Antique Glass had curtailed luxury glass manufacturing, and this gave the Sales Departments bei Steuben, das englisches und irisches Tafelglas aus Department something to sell.) Douglas was an expert, and over the dem 18. und fruhen 19. Jahrhundert verkaufte. (Der zweite Weltkrieg years he and Arthur had put aside of exceptional importance. hatte das Herstellen von Luxusglas eingeschrankt und das gab der Ver- They included a 1577 Verzelini goblet, a glass bearing the Ravenscroft kaufsabteilung etwas zu verkaufen.) Douglas war ein Experte und uber seal, and armorial goblets enameled by the Beilbys. These and many die Jahre sammelten er und Arthur Glaser von auBergewohnlicher others culled during years of trading at the top of the market filled two Wichtigkeit. Sie nahmen einen Verzelini Pokal von 1577 auf, ein Glas shelves in the office. mit dem Ravenscroftsiegel und Wappenpokale von Beilbys emailliert. Arthur and Douglas had also managed to buy the outstanding col­ Diese und viele weitere suchten sie wahrend Jahren des Handelns an lection of American blown glass amassed by the pre-eminent experts in der Marktspitze aus und fullten zwei Regale im Buro. the field, George and Helen McKearin. This was soon joined by a group Arthur und Douglas schafften es auch, die herausragende Kollektion of glasses representing the ancient world - Egypt, Rome, and Islam - von amerikanischem geblasenem Glas zu kaufen, die von den damals selected from the inventory of the New York dealer Fahim Kouchakji. All herausragenden Experten auf diesem Gebiet, George und Helen of these things were there on the shelves before I had finished reading McKearin zusammengetragen wurde. Darauf folgte bald eine Gruppe my first book on glass.* was not represented, nor was the Far Glaser, die die alte Welt reprasentiert - Agypten, Rom und den Islam - East or the 20th century. With a lot of activity, advice, and financial de­ und aus dem Bestand des New Yorker Handlers Fahim Kouchakji termination, we made our deadline. This was my introduction to glass. ausgewahlt wurde. All diese Sachen waren da in den Regalen, bevor Each piece we bought was to stand for something: a place, a time, a ich mein erstes Buch uber Glas ausgelesen hatte*. Weder Europa war style, a technique, a special function, or even a particular maker. It was reprasentiert, noch der feme Osten oder das 20. Jahrhundert. Mit viel a little like stamp collecting in that gaps had to be filled, gaps that Aktivitat, Rat und finanzieller Zielstrebigkeit, setzten wir unsere Dead­ carried labels: Reichsadlerhumpen, , , or Land­ line. Das war mein Einstieg in Glas. scape, Reverse Painting on Glass, by Zeuner, the Netherlands, late Jedes Stuck, das wir kauften, hatte fur etwas zu stehen: einen Ort, 18th century. This was true of 20th-century work as well. Objects eine Zeit, einen Stil, eine Technik, eine spezielle Funktion oder sogar fur represented specific glass companies and sometimes their designers: einen besonderen Hersteller. Es hatte eine gewisse Ahnlichkeit mit Covered Urn, Orrefors, Sweden, designed by Simon Gate, 1927. Briefmarkensammeln insofern als Lucken gefullt werden mussten, Now we come to taste. In this world of glass documents, there was Lucken, die Namen trugen: Reichsadlerhumpen, Bohmen, 16. Jahrhun­ no place for taste in the sense of preferred style or period. The only dert, oder Landscape, Reversmalerei auf Glas von Zeuner aus den opportunity for personal choice was among similar pieces that would fill Niederlanden, spates 18. Jahrhundert. Dies traf auch auf Arbeiten aus the same historical gap. I could select a particular design by Simon dem 20. Jahrhundert zu. Objekte reprasentierten spezifische Glasfir- Gate, a German enameled Humpen, and an 18th-century reverse men und manchmal deren Designer: Urne mit Deckel, Orrefors, Schwe- painting on glass, but I could not choose to omit the fields they repre­ den, designed von Simon Gate, 1927. sented. Because I had come into the glass world so suddenly and so Jetzt kommen wir zum Geschmack. In dieser Welt der Glasdoku- innocently, my only recourse was to make comparisons. I had no knowl­ mente gab es keinen Platz fur Geschmack im Sinne eines bevorzugten edge. Over the decades, this has led to a few tendencies or prejudices Stils oder Zeitraums. Die einzige Moglichkeit fur eine personliche Wahl that may account for the selections in the New Glass Review that bear gab es unter ahnlichen Stucken, die dieselbe historische Lucke ausfull- my initials only. One of these tendencies is to accept the genre almost ten. Ich konnte ein bestimmtes Design von Simon Gate wahlen, einem without question, whether it be fish or bowls or beadwork bunnies. deutschen Emailhumpen und eine Reversmalerei auf Glas aus dem (Kitsch is a category to me, not a judgment.) Another is to favor tradition 18. Jahrhundert, aber ich konnte nicht aussuchen, die Bereiche auszu- over originality. It is hard to discern superb performance when you have lassen, die sie reprasentierten. Da ich so abrupt und unschuldig zur nothing with which to compare it. Ovoid vases may be commonplace, Glaswelt kam, war mein einziges Mittel zu vergleichen. Ich hatte kein but what has been done with them is hugely varied. Wissen. Uber die Jahrzehnte fuhrte dies zu ein paar Tendenzen oder A third tendency of mine is to value anything beautifully made, espe­ Vorurteilen, wovon vielleicht die Selektionen in der New Glass Review cially those pieces that evidence great taste. In fact, I would go so far as zeugen, die nur meine Initialen tragen. Eine dieser Tendenzen ist es, to say that talent without taste is lost. I am not using taste in the sense das Genre praktisch ohne Frage zu akzeptieren, sei es Fisch oder of what is appropriate (tasteful or tasteless), but as the ability to make Schusseln oder Perlenhasen. (Kitsch ist fur mich eine Kategorie, kein those critical aesthetic decisions that separate the outstanding from the Urteil.) Eine andere ist, Tradition der Originalitat vorzuziehen. Es ist ordinary, the power of discerning the fitness of the parts - colors, schwierig eine vorzugliche Leistung zu erkennen, wenn man nichts zum shapes, proportions, texture, scale, whatever constitutes the whole - to Vergleichen hat. Ovoid-Vasen sind vielleicht etwas Alltagliches, aber the job at hand. This notion comes from comparing thousands of similar was damit gemacht wurde, ist sehr unterschiedlich. pieces, from blown vessels of the Roman period to the of Eine dritte Tendenz von mir ist es, all das wertzuschatzen was schon . The recognition of taste, even the willingness to look for it, gemacht worden ist, besonders jene Stucke, die von groBem Ge­ becomes much more difficult in assessing work done in our own time. schmack zeugen. In der Tat wurde ich soweit gehen zu sagen, dass ein Whole categories fall out of favor. I was on the board of the Tiffany Talent ohne Geschmack verloren ist. Ich gebrauche Geschmack nicht Foundation for 18 years, and I saw the kind of art most esteemed by im Sinne von geeignet (geschmackvoll oder geschmacklos), sondern Mr. Tiffany (representational) excluded from consideration in the award­ verstehe darunter die Fahigkeit jene kritischen asthetischen Entschei- ing of grants on the argument that it was no longer appropriate to the art dungen zu treffen, die AuBerordentliches von Gewohnlichem trennen - scene. It seems to me that the exercise of aesthetic judgment is about Farben, Formen, Proportioned Struktur, MaBstab, was auch immer das recognizing performance, not choosing the game in which it shines. Ganze ausmacht - in der jeweiligen Arbeit. Should some of my choices cause you to say, "He's not serious," know Diese Vorstellung resultiert aus dem Vergleichen von Hunderten von that I am. ahnlichen Stucken, von geblasenen GefaRen der Romerzeit bis zu A classic example of talent and taste in our time is the work of Dale Pressglas aus Pittsburgh. Das Erkennen von Geschmack, sogar der Chihuly. He employs some of the most talented glassmakers in the Wille ihn zu suchen, wird schwieriger beim Beurteilen von Arbeiten, die world, but without his taste, his flair, and his ability to convey that taste in unserer Zeit angefertigt wurden. Ganze Kategorien sind nicht mehr to his helpers, all would come to naught. On the other hand, recall some gefragt. Ich war 18 Jahre im Ausschuss der Tiffany Foundation und ich of the immense pieces unique to our time. Although they are often sah, dass die Art Kunst, die von Herr Tiffany am meisten geschatzt beautifully made, in retrospect, they seem small. wurde (eine Representative) von den Uberlegungen zur Preisvergabe Happily, taste varies, and my colleagues on the jury of the New Glass mit dem Argument ausgeschlossen wurden, dass so etwas von der Review competition appreciate values that escape me. But regardless Kunstszene nicht mehr geschatzt wird. of the mix, year after year, we always agree on the excellence of some Es scheint mir, dass es bei der Einubung eines asthetischen Urteils submissions. What is it that these pieces, which bear the initials of all um das Erkennen einer Leistung geht, nicht darum den Trend zu wah- four jurors, have in common? I suspect that it is talent exercised with len in dem sie glanzt. Sollten einige meiner Selektionen Sie veranlas- remarkable taste. sen zu sagen: „Es ist nicht sein Ernst", er ist es. Ein klassisches Beispiel von Talent und Geschmack in unserer Zeit Thomas S. Buechner (TSB) ist die Arbeit von . Er hat einige der talentiertesten Glas- Founding Director macher der Welt eingestellt, aber ohne seinen Geschmack, seine Be- The Corning Museum of Glass gabung und seine Fahigkeit diesen Geschmack seinen Helfern zu ver- mitteln, ware alles nichts. Auf der anderen Seite erinnern Sie sich an * Edward Barrington Haynes, Glass through the Ages, Harmondsworth, einige der gigantischen Einzelstucke unserer Zeit. Obwohl sie oft schon Middlesex: Penguin, 1948. gemacht sind, erscheinen sie im Ruckblick klein. Glucklicherweise ist Geschmack verschieden und meine Kollegen bei der Jury des New Glass Review Wettbewerbs schatzen Werte, die mir entgehen. Aber ungeachtet des Spektrums sind wir uns Jahr fur Jahr immer uber die vorzugliche Leistung einiger Einreichungen einig. Was haben diese Werke, die die Initialen aller vier Juroren tragen, gemein- sam? Ich vermute, es ist Talent umgesetzt mit bemerkenswertem Ge­ schmack.

Thomas S. Buechner (TSB) Grundungsdirektor The Corning Museum of Glass

* Edward Barrington Haynes, Glass through the Ages, Harmondsworth, Middlesex: Penguin, 1948. have been a member of the brilliant world of glass since 1971, and ch bin seit 1971 Mitglied der brillanten Welt des Glases, und die Ein- the invitation to serve on the New Glass Review jury at the start of the ladung fur die New Glass Review Jury am Anfang des Millenniums new millennium was much appreciated. A dealer in contemporary , tatig zu sein, habe ich sehr geschatzt. Ein Handler fur zeitgenossische art, and photography cannot hope to compete with eminent critics such Kunst und Fotografie kann nicht hoffen, mit so hervorragenden Kritikern as Arthur Danto and Donald Kuspit, but I hope that my knowledge of the wie Arthur Danto und Donald Kuspit zu konkurrieren, aber ich hoffe, medium and my experience have added something to the stimulating dass die Kenntnis des Mediums und meine Erfahrung etwas zum anre- process of choosing 100 pieces for the "Artists and Objects" section of genden Prozess beigetragen haben, die 100 Stucke fur die Sektion the 2001 New Glass Review. „Kunstler und Objekte" der 22. New Glass ftew'ewauszuwahlen. Being selective is one of my most important tasks as an art dealer. Selektiv zu sein, ist eine meiner wichtigsten Aufgaben als Kunsthand- Here, the task was to review 2,417 slides, submitted by 895 artists from lerin. Hier war es die Aufgabe, in nur zwei Tagen 2417 Dias durchzu- 40 countries, in just two days. Daunting as this process was, I found it sehen, die von 895 Kunstlern aus 40 Lander eingereicht worden sind. exhilarating, and I wish I could do it every year! So erschreckend dieser Prozess war, ich fand es erfrischend und Before I go further, I must say that I was asked not to vote on any of wunschte, ich konnte es jedes Jahr tun! the artists represented by my gallery (Elliott Brown Gallery) unless they Bevor ich weiterfahre, muss ich sagen, dass ich gebeten wurde, nicht were already part ot the final 100 selections. In that event, I could give fur einen durch meine Galerie (Elliott Brown Gallery) reprasentierten one or more of them one of my 100 allotted votes. (I took this proviso to Kunstler zu stimmen, au(3er er ware bereits in der Auswahl der letzten extend to employees and former employees, as well.) So, to those of 100. In diesem Falle konnte ich einem oder mehreren von ihnen eine you who submitted and are not included in this year's publication, my meiner 100 mir zustehenden Stimmen geben. (Ich dehnte diese Bedin- apologies - and I implore you to apply again next year. gung auch auf Angestellte und ehemalige Angestellte aus.) Deswegen This annual competition is an extraordinary one. I commend the entschuldige ich mich bei denjenigen, die eingereicht haben und nicht in many artists and designers (of all ages and levels of expertise) who die diesjahrige Publikation aufgenommen wurden, und ich bitte Sie submitted their slides, and I encourage them to participate in the years instandig, sich nachstes Jahr wieder zu bewerben. to come. Several times during the jurying, we spoke about the impor­ Dieser Jahreswettbewerb ist ein auRergewohnlicher. Ich lobe mir die tance of having all individuals working in glass submit to New Glass vielen Kunstler und Designer (aller Altersgruppen und samtlicher Ni- Review so that their slides may be preserved in the archives of the veaus), die ihre Dias eingereicht haben und ermutige sie, in den kom- Rakow Research Library. This needs to be reiterated to artists, ­ menden Jahren teilzunehmen. Mehrfach sprachen wir wahrend der people, and designers working in the field. There are far too many who Jury-Sitzung von der Wichtigkeit, dass alle, die mit Glas arbeiten, bei do not submit, perhaps because they think they are taking away an der New Glass Review einreichen sollten, damit ihre Dias in den Biblio- emerging artist's opportunity to have this morsel of for his or her theksarchiven der Rakow Research Library aufbewahrt werden konnen. resume. If that is your reason for declining to enter the competition, you Dies muss Kunstlern, Kunsthandwerkern und Designern, die auf die­ can rest assured that, at the very least, someone on the jury will review sem Gebiet arbeiten, immer wieder ans Herz gelegt werden. Es gibt viel your slides, put them aside for the Rakow Library's archives, and let the zu viele, die nicht einreichen, vielleicht weil sie denken, einem heran- newcomer have a chance. Two things are for certain: wachsenden Kunstler diese Moglichkeit auf ein bisschen Ruhm fur den 1. Rarely does a bad slide help a piece to be selected for inclusion in Lebenslauf wegzunehmen. Sollte das /frrGrund sein, eine Wettbe- New Glass Review. I hope that, one day, artists all around the world will werbsteilnahme abzulehnen, konnen Sie versichert sein, dass aller- be able to document their work so as to show it at its best in two dimen­ mindestens einer der Jury Ihre Dias begutachten wird, fur die Archive sions for all of us to view. der Rakow Library auf die Seite legen und dem Newcomer eine Chance 2. The field of glass is flourishing. There is an abundance of ideas geben wird. Zwei Sachen sind sicher: and techniques as we begin the 21st century, and there is much to 1. Selten verhilft ein schlechtes Dia einem Stuck in die New Glass which we can look forward. Review aufgenommen zu werden. Ich hoffe, dass eines Tages Kunstler If this helps to explain why the 100 objects presented here may seem auf der ganzen Welt fahig sein werden, ihr Werk so zu dokumentieren, uneven, it also underscores the importance of including the jurors' dass es sich von seiner besten Seite zeigt; zweidimensional fur uns alle initials with the works they selected. You could say that the real win­ erkennbar. ners are the 11 submissions that received a stamp of approval from all 2. Der Glasbereich floriert. Es gibt eine Fulle von Ideen und Techni- four of the jurors: an exquisite, luminous shelf of books by Vaida Andra- ken, jetzt wo wir das 21. Jahrhundert angefangen haben und es gibt siunaite of Munich; Jazz Box by Tessa Clegg of London, whose work I viel, auf das wir uns freuen konnen. have always found fascinating and innovative; Sunset Painter Case Wenn dies hilft zu erklaren, warum die Hundert hier prasentierten (image of Ticinun River Park, Italy) by Miriam Di Fiore of Milan (I thought Objekte unausgewogen scheinen mogen, dann unterstreicht dies auch that this work was painted, and I was even more impressed to learn that die Wichtigkeit, die Initialen der Juroren mit dem ausgewahlten Objekt it was made with the micromosaic technique!); Diverge by Mel Douglas festzuhalten. Man konnte sagen, dass es sich bei den wahren Gewin- of Canberra, whose simple blown and engraved sphere may not be nern um die 11 Einreichungen handelt, die den Stempel der Anerken- "new" but strikes a classical chord; Tear of Leaf, a beautiful and tactile nung von alien vier Juroren erhalten haben: ein exquisites, brillantes pate de verre work by Kanako Idei of Yokohama; Human Form, a Bucherregal von Vaida Andrasiunaite, Munchen; Jazz Box von Tessa beautifully crafted piece by Toshikazu Kobayashi of Toyoda; an exqui­ Clegg, London, deren Werk ich immer faszinierend und innovativ fand; site necklace, made of tiny glass beads and titanium, by Jacqueline Sunset Painter Case (image of Ticinun River Park, Italy) von Miriam Di Lillie of Vienna; Natural, a wonderful pate de verre basket by Koharu Fiore, Mailand (ich habe geglaubt, dieses Werk sei gemalt und war Nakamura of Yokohama; Fall by Joyce J. Scott of Baltimore; Rest, a noch mehr beeindruckt zu horen, dass es in Mikromosaik-Technik furry glass chair by Minako Shirakura of Tokyo; and A Nest of Heart by gemacht war!); Diverge von Mel Douglas, Canberra, dessen einfach Midori Tsukada of Toyama. geblasene und gravierte Kugel vielleicht nicht „neu" ist, sondern eine I stood alone on seven pieces. I cannot describe them as particular klassische Saite anschlagt; Tear of Leaf, eine schone und taktile pate favorites, but I found each of them to be compelling in some way - and de verre Arbeit von Knako Idei, Yokohama; Human Form, ein wunder- for that reason I was willing to fight for their inclusion. These works were schon gearbeitetes Stuck von Toshikazu Kobayashi, Toyoda; eine Rika Hawes's Exhibit"AGerry King's Fleurette; Yasuko Kita's For exquisite Halskette, gemacht aus winzigen Glasperlen und Titan von Long-, Guillermo Patino's Espacio urbano: Circulo verde (of which only a Jacqueline J. Lillie, Wien; Natural, ein wundervoller pate de verre Korb detail is shown here); Gerhard Ribka's The Drummer, Kana Tanaka's von Koharu Nakamura, Yokohama; Fall von Joyce J. Scott, Baltimore; untitled using frit on mirrors (even though I think the use of Rest, ein pelzartiger Glasstuhl von Minako Shirakura, Tokio und A Nest "Untitled" is pusillanimous); and Shiho Tokoro's window through a shoe of Heart, von Midori Tsukada, Toyama. made of snow. The other jurors similarly fought for some entries: Tina Bei sieben Stucken war ich allein. Ich kann diese nicht als besondere for eight, Jane for one, and Tom for 20. Lieblinge beschreiben, aber ich fand sie alle auf irgendeine Art stark, In addition to selecting the 100 entries for the "Artists and Objects" und aus diesem Grund war ich bereit, fur ihre Aufnahme zu kampfen. section, each of us was asked to choose one to 10 contemporary or Es handelte sich dabei um Rika Hawes Exhibit„A'\ Gerry Kings Fleu- historical works in glass art, architecture, or design that have inspired or rette; Yasuko Kita's For Long] Guillermo Patinos Espacio urbano: impressed us recently. My first choice, without hesitation, is Roni Horn's Circulo verde (von welchem hier nur ein Detail gezeigt wird); Gerhard "Untitled (Flannery)," which I saw at the Matthew Marks Gallery in New Ribkas The Drummer, Kana Tanakas Reflexionen „ohne Titer, bei York City in 1997. These two pairs of deep blue cast glass blocks, denen sie Fritten auf Spiegeln verwendet (obwohl ich denke, dass die sitting on the floor of the gallery like motionless oceans, made me gasp Verwendung von „ohne Titer kleinmutig ist); Shiho Tokoros Fenster for air. (There is nothing I like better than to hear this same reaction durch einen Schuh aus Schnee. Ahnlich kampften die anderen Juroren from people who come into my gallery!) The Stanislav Libensky and fur einige Aufnahmen: Tina fur acht, Jane fur einen und Tom fur 20. Jaroslava Brychtova retrospective at the Heller Gallery in Zusatzlich wurden wir beim Auswahlen der 100 Aufnahmen fur was a beautiful tribute to the couple's extraordinary, ongoing creative „Kunstlerlnnen und Objekte" gebeten, eine bis zehn zeitgenossische powers, and to their command of sculpture using glass and light. oder historische Arbeiten aus Glaskunst, Architektur oder Design zu Other notable works by artists who did not submit to New Glass wahlen, die uns kurzlich inspiriert oder beeindruckt hat. Meine erste Review this year are Laura de Santillana's Tokyo-ga pieces, made of Wahl ist ohne zu Zogern Roni Horns Ohne Titel (Flannery), das ich blown and compressed glass; Lanny Bergner's new sculpture using 1997 in der Matthew Marks Gallerie in New York City gesehen habe. glass frit over gourds; and Steven Holl's extraordinary 1997 Chapel of Diese zwei Paar tiefblaue Blocke aus gegossenem Glas, die auf dem St. Ignatius in Seattle. Among the many astonishing architectural ele­ Boden der Galerie wie bewegungslose Ozeane standen, Iief3en mich ments and details found in this chapel, the architect employs colored nach Luft schnappen. (Es gibt nichts, was ich lieber hore, als eben glass for sculpting light to illuminate one's spiritual path. diese Reaktion von Leuten, die meine Gallerie betreten!). Die Retro- spektive von Stanislav Libensky und Jaroslava Brychtova in der Heller Kate Elliott (KE) Galerie, New York City war eine schone Anerkennung der auBerordent- Director lichen, andauernden kreativen Kraft des Paars und ihrer Meisterung Elliott Brown Gallery von Skulpturen unter der Verwendung von Glas und Licht. Seattle, Washington Weitere bemerkenswerte Arbeiten von Kunstlern, die dieses Jahr nicht in die New Glass Review aufgenommen wurden, sind Laura de Santillanas Tokyo-ga Stucke aus geblasenem und Pressglas; Lanny Bergners neue Skulptur, wo Glasfritten liber Kurbisflaschen verwendet wurden und Steven Holls auBerordentliche St. Ignatius Kapelle in Seattle von 1997. Abgesehen von den vielen bemerkenswerten archi- tektonischen Elementen und Details, die in dieser Kapelle entdeckt werden konnen, setzt der Architekt buntes Glas ein, das Licht formt, um einen spirituellen Weg zu weisen.

Kate Elliott (KE) Direktorin Elliott Brown Gallery Seattle, Washington his issue of New Glass Review ends a year of professional change it dieser Ausgabe der New Glass Review er\6e\ fur mich ein Jahr Tand growth for me. Since arriving in Corning in February 2000, I Mdes beruflichen Wechsels und Wachstums. Seit ich im Februar have been involved with a number of challenging assignments, not the 2000 in Corning angekommen bin, war ich in eine Anzahl herausfor- least of which is filling the rather giant shoes of former curator Susanne dernder Aufgaben eingespannt, darunter die nicht unbedeutendste in K. Frantz. Susanne is a friend and a valued colleague, and I have ad­ die ziemlich gigantischen Schuhe der ehemaligen Kuratorin Susanne K. mired her insightful commentaries in New Glass Review over the years. Frantz zu schlupfen. Susanne ist eine Freundin und geschatzte Kolle- Her contribution to the field of contemporary glass, in general, is impor­ gin, und ich habe ihre kenntnisreichen Kommentare in der New Glass tant and ongoing. I am happy to continue her work with the Review, but Reviewjahrelang bewundert. Ihr Beitrag im Bereich zeitgenossisches as juror Mary Douglas remarked in her essay last year, Susanne is Glas uberhaupt ist wichtig und fortdauernd. Ich bin glucklich, ihre Arbeit missed. Fortunately, New Glass Review still has the august presence, mit der Rew'ewweiterzufuhren, aber wie die Jurorin Mary Douglas in refreshing wit, and endless experience of Tom Buechner, who I hope ihrem Artikel letztes Jahr bemerkte, wird Susanne vermisst. Glucklicher- will always be by my side at the jurors' table. weise hat die New Glass Review noch die erhabene Prasenz, den The procedures of the New Glass Review competition have been erfrischenden Witz und die endlose Erfahrung von Tom Buechner, der refined to a point of remarkable efficiency and ease, thanks to its organ­ hoffentlich immer an meiner Seite am Jurorentisch sitzen wird. izer, Violet Wilson. Personally, I am amazed - as are most of the jurors Die Prozeduren des New Glass Wettbewerbs sind dank der Organi- - that it is possible, in the space of two days, to select 100 objects from satorin Violet Wilson zu bemerkenswerter Effizienz und Leichtigkeit ver- a total of more than 2,000 slides. This would be impossible to accom­ feinert worden. Ich personlich bin erstaunt, wie es die meisten Juroren plish if jurors tried to be objective. New Glass Review is subjective, and sind, dass es moglich ist, innerhalb von zwei Tagen 100 Objekte aus the selections generally reflect each juror's personal taste, although a insgesamt 2000 Dias auszuwahlen. Dies ware unmoglich, wenn die serious attempt is made by all to cover the various and expanding Juroren versuchten, objektiv zu sein. Die New Glass Review \s\ subjek- categories of glassworking. tiv und die Auswahl spiegelt in der Regel den personlichen Geschmack By now, it is a well-known fact that each juror is allowed to make only eines jeden Jurors wider, obwohl von alien ein ernsthafter Versuch 25 selections. This painful process, full of negotiations among the gemacht wurde, die verschiedenen und groBer werdenden Kategorien jurors, is followed by a happier interval during which jurors can increase der Glasbearbeitung abzudecken. their choices by adding their initials to the selections of others. I took Inzwischen ist es eine wohlbekannte Tatsache, dass jeder Juror nur full, perhaps even overly enthusiastic, advantage of this opportunity. My 25 Arbeiten auswahlen darf. Diesem schmerzhaften Prozess, voller initials appear on 63 of the 100 objects. Kate Elliott and Tom Buechner Verhandlungen unter den Juroren, folgt eine glucklichere Phase, wah- followed with a reasonable total of 55 and 53 selections, respectively, rend der die Juroren ihre Wahl bestarken konnen und zwar durch hinzu- while Jane Adlin ended with a restrained 38. The only justification I can fugen ihrer Initialen zu der Auswahl der anderen. Ich profitierte voll, viel- present for my effusiveness is probably a good one, given my job: I like leicht sogar zu enthusiastisch, von dieser Moglichkeit. Meine Initialen glass, and I like many kinds of work. erscheinen auf 63 von 100 Objekten. Kate Elliott und Tom Buechner The 11 objects chosen by all four jurors were quite disparate, ranging folgten mit einem respektablen Total von je 55 und 53 ausgewahlten from nonfunctional furniture (Vaida Andrasiunaite's glowing, untitled Arbeiten, wahrend Jane Adlin mit zuruckhaltenden 38 endete. Die ein- bookcase and Minako Shirakura's intriguing chair, titled Rest) to func­ zige Rechtfertigung, die ich fur meine Uberschwenglichkeit geben kann, tional jewelry (Jacqueline Lillie's titanium and neckpiece). These ist wahrscheinlich eine gute, durch meinen Beruf gegebene: Ich mag selections also included sculpture (Joyce J. Scott's Fall and Tessa Glas und ich mag viele Arten von Arbeit. Clegg's Jazz Box), vessels (Mel Douglas's Diverge, Kanako Idei's Tear Die 11 Objekte, die von alien vier Juroren gewahlt wurden, sind of Leaf, and Midori Tsukada's A Nest of Heart), and unusual technique ziemlich unterschiedlich und reichen von nicht funktionalen Mobeln (Miriam Di Fiore's Sunset Painter Case, with an interior landscape of (Vaida Andrasiunaite's leuchtendem, unbetitelten Bucherschrank und fused micromosaic) and material combinations (Koharu Nakamura's Minako Shirakuras faszinierendem Stuhl mit dem Titel Rest) zu funktio- glass and twig bowl, Natural). Finally, there was a little ironic humor nalem Schmuck (Jacqueline Lillies Titan- und Perlenhalsschmuck). (Toshikazu Kobayashi's Human Form). These selections may have Diese Auswahl umfasst auch Skulpturen (Joyce J. Scotts Fall und nothing in common except a certain elegance of concept matched with Tessa Cleggs Jazz Box), GefaBe (Mel Douglas Diverge, Kanako Ideis noteworthy technique. What is interesting to me is that only one Ameri­ Tear of Leaf und Midori Tsukadas A Nest of Heart) und ungewohnliche can artist was represented in this group: the well-known sculptor/bead- Technik (Miriam Di Fiores Sunset Painter Case mit einer innengelege- worker Joyce J. Scott. nen Landschaft aus geschmolzenem Mikromosaikglas) und Material- As far as objects that I alone selected, my two favorites were Matgor- kombinationen (Koharu Nakamuras Schussel aus Glas und Zweigen, zata Klimek's Screens (made of a glass "mat" woven through glass rods Natural). Letztendlich gab es ein bisschen ironischen Humor (Toshikazu attached to a wood base) and Pamina Traylor's glass and steel sculp­ Kobayashis Human Form). Diese Auswahl mag nichts gemeinsam ture, Cove. Having seen Cove in person, I know it is elegant and flaw­ haben, auBer einer gewissen Eleganz des Konzepts passend zu einer lessly executed. The combination of materials is thoughtful and aesthet­ bemerkenswerten Technik. Was fur mich interessant ist, ist dass nur ein ically satisfying. I appreciate the fan/screen structure that indirectly amerikanischer Kunstler in dieser Gruppe reprasentiert war: die weit reflects Traylor's Japanese heritage, as well as the emotional warmth of bekannte Bildhauerin und mit Perlen arbeitende Kunstlerin Joyce J. the sculpture, which is often hard to accomplish in abstract art. I enjoy Scott. the work's allusion to shapes in nature and architecture, and I like the Was die Objekte betrifft, die ich alleine auswahlte, so waren meine fact that the simple blown glass element is central to the piece. On the zwei Favoriten Matgorzata Klimeks Screens (eine Glasmatte die aus other hand, I am intrigued by Screens mostly because I do not under­ Glasstabchen gewoben wurde, die auf einem Holzsockel befestigt sind) stand it. It was a purely subjective choice. These two works illustrate the und Pamina Traylors Glas- und Stahlskulptur Cove. Nachdem ich Cove range of the jurors' selections, which varied from considered to intuitive. selbst gesehen habe, weiB ich, dass es elegant und tadellos ausgefuhrt I noticed certain trends during the judging. Tom Buechner character­ ist. Die Materialkombination ist durchdacht und asthetisch befriedigend. istically chose work that eluded the other jurors. When questioned, his Ich schatze sowohl das Facher-/Schirmgebilde, das indirekt Traylors commentary was precise and skillfully argued. Kate Elliott and I tended japanisches Erbe widerspiegelt, als auch die emotionale Warme der to favor installations that required natural surroundings, such as Jan Skulptur, die oft in abstrakter Kunst schwer zu erreichen ist. Ich genieBe Ambruz's Blue Cylinder in the Willow Forest and Diana Hobson's die Anspielung der Arbeit auf Formen in Natur und Architektur und ich Language of the Trees. Jane Adlin favored design, such as Sydney mag die Tatsachen, dass das einfache geblasene Glaselement zentral Cash's Optical Vases for the Museum of Modern Art and Ariel Kotker's fur das Stuck ist. Auf der anderen Seite bin ich hauptsachlich deswegen broken glass and wire Helmet. Perhaps the most unusual object was von Screens fasziniert, weil ich es nicht verstehe. Es war eine rein sub- Norwood Viviano's Simulation Serpent Goblet. It is made of resin in­ jektive Wahl. Diese zwei Arbeiten zeigen die Bandbreite der Juroren- stead of glass, and technically it should not appear in the pages of New wahl, die zwischen uberlegt und intuitiv variierte. Glass Review. Yet the way glass is interpreted is sometimes as impor­ Ich bemerkte gewisse Tendenzen wahrend des Bewertens. Tom tant as how it is used. Buechner wahlte charakteristischerweise Arbeiten, die den anderen One change to New Glass Review is the section titled "Jurors' Juroren entgingen. Wenn er gefragt wurde, so war sein Kommentar Choice." It is meant to give jurors the chance to present up to 10 recent prazis und kundig begrundet. Kate Elliott und ich tendierten dazu Instal- or historical works in glass that impressed them during the year. While I lationen vorzuziehen, die eine naturliche Umgebung erforderten, wie personally enjoyed Susanne Frantz's series of essays on "Some of the Jan Ambruzs Blue Cylinder in the Willow Forest und Diana Hobsons Best in Recent Glass," I thought it might be interesting to see what the Language of the Trees. Jane Adlin bevorzugte Design, wie Sydney jurors would pick. My idea was that guest jurors, with their different Cashs Optical Vase fur das Museum of Modern Art und Ariel Kotkers areas of knowledge, would offer a more comprehensive portrait of Helmet aus Glasscherben und Draht. Vielleicht war das ungewohn- activity in glass than I could alone. This year's selections are not as lichste Objekt Norwood Vivianos Simulation Serpent Goblet. Es ist aus plentiful as I would like them to have been, but they are varied - and Harz anstatt Glas gemacht und sollte technischerweise nicht auf den that is the point of the exercise. Seiten der New Glass Review erscheinen. Aber die Art, wie Glas inter- Two of my favorite exhibitions in 2000 were 's "Mind- pretiert wird, ist manchmal genauso wichtig, wie seine Verwendung. Garden" at the Seattle Art Museum and Michele Blondel's solo exhibi­ Eine Anderung bei der New Glass Review ist das Kapitel mit dem tion "Backwaters and the Arabian Sea" at the John Weber Gallery in Titel „Die Wahl der Juroren". Es soli den Juroren die Moglichkeit geben, New York. "MindGarden" is a room-size installation consisting of floating bis zu zehn neuere oder historische Glasarbeiten zu prasentieren, die and planted steel , the petals from 6,000 roses, and blown sie wahrend des Jahres beeindruckt haben. Wahrend ich personlich an glass spheres. The exhibition investigates of creativity, the Susanne Frantzs Essay-Reihe uber „Etwas vom Besten aus neuem creative process, and the formation of ideas (topics that Ruffner has Glas" Gefallen fand, dachte ich, es konnte interessant sein zu sehen, studied in depth) through the metaphor of the garden. My attraction to was die Juroren wahlen. Meine Idee war, dass Gastjuroren, mit ihren nature (see the discussion of trends, above) undoubtedly led me to unterschiedlichen Kenntnisbereichen, ein umfassenderes Portrat der select Blondel's exhibition, which featured large blown jellyfish-like Glasaktivitaten bieten wurden, als ich es allein konnte. Die diesjahrigen sculptures (made at CIRVA in Marseilles) accompanied by her own ausgewahlten Arbeiten sind nicht so zahlreich, wie ich es mir ge- underwater videos of jellyfish. It was a simple idea, and a stunningly wunscht hatte, aber sie sind verschieden - und das ist der Punkt der beautiful one. However, I did not appreciate the sculptures apart from Ubung. the video that accompanied them, and I considered the multiple ele­ Zwei meiner Lieblingsausstellungen im Jahre 2000 waren Ginny ments of the exhibition as a single work. Ruffners „MindGarden" im Kunstmuseum Seattle und Michele Blondels Jill Reynolds's Tacoma Message 3000 was the only truly millennium- Soloausstellung „Backwaters and the Arabian Sea" in der John Weber inspired piece that I learned of during the year. I am concerned that Gallery in New York. „MindGarden" ist eine zimmergroBe Installation, there does not seem to be any cultural interest in reinventing art for the bestehend aus schwebenden und gepflanzten Stahlskulpturen, den new century, as there was, so intensely, in the years around 1900. It is, Blumenblattern von 6000 Rosen und geblasenen Glaskugeln. Die Aus- of course, only 2001, so there is still time. Alessandro Diaz de Santil- stellung ermittelt die Quelle der Kreativitat, den gestalterischen Prozess lana's new, mirrored sculptures are not millennium-related, but they und die Formation von Ideen (Themen die Ruffner eingehend studiert reflect the kind of innovative energy and aesthetic confidence that I hat) durch die Gartenmetapher. Meine Anziehung zur Natur (siehe die hope to see more of in the coming decade. Diskussion uber Tendenzen weiter oben) lieB mich zweifellos Blondels In the category of mainstream artists using glass, performance artist Ausstellung wahlen, die breite, geblasene quallenahnliche Skulpturen Yoko Ono's retrospective, "Yes," at the Japan Society in New York was zeigte (in CIRVA in Marseille gemacht), begleitet von ihren eigenen inspiring and somewhat odd. It was inspiring because her work from the Unterwasservideos uber Quallen. Es war eine einfache Idee und eine late 1960s and early 1970s still seemed so modern, and odd because phanomenal schone. Wie dem auch sei, ich schatzte die Skulpturen ephemeral, performance-related elements had fossilized into objects. nicht gesondert von dem Video, das sie begleitete, sondern ich betrach- What impressed me most in the exhibition was Morning Piece (1964). tete die vielfaltigen Elemente der Ausstellung als ein einziges Werk. In this work, 33 shards of broken glass were displayed in a divided box, Jill Reynolds Tacoma Message 3000 war das einzige richtig millen- like scientific specimens. Each shard was randomly tagged with a future nium-inspirierte Stuck, das ich wahrend des Jahres kennen lernte. Ich morning date and time. The glass was to be used to look at the sky on bin beunruhigt, dass es kein kulturelles Interesse zu geben scheint, the assigned date. (Ono sold the "mornings," keeping careful track of Kunst fur das neue Jahrhundert neu zu erfinden, wie es so intensiv in her sales. The highest-priced were the mornings occurring farthest in den Jahren um 1900 der Fall war. Wir haben naturlich erst 2001 und es the future.) I appreciated Ono's use of glass in this (and other) contexts ist noch Zeit. Alessandro Diaz de Santillanas neue, verspiegelte Skulp­ as a sky metaphor. The shards were not just mementos or promises of turen sind nicht auf das Millennium bezogen, aber sie reflektieren die an event. They became a physical body for the sky, which, like glass, is Art innovativer Energie und asthetischen Vertrauens, das ich im kom- both visible and invisible, clear and cloudy. menden Jahrzehnt haufiger zu sehen hoffe. In his solo exhibition at Richard Gray Gallery in , the sculptor/ In der Kategorie von mit Glas arbeitenden Mainstreamkunstlern, war printmaker Jim Dine introduced a new body of work in cast and blown die Retrospektive der Performancekunstlerin Yoko Ono, „Yes" in der glass incorporating metal tools. The large, colored, blown cylinders Japan-Society in New York inspirierend und irgendwie seltsam. Es war pierced by glassworking and other implements were interesting to me, inspirierend, weil ihre Arbeit aus den spaten 1960er und fruhen 1970er and not as obvious as they may seem. It is always illuminating to see Jahren immer noch so modern schien und seltsam, weil kurzlebige, how artists from outside the glass world choose to use glass, and one performance-bezogene Elemente zu Objekten versteinert waren. Was of the most surprising exhibitions in this regard was "Twenty-Seven mich in der Ausstellung am meisten beeindruckte war Morning Piece Contemporary Artists," the 2000 remake of a landmark exhibition organ­ (1964). In dieser Arbeit waren 33 Glasscherben in einer aufgefacherten ized by Steuben in 1940. This exhibition of engraved glass, which was Kiste ausgestellt, wie wissenschaftliche Exemplare. Jede Scherbe war commissioned by Steuben from such major and diverse artists as wahllos mit Datum und Zeit eines zukunftigen Morgens etikettiert. Das Georgia O'Keeffe, , Isamu Noguchi, Grant Wood, Giorgio Glas sollte verwendet werden, um am angegebenen Tag den Himmel di Chirico, and Salvador Dali, included preparatory drawings and letters. zu betrachten. (Ono verkaufte die „Morgen", sich sorgfaltig uber ihren It was engaging and informative, and I hope that it will inspire more Absatz auf dem Laufenden haltend. Am teuersten waren die Morgens, projects of this kind. die am weitesten in der Zukunft lagen.) Ich schatzte Onos Glasverwen- Finally, I chose to include images from artists whose work was un­ dung in diesen (und in anderen) Kontexten als eine Himmelsmetapher. known to me before this year. Susan Edgerley (Canada), Laura Hey- Die Scherben waren nicht nur Mementos oder Versprechungen eines worth (England), Anna Marco (), and Isabelle Poilprez (France) all Ereignisses. Sie verkorperten auch den Himmel an sich, welcher, wie have unique talents. What the New Glass Review process demon­ Glas, sowohl sichtbar wie unsichtbar ist, klar und bewolkt. strates to me - and hopefully to others - is that in spite of the derivative In seiner Einzelausstellung in der Richard-Gray-Gallery in Chicago and uninspired glass that we all see, there are artists whose work in stellte der Bildhauer/Graphiker Jim Dine einen neuen Komplex von glass is exciting, unknown, promising, and maybe even new. Arbeiten vor; aus gegossenem und geblasenem Glas, Metallwerkzeuge in sich einschlieBend. Die groBen, bunten, geblasenen Zylinder, durch- bohrt von Glasverarbeitungs- und anderen Werkzeugen waren fur mich Tina Oldknow (TO) interessant und nicht so offensichtlich, wie sie scheinen mogen. Es ist Curator of Modern Glass immer erhellend zu sehen, wie Kunstler von auRerhalb der Glaswelt The Corning Museum of Glass sich entscheiden Glas zu benutzen, und eine der erstaunlichsten Aus- stellungen in dieser Hinsicht war „Siebenundzwanzig zeitgenossische Artisten", das 2000 Remake einer Meilenstein-Ausstellung, die 1940 von Steuben organisiert wurde. Diese Ausstellung uber graviertes Glas, die von Steuben von so groRen und unterschiedlichen Kunstlern wie Georgia O'Keeffe, Henri Matisse, Isamu Noguchi, Grant Wood, Giorgio di Chirico und Salvador Dali in Auftrag gegeben wurde, umfasste Zeich- nungen und Briefe, die dem Werk vorausgingen. Es war fesselnd und informativ und ich hoffe, dass es mehr Projekte dieser Art inspirieren wird. Letztendlich beschloss ich, Bilder von Kunstlern einzubeziehen, deren Werk vor diesem Jahr unbekannt war. Susan Edgerley (Canada), Laura Heyworth (England), Anna Marco (Spanien) und Isabelle Poilprez (Frankreich) haben alle einmalige Talente. Was der Prozess der New Glass Review mir - und hoffentlich anderen - zeigt, ist, dass trotz des abgeleiteten und uninspirierten Glas, das wir immer sehen, es Kunstler gibt, deren Werk im Bereich Glas aufregend, unbekannt, vielverspre- chend und vielleicht sogar neu ist.

Tina Oldknow (TO) Kuratorin fur modernes Glas The Corning Museum of Glass

Note Schlussbemerkung

n 2000, more than 6,000 copies of the New Glass Review 22 prospec­ 000 sind mehr als 6000 Einladungen fur die New Glass Review 22 tus were mailed. Each entrant could submit a maximum of three slides. 2versandt worden. Jeder Teilnehmer konnte bis zu drei Dias einrei- A total of 895 individuals and companies representing 40 countries sub­ chen. Insgesamt schickten 895 Einzelpersonen und Firmen aus 40 Lan- mitted 2,417 slides. The 100 objects illustrated in this Review were se­ dern 2417 Dias. Die 100 Arbeiten, die in dieser Review abgebildet sind, lected by four jurors, whose initials follow the descriptions of the objects wurden von vier Juroren ausgewahlt, deren Initialen den ausgesuchten they chose. Objekten beigefugt sind. All slides submitted to New Glass Review are retained in the Rakow Alle fur die New Glass Review eingereichten Dias werden in der Research Library of The Corning Museum of Glass, where they may be Rakow-Bibliothek des Corning Museums of Glass gesammelt, wo sie viewed by the public. Copies of slides published in any of the past der Offentlichkeit zur Ansicht zuganglich sind. Kopien von Dias, die in Reviews may be purchased by special order from the Museum's Buying den vergangenen Reviews erschienen sind, konnen durch Sonder- Office. Copies of New Glass Review 3 (1982) and 19 (1998) are still bestellung bei der Verkaufsabteilung des Museums erworben werden. available from the Buying Office, which can also supply all back issues Ausgaben der New Glass Review 3 (1982), 77(1996), 75(1998) und of the Review in black-and-white microfiche. 20(1999) sind noch lieferbar. Alle alten Ausgaben der Review konnen The Corning Museum of Glass would like to thank all of the artists auch auf SchwarzweifB-Mikrofiche geliefert werden. and designers who submitted their slides to New Glass Review for con­ Das Corning Museum of Glass mochte sich bei alien Kunstlern und sideration. Special thanks are due to those who made this publication Designern bedanken, die ihre Dias zum Wettbewerb eingereicht haben. possible: Mary Chervenak, Brandy Harold, Charlene Holland, Kevin Besonderer Dank gilt jenen, die diese Ausgabe ermoglicht haben. Mary Kurdylo, Richard Price, Amber Pruden, Joan Romano, Jacolyn Saun­ Chervenak, Brandy Harold, Charlene Holland, Kevin Kurdylo, Richard ders, and Violet Wilson. Price, Amber Pruden, Joan Romano, Jacolyn Saunders und Violet Wilson. Jurors' Choice

This section of New Glass Re view allows jurors to pick up to 10 Dieses Kapitel der New Glass Review gibt den Juroren die Moglich- examples of work in glass, either recent or historical, that impressed keit, 10 Beispiele aus der Glaskunst auszuwahlen, neuere Oder histori- them during the year. While the jurors' main responsibility is to review sche, die sie wahrend des Jahres beeindruckt haben. Wahrend es die and make selections from submitted slides, the additional choices allow Hauptaufgabe der Juroren ist, die eingereichten Dias durchzusehen them the freedom to show whatever glass is currently of particular und daraus auszuwahlen, so gewahren die zusatzlichen Wahlmoglich- interest to them. In this way, New Glass Review can incorporate sculp­ keiten die Freiheit, zu zeigen, welches Glas auch immer zur Zeit fur sie ture, vessels, installations, design, exhibitions, and architecture that von besonderem Interesse ist. Auf diese Weise kann die New Glass might never be submitted to the annual competition. Review Skulpturen, GefaRe, Installationen, Design, Ausstellungen und Since the inception of New Glass Review, the character of the sub­ Architektur miteinbeziehen, die vielleicht nie zum jahrlichen Wettbewerb missions has changed. Increasingly, the entries reflect the work of eingereicht worden waren. emerging artists over established ones. This is symptomatic of the Seit dem Beginn der New Glass Review, hat sich der Charakter der considerable growth that has occurred in the Studio Glass movement Einreichungen verandert. Vermehrt zeigen die eingereichten Arbeiten over the last decade, and it is natural that the Review should focus on das Werk von aufstrebenden statt etablierten Kunstler. Dies ist sympto- the work of "new" artists. However, one of the goals of New Glass matisch fur die bemerkenswerte Entwicklung, die in der Studioglasbe- Review is to present the widest possible range of art (and architecture wegung in den letzten zehn Jahren passiert ist und es ist naturlich, dass and design) using glass. It is our hope that "Jurors' Choice" will add die Review ihr Augenmerk auf „neue" Kunstler lenken soli. Nichtsdesto- significantly to our knowledge of the diverse work being made with this trotz ist eines der Ziele der New Glass Review, eine moglichst grof3e inspiring material. Bandbreite von Glaskunst (und -Architektur und -Design) zu zeigen. Wir hoffen, dass „Die Wahl der Juroren" wesentlich zu unserem Wissen liber die unterschiedlichen Arbeiten beitragt, die aus diesem inspirieren- den Material gemacht werden.

Selections/Ausgewahlte Arbeiten

Jane Adlin (JA) Tina Oldknow (TO) Josiah McElheny, United States Michele Blondel, France William Morris, United States Alessandro Diaz de Santillana, Italy Thomas Patti, United States Jim Dine, United States Carlo Scarpa, Italy Susan Edgerley, Canada Sidney Waugh, United States Laura Heyworth, United Kingdom Anna Marco, Spain Kate Elliott (KE) Yoko Ono, Japan/United States (not illustrated) Lanny Bergner, United States Isabelle Poilprez, France Steven Holl Architects, United States Jill Reynolds, United States Roni Horn, United States (not illustrated) Ginny Ruffner, United States Stanislav Libensky and Jaroslava Brychtova, Czech Republic Steuben, United States Laura de Santillana, Italy Lanny Bergner, United States Hydra, 2000 Gourd, screen, wire, glass, silicone H. 104.1 cm, W. 76.2 cm, D. 17.8 cm Photo: Elliott Brown Gallery, Seattle KE

Michele Blondel, France "Backwaters and the Arabian Sea" John Weber Gallery, New York City, April-May 2000 Photo: John Weber Gallery TO

Alessandro Diaz de Santillana, Italy Untitled (Orange), 2000 Glass, silver, wood, lead H. 90 cm, W. 200 cm, D. 12 cm TO

Jim Dine, United States Red Super-Ego, 2000 Blown glass, found object H. 33 cm, W. 111.7 cm, D. 35.5 cm Photo: Richard Gray Gallery, Chicago/New York TO Susan Edgerley, Canada Vau, 2000 Flameworked glass; paper H. 225 cm, W. 225 cm, D. 15 cm Photo: Jocelyn Blais, Galerie Elena Lee, TO

Laura Heyworth, United Kingdom Clawed Cushion, 2000 Hot-worked and lustered glass; velour H. 12 cm, W. 36 cm, D. 28.5 cm Photo: Ron Zijlstra, Braggiotti Gallery, Amsterdam TO

Steven Holl Architects, United States Chapel of St. Ignatius, Seattle University, Seattle, Washington, completed in 1997 Tim Bade, project architect; Olson/Sundberg Architects, associate architect Photo: Paul Warchol Photography, New York KE

Stanislav Libensky and Jaroslava Brychtova, Czech Republic "In the Presence of Angels" Heller Gallery, New York City, May 31-June 30, 2000 Photo: Heller Gallery KE Anna Marco, Spain Reproduction, 2000 Cast glass; metal H. 22 cm, L. 155 cm, D. 70 cm Photo: Antje Borgstede, Espai Vidre, Barcelona TO

Josiah McElheny, United States Untitled (White), 2000 Blown glass; display cabinet H. 56.5 cm, W. 218.6 cm, D. 40.7 cm Photo: Nicholas L. Williams, The Corning Museum of Glass (2000.4.9) JA

William Morris, United States Suspended Artifact, 1993 Blown glass, assembled; iron stand H. 61 cm, W. 66 cm, D. 17.8 cm Photo: The Metropolitan Museum of Art, New York (1994.386) JA

Thomas Patti, United States Burgundy Lumina Starphire with Green, 1992 Glass H. 12.4 cm, W. 15.1 cm, D. 11.1 cm Photo: The Metropolitan Museum of Art, New York (promised gift) JA Isabelle Poilprez, France Untitled, 2000 Blown glass with reticello and aventurine elements; raku ceramic base, seed pod H. 41.5 cm Photo: Galleria Rossella Junck, Venice TO

Jill Reynolds, United States Message Tacoma 3000, 2000 200-liter glass vessel (H. 102 cm, D. 76 cm), stainless steel stand, two tables for message writing, worktable with torch, 15,000 test tubes, paper, graphite, hair Installation at the Tacoma Art Museum, Tacoma, Washington TO

Ginny Ruffner, United States "MindGarden" Seattle Art Museum, November 2, 2000-February 25, 2001 Photo: Mike Seidl TO

wBSBKBSSBB^

Laura de Santillana, Italy Tokyo-ga I, 1999 Blown glass H. 28.5 cm, W. 22.2 cm, D. 5 cm Photo: Elliott Brown Gallery, Seattle KE Carlo Scarpa, Italy Venini, Murano, Italy Murririe Bowl, designed in 1940 Fused and slumped glass H. 4.7 cm, D. 12.8 cm Photo: The Corning Museum of Glass (79.3.954) JA

Steuben, United States "Twenty-Seven Contemporary Artists" (Georgia O'Keeffe) The Corning Gallery, New York City, October 2-29, 2000 Photo: Nicholas L. Williams, The Corning Museum of Glass TO

Sidney Waugh, United States Steuben, Corning, New York Gazelle Bowl, designed in 1935 Blown and engraved glass H. 17.7 cm, D. 18.2 cm Photo: The Corning Museum of Glass (90.4.244) JA Jurors for the New Glass Review Competitions*

Representatives of The Corning Museum of Glass who have served 1989: , artist, Freeland, Washington; Timo Sarpa- as jurors for the New Glass Review competitions are Thomas S. Buech- neva, artist, littala Glassworks, Nuutajarvi, . ner (1980-2001), William Warmus (1980-1984), Susanne K. Frantz 1990: Ginny Ruffner, artist, Seattle, Washington; Michael W. Monroe, (1986-1998), and Tina Oldknow (2001). Visiting jurors are: curator in charge, of the National Museum of American Art, , Washington, D.C.

1991: Bruce Chao, artist, head of the Glass Department, Rhode Island School of Design, Providence, Rhode Island; Janet Kardon, director, Museum, New York, New York. 1977: Paul Smith, director, Museum of Contemporary Crafts of the American Crafts Council, New York, New York. 1992: Douglas Heller, director, Heller Gallery, New York, New York; Elmerina and Paul Parkman, collectors, craft historians, Kensington, 1978: Paul Smith, director, Museum of Contemporary Crafts of the Maryland. American Crafts Council, New York, New York. 1993: Erwin and Gretel Eisch, artists, Frauenau, Germany; Paul J. 1979: James Carpenter, artist, New York, New York; Paul Smith, Smith, director emeritus, American Craft Museum, New York, New York. director, Museum of Contemporary Crafts of the American Crafts Coun­ cil, New York, New York. 1994: , artist, Philadelphia, Pennsylvania; Yoriko Mizuta, associate curator, Hokkaido Museum of Modern Art, Sapporo, 1980: Dan Dailey, artist, head of the Glass Department, Massachusetts Japan. College of Art, Boston, Massachusetts; J. Stewart Johnson, curator, Department of Architecture and Design, The Museum of Modern Art, 1995: Donald Kuspit, critic, professor of art history and philosophy, New York, New York. State University of New York, Stony Brook, New York.

1981: Andrew Magdanz, artist, assistant professor, Rochester Institute 1996: Arthur C. Danto, art critic and Johnsonian Professor Emeritus of of Technology, Rochester, New York; William S. Lieberman, chairman, Philosophy at , New York, New York; , Department of Twentieth-Century Art, The Metropolitan Museum of Art, artist, Amsterdam, the Netherlands. New York, New York. 1997: Kiki Smith, artist, New York, New York; Geoffrey Edwards, 1982: Dale Chihuly, artist in residence, Rhode Island School of Design, curator of international sculpture and glass, National Gallery of Victoria, Providence, Rhode Island; Henry Geldzahler, curator, commissioner of Melbourne, Australia. cultural affairs of the City of New York, New York. 1998: , artist and glassblower, Murano, Italy; David R. 1983: Robert Kehlmann, artist, critic, and editor of The Glass Art McFadden, chief curator, American Craft Museum, New York, New Society Journal, Berkeley, California; Clement Greenberg, critic, New York. York, New York. 1999: Lois Moran, editor and publisher, American Craft, New York, 1984: Susan Stinsmuehlen, artist, Austin, ; Ronald D. Abram- New York; Dana Zamecnfkova, artist, Prague, Czech Republic. son, collector, Washington, D.C. 2000: Mary Douglas, curator, Mint Museum of Craft + Design, Char­ 1985: Thomas Patti, artist, Plainfield, Massachusetts; David Revere lotte, North Carolina; Derek Ostergard, associate director and founding dean, The Bard Graduate Center for Studies in the , McFadden, curator, Cooper-Hewitt Museum, New York, New York; New York, New York; Michael E. Taylor, professor, College of Imaging Helmut Ricke, curator, Kunstmuseum Dusseldorf, Germany. Arts and Sciences, Rochester Institute of Technology, Rochester, New 1986: Bertil Vallien, artist, Kosta Boda Glassworks, Afors, Sweden; York. Abram Lerner, founding director, Hirshhorn Museum and Sculpture 2001: Jane Adlin, curatorial assistant, modern art, The Metropolitan Garden, Smithsonian Institution, Washington, D.C. Museum of Art, New York, New York; Kate Elliott, director, Elliott Brown 1987: Stanislav Libensky, artist, former professor, Academy of Applied Gallery, Seattle, Washington. Arts, Prague, Czechoslovakia; Lloyd E. Herman, independent curator, founding director of the Renwick Gallery of the National Museum of * Jurors are listed according to the years in which the competitions were held and American Art, Smithsonian Institution, Washington, D.C. the results of those competitions were published. In each case, the glass selected by the jurors was made one year earlier. 1988: , artist, professor of ceramics, , * Die Juroren sind nach den Jahren aufgefuhrt, in denen der Wettbewerb statt- Alfred, New York; Jean-Luc Olivie, curator, Centre du Verre, Musee fand und die Ergebnisse veroffentlicht wurden. In jedem Fall wurde das von den des Arts Decoratifs, Paris, France. Juroren ausgewahlte Glas im Laufe des vorherigen Jahres gefertigt. Bibliography OF RECENTLY PUBLISHED ARTICLES AND BOOKS ON GLASS Bibliographie KURZLICH VEROFFENTLICHTER ARTIKEL UND BUCHER UBER GLAS

This list includes publications added to the Rakow Library of The Cor­ Diese Liste enthalt Veroffentlichungen, die seit der Bibliographie in der ning Museum of Glass since the bibliography for New Glass Review 22. New Glass Review 22 der Rakow-Bibliothek des Corning Museums of Glass hinzugefugt worden sind. Contemporary Glass (after 1945) Flat Glass (after 1945), including Architectural, Mosaic, Painted, Zeitgenossisches Glas (nach 1945) and Flachglas (nach 1945), einschlieBlich architekturbezogenes Glas, Technology (after 1945) Glasmosaik, Glasmalerei und Farbglas Films and Videotapes Technologie (nach 1945) Filme und Videobander Only substantive book reviews are listed; they may be found under the author of the work reviewed. Nur bedeutende Buchkritiken sind aufgefuhrt. Sie sind unter dem Autor des rezensierten Werkes zu finden. The following periodicals are recommended for comprehensive cover­ age of contemporary glassmaking: Die folgenden Zeitschriften werden fur einen umfassenden Uberblick uber die zeitgenossische Glasgestaltung empfohlen: Glass (UrbanGlass, , New York) Glass Art Magazine Glass (Urban Glass, Brooklyn, New York) Glass Art Society Journal Glass Art Magazine Neues Glas/New Glass (Germany) Glass Art Society Journal La Revue de la Ceramique et du Verre (France) Neues Glas/New Glass (Bundesrepublik Deutschland) Stained Glass Quarterly La Revue de la Ceramique et du Verre (Frankreich) Stained Glass Quarterly Before 1982, this bibliography appeared annually in the Journal of Glass Studies, also published by The Corning Museum of Glass. Vor 1982 erschien diese Bibliographie jahrlich im Journal of Glass Studies, das ebenfalls vom Corning Museum of Glass herausgegeben wurde. Entries beginning with a cardinal or ordinal number, expressed either as a numeral or spelled out, will be found after the alphabetical entries, ar­ Titel, die mit einer Kardinal- Oder Ordinalzahl anfangen und die als Zahl ranged numerically. oder als Wort ausgedruckt sind, werden nach den alphabetischen Ein- tragen zahlenmaBig geordnet. Exhibition catalogs, formerly listed under the name of the city in which each exhibition was held, are now listed in the following manner: Ausstellungskataloge, die fruher unter dem Namen der Stadt, in der die Ausstellung stattgefunden hat, gefuhrt wurden, finden sich jetzt nach 1. Under the name of the author (person or organization). folgendem Schema geordnet: 2. Under the name of the city in which the exhibition was held (when the author's name is not provided). 1. Unter dem Namen des Autors (der Person oder Organisation) 3. Under the title (when neither the author's name nor the city 2. Unter dem Namen der Stadt, in der die Ausstellung stattgefun­ name is provided). den hat (sofern der Name des Autors nicht zur Verfugung steht) 3. Unter dem Titel (sofern der Name des Autors oder der Stadt nicht zur Verfugung steht).

CONTEMPORARY GLASS (after 1945)/ZEITGEN0SSISCHES GLAS (nach 1945)

1 Anonymous. The Guild of Glass Engravers Newsletter, 11 "Artist's Portrait: Diet Wiegman." " Awards 1999." Summer 1999, pp. 6-10, ill. This Side Up! (Valkenswaard, the Nether­ American Craft, v. 59, no. 5, Oct./Nov. 1999, Summary of conference presentation. lands), no. 7, Autumn 1999, p. 29, ill. pp. 55-63, ill. , p. 60; , p. 61. 7 "Art of Glass: Hot Glass, Flat Glass & 12 "Artist's Portrait: Philippe Avila." Neon." This Side Up! (Valkenswaard, the Nether­ 2 "American Craft Council Awards 2000: The Chrysler Museum of Art and Historic lands), no. 6, Summer 1999, p. 29, ill. Fellow - Joyce J. Scott." Houses Calendar of Events, May/June 1999, American Craft, v. 60, no. 5, Oct./Nov. 2000, p. 1, ill. p. 97, ill. Stephen Antonakos, Therman Statom, and 13 "Artist's Portrait: Qualified Irreverence - William Morris in Norfolk exhibit. Einar & Jamex de la Torre." 3 "American Craft Council Awards 2000: This Side Up! (Valkenswaard, the Nether­ Fellow - Paul J. Stankard." lands), no. 4, Winter 1998, pp. 29-30, ill. American Craft, v. 60, no. 5, Oct./Nov. 2000, 8 "Arte: Ana Thiel." p. 97, ill. Vitrium, v. 2, no. 4, Jan./Feb. 1999, pp. 11-13, ill. 14 "Artist's Portrait: Sally Weber." This Side Up! (Valkenswaard, the Nether­ 4 "Ana Thiel: Reflejo." lands), no. 10, Summer 2000, pp. 29-30, ill. Vidrio (Asociacion de Artistas del Vidrio), 9 "L'arte sfida la natura: Soffiati, mezze fili- no. 3, Oct.-Dec. 1999, pp. [19-26], ill. grane, sculture, incisioni in esposizione all'Os- In Spanish and English. pedale dei Battuti." 15 "Artist's Portrait: Vesa Kaleva Varrela." Brief profile of the artist. II Gazzettino, Speciale Vitraria '99, Sept. 10, This Side Up! (Valkenswaard, the Nether­ 1999, p. 8, ill. lands), no. 3, Autumn 1998, p. 29, ill. 5 "Archimede Seguso 1909-1999." Vitraria exhibition in San Vito al Tagliamento, Italy. Vetri: Italian Glass News, v. 5, no. 4, Autumn 16 "As Above, So Below." 1999, pp. 21-24, ill. RISD Views (Rhode Island School of Design), 10 "Artist Profile: Adrienne McStay." Spring 2000, pp. 30-31, ill. 6 "An Art in Its Own Time, Glass as Art To­ Scottish Glass Society Newsletter, no. 66, Ellen Driscoll incorporates photos into glass day: Michael Robinson." 2000, pp. [7-12], ill. in Grand Central Station installation. 17 "Bernard Heesen: 'Encyclopaedische 29 "Contemporary Showcase: The Latest 43 "La galena de artistas: Alonso Gonzalez." Gewrochten.'" Creations from Today's Paperweight Artists." Revista del Vidrio Piano, no. 50, Dec. 1998/ This Side Up! (Valkenswaard, the Nether­ Annual Bulletin of the Paperweight Collectors Jan. 1999, pp. 10-11, ill. lands), no. 6, Summer 1999, p. 30, ill. Association, 2000, pp. 82-85, ill. Exhibition reviews. Fifteen paperweights illustrated. 44 "La galeria de artistas: Anna Marco - Refinado erotismo." 30 "Corolle d'autore per Rex Built-in." 18 "Biot: Verriales 99. Le Verre, et Revista del Vidrio Piano, no. 58, April 2000, Ottagono, no. 136, Feb.-March 2000, caetera...." pp. 10-11, ill. pp. 34-37, ill. In Italian and English. Verre & Creation, no. 16, Aug. 1999, pp. 2-3, New collection of Murano glasses. ill. English summary, p. 8. 45 "La galeria de artistas: Los gestos del Exhibition review. 31 "'Crafts and Japonisme' Exhibition." vidrio - Maria Tamayo." Glass and Art (Tokyo), no. 21, Spring 1998, Revista del Vidrio Piano, no. 59, May 2000, 19 "BMA and Maryland Institute Celebrate pp. 52-53, ill. In Japanese. pp. 10-11, ill. 30-Year Career of Joyce J. Scott through May 21." 32 "Cristiano Bianchin." 46 "La galeria de artistas: Philippa Beve- Antiques and The Arts Weekly, v. 30, no. 18, Vetro (Centro Studio Vetro, Murano), no. 5, ridge." May 5, 2000, p. 48. Oct.-Dec. 1999, pp. 58-59, ill. In Italian and Revista del Vidrio Piano, no. 54, Sept. 1999 Review of exhibition at the Baltimore Museum English. pp. 10-11, ill. of Art. Review of Venice exhibition. 47 "La Galleria Rossella Junck: Due spazi 20 "Brittisk design intresserar Europa." 33 "Czech Bottle = Tschechische Flasche." espositivi per il vetro di Murano contempora- Glas och Porslin, v. 68 [69], no. 3, 1999, p. 9, New Glass Review (Czech), v. [53], no. 2, neo = Galleria Rossella Junck: Two Show­ ill. 1998, p. 22, ill. In English and German. cases for Antique and Contemporary Murano British designers Allister Malcolm and Susan Giant bottle made by students inZelezny Brod Glass." Nixon. for 1996 Summer Olympics in Atlanta, Georgia. Vetro (Centro Studio Vetro, Murano), no. 3, April-June 1999, p. 63, ill. In Italian and 34 "Czech Design by Jin Suhajek." English. 21 "Una capitale del vetro: Grande attesa Glass Art Society Journal, 1999, p. 58, ill. anche per la conferenza con gli esperti mon- 48 "Garantiert Unikate: Riesaer Glaser- diali del settore." 35 "Czech Fantasy and Arts = Tschechische meister lasst sich dekorative Flachenelemente II Gazzettino, Speciale Vitraria '99, Sept. 10, Fantasie und Kunst." aus Glas mit Gebrauchsmuster schutzen." 1999, p. 5, ill. New Glass Review (Czech), v. [53], no. 2, GFF, Zeitschrift fur Glas, Fenster, Fassade, Vitraria exhibition in San Vito al Tagliamento, 1998, p. 11, ill. In English and German. no. 12, Dec. 1999, pp. 59-60, ill. Italy. Bratri Jilkove glassworks. Designs by Andreas Hartzsch.

22 "Casting Wiz." 36 "Design Picnic in the Park." 49 "." RISD Views (Rhode Island School of Design), Form Function Finland, no. 74 (2), 1999, This Side Up! (Valkenswaard, the Nether­ Winter 2000, p. 2, ill. pp. 62-63, ill. lands), no. 1, Spring 1998, pp. 8-9, ill. Brief profile of Karla Trinkley. Seven glass design students (Pia Staff, Satu Siimes, Meri Laine, Susanna Oinonen, Tiia Crystal and glass elements in the artist's Matikainen, Camilla Groth, and Johanna Oja- works. 23 "II 'chaos' del pensiero razionale: nen) exhibit in . Toots Zynsky a New York dopo 12 anni = The 50 "Glas in historisch licht." 'Chaos' of Rational Thought: Toots Zynsky in 37 "Le direzioni del vetro: Quando tradizi- Glasbulletin, Vereniging van Vrienden van New York after 12 Years." one ed innovazione si incontrano - Tagliapietra Modern Glas, v. 14, no. 2, 2000, pp. 31-33, ill. Vetro (Centro Studio Vetro, Murano), no. 1, a Steuben Glass = New Directions in Glass: International glass exposition in Horn, the Oct. 1998, p. 63, ill. In Italian and English. When Tradition and Innovation Meet - Taglia­ Netherlands. Exhibition review. pietra at Steuben Glass." Vetro (Centro Studio Vetro, Murano), no. 1, 51 "Glass Art and Science: A Conference in 24 "Chihuly in the Light of Jerusalem." Oct. 1998, pp. 44-46, ill. In Italian and English. Lisbon and Marinha Grande, Portugal." American Craft, v. 60, no. 3, June/July 2000, GAS News (Glass Art Society), Nov./Dec. pp. 52-55, ill. 38 "Discovery Awards." 1999, p. 1+, ill. Images from the installation. Glass Art, v. 15, no. 3, March/April 2000, pp. 50-51, ill. 1999 winners for artware, lightingware, glass 52 "Glass : Silvia Levenson - 25 "Chihuly Vase Stolen from Art Museum." collectibles, and glass innovation. Clothes Used as Armour or Business Cards." The Crafts Report, v. 25, no. 278, June 1999, This Side Up! (Valkenswaard, the Nether­ p. 8, ill. 39 "Emmanuel Babied: 'Primaire.'" lands), no. 7, Autumn 1999, p. 30, ill. Stolen from Delaware Art Museum. Abitare, no. 390, Dec. 1999, pp. 110-111, ill. In Italian and English. 53 "Glass Education Services throughout 26 "Commissions: Donald Lipski - Sirsha- Highlights Babled's new vases. Japan: From Beginner Classes to High-Level sana, New York, NY." Education." Sculpture, v. 19, no. 3, April 2000, pp. 16-17, 40 " from a Glass Maker's Per­ Glass and Art (Tokyo), no. 22, Summer 1998, ill. spective: David Royce." pp. 4-24, ill. In Japanese. Sculpture for Grand Central Station is in shape The Guild of Glass Engravers Newsletter, Au­ of inverted olive tree and includes "thousands tumn 1999, pp. 10-11, ill. 54 "(Glass) Works of Art." of shimmering Austrian lead crystals." Summary of presentation at symposium in the Home Lighting & Accessories, v. 82, no. 10, Czech Republic; Royce is affiliated with Naze- Oct. 1999, p. 118+, ill. ing Glass, Vauxhall. 27 "Commissions: Richard Altman; Michael Engraved glass, with information on Thomas Scheiner." Tisch, Ronald Pennell, Anne Dybka, and 41 "Francfort: Tendence d'Allemagne." Paddy Robinson. American Craft, v. 59, no. 4, Aug./Sept. 1999, Offrir International, no. 357, Oct. 1998, pp. 30-31, ill. pp. 29-33, ill. English translation, p. 64. Fused and slumped wall sconces by Altman; Glass at the International Fair. 55 "Glasscasting with Kanoh Tomohiro." Scheiner's Bearing, the 1998 Rakow Commis­ Glass and Art (Tokyo), no. 22, Summer 1998, sion. 42 "Fuoco, sabbia e genio: Dalla decorati- pp. 68-69, ill. In Japanese. vita di inizio secolo si passa alio stile lineare e 28 "Contemporary Explorations into Form: alia qualita d'oggi." 56 "The Glassmaking Capital of the World - From The Glass Skin' Exhibition, Hokkaido II Gazzettino, Speciale Vitraria '99, Sept. 10, Murano." Museum of Modern Art." 1999, p. 9, ill. Kahch (All India Glass Manufacturers' Federa­ Glass and Art (Tokyo), no. 20, Winter 1998, Vitraria exhibition in San Vito al Tagliamento, tion, New Delhi), v. 7, no. 1, June 1999, p. 23, pp. 40-41, ill. In Japanese. Italy. ill. 57 "Grazie, Maestro Seguso." 71 "Die Kunst mit der Folie: Auserwahlte 85 "Notizie/News: Stile e bellezza in casa = Vetro (Centro Studio Vetro, Murano), no. 5, Gaste haben das 'Hotel Europa' in Troisdorf Style and Beauty in the Home." Oct.-Dec. 1999, p. 33, ill. In Italian and bezogen." Domus, no. 821, Dec. 1999, p. xi, ill. In Italian English. GFF, Zeitschrift fur Glas, Fenster, Fassade, and English. Brief tribute to the late Archimede Seguso. no. 12, Dec. 1999, p. 58, ill. Brief discussion of new glassware designs by Portraits of 130 personalities from European Fontana Arte. 58 "Grcic, Koskinen, Newson: Rivitalizzare history depicted on and dis­ Ittala = Revitalising littala." played on side of hotel in Troisdorf, Germany. 86 "Notizie/News: Venini all'inizio del terzo Abitare, no. 390, Dec. 1999, p. 114, ill. In Ital­ millennio = Venini at the Beginning of the ian and English. 72 "Lino Tagliapietra insignito del premio Third Millennium." Designs by Konstantin Grcic, Harri Koskinen, Libensky = Honored with the Libensky Award." Domus, no. 821, Dec. 1999, p. vi, ill. In Italian and Marc Newson. Vetro (Centro Studio Vetro, Murano), no. 0, and English. June 1998, p. 58, ill. In Italian and English. 87 "Nuovo catalogo Fiam Italia = New Fiam 59 "De Henry van de Velde Prijzen 1999." 73 "The Loss of Glass Designer Michael Italia Catalogue." Kwintessens (Vlaams Instituut voor het Zelf- Higgins." Ottagono, no. 137, April/May 2000, pp. 118- standig Ondernemen), v. 9, no. 1, Jan./Feb./ Echoes, v. 7, no. 4, Spring 1999, p. 128, ill. 125, ill. In Italian and English. March 2000, pp. 5-7, ill. In Dutch and English. Obituary. Best product award to Sylvie Vandenhoucke for silver and pate de verre vase. 88 "Obituaries: Pavel Jezek." 74 "Mademoiselles fleiGigste Heifer: GAS News (Glass Art Society), v. 11, no. 1, Maison Gripoix, Schmuckmacher fur Coco Jan./Feb. 2000, p. 3. 60 "Hot Glass Studio!" ." The Batch Book (Kokomo Opalescent Glass), Schmuck Magazin, no. 2, May 2000, 89 "Percorsi trasparenti: Si parlera anche [Dec. 1999?], p. 1, ill. pp. 86-87, ill. del ruolo degli operai friulani nell'evoluzione Jon Wolfe and Michael Amis create at Koko- Glass in jewelry. della tecnica." mo's studio. II Gazzettino, Speciale Vitraria '99, Sept. 10, 75 "Maria Lugossy: A livre ouvert." 1999, p. 10, ill. 61 "'I Didn't Want to Work with Glass Any Verre & Creation, no. 16, Aug. 1999, p. 3, ill. Vitraria exhibition in San Vito al Tagliamento, More.'" English summary, p. 8. Italy. This Side Up! (Valkenswaard, the Nether­ Brief profile of the Hungarian glass artist. lands), no. 2, Summer 1998, pp. 8-9, ill. 90 "Pilvi Ojamaa." . 76 "McElheny Receives Rakow Commis­ British Society of Scientific Glassblowers sion; Work to Be Added to Corning Collection. Journal, v. 37, no. 4, Oct. 1999, p. 158. 62 "In Erinnerung an Jutta Cuny-Franz = In Journal of Glass Studies, v. 42, 2000, Brief profile of the Estonian copper-wheel en­ Memory of Jutta Cuny-Franz." pp. 172-173. graver. Glashaus/Glasshouse (Internationales Maga- zin fur Studioglas), no. 3, 1999, pp. 5-6, ill. In 77 "Michel Bouchard: La Quete du graal." 91 "Portfolio: Alison Chism." German and English. Verre & Creation, no. 16, Aug. 1999, p. 4, ill. American Craft, v. 59, no. 5, Oct./Nov. 1999, English summary, p. 8. p. 88, ill. 63 "Insight: Glass - Artist to Artist." Brief profile of the artist. The Crafts Report, v. 25, no. 277, May 1999, 92 "Portfolio: Charlotte Meyer." pp. 16-18, ill. 78 "Mieke et la Fondation." American Craft, v. 60, no. 1, Feb./March 2000, Brief profiles of Susan Ziegler, Nicholas and Verre & Creation, no. 17, Nov. 1999, pp. 2-3, p. 93, ill. Jinny Ruhlman, Bob and Laurie Kliss, Ellie ill. English summary. Artist creates glass and metal sculptures. Burke, Ken and Ingrid Hanson, and Richard Glass artist Mieke Groot is director of the and Karen Federici; includes marketing tips. Ernsting Foundation in Germany. 93 "Portfolio: James Mongrain." American Craft, v. 59, no. 4, Aug./Sept. 1999, 79 "Mostra del bicchiere." p. 66, ill. 64 "Interview: ." Vetro (Centro Studio Vetro, Murano), no. 4, Glass Focus, v. 13, Oct./Nov. 1999, p. 1+. July-Sept. 1999, pp. 23-33, ill. In Italian and 94 "Portfolio: K. C. Grennan and Scott English. Fitzel." 65 "Interview: Richard Royal." Pictures of vessels in the exhibition "The Gob­ American Craft, v. 59, no. 6, Dec. 1999/Jan. Glass Focus, v. 14, Aug./Sept. 2000, p. 1+. let from Classical to Modern." 2000, p. 58, ill.

66 "Interview: Silvia Levenson." 80 "Nancy Nagle's Whimsical Glass Rattles." 95 "Portrait: Bernard Dejonghe - A propos Glass Focus, v. 14, Feb./March 2000, p. 1+. Glass Line, v. 14, no. 3, Oct./Nov. 2000, p. 1+, de verre." ill. Verre & Creation, no. 19, June 2000, p. 4, ill. 67 "Jacqueline Terpins: Dal Brasile." Lampworker. Abitare, no. 390, Dec. 1999, pp. 112-113, ill. 96 "Das Preisbild: Folge 693 - Murano- In Italian and English. 81 "New & Notable." Glas." Brief profile of the Brazilian glass artist whose I.D. (International Design Magazine), v. 47, Antiquitaten Zeitung, v. 28, no. 9, April 20, works are "almost always colorless." no. 1, Jan./Feb. 2000, pp. 41-44+, ill. 2000, pp. 334-335, ill. Karim Rashid Collection of glass lamps for Italian glass from the 1940s to the 1960s. George Kovacs Lighting, p. 43; glass sound 68 "Japanese Island Inspires New Work." speaker by Glas Platz of Germany, p. 46. 97 "Q: What Do You Give the Artist Who The Corning Museum of Glass Newsletter, Has Everything (In Her Purse)? A: 2mm Spring 2000, p. [5], ill. 82 "New : Griffebrug Groningen." Stringer." Klaus Moje's Rakow Commission piece, This Side Up! (Valkenswaard, the Nether­ The Bullseye Bulletin, Spring 2000, p. 4, ill. Niijima, a cylindrical vessel. lands), no. 2, Summer 1998, p. 32, ill. Anna Skibska at Bullseye. Artist Albert Geertjes designed "wig of glas" 69 "Kide: A Cultural Message across for bridge towers. 98 "Rassegna/Product Survey: Dipper, Bulb, Europe." Retort, Cross, Square, Round" Form Function Finland, no. 76 (4), 1999, 83 "New Talent for the Millennium." Domus, no. 823, Feb. 2000, p. 128, ill. In Ital­ pp. 64-65, ill. Glass: The UrbanGlass Art Quarterly, no. 78, ian and English. Nine "sound-and-light" works of laminated and Spring 2000, pp. 18-31, ill. Series of vases designed by Nigel Coates. elements represent the Euro­ Artists, critics, and curators choose 25 artists pean Cities of Culture for the year 2000. for the new century. 99 "Rassegna/Product Survey: Gli Oggetti di Fontana Arte" 70 "Koie Ryoji's Glass Work: Report from 84 "News: I vetri di Toots Zynsky." Domus, no. 823, Feb. 2000, p. 116, ill. In Ital­ Suwa Glass Village Workshop." Abitare, no. 390, Dec. 1999, p. 42, ill. In Italian ian and English. Glass and Art {Tokyo), no. 21, Spring 1998, and English. Includes vase by Ettore Sottsass made from pp. 54-56, ill. In Japanese. Brief profile of the artist. sheets of flat glass. 100 "Rassegna/Product Survey: Graniglia, 113 "SGCD Presents 1999 Discovery 126 "With Children at Heart." Fasciati." Awards in Pittsburgh for Outstanding Glass Glass Craftsman, no. 161, Aug./Sept. 2000, Domus, no. 823, Feb. 2000, p. 128, ill. In Ital­ and Ceramic Decoration." pp. 57-59, ill. ian and English. SGCD Newsletter (Society of Glass and Ce­ Artist Diana Chase designed fused glass win­ Centerpiece by Droog Design and vases de­ ramic Decorators), v. 37, no. 10, Nov. 1999, dow and cast glass insets for lobby of signed by Simon Moore. p. 1+, ill. pediatrician's office. Awards for food, beverage, cosmetic contain­ 101 "Rassegna/Product Survey: Opachi, ers; lighting ware; architectural glass; and 127 "VI. IGS: Mezinarodni sklarske sympo- Semi, Grass" other categories. zium Novy Bor, 17.-19. 10. 1997." Domus, no. 823, Feb. 2000, p. 117, ill. In Ital­ Sklara Keramik, v. 48, nos. 1-2, Jan./Feb. ian and English. 114 "Shortform: Preserved in Glass." 1998, p. 19, ill. Murano glass vases designed by Ivan Baj, Crafts (U.K.), no. 163, March/April 2000, Sixth Novy Bor symposium, October 1997. Laura de Santillana, and Paola Navone. p. 17, ill. Brief review of London exhibition featuring 128 "1999 Glass Art Society Student Galia Amsel and Bruno Romanelli. Awards." 102 "Rassegna/Product Survey: Primaire." Glass Art Society Journal, 1999, pp. 20-22, ill. Domus, no. 823, Feb. 2000, p. 118, ill. In Ital­ ian and English. 115 " Defined." 129 "2000 Niche Award Winners An­ Glass designed by Emmanuel Babied. RISD Views (Rhode Island School of Design), nounced." Winter 2000, p. 2, ill. Glass Art, v. 15, no. 4, May/June 2000, 103 "Rassegna/Product Survey: Riflessi in Brief profile of Mary Shaffer. pp. 34-35, ill. Laguna" Glass artists in professional category: Douglas Domus, no. 823, Feb. 2000, p. 119, ill. In Ital­ 116 "'Spigoitondi': Lino Tagliapietra - I nuovi J. Remschneider and Joel O'Dorisio; student ian and English. vetri." winner: Chris Mosey. Design by Carlo Moretti. CeramicAntica, v. 10, no. 8, Sept. 2000, pp. 30-32, ill. 130 Abrink, Pernilla. 104 "Rassegna/Product Survey: Tho." Report on Venice exhibition. "Exkl. Glas." Domus, no. 823, Feb. 2000, p. 124, ill. In Ital­ Form, v. 96, no. 3 (729), 2000, pp. 38-41, ill. ian and English. English summary. 117 "'Spiritual Dialogue with Glass': From Profile of Swedish glass artist Ernst Billgren. Crystal vase designed by Kazumasa Nagai. the Bohumil Elias and Czech Glass Sculpture Exhibition." 131 "The New Millennium: With Bubbles On." 105 "Une Reconnaissance en cristal pour Glass and Art (Tokyo), no. 20, Winter 1998, Form, v. 95, no. 6 (726), 1999, pp. 52-57, ill. Oscar Peterson." pp. 48-49, ill. In Japanese. English summary. Offrir International, no. 357, Oct. 1998, p. 56, ill. Profiles of Gunilla Kihlgren and Marten Medbo. Musician with "cubist piano" made by Cristal- 118 "The Stamford Cone." leries Royales de Champagne. Stained Glass, v. 95, no. 3, Fall 2000, 132 Adams, Erica H. pp. 180-181, ill. "Age of Transparency: Boot Me Up!" 106 "Relaties tussen mensen: Verslag ate- Public sculpture in Stamford, Connecticut, This Side Up! (Valkenswaard, the Nether­ lierbezoek aan Caroline Prisse." designed by . lands), no. 7, Autumn 1999, pp. 20-21, ill. Glasbulletin, Vereniging van Vrienden van Report on the 1999 Venice Biennial. Modern Glas, v. 13, no. 3, 1999, p. 4, ill. 119 "Taking Liberties with Lady Liberty: Red 133 "Storming Talent: Junichiro Baba - Hook Glass Blower Has a Passion for Remak­ Moonlight in the Shadow of Quiet (Okuno- 107 "Report: This Year's Graduation Pieces ing a New York Landmark." hosomichi)." - A Gathering of Work from Glass Schools Brooklyn Bridge, v. 4, no. 10, Summer 1999, This Side Up! (Valkenswaard, the Nether­ across Japan." p. 37, ill. lands), no. 9, Spring 2000, pp. 16-17, ill. Glass and Art (Tokyo), no. 21, Spring 1998, Pete Waldman. pp. 64-67, ill. In Japanese. 134 "Thinking through Glass: Cosmic 120 "Los tatuajes son para el verano." Models - Paper, Stone, Water - Maya Lin." 108 "Riffs in Glass." Revista del Vidrio Piano, no. 60, July 2000, This Side Up! (Valkenswaard, the Nether­ Glass: The UrbanGlass Art Quarterly, no. 79, pp. 72-73, ill. lands), no. 6, Summer 1999, pp. 24-25, ill. Summer 2000, pp. 42-47, ill. Crystal tattoos by . Works by 13 artists inspired by items in the 135 "Thinking through Glass: Fabrizio Plessi collection of the of Glass. 121 "Torch Song." - Visible Cities = Citta visibili." The Bullseye Bulletin, Spring 2000, p. 3, ill. This Side Up! (Valkenswaard, the Nether­ 109 "Saint-Louis: L'Exemple d'une fabrica­ Overview of , with an emphasis lands), no. 4, Winter 1998, pp. 24-25, ill. tion." on workshops at Bullseye. Mixed-media exhibition. Offrir International, no. 354, June 1998, pp. 34-35, ill. 136 "Thinking through Glass: Kiki Smith." Images of . 122 "Transparent." This Side Up! (Valkenswaard, the Nether­ Form Function Finland, no. 75 (3), 1999, p. 52, lands), no. 1, Spring 1998, pp. 24-25, ill. ill. 110 "Sars-Poteries: Le Musee en marche." Exhibition of pate de verre works by Markku 137 "Thinking through Glass: Maria Magda- Verre & Creation, no. 18, March 2000, pp. 4-5, Salo. ill. English summary, p. 8. lena Campos-Pons." Update on the activities of the museum, in­ This Side Up! (Valkenswaard, the Nether­ cluding recent acquisitions. 123 "Turning Point: Milestones in the Ca­ lands), no. 2, Summer 1998, pp. 24-25, ill. reers of Contemporary Paperweight Artists." Installation includes cast glass irons and Annual Bulletin of the Paperweight Collectors trivets. 111 "Sars-Poteries 2001, une nouvelle Association, 2000, pp. 91-97, ill. page." 138 "Thinking through Glass: Ode to Things." Verre & Creation, no. 20, Oct. 2000, pp. 4-5, This Side Up! (Valkenswaard, the Nether­ ill. English summary, p. 8. 124 "Verriales 2000: Extreme jonction." lands), no. 3, Autumn 1998, pp. 24-25, ill. Jean-Pierre Umbdenstock is guest artist at the Verre & Creation, no. 20, Oct. 2000, pp. 2-3, Glass art by Robert Rauschenberg and workshop. ill. English summary, p. 8. Brenda Star. Report on Biot exhibition. 112 "Seducciones en vidrio: Tres mujeres 139 "Thinking through Glass: Mem­ artistas." 125 "Villeurbanne avis de naissance." ories, Spaces - Maria Magdalena Boletm Informativo (Museo del Vidrio, Monter­ Verre & Creation, no. 18, March 2000, p. 2, ill. Campos-Pons, Jocelyne Prince and Juana rey, Mexico), v. 4, no. 8, Sept. 1999, [4] pp., ill. English summary, p. 8. Valdes." Exhibition featuring Laura Donefer, Ana Thiel, Reports on fair for glass and stained glass This Side Up! (Valkenswaard, the Nether­ and Toots Zynsky. artists. lands), no. 11, Autumn 2000, pp. 26-27, ill. 140 Adlerova, Alena. 153 "Expositions: Maria Van Kesteren." 167 "Dutch Bright: Masters of Light." "Czech Studio Glass." La Revue de la Ceramique et du Verre, This Side Up! (Valkenswaard, the Nether­ Glass Style (Milan), v. 3, no. 2, July 2000, no. 104, Jan./Feb. 1999, p. 62, ill. lands), no. 3, Autumn 1998, pp. 12-15, ill. pp. 70-77, ill. Bert Frijns, Jan van Munster, Bert van Loo, 154 "Le Nouveau Verre italien: Luxe, serie Winnie Teschmacher, Peter Hengst, Frank 141 "Sklarske dilo Louise Leloupa." et simplicite." Biemans, Barbara Nanning, and Sien van Atelier, no. 10, May 13, 1999, p. 12, ill. La Revue de la Ceramique et du Verre, Meurs. English summary, p. 15. no. 108, Sept./Oct. 1999, p. 57, ill. Two exhibitions of works by Belgian artist 168 "Epicentre of Glass in Holland: Leer- Louis Leloup. 155 "Perrin & Perrin et les emaux de dam and Glass, an Inseparable Liaison." Longwy." This Side Up! (Valkenswaard, the Nether­ 142 Soucasne sklo. La Revue de la Ceramique et du Verre, lands), no. 2, Summer 1998, pp. 3-6, ill. Praha: Odeon, 1979, 71 pp., ill. no. 105, March/April 1999, pp. 48-49, ill. 169 "Harald Vlugt: Poetisch recyclervan 143 Ahlstrand, Jan Thorsten. 156 "Tessa Clegg: L'Audace et la mesure." oude beelden." "Erik Hoglund: The Restless Innovator in La Revue de la Ceramique et du Verre, Glasbulletin, Vereniging van Vrienden van Glass" [in] Erik Hoglund: Konstnar. no. 101, July/Aug. 1998, pp. 46-47, ill. Modern Glas, v. 14, no. 1, 2000, pp. 15-19, ill. : Carlssons Bokforlag and Sma- Printed images placed between glass plates lands Museum-Sveriges Glasmuseum, 2000, 157 "Le Verre au crepuscule: Les Cires per- in office building. pp. 163-170, ill. dues d'Antoine Leperlier." La Revue de la Ceramique et du Verre, 144 Ainslie, Chris. no. 106, May/June 1999, pp. 34-37, ill. 170 "A Hot Summer in Leerdam and Am­ "Modern Myths." English summary, p. 36. sterdam: Glass Blowing for Insiders and Out­ The Guild of Glass Engravers Newsletter, siders." Summer 2000, pp. 7-8. This Side Up! (Valkenswaard, the Nether­ 158 Ann Wolff. Review of Ronald Pennell's exhibition at Not­ lands), no. 4, Winter 1998, pp. 12-13, ill. Zurich, Switzerland: Sanske Galerie; Kalmar, tingham Castle Museum. Report on courses and workshops at Glas- Sweden: Gallery, 2000, 56 pp., ill. centrum Leerdam, and Van Tetterode Glas- 145 Aitken, Dick. objecten, Amsterdam. 159 Antonione, Roberto and Galan, Gian- "People in Glass Houses." carlo. Craft Arts International, no. 47, 1999, '"Promessa di successo': 'Originale e stimo- 171 "Jelena Popadic Designs Glass Objects pp. 66-70, ill. lante I'aver affiancato alia produzione locale for the Film Ademkristal." Australian glass artist Judi Elliott. quella di Murano.'" This Side Up! (Valkenswaard, the Nether­ II Gazzettino, Speciale Vitraria '99, Sept. 10, lands), no. 11, Autumn 2000, pp. 10-11, ill. 146 Akerboom, Frits. 1999, p. 6, ill. "Reports from Abroad: In Search of Bibi." Vitraria exhibition in San Vito al Tagliamento, 172 "Jelena Popadic ontwerpt bijzondere Scottish Glass Society Newsletter, no. 68, Italy. glasobjecten voor the film Ademkristal." 2000, pp. 6-15, ill. Glasbulletin, Vereniging van Vrienden van Author's trip to the Netherlands; includes dis­ Modern Glas, v. 14, no. 3, 2000, pp. 13-14, ill. cussion of Dirk Copier, , 160 Aoki, Tomoko. Mieke Groot, and several glass galleries. "Defining Contemporary - From Recent Exhibitions." 173 "Menno Jonker brengt in zijn werk 'het Glass and Art (Tokyo), no. 21, Spring 1998, 147 Alexander, Ramy. hogere' tot uitdrukking." p. 80, ill. In Japanese. " Figurines." Glasbulletin, Vereniging van Vrienden van Includes illustrations of works by Dale Chihuly Vetri: Italian Glass News, v. 5, no. 3, Summer Modern Glas, v. 13, no. 4, 1999, pp. 15-18, ill. and Richard Marquis. 1999, pp. 13-14, ill. Exhibit in Leerdam. Reprinted from the Spring 1951 issue of Craft Horizon Magazine. 161 Arnhem, the Netherlands. Gemeente- museum Arnhem. 174 "Olaf Stevens en de graaltechniek." Floris Meydam: 40 jaar industrieel vormgever Glasbulletin, Vereniging van Vrienden van 148 Alfano, Nancy. (Text: Hadewych Martens). Modern Glas, v. 13, no. 3, 1999, pp. 28-29+, "Loren Stump: An American Original." Arnhem: [the museum?], 1988, [6] pp., ill. ill. Glass Collector's Digest, v. 13, no. 5, Feb./ Exhibition of glassware designs. March 2000, pp. 58-62, ill. California lampworker. 175 "Onderwaterwereld Peter Bremers nu in 162 The Artist Nani Croze in Africa. boekvorm te beleven." Glasbulletin, Vereniging van Vrienden van 149 Alhadeff, Gini. [Nairobi, Kenya: Kitengela Glass Studios, Ltd., Modern Glas, v. 14, no. 2, 2000, pp. 20-22, ill. "Down to Earth." 2000?], 126 pp., ill. Profile of the artist and his new book. Patek Philippe (Geneva), no. 6, Autumn/Win­ ter 1999, pp. 8-11, ill. 163 At the Edge: Australische Glaskunst = Profile of Maya Lin, with illustrations of her Australian Glass Art. 176 "Overzichtstentoonstelling 75-jarige Wil- works that include glass. Brisbane, Australia: Brisbane City Council, lem Heesen: 'Al die landschapjes heb ik wel [2000], [34] pp., ill. In English and German. gehad.'" 150 Anderson, Lindsay. Glasbulletin, Vereniging van Vrienden van "Master of Latticino." 164 Augustijn, Piet. Modern Glas, v. 14, no. 1, 2000, pp. 20-25, ill. Craft Arts International, no. 47, 1999, "Bernard Heesen: 'Encyclopaedische Ge- wrochten' - Tentoonstellingen in Kader Rabo- pp. 46-48, ill. 177 "Sabine Lintzen brengt ode aan de bank Cultuurprijs." Julio Santos. natuur." Glasbulletin, Vereniging van Vrienden van Glasbulletin, Vereniging van Vrienden van Modern Glas, v. 13, no. 3, 1999, pp. 8-10, ill. 151 Andreani, Carole. Modern Glas, v. 13, no. 2, 1999, pp. 12-18, ill. "Expositions: Antonio Cagianelli - L'Ambiguite Exhibitions at three Leerdam locations. du feu." La Revue de la Ceramique et du Verre, 165 "Blazen en gieten in de nieuwe glas- 178 "The Seventeenth Century Pop-Art of no. 105, March/April 1999, p. 55, ill. studio van Van Tetterode." Harald Vlugt." Brief report on exhibition. Glasbulletin, Vereniging van Vrienden van This Side Up! (Valkenswaard, the Nether­ Modern Glas, v. 12, no. 3, 1998, pp. 17-18, ill. lands), no. 9, Spring 2000, pp. 3-5, ill. Digitally printed images on transparent foil, 152 "Expositions: Le Verre dans tous ses Workshops at the Amsterdam firm. assembled between two glass plates. etats." La Revue de la Ceramique et du Verre, 166 "Caroline Prisse legt in thema groei no. 102, Sept./Oct. 1998, p. 57, ill. verandering en beweging vast." 179 "Storming Talent: Ingrid Arts." Works by Serge Mansau, Claude Baillon, and Glasbulletin, Vereniging van Vrienden van This Side Up! (Valkenswaard, the Nether­ Erik Dietman illustrated. Modern Glas, v. 14, no. 3, 2000, pp. 15-17, ill. lands), no. 1, Spring 1998, pp. 16-17, ill. 180 "Tentoonstelling in Museum Het Paleis: 193 100 Flaschen: Variationen aus Glas 206 "Archimede Seguso: Un vetraio per Lino Tagliapietra eert A. D. Copier." hagen Hutte. tutte le stagioni = Archimede Seguso: A Glass- Glasbulletin, Vereniging van Vrienden van [Immenhausen, Germany: Glasmuseum Im­ master for All Seasons." Modern Glas, v. 14, no. 2, 2000, pp. 24-29, ill. menhausen, 1996], 13 pp., ill. Vetro (Centro Studio Vetro, Murano), no. 1, Review of exhibition in The Hague. Glass artists Regina and Norbert Kaufmann. Oct. 1998, pp. 30-37, ill. In Italian and English. 181 "Tentoonstelling Mieke Groot in Glas- 194 Backer, Noelle. museum Alter Hof Herding in Duitsland." ": Astonishing Adornment." 207 Barrars, Henri. Glasbulletin, Vereniging van Vrienden van The Crafts Report, v. 25, no. 278, June 1999, "Elisabeth Marier: Verre nouveau/Glass Nou- Modern Glas, v. 13, no. 4, 1999, pp. 27-29, ill. pp. 24-27+, ill. veau." Review of exhibition in Coesfeld-Lette, Ger­ Artist's jewelry includes glass. Glass Gazette (Glass Art Association of Can­ many. ada), v. 3, no. 42, Oct. 2000, pp. 16-17, ill. In French and English. 182 "Vincent van Ginneke: Van mechani- 195 Badiali, Enrico. sche onderdelen naar lichamelijke vormen." "Ljus 2000. Ledmotiv: Enkelhet." Form, v. 96, no. 4 (730), 2000, pp. 85-87, ill. 208 Bassi, Alberto. Glasbulletin, Vereniging van Vrienden van "Housemix dalla Finlandia: Biomorfismo e Modern Glas, v. 13, no. 4, 1999, pp. 23-26, ill. English summary. New designs in lamps. leggerezza per sculture e oggetti." Casastile, v. 27, no. 273, Aug. 2000, 183 Australian Association of Glass Artists. pp. 38-39, ill. 11th Biennial Ausglass Conference: Confer­ 196 Bajcurova, Katarina. Finnish designer/artist Stefan Lindfors. ence (Wagga Wagga, Jan. 29-31, "Palo Macho: A chacun son ciel." 1999). La Revue de la Ceramique et du Verre, 209 Batacchi, Franco. McKinnon, Victoria, Australia: the association, no. 105, March/April 1999, pp. 30-33, ill. "Enough Kitsch!" 1999, 94 pp., ill. This Side Up! (Valkenswaard, the Nether­ 197 Balabanoff, Doreen. lands), no. 4, Winter 1998, pp. 20-21, ill. 184 Baas, Friedrich-Karl. "Canadian Glass: A Brief Glimpse." Comments on Aperto Vetro exhibition in "Kitengela Glas heute." This Side Up! (Valkenswaard, the Nether­ Venice. Glashaus/Glasshouse (Internationales Maga- lands), no. 10, Summer 2000, pp. 3-7, ill. zin fur Studioglas), no. 2, 2000, pp. 4-5, ill. In German and English. 210 Bavin, Patrick. Profile of the studio in Nairobi, Kenya. 198 Balcells, Maria Jose. "Hot Glass in the Canadian Rockies." "Reviews: Barcelona - Eugenia Balcells." Glass Gazette (Glass Art Association of Can­ 185 "Kitengela Glas - Vorgeschichte = Flash Art, v. 33, no. 211, March/April 2000, ada), v. 3, no. 42, Oct. 2000, pp. 7-8, ill. Kitengela Glass - The History." pp. 121-122, ill. Profile of Bavin Glassworks in Windermere, Glashaus/Glasshouse (Internationales Maga- Artist's installation includes 392 wineglasses. British Columbia. zin fur Studioglas), no. 5, 2000, p. 17, ill. In German and English. 199 Baldwin, Carol. 211 Beadle, The Venerable. Profile of Nani Croze and her Kenyan glass "Delicacy & Detail: The Paperweight Magic of "The Bead Column: Further Work by Toru studio. Paul Stankard." Sato." New Jersey Outdoors, v. 26, no. 1, Winter Glass Line, v. 13, no. 2, Aug./Sept. 1999, 186 Baas, Friedrich-Karl and Ruhlig, Dag- 1999, pp. 34-39, ill. pp. 8-9, ill. mar. Profile of the artist and his technique. Bernd Papke: Grafik + Glas. 200 "Paul Stankard: Citizen of Three Worlds." [Immenhausen, Germany: Glasmuseum Im- Glass Collector's Digest, v. 13, no. 4, Dec. 212 Beaumont, Thierry de. menhausen, 1997], 36 pp., ill. Gegensatze, 1999/Jan. 2000, pp. 27-34, ill. "Christian Ghion: Du crayon a la canne." no. 6. La Revue de la Ceramique et du Verre, no. 114, Sept./Oct. 2000, pp. 47-49, ill. 187 Glas aus Immenhausen: Glasgestalter 201 Baltimore. Baltimore Museum of Art. English summary. der Sussmuth-Hutte. Joyce J. Scott: Kickin' It with the Old Masters Ghion's series of vases for the Verrerie de [Immenhausen, Germany: Glasmuseum Im­ (Text: Leslie King-Hammond and others). Vianne. menhausen, 1997], 25 pp. Baltimore: the museum and Maryland Insti­ tute, College of Art, 2000, 108 pp., ill. Beaded sculptural works. 213 "Clifford Rainey visite americaine." 188 Jack Ink: Glasarbeiten. Verre & Creation, no. 20, Oct. 2000, p. 3, ill. [Immenhausen, Germany: Glasmuseum Im­ English summary, p. 8. menhausen, 1996], 13 pp., ill. 202 Bamberger, Joan. Profile of the artist. "Focus: Josiah McElheny." 189 Malerei aus Kassel: Glas aus Kopenha- American Craft, v. 59, no. 4, Aug./Sept. 1999, 214 "Vianne accueille le design." gen. Matthias Eule: Bilder, Per Lutken: Vasen pp. 72-73, ill. Verre & Creation, no. 17, Nov. 1999, p. 2, ill. und Schalen der 40er bis 60er Jahre. English summary. [Immenhausen, Germany: Glasmuseum Im­ 203 Barcelona. Espai Vidre, Fundacio Cen­ Designer Christian Ghion at the Verrerie de menhausen, 1996], 55 pp., ill. Gegensatze, tre del Vidre de Barcelona. Vianne. no. 5. Anna Marco: A la belleza por la sencillez = Anna Marco: Achieving Beauty through Sim­ 215 Beckers, George. 190 Malerei und Glas. Erkundungen durch plicity. ein halbes Jahrhundert: Der Maler Bernhard "The Institute of Crafts in Mechelen." Barcelona: the center, 2000, 15 pp., ill. Text in This Side Up! (Valkenswaard, the Nether­ Langer. Internationales Studio- und Ge- Spanish and English. brauchsqlas: Ausqewahlte Neuerwerbungen lands), no. 2, Summer 1998, pp. 18-20, ill. 1992-1994. Glass work at the Instituut voor Kunstambach- [Immenhausen, Germany: Glasmuseum Im­ 204 Barovier, Marino. ten: Walter Bolangier, Sandra De Clerck, Koen menhausen, 1995], 64 pp., ill. Gegensatze, "Bertil Vallien." Vanderstukken, and others. no. 4. Vetro (Centro Studio Vetro, Murano), no. 2, Jan. 1999, pp. 36-42, ill. In Italian and 216 BeeId: Supplement 5 - Bert van Loo 191 Milan Vobruba: Ein Tscheche in Schwe- English. (Text: Micky Piller). den und Deutschland. Profile of the artist. [Goudriaan, the Netherlands: De Groot], 1999, [Immenhausen, Germany: Glasmuseum Im­ [11] pp., ill. In Dutch and English. menhausen, 1997], 10 pp., ill. 205 Barovier Mentasti, Rosa. "Alfredo Barbini: Da Settant'anni protagonista 217 Bell, Susanna. 192 , Bilder und Glas aus Schweden: dell'arte del vetro = Seventy Years as a Grand "Shaping the Look of Everyday Life: Industrial Gitt Grannsjo-Carlsson und Bengt Edenfalk. Master." Designer Jorma Vennola Has Been Awarded [Immenhausen, Germany: Glasmuseum Im­ Vetro (Centro Studio Vetro, Murano), no. 0, the Kaj Franck Design Prize for 1999." menhausen, 1994], 40 pp., ill. Gegensatze, June 1998, pp. 24-31, ill. In Italian and Form Function Finland, no. 76 (4), 1999, no. 3. English. pp. 34-37, ill. 218 Bell, Tiffany. 231 "Venezia Aperto Vetro '98." 244 Bourre, Alexandra. "Dan Flavin, Posthumously." Vetro (Centro Studio Vetro, Murano), no. 2, "Franz Xaver Holler: Le Verre tout en peau." Art in America, v. 88, no. 10, Oct. 2000, Jan. 1999, pp. 20-27, ill. In Italian and English. La Revue de la Ceramique et du Verre, pp. 126-133, ill. Exhibition review. no. 112, May/June 2000, p. 52, ill. Review of Paris exhibition. 219 Bellavista, Cristina. 232 Besten, Liesbeth den. "Dove si sperimenta il vetro: A Marsiglia un "Mieke Groot: 25 Years of Change and Chal­ 245 Braun, Astrid. laboratorio d'arte applicata." lenge = 25 Jahre Bewegung und Herausforde- "Erstmals Glaskunstpreis vergeben: Premiere Casastile, v. 27, no. 273, Aug. 2000, p. 14, ill. rung." bei Weru." Brief profile of Centre Recherche sur le Verre Neues Glas/New Glass, no. 4, 1999, Glaswelt, v. 52, no. 11, Nov. 1999, p. 54, ill. d'Art (CIRVA), Marseilles. pp. 30-35, ill. In German and English. Prize winners are Alexander Wallner, Her­ mann Ritterswurden, and Manfred Thomczyk; 220 Benefield, Scott. 233 "II senso del vetro: Cristiano Bianchin." special mention to Nina Thorp. "The Artists Programme at Crystal CeramicAntica, v. 9, no. 6 (94), June 1999, in Ireland." pp. 6-11, ill. 246 Breier, Jurgen. GAS News (Glass Art Society), v. 11, no. 5, Review of Venice exhibition. "Room Installation: Glassy Genetic Codes." Oct./Nov. 2000, p. 2, ill. Schott Info, no. 94, June 2000, p. 23, ill. 234 Bijanfar, Manuela. Installation by Helga Griffiths uses thousands 221 "The Inaugural Festival of the Ezra "25 Jahre Studioglas Frauenau = 25 Years of of test tubes and petri dishes. Glass Studio, Kanazu, Japan." Studio Glass, Frauenau." GAS News (Glass Art Society), Summer 1998, Glashaus/Glasshouse (Internationales Maga- 247 Brendstrup, Dagmar. p. 6. zin fur Studioglas), no. 3, 2000, p. 36, ill. In "Ballet." New studio is patterned after the Pilchuck German and English. GlasPosten (Foreningen Glasmuseets Ven- Glass School. Brief report on symposium. ner, Ebeltoft), no. 3, Sept. 1999, pp. 8-9, ill. Photos showing glass artists Tobias Mohl and 222 Benglis, Lynda. 235 Biot, France. Galerie Internationale du Trine Drivsholm at work. "Painting, Sculpture, and Glass." Verre. Glass Art Society Journal, 1999, pp. 52-54, ill. Verriales 98: Duo. 248 Brewerton, Andrew. Biot: the galerie, 1998, 68 pp., ill. "In Black and White: Recent Work by Colin 223 Berengo, Adriano, ed. Reid." Vigliaturo: Vibrazioni in vetro. 236 Blauensteiner, Charlotte. Neues Glas/New Glass, no. 4, 1999, Venice: Marsilio, 1998, 93 pp., ill. "Ein Glasperlenspiel: Jacqueline I. Lillie." pp. 22-27, ill. In German and English. Kunsthandwerk & Design, no. 4, July/Aug. 1999, pp. 26-29, ill. 224 Berger, David. 249 "Shanghai Cocktail." Jacqueline Lillie's beaded jewelry. "House in Living Color: Seattle Artist Ginny Neues Glas/New Glass, no. 4, 1999, Ruffner Fuses Humor and Insight into the pp. 28-29, ill. In German and English. 237 "Der Leuchtturm von Murano: Galeristin Workspace She Calls Home." Bamboo Scroll by Colin Reid. und Kunstlerin in Munchen - Marianne Schli- AmericanStyle, v. 5, no. 3, Spring 1999, winski." pp. 34-41, ill. Kunsthandwerk & Design, no. 2, March/April 250 Something Rich and Strange': The 2000, pp. 38-43, ill. Kiln-Worked Glass of Keith Cummings." 225 Berk, Penny. Glass jewelry by Marianne Schliwinski. Neues Glas/New Glass, no. 1, 1999, "GAS Builds an International Glass Commu­ pp. 28-35, ill. In German and English. nity." 238 Bloom, Murray. Object (Crafts Council of ), "Alexandre Kapran." 251 Broyles, Rose. no. 4, 1999, pp. 78-80, ill. Glass Line, v. 13, no. 4, Dec. 1999/Jan. 2000, "Dense Dramas in Glass: The Ultimate in Origins of the Glass Art Society. pp. 8-10, ill. Recycled Art." Profile of the Russian-born lampworker. Glass Craftsman, no. 161, Aug./Sept. 2000, 226 Berm, Patula. pp. 6-9, ill. "Meine Kostume = My Dresses." 239 "The Lampworked Glass of Loy Allen." Works by Steven Acker are layered, often in­ Glashaus/Glasshouse (Internationales Maga- Glass Line, v. 13, no. 5, Feb./March 2000, cluding wire, nails, and dead animals. zin fur Studioglas), no. 3, 2000, pp. 10-11, ill. p. 11, ill. In German and English. 252 Bruycker, Tania de. The artist discusses her series of glass 240 Bohumil Elias. "Hot Spot: Silvie Vandenhoucke." dresses. [S.I.: s.n., 1999], [48] pp., ill. In Czech and This Side Up! (Valkenswaard, the Nether­ English. lands), no. 9, Spring 2000, pp. 8-9, ill. 227 Bernard Dejonghe: Siliciums-Nuages clairs. 241 Bolzano, Italy. Centro Culturale Claudio 253 "Portret: Een dialoog met Sylvie Van­ Bourges, France: Ville de Bourges-Agence Trevi. denhoucke." Culturelle, 1999, 48 pp., ill. In French and Frangibile. Kwintessens (Vlaams Instituut voor het Zelf- English. [Bolzano: Provincia Autonoma di Bolzano-Alto standig Ondernemen), v. 8, no. 1, Jan./Feb./ Adige Cultura Italiana and Vetroricerca, 2000], March 1999, pp. 18-19, ill. In Dutch and 228 Bernard, Elodie. 63 pp., ill. In Italian and German; introduction English. "Mari Meszaros: Le Corps en mouvement." and one essay also in English. La Revue de la Ceramique et du Verre, Works by Mauro Staccioli, Maurizio Donzelli, 254 . St. Art Galeria. no. 103, Nov./Dec. 1998, pp. 46-47, ill. Paolo Fabiani, and Silvia Levenson. The Hungarian Glass-Artists at the End of the Hungarian glass artist. 20th Century = Magyar uvegmuveszek a 20. 242 Boros, Geza. szad vegen (Text: Gyorgy Buczko and others). 229 Bernardine de Neeve-Prijs 1995. "Emlek/mu: Lugossy Maria muveszete a Budapest: the gallery, 1999, [28] pp., ill. In Vlaardingen, the Netherlands: [Vereniging van kilencvenes evekben." Hungarian and English. Vrienden van Modern Glas], 1995, 19 pp., ill. Uj Muveszet, v. 11, no. 9, Sept. 2000, Joost Bicker Caarten, Anna Carlgren, Lisa pp. 30-33, ill. English text, pp. 64-65. 255 Bundesverband Kunsthandwerk e.V. = Gherardi, Jens H. Pfeifer, Jelena Popadic, An examination of Maria Lugossy's art during German Crafts Association. Richard Price, Simsa Cho, and Arnout J. the 1990s. Made in Germany: German Crafts, New York Visser. International Gift Fair (Exhibition: Jacob K. 243 Borrus, Kathy. Javits Convention Center, New York, Aug. 230 Berndt, Louise. "Crossing Oceans for Craft: Immigrants to the 15-19, 1999). "Felice alchimia: II vetro e il nuovo eone = United States Find a Welcoming Market." Frankfurt am Main: the association, 1999, [44] Happy Alchemy: Glass and the New Aeon." The Crafts Report, v. 25, no. 283, Nov. 1999, pp., ill. In German and English. Vetro (Centro Studio Vetro, Murano), no. 6, pp. 36-37+, ill. Glass by Jan Adam Glasstudios, Glasstudio Jan.-March 2000, pp. 10-18, ill. In Italian and Includes information on glass artist Emiko Borowski, Stefan Lenke Glasgestaltung, Mag- English. Sawamoto. dalena Maihoefer, and Schwarzmuller Glas. 256 Burght, Angela van der. 269 Canberra. Canberra School of Art, Aus­ 280 Cerny, Lisa. "Art = Life & Life = Art." tralian National University. "Summer Art Institute at ACAD." This Side Up! (Valkenswaard, the Nether­ Glass: Essentially Canberra. Glass Gazette (Glass Art Association of Can­ lands), no. 2, Summer 1998, pp. 12-15, ill. Canberra: the school, 1998, 72 pp., ill. ada), v. 3, no. 38, Nov. 1999, p. 18, ill. Criticism of museums and glass art. Works by faculty, graduates, and present stu­ Glassworking workshops at the Alberta Col­ dents of the Glass Workshop of Canberra lege of Art and Design. 257 "Artist's Portrait: Irene van Vlijem - School of Art. Power of Poetry." 281 Chambers, Karen S. This Side Up! (Valkenswaard, the Nether­ 270 Latitudes: Bullseye Glass in Australia. "Barry Sautner." lands), no. 8, Winter 1999, pp. 29-30, ill. Canberra: the school, [1998], 47 pp., ill. AmericanStyle, v. 6, no. 1, Fall 1999, p. 36, ill. Art of Giles Bettison, Jane Bruce, Scott Cha- 258 "Decorating: To Adorn or to Conform seling, Ben Edols & Kathy Elliott, Ken Ikushi- 282 "Bert van Loo: Sculptures monumen- and Distinguish." ma, Elizabeth Kelly, Klaus Moje, Stephen tales en Hollande." This Side Up! (Valkenswaard, the Nether­ Procter, Kirstie Rea, Tom Rowney, and Robert La Revue de la Ceramique et du Verre, lands), no. 1, Spring 1998, pp. 3-5, ill. Wynne. no. 113, July/Aug. 2000, pp. 24-27, ill. English summary. 259 "Glass and Light, the Everlasting Fasci­ 271 Carlos, Matthew S. The artist is "increasingly concentrating on constructions where glass elements are set in nation." "The Art of Peter/Paedra Bramhall." opposition to other materials." This Side Up! (Valkenswaard, the Nether­ Transgender , no. 85, Winter 1998, lands), no. 3, Autumn 1998, pp. 18-20, ill. pp. 41-48, ill. Discourse on the role of light in glass art. Glass artist works in Bridgewater, Vermont. 283 "Clearly Inspired: Contemporary Glass and Its Origins." Neues Glas/New Glass, no. 2, 1999, 260 "Glass, Art & Science: International Ex­ 272 Carpenter, James. pp. 36-41, ill. In German and English. hibition & Conference, Portugal, 1999." "Individual Artist: Structure in Transparency" This Side Up! (Valkenswaard, the Nether­ [in] 11th Biennial Ausglass Conference: Con­ lands), no. 7, Autumn 1999, pp. 3-7, ill. ference Papers (Wagga Wagga, Jan. 29-31, 284 "Ethereal Glass: Toffolo-Mickelsen, 1999). terreno fertile per la ricerca artistica = Toffolo- McKinnon, Victoria, Australia: Australian As­ Mickelsen, Fertile Ground for Artistic Inven­ 261 "Hot Spot: Peter Bremers." sociation of Glass Artists (Ausglass), 1999, tion." This Side Up! (Valkenswaard, the Nether­ pp. 16-23. Vetro (Centra Studio Vetro, Murano), no. 1, lands), no. 8, Winter 1999, pp. 8-9, ill. Oct. 1998, pp. 60-61, ill. In Italian and English. 273 Carpenter, Jamie. 262 "Jan Wolkers, a Monument of an Artist." "The Luminous Threshold" [in] Glass Reflec­ 285 "A Glimpse of the Lake, an Eyeful of This Side Up! (Valkenswaard, the Nether­ tions: Glass in Art and Architecture. Glass: A Chicago Couple Creates a Show­ lands), no. 4, Winter 1998, pp. 8-9, ill. Wellington, : Friends of the Mu­ case for Their Collection." Artist at Van Tetterode Glasobjecten, Amster­ seum of New Zealand Te Papa Tongarewa, AmericanStyle, v. 6, no. 4, Summer 2000, dam. 1999, pp. 25-29, ill. pp. 48-55, ill. Installation for entrance to the Sydney 2000 263 "Storming Talent: Sunny van Zijst." Olympic complex. 286 "Homing In: Contemporary Artists Raise This Side Up! (Valkenswaard, the Nether­ the with House Motifs." lands), no. 2, Summer 1998, pp. 16-17, ill. 274 Casciani, Stefano. AmericanStyle, v. 5, no. 4, Summer 1999, "Wirkkala, o I'importanza di essere finlandese pp. 72-75, ill. Includes glass houses by 264 "5eme Triennale Europeenne de la = Wirkkala, or the Importance of Being Finn­ Douglas Navarra, Alan Glovsky, Mary White, Sculpture en Verre." ish." and Therman Statom. This Side Up! (Valkenswaard, the Nether­ Domus, no. 830, Oct. 2000, pp. 16-17, ill. In lands), no. 11, Autumn 2000, pp. 22-23, ill. Italian and English. 287 "Swedish Grace: The Artful Lives of Review of Luxembourg exhibition. Review of Helsinki exhibition. Bertil Vallien and Ulrica Hydman-Vallien." AmericanStyle, v. 5, no. 3, Spring 1999, 265 Burkholder, Gary. 275 Casciani, Stefano and Romanelli, pp. 50-57, ill. "Pure Light on the Prairies: Glassart 2000 and Marco. the Saskatoon Glassworkers Guild." "XX Euroluce 2000: Denis Santachiara - Zelig 288 "Vetro al SOFA Chicago 1999 = Glass Glass Gazette (Glass Art Association of Can­ La Murrina." at SOFA Chicago 1999." ada), v. 3, no. 41, July 2000, pp. 14-15, ill. Abitare, no. 394, April 2000, pp. 220-221, ill. Vetro (Centra Studio Vetro, Murano), no. 6, Review of guildmembers' exhibition. In Italian and English. Jan.-March 2000, pp. 61-65, ill. In Italian and Blown Murano glass shades for tripod lamps. English. 266 Butler, Peter. " Schott." 276 "XX Euroluce 2000: Toni Cordero - 289 Chambers, Karen S. and others. Glass Age & Window Construction, v. 43, Nuvola o Luce." "The Future of Glass." no. 10, Sept. 2000, p. 24., ill. Abitare, no. 394, April 2000, pp. 210-211, ill. Glass: The UrbanGlass Art Quarterly, no. 78, Glass dress designed by German fashion In Italian and English. Spring 2000, pp. 20-31, ill. designer Johanna Dimai. Molded glass shades in amorphous shapes. 290 Champa, Paula. 267 Byrne, Sarah. 277 Castro, Jan Garden. "Dream Weaver: Julian LaVerdiere." "Crystalmaker Continues to Move Onwards "Cultivating Her Garden: Ginny Ruffner." I.D. (International Design Magazine), v. 47, and Upwards." Sculpture, v. 19, no. 2, March 2000, pp. 10-11, no. 1, Jan./Feb. 2000, pp. 58-59, ill. Glass, Monthly Journal of the European Glass ill. Creations by the artist/inventor include the Va- Industry, v. 77, no. 3, April 2000, pp. 93-95, ill. nitas fruit bowl, a glass nitrogen-gas sphere Report on . 278 Catinella, Rita F. that delays the ripening of fruit. "Michael Graves: Man of the House." 268 Campbell-Manning, Annabelle. Architectural Record, v. 188, no. 4, April 2000, 291 Charleroi, . Musee du Verre de "Recent Acquisitions at the British Museum." pp. 178-180+, ill. Charleroi. The Glass Cone, no. 53, Summer 2000, p. 3, Includes glass designs for carafe, vessels, Noel des createurs. ill. and teapot. [Charleroi: the museum, 1998], 55 pp., ill. Acquisitions include cut and etched vase de­ Exhibition of glass art with a Christmas theme. signed by David Lord Queensbury (1965), 279 Cech, Vladimir. wheel-engraved goblet inscribed with "Festi­ "Vystava umeleckeho skla." 292 Chayat, Sherry. val of Britain" (1951), Cona Coffee Maker de­ Tvar, v. 4, no. 9, 1952, pp. 280-283, ill. Rus­ "Pushing Beyond the Limits: Walter Zimmer­ signed by Abraham Games (1957), three gob­ sian, English, and French summaries. man." lets designed by Gunnar Cyren for Orrefors Glass exhibited at Prague Industrial Arts Mu­ Sculpture, v. 18, no. 9, Nov. 1999, pp. 24-29, (1966), and a vase designed by VladimirZa- seum, including works by Josef Hospodka, ill. hour (1964). Stanislav Libensky, and Maria Stahlikova. Artist works with glass and mixed media. 293 Chicago. Habatat Galleries. 310 Coan, Jeff. 322 Csaszar, Tom. Lance Friedman: Sculpture. "Neon Art: So, What Exactly Is Neon Art?" "Reviews: Ron Klein." Chicago: the galleries, 1999, [14] pp., ill. Sign Builder Illustrated, no. 63, April 2000, Sculpture, v. 18, no. 9, Nov. 1999, pp. 68-69, Reeds, nests, beads, vessels, etc. pp. 100-104+, ill. ill. Advice on "how to make a name for yourself Mixed-media works include glass. 294 Chicago. Marx-Saunders Gallery. as a neon sculptor in the art world." Critical Mass (Text: John Brunetti). 323 Curriculum vitae: Antoni Pons Cirac. Chicago: the gallery, [1999], [8] pp., ill. 311 Cochrane, Grace. [Barcelona, Spain?: Joan Grifoll Casanovas?, Jon Kuhn exhibition. "Australian Voices: Being Australian - Adding 1999?] [60] pp., ill. Value" [in] 11th Biennial Ausglass Conference: Photocopies of information and articles about 295 Dante Marioni (Text: Tina Oldknow). Conference Papers (Wagga Wagga, Jan. the glass artist. Chicago: the gallery, [1999], [10] pp., ill. 29-31, 1999). McKinnon, Victoria, Australia: Australian As­ 324 Daniels, Hope. 296 In the Balance: Mary Shaffer (Text: sociation of Glass Artists (Ausglass), 1999 "Millennium Glass: Presenting International James Yood). pp. 82-86. Studio Art Works for the 21st Century." Chicago: the gallery, [2000], [10] pp., ill. AmericanStyle, v. 6, no. 4, Summer 2000, 312 Cockaerts, Anne. pp. 34-35, ill. 297 Jose Chardiet: Extraordinario! "Murano-glas uit de 20ste eeuw." Notes on traveling exhibition. Chicago: the gallery, [1999], [8] pp., ill. Kwintessens (Vlaams Instituut voor het Zelf- standig Ondernemen), v. 5, no. 4, Oct./Nov./ 325 Danny Lane: Breaking Tradition. 298 Keke Cribbs: Mosa'iques (Text: Tina Dec. 1996, pp. 38-39, ill. London: Mallett & Son (Antiques) Ltd., 1999, Oldknow). Exhibition at the Museum voor Sierkunst en 64 pp., ill. Chicago: the gallery, [1999], [8] pp., ill. Vormgeving, Ghent. Exhibition contrasts glass art and furniture by Boats, canteens and boxes with mosaic tiles. Lane with 19th-century glass furniture by Os­ 313 Columbus, Ohio. Riley Hawk Galleries. ier of Birmingham. 299 Richard Royal: Sacred Places (Text: Crows and Ravens (Text: Tina Oldknow). James Yood). Columbus: the galleries, 1998, [20] pp., ill. 326 Danto, Arthur Coleman; Jacob, Mary Chicago: the gallery, 2000, [9] pp., ill. William Morris exhibition. Jane; and Sims, Patterson. Howard Ben Tre. 300 Strong Currents: Steven Weinberg 314 "Una com eta di vetro": Presepi dei New York: Hudson Hills Press, 1999, 163 pp., (Text: John Brunetti). Maestri Vetrai di Murano = "A Glass Comet": ill. Chicago: the gallery, [2000], [10] pp., ill. Creches by the Murano Master Glassmakers. Traveling exhibit "Howard Ben Tre: Interior/ Cast glass sculptures of buoys and boats. [Murano: Associazione per lo Studio e lo Svi- Exterior" organized by Scottsdale Museum of luppo della Cultura Muranese = Association Contemporary Art. 301 Thomas Scoon: Geologic Logic (Text: for the Study and Development of Murano Cul­ James Yood). ture], 2000, 70 pp., ill. In Italian and English. 327 David Maude-Roxby-Montalto. Chicago: the gallery, [1999], [8] pp., ill. [S.I.: s.n., n.d., 1983-1990?], [56] pp., ill. Cast glass sculpture. 315 Contemporary Japanese Glass: One Diamond-point stipple engraving on glass. Aspect. 302 William Carlson: Degrees of Enclosure [S.I.: Glass Art Society], 1998, 43 pp., ill. Text 328 Davidson, Len. - Innerspace. in Japanese and English. Vintage Neon. Chicago: the gallery, [2000], [10] pp., ill. Works by 36 artists. Atglen, PA: Schiffer, 1999, 190 pp., ill. Mixed-media, sculpture, wall installations, and Illustrates primarily pre-1975 neon outdoor ad­ outdoor installations. 316 Copenhagen. Galleri Gronlund. vertising signs. Finn Lynggaard: 25 ar med glas en jubilae- 303 Chihuly: Jerusalem Cylinders. umsudstilling. 329 De Anna, Elio; Cesco, Giuseppe; and Seattle: Portland Press, 1999, 1 v. (unpaged), [Kobenhavn: the gallery, 1997], 45 pp., ill. Antonucci, Augusto. ill. "Imprenditori creativi: 'Se Pordenone e vocata Part of the "Chihuly in the Light of Jerusalem 317 Cork, Richard. all'export e merito di iniziative come questa.'" 2000" exhibit. "Alex Hartley's Pavilion: The Sculpture at II Gazzettino, Speciale Vitraria '99, Sept. 10, Goodwood Art 2000 Commission Prize." 1999, p. 7, ill. 304 Chihuly Projects (Text: Dale Chihuly, Talking Sculpture: Sculpture at Goodwood Sponsors of the Vitraria exhibition in San Vito Barbara Rose, and Dale Lanzone). (West Sussex, England), [1999-2000], p. 3, ill. al Tagliamento, Italy, comment on the impor­ Seattle: Portland Press, 2000, 364 pp., ill. Artist's work is a glass-walled architectural tance of glass art and industry. sculpture. 305 Chihuly: Taos Pueblo. 330 Devanney, Joseph J. Seattle: Portland Press, 1999, 92 pp., ill. 318 Craib, Paula. "A Return to Glory: Len Davidson and the Cylinders and baskets made between 1977 "A Review of 'Glass, Light & Sound' at Aber­ Neon Museum of Philadelphia." and 1979. deen Art Gallery." Sign Builder Illustrated, no. 63, April 2000, British Society of Scientific Glassblowers pp. 108-112+, ill. 306 Chilvers, Sarah. Journal, v. 38, no. 3, July 2000, pp. 112-115. "Review: A Baker's Dozen - An Exhibition of 331 Di Muzio, Lea. Glass by Jay Macdonell." 319 Crestou, Nicole. "Trasparenze': A Bologna un viaggio nel ma- Glass Gazette (Glass Art Association of Can­ "Elisabeth Cibot: La Tradition au service de gico mondo del vetro." ada), v. 3, no. 42, Oct. 2000, p. 13, ill. I'expression." Alte Vitrie, v. 10 [11], no. 2, 1998, pp. 2-4, ill. Exhibition in Vancouver. La Revue de la Ceramique et du Verre, English summary. no. 103, Nov./Dec. 1998, pp. 48-49, ill. Report on a 1998 exhibition/workshop in 307 : Sculpture. Includes the artist's work in glass. Bologna. [Duryea, PA: s.n., 1999?], [10] pp., ill. 320 Crichton, Dan. 332 Diest, Caroline van. 308 Cihakova-Noshiro, Vlasta. "The Glass Studio at Sheridan College." "Hot Spot: Bibi Smit." "Mah'rsky svet Bohumila Eliase." Fusion Magazine (The Ontario Clay & Glass This Side Up! (Valkenswaard, the Nether­ Atelier, no. 22, Nov. 4, 1999, p. 12, ill. English Association), v. 23, no. 2, Spring/Summer lands), no. 10, Summer 2000, pp. 8-9, ill. summary, p. 15. 1999, p. 15, ill. Review of Prague exhibition. 333 Dittrich, Alfred. 321 Croze-Grieshaber, Nani. "Rene Roubicek" [in] Annates du 14e Congres 309 , Ohio. Marta Hewett Gallery. "East Africa's Kitengela Glass." de I'Association Internationale pour I'Histoire The Year of Young Glass: An International Glass Craftsman, no. 157, Dec. 1999/Jan. du Verre (Venice/Milan, Oct. 27-Nov. 1, 1998). Juried Exhibition. 2000, pp. 49-52, ill. Lochem, the Netherlands: AIHV, 2000, Cincinnati: the gallery, 2000, 20 pp., ill. Kenyan glass studio. pp. 435-438, ill. 334 Dobbins, Norm. 347 "Giles Bettison: Raising Cane." 358 Ernould-Gandouet, Marielle. "The Ferman Phenomenon." Glass: The UrbanGlass Art Quarterly, no. 78, "Brigitte Sillard ou I'aventure des signes." Glass Craftsman, no. 159, April/May 2000, Spring 2000, pp. 32-37, ill. La Revue de la Ceramique et du Verre, pp. 6-11, ill. no. 108, Sept./Oct. 1999, pp. 52-53, ill. Bernice Ferman etches and paints her designs 348 "Klaus' Kaleidoscope." Artist casts glass pieces incorporating sym­ on glass objects. Object (Australian Centre for Craft and Design, bols used by primitive peoples. Sydney), no. 1, 2000, pp. 33-40, ill. 335 Doherty, Claire. Klaus Moje. 359 "Serge Mansau: 'Arret sur image.'" "Return to Babel." La Revue de la Ceramique et du Verre, Contemporary Visual Arts, no. 26, 1999, 349 Egge, Reimer. no. 110, Jan./Feb. 2000, pp. 52-53, ill. English pp. 28-33, ill. "Kreativitat und antike Technik = Creativity summary. Exhibition includes Washed Up, a work by and Classical Technique." Profile of the glass artist. Simryn Gill that has words engraved upon Glashaus/Glasshouse (Internationales Maga- sea-washed fragments of glass. zin fur Studioglas), no. 3, 2000, p. 17, ill. 360 Ernstell, Micael. In German and English. "Five Newly Acquired Works by a Rebel Ro­ 336 Dominus, Susan. Brief profile of Gabriele Kustner. "The Venerable Bead: Questions for Liza Lou." mantic." Art Bulletin of Nationalmuseum Stockholm, The New York Times Magazine, July 11, 1999, 350 "Milan Vobruba - Skulpturen in Glas = p. 15, ill. v. 5, 1998, pp. 20-21, ill. Milan Vobruba - Sculptures in Glass." Erik Hoglund. Glashaus/Glasshouse (Internationales Maga- 337 Donar, Annette. zin fur Studioglas), no. 5, 2000, pp. 8-9, ill. "April Meeting: ." In German and English. 361 Exley, Roy. Glass Club of Toledo Newsletter, May 16, Profile of the Czech artist. "Art of the Luminous." 2000, pp. 1-2. Contemporary Visual Arts, no. 25, 1999, Summary of presentation given by Dreisbach. 351 Ehrenreich, Jeremy. pp. 28-33, ill. "New Glass Museum Exhibit Honors Linda Exhibition includes works by Raine Smith, 338 Douglas, Mary F. McCartney." James Turrell, and Dan Flavin. Harvey K. Littleton: Reflections, 1946-1994. The Leader (Corning, NY), March 18, 2000, Charlotte, NC: Mint Museum of Craft + Design, pp. C1-C2, ill. 362 Faas, Gerhard. 1999, 80 pp., ill. Sixty-two-foot wall of stained glass by Brian "Glassymposium Frauenau 2000: Jede Menge Clarke at The Corning Museum of Glass. Highlights." 339 Drabeck, Bernard A. P und G (PorzeUan und Glas), no. 8, Aug. "Kaziun's 'Great Silhouettes.'" 2000, pp. 216-217, ill. Annual Bulletin of the Paperweight Collectors 352 Eisch, Katharina. "... denn 'Mannerhaut ist ganz naturlich' = Impressions of the symposium. Association, 2000, pp. 65-72, ill. ...for 'Men's Skin Is Completely Natural.'" Paperweights by Charles Kaziun. Neues Glas/New Glass, no. 2, 1999, 363 Fagone, Vittorio; Klasova, Minena; and pp. 42-47, ill. In German and English. 340 Dresden. Stadtmuseum Dresden. Seth'k, Jiri. Examines the glass art of Atelier Mannerhaut Glas und Monotypien: Karin Korn, Wolfgang Bergamo '98: Stanislav Libensky, Jaroslava in Zwiesel. Korn. Brychtova. [Dresden: the museum, 1994], 72 pp., ill. [S.I.: s.n., 1998], [52] pp., ill. In Czech and 353 Eleven Glass Sculptures (Text: Susanne English. 341 Duffy, Mary Jane. K. Frantz). [Corning, NY: Corning, Inc., 1999], [51] pp., ill. "Modelling with Light: The Glass Art of Mex­ 364 Faulkner, Norman. Sculptures at the Corning Incorporated head­ ico" [in] Glass Reflections: Glass in Art and "Glass in India." quarters building by Peter Aldridge, Dale Architecture. Glass Art Society Journal, 1999, p. 66, ill. Chihuly, , Rury Iwata, Stanislav Wellington, New Zealand: Friends of the Mu­ Images from Faulkner's video of glassworking Libensky & Jaroslava Brychtova, Donald seum of New Zealand Te Papa Tongarewa, in India. 1999, pp. 43-45. Lipski, William Morris, Therman Statom, Bertil Vallien, Harumi Yukutake, and Dana Zamecni- kova. 365 Fay-, Antoinette. 342 Dzurica, Georgia. "Meitner." "Crystal Cathedrals: Paul Stankard's Paper­ La Revue de la Ceramique et du Verre, weights Express the Spirit of Nature in the 354 Eliens, Titus M. no. 104, Jan./Feb. 1999, pp. 30-33, ill. Beauty of Glass." "Haags Gemeentemuseum/Museum Het Pa- Richard Meitner. House & Garden, v. 53, no. 5 (56), May 1998, leis: Meeting between A. D. Copier and Lino pp. 96-97, ill. Tagliapietra, Two Internationally Renowned Glass Artists." 366 Fenton, Susan. 343 Ebeltoft, Denmark. Glasmuseum Ebel- This Side Up! (Valkenswaard, the Nether­ "Company Profile: Glass - Re- toft. lands), no. 10, Summer 2000, pp. 19-20, ill. Inventing an Extraordinary Material." Den nordiske are: The Nordic Spirit (Charlotte Exhibition review. Tableware International, v. 29, no. 11, Dec. Sahl-Madsen and Sandra Blach, eds.). 1999/Jan. 2000, pp. 19-20, ill. Ebeltoft: the museum, 1999, 50 pp., ill. 355 Emanciones del fuego. Caracas, Venezuela: Consejo Nacional de la In English; introduction also in Danish. 367 "Sunderland Glass Goes Out of Busi­ Cultura, Direccion General Sectorial de Artes Glass by 21 Scandinavian artists. ness." Visuales, 1998, 66 pp., ill. Tableware International, v. 30, no. 1, Feb. Exhibition of artists residing in Latin America; 344 Steffen Dam. 2000, p. 6. [Ebeltoft: the museum, 1997?], 36 pp., ill. glass artists include Linda Behar, Gioconda In Danish and English. Berrios, Freddy Borges, Marie France Daguilh, Leonel Duran, Kellmis Fernandez, Lily Hollin- 368 Ferrell, Ginger. 345 Edgar, Blake. ger, Alicia Kelemen, Maria Elena Machado, "Water Works." "William Morris: Bagliori del passato = William Gisela Marquez, Renate Pozo, Oscar Quin- Glass Network (Newsletter of the Contempo­ Morris: Glimmers of the Past." tana, and Ximena Vergara. rary Glass Society, U.K.), no. [8], Feb. 2000, Vetro (Centro Studio Vetro, Murano), no. 0, pp. 4-9, ill. June 1998, pp. 33-37, ill. In Italian and 356 Enklaar, Jasper. Report on class held at the studio of Mark English. "Glass beyond the Grave: New Rites and the Angus. Prosperity of Funeral Art." 346 Edwards, Geoffrey. This Side Up! (Valkenswaard, the Nether­ 369 Finch, Mick. "Brian Hirst's Votive Vessels." lands), no. 4, Winter 1998, pp. 18-19, ill. "Daniel Buren." Glass: The UrbanGlass Art Quarterly, no. 74, Contemporary Visual Arts, no. 28, 2000, Spring 1999, pp. 22-29, ill. 357 Erik Hoglund: Lasia ja pronssia. pp. 46-51, ill. Examines the ceremonial aspects of the Aus­ [S.I.: s.n., n.d.], [27] pp., ill. Includes -walled installation by the tralian artist's work. Works in glass and bronze. French artist. 370 Finckenstein, Charlotte V. 381 Fujino, Mayumi; Kudo, Yoshiro; and 394 The Glass Art of Chris Pantano. "II volto nuovo della tradizione: Claudio Tiozzo Taniichi, Takashi. [S.I.: s.n., n.d.], [11] pp., ill. e Davide Salvadore in mostra ad Amburgo = Contemporary Glass Beads by 20 Japanese Australian artist. The New Look of Tradition: Claudio Tiozzo Artists. and Davide Salvadore on Exhibit in ." [Tokyo]: Ribun Shuppan, 2000, 109 pp., ill. In 395 Glass Reflections: Glass in Art and Vetro (Centro Studio Vetro, Murano), no. 4, Japanese; introduction also in English. Architecture. July-Sept. 1999, pp. 62-63, ill. In Italian and Wellington, New Zealand: Friends of the Mu­ English. 382 Furio, Joanne. seum of New Zealand Te Papa Tongarewa, "Molten Glass Shines As a Home Decoration." 1999, 56 pp., ill. 371 Folco, Michele di and Folco, Yves di, The Marietta Times (Ohio), April 14, 2000, eds. p. A6, ill. Focus on John and Kathleen Burchetta, New 396 Glowen, Ron. Ceci n'est plus du verre: Liane Allibert et Mi­ "Ann Gardner." York State glassmakers. chel Mourlot, Marisa et Alain Begou, Gilles Glass: The UrbanGlass Art Quarterly, no. 77, Chabrier, Bernard Dejonghe, Gerard Fournier, Winter 1999, p. 56, ill. Gerard Koch, Antoine Leperlier, Jean-Paul 383 Fusselman, Amy. Review of Seattle exhibition. van Lith, Raymond Martinez, Matei Negreanu, "Ettore Sottsass." Isabelle Monod, Jean-Paul Raymond, Michel Vetri: Italian Glass News, v. 4, no. 3, Summer Stefanini. 1998, p. 11+, ill. 397 "Reviews: Ben Edols and Kathy Elliott - Nerac, [France]: Vers les Arts, 1994, 270 pp., Dissolve." Glass: The UrbanGlass Art Quarterly, no. 80, ill. In French and English; one essay in Ger­ 384 Gaustad, Randi. Fall 2000, p. 56, ill. man with French translation. "Tendenser i norsk glasskunst = Tendencies in Seattle exhibition. Norwegian Art Glass" [in] Nordic Glass 2000: Glass without Boundaries. 372 Fong, Helen. Denmark: Association Nordic Glass 2000, 398 Golub, Ina. "Hot Shop Graduate." 2000, pp. 138-168, ill. In Norwegian and "Kickin' It with Joyce Scott." Craft Arts International, no. 48, 2000, English. Beadwork, v. 3, no. 3, May/June 2000, p. 16, pp. 63-66, ill. ill. Australian glass artist Matthew Curtis. 385 Gibson, Edward. Exhibition review. "Canadian Modernity: The Glass Art and Ca­ 373 "The RFC Glass Prize 1999." reer of Mary Filer." 399 Gordon, Allan M. Craft Arts International, no. 48, 2000, Glass Gazette (Glass Art Association of Can­ "Therman Statom at the Crocker Art Museum." pp. 88-91, ill. ada), v. 3, no. 41, July 2000, pp. 3-6, ill. Artweek, v. 31, no. 3, March 2000, pp. 14-15, ill. 374 Foster, Stephen and Tawadros, Gilane, 386 Gibson, Pamela. eds. "Jane Charles at the National Glass Museum, 400 Goteborg, Sweden. Rohsska Konst- Familiars: Hamad Butt. Sunderland." slojdmuseet. London: Institute of International Visual Arts in Scottish Glass Society Newsletter, no. 67, Fran modern till nutid: Glas i Finland association with John Hansard Gallery, Uni­ 2000, pp. 9-13, ill. 1920-1990. versity of Southampton, 1996, 60 pp., ill. Exhibition review. Riihimaki, Finland: Glasmuseum, 1992, 84 pp., ill. 387 Gidoomal, Shalini. Majority of glass is post-1945. 375 Fox, Edward. "African Glass: Visiting the Croze Family Work­ "Anthony Genet: A First Glass New Zealand shop in Kenya." Artist." 401 Grand Crystal Co., Ltd. Architectural Design, v. 56, no. 8, Aug. 1999, Glass Line, v. 12, no. 4, Dec. 1998/Jan. 1999, Grand Crystal. p. 60+, ill. p. 8, ill. Taipei, Taiwan: the company, 2000, 158 pp., Kitengela Stained Glass Studios, Nairobi, ill. In Chinese and English. Kenya. Catalog of works by the company. 376 Frantz, Susanne K. "Surface Tension." 388 Gilbert, Chris. 402 [ The Grand Crystal - An Oriental Glass Crafts (U.K.), no. 158, May/June 1999, "Tony Feher: No Simple Matter." Art Empire]. pp. 28-33, ill. Sculpture, v. 18, no. 7, Sept. 1999, pp. 10-11, Monica Guggisberg and Philip Baldwin. ill. [Taipei, Taiwan: the company, 1999], [16] pp., Some of the artist's works incorporate bottles. ill. In Chinese. 377 "Vladimir Kopecky." 403 Gray, Katherine. Neues Glas/New Glass, no. 2, 1999, 389 Girard, Sylvie. "Reviews: Pamina Traylor- Passages." pp. 14-21, ill. In German and English. "Expositions: Du visible a I'invisible - Barbara Couffini." Glass: The UrbanGlass Art Quarterly, no. 79, La Revue de la Ceramique et du Verre, Summer 2000, p. 54, ill. 378 Friedman, Jane. no. 109, Nov./Dec. 1999, p. 60, ill. Review of Seattle exhibition. "The Power to Provoke: Five Artists Create Works That Demand an Emotional Response." 390 "Expositions: Les Ovolites de Xavier 404 Grigson, Anna. AmericanStyle, v. 6, no. 2, Winter 1999-2000, Carrere." "New Directions: Emerging Glass Artists in pp. 58-63, ill. La Revue de la Ceramique et du Verre, Australia." Includes profiles of glass artists Susan Plum no. 102, Sept./Oct. 1998, p. 58, ill. Craft Arts International, no. 47, 1999, and Roger Parramore. pp. 91-94, ill. 391 Giuliano Giuman: Vetro - Opere dal Exhibition review. 379 Frost, James A. 1991 al 1998 (Text: Attilia Dorigato). "Historic Quarter Hosts Enthusiastic Festival Foligno [Italy]: Editoriale Umbra, 1998, 111 pp., 405 Grisham, Susan. Turnout." ill. In Italian and English. "Designer Spotlight: The Magic of Glass Casts Glass, Monthly Journal of the European Glass a Spell on Venice." Industry, v. 76, no. 12, Dec. 1999, p. 403, ill. 392 Glancy, Michael. Home Lighting & Accessories, v. 81, no. 10, Report on Dudley Glass Festival at Broadfield "Glancy's Infinite Obsessions." Oct. 1998, p. 94+, ill. House Glass Museum, Kingswinford. RISD Views (Rhode Island School of Design), Dale Chihuly. Winter 2000, pp. 8-11, ill. 380 "Seven Speakers, a Sculptor, a Critic 406 Gunnar Cyren, glaskonstnar, silversmed and an Art Therapist." 393 Glas, Max. och musikant = Gunnar Cyren, Glassartist, Glass, Monthly Journal of the European Glass "Glass: The Material of the Spirit - Funda­ and Musician (Text: Helena Dahl- Industry, v. 77, no. 2, March 2000, p. 63, ill. mental Ideas in the Work of Florian Lechner." back Lutteman and Lennart Rudstrom). Stock­ Report on seminar held in London by Contem­ This Side Up! (Valkenswaard, the Nether­ holm: Carlsson, 1998, 182 pp., ill. In Swedish porary Glass Society. lands), no. 2, Summer 1998, pp. 29-30, ill. and English. 407 Gunter, Candice. 420 "Formgivare i polemik: Cilia Persson vs 432 Herain, Karel. "Pyjamas in the Hot Shop: A Profile of Paulus Jan Wiberg. "Sbor pro peci o vytvarnicky dorost." Tjiang." Glas och Porslin, v. 68 [69], no. 4, 1999, p. 17, Tvar, v. 4, nos. 5/6, 1952, pp. 174-177, ill. Glass Gazette (Glass Art Association of Can­ ill. Russian, English, and French summaries. ada), v. 3, no. 39, Feb. 2000, pp. 3-4, ill. Includes works by Vera Liskova, Jarmila Stra- 421 "Myten & verkligheten: Erika Hoglund." kova, Frantisek Zemek, and Maria Stahlikova. 408 Hagan, Debbie. Glas och Porslin, v. 68 [69], no. 3, 1999, "Market Talk: Glass - Content beyond Con­ pp. 16-18, ill. 433 Hice, Michael. tainer." Interview with the designer for the Swedish "Reviews: Tony Jojola, Preston Singletary and Art New England, v. 21, no. 3 [4], June/July company Maleras. C. S. Tarpley." 2000, p. 9, ill. Glass: The UrbanGlass Art Quarterly, no. 79, New trends in glass art. 422 "Tulipa, Kosta Boda. Formgivare: Ulrica Summer 2000, p. 52, ill. Hydman-Vallien." Review of exhibition in Santa Fe, New Mexico. 409 "Work of Many Hands: A Former Glas och Porslin, v. 68 [69], no. 5, 1999, Factory in New England Finds New Life as a pp. 12-13, ill. 434 Hickey, Dave and Gross, Jennifer R. Vibrant Artists Community." Josiah McElheny. AmericanStyle, v. 7, no. 1, Fall 2000, 423 Hannover, Germany. Kestner Gesell- Boston: Isabella Stewart Gardner Museum, pp. 62-71, ill. schaft. 1998, 65 pp., ill. Artists working with glass include Lynn Lati­ Kiki Smith: All Creatures Great and Small mer, Henry Richardson, and Eileen Jager. (Carl Haenlein, ed.; text: Carsten Ahrens). 435 Hight, Eleanor M. New York: Scalo; Hannover: the museum, "Maya Lin Reconsidered." 1999, 138 pp., ill. 410 The Hague. Galerie Rob van den Doel. Design Book Review, no. 40, Fall 1999, Anna Carlgren. pp. 40-44, ill. Den Hague: the galerie, 1999, [8] pp., ill. In 424 Harawi, Sami and Reinhardt, Charlie. Includes discussion of artist's work using 46 Dutch and English. "Claudia Lezama: Cristallizza la sua filosofia tons of ground automobile glass. nel vetro = Claudia Lezama: Crystallizes Her 411 Hajdamach, Charles. Philosophy in Glass." 436 Hilsbecher, Klaus U. "In from the Cold." Vetro (Centro Studio Vetro, Murano), no. 2, "Glasplastik und Garten: 2nd International Ex­ Crafts (U.K.), no. 161, Nov./Dec. 1999, Jan. 1999, pp. 44-46, ill. In Italian and English. hibition - Glass Sculpture and Garden." pp. 38-41, ill. Profile of the artist. This Side Up! (Valkenswaard, the Nether­ Czech glass artists Rene Roubicek and lands), no. 3, Autumn 1998, pp. 30-31, ill. Miluse Roubickova. 425 Harvey, Kathleen S. Exhibition in Munster, Germany. "San Pedro proyecto de vidrio en Merida." 412 Hall, Sarah. Vidrio (Asociacion de Artistas del Vidrio), no. 3, "Wind's Eye Gallery: Featuring the Work of Oct.-Dec. 1999, pp. 15-17, ill. In Spanish and 437 Hinchliffe, Meredith. Judith Ramazzini." English. "Edols and Elliott." Glass Art, v. 16, no. 1, Nov./Dec. 2000, Profile of Miguel Angel Gonzalez, who bought Craft Arts International, no. 47, 1999, pp. 38-39, ill. the Fabrica de Vidrio Soplado in San Pedro pp. 54-58, ill. and is starting the Maya Glass Factory in Kon- Australian glass artists Benjamin Edols and kal, Merida, Mexico. Kathy Elliott. 413 "Wind's Eye Gallery: Featuring the Work of Stephen Brathwaite." Glass Art, v. 15, no. 5, July/Aug. 2000, 426 Hatton, Beth. 438 Hirst, Brian. pp. 62-63, ill. "Innovation and Excellence." "Common Ground: The Vessel" [in] 11th Bien­ Craft Arts International, no. 45, 1999, nial Ausglass Conference: Conference Papers pp. 87-90, ill. (Wagga Wagga, Jan. 29-31, 1999). 414 Hall, Sarah and Kraegel, Jeffrey. RFC Glass Prize exhibit in September 1998. McKinnon, Victoria, Australia: Australian As­ "Fire and Sand: A Pilgrimage to Glashutte sociation of Glass Artists (Ausglass), 1999, Lamberts." pp. 62-64. Glass Gazette (Glass Art Association of Can­ 427 Hauschild, Joachim. "Der Hauch einer Vase: Murano in Munchen." Hirst discusses his involvement with glass as ada), v. 3, no. 39, Feb. 2000, pp. 12-14, ill. Antiquitaten Zeitung, v. 28, no. 7, March 24, an artist and as a businessman. 2000, p. 248, ill. 415 Hall, Tracy and Silander, Liisa. Glass by Ermanno Toso and Dino Martens 439 Hitchcock, J. A. "Finding Fusion." illustrated. "Island Inspiration." RISD Views (Rhode Island School of Design), Jewelry Crafts, Sept./Oct. 1999, pp. 58-60, ill. Winter 2000, pp. 6-7, ill. 428 "Nabucco und fliegender Fisch: Dino Artist Kristine Lane. Toots Zynsky. Martens - Muranese Glass Designer. Antiquitaten Zeitung, v. 28, no. 10, May 5, 440 Hlaves, Milan. 416 Ham, Frank van den. 2000, p. 393, ill. Pahit Manis. "Design skla Karoliny Koprivove." Leerdam: Uitgeverij Glaswerk, 1998, 127 pp., Atelier, no. 19, Sept. 23, 1999, p. 12, ill. 429 Heiremans, Marc. ill. In Dutch, English, German, and French. English summary, p. 15. Dino Martens: Muranese Glass Designer - Review of Prague exhibition of glass designed Catalogue 1922-1963 = MuraneserGlas- by Koprivova. 417 Hamaguchi, Osami. Designer- Werksverzeichnis 1922-1963 = "Oasi della luce a Yokohama: Un'opera della Designer muranese del vetro - Liste del opere scultrice Oki Izumi." 1922-1963. 441 "The Glass of Stanislav Libensky and Arte Incontro in Libreria, v. 11, no. 31, May- Stuttgart: Arnoldsche, 1999, 204 pp., ill. In Jaroslava Brychtova." Aug. 2000, p. 6, ill. English, German, and Italian. Glass Style (Milan), v. 3, no. 2, July 2000, pp. 90-95, ill. 418 Hamilton, Jeffery. 430 Helsinki. Amos Andersonin Taidemuseo. "Sassy." : Lasia Nuutajarvelta = Oiva Toikka: 442 "Promeny skla Reneho Roubicka." Ausglass Newsletter (Australian Association Glas fran Notsjd = Oiva Toikka: Glass from Atelier, no. 7, April 6, 2000, p. 12, ill. English of Glass Artists), Winter 2000, pp. 6-7, ill. Nuutajarvi (Paivi Jantunen, Kaj Martin, and summary, p. 15. Review of student exhibition at Glass Artists' Liisa Rasanen, eds.). Prague exhibition of the works of Rene Rou­ Gallery in Glebe (Sydney). [Helsinki]: the museum, [1996], 56 pp., ill. In bicka. Finnish, Swedish, and English. 419 Haneson, Christian. 443 "Vystava skla Karoliny Koprivove. "Chateau, Kosta Boda. Formgivare: Bertil Val- 431 Helsinki. Suomen Kansallisooppera. Sklara Keramik, v. 50, no. 5, May 2000, lien." Timo Sarpaneva: Millennium meum. p. 151, ill. Glas och Porslin, v. 68 [69], no. 5, 1999, p. 9, [Helsinki: s.n.], 1999, 101 pp., ill. In Finnish, Exhibit of glass designed by Koprivova; per­ ill. Swedish, English, French, and German. fume bottles illustrated. 444 Hoffmann, Ute. 457 Immenhausen, Germany. Glasmuseum 470 "Hands-On with Czech Cast Glass." "Fire & Color." Immenhausen. Glass Gazette (Glass Art Association of Can­ Schott Info, no. 93, April 2000, pp. 24-25, ill. Bilder und Glas: Ellen Fuhr, Berliner Bilder ada), v. 3, no. 39, Feb. 2000, pp. 5-9, ill. Profile of glass artist Gerd Kruft. 1985-1992; Jan Fisar, Objekte aus Glas Includes profile of Zdenek Lhotsky and de­ (Text: Friedrich-Karl Baas, Sylva Petrova, and scription of production methods used in his 445 Hoggard, Liz. Dagmar Ruhlig). Zelezny Brod factory. "Reviews/Exhibitions: Domain." [Immenhausen: the museum, 1993], 32 pp., Crafts (U.K.), no. 159, July/Aug. 1999, ill. Gegensatze, no. 2. 471 "Reflections on Colin Reid." pp. 55-56, ill. Glass Focus, v. 14, June/July 2000, pp. 20-22. Joint installation in Brighton by Steven Follen 458 Glas: Volkhard Precht - Ausstellungen and Keiko Mukaide. zum 70. Geburtstag. 472 Jargstorf, Sibylle. Lauscha: the artist, 2000, 107 pp., ill. "Russisches Studioglas und seine Vorge- 446 "Shortform: Hanging by Glass Threads." schichte" [in] Annates du 14e Cong res de 459 Vereinigte Gegensatze: Glasobjekte Crafts (U.K.), no. 162, Jan./Feb. 2000, p. 15, I'Association Internationale pour I'Histoire du des tschechischen Ehepaares Stanislava Gre- ill. Verre (Venice/Milan, Oct. 27-Nov. 1, 1998). bemckova und Milan Hand!. Chihuly installed at Victoria and Lochem, the Netherlands: AIHV, 2000 [Immenhausen: the museum, 1995], 17 pp. Albert Museum. pp. 439-442, ill.

460 Ingolfsson, Adalsteinn. 473 Jerusalem, Israel. Tower of David Mu­ 447 Hoglund Art Glass: Nelson, New Zea­ "Islenskt gler \ brad og lengd = Icelandic Glass seum of the History of Jerusalem. land. Then and Now" [in] Nordic Glass 2000: Glass Chihuly in the Light of Jerusalem 2000 (Text: Nelson: the studio, [1999], [14] pp., ill. without Boundaries. William Warmus). Denmark: Association Nordic Glass 2000, Seattle, WA: Portland Press, 1999, 1 v. (un­ 448 Holkers, Marta. 2000, pp. 100-112, ill. In Icelandic and English. paged), ill. "Tendenser i svenskt glas 2000 = Trends in Swedish Glass in the Year 2000" [in] Nordic 461 Inoue, Tsuyoshi. 474 Johns, Shelly. Glass 2000: Glass without Boundaries. "European Glass Travelogue." "/Pilchuck Scholarship 2000 Denmark: Association Nordic Glass 2000, Glass and Art (Tokyo), no. 20, Winter 1998, Awarded to: Jay Macdonell." 2000, pp. 64-96, ill. In Swedish and English. pp. 64-65, ill. In Japanese. Glass (British Columbia Glass Arts Associa­ tion), v. 12, no. 1, April 2000, p. 1, ill. 449 Holm, Aase. 462 The International Exhibition of Glass Kanazawa 98. "Der kommer ikke god glaskunst ud af at bejle 475 Johnson, Donald-Brian. Kanazawa, Japan: Executive Committee of til turister." "Higgins: Fused Glass, Fused Talent." the International Exhibition of Glass Kanazawa, GlasPosten (Foreningen Glasmuseets Venner, The Magazine, v. 2, no. 4, Winter 1998, 111 pp., ill. In Japanese and English. Ebeltoft), no. 1, Jan. 1999, pp. 9-11, ill. English 1999, pp. 20-26, ill. summary, p. 15. Michael and Frances Higgins. Danish glass artist Rikke Hagen. 463 loannou, Noris. "Australian Studio Glass." This Side Up! (Valkenswaard, the Nether­ 476 Johnson, Nick. 450 "Han kom, han sa, han sejrede." lands), no. 7, Autumn 1999, pp. 16-19, ill. "Portugal Hosts Australian Glass: International GlasPosten (Foreningen Glasmuseets Venner, Glass Symposium, Centro Columbo, Lisbon, Ebeltoft), no. 5, Dec. 1999, pp. 10-11, ill. 15 June-16 October, 1999." 464 "Australian Studio Glass: Millennial Vi­ Finn Lynggaard. Craft Arts International, no. 48, 2000, sions, Globalism and the Vernacular" [in] Glass pp. 91-93, ill. Reflections: Glass in Art and Architecture. Exhibition review. 451 "Leg med kontraster." Wellington, New Zealand: Friends of the Mu­ GlasPosten (Foreningen Glasmuseets Venner, seum of New Zealand Te Papa Tongarewa, Ebeltoft), no. 2, 1997, pp. 6-8, ill. English 1999, pp. 18-24, ill. 477 Jolley, Richard and others. summary, p. 15. "Panel: Art/Production - A Hierarchy of Anxie­ Profile of Danish glass artist Lene Bodker. 465 "The Glass Artist as Ethnographer: ties." Roger Buddie's Voyage." Glass Art Society Journal, 1999, pp. 76-77, ill. 452 "Leg med kontraster." Craft Arts International, no. 45, 1999, Synopsis of panel discussion; other panel GlasPosten (Foreningen Glasmuseets Venner, pp. 18-21, ill. participants include Robert Levin, Shawn Ebeltoft), no. 3, 1997, pp. 10-13, ill. English Australian glass artist. Messenger, Tommie Rush, and Jack Schmidt. summary, p. 15. Profile of Danish glass artist Pipaluk Lake. 466 Isphording, Anja. 478 Jones, Bridget. "Bild-Werk: A Summer School for Glass and "Projects in the North-East: Glass Panels for a Stairwell for the Byker Housing Association." 453 "En sang om lyset." Other Materials Makes Germany Great Place Glass Network (Newsletter of the Contempo­ GlasPosten (Foreningen Glasmuseets Venner, Each Summer." rary Glass Society, U.K.), Aug. 2000, p. 3, ill. Ebeltoft), no. 4, 1997, pp. 6-8, ill. English Glass (British Columbia Glass Arts Associa­ unite "four different working methods summary, p. 15. tion), v. 11, no. 3, Oct. 1999, p. 6, ill. and imagery" by Gavin Marshall, Effie Burns, Profile of Danish glass artist Steffen Dam. Glass school at Frauenau, Germany. Sue Woolhouse, and Bridget Jones. 467 Jablonec nad Nisou, Czech Republic. 454 Holmer, Gunnel. Mestska Galerie MY. 479 Jones, Gwyn. Erik Hoglund: Konstnar. Jan Novotny: Obrazy, sklo, kresby (Text: Jan "Blowzone Art Glass for the 21st Century Col­ Stockholm: Carlsson Bokforlag and Smalands Strnad). lector." Museum-Sveriges Glasmuseum, 2000, [Jablonec nad Nisou: the gallery, 1999], [18] Collect It! (U.K.), no. 34, April 2000, pp. 24-26, 259 pp., ill. English summary, pp. 163-170. pp., ill. In Czech; German and English sum­ ill. maries. 455 Horn, Helena. 480 Jones, Taliaferro. "Chimeras and Other Ghosts: Helmut W. 468 Jackson, Lesley. "Glass on the Move: G.A.S. 2000." Hundstorfer." "Ronald Stennett-Willson." This Side Up! (Valkenswaard, the Nether­ Neues Glas/New Glass, no. 4, 1999, Crafts (U.K.), no. 161, Nov./Dec. 1999, lands), no. 11, Autumn 2000, pp. 16-17, ill. pp. 46-49, ill. In German and English. pp. 24-25, ill. Report on the conference. Profile of the Austrian glass artist. British glass designer and author. 481 Josephs, Susan. 456 Ikushima, Ken and others. 469 James, David. "From Don Quixote to Yiddish Film." "Young Artists Panel." "Colin Reid: Master of Kiln-Cast Glass Sculp­ ARTnews, v. 99, no. 3, March 2000, p. 106+, Glass Art Society Journal, 1999, pp. 67-70, ill. ture." ill. Also on the panel: John Miller, Boyd Sugiki, Glass Gazette (Glass Art Association of Can­ Profile of Izhar Patkin; includes his glass and Jennifer Williams. ada), v. 3, no. 41, July 2000, pp. 7-10, ill. sculpture, Where Each Is Both. 482 Kamenicky Senov, Czech Republic. 495 "Reviews: Gary Andolina." 510 Kinnaird, Alison. Sklarske Muzeum. Glass: The UrbanGlass Art Quarterly, no. 78, "NGC Sunderland: Institute for International 2. Mezinarodnf Sympozium Ryteho Skla = Spring 2000, p. 53, ill. Research in Glass 27/28/29 April." 2nd International Symposium of Engraved Seattle exhibition. The Guild of Glass Engravers Newsletter, Glass (Kamenicky Senov, Sept. 13-19, 1999). Summer 1999, p. 5. [Kamenicky Senov: the museum, 1999], 496 "Reviews: Lisabeth Sterling." Conference highlights. 129 pp., ill. In Czech, English, and German. Glass: The UrbanGlass Art Quarterly, no. 79, Includes photos of 51 engraved glass works Summer 2000, p. 56, ill. 511 "The Second Internationa] Symposium by contemporary artists and text of presen­ Review of Kirkland, Washington, exhibition. of Engraved Glass: Kamenicky Senov, Czech tations given by symposium participants. Republic, September 1999." 497 Kansas City, Mo. Kemper Museum of Glass Network (Newsletter of the Contempo­ 483 Kamomura, Japan. Koganezaki Glass Contemporary Art and Design. rary Glass Society, U.K.), Aug. 2000, pp. 1-2, Museum. Chihuly over Venice (Text: William Warmus ill. Vessels: The International Exhibition of Glass and Dana Self). - The Third Anniversary of Koganezaki [Seattle, WA]: Portland Press, 1996, 1 v. (un­ 512 Kirkeby, Cortland. Crystal Park. paged), ill. "The Glitter of History: Neon Museum Illumi­ Kamomura: Koganezaki Crystal Park, 2000, nates Las Vegas' Heritage." 119 pp., ill. In Japanese and English. 498 Kaplan, Morton A. "Jose Chardiet: Painting with Glass." Sign Builder Illustrated, no. 65, July/Aug. 2000, The World & I, v. 15, no. 1, Jan. 2000, pp. 76-78+, ill. 484 Kanbara, Bryce. pp. 122-127, ill. "Always Frantic: Paulus Tjiang." Fusion Magazine (The Ontario Clay & Glass 513 Kitazawa, Noriaki. Association), v. 23, no. 2, Spring/Summer 499 Karel, Marian. "Memorandum: 'Ethnic Culture and Art' and 1999, pp. 12-14, ill. "Glass in Architecture." 'Craft.'" Interview with the glass artist. Glass Art Society Journal, 1999, pp. 31-33, ill. Glass and Art (Tokyo), no. 21, Spring 1998, pp. 30-35. In Japanese. 500 Karlslund, Micha. 485 Kangas, Matthew. "The Nordic Spirit." "Daniel Clayman: The Object Is the Image." 514 Klein, Dan. Neues Glas/New Glass, no. 1, 2000, "II cabinet di curiosita di Richard Meitner = Glass: The UrbanGlass Art Quarterly, no. 75, pp. 28-35, ill. In German and English. Summer 1999, pp. 38-43, ill. Richard Meitner's Cabinet of Curiosities." Exhibition review. Vetro (Centra Studio Vetro, Murano), no. 0, June 1998, pp. 42-45, ill. In Italian and 486 "Irene Frolic." 501 "The Nordic Way." English. Glass: The UrbanGlass Art Quarterly, no. 77, This Side Up! (Valkenswaard, the Nether­ Winter 1999, p. 55, ill. lands), no. 6, Summer 1999, pp. 3-6, ill. Review of exhibition of the artist's kiln-formed Glass art in Denmark. 515 Klein, Mason. female busts. "Reviews: Donald Lipski." 502 Keenan, Georgina. Artforum, v. 38, no. 8, April 2000, p. 142, ill. New York exhibit. 487 "Jerry Pethick: Out of the Corner of an "World Glass: GAS 2000 Celebrates 30 Years." Eye." American Craft, v. 60, no. 5, Oct./Nov. 2000, Sculpture, v. 19, no. 3, April 2000, pp. 14-15, p. 26+, ill. 516 Klenell, Ragnar. ill. "Vallien's Dreams: An Interview." Artist's sculptures of recycled materials often 503 Kester, Peter van. Glass: The UrbanGlass Art Quarterly, no. 75, include glass. "Droog Plus." Summer 1999, pp. 28-33, ill. Glass: The UrbanGlass Art Quarterly, no. 77, 488 "Lisa Zerkowitz." Winter 1999, pp. 24-29, ill. 517 Kley, Elisabeth. Glass: The UrbanGlass Art Quarterly, no. 75, Glass design in the Netherlands. "Wynne's Dream Logic." Summer 1999, p. 53, ill. Art in America, v. 88, no. 5, May 2000, Exhibition of steel-and-glass wall panels. 504 "Surface as Style: The Enameled Ves­ pp. 134-139+, ill. sels of Mieke Groot." Profile of artist Rob Wynne, whose works in­ Glass: The UrbanGlass Art Quarterly, no. 76, clude hand-blown glass letters (p. 139). 489 "The Magic of Pilchuck: Its Influence on Fall 1999, pp. 34-39, ill. the Seattle Art Scene Is Here to Stay." Art Guide Northwest, April-Oct. 2000, 505 Kidd, Courtney. 518 Klivar, Miroslav. pp. 16-18, ill. "Silently Meeting the Maker." Ceska sklenena plastika. Craft Arts International, no. 47, 1999, [Breclav, Czech Republic]: Moraviapress, 490 "Mayme Kratz." pp. 22-25, ill. 1999, 191 pp., ill. In Czech and English. Glass: The UrbanGlass Art Quarterly, no. 76, Review of exhibition that features work by Fall 1999, p. 57, ill. Brian Hirst. 519 Klotz, Uta. Exhibition review. "Australien at the Edge." 506 King, Gerry. Neues Glas/New Glass, no. 3, 2000, 491 "A New Paradigm." "Beyond HoNywood." pp. 22-29, ill. In German and English. Glass: The UrbanGlass Art Quarterly, no. 80, Craft Arts International, no. 48, 2000, Exhibition review. Fall 2000, pp. 24-31, ill. pp. 51-54, ill. Examines the work of four : Contemporary glass artists in the Philippines. 520 "'t Eksternest Glasobjects." Masami Koda, Jocelyne Prince, Anna Skibska, Neues Glas/New Glass, no. 1, 2000, and Kait Rhoads. 507 "Crafting a Career." pp. 20-27, ill. In German and English. Craft Arts International, no. 48, 2000, In collaboration with Musee Atelier du Verre in pp. 30-35, ill. 492 "Paul Marioni: The Visitor." Sars-Poteries, new glass center to be opened Profile of Australian glass artist Clare Bel- Glass: The UrbanGlass Art Quarterly, no. 74, in Rumbeke-Zilverberg, Belgium. frage. Spring 1999, pp. 36-41, ill. 508 "International Exhibition of Contempo­ 521 "Expositions: Jean-Paul Raymond - 493 "Pilchuck's New Talent Program: rary Australian Studio Glass, Lisbon, Portugal." Variations sur le theme du lien, des liaisons et Clearly Brilliant." Ausglass Newsletter (Australian Association des relations." Art Guide Northwest, Oct. 2000-April 2001, of Glass Artists), Spring 1999, pp. 2-4. La Revue de la Ceramique et du Verre, p. 20+, ill. Exhibition review. no. 105, March/April 1999, p. 55, ill. Report on Paris exhibition. 494 "Reviews: ." 509 Kingsley, April. Glass: The UrbanGlass Art Quarterly, no. 79, "Mary Shaffer, Pioneer." 522 "Giuliano Giuman." Summer 2000, p. 55, ill. Glass: The UrbanGlass Art Quarterly, no. 74, Neues Glas/New Glass, no. 1, 1999, Review of Seattle exhibition. Spring 1999, pp. 30-35, ill. pp. 44-53, ill. In German and English. 523 "Glass Sculpture & Garden." 535 "Vzorovani hutnickeho skla." 548 Kuhl, Uta. Neues Glas/New Glass, no. 3, 2000, Tvar, v. 4, nos. 5/6, 1952, pp. 129-137, ill. "Hartmann Greb: Figurations." pp. 38-43, ill. In German and English. Russian, English, and French summaries. Neues Glas/New Glass, no. 1, 2000, Review of the third International Exhibition in Works by Bohuslav Beranek, Milena Vehskova, pp. 44-47, ill. In German and English. Munster, Germany, entitled "Glasplastik und Emanuel Beranek, Jan Kotik, Milena Korou- Pate de verre by the artist. Garten." sova, Vera Liskova, Zdenek Juna, and Vlasta Lichtagova. 549 Kunitz, Daniel. 524 "The Glass Skin: An Interview with Hel­ "Exhibition Notes: Christopher Wilmarth - mut Ricke." 536 Koudelkova, Dagmar. Every Other Shadow Had a Song to Sing." Neues Glas/New Glass, no. 1, 1999, "Csky design 1980-1999." The New Criterion, v. 18, no. 10, June 2000, pp. 10-19, ill. In German and English. Atelier, no. 20, Oct. 7, 1999, p. 1+, ill. English pp. 50-51. Interview with director of the Kunstmuseum summary, p. 15. Exhibition at New York gallery. Dusseldorf concerning new exhibition. Exhibition includes glass.

525 "Leicht ist der Verkauf von Kunst selten 550 Kuroki, Rika. 537 Krbuskova, Adela. "Yoko Hirosawa: II vetro come espressione gewesen ... = Selling Art Has Rarely Been "Barbora Skorpilova." Easy...." poetica = Yoko Hirosawa: Poetic Expression New Glass Re view (Czech), v. [53], no. 2, in Glass." Neues Glas/New Glass, no. 2, 1999, 1998, pp. 16-18, ill. In English and German. pp. 48-49, ill. In German and English. Vetro (Centro Studio Vetro, Murano), no. 4, A look at the St'Art 99 art fair in Strasbourg. July-Sept. 1999, pp. 35-37, ill. In Italian and 538 Kren, Ivo. English. "Bohumil Elias: Tvorba bez hranic." Profile of the artist. 526 "Matei Negreanu." Umenf a Remesla, no. 1, 2000, pp. 44-47, ill. Neues Glas/New Glass, no. 1, 2000, English summary, p. 79. pp. 12-19, ill. In German and English. 551 Kurtz, Kirstin. "Winners at the Millennium: Niche Awards 527 "National Liberty Museum: America's 539 "Group Rubikon." 2000." Home for Heroes." Neues Glas/New Glass, no. 4, 1999, Niche, v. 12, no. 2, Spring 2000, pp. 71-79, ill. Neues Glas/New Glass, no. 2, 2000, pp. 36-45, ill. In German and English. Glass artists Joel O'Dorisio, Linda Andrews, pp. 12-17, ill. In German and English. Czech artists Bohumil Elias, Jaroslav Matous, Gundi Viviani-Finch, Douglas J. Remschnei- Philadelphia museum with focus on freedom Jan Exnar, and Jaromir Rybak belong to the der, Boyd Sugiki, Lisa Zerkowitz, and Deborah and violence includes glass art; works by Rubikon group. Sabo honored. Czeslaw Zuber, Irene Frolic, Ray King, Dale Chihuly, and Christopher Ries are illustrated. 540 "4x Sklo ve Vychodoceskem muzeu." 552 Kutac, Vincenc. Atelier, no. 8, April 15, 1999, p. 12, ill. English "Vyrobni znacky zavodu a podniku. 528 "Small Is Beautiful ... But Never Com­ summary, p. 15. Sklara Keramik, v. 16, no. 12, 1966, inside pare Apples with Oranges: Brooklyn & Frau- Exhibition of works by Gizela Sabokova, Ivana front cover, ill. enau 2000." Sramkova, Dana Vachtova, and Jirina Zer- Marks and labels of Czechoslovakian glass Neues Glas/New Glass, no. 3, 2000, tova. firms. pp. 44-48, ill. In German and English. Report on glass symposia in the two cities. 541 Krogemann, Bettina. 553 Kyoto, Japan. National Museum of Mo­ "The Wild One: A Portrait of the Artist Hella dern Art. Santarossa." 529 Kock, Jan. Edinburgh Makers. Neues Glas/New Glass, no. 1, 1999, "Sars-Poteries: Et vaeksthus for ny glaskunst [Edinburgh]: Edinburgh College of Art, 1999, pp. 36-43, ill. In German and English. byggende pa det traditionelle glashandvaerk." [53] pp., ill. In English and Japanese. GlasPosten (Foreningen Glasmuseets Ven- Glass by Ray Flavell, Douglas Hogg, Alison ner, Ebeltoft), no. 3, Sept. 1999, pp. 10-11, ill. 542 Kroucharska, Margarita. McConachie, and Keiko Mukaide. "Neon Art: Design a confronto." 530 Kogelyt6-Simanaitien6, Raimonda. Neon Light & Sign (Milan), no. 91, July/Aug. "Keletas Lietuvisko Meninio Stiklo Paveikslo 2000, pp. 50-59, ill. In Italian. 554 LaBalme, Corinne. Bruozq = Some Touches on the Picture of New designs in lighting. "Geometric Abstraction Adorns Paris Museum." Lithuanian Glass Art" [in] Nordic Glass 2000: The New York Times, Travel, Jan. 23, 2000, Section 5, p. 3, ill. Glass without Boundaries. 543 "Neon Art: II mestiere di vivere." Denmark: Association Nordic Glass 2000, Neon sculpture by Frangois Morellet at the Neon Light & Sign (Milan), no. 87, Nov./Dec. Musee Zadkine. 2000, pp. 220-246, ill. In Lithuanian and 1999, pp. 46-55, ill. In Italian. English. 555 Lafargue, Bernard. 544 "Neon Art: Ombre illuminate." 531 Koivisto, Kaisa, ed. "Ut Pictura Vetro: Murano et Part contem- Neon Light & Sign (Milan), no. 86, Sept./Oct. Nanny Still: Sana = Szo = Word. porain." 1999, pp. 52-54, ill. In Italian. Riihimaki, Finland: Suomen Lasimuseo La Revue de la Ce rami que et du Verre, Artist Fabio Novembre. (Finnish Glass Museum), 1998, 95 pp., ill. In no. 104, Jan./Feb. 1999, pp. 45-49, ill. Finnish, Hungarian, and English. 545 Krubsack, Deb. 556 LaMonte, Karen. 532 Koln. Galerie Kunsthandwerk. "Kay Ferguson, Button Artist: Portrait Have Provided Her with a Picture-Perfect "Global Glass: Czech Republic." Glas-Metamorphosen, 1990: Reflexions de Glass: The UrbanGlass Art Quarterly, no. 75, France - Mit Werken von 31 Glaskunstlern Niche." Bead & Button, no. 38, Aug. 2000, pp. 42-43, Summer 1999, pp. 46-49, ill. der Gegenwart. Cast glass art in Prague. Koln: the gallery, [1990], [42] pp., ill. In Ger­ ill. man and French. 546 Krumrine, Michael. 557 Lange, Catherine. 533 Korach, Alice. "Kathleen Mulcahy." "Glass & C ... , Yester­ "Glass Stories for the Ages: Dinah Hulet's Mo­ Glass: The UrbanGlass Art Quarterly, no. 77, day and Today" [in] Glass Reflections: Glass saic Glass Portraits Will Inspire for Millennia." Winter 1999, p. 54, ill. in Art and Architecture. Bead & Button, no. 40, Dec. 2000, pp. 52-56, Exhibition review. Wellington, New Zealand: Friends of the Mu­ ill. seum of New Zealand Te Papa Tongarewa, 1999, pp. 38-42. 547 "Melissa McGill." 534 Kotik, Jan. Glass: The UrbanGlass Art Quarterly, no. 75, "Nad vystavou Very Liskove." Summer 1999, p. 51, ill. 558 "La Pilchuck Glass School ieri e oggi." Tvar, v. 4, no. 7, 1952, pp. 222-223, ill. Rus­ Review of exhibition in which "small organic Vetro (Centro Studio Vetro, Murano), no. 6, sian, English, and French summaries. glass blobs" are placed "in unexpected and Jan.-March 2000, pp. 48-57, ill. In Italian and Exhibition of drinking glasses by Vera Liskova. surprising places" throughout the gallery. English. 559 Langhamer, Antonfn. 572 "Color Fields, Country Home: Artist Ste­ 583 "International Interrelations." "Eva Vlasakova: Zahrady ztracenych raju." phen Rolfe Powell Draws Inspiration from the Glass: The UrbanGlass Art Quarterly, no. 77, Atelier, no. 12, June 10, 1999, p. 5, ill. English World Around Him." Winter 1999, pp. 30-37, ill. summary, p. 15. AmericanStyle, v. 5, no. 4, Summer 1999, Designers for littala's Relations group include Prague exhibition of artist whose works in­ pp. 64-71, ill. Annaleena Hakatie, Harri Koskinen, Carina clude painted glass sculptures. Seth-Anderson, Konstantin Grcic, and Marc Newson. 573 "In Touch with Studio Artists: Caleb 560 "The Honziks: Father and Son = Die Nichols." 584 "Millennium Marbles." Honziks: Vater und Sohn." AmericanStyle, v. 6, no. 4, Summer 2000, Glass: The UrbanGlass Art Quarterly, no. 79, New Glass Review (Czech), v. [53], no. 1, p. 42, ill. 1998, pp. 12-15, ill. In English and German. Summer 2000, pp. 36-41, ill. Marbles by Geoffrey Beetem, Dinah Hulet, and Ralph Wald illustrated. 561 "Rytiny a medaile Jiri'ho Harcuby." 574 "Rounded to Perfection." Atelier, no. 2, Jan. 21, 1999, p. 6, ill. English AmericanStyle, v. 6, no. 4, Summer 2000, summary, p. 15. pp. 56-63, ill. 585 "Short Take: Mark Ferguson." and medals by Jiff Harcuba on Glass beads and sculptural works by Suzanne Glass: The UrbanGlass Art Quarterly, no. 75, exhibit in Semily, Czech Republic. Stern, Sage, Joyce Roessler, Dan Adams and Summer 1999, pp. 44-45, ill. Cynthia Toops, Kristina Logan, Tom Holland, Examines the use of graphite in the artist's and Virginia Flowers. cast glass works. 562 "Sklarska vytvarnice Eva Svestkova vystavovala." 586 "Swedish Peep Show." Sklara Keramik, v. 50, no. 9, Sept. 2000, 575 Liedel, Karl Heinz. Glass: The UrbanGlass Art Quarterly, no. 80, pp. 276-277, ill. "Der Glaskunstler Roberto Niederer und seine Fall 2000, pp. 44-51, ill. Glasi Hergiswil: Von alter Tradition zu neuem Profile of Per B. Sundberg. 563 "Sklenena dobrodruzstvi: K vystave O. Glanz." Glaswelt, v. 52, no. 10, Oct. 1999, pp. 42-44, Lipskeho a dr. J. Spacka v Muzeu skla a bizu- 587 Liu, Robert K. ill. terie v Jablonci n. N." "Michael Barley: Bead Arts." Sklara Keramik, v. 17, no. 5, 1967, inside Ornament, v. 24, no. 1, Autumn 2000, front cover, ill. 576 Light Transfigured: Contemporary Czech pp. 58-59, ill. Glass Sculpture. Includes photos showing a portion of the 564 "Sklenene plastiky Pavla Hlavy." [S.I.]: Asahi Shimbun Inc., 2000, 161 pp., ill. beadmaking process. Atelier, no. 19, Sept. 23, 1999, p. 12, ill. In Japanese and English; artist notes in Japa­ English summary, p. 15. nese only. 588 Livio Seguso. Review of exhibition in Semily, Czech Repu­ Milano: Editoriale Giorgio Mondadori, 1998, blic. 283 pp., ill. In Italian and English. 577 Lindemeir-Burnell, Ruth. Complete catalog of works from 1968 to 1997. "The York Boat Project: Transportation/Trans- 565 "Sklo a svetlo 2000." formation in Time and Space - Katharina Sklara Keramik, v. 50, nos. 7/8, July/Aug. 589 Locktov, JoAnn and Clagett, Leslie Stieffenhofer." 2000, pp. 228-230, ill. Plummer. Glass Gazette (Glass Art Association of Can­ Exhibition of work by faculty and students of The Art of Mosaic Design: A Collection of ada), v. 3, no. 42, Oct. 2000, pp. 3-6, ill. the school at Kamenicky Senov. Contemporary Artists. Boat buried in Gimli, Manitoba, as part of art Gloucester, MA: Quarry Books, 1998, 144 pp., project carries a treasure chest that includes a ill. 566 Larsen, Per-Rene. cast glass oarlock by Stieffenhofer. "HeiRes Thema: HeiRes Glas = Hot Theme: Hot Glass." 590 Lockwood, Howard. Glashaus/Glasshouse (Internationales Maga- 578 Lindqvist, Gunnar. "Christian at Barovier and Toso." zin fur Studioglas), no. 5, 2000, pp. 6-7, ill. In Bertil Vallien: Glas ater ljus = Glass Eats Light. Vetri: Italian Glass News, v. 6, no. 3, Summer German and English. Stockholm: Carlsson, 1999, 256 pp., ill. In 2000, p. 5, ill. Critique of contemporary glass art. Swedish and English. "Scottish" plaid bottles designed for the Pari­ sian fashion house in the mid-1960s; illustra­ tions are on an accompanying CD-ROM. 567 Lastra, Odetto. 579 Lippuner, Rosmarie. "Michele Burato: A New Glass Artist." ": The Museum and the Collection." 591 "The Fazzoletto Vase: Art Glass or Vetri: Italian Glass News, v. 5, no. 4, Autumn Neues Glas/New Glass, no. 2, 2000, 1999, pp. 55-65, ill. Tourist Souvenirs?" pp. 18-23, ill. In German and English. Vetri: Italian Glass News, v. 5, no. 2, Spring Includes illustrations of works by Nancy Mee, 1999, pp. 8-9, ill. 568 "Yoichi Ohira: Glass of Serene Beauty." Bert Frijns, Michael Glancy, Costas Varotsos, Handkerchief vases. Vetri: Italian Glass News, v. 5, no. 2, Spring Janice Blum, Paul Seide, Philip Baldwin/ 1999, pp. 6-7, ill. Monica Guggisberg, Bernard Dejonghe, Heinz Mack, and Stanislav Libensky/Jaroslava 592 "Frank Lloyd Wright at Venini." Brychtova. Vetri: Italian Glass News, v. 5, no. 2, Spring 569 Lauren, Uta. 1999, p. 10, ill. "Markku Salo: From Industrial Design to Fine The architect toured the factory and purchased Art." 580 Litson, Jo. several pieces. Neues Glas/New Glass, no. 3, 1999, "Episodes of Transit." pp. 14-21, ill. In German and English. Craft Arts International, no. 47, 1999, 593 "The Glasswork of Ettore Sottsass." pp. 74-76, ill. Vetri: Italian Glass News, v. 4, no. 3, Summer 570 Lausanne, Switzerland. Musee de De­ Sculpted figures by B. Jane Cowie. 1998, pp. 12-13+, ill. sign et d'Arts Appliques Contemporains. Expressions en verre III: Sculptures de verre 594 "Issues of Collecting: Fake Signatures." 581 Littman, Brett. contemporaines d'artistes europeens, ameri- Vetri: Italian Glass News, v. 4, no. 3, Summer "Global Glass: Chihuly in the Light of Jerusa­ cains, canadiens, australiens de la Collection 1998, p. 19, ill. lem 2000." du Musee des Arts Decoratifs, Lausanne - Examining a faked "Venini Murano Italia" acid- Glass: The UrbanGlass Art Quarterly, no. 77, Acquisitions 1989-2000. stamped signature. Lausanne: the museum, 2000, 96 pp., ill. In Winter 1999, pp. 52-53, ill. Review of installation. French, German, and English. 595 "Italy at Work: The United States Influ­ ence in the Post-War Recovery of the Italian 571 Lawrence, Lee. 582 "GlobalGlass: The Triennial." Glass Industry." "All about Joyce." Glass: The UrbanGlass Art Quarterly, no. 76, Vetri: Italian Glass News, v. 5, no. 3, Summer AmericanStyle, v. 6, no. 3, Spring 2000, Fall 1999, pp. 48-51, ill. 1999, pp. 6-7+, ill. pp. 62-67, ill. Report on the first Swedish Triennial of Glass Review of exhibition that toured the United Joyce Scott. at Borgholm Castle, Oland, Sweden. States in the early 1950s. 596 "The Losanghe Series." 609 Esculturas de vidrio contemporaneo en 622 Matiskainen, Heikki. Vetri: Italian Glass News, v. 6, no. 2, Spring Espaha. "Suomalaisen lasitaiteen nykyisia suuntaviivo- 2000, p. 7, ill. San lldefonso, Segovia, Spain: Fundacion ja = Contemporary Currents in Finnish Glass Series by Archimede Seguso; illustrations are Centro Nacional del Vidrio, Real Fabrica de Art" [in] Nordic Glass 2000: Glass without on an accompanying CD-ROM. Cristales de La Granja, [1999], [20] pp., ill. Boundaries. Works by 21 Spanish glass artists. Denmark: Association Nordic Glass 2000, 597 "A Piece on Glass: 20th Century Glass 2000, pp. 116-135, ill. In Finnish and English. Designers. Carlo Scarpa." 610 Javier Gomez: Vuelos (Text: Gerry Echoes, v. 6, no. 4, Spring 1998, p. 36+, ill. King). 623 Mayerova-Goddard, Simona. Focus on Scarpa's work in glass. : Ayuntamiento de Alcorcon, Concejalia "Rene a Miluse Roubickovi." de Cultura, Deportes y Participacion Ciuda- Atelier, no. 22, Nov. 4, 1999, p. 12, ill. English 598 "Pierre Cardin and Venini." dana and the museum, 2000, 46 pp., ill. In summary, p. 15. Vetri: Italian Glass News, v. 6, no. 3, Summer Spanish and English. Review of London exhibition. 2000, pp. 4-5, ill. Sculptures created using sheet glass. Series of objects designed by Cardin in the 624 Mazet, Mireille. late 1960s; illustrations are on an accompany­ 611 Pilar Aldana-Mendez: Sobre el tiempo y "Portrait: Allain Guillot - 'Passeur de verre.'" ing CD-ROM. otras construcciones. CERFAV Infos (Lettre de la Plate-Forme Ver- Madrid: Ayuntamiento de Alcorcon, Concejalia riere de Vannes-le-Chatel), no. 28, March 599 London. Curwen Gallery. de Cultura, Deportes y Participacion Ciuda- 2000, p. 4, ill. Johannes von Stumm: 1991-2000. dana and the museum, 2000, 39 pp., ill. [London: the gallery], 2000, 57 pp., ill. In 625 McAlpine, Alistair. English and German. "Venetian Delicacies." 612 Volumen y forma. Mixed-media works of glass, metal, and stone. Patek Philippe (Geneva), no. 6, Autumn/Win­ Madrid: the museum, [1999], 40 pp., ill. ter 1999, pp. 14-17, ill. Exhibition of 17 glass sculptors. 600 London. The Studio Glass Gallery. The author collects modern Murano glassware. Sklo = Glass: Miluse Roubickova, Rene Roubfcek. 613 Malina, Jaroslav, ed. 626 McFall, Tom. London: the gallery, 1999, 216 pp., ill. In Czech Clovek a sklo: V Botanicke zahrade Prirodove- "Hot Glass! Alberta's Glass Artists Are Crea­ and English. decke fakulty Masarykovy univerzity. Brno, ting a Very Distinctive Legacy." Czech Republic: Nadace Universitas Masary- Glass Gazette (Glass Art Association of Can­ 601 Longo, Linda. kiana, Masarykova Univerzita, and Naklada- ada), v. 3, no. 40, April 2000, pp. 3-5, ill. "Lighting Designs That Steal the Show." telstvi a Vydavatelstvi Nauma, 1999, 80 pp., Martha Henry, Bonny , Susan Gott- Home Lighting & Accessories, v. 81, no. 10, ill. English and German summaries. selig, Tyler Rock, Jeff Holmwood, and Darren Oct. 1998, p. 102+, ill. The sculptures of Jaroslav Svoboda exhibited Peterson. in the Botanical Gardens of the Faculty of Nat­ ural Sciences of Masaryk University in Brno. 602 Losch, Uschi and Losch, Rainer. 627 Mears, Elizabeth R. "The Basics of Swedish Glass." "Elizabeth R. Mears: A Brief History." Vetri: Italian Glass News, v. 4, no. 3, Summer 614 Mallebrein, Begnigna. Stained Glass, v. 95, no. 2, Summer 2000, 1998, pp. 20-22, ill. "The Technological Paradise of Federica Ma- pp. 116-117, ill. rangoni." Profile of the glass artist. 603 Losonsky, Joyce and Losonsky, Terry. Neues Glas/New Glass, no. 2, 1999, McDonald's Glassware. pp. 22-29, ill. In German and English. 628 Measell, James S. Atglen, PA: Schiffer, 1999, 127 pp., ill. " with Dave and Terry." Promotional drinking glasses sold by the res­ 615 Manfredi, Elisabetta. Glass Collector's Digest, v. 13, no. 3, Oct./Nov. taurant chain from the 1960s to the 1990s. "Espai Vidre: Galleria d'arte, negozio, punto di 1999, pp. 34-40, ill. incontro per gli amanti del vetro." Glass fish made at Fenton by Dave Fetty and 604 Lothe, Jean-Marie. Alte Vitrie, v. 11 [12], nos. 2-3, Feb./March Terry Deuley. "Antoine Leperlier: The Substance of the Ob­ 1999, pp. 24-25, ill. ject." 629 Merker, Gemot H. Neues Glas/New Glass, no. 3, 1999, 616 "Nuovi talenti dal Giappone: II Toyama "Koganezaki: Vessels." pp. 38-45, ill. In German and English. City Institute." Glashaus/Glasshouse (Internationales Maga- Alte Vitrie, v. 10 [11], no. 2, 1998, p. 21, ill. zin fur Studioglas), no. 3, 2000, p. 2, ill. In 605 Louisville. Kentucky Art and Craft Foun­ English summary. German and English. dation. Review of exhibition in Japan. Millennium Glass: An International Survey of 617 Marquis, Richard. Studio Glass (Text: Brion Clinkingbeard, Adele "Soon to Be Unavailable." 630 Meyer, Deb. Leight, and Stephen Rolfe Powell). Glass Art Society Journal, 1999, pp. 55-57, ill. "2nd International Symposium of Engraved Louisville: the foundation, 2000, 68 pp., ill. The artist discusses his own work. Glass: Glass-Infused Towns in the Czech Re­ public Host Symposium." 606 Lozza, Maurizio. GAS News (Glass Art Society), Nov./Dec. 618 Marshall, Viv. 1999, p. 1+, ill. "The Changing Face of the Muranese Glass "Engraved Glass: International Exhibition." Landscape." The Guild of Glass Engravers Newsletter, Glass Style (Milan), v. 3, no. 1, Jan.-June Summer 1999, pp. 11-13, ill. 631 "2nd International Symposium of En­ 2000, pp. 68-73, ill. Review of London exhibition. graved Glass: Kamenicky Senov, Czech Re­ Overview of how economic conditions are public, 13-19 September 1999." affecting Muranese glassmakers. The Guild of Glass Engravers Newsletter, Au­ 619 Martinsone, llze. tumn 1999, pp. 5-7, ill. 607 "The Lagoon Which Reflects Glass." "Stikla maksla Latvija = Glass Art in Latvia" [in] Highlights of the symposium. Glass Style (Milan), v. 3, no. 1, Jan.-June Nordic Glass 2000: Glass without Boundaries. 2000, pp. 74-77, ill. Denmark: Association Nordic Glass 2000, 632 Miles, Christopher. Contemporary Muranese efforts in tableware, 2000, pp. 196-216, ill. In Latvian and English. "Those Who Made the Cut: West Coast at the lighting, home decorations, mirrors, and mo­ Whitney." saics. 620 Martykanova, Marie. Artweek, v. 31, no. 4, April 2000, pp. 14-15, ill. "Sklenene plastiky Frantiska Janaka." Work by Josiah McElheny selected for inclu­ 608 Madrid. Museo Municipal de Arte en Atelier, no. 7, April 6, 2000, p. 12, ill. English sion in 2000 Whitney Biennial. Vidrio de Alcorcon. summary, p. 15. Edward Leibovitz: "No intentes comprender al Exhibition of the works of Frantisek Janak. 633 Millar, Janet. vidrio ni a la mujer; admira su belleza y respeta "Roll Up, Roll Up: Glass in Motion." su misterio." 621 Matano, Koji. Object (Australian Centre for Craft and Design, Madrid: Ayuntamiento de Alcorcon, Concejalia "The Miasa Summer Glass Workshop and the Sydney), no. 1, 2000, pp. 41-44, ill. de Cultura, Deportes y Participacion Ciuda- Early Glass Scene in Japan." Canberra School of Art's Glass Workshop dana and the museum, 2000, 39 pp., ill. Glass Art Society Journal, 1999, pp. 88-90, ill. teaches technique of "rolling up" tiles of glass. 634 Miller, Sara. 645 "The Success of My Glassware as a 659 New Traditions in Glass from Venice: "The Bead Project: Training Women." Product." Christiano Bianchin, Yoichi Ohira, Laura de Glass Craftsman, no. 158, Feb./March 2000, Craft Victoria Bulletin, v. 6, no. 1, March 1998, Santillana (Text: Rosa Barovier Mentasti and pp. 65-66, ill. pp. 24-25, ill. Susanne Frantz). UrbanGlass program to benefit economically Thoughts on designing and producing for the New York: the gallery, 1998, 52 pp., ill. disadvantaged women in New York City. commercial market. 660 New York. Mary-Anne Martin . 635 Millis, Christopher. 646 Morrison, Rosalyn J. Isabel de Obaldfa: Captive Spirits. "Reviews: Gizela Sabokova - Stepping through "Canadian Glass: A Short History" [in] Glass New York: the gallery, 1999, 16 pp., ill. Intro­ Glass." Reflections: Glass in Art and Architecture. ductory essay in English, French, and Span­ Glass: The UrbanGlass Art Quarterly, no. 79, Wellington, New Zealand: Friends of the Mu­ ish. Summer 2000, p. 53, ill. seum of New Zealand Te Papa Tongarewa, Cast glass sculptures and winged creatures. Review of Boston exhibition. 1999, pp. 35-37. 661 New York. Pace Gallery. 647 "A Study of Canadian Glass." Chryssa. 636 Milne, Victoria. Glass Gazette (Glass Art Association of Can­ New York: the gallery, 1966, [22] pp., ill. "Venini and 'Studio Glass': American Fascina­ ada), v. 3, no. 40, April 2000, pp. 12-13. tion for Murano Glass" [in] Venini: Catalogue Neon artist. Raisonne 1921-1986 (Anna Venini Diaz de 648 Morton, Jera May. Santillana). 662 Chryssa: Selected Works, 1955-1967 Milan: Skira, 2000, pp. 32-37, ill. Glass: An Inspirational Portfolio. New York: Watson-Guptill, 1999, 144 pp., ill. (Text: Diane Waldman). New York: the gallery, [1968], 48 pp., ill. 637 Minisci, Angelo. 649 Mount, Christopher. "Cristalli d'autore: Tra progetto e memoria; "Swedish Neo-Modern: Ingegerd Raman." 663 New York. Taipei Gallery. le nuove variabili del design" [in] II vetro fra Glass: The UrbanGlass Art Quarterly, no. 77, Be Joyful and at Ease: Heinrich Wang Glass antico e moderno: Le piu recenti scoperte ar- Winter 1999, pp. 38-45, ill. Art Exhibition. cheologiche - Un secolo di produzione e de­ [Taiwan: Glass Art Association of Taiwan signer del vetro italiano (1897-1997). Atti 650 "Timo Sarpaneva: A Modern Master." (GAAT), 1999], [18] pp., ill. In Chinese and della III Giornata Nazionale di Studio (AIHV - English. Comitato Nazionale Italiano, Oct. 31, 1997, Glass: The UrbanGlass Art Quarterly, no. 79, Milan. Daniela Ferrari and Gioia Meconcelli, Summer 2000, pp. 22-27, ill. eds.). 664 Newport, R.I. Newport Art Museum. Milano: [s.n.], 1999, pp. 99-102, ill. 651 Mueller, Cindy. The Rhode Island Connection: Fifteen Con­ "Storming Talent: Taliaferro Jones." temporary Glass Masters (Text: Ronald J. This Side Up! (Valkenswaard, the Nether­ Onorato). 638 Miro, Marsha. lands), no. 6, Summer 1999, pp. 16-17, ill. [Newport: the museum, 1993], 16 pp., ill. "Reviews: Lorella Di Cintio and Jonsara Ruth - A House on Exhibit." Glass: The UrbanGlass Art Quarterly, no. 80, 652 Mullervy, Deirdre. 665 Noble, Alastair. Fall 2000, p. 58, ill. "Lost Worlds." "Reviews: New York - Christopher Wilmarth." Exhibition in Birmingham, . AmericanStyle, v. 7, no. 1, Fall 2000, p. 19, ill. Sculpture, v. 19, no. 9, Nov. 2000, pp. 59-60, Brief report on Josh Simpson's Infinity Project, ill. involving the hiding of "marble-size glass pla­ 639 "Reviews: Pavel Hlava." nets in mundane and exotic locales." Glass: The UrbanGlass Art Quarterly, no. 78, 666 Nordenfelt, Eva. "Glasklara vartecken." Spring 2000, p. 52, ill. 653 Munn, Brian. Exhibition in Michigan. Antik & Auktion, no. 6, June 2000, p. 69, ill. "Making Joe Blow." New designs from Orrefors and Kosta Boda by Glass Gazette (Glass Art Association of Can­ Ann Wahlstrom, Kjell Engman, Gunnel Sahlin, 640 Mizuta, Yoriko and Takeda, Atsushi. ada), v. 3, no. 42, Oct. 2000, pp. 11-12, ill. and Erika Lagerbielke. "Contemporary Glass in Japan" [in] Glass Re­ Profile of Joe Blow Glassworks in Vancouver, flections: Glass in Art and Architecture. started by Jeff Burnette. Wellington, New Zealand: Friends of the Mu­ 667 Nordic Glass 2000: Glass without seum of New Zealand Te Papa Tongarewa, 654 Nagy, Zoltan. Boundaries. 1999, pp. 30-34, ill. "Az uveg hatalmaban: Bohus Zoltan kisplasz- Denmark: Association Nordic Glass 2000, tikai." 2000, 274 pp., ill. In English, Danish, Icelan­ Uj Muveszet, v. 10, no. 12, Dec. 1999, dic, Finnish, Estonian, Latvian, Lithuanian, 641 Modern Master Artists of Japan. and Norwegian. Sandy Hook, CT: Shorewood Fine Art Books, pp. 31-33, ill. 1999, 116 pp., ill. Glass by Kyohei Fujita, pp. 25-32. 655 Nani Tedeschi: "II segno nel vetro." 668 Nordstrom, Olof. [Portomaggiore: Comune di Portomaggiore, "Aren 1940-1970: En period med dynamik Assessorato alia Cultura, 1999], [89] pp., ill. men ocksa med problem." 642 Moldi Ravenna, Cristiana. Exhibition of the artist's engraved glass disks. Glasteknisk Tidskrift, v. 49, no. 1, 1994, "Vetro per I'arte = Glass for Art." pp. 20-28, ill. English summary. Vetro (Centro Studio Vetro, Murano), no. 4, Glass production in Sweden during the years 656 Neenah, Wis. Bergstrom Mahler Mu­ July-Sept. 1999, p. 59, ill. In Italian and noted. English. seum. Report on Galleria L. R. Arte in Vetro, Murano. Canadian Art Glass Paperweights: The Mi­ chel-Pierre Grenier Collection. 669 Novy Bor, Czech Republic. Sklarske Neenah: [the museum], [1994], [4] pp. (folded Muzeum. 643 Molin, Kerstin. brochure), ill. Remeslo a umenf ve skle: Novy Bor 2000. Studioglaset i Sverige: Ett vitaliserande feno- Exhibition checklist. Novy Bor: the museum, 2000, [49] pp., ill. men? Exhibition of work by Czech designers. [Lund, Sweden]: Lunds Universitet, Institute of 657 New York. American Craft Museum. Art History, 1999, 40 pp., ill. Four Acts in Glass: Installations by Chihuly, Discusses the influence of the Studio Glass 670 Novy Bor, Czech Republic. Stredni Morris, Powers, and Vallien. prumyslova skola sklarska. Movement in Sweden on Swedish glass in New York: the museum, 1997, 96 pp., ill. general. Stredni prumyslova skola sklarska Novy Bor: 1870-1995 (Text: Jiff Dusanek, Josef Franz, 658 New York. Barry Friedman. and Pavel Zatloukal). 644 Morrell, Richard. Infinite Obsessions (Text: Dan Klein). Novy Bor: the school, 1995, [35] pp., ill. "Emma Camden Wins R.F.C. Glass Prize." New York: the gallery, 1999, 36 pp., ill. Illustrations of contemporary work by students Ausglass Newsletter (Australian Association Catalog for exhibition of works by Maurice of the Novy Bor glass school; a few pieces of Glass Artists), Spring 1999, p. 1, ill. Marinot and Michael Glancy. date from 1895 and the early 1900s. 671 O'Connor, D. Thomas. 682 Olsson, Lillemor. 694 Pavey, Ruth. "Poetry in Crystal." "Den gnistrande kristallens mastarinna: Asta "Cycle of Light." Glass Collector's Digest, v. 13, no. 2, Aug./ Stromberg." Crafts (U.K.), no. 165, July/Aug. 2000, Sept. 1999, p. 15+, ill. Antik& Auktion, no. 12, Dec. 1999, pp. 40-44, pp. 28-31, ill. Steuben's artists and designers created works ill. Brief profile of Helga Reay-Young. that captured the essence of poems in 1961 project. 683 Oosterlinck, Christian. 695 Pearson, Ian. "Glas/Glass/Verre/Glas." "The Scottish Glass Society Annual Exhibi­ Kwintessens (Vlaams Instituut voor het Zelf- 672 "Reflections by the Editor: Studio Ryn- tion: A Personal Reflection." standig Ondernemen), v. 9, no. 2, April/May/ kiewicz." British Society of Scientific Glassblowers June 2000, pp. 36-37, ill. In Dutch and Glass Collector's Digest, v. 13, no. 6, April/ Journal, v. 37, no. 4, Oct. 1999, pp. 153-157. English. May 2000, pp. 8-10, ill. Highlights the glass-art educational experi­ Mariusz Rynkiewicz. 696 Pels, Marsha. ences of Armand Calders, Sandra De Clerck, "Reclaimed Site." Koen Vanderstukken, Jan-Willem van Zijst Glass Art Society Journal, 1999, pp. 24-27, ill. and Angela van der Burght, and Marie-Paule 673 Oficios, categorias y formacion vidriera Artist discusses her Holocaust memorial proj­ Grusenmeyer. en Europa. ect, which will re-create in etched glass two San lldefonso, Segovia, Spain: Fundacion facades of the destroyed synagogue in Em- Centro Nacional del Vidrio, Real Fabrica de 684 Opstad, Jan-Lauritz. den, Germany. Cristales de La Granja, 1994, 95 pp., ill. Ulla-Mari Brantenberg. Report on the state of European glassmaking : Orfeus, 1997, [48] pp., ill. In Norwegian and glass art education. and English. 697 Pennell, Ronald. Norwegian glass artist. "New Beginnings." The Guild of Glass Engravers Newsletter, 674 Okayama, Japan. Okayama Orient Mu­ Summer 2000, pp. 4-6, ill. 685 Owens, Mitchell. seum. Transcript of lecture given by Pennell at Not­ "Murano Glass Sparkles Anew: Rich Colors Glass Art: History and Now. tingham Castle Museum in England. and Sublime Shapes with Contemporary Okayama: the museum, 1999, 160 pp., ill. In Appeal." Japanese. Architectural Digest, v. 57, no. 11, Nov. 2000, 698 Pepper, Andrew. Exhibition of ancient glassware as well as re­ p. 134+, ill. "Windows with Memories: Creative Holo­ productions and creations by contemporary graphy in the Real World." artists. 686 Pagano, Penny. This Side Up! (Valkenswaard, the Nether­ "A Chihuly Lights the Way." lands), no. 10, Summer 2000, pp. 15-18, ill. 675 Okuno, Ken-ichi. AmericanStyle, v. 7, no. 1, Fall 2000, Includes work by Ruben Nunez, August Muth, "The Creator's Logic and the Viewer's Logic pp. 72-81, ill. Ana MacArthur, Steve Weinstock, Sally Weber, (2): Where, Exactly, Is Contemporary Glass The art collection of Bonnie and Gil Schwartz and Jean Bailey. Creation At?" includes works by Dale Chihuly, Drew and Glass and Art (Tokyo), no. 20, Winter 1998, Kirsi Smith, Richard Jolley, and Dante Marioni. 699 Perrault, John. pp. 26-27. In English and Japanese. "Glass on Site." 687 Paine, Janice T. Glass: The UrbanGlass Art Quarterly, no. 80, "Clearly Inspired: Contemporary Glass and Its Fall 2000, pp. 38-43, ill. 676 "Issues Raised by the Seto GAS As­ Origins." Review of exhibition at UrbanGlass. sembly." American Craft, v. 59, no. 5, Oct./Nov. 1999, Glass and Art (Tokyo), no. 22, Summer 1998, pp. 106-107, ill. pp. 72-73. In English and Japanese. 700 "Glass/Water/Ocean." Exhibition review. Report on the Glass Art Society's 28th annual Glass: The UrbanGlass Art Quarterly, no. 76, assembly. Fall 1999, pp. 40-47, ill. 688 Palata, Oldrich. Photos of works by Josh Simpson, Dale Chi­ "Pavel Jezek: Bildhauer und Padagoge = huly, and Catherine Rahn that "juxtapose wa­ 677 "The Niijima Festival in the Global Art Sculptor and Teacher." ter and glass." Glass Community." Neues Glas/New Glass, no. 3, 1999, Glass and Art (Tokyo), no. 21, Spring 1998, pp. 22-29, ill. In German and English. 701 "GlobalGlass: Ausglass, Wagga pp. 92-93. In English and Japanese. Wagga." 689 Pankova, Lenka. Glass: The UrbanGlass Art Quarterly, no. 76, "Sklo a porcelan: Dve Karlovarska sympozia." 678 Oldknow, Tina. Fall 1999, pp. 52-55, ill. Umenf a Remesla, no. 4, 1999, pp. 27-31, ill. "Conversazione con Lino Tagliapietra = Con­ Report on the 11th Biennial Ausglass Con­ English summary, p. 78. versation with Lino Tagliapietra." ference. Symposia on glass and in Karlovy Vetro (Centro Studio Vetro, Murano), no. 3, Vary. April-June 1999, pp. 24-33, ill. In Italian and 702 "Howard Ben Tre: A Conversation." English. Glass: The UrbanGlass Art Quarterly, no. 75, 690 Pardubice, Czech Republic. Vycho- Summer 1999, pp. 22-27, ill. doceska Galerie. 679 "Una eredita di Murano: L'estetica Ve- Rubikon: Elias, Exnar, Matous, Rybak. neziana nel vetro Americano contemporaneo Pardubice: the gallery, [1998], [44] pp., ill. In 703 "Liza Lou: American Glamorama." del Pacific Northwest = A Murano Legacy: The Czech and English. Glass: The UrbanGlass Art Quarterly, no. 76, Venetian Aesthetic in Contemporary Glass of Fall 1999, p. 56, ill. the Pacific Northwest." 691 Pastor Rey de Vinas, Paloma. Exhibition review. Vetro (Centro Studio Vetro, Murano), no. 0, "Alcorcon/Spain: Museum of Glass Art." June 1998, pp. 12-21, ill. In Italian and Neues Glas/New Glass, no. 3, 2000, 704 "New Voices: New Glass Sculpture English. pp. 30-37, ill. In German and English. Theory and the End of Craft" [in] 11th Biennial New museum opened in 1997 near Madrid; Ausglass Conference: Conference Papers article includes brief profiles of Pilar Aldana- (Wagga Wagga, Jan. 29-31, 1999). 680 "Laura de Santillana." Mendez and Javier Gomez. McKinnon, Victoria, Australia: Australian As­ Vetri: Italian Glass News, v. 4, no. 2, Spring sociation of Glass Artists (Ausglass), 1999, 1998, pp. 14-17, ill. 692 Patruno, Irene. pp. 36-42, ill. Tapio Wirkkala e la Vetreria Venini. Discourse on glass art. 681 Olivie, Jean Luc. Ph.D. thesis, Universita degli Studi di Venezia "La resistenza del vetro: Tessa Clegg, I'umile Ca'Foscari, 1999, [249] pp., ill. 705 "Portfolio: Cast Glass, Hot and Warm." fierezza di una 'glassmaker' = The Resistance Glass: The UrbanGlass Art Quarterly, no. 75, of Glass: Tessa Clegg, the Humble Pride of a 693 Patton, Philippa. Summer 1999, pp. 34-37, ill. 'Glassmaker.'" "Designing for a Dream." A survey of cast glass, with examples by Ka­ Vetro (Centro Studio Vetro, Murano), no. 1, Swarovski, no. 7, April 1998, pp. 10-12, ill. ren LaMonte, Rick Beck, Steve Tobin, Alan Oct. 1998, pp. 58-59, ill. In Italian and English. Ettore Sottsass. Glovsky, Tessa Clegg, and M. Sean Mercer. 706 "Portfolio: Glass Express." 717 "Blenko's Designers: Wayne Husted." 733 Powning, Peter. Glass: The UrbanGlass Art Quarterly, no. 80, Glass Collector's Digest, v. 14, no. 2, Aug./ "Artist Profile: Mixed Mania(c)." Fall 2000, pp. 52-55, ill. Sept. 2000, pp. 67-70+, ill. Glass Gazette (Glass Art Association of Brooklyn exhibition featuring artists Jennifer Canada), v. 3, no. 38, Nov. 1999, pp. 3-6, ill. Poueymirou, Ruth Shortt, John Drury, Peter 718 Fifties Glass. Kreider, Norman Mooney, and . Atglen, PA: Schiffer, 2000, 208 pp., ill. 734 Prague. Ceske Muzeum Vytvarnych Umeni v Praze. 707 "Susan Plum and Joyce Scott: 'Border- Sklo a prostor = Glass and Space - Jaroslava 719 "Way Cool Blenko Glass of the '50s and Brychtova, Stanislav Libensky, Vaclav Cigler, scapes.'" '60s." Glass: The UrbanGlass Art Quarterly, no. 78, Marian Karel, Vladimir Kopecky, DanaZa- The Modernism Magazine, v. 3, no. 3, Fall mecnikova (Text: Jan Sekera and Jirf Seth'k). Spring 2000, pp. 50-51, ill. 2000, pp. 58-61, ill. Exhibition in Brooklyn, New York. Prague: the museum, 1998, 1 v. (unpaged), ill. In Czech and English. 720 Pontiac, Mich. Habatat Galleries. 708 Persson, Stellan. Beyond Tradition: The 23rd Annual Interna­ 735 Prague. Umeleckoprumyslove Muzeum. "Studiohyttor: En vaxande turistattraktion i tional Glass Invitational, April 1-April 30, 1995. Cesky modern/ sperk ve Strfbre = Czech Mod­ Glasriket." Pontiac: the galleries, 1995, 72 pp., ill. ern Jewelry in Strfbro (Text: Alena Krizova). Glasteknisk Tidskrift, v. 54, no. 3, 1999, p. 94, Prague: Asociace vytvarniku oboru kov and ill. 721 Daniel dayman: Reaches. the museum, 1997, [60] pp., ill. In Czech, Pontiac: the galleries, 1999, [5] pp., ill. English, and German. 709 Peter Bremers: Metamorphosis (Text: Artists using glass: Pavel Filip, Jaroslav Ko- Rob van den Doel and others). dejs, Vladislav Komnacky, Jirf Sibor, Ludmila 722 The Twenty Fourth Annual International Born, the Netherlands: the artist, 2000, Sikolova, and Marketa Silena. Glass Invitational, March 30-April 28, 1996. 166 pp., ill. In English and Dutch. Pontiac: the galleries, 1996, 72 pp., ill. 736 Preijde, Mieke. "Glas moet van Laura Heyworth vooral vragen 710 Peterson, Karin Elizabeth. 723 The 28th Annual International Glass In­ How Things Become Art: Hierarchy Status, oproepen." vitational. Glasbulletin, Vereniging van Vrienden van and Cultural Practice in the Expansion of the Pontiac: the galleries, 2000, 96 pp., ill. American Canon. Modern Glas, v. 13, no. 4, 1999, pp. 12-14, ill. Ph.D. thesis, University of Virginia, 1999, 159 pp. 724 Poojary, Chatura. 737 Pressman, Jennifer. "From Factory to Studio: The Rise of Glass as "When Glass Meets Gold." "Milk for All Ages." a 'Pure' Art Medium," pp. 109-137. Kahch (All India Glass Manufacturers' Federa­ Glass Style (Milan), v. 1, no. 1, June-Dec. tion, New Delhi), v. 7, no. 1, June 1999, p. 14, 1998, pp. 71-74, ill. ill. Artists, architects, and designers decorate 711 Petrova, Sylva. Glass artist and jewelry designer Roopa Vohra milk glasses for Ritzenhoff Glaswerke project. "Transfiguration of Light: Tschechisches Glas practices 500-year-old Rajasthani art form 2000-2001 - Eine Ausstellung tourt durch called thewa. 738 "Pino's Passion." Japan = Czech Glass 2000-2001 - An Exhibi­ Glass Style (Milan), v. 3, no. 1, Jan-June tion Tours Japan." 2000, pp. 84-91, ill. Neues Glas/New Glass, no. 3, 2000, 725 Porcelli, Joe. Pino Signoretto. pp. 14-21, ill. In German and English. "Disney, Presley, Tiffany ... and Friends." Glass Craftsman, no. 157, Dec. 1999/Jan. 2000, pp. 20-24, ill. 739 Pretorius, Maxi. 712 Philippe, Joseph. Influential works of glass art. "Establishing the First Studio Glass Course in Sculptures contemporaines en crista! et en South Africa." verre de 17 pays entre Mediterranee et Nord 726 Porges, Maria. This Side Up! (Valkenswaard, the Nether­ Baltique = Contemporary Sculptures in Crystal lands), no. 8, Winter 1999, pp. 3-7, ill. and Glass from 17 Countries between the "Making Time: Jacqueline Lillie." American Craft, v. 60, no. 5, Oct./Nov. 2000, Mediterranean and the Arctic Circle. 740 Radiant: A Touring Exhibition of Glass [Liege: Fortemps], 2000, 205 pp., ill. In French pp. 80-83, ill. Beaded jewelry by the Viennese artist. Sculpture by Susan Hill, Christina Kirk and and English. Zora Palova. Catalog for exhibition held at Generale de Sunderland, England: University of Sunder­ Banque, Liege, and the Banque Generale du 727 Portland, Oreg. Bullseye Connection land, School of Arts, Design and Media, 1999, Luxembourg. Gallery. [38] pp., ill. Anna Skibska at Bullseye Glass. Portland: Bullseye Glass Co., 1999, 1 v. (un­ 713 Phillips, Annie. paged), ill. 741 Rath, Harald. "Clear as Crystal." "L'Art du verre en Autriche: 'Un Regard sur Collect It! (U.K.), no. 37, July 2000, pp. 42-44, son essor apres 1945' = Glaskunst aus Oster- ill. 728 Flux: Benjamin Edols & Kathy Elliott at reich: 'Ein Uberblick auf die Entwicklung nach Swarovski Crystal. Bullseye Glass. 1945' = Glass Art in : 'An Overview of Portland: Bullseye Glass Co., 2000, 40 pp., ill. the Evolution after 1945'" [in] Autriche, Suede, 714 Picchi, Francesca. Finlande: Les Nouvelles frontieres du verre "Konstantin Grcic: L'industria da al design il 729 Lino Tagliapietra at Bullseye Glass: europeen = Osterreich, Schweden, Finn land: mordente della realta = Industry Gives Design Masterworks from Furnace and Kiln. Die neuen Grenzen der europaischen Glas­ the Edge of Reality." Portland: Bullseye Glass Co., 1999, 63 pp., ill. kunst = Austria, Sweden, Finland: The New Domus, no. 820, Nov. 1999, pp. 42-51, ill. In Frontiers of European Glass Art. Milan: Skira, 1995, pp. 59-69, ill. In French, Italian and English. 730 Silvia Levenson: Cenetta intima = Table German, and English. Includes his glass designs for littala, p. 49. for Two - An Exhibition. Portland: Bullseye Glass Co., 1998, [32] pp., ill. 742 Raut, Nathalie. 715 "Philippe Starck: II fascino discreto della "Portrait: Ingegerd Raman, la grande minima- borghesia = The Discreet Charm of the Bour­ 731 Portland, Oreg. Portland Art Museum. liste de Suede." geoisie." Chihuly: The George R. Stroemple Collection Offrir International, no. 376, Sept. 2000, Domus, no. 827, June 2000, p. 60, ill. In Italian (Text: Donald Kuspit and Kathryn Kanjo). pp. 60-61, ill. and English. Portland: the museum, 1997, 127 pp., ill. Swedish glass designer. Chandelier of blown and engraved glass. 732 Powers, Pike. 743 Reed, Karen. 716 Pina, Leslie. "An Interview with Lino Tagliapietra." "The Art Glass of Avery Anderson." "Blenko's Designers: Joel Philip Myers." GAS News (Glass Art Society), v. 11, no. 3, Glass Craftsman, no. 160, June/July 2000, Glass Collector's Digest, v. 14, no. 3, Oct./ May/June/July 2000, p. 7, ill. pp. 65-67, ill. Nov. 2000, pp. 67-70+, ill. Tagliapietra briefly discusses his latest works. Profile of the fused glass artist. 744 Reimeier, Karl-Heinz. 756 Vesa Varrela: Short Cuts - Recent 769 Rosci, Marco. Menschenseele im Gebilde: Glasobjekte, Years. Nando Luraschi: La via della croce - Opere in Klaus Buchler; Gedichte, Karl-Heinz Reimeier. Riihimaki: the museum, 1995, [21] pp., ill. vetro e vetrate. Grafenau, Germany: Morsak, 1996, [64] pp., [Chieri: Chiesa delle Orfane, 2000], 60 pp., ill. ill. 757 Rippel, Klaus Max. Fused glass works, many with a religious Glass sculptures by Buchler paired with poems "Lehrgebaude der Fakultat fur angewandte theme. by Reimeier. Wissenschaften der Universitat Freiburg: Jump and Twist" 770 Rose-Shapiro, Annette. 745 Reimer, Julia. Glasforum, v. 49, no. 5, Nov. 1999, pp. 33-37, "Ettore Sottsass." "Double Struggle." ill. English summary, p. 33. Glass: The UrbanGlass Art Quarterly, no. 75, Glass Gazette (Glass Art Association of Can­ Three-part sculpture by Dennis Oppenheim Summer 1999, pp. 52-53, ill. ada), v. 3, no. 40, April 2000, pp. 19-20, ill. includes element that "transforms" through a Exhibition review. Glass studio in . building's glass wall. 771 "Das Glasperlen-Projekt = The Bead 746 "Norm's Garage." 758 Riservato, Enrico and Benvenuto, Pier- Project." Glass Gazette (Glass Art Association of Can­ luigi. Glashaus/Glasshouse (Internationales Maga- ada), v. 3, no. 40, April 2000, pp. 16-18, ill. "Avanti a tutta forza: Le categorie produttive." zin fur Studioglas), no. 3, 2000, p. 21, ill. In Glass studio in Calgary. II Gazzettino, Speciale Vitraria '99, Sept. 10, German and English. 1999, p. 3, ill. UrbanGlass program for low-income women. 747 Resource Finance Corporation Ltd. Two views on the Vitraria exhibition in San Vito RFC Glass Prize 1999. al Tagliamento, Italy. 772 "Post-Memphis Italian." Sydney, Australia: the corporation; Glebe, Glass: The UrbanGlass Art Quarterly, no. 77, Australia: Glass Artists' Gallery, 1999, 64 pp., 759 Rizzi, Paolo. Winter 1999, pp. 46-51, ill. ill. I Quaderni di Archimede Seguso. Glass artists from Australia and New Zealand. Firenze: Maria Cristina de Montemayor Edi- 773 "Reviews: Ellen Driscoll - As Above, tore, 1994-2000, 14 vv., ill. In Italian and So Below." 748 RFC Glass Prize 2000. English. Glass: The UrbanGlass Art Quarterly, no. 80, Sydney, Australia: the corporation; Glebe, Series of publications on the work of the artist. Australia: Glass Artists' Gallery, 2000, 74 pp., Fall 2000, p. 59, ill. ill. Permanent installation at Grand Central Sta­ 760 Roanoke, Va. Art Museum of Western tion, New York City. Virginia. 749 Rheinbach, Germany. Glasmuseum, Incandescent Spirit: Page Hazlegrove, Sculp­ Rheinbach. ture in Glass. 774 "Reviews: Joel Philip Myers." Jeden kmen, dve vetve: Ein Stamm, zwei Roanoke: the museum, 2000, 61 pp., ill. Glass: The UrbanGlass Art Quarterly, no. 78, Aste. Spring 2000, p. 54, ill. New York exhibition. Kamenicky Senov, Czech Republic: Sklarske 761 Roberts, Mark Raynes. Museum, 1998, [50] pp., ill. In Czech and The Cutting Edge: Raynes Crystal Art. German. Ontario, Canada: Raynes & Co. Ltd., 1994, 775 "Reviews: M. Sean Mercer - Material Exhibition of work from the glass school at 96 pp., ill. Properties of Form." Steinschonau; includes early 20th-century Glass: The UrbanGlass Art Quarterly, no. 79, works from several Czechoslovakian muse­ Summer 2000, p. 58, ill. 762 Robinson, Michael. ums. Review of New York exhibition. "Contemporary Glass Sculpture: An Exhibition of the Work of Galia Amsel and Bruno Roma- 750 Richard, Steven. nelli." 776 Rosen, Carol. "Reports from Abroad: The Glass Centre, Bar­ Glass Network (Newsletter of the Contempo­ "'What Are You Looking At?': The Sculpture of celona." rary Glass Society, U.K.), Aug. 2000, pp. 5-6, Tony Oursler." Scottish Glass Society Newsletter, no. 68, ill. Sculpture, v. 19, no. 4, May 2000, pp. 34-39, 2000, pp. 15-18. ill. Author's visit to the Fundacio Centre del Vidre. 763 "Reviews/Exhibitions: Galia Amsel, Artist's works include glass. Bruno Romanelli." 751 Ricke, Helmut. Crafts (U.K.), no. 165, July/Aug. 2000, 777 Ruhlig-Luhnen, Dagmar and Baas, "Jutta Cuny-Franz Memorial Award 1999." pp. 53-54, ill. Friedrich-Karl. Neues Glas/New Glass, no. 3, 1999, Review of London exhibition. "Glass 2000: Glaskunst in Deutschland zur pp. 65-87, ill. In German and English. Jahrtausendwende = Glass Art in Germany at Award to Marta Qibiete; also six supporting the Turn of the Millennium." prize-winners and 30 honorable mentions. 764 "Scottish Glass in the 21st Century: The View from Here." Neues Glas/New Glass, no. 2, 2000, British Society of Scientific Glassblowers pp. 24-29, ill. In German and English. 752 Riihimaki, Finland: Suomen Lasimuseo Journal, v. 38, no. 2, April 2000, pp. 74-76. Review of exhibition at the Glasmuseum Im- (Finnish Glass Museum). menhausen. European Glass in Use: Kayttdlasia (Kaisa Koivisto, ed.). 765 Robinson, Rebecca. Riihimaki: the museum, 1994, 213 pp., ill. In "Glass Paradox." 778 Rusinol, Eduard. "Miscelanea: Margarita Andreu." Finnish and English. Art & Antiques, v. 22, no. 11, Dec. 1999, Vftrea, no. 9, April 2000, pp. 76-78, ill. Exhibition of "everyday glassware seen on the pp. 72-81, ill. consumer markets of post-war Europe." Profile of William Morris. 779 Ryan, Kathleen. 753 Helena Tynell: Design 1943-1993. 766 Roger V. Thomas: Paintings in Glass. "Colorful Carousel Ornaments." Riihimaki: [the museum], 1998, 120 pp., ill. In [Portland, OR: the artist, 1999], [22] pp., ill. Figurines & Collectibles, v. 6, no. 1, March/April Finnish, English, and German. Catalog of the artist's fused glass works. 2000, pp. 54-55, ill. Retrospective exhibition of tableware, en­ graved glass, and lighting fixtures. 767 Ronholm, Kiss. 780 Saare, Mare. "Den nordiske udstilling." "The Estonian Academy of Arts, Tallinn." 754 Nanny Still: Design 45 anni. GlasPosten (Foreningen Glasmuseets Venner, This Side Up! (Valkenswaard, the Nether­ Riihimaki: the museum, 1996, 112 pp., ill. Ebeltoft), no. 3, Oct. 2000, pp. 10-11, ill. lands), no. 4, Winter 1998, pp. 3-6, ill. English summary, p. 14. Report on the academy's glass department. 755 Suomen lasi elaa = Finnish Glass Review of "Nordic Glass" exhibition. Lives 4. 781 "Markmeid eesti klaasikunstist = Notes Riihimaki: the museum, 2000, 142 pp., ill. In 768 Rooney, Alice. on Estonian Glass" [in] Nordic Glass 2000: Finnish and English. "1999 Honorary Lifetime Member: Josh Simp­ Glass without Boundaries. Exhibition of glass produced in Finland from son." Denmark: Association Nordic Glass 2000, 1995 to 1999. Glass Art Society Journal, 1999, pp. 16-19, ill. 2000, pp. 172-192, ill. In Estonian and English. 782 Sahl-Madsen, Charlotte. 794 Sars-Poteries, France. Musee-Atelier 808 "Jean-Claude Ourdouillie: Poesie au "Askepots gallakjole i glas - og pigtrad!" du Verre de Sars-Poteries. coeur de la matiere." GlasPosten (Foreningen Glasmuseets Venner, Matei Negreanu: Lignes de silence. La Revue de la Ceramique et du Verre, Ebeltoft), no. 4, Oct. 1999, pp. 4-5, ill. Sars-Poteries: the museum, 2000, 19 pp., ill. no. 108, Sept./Oct. 1999, pp. 54-55, ill. Sylvia Levenson. 795 Vincent van Ginneke: Sculptures. 809 "Michel Bouchard: Planete verre." 783 "Dansk Glas: Kunst eller kunsthand- Sars-Poteries: the museum, 1999, 19 pp., ill. La Revue de la Ceramique et du Verre, vaerk?" In French and English. no. 113, July/Aug. 2000, pp. 45-47, ill. English GlasPosten (Foreningen Glasmuseets Venner, Sculptures resembling vehicle engine compo­ summary. Ebeltoft), no. 1, Jan. 1999, pp. 5-6, ill. English nents with textured surfaces. The artist has recently begun "a series of summary, p. 15. ethereal symbolic works where all colour is Exhibit of Danish glass sculptures. 796 Sautner, Barry. banished." "Pushing the Limits: Taking Glass Carving into the Next Century." 810 "Portrait: Matei Negreanu - Pate de 784 "Ebeltoft's Glass Studios." Glass Art Society Journal, 1999, p. 61, ill. verre au carre." This Side Up! (Valkenswaard, the Nether­ Illustrations from the artist's presentation at Verre & Creation, no. 18, March 2000, p. 4, ill. lands), no. 6, Summer 1999, pp. 13-15, ill. the annual conference in Tampa, . English summary, p. 8. Brief profiles of several Danish studios. 797 Save, Colette. 811 "Sars-Poteries: Invitation a I'atelier." 785 "Global Art Glass i slotsruinen." "Bernard Dejonghe: L'Espace-temps." Verre & Creation, no. 17, Nov. 1999, pp. 4-5, GlasPosten (Foreningen Glasmuseets Venner, La Revue de la Ceramique et du Verre, ill. English summary. Ebeltoft), no. 3, Sept. 1999, pp. 12-13, ill. no. 114, Sept./Oct. 2000, pp. 54-55, ill. Report on international glass exhibit at Borg- English summary. 812 "Sars-Poteries: d'une tra­ holm Castle, Oland, Sweden. Reviews an installation of the artist's earlier dition." works. La Revue de la Ceramique et du Verre, 786 San Francisco. Jenkins Johnson Gal­ no. 110, Jan./Feb. 2000, pp. 41-43, ill. English lery. 798 " match retour." summary. Masters of Contemporary Glass (Text: William Verre & Creation, no. 20, Oct. 2000, p. 2, ill. Le Musee-Atelier du Verre is re-creating 19th- Warmus). English summary, p. 8. century glass roof finials; article includes illus­ San Francisco: the gallery, 1999, 15 pp., ill. Report on Franco-Slovak exhibition in Bratis­ trations of the process. lava. 787 Sandler, Irving. 813 "Strasbourg: Le Verre s'eclate." Antonakos. 799 "David Reekie: Un Bon Casting." Verre & Creation, no. 18, March 2000, p. 3, ill. New York: Hudson Hills Press, 1999, 255 pp., Verre & Creation, no. 17, Nov. 1999, p. 4, ill. English summary, p. 8. ill. English summary. Reports on the St'Art art fair. Neon sculpture artist Stephen Antonakas. Artist profile. 814 "Sylvie Belanger: La Saga du verre ou 800 "Duo complice: Marisa et Alain Begou." les nouvelles sorcieres." 788 Santen, Joost van. La Revue de la Ceramique et du Verre, La Revue de la Ceramique et du Verre, "Daylight Art: Joost van Santen, the Nether­ no. 110, Jan./Feb. 2000, pp. 24-27, ill. English no. 107, July/Aug. 1999, pp. 54-55, ill. English lands." summary. summary. Kahch (All India Glass Manufacturers' Federa­ Canadian artist makes sand-cast glass sculp­ tion, New Delhi), v. 7, no. 1, June 1999, 801 "Eric Lindgren: Le Chemin du verrier." tures. pp. 21-22, ill. La Revue de la Ceramique et du Verre, Artist works with "natural light in architecture." no. 110, Jan./Feb. 2000, pp. 44-45, ill. English 815 "Le Verre au Quebec." summary. La Revue de la Ceramique et du Verre, 789 Saroldi, Ernesto. Norwegian glass artist now living and working no. 104, Jan./Feb. 1999, pp. 11-15, ill. "L'incisione su vetro di Giuseppe Bertoluzzi: in France. Glass art in Quebec, with a focus on I'Espace 'La scuola e gli allievi.'" Verre. Alte Vitrie, v. 10 [11], no. 2, 1998, pp. 22-23, ill. 802 "Eva Engstrom & Camilla Caster: Italian engraver. Double jeu." 816 "Vive le verre nouveau." La Revue de la Ceramique et du Verre, La Revue de la Ceramique et du Verre, 790 Sarpellon, Giovanni. no. 114, Sept./Oct. 2000, pp. 20-22, ill. no. 112, May/June 2000, pp. 46-48, ill. "Arte sacra e arte di vetro = Sacred Art and English summary. English summary. Glass Art." Profile of the artists, who share a residency at New glass artists exhibit their works in Villeur- Vetro (Centro Studio Vetro, Murano), no. 6, the Musee-Atelier du Verre, Sars-Poteries. banne, France. Jan.-March 2000, p. 71, ill. In Italian and English. 803 "Evreux: Duree fossile." 817 Save, Colette and Beaumont, Thierry de. Sacred art in glass by Muranese master Verre & Creation, no. 16, Aug. 1999, p. 2, ill. "Apprendre a creer: Deuxieme volet - La Di­ glassmakers. English summary, p. 8. mension internationale." Antoine Leperlier in exhibition. Verre (Institut du Verre, Paris), v. 5, no. 6, Jan. 2000, pp. 46-49, ill. 791 "Fare arte col vetro = Making Art with 804 "Ghislaine Jolivet: Le Verre en verve." Brief profiles of selected glass art schools. Glass." La Revue de la Ceramique et du Verre, Vetro (Centro Studio Vetro, Murano), no. 2, no. 109, Nov./Dec. 1999, pp. 40-42, ill. Jan. 1999, pp. 12-18, ill. In Italian and 818 "Formation artistique: Apprendre a English. creer." Examines questions related to glass and art. 805 "Isabelle Monod: Vision intime." Verre (Institut du Verre, Paris), v. 5, no. 5, Verre & Creation, no. 17, Nov. 1999, p. 3, ill. Sept./Oct. 1999, pp. 49-52, ill. English summary. Glass schools in France. 792 "Fragilita e forza: I vetri di Umberto Exhibition review. Mastroianni = Fragility and Strength: Works in 819 "Liege: Triennale de sculpture entre Glass by Umberto Mastroianni." 806 "Isabelle Poilprez: Le Reve venitien." Mediterranee et Nord Baltique." Vetro (Centro Studio Vetro, Murano), no. 3, La Revue de la Ceramique et du Verre, Verre (Institut du Verre, Paris), v. 6, no. 2, April-June 1999, pp. 12-19, ill. In Italian and no. 112, May/June 2000, pp. 37-39, ill. March/April 2000, pp. 58-59, ill. English. English summary. Review of fifth Triennial exhibition of European Profile of the Italian artist. glass sculpture in Liege and Luxembourg. 807 "Jacques Lubtchansky: Un Citoyen de 793 Sarpellon, Giovanni, ed. la nature." 820 "Portrait: Gizela Sabokowa - L'Etoile du Made in Murano: Making Art with Glass. La Revue de la Ceramique et du Verre, verre tcheque." Venezia: Marsilio, 1999, 73 pp., ill. no. 106, May/June 1999, pp. 42-44, ill. Verre (Institut du Verre, Paris), v. 6, no. 1, Exhibition held at Hotel Cipriani, Venice, in English summary, p. 44. Jan./Feb. 2000, p. 61, ill. 1999. The artist fuses glass in lost wax molds. Gizela Sabokova. 821 "Serge Lechaczynski: Le Quete du 833 "Costas Varotsos: Art and Space." 844 Schrijvers, Dirk. meilleur verre." Neues Glas/New Glass, no. 4, 1999, "Collection in Progress." La Revue de la Ceramique et du Verre, pp. 14-21, ill. In German and English. Glasbulletin, Vereniging van Vrienden van no. 110, Jan./Feb. 2000, pp. 50-51, ill. English Modern Glas, v. 14, no. 1, 2000, pp. 5-7, ill. summary. The author's collection of contemporary glass Profile of the director of the Galerie Internatio­ 834 Schmolders, Wolfgang. art on exhibit at the Museum voor Sierkunst nale du Verre de Biot. "Chihulys Welttheater = Chihuly's World en Vormgeving, Ghent. Theatre." Glashaus/Glasshouse (Internationales Maga- 822 "Strasbourg: Le Verre s'emballe." zin fur Studioglas), no. 5, 2000, pp. 14-16, ill. 845 "Leven en vergankelijkheid in glas." Verre (Institut du Verre, Paris), v. 6, no. 1, In German and English. Glasbulletin, Vereniging van Vrienden van Jan./Feb. 2000, p. 60, ill. Review of Chihuly's installation in Jerusalem. Modern Glas, v. 12, no. 3, 1998, pp. 5-6, ill. Glass art at Strasbourg fair. Profile of Wouter Bolangier. 835 "Crystallizing Ideas: Ein Workshop mit 823 "Villeurbanne: Le Verre s'installe." Diana Hobson." 846 "3 x Galerie." Verre (Institut du Verre, Paris), v. 6, no. 1, Glashaus/Glasshouse (Internationales Maga- Glasbulletin, Vereniging van Vrienden van Jan./Feb. 2000, p. 62, ill. zin fiir Studioglas), no. 3, 1999, p. 19, ill. In Modern Glas, v. 13, no. 3, 1999, pp. 14-15, ill. Exhibition of glass and stained glass in Villeur­ German and English. Brief profiles of De Kunstkamer and Galerie banne, France. Hilde Metz in Antwerp, and the Art & Glass Gallery Monique en Herman Waeyen in Maa- 836 "Faltenwurf in Glas = Drapes in Glass." seik. 824 Savigny, Marie-Odile. Glashaus/Glasshouse (Internationales Maga- "Kristina Logan: Ou I'art des perles de verre." zin fur Studioglas), no. 4, 2000, pp. 4-5, ill. In La Revue de la Ceramique et du Verre, German and English. 847 Scott, John W. no. 103, Nov./Dec. 1998, pp. 54-55, ill. Profile of Karen LaMonte. "The Development of Glass Education in New Artist's beads have been described as "minia­ Zealand" [in] Glass Reflections: Glass in Art ture glass sculptures." and Architecture. 837 "Immenhausen: Die Preistrager = Im- Wellington, New Zealand: Friends of the Mu­ menhausen: The Prize Winners." 825 Scardamalia, Paula Chaffee. seum of New Zealand Te Papa Tongarewa, Glashaus/Glasshouse (Internationales Maga- "A Hot Dance in Glass: California Glass Studio 1999, pp. 13-17. Partners Share 23 Years of Success." zin fur Studioglas), no. 3, 2000, p. 37, ill. In The Crafts Report, v. 25, no. 283, Nov. 1999, German and English. First prize to Helga Reay-Young; second prize pp. 20-23, ill. 848 Scott, Sally. Nina Paladino-Caron and Michael Hansen. shared by Gabriele Kustner and Wolfgang "The Angel Screen: Leeds Parish Church Fornoff. 1998." The Guild of Glass Engravers Newsletter, 826 Scarf1, Silvia. 838 "Kombinationen mit Glas = Combi­ Summer 1999, pp. 3-4. "Ann Wolff." Artist describes process of filling archway Vetro (Centro Studio Vetro, Murano), no. 2, nations with Glass." Glashaus/Glasshouse (Internationales Maga- (30 feet high by 8 feet wide) with engraved Jan. 1999, p. 58, ill. In Italian and English. glass depicting Jacob's Ladder. Brief profile of the artist. zin fiir Studioglas), no. 3, 2000, p. 9, ill. In German and English. Matthias Hinsenhofen's works combine steel 849 Scott, Venetia. 827 "Venezia Aperto Vetro '98: Un omaggio and glass. "In the Hands of Time." a Venezia = Venezia Aperto Vetro '98: An Swarovski, no. 13, Oct./Nov. 1999, pp. 27-29, Homage to Venice." ill. Vetro (Centro Studio Vetro, Murano), no. 1, 839 "Studioglas an der Weser = Studio Glass sculptor Steven Weinberg. Oct. 1998, pp. 10-14, ill. In Italian and English. Glass on the Weser." Glashaus/Glasshouse (Internationales Maga- zin fur Studioglas), no. 5, 2000, pp. 11-13, ill. 850 Scottish Glass 2000: Glassmaking in 828 Schack von Wittenau, Clementine. In German and English. "Seitensprunge und Meilensteine: Arbeiten Scotland at the Millennium. Exhibition of contemporary German glass at Dundee: Scottish Glass Society, [2000], von Ingrid Conrad-Lindig." the Glasmuseum Gernheim. Neues Glas/New Glass, no. 2, 2000, [56] pp., ill. pp. 30-33, ill. In German and English. 840 "Die unertragliche Leichtigkeit des Gla- 851 Scottsdale, Ariz. Scottsdale Museum of ses = The Unbearable Lightness of Glass." 829 Schaik, Sylvia van. Contemporary Art. "Cheers! Een toost op het NAi." Glashaus/Glasshouse (Internationales Maga- Studio Glass: From the Gerard L. Cafesjian Glasbulletin, Vereniging van Vrienden van zin fiir Studioglas), no. 3, 2000, pp. 12-13, ill. Collection. Modern Glas, v. 12, no. 3, 1998, pp. 7-9, ill. In German and English. Scottsdale: the museum, 2000, 47 pp., ill. Drinking glass designs by Pi de Bruijn, Erick Brief profile of Magdalena Maihoefer. van Egeraat, Lars Spuybroek, and Charles 852 [Scrapbook of Photographs]. Vandenhove. 841 "Zeitkunst Kunstzeit = Time-Art Art- [Ippling, France: Frangois Schilt, n.d., 1998?], Time." [42] pp., ill. 830 Scharkey, Shannon. Glashaus/Glasshouse (Internationales Maga- Documents the work of French glass artist "Glass: Beyond Form & Function." zin fur Studioglas), no. 3, 1999, p. 17, ill. In Frangois Schilt. Glass Digest, v. 79, no. 7, July 15, 2000, German and English. pp. 44-46, ill. Brief profile of artist Steffen Orlowski. Architectural sculpture by Kenneth F. von- 853 Seattle. Meyerson & Nowinski Art Asso­ ciates. Roenn atop building in Charlotte, North Caro­ 842 "Zwei- bis Vierklang = Duo, Triad, Quar­ lina. Ginny Ruffner: Venice Works, 1989 (Text: Tina tet." Oldknow). Glashaus/Glasshouse (Internationales Maga- Seattle: the gallery, 1997, 40 pp., ill. 831 Schipper, K. zin fur Studioglas), no. 4, 2000, pp. 8-9, ill. In "High-End Crystal Awards." German and English. A&E (The Magazine for Awards & Engraving Mixed-media works by Johannes von Stumm 854 Seattle. Pilchuck School. Professionals), v. 13, no. 6, Aug. 2000, include glass. Pilchuck Works: Pilchuck Glass School, Fall pp. 44-55, ill. 1992. Seattle: the school, 1992, 40 pp., ill. 843 "5. Triennale europaischer Glasskulptur." 832 Schmid, Friederike. Glashaus/Glasshouse (Internationales Maga- "Artist's Portrait: Costas Varotsos - The Energy zin fur Studioglas), no. 2, 2000, pp. 1-3, ill. In 855 Seattle. William Traver Gallery. of a Space." German and English. Journey: Bertil Vallien - An Exhibition of Cast This Side Up! (Valkenswaard, the Nether­ Seventy-five artists from 17 countries at the Glass. lands), no. 9, Spring 2000, pp. 29-30, ill. fifth Triennial in Liege. Seattle: the gallery, [1998], 39 pp., ill. 856 Seguso, Francesca. 868 "Howard Ben Tre: Interior/Exterior." 881 Soleau, Antje. "I vetri 'romani' di Archimede Seguso" [in] Ma- American Craft, v. 60, no. 2, April/May 2000, "Contra Natura." giche trasparenze: I vetri dell'antica Albingau- pp. 48-53, ill. Glashaus/Glasshouse (Internationales Maga- num (Bruno Massabo, ed.). zin fur Studioglas), no. 4, 2000, pp. 10-11, ill. Milan: Mazzotta, 1999, pp. 278-304, ill. 869 Sillevis, John. In German and English. Glass art inspired by ancient ­ "Luigi Benzonis 'Byzantinische Kopfe.'" Works by Sara Pelly-Wertsman constructed of ware. Glashaus/Glasshouse (Internationales Maga- ceramic and glass. zin fur Studioglas), no. 3, 1999, p. 34, ill. In 857 Sellner, Christiane. German and English. 882 "Fabelwesen von einem anderen Stern "Renate Gross." Series of works by Luigi Benzoni entitled = Fabulous Creatures from Another Star." Glashaus/Glasshouse (Internationales Maga- "Byzantine Heads." Glashaus/Glasshouse (Internationales Maga- zin fur Studioglas), no. 3, 2000, pp. 18-19, ill. zin fur Studioglas), no. 3, 2000, pp. 4-5, ill. In In German and English. 870 Simi de Burgis, Saverio. German and English. "A Glass Lagoon: Venezia Aperto Vetro." Fantastically shaped human and animal forms 858 Sells, Joan. This Side Up! (Valkenswaard, the Nether­ by Fernando Manuel Agostinho. "L'ABC del vetro americano = The ABC of lands), no. 4, Winter 1998, pp. 20-22, ill. American Glass." Comments on Aperto Vetro exhibition in 883 "Glasplastik und Garten 2000 = Glass Vetro (Centro Studio Vetro, Murano), no. 3, Venice. Sculpture and Garden 2000." April-June 1999, pp. 60-61, ill. In Italian and Glashaus/Glasshouse (Internationales Maga- English. 871 Simpson, Richard V. zin fur Studioglas), no. 3, 2000, pp. 6-8, ill. In Exhibition review. "The Extraordinary Paperweight Art of David German and English. and Jon Trabucco." Review of the outdoor exhibition in Munster, 859 Selman, Lawrence H. Antiques & Collecting Magazine, v. 105, no. 8, Germany. "Denali Crystal: Making Sense Out of Abstract Oct. 2000, pp. 33-36+, ill. Art." 884 "Luftig und leicht: Die Glasmobiles und Glass Collector's Digest, v. 13, no. 6, April/ Figurinen von Katja Schetting = Airy and 872 "Ray and Bob Banford: A Paperweight May 2000, pp. 63-71, ill. Light: The Glass Mobiles and Figurines by Cooperative." Katja Schetting." Antiques & Collecting Magazine, v. 104, no. 12, 860 "Peter Raos Celebrates Twenty-One Feb. 2000, pp. 44-48, ill. Glashaus/Glasshouse (Internationales Maga- Years of Glass Artistry." zin fur Studioglas), no. 3, 1999, pp. 14-15, ill. Annual Bulletin of the Paperweight Collectors In German and English. 873 Sinkovits, Peter. Association, 2000, pp. 88-90, ill. "Uvegben fogano elet: Beszelgetes Lugossy Paperweight artist. 885 "Rolf Walz: Von der Arbeit des Sehens Mariaval." = Rolf Walz: Visual Work." Uj Muveszet, v. 11, no. 9, Sept. 2000, Glashaus/Glasshouse (Internationales Maga- 861 Sevres, France. Musee National de pp. 24-29, ill. Ceramique. zin fur Studioglas), no. 5, 2000, pp. 4-5, ill. In Couleurs et transparence: Chefs-d'oeuvre du German and English. verre contemporain (Antoinette Fay-Halle and 874 Sipe, Jeffrey R. Artist installs colored glass, mirrors, and light Ariane Bucaille, eds.). "One on One: Preserving the Woodlands - boxes in architectural settings. [Sevres]: the museum; Paris: des Lampworking Pioneer Paul Stankard Crafts Musees Nationaux, 1995, 128 pp., ill. Blossoms Suspended in Time." 886 "Staatspreistrager Lothar Gobel = In French with partial English translation. AmericanStyle, v. 5, no. 4, Summer 1999, State-Prize Winner Lothar Gobel." p. 35+, ill. Glashaus/Glasshouse (Internationales Maga- 862 Seymour, Liz. zin fur Studioglas), no. 4, 1999, pp. 6-7, ill. In "Man of Glass: Dale Chihuly Has Turned the 875 Slone, Rick. German and English. Stuff of Craft Shows into Some of the Most "Catherine Rahn: A Glass Act." Coveted Art." Sun Valley Magazine, Summer/Fall 1999, 887 "." Attache (US Airways), Nov. 1998, pp. 64-71, [10] pp., ill. Glashaus/Glasshouse (Internationales Maga- ill. zin fur Studioglas), no. 5, 2000, pp. 20-21, ill. 876 Smets, Jochen. In German and English. 863 Shevchenko, Zhenya. "Die Symbiose von Lichte und Farbe." Painter now working in glass. "Beauty and Ingenuity: A Holiday in Glass." Glas + Rahmen, v. 49, no. 12, Dec. 1998, Glass Line, v. 13, no. 6, April/May 2000, p. 1+, p. 63, ill. 888 Soucasna ceska sklenena plasticka ill. Glass artist Gerd Kruft. 1999. Ukrainian lampworker. [S.I.: s.n., 1999], [59] pp., ill. In Czech and 877 Smit, Bibi. English. 864 Shikata, Yukiko. "2nd International Glass Workshop for Women, Exhibition of works by 19 Czech glass artists. "Sign of the Times: Masato Nakamura and July 8-17, 1999, Nuutajarvi, Finland." Command N." This Side Up! (Valkenswaard, the Nether­ 889 South Brisbane, Australia. Queensland Art AsiaPacific, no. 24, 1999, pp. 54-59, ill. lands), no. 7, Autumn 1999, p. 27, ill. Art Gallery. Neon art. Luminous: Glass from the Queensland Art 878 Smrcek, A. Gallery Collection. 865 Siegel, Katy. "Vystava 30 let floatu v umeleckem skle." South Brisbane: the gallery, 1999, 14 pp., ill. '"Biennial 2000."' Sklara Keramik, v. 49, no. 12, Dec. 1999, Artforum, v. 38, no. 9, May 2000, pp. 171-173, p. 358, ill. 890 Stanislav Libensky, Jaroslava Brychtova. ill. Works by Vladimir Bachorik and Ladislav [S.I.]: Karolinum, 2000, [130] pp., ill. In Czech Exhibit at Whitney Museum of American Art Oliva illustrated. and English. includes work by Josiah McElheny. 879 Smrckova, Ludvika. 891 Starosielsky, Eric. 866 Silander, Liisa. "Nove tvary ceskeho brouseneho kristaloveho "Eureka! Wayne Strattman!" "Space Explorer." skla." This Side Up! (Valkenswaard, the Nether­ RISD Views (Rhode Island School of Design), Tvar, v. 4, no. 7, 1952, pp. 208-215, ill. Rus­ lands), no. 11, Autumn 2000, pp. 18-19, ill. Winter 2000, pp. 3-5, ill. sian, English, and French summaries. Glass and light sculptures. Sculptor and architectural glass designer Cut crystal glass by Vaclav Platek, Vera Lis- James Carpenter. kova, Ludvika Smrckova, and Miluse Kytkova. 892 Steen, Albert. "Reflekser i glass: Nye tendenser i kunstglass 867 Silberman, Robert. 880 Snodgrass, Susan. gjennom de senere tiar" [in] Arbok 1976-81: "The Art of Craft: Contemporary Works from "Report from Prague: Toward a New Bohemia." Vi jubilerer (Lauritz Opstad, ed.). the Saxe Collection." Art in America, v. 88, no. 4, April 2000, Oslo: Kunstindustrimuseet i Oslo, 1981, American Craft, v. 59, no. 5, Oct./Nov. 1999, pp. 87-94, ill. pp. 47-61, ill. In Norwegian; English summary. pp. 72-79, ill. Includes cut-glass crystal art by Jiff Cernicky. Trends in studio glass. 893 Steklo Vasiliia Kriukova = Vasilji Kryu- 906 Tagliapietra, Silvano. 919 Tobias, Jan. kov's Glass. "Gianni Toso Mustegada: Un muranese della "Storming Talent: Alena Matejkova." [S.I.: Anson Trade Ltd.?, n.d., 1995?], 1 v. (un­ diaspora = Gianni Toso Mustegada: Diaspora This Side Up! (Valkenswaard, the Nether­ paged), ill. Essay in Russian; captions in Rus­ from Murano." lands), no. 4, Winter 1998, pp. 16-17, ill. sian and English. Vetro (Centro Studio Vetro, Murano), no. 2, Jan. 1999, pp. 48-52, ill. In Italian and English. Profile of the artist. 920 Tognon, Paola. 894 Stern, Rudi. "Praga di vetro: Scultura contemporanea in The New Let There Be Neon. Boemia e Slovacchia = Contemporary Sculp­ Cincinnati, OH: ST Publications, 1996, 907 "Ritratti: Pino Signoretto = Portraits: ture in Bohemia and ." 160 pp., ill. Pino Signoretto." Vetro (Centro Studio Vetro, Murano), no. 6, History and craft of neon, examples of signs in Vetro (Centro Studio Vetro, Murano), no. 1, Jan-March 2000, pp. 38-47, ill. In Italian and the U.S. and other countries, and new uses of Oct. 1998, pp. 48-52, ill. In Italian and English. English. neon. 908 Taipei, Taiwan. National Museum of 895 Steuben Glass. History. 921 Tokyo. Odakyu Museum. Chinese Pavilion. A Tale of Emptiness: Contemporary Glass Art. Glass '99 in Japan: Splendor of the Unknown. Tokyo: Japan Glass Artcrafts Association, New York: the company, 1975, 29 pp., ill. [Taipei: the museum, 2000], 103 pp., ill. In 1999, 166 pp., ill. In Japanese and English. Designed by Donald Pollard; engraved by Chinese and English. Roland Erlacher. Exhibit of glass sculptures by Heinrich Wang. 922 Tokyo. Setagaya Art Museum. 896 The Romance of the Rose. 909 Tajan, Frangois. Passage: New French Art- Jean-Michel New York: the company, [1977], 29 pp., ill. "Un Verrier a Venise." Othoniel. Crystal rose designed by Donald Pollard and L'Optimiste, no. 21, 1998, p. 6, ill. [S.I.]: Comite d'exposition and Yomiuri Shim- engraved by Roland Erlacher expresses as­ Interview with Marie Brandolini. bun, The Association of Art Museums, 1999, pects of a medieval allegorical poem. [16] pp., ill. In Japanese; captions also in 910 Takeda, Atsushi. French. 897 Sphere of the Zodiac. "A Poet of Glass and Nature: The Poetic Artist makes large glass "necklaces" used in New York: the company, 1976, 29 pp., ill. World of Pavel Hlava." outdoor installations. Engraved crystal work with constellations Neues Glas/New Glass, no. 3, 1999, adapted from German astronomer Johann Elert pp. 30-37, ill. In German and English. 923 Tokyo. Tokyo Glass Art Institute. Bode's 1801 collection of star maps. Glass Works 1999: Tokyo Glass Art Institute 911 "Revert to and Restart 'the Vessel.'" Graduation Exhibition. 898 Stockholm. Statens Historiska Museet. Neues Glas/New Glass, no. 1, 2000, Tokyo: the institute, 1999, 94 pp., ill. In Japa­ Bertil Vallien. pp. 36-43, ill. In German and English. nese and English. Stockholm: the museum, [1998], [30] pp., ill. Report on jury's selection process for interna­ In Swedish. tional glass exhibition at Koganezaki Glass 924 Glass Works 2000: Tokyo Glass Art In­ Museum. stitute Graduation Exhibition. 899 Stuhr, Joanne. Tokyo: the institute, 2000, 90 pp., ill. In Japa­ "Reviews: Einar & Jamex de la Torre - 'Nou- 912 Takeda, Atsushi, ed. nese and English. veau Riche.'" Kyohei Fujita: Glass. Glass: The UrbanGiass Art Quarterly, no. 78, Tokyo: Ryutaro Adachi, 2000, 199 pp., ill. In Spring 2000, p. 55, ill. Japanese and English. 925 Tomita, Yasuko. Exhibition in Scottsdale, Arizona. "Hotworking with Takahashi Yoshihiko." Glass and Art (Tokyo), no. 22, Summer 1998, 913 Tallahassee. Florida State University pp. 63-67, ill. In Japanese. 900 "Reviews: Glass - A Celebration." Gallery and Museum. Glass: The UrbanGiass Art Quarterly, no. 80, A Generation in Glass Sculpture: Howard Ben Fall 2000, p. 61, ill. Tre, Rick Bernstein, [et a!.]. 926 "The Niijima International Glass Art New York exhibition. Tallahassee: the museum, 1988, 32 pp., ill. Festival's 10 Years." Glass and Art (Tokyo), no. 20, Winter 1998, 901 "Reviews: Sandy Skoglund - Breathing 914 Terris, Colin. pp. 6-24, ill. English summary. Glass." "Thirty Years of Caithness Paperweights." Glass: The UrbanGiass Art Quarterly, no. 80, Glass Collector's Digest, v. 13, no. 4, 927 Torres Esteban: Una pasion por el vidrio. Fall 2000, p. 60, ill. Dec. 1999/Jan. 2000, pp. 51-58, ill. San lldefonso, Segovia, Spain: Fundacion New York exhibition. Centro Nacional del Vidrio, Real Fabrica de 915 Thompson, Cheri. Cristales de La Granja, 1998, 103 pp., ill. 902 Swann, Philippa. "Seattle Artists Are Toast of the Town." Artist works with laminated glass. "Commissions: The Hub, Edinburgh." Art & Antiques, v. 22, no. 10, Nov. 1999, p. 32, Crafts (U.K.), no. 161, Nov./Dec. 1999, ill. pp. 20-23, ill. Walter Lieberman and James Mongrain make 928 Tosi, Andrea. Works by Keiko Mukaide, David Ward, Chris­ floating champagne and martini glasses. "Una eredita da scoprire: Indagine tra i giovani tian Shaw, and Steven Newell. maestri = A Heritage to Discover: A Survey among the New Masters." 916 Thompson, Sandy. Vetro (Centro Studio Vetro, Murano), no. 4, 903 Swash, Caroline. "John Lewis Studio: The Oklahoma City Me­ July-Sept. 1999, pp. 47-49, ill. In Italian and "In the Presence of Nature: An Exhibition by morial Project." English. Helga Reay-Young." Glass Art, v. 15, no. 5, July/Aug. 2000, Young Muranese master glassmakers: Glass Network (Newsletter of the Contempo­ pp. 10-11+, ill. Roberto Ballarin, Roberto Finotto, Marino rary Glass Society, U.K.), no. [8], Feb. 2000, Chairs of glass and bronze memorialize Santi, and Andrea Zilio. pp. 2-3, ill. bombing victims.

904 "Reviews/Exhibitions: This Is Light - 917 Thor, Margareta Arteus. 929 "Una fucina di idee: Berengo Collec­ Work by Jerome Harrington." "Ann Wahlstroms glas: Att tamja rorelsen." tion." Crafts (U.K.), no. 161, Nov./Dec. 1999, Form, v. 95, no. 4 (724), 1999, p. 21, ill. Vetro (Centro Studio Vetro, Murano), no. 2, pp. 55-56, ill. Jan. 1999, p. 65, ill. In Italian and English. "Glass intended for inclusion in architecture." 918 Thulstrup, Thomas C. "Dansk Glaskunst i dag = Danish Glass Art 930 "Galleria Marina Barovier: Un appunta- 905 Szkio = Glass = Vetro. Today" [in] Nordic Glass 2000: Glass without mento del vetro a Venezia = Galleria Marina Wroclaw, Poland: MAK Agencja Wydawnicza, Boundaries. Barovier: Glass Appointment in Venice." 1997, [48] pp., ill. In Polish, English, and Italian. Denmark: Association Nordic Glass 2000, Vetro (Centro Studio Vetro, Murano), no. 2, Krystyna Schwarzer-Litwornia. 2000, pp. 26-61, ill. In Danish and English. Jan. 1999, p. 61, ill. In Italian and English. 931 "II gigante di vetro: Un imponente ca- 942 "Yoichi Ohira: Vetri veneziani - Collezi- 953 Turner, Tran. vallo, realizzato da Pino Signoretto, al Lido di one pasta vitrea." "SOFA Chicago 1998: On-Line and In-Person." Venezia = The Glass Giant: An Impressive Vetro (Centro Studio Vetro, Murano), no. 0, Craft Arts International, no. 45, 1999, Horse, by Pino Signoretto at the Lido di Vene­ June 1998, p. 55, ill. In Italian and English. pp. 83-85, ill. zia." Review of the exposition. Vetro (Centro Studio Vetro, Murano), no. 5, Oct.-Dec. 1999, pp. 48-51, ill. In Italian and 943 Toyama, Japan. Toyama City Institute 954 Valentine, Christina. English. of Glass Art. "The Brightest Star of the Millennium." Graduate Exhibition 2000. Home Lighting & Accessories, v. 82, no. 11, Toyama: the institute, 2000, [28] pp., ill. In Nov. 1999, p. 70+, ill. 932 "Giovani 'in piazza' a Murano: Esperi- English and Japanese. enze formative degli allievi della Scuola di Times Square New Year's Ball made by Vannes-Le Chatel = Young 'in piazza' in Mu­ . rano: Training Experiences of the Students 944 Toyota. Toyota Municipal Museum of Art. from the Vannes-Le Chatel School." Glass-Media: Takashi Sasaoka, Science Club, 955 "Make Art... Not War: Claritas Studios, Vetro (Centro Studio Vetro, Murano), no. 3, Kazumi Tsuji, Michael Rogers. Producers of Fine Fused Glass Art, Will Now April-June 1999, pp. 46-49, ill. In Italian and [Toyota: the museum], 1998, [13] pp., ill. In Call a Former Munitions Plant Home." English. English and Japanese. Home Lighting & Accessories, v. 82, no. 8, David Laurent, Isabelle Poilprez, Raphael Ve- Aug. 1999, p. 80+, ill. loso, and Margot Geffroy. 945 Traub, David. 956 Vanlatum, Anne. "Developing a Voice: Contrasts in Formal 933 "Livio Cimarosti 'Ciocio': Maestro di tra- "Vincent van Ginneke: Sculptures." Education" [in] 11th Biennial Ausgiass Confer­ dizione e stile = Livio Cimarosti 'Ciocio': La Revue de la Ceramique et du Verre, ence: Conference Papers (Wagga Wagga, Master of Style and Tradition." no. 108, Sept./Oct. 1999, pp. 50-51, ill. Jan. 29-31, 1999). Vetro (Centro Studio Vetro, Murano), no. 4, McKinnon, Victoria, Australia: Australian As­ July-Sept. 1999, pp. 51-53, ill. In Italian and 957 Vaxjo, Sweden. Smalands Museum - sociation of Glass Artists (Ausgiass), 1999, English. Swedish Glass Museum. pp. 24-30. Interview with the Muranese glassmaker. Lars Hellsten. Discourse on formal glass education. Vaxjo: the museum, 1994, 45 pp., ill. In Swed­ ish; English summary. 934 "Quando il vetro e donna = Women Retrospective exhibition of Hellston's work 946 "New Glass - New Zealand" [in] Glass Artists Bring New Vitality to Glass." (sculpted castles, cast objects, utilitarian and Reflections: Glass in Art and Architecture. Vetro (Centro Studio Vetro, Murano), no. 4, art glass, etc.). July-Sept. 1999, p. 57, ill. In Italian and Wellington, New Zealand: Friends of the Mu­ English. seum of New Zealand Te Papa Tongarewa, 958 Swedish Glass (Text: Karl Johan Krantz, Exhibition review. 1999, pp. 8-12, ill. Gunnel Holmer, and Marta Holkers). Vaxjo: Kulturspridaren Forlag, 1999, 36 pp., 935 Toso Fei, Alberto. 947 Trutty-Coohill, Patricia. ill. "Carlo Tosi 'Caramea': La leggerezza sotto la "Fire and Ice: Le Verre magique, le vrai ma- Includes history of Swedish glass with a focus pelle = Carlo Tosi 'Caramea': Lightness under gique" [in] The Orchestration of the Arts - A on the 20th century. the Skin." Creative Symbiosis of Existential Powers: The Vetro (Centro Studio Vetro, Murano), no. 4, Vibrating Interplay of Sound, Color, Image, 959 Venice. Caffe Florian. July-Sept. 1999, pp. 14-21, ill. In Italian and Gesture, Movement, Rhythm, Fragrance, Temporanea: Le realta possibili del Caffe Flo­ English. Word, Touch (Marlies Kronegger, ed.). rian. Gaetano Pesce - "Un vaso (goto?) per Dordrecht: Kluwer Academic Publishers, Venezia." 936 "Ermanno Nason: II maestro che in- 2000, pp. 257-264, ill. Venezia: the gallery, 1995, 69 pp., ill. Text in segna ad imparare = Ermanno Nason: The Discourse on appreciating glass art by view­ English, French, German, and Italian. Master Who Teaches How to Learn." ing videos and photographs, using the work of An exhibition of Pesce's "vase-glass" objects Vetro (Centro Studio Vetro, Murano), no. 2, Jean-Claude Novaro as an example. relating to the "Venice-Murano tradition of Jan. 1999, pp. 28-33, ill. In Italian and English. glassmaking." Profile of the Muranese artist. 948 Tudor, Morna. 960 Vetri Veneziani: Ohira - Collezione "Review: Light Show!" Pasta Vitrea, "Opacita e Trasparenze," 1998- 937 "L'esposizione a Murano = The Exhibi­ Glass Gazette (Glass Art Association of Can­ tion in Murano." 1999. Esecuzione maestro Livio Serena, detto ada), v. 3, no. 38, Nov. 1999, p. 14, ill. "Maisasio." Vetro (Centro Studio Vetro, Murano), no. 1, Exhibition of lamps by Jim Norton. Oct. 1998, pp. 16-19, ill. In Italian and English. Venezia: Arsenale Editrice, 1999, 31 pp., ill. In Report on Venezia Aperto Vetro '98. Italian, English, and Japanese. 949 Turcajova, Marie. Exhibition at Caffe Florian, Venice. 938 "Fabio Fornasier." "Vystava Sousasne polske uzite umeni- Vetro (Centro Studio Vetro, Murano), no. 0, ULAN." 961 Venice. Galleria Marina Barovier. June 1998, pp. 38-40, ill. In Italian and Sklara Keramik, v. 48, no. 5, May 1998, Cristiano Bianchin: Riposapesi (Text: Enzo Biffi Gentili). English. p. 112, ill. Exhibit of contemporary Polish decorative arts Venezia: the gallery, 1999, [45] pp., ill. In Ital­ includes glass by Czeslaw Zuber. ian, French, and English. 939 "Paul Stankard." Vetro (Centro Studio Vetro, Murano), no. 3, 962 Venice. Galleria Rossella Junck. April-June 1999, pp. 36-39, ill. In Italian and 950 [Ture Gustafson]. Erik Dietman: Carnet Branca (Classe tous ris- English. 1 CD-ROM, ill. ques). Includes images of the artist's work with pho- Venezia: the gallery, [1998?], [30] pp., ill. 940 "Percorsi veneziani = Venetian Itiner­ tochromic glass. aries." 963 Franco Deboni: First Glass. Venezia: Vetro (Centro Studio Vetro, Murano), no. 1, the gallery, 1999, 18 pp., ill. In Italian and 951 Turner, Ralph. Oct. 1998, pp. 22-26, ill. In Italian and English. English. "New Trophy for Wales." Reports on gallery exhibitions during Venezia Sculpture and plates with rough, moon-like Crafts (U.K.), no. 161, Nov./Dec. 1999, p. 18, Aperto Vetro '98. surfaces. ill. Glass sculpture by Jane Beebe for the Welsh 941 "Quadrivium, quando I'arte e incontro: National Assembly in Cardiff. 964 Massimo Nordio: I seni di Amuriana. A Sydney una mostra nippo-australiana = Venezia: the gallery, [1998], 18 pp., ill. Quadrivium, When Art Is a Meeting Ground: A Japanese-Australian Exhibit in Sydney." 952 "New Vessel Sets Sail." 965 Massimo Nordio: Openings (Text: Attilia Vetro (Centro Studio Vetro, Murano), no. 2, Crafts (U.K.), no. 159, July/Aug. 1999, p. 16, ill. Dorigato, Franco Fabris, and Marge Levy). Jan. 1999, pp. 56-57, ill. In Italian and English. Opening of new London gallery; detail of glass Venezia: the gallery, [2000], [18] pp., ill. In Ital­ Exhibition review. vase by Kazuhiko Tomita illustrated. ian and English. 966 Michele Burato: Glass Strips. 978 Waggoner, Shawn. 992 Wasserman, Sue. Venezia: the gallery, [1998], [22] pp., ill. In "Femininity Translated into Glass: Works by "Vetro lavorato a fiamma: Toffolo/Mickelsen in- English and Italian. Tina Betz." sieme in una recente esposizione = Flame- Glass Art, v. 15, no. 4, May/June 2000, worked Glass: Toffolo/Mickelsen Paired in Re­ cent Exhibition." 967 Michele Burato, Isabelle Poilprez, An­ pp. 4-8, ill. Vetro (Centro Studio Vetro, Murano), no. 4, drea Zilio. Interview with Betz in which she discusses July-Sept. 1999, pp. 54-55, ill. In Italian and Venezia: the gallery, 1999, 20 pp., ill. In Italian flameworking, "the value of residences, and and English. the development of her glass homage to the English. feminine." Cesare Toffolo and Robert Mickelsen.

968 Michele Burato: True Colour (Text Attilia 979 "Immortality: The Gift of Portraiture by 993 Weber, Milan. Dorigato and Stefano Piovesan). Dinah Hulet." "Kov, sklo, kamen a prostor Jana Ambruze." Venezia: the gallery, 2000, [21] pp., ill. In Glass Art, v. 15, no. 6, Sept./Oct. 2000, Atelier, no. 8, April 15, 1999, p. 6, ill. English English and Italian. pp. 4-8+, ill. summary, p. 15. Portraits made with lampworked mosaic glass. Exhibition by Jan Ambruz, whose works in­ 969 Venice. Palazzo delle Prigioni Nuove. clude glass sheets. Irene Rezzonico: Back to Nature - Glass 980 "Ray Howlett: A Father of Dichroism in sculptures and Paintings (Text: Adriano Be- Art and His Fourth Dimension." 994 Wegmann, Renate. rengo). Glass Art, v. 15, no. 6, Sept./Oct. 2000, "Reise nach UIAH = Journey to UIAH." Venezia: Marsilio, 2000, 93 pp., ill. In English pp. 64-66, ill. Glashaus/Glasshouse (Internationales Maga- and Italian. zin fur Studioglas), no. 3, 1999, pp. 20-21, ill. In German and English. 981 "Sonja Blomdahl: 'Queen of Symmetry.'" 970 Pino Pini: Passaporto per il vetro (Text: Author's experiences at the University of Art Glass Art, v. 15, no. 3, March/April 2000 and Design, Helsinki. Adriano Berengo). pp. 4-6, ill. Venezia: Marsilio, 2000, 79 pp., ill. In Italian and English. 995 Werstiuk, Jeff. 982 Walgrave, Jan. 'The Cool Women of Hot Glass." "Storming Talent: Sandra De Clerck." 971 Venini, Anna. Glass Gazette (Glass Art Association of Can­ This Side Up! (Valkenswaard, the Nether­ ada), v. 3, no. 40, April 2000, pp. 21-22, ill. ": Una vita per il vetro." lands), no. 3, Autumn 1998, pp. 16-17, ill. Fimantiquari: Arte Viva (Federazione Mercanti Lisa Cerny and Brenda Taylor. d'Arte), v. 7, nos. 21/22, 2000, pp. 56-59, ill. 983 Ward, Kitty. 996 Wheaton, Hazel L. "Reviews: Alan Klein." "Glass from the Past: Unwilling to Let Ancient 972 Ventura, Joan. Glass: The UrbanGlass Art Quarterly, no. 79, Techniques Fade Away, a Modern Bead Maker Pons Cirac: El mestre de la talla del cristall. Summer 2000, p. 57, ill. Binds Past to Future with His Delicate [Spain: Juan Barguno y Ci'a, 1978], 32 pp., ill. Review of Boston exhibition. Creations." Journal, v. 54, no. 6, Sept. 2000, 973 Verti, Roberto. 984 Ward, Lucina. pp. 32-36, ill. "Le trasparenze del multiplo: I sottili equilibri "Chihuly: Masterworks in Glass." Artist Bruce St. John Maher works with beads, d'arte e design - Le scommesse di Vittorio Craft Arts International, no. 47, 1999, stained and painted glass, and fused glass. Livi e I'invenzione del vetro = Transparencies pp. 85-87, ill. of Multiple: The Subtle Balance between Art Exhibition review. 997 Whiteley, Richard. and Design - Vittorio Livi's Long Shots, and "Australian Voices: What Makes Australian the Invention of Glass." 985 Warmus, William. Glass Australian and Where Is It Going?" [in] Ottagono, no. 131, March/April 1999, "Chihuly and the Magic Ice Machine." 11th Biennial Ausglass Conference: Confer­ pp. 108-113, ill. In Italian and English. Artfocus (Toronto), v. 8, no. 1, Winter/Spring ence Papers (Wagga Wagga, Jan. 29-31, 2000, pp. 8-11, ill. 1999). 974 Vision, Transformation, Alchemy. Review of the artist's installations in Jerusa­ McKinnon, Victoria, Australia: Australian As­ [Tacoma, WA: International Glass Museum, lem. sociation of Glass Artists (Ausglass), 1999, 1999], [35] pp., ill. pp. 78-81. Promotional information for the formation of 986 "Dan Dailey." the new International Glass Museum as well Glass: The UrbanGlass Art Quarterly, no. 75, 998 Whiting, David. as plans for Dale Chihuly's Bridge of Glass. Summer 1999, pp. 50-51, ill. "Reviews/Exhibitions: New Danish Glass." Exhibition review. Crafts (U.K.), no. 158, May/June 1999, 975 Viti Pagni, Stefania. pp. 53-54, ill. "Gio Ponti e il design per il vetro empolese" 987 "Studio Glass in the Twentieth Century: [in] II vetro fra antico e moderno: Le piu re- An Art-Form in Evolution." 999 "Reviews/Exhibitions: Sub-Urban - Con­ centi scoperte archeologiche - Un secolo di Glass Craftsman, no. 157, Dec. 1999/Jan. temporary Glass in London's Underground." produzione e designer del vetro italiano 2000, pp. 6-11, ill. Crafts (U.K.), no. 165, July/Aug. 2000, (1897-1997). Atti della III Giornata Nazionale pp. 51-52, ill. di Studio (AIHV - Comitato Nazionale Italiano, Installation of works by 11 glass artists. Oct. 31, 1997, Milan. Daniela Ferrari and 988 Washington, D.C. Maurine Littleton Gal­ lery. Gioia Meconcelli, eds.). 1000 "Sources of Inspiration: Ronald Pen- Milano: [s.n.], 1999, pp. 95-98, ill. Colin Reid. Washington, DC: the gallery, 2000, [23] pp., ill. nell." Crafts (U.K.), no. 162, Jan./Feb. 2000, 976 Vitraria: Vetri artistici storici industriali pp. 46-49, ill. manifestazione internazionale. 989 Joyce Scott and Susan Plum. British glass engraver discusses his life and San Vito al Taqliamento, Italy: [s.n.], 1999 [Washington, DC: the gallery, 1999], [16] pp., work. [72] pp., ill. ill. Exposition incorporating three themes: indus­ 1001 Wichert, Geoffrey. trial production, glass art, and archeological 990 William Morris. "Anna Skibska." findings; illustrations are mainly of contempo­ Washington, DC: the gallery, [2000], [20] pp., Glashaus/Glasshouse (Internationales Maga- rary glass art. ill. zin fur Studioglas), no. 2, 2000, p. 7, ill. In Animal heads and rhytons. German and English. 977 Vukotic, Biljana. Exhibition review. Contemporary Artistic Glassware and Objects 991 Washington, D.C. Renwick Gallery, Na­ [sic] d'Art in Serbia. tional Museum of American Art, Smithsonian 1002 "Anna Skibska: The Smuggler's Look­ [Beograde, Serbia]: Museum of Applied Arts/ Institution. ing Glass = Des Schmugglers Spiegel." Muzeja Primenjene Umetnosti, [1996-1999], Glass! Glorious Glass! Neues Glas/New Glass, no. 2, 1999, 6 pp. Washington, DC: the gallery, [1999], [7] pp., ill. pp. 30-35, ill. In German and English. 1003 "Dante Marioni." 1014 Wilson, Larry. 1024 "Jon Wolfe: Fabrikat." Vetro (Centro Studio Vetro, Murano), no. 5, "Monumental Innerlight Corning Artist Cre­ Glass: The UrbanGlass Art Quarterly, no. 75, Oct.-Dec. 1999, pp. 22-27, ill. In Italian and ates 1,500-Pound Sculpture That Strays from Summer 1999, p. 52, ill. English. Classic Steuben." Exhibition review. Star-Gazette (Elmira, NY), June 4, 2000, 1004 "'I Want to Create Out of Necessity p. E1+, ill. 1025 "Latchezar Boyadjiev." Rather Than Virtuosity': Pike Powers." Steuben designer David Dowler. Glass: The UrbanGlass Art Quarterly, no. 76, Glass: The UrbanGlass Art Quarterly, no. 76, Fall 1999, p. 59, ill. Fall 1999, pp. 26-27, ill. 1015 Wingard, Claude E. Exhibition review. Profile of the artist's enameled glass paintings "Voyages of Discovery." and mixed-media works on the theme of Craft Arts International, no. 47, 1999, whaling. pp. 37-41, ill. 1026 "Reviews: Michele Blondel." Swedish glass designer Goran Warff. Glass: The UrbanGlass Art Quarterly, no. 80, 1005 "In the Envelope: Laura de Santillana." Fall 2000, p. 57, ill. Glass: The UrbanGlass Art Quarterly, no. 79, 1016 Winter, Marguerite. Chicago exhibition. Summer 2000, pp. 28-35, ill. "Colin Terris: Master Glass Designer." Figurines & Collectibles, v. 5, no. 5, Nov./Dec. 1006 "Lino Tagliapietra." 1027 Zamecnikova, Dana. 1999, pp. 53-55, ill. "Katia, Two Dogs, Pat Horse, Mana Mouse, Glass: The UrbanGlass Art Quarterly, no. 77, Caithness paperweight artist. Winter 1999, p. 56, ill. and Marian." Review of Portland, Oregon, exhibition. Glass Art Society Journal, 1999, pp. 59-60, ill. 1017 Wolverhampton, England. Wolver­ The artist briefly discusses her inspirations. 1007 "PO Box 15153." hampton Art Gallery. Modern Myths: The Art of Ronald Pennell in Glashaus/Glasshouse (Internationales Maga- 1028 Zelezny Brod, Czech Republic. Galerie zin fur Studioglas), no. 3, 2000, pp. 14-16, ill. Glass and Bronze. Woodbridge, Suffolk, England: Antique Collec­ Zelezny Brod. In German and English. Ljbensky Brychtova (Text: Old rich Palata). Brief profiles of William Morris, Lino Taglia­ tors' Club, 1999, 110 pp., ill. Catalog of an exhibition of the glass engrav­ [Zelezny Brod: the gallery, 2000?], 13 pp., ill. pietra, and Janusz Pozniak. er's works. 1008 "Selten Geistreich = Souvenir Wit." 1029 Zijst, Femke van. Glashaus/Glasshouse (Internationales Maga- 1018 Worrell, Pat. "Christian Braggiotti doet het op gevoel: Aan zin fur Studioglas), no. 4, 2000, pp. 6-7, ill. In "Come into the Light." de Amsterdamse grachten...." German and English. AmericanStyle, v. 7, no. 1, Fall 2000, p. 16, ill. Glasbulletin, Vereniging van Vrienden van Review of Seattle exhibition of works by Brief review of exhibition by Robin Stanaway. Modern Glas, v. 14, no. 2, 2000, pp. 10-13, ill. Katherine Gray. Rotterdam glass gallery. 1019 "Ingredients for Success: Master Pas­ 1009 "Waxing Poetic." try Chef Christian Thirion Now Makes Sweet 1030 Zoritchak, Thomas. Glass: The UrbanGlass Art Quarterly, no. 80, Confections in Glass." "Cesar: L'Energie et le cristal." Fall 2000, pp. 32-37, ill. AmericanStyle, v. 6, no. 1, Fall 1999, p. 39+, ill. La Revue de la Ceramique et du Verre, Profile of Jack Wax. no. 104, Jan./Feb. 1999, pp. 42-44, ill. 1020 Yablonsky, Linda. 1010 Wiederspohn, Anja. "William Morris at Heller." "Eisberge und Gletscher: Heike Kahler." Art & Auction, v. 22, no. 1, Jan. 2000, p. 114, ill. 1031 "La Nature selon Paul Stankard." Schmuck Magazin, no. 2, May 2000, p. 76, ill. Brief review of New York exhibition. La Revue de la Ceramique et du Verre, English summary. no. 105, March/April 1999, pp. 26-29, ill Artist uses glass in her water-themed jewelry. 1021 Yelle, Richard Wilfred. Glass Art from UrbanGlass. 1032 Zuccheri, Toni. 1011 William Morris: Myth, Object, and the Atglen, PA: Schiffer, 2000, 320 pp., ill. "Magia e mistero infinito: La parola all'archi- Animal - Glass Installations. Documents the work of 175 artists and de­ tetto." [S.I.: s.n.], 1999, 63 pp., ill. signers. II Gazzettino, Speciale Vitraria '99, Sept. 10, 1999, p. 2, ill. 1012 Williams, Howard. 1022 Yokohama, Japan. Yokohama Museum Zuccheri discusses his relationship with the "Hot Pacific Glass." medium of glass. Object (Australian Centre for Craft and Design, of Art. Sydney), no. 2, 2000, pp. 106-109, ill. [Expression of the Contemporary Glass]. Brief history of studio glass in New Zealand. [Yokohama: the museum, 1999?], 139 pp., ill. 1033 Zynsky, Toots. In Japanese. "Stanislav Libensky e Jaroslava Brychtova: 1013 Williams, Monica D. I grandi vetri - Sculture e disegni." "Visiting the Mint Museum of Craft + Design." 1023 Yood, James. Vetro (Centro Studio Vetro, Murano), no. 0, Glass Focus, v. 13, Oct./Nov. 1999, p. 20. "Joel Philip Myers." June 1998, pp. 56-57, ill. In Italian and Contemporary glass at the museum in Char­ American Craft, v. 59, no. 4, Aug./Sept. 1999, English. lotte, North Carolina. pp. 40-43, ill. Review of exhibition in Bergamo, Italy. FLAT GLASS (after 1945), including Architectural, Mosaic, Painted, and Stained Glass FLACHGLAS (nach 1945), einschlieBlich architekturbezogenes Glas, Mosaikglas, Glasmalerei und Bundglas

1034 Anonymous. 1045 "The Corning Museum of Glass Installs 1057 " architecture: Projet de "American & German Projects Win 2000 Ben­ The Glass Wall." reamenagement du siege social d'ENI, Rome, edicts Awards." Glass Art, v. 15, no. 5, July/Aug. 2000, Italie." Glass Digest, v. 79, no. 6, June 15, 2000, pp. 42-43, ill. L'Architecture d'Aujourd'hui, no. 325, Dec. pp. 63-68, ill. Stained glass by Brian Clarke. 1999, pp. 46-47, ill. In French and English. Innovative uses of laminated glass in architec­ Glass facade for building in Bordeaux. tural designs. 1046 "La cupula del Reichstag: Simbolo de la transparencia democratica." 1058 "Launch of the Architectural Glass 1035 "April Treasure of the Month: Return Revista del Vidrio Piano, no. 54, Sept. 1999, Centre, Swansea." from Fishing, 1993." pp. 28-33, ill. Crefft/Craft, no. 93, Dec. 1999, p. 2, ill. In Mosaic (Museum of Fine Arts, St. Petersburg, Glass dome designed by Norman Foster. Welsh and English. FL), April/May/June 2000, pp. 1-4, ill. Painting on glass by Croatian artist Mijo 1047 "Extensive Stained Glass Wall to Wel­ Kovacic. 1059 "Lichtblicke im Alltag: Attraktive Glas- come Museum Visitors." turen." The Corning Museum of Glass Newsletter, 1036 "Architektur der Linie - Diether F. Do­ Glaswelt, v. 52, no. 11, Nov. 1999, pp. 48-49, Spring 2000, pp. [1-3], ill. ill. mes = Architecture of the Line - Diether F. Installation of work by Brian Clarke. Domes." Decorative glass . Glashaus/Glasshouse (Internationales Maga- 1048 "The Face of Glass around the World: zin fur Studioglas), no. 3, 1999, pp. 7-8, ill. In 1060 "Londres a vista de pajaro." Various Projects Showcase the Product on a German and English. Revista del Vidrio Piano, no. 60, July 2000, Global Scale." pp. 86-88, ill. Glass Magazine (National Glass Association, 1037 "El arte de las 'formelas.'" Glass capsules on London Eye, a huge ferris McLean, VA), v. 50, no. 10, Oct. 2000, Revista del Vidrio Piano, no. 54, Sept. 1999, wheel designed by architect David Marks. pp. 54-55, ill. pp. 40-42+, ill. Brief profiles of architectural glass projects in Italian firm makes colorful glass walls for inte­ Germany, Hong Kong, Spain, and Brazil. 1061 "May Treasures of the Month: Long riors, using techniques from the 14th century. Winter, 1990 and Winter, 1988." 1049 "February Treasure of the Month: Mosaic (Museum of Fine Arts, St. Petersburg, 1038 "Associates and Fellows: New Work FL), April/May/June 2000, pp. 4-5, ill. 1999." Stag Wedding Party, 1959 - Ivan Generalic (1914-1992)." Paintings on glass by Croatian artist Ivan The Journal of Stained Glass (British Society Lackovic. of Master Glass Painters), v. 23, 1999, Mosaic (Museum of Fine Arts, St. Petersburg, pp. 86-89, ill. FL), Jan./Feb./March 2000, p. 1+, ill. Painting on glass by Croatian artist. 1062 "Michel Gaston a Theoule-sur-Mer." 1039 "L'Atelier Olivier Devisme: Les Echos Verre (Institut du Verre, Paris), v. 6, no. 1, de la Chambre Syndicale Nationale du Vitrail." 1050 "Feuillete bombe pour la verrier de la Jan./Feb. 2000, pp. 58-59, ill. Verre (Institut du Verre, Paris), v. 6, no. 3, gare." June 2000, p. 58, ill. Verre Actualites, no. 167, Feb./March 2000, 1063 " in the Millennium: The Brief profile of the stained glass firm, estab­ pp. 12-13, ill. Stained Glass Association of America Sum­ lished in 1890. Glass arch over entrance to underground sta­ mer Conference." tion in Brussels. Stained Glass, v. 95, no. 3, Fall 2000, 1040 "Cafe Bravo a Berlin: Nalbach & Nal- pp. 188-191, ill. bach d'apres une idee de Dan Graham." 1051 "Flughafen Stuttgart: Parkhauser und Report on the conference. L'Architecture d'Aujourd'hui, no. 323, July Office Center." 1999, pp. 94-97, ill. In French and English. Glasforum, v. 50, nos. 3/4, Aug. 2000, 1064 "[Modern Day Japanese Glass Artists, Two glass cubes with mirrored rear walls pp. 11-16, ill. No. 1]: Shimpei Sato." erase the boundaries between inside and out­ Extensive use of architectural glass at airport Honoho Geijutsu, no. 63, 2000, pp. 80-83, ill. side. office complex. In Japanese. Stained glass artist. 1041 "The Calouste Gulbenkian and Stained 1052 "Francesc Queixalos, vidriero y ma­ Glass Museum Competition 1999." estro." The Journal of Stained Glass (British Society Vftrea, no. 5, April 1999, pp. 10-11, ill. 1065 "News: DuPont Benedictus Awards." of Master Glass Painters), v. 23, 1999, Abitare, no. 393, March 2000, p. 68, ill. In Ital­ pp. 73-75, ill. ian and English. 1053 "Glaspavillon der Glasfachschule Benjamin Finn awarded commission for win­ Award-winning laminated glass projects. Rheinbach: Ein neuer Beitrag zu Glas als tra- dow in new library being built for Southwark genden Baustoff." Cathedral. Glasforum, v. 50, no. 5, Oct. 2000, pp. 38-41, 1066 "Notizie/News: Applicazioni speciali del ill. vetro in architettura = Special Applications of 1042 "Commissions: Ellen Mandelbaum- Glass in Architecture." Glass Landscape." 1054 "Glass Ceiling Highlight of Las Vegas Domus, no. 820, Nov. 1999, p. ix, ill. In Italian American Craft, v. 60, no. 5, Oct./Nov. 2000, and English. pp. 58-59, ill. Casino Bar: State-of-the-Art Technology Used to Create Colorful Designs for Sunset Station Tower in Vienna features panels of curved Leaded stained glass window in South Caro­ glass. lina Aquarium, Charleston. Casino's Swinging Gaudi Bar." Glass Magazine (National Glass Association, 1043 "Commissions: Paul Housberg." McLean, VA), v. 50, no. 1, Jan. 2000, p. 72, ill. 1067 "Notizie/News: Trasparenza in ufficio = American Craft, v. 59, no. 5, Oct./Nov. 1999, Transparency in the Office." pp. 44-45, ill. 1055 "Herzog & de Meuron: Bibliotheque Domus, no. 819, Oct. 1999, p. ix, ill. In Italian Glass wall installed in lobby of Scranton, universitaire, Eberswalde, Allemagne." and English. Pennsylvania, courthouse annex. L'Architecture d'Aujourd'hui, no. 325, Dec. Sheets of shatterproof plate glass with floor- 1999, pp. 58-59, ill. In French and English. to-ceiling sliding doors. 1044 "Coop-Himmelb(l)au." Silkscreen-printed glass facade for library in L'Architecture d'Aujourd'hui, no. 325, Dec. Germany. 1068 "Un paseo bajo el vidrio curvado." 1999, p. 82, ill. In French and English. Revista del Vidrio Piano, no. 59, May 2000, Design for "a glass skin with cloud-like, enig­ 1056 "J. M. Bonet, artesanos del vidrio." pp. 32-33, ill. matic forms" to surround a United Nations Vftrea, no. 4, Feb. 1999, pp. 71-72, ill. Curved glass in architectural projects; the Sky- building in Geneva. Interview with the artist. walk in Hannover, Germany, is profiled. 1069 "Paul Andreu rende omaggio a Boullee 1082 Augustijn, Piet. 1094 Between Spaces: Smith-Miller + Haw- = Paul Andreu's Debt to Boullee." "De ambities van Walter van Oel: llk wil een kinson Architecture. Domus, no. 830, Oct. 2000, p. 43, ill. In Italian grote jongenv worden.'" New York: Princeton Architectural Press, 2000, and English. Glasbulletin, Vereniging van Vrienden van 175 pp., ill. Maritime museum in Osaka, Japan, resembles Modern Glas, v. 13, no. 3, 1999, pp. 11-13, ill. Includes The Corning Museum of Glass, glass bubble floating in the sea. Exhibit of artist's work includes three-panel pp. 48-79. Magic Window. 1070 "Porten til Skandinavien og resten af 1095 Bode, Peter M. Europa." 1083 "Artists in Stained Glass in the Low "Jean Nouvel: Nach oben gibt es keine Gren- GlasMagasinet, v. 9, no. 1, Feb. 2000, Countries." zen." pp. 14-16, ill. This Side Up! (Valkenswaard, the Nether­ Art (Das Kunstmagazin), no. 3, March 2000, Architectural glass at Scanport, a Danish mar­ lands), no. 6, Summer 1999, pp. 20-22, ill. pp. 12-22+, ill. itime center. Jan-Willem van Zijst, Frans Berntsen, Ramon Architectural use of glass. de Geus, Herman Brood, Joost Caen, Edward 1096 Boissel, Thierry. 1071 "Premios Benedictus 2000: Arquitec- Leibovitz, Joke Demeijere, and Harald Vlugt. "Some Thoughts about Stained Glass on the tura con vidrio laminado." 1084 Avery, Roberta. Occasion of the Exhibition 'Lumieres en eclat' Revista del Vidrio Piano, no. 60, July 2000, in Chartres, France." pp. 90-95, ill. "As a Memorial to the War Dead: Canadian Church Is Home to Stained Glass from Euro­ Neues Glas/New Glass, no. 2, 2000, Awards for use of laminated glass in architec­ pp. 34-39, ill. In German and English. tural designs. pe's Great Cathedrals." Stained Glass, v. 94, no. 4, Winter 1999, pp. 298-301, ill. 1097 Bradbury, Susan and Lucky, Paul. 1072 "Quei, Escuela de Artesania del Vidrio." The Phoenix Rises: The Stained Glass of Vftrea, no. 5, April 1999, pp. 12—15, ill. 1085 Baker, Geoffrey Harold and Funaro, Sherbrooke St Gilberts Church, Glasgow. Interview with Francesc Queixalos. Bruno. [Glasgow: Sherbrooke St. Gilberts Church, Windows in . 1997], 12 pp., ill. 1073 "The Rambusch Decorating Company's New York: Architectural Book Publishing Co., New windows for church "ravaged by fire in One-Hundred Year Celebration." [1948], 144 pp., ill. 1994." Stained Glass, v. 94, no. 4, Winter 1999, pp. 273-279, ill. 1086 Baker, Lori. 1098 Brulls, Holger. "Flash Glass Martyrs." "Sola scriptura, nichts als Text: Schrift/Bild- 1074 "Realisations: Line facade mosaique RISD Views (Rhode Island School of Design), Konstellation in Glasbildern von Johannes de 80 carreaux." Winter 2000, pp. 12-13, ill. Schreiter." Verre Actualites, no. 169, June/July 2000, Judith Schaechter. Das Munster, v. 53, no. 3, 2000, pp. 240-266, p. 34, ill. ill. English and French summaries, p. 265. Mosaic of colored glass squares for facade of 1087 Barni-Fritsch, Nazzarena. 1099 Burght, Angela van der. building in Savigny-le-Temple, France. "Projekt: Schuler gestalten Glasfenster = Proj­ "Guggenheim Museum , Bibliotheque ect: Students Design Glass Windows." National de France." 1075 "Robert C. Byrd United States Court­ Glashaus/Glasshouse (Internationales Maga- This Side Up! (Valkenswaard, the Nether­ house, Charleston, ." zin fur Studioglas), no. 3, 1999, p. 24, ill. In lands), no. 3, Autumn 1998, p. 32, ill. German and English. Stained Glass, v. 95, no. 3, Fall 2000, Architectural use of glass in the two buildings. pp. 184-185, ill. Five windows for school in Munich designed by students between the ages of six and 12. Window installation by David Wilson. 1100 Carpenter, Ed. "1999 Lifetime Achievement Award: Ludwig 1076 "Verre & architecture: Expo 2000 - 1088 Barton, Patrick. Schaffrath." Quand la technologie s'inspire de la nature." "Norman Foster: Multimedia Center, Amburgo Glass Art Society Journal, 1999, pp. 12-15, ill. Verre Actualites, no. 169, June/July 2000, = Multimedia Centre, Hamburg." pp. 14-17, ill. Domus, no. 827, June 2000, pp. 26-33, ill. In 1101 Casciani, Stefano. Italian and English. "Miami News: II paesaggio dell'infotainment = 1077 "Vidrio piano: Una industria con futuro." Infotainment Landscape." Revista del Vidrio Piano, no. 50, Dec. 1998/ 1089 Beeh-Lustenberger, Suzanne. Abitare, no. 395, May 2000, p. 92+, ill. In Ital­ Jan. 1999, pp. 18-33, ill. "Die Glasmalereien von Bernhard Huber in der ian and English. Past, present, and future of the flat glass in­ Kirche HI. Kreuz zu Stuttgart-Sommerrain." Includes mention of the Glass Block Tower in dustry. Das Munster, v. 53, no. 1, 2000, pp. 65-70, ill. Miami and an abstract sculpture aboard the entertainment cruiser Voyager. 1090 Beeh-Lustenberger, Suzanne; Hoppe- 1078 "The William J. Nealon Federal Build­ Oehl, Ulrike; and Nestler, Iris. ing and U.S. Courthouse, Scranton, Pennsyl­ 1102 Cespedes, Analya. Nabo Gass: BildErFinder. "Buildings with Crystal Skins: The Chilean Ex­ vania." Linnich, Germany: Deutsches Glasmalerei- Stained Glass, v. 95, no. 2, Summer 2000, perience" [in] Glass Reflections: Glass in Art Museum Linnich, 2000, 123 pp., ill. pp. 104-105, ill. and Architecture. Architectural glasswork by Paul Housberg. Wellington, New Zealand: Friends of the Mu­ 1091 Behling, Sophia and Behling, Stefan, seum of New Zealand Te Papa Tongarewa, eds. 1999, pp. 46-49, ill. 1079 Aechtner, Uli. Glas: Konstruktion und Technologie in der Ar- "Nabo Gass - Malen mit Glas = Nabo Gass - chitektur = Glass: Structure and' Technology in 1103 Chapman, Lisa. Painting with Glass." Architecture. "Thinking Outside the Box: Or Off the Wall...." Glashaus/Glasshouse (Internationales Maga- Munchen: Prestel, 1999, 148 pp., ill. In Ger­ Glass Craftsman, no. 159, April/May 2000, zin fur Studioglas), no. 3, 1999, pp. 12-13, ill. man and English. pp. 49-51, ill. In German and English. Stained glass by Shirley Starace. 1092 Betsky, Aaron. 1080 Andreani, Carole. "A Glass House by Anne Fougeron Empha­ 1104 Chartres. Centre International du "L'Atelier Simon (2): Peinture et lumiere, une sizes Modernism's Sensual Side." Vitrail. culture d'atelier." Architecture, v. 89, no. 2, Feb. 2000, Jan Brazda. La Revue de la Ceramique et du Verre, pp. 142-151, ill. [Chartres: the center, 1995], [8] pp., ill. no. 104, Jan./Feb. 1999, pp. 34-37, ill. The firm has executed stained glass designs 1093 "The New Boxsters: Weil Arets - Lens- 1105 Lumieres en eclat: Art et espace de by Frangois Rouan, Charles Marq, Vieira da velt Factory and Offices." lumiere du 21e siecle. Silva, and Raoul Ubac. Architecture, v. 89, no. 7, July 2000, Chartres: the center, 1999, [66] pp., ill. pp. 86-95, ill. Stained glass by Louis-Rene Petit, Brigitte 1081 Asensio Cerver, Francisco. Dutch building has walls made of "cast-glass Sillard, Pierre Le Cacheux, Michel Caron, The Architecture of Glass: Shaping Light. channels which run vertically around most of Udo Zembok, Didier Sancey, Didier Quentin, New York: Arco, 1997, 191 pp., ill. the perimeter." Thierry Boissel, and Emmanuel Barrois. 1106 Chaslin, Frangois. 1117 Deitz, Paula. 1129 Giard, Ellen. "Philippe Chaix, Jean-Paul Morel: Stadio di "New Rhythm on Broadway: Bernard Tschu- "Going Against the Grain: Architects and De­ calcio del Liocorno, Amiens, Francia = Lo- mi's Dazzling New Building for Columbia Uni­ signers Approach Glass through a New Light." corne Soccer Stadium, Amiens, France." versity Bridges Traditions with Glass, Steel, U.S. Glass, v. 35, no. 4, April 2000, pp. 32-35, Domus, no. 827, June 2000, pp. 40-45, ill. In and an Erector-Set Esthetic." ill. Italian and English. ARTnews, v. 99, no. 2, Feb. 2000, p. 108+, ill. "Four glass-covered half-barrels" arch over 1130 "Twist and Shout: Seattle's Newest the seating areas. 1118 Dobbins, Norm. Landmark Gives Glass a Big Spin." "Ellen Abbott & Marc Leva: Custom Etched U.S. Glass, Sept. 2000, pp. 36-38, ill. Glass." Building designed by has no 1107 Choi Yong Shim: Glasmalerei (Text: Glass Craftsman, no. 156, Oct./Nov. 1999, right angles. Melchior Frommel). pp. 6-9+, ill. Regensburg: Schnell & Steiner, 1998, 191 pp., 1131 Gilbertson, Edward. ill. In Korean and German. 1119 Dowling, Barbara. "A Mermaid in the Cayman Islands." "Boston Delight: Stained Glass - The Forbid­ Stained Glass, v. 95, no. 3, Fall 2000, 1108 Clewing, Ulrich. den Fruit of Puritanism." pp. 206-208, ill. "Dicke Luft im Judischen Museum." This Side Up! (Valkenswaard, the Nether­ Three-panel work by the author. Art (Das Kunstmagazin), no. 3, March 2000, lands), no. 3, Autumn 1998, pp. 3-6, ill. p. 124, ill. Includes 19th- and 20th-century stained glass, 1132 Die Glasmalereien von Charles Crodel Use of glass in Berlin museum. with comments by contemporary artists. im Dom zu (Text: Falko Bornschein). Leipzig: Edition Leipzig, 1999, 88 pp., ill. 1120 Dunn, Cataya. 1109 Coffman, Peter. "Space Center Opens Whole to 1133 Glass Art by Keiko Miura. "Sarah Hall's The Color of Light: Commission­ Astronomy Buffs." [Tokyo: Shunju-sha], 1991, [140] pp., ill. In Ja­ ing Stained Glass for a Church." Glass Digest, v. 79, no. 4, April 15, 2000, panese. Glass Art, v. 15, no. 3, March/April 2000, pp. 28-30, ill. Architectural stained glass. pp. 22-24+, ill. Rose Center for Earth and Space at the Amer­ Book review. ican Museum of Natural History in New York 1134 Glauner, Bert and others. City has "largest suspended glass curtain wall "Panel: Glass in Architectural Spaces." in the U.S." Glass Art Society Journal, 1999, pp. 34-38, ill. 1110 Cohn, David. Participants in the discussion include Ed Car­ "Like Two Glowing Crystals, 's penter, James Carpenter, and Warren Carther. Centro Kursaal in Northern Spain Captures 1121 Evans, Robin. "Great Glass Tour of Sedona, Arizona." the Energy of the City and Landscape." 1135 Gray, Julie. Architectural Record, v. [188], no. 5, May 2000, Glass Craftsman, no. 156, Oct./Nov. 1999, pp. 10-14, ill. "East Meets Best." pp. 212-223, ill. Interiors, v. 159, no. 2, Feb. 2000, p. 17, ill. Covered in 5,808 pieces of curved glass, the Stairs of blue glass and undulating glass walls 1122 Falkman, Sigrid. buildings change from "opaque blocks in day­ designed by Bartholomew Voorsanger for the "Besatt av det flytande." light to lanterns at night." Asia Society in New York City. Form, v. 96, no. 1 (727), 2000, pp. 56-63, ill. English summary. 1136 Grenon, Ariane. 1111 Compagno, Andrea. Architect incorporates glass and neon "Didier Quentin: Une Poesie transparente." Intelligente Glasfassaden: Material, Anwen- in his work. Le Courrier des Metiers d'Art, no. 190, June dung, Gestaltung = Intelligent Glass Fagades: 2000, p. 20, ill. Material, Practice, Design. 1123 Fazit '95: Die Sammlung des Museums Brief profile of the artist. Basel: Birkhauser, 1999, 181 pp., ill. In Ger­ fur Zeitgenossische Glasmalerei Langen. man and English. Darmstadt: Verlag das Beispiel, 1995, 112 pp., 1137 "Didier Sancey: La Couleur des om­ ill. bres." Contemporary stained and painted glass by Le Courrier des Metiers d'Art, no. 190, June 1112 Conway, Judith Finn. 20 artists. "Sledd/Winger Glassworks: Creating a Niche." 2000, pp. 16-17, ill. Profile of the artist. Glass Craftsman, no. 156, Oct./Nov. 1999, 1124 Fisher, Alfred. pp. 16-18, ill. "Observations on Some Recent French Work." 1138 "Louis-Rene Petit, verrieres ou I'irreel Stained glass screens by Nancy Sledd and Journal of the British Society of Master Glass- Mary Lu Winger. organise." Painters, v. 13, no. 3, 1961-1962, Le Courrier des Metiers d'Art, no. 190, June pp. 509-513, ill. 2000, pp. 10-13, ill. 1113 Cullinan, Helen. Profile of the stained glass artist. "Art Glass in Cleveland: A Brief Account of 1125 Flores, Miguel Angel. Four Cleveland Studios." "Pintura en vidrio para no iniciados = Painting 1139 "Udo Zembok: Dans I'epaisseur du Stained Glass, v. 95, no. 3, Fall 2000, on Glass for Beginners." verre." pp. 209-215, ill. Vidrio (Asociacion de Artistas del Vidrio), no. 3, Le Courrier des Metiers d'Art, no. 190, June Oct.-Dec. 1999, pp. 41-42, ill. In Spanish and 2000, pp. 18-19, ill. English. Profile of the artist. 1114 Currimbhoy, Nayana. "Dichroics for an Elevating Experience." 1126 Fogarty, Kate Hensler. 1140 "Verrieres." Architectural Record, v. 189 [188], no. 2, Feb. "Point of Impact." Le Courrier des Metiers d'Art, no. 190, June 2000, p. 150, ill. Interiors, v. 158, no. 10, Oct. 1999, pp. 50-55, 2000, pp. 14-15, ill. Three elevators in Manhattan office building ill. Review of exhibition at Centre International du feature backlit red, green, and blue dichroic Use of glass in advertising agency's new office Vitrail in Chartres. glass circles. building. 1141 Gross, Richard. 1115 "A Glowing Glass Cone Becomes a 1127 Freeman-Jurney, Roberta H. "Dance of Venus: An Interview with Stuart Landmark in Stamford, Conn." "Kay Bain Weiner: The First Lady of Glass." Reid." Architectural Record, [v. 188], no. 8, [Aug.] Glass Craftsman, no. 161, Aug./Sept. 2000, Stained Glass, v. 95, no. 1, Spring 2000, 2000, p. 186, ill. pp. 10-14, ill. pp. 28-33, ill. Stained glass sculpture by Brian Clarke illumi­ nated at night. 1128 Fulgence, Pierre. 1142 "An Interview with Kirk D. Weaver." Casablanca, vitraux a Notre-Dame. Stained Glass, v. 94, no. 4, Winter 1999, Casablanca, Morocco: Belles Impressions pp. 286-293, ill. 1116 Debras, S. S.A., [n.d.], 20 pp., ill. In French, English, and General manager and vice president of the "Isabelle Debras, maitresse de la lumiere." German. Pittsburgh Stained Glass Studios and past Verre (Institut du Verre, Paris), v. 6, no. 2, Stained glass windows by Gabriel Loire, dedi­ president of the Stained Glass Association of March/April 2000, pp. 60-61, ill. cated in 1956. America. 1143 Guerin-Gasc, Sophie. 1155 Hoffmann, Helmut. 1167 Knaack, Ulrich. "Henri Guerin: CEuvres recentes." "Sonderausstellung Johannes Schreiter im Konstruktiver Glasbau. La Revue de la Ceramique et du Verre, Glasmalerei-Museum Linnich: Kunstler und Koln: Rudolf Muller, 1998, 515 pp., ill. no. 106, May/June 1999, pp. 14-17, ill. Werk." Architectural glass. GFF, Zeitschrift fur Glas, Fenster, Fassade, no. 7, July 2000, p. 57, ill. 1168 Komar, Charlene and Storey, Greg. 1144 Gunter Grohs: Gestaltetes Glas. Exhibition review. "Abbey Stained Glass Studios." Wernigerode, Germany: Juttners, 1998, Stained Glass, v. 94, no. 4, Winter 1999, 111 pp., ill. 1156 Hoggard, Liz. pp. 280-285, ill. Contemporary stained glass windows, both Studio in Dublin, Ireland. religious and secular. "Commissions: City of Birmingham Symphony Orchestra's Rehearsal Rooms." Crafts (U.K.), no. 158, May/June 1999, 1169 Koplos, Janet. 1145 Hager, Wilhelm. pp. 20-23, ill. "Philippe Favier at Joseph Helman." "Glas als Blickfang im Europa-Park." Etched glass window and door by Wendy Art in America, v. 88, no. 4, April 2000, GFF, Zeitschrift fur Glas, Fenster, Fassade, Ramshaw; cut glass screen by Alexander Be- pp. 159-160, ill. no. 7, July 2000, p. 55, ill. leschenko. Exhibition of reverse paintings on glass. Use of mirrored glass at amusement park in Freiburg, Germany. 1157 Homage to Chagall. 1170 Krampen, Martin. New York: Leon Amiel Publisher, 1982, "Ein Traum beginnt, Wirklichkeit zu werden." Glasforum, v. 50, nos. 3/4, Aug. 2000, 1146 Hall, Dinah. 191 pp., ill. Includes stained glass windows, pp. 169-192. pp. 47-50, ill. English summary, p. 47. "Crystal Hall." Artist Lutz Ackermann's studio in southern House & Garden (British edition), v. 55, no. 4, Germany is a large structure of glass and 1158 Hoppe-Oehl, Ulrike. April 2000, pp. 138-143, ill. steel. Glass staircase in London terrace house. "Nabo Gass: Bilderfinder = Picture Finder and Inventor." 1171 Krautter, Martin. Neues Glas/New Glass, no. 2, 2000, "Norman Foster: L'illuminazione architettonica 1147 Hall, Sarah. pp. 40-45, ill. In German and English. "Wind's Eye Gallery: Featuring the Art of nel Reichstag di Berlino = Architectural Richard Mueller." Lighting in the Reichstag, Berlin." 1159 Irwin, Jane. Glass Art, v. 15, no. 4, May/June 2000, Domus, no. 819, Oct. 1999, pp. 94-98, ill. In "The Art Zone: Glass Art by Jane and Kathryn pp. 26-27, ill. Italian and English. Irwin." Glass dome, mirror-clad cone, and interior AISG Flat Glass Journal (Artists in Stained glass walls "allow daylight to penetrate deeper 1148 "Wind's Eye Gallery: Featuring the Glass, Toronto), v. 24, no. 1, [Summer 1999], into the building." Work of Gordon Wright." pp. 3-5, ill. Glass Art, v. 15, no. 6, Sept./Oct. 2000, 1172 Kubany, Elizabeth Harrison. pp. 82-83, ill. 1160 Jaeger, Falk. "A of Glass Boxes Makes a Colorful En­ "The Missing : Norman Foster's Re­ trance." construction of Berlin's Reichstag." 1149 Hall, Sarah and Kraegel, Jeffrey. Architectural Record, v. 189 [188], no. 2, Feb. "In Partnership with the Sun: The Life and Kulturchronik, no. 4, 1999, pp. 41-46, ill. 2000, pp. 55-56, ill. Work of Yvonne Williams." Fine Arts Center at University of Massachu­ Glass Art, v. 15, no. 3, March/April 2000, 1161 Jager, Werner. setts, Amherst, designed by and pp. 54-57, ill. "Muros cortina fotovoltaicos: El proyecto John Dinkleloo. Herne-Mont Cenis." Novoperfil: Revista Tecnica de Ventanas y 1173 Lacaze, Stephanie. 1150 "Qualities of Light." Cerramientos, no. 100, Oct. 1999, pp. 33-39, "Thierry Chevauche: Des vitraux ... comme Glass Art, v. 15, no. 6, Sept./Oct. 2000, ill. des tournesols." pp. 86-90, ill. Verre Actualites, no. 169, June/July 2000, Planning for light in the making and installa­ 1162 Kalkerup, Martin. pp. 18-20, ill. tion of stained glass windows. "Smukt, sikkert og simpelt: Pa togstationen Profile of the stained glass artist. Canary Wharf kan 'skildpadde'-tagene af glas 1151 "Wavelengths." modsta et lobsk tog." 1174 "Verre colore: Oser la couleur." Glass Art, v. 16, no. 1, Nov./Dec. 2000, GlasMagasinet, v. 9, no. 3, Sept. 2000, p. 16, Verre Actualites, no. 169, June/July 2000, pp. 42-47, ill. ill. pp. 30-33, ill. Designing for color in stained glass. Glass "tortoise-shell" protects entrance to Use of colored glass in architecture. London subway station. 1175 Lang, Werner and Herzog, Thomas. 1152 Haufschild, Lutz. "Using Multiple Glass Skins to Clad Buildings." 1163 Kangas, Matthew. "Inspired Light, Space Inspired: Thoughts Architectural Record, [v. 188], no. 7, [July] "Our Lady of the Headlines." about Light in Architecture" [in] Common 2000, pp. 171-174+, ill. Glass: The UrbanGlass Art Quarterly, no. 76, Ground: Contemporary Craft, Architecture, Fall 1999, pp. 28-33, ill. and the Decorative Arts (Gloria Hickey, ed.). Profile of the artist Walter Lieberman. 1176 Lawson, John. Hull, Quebec: Canadian Museum of Civiliza­ "Faith Craft Works and Goddard & Gibbs Stu­ tion,1999, pp. 65-71, ill. French summary. dio Ltd." Discusses the role of "artistically treated 1164 Karisola, Juha. The Journal of Stained Glass (British Society glass" in architecture. "Las innovaciones en el curvado y templado of Master Glass Painters), v. 23, 1999, impulsan el mercado para vidrio arquitec- pp. 55-61, ill. tonico." Author recounts his employment with the two 1153 Herwig, Oliver. Revista del Vidrio Piano, no. 54, Sept. 1999, English firms. "A Glass Wedge: Nuremberg's New Museum pp. 60-62+, ill. of Art and Design." Curved and tempered glass in architecture. 1177 Lechien-Durant, Frangoise. Kulturchronik, no. 2, 2000, pp. 48-50, ill. Ferdinand Fire Ferdinand: La vie sous verre - Curved glass facade on building designed by 1165 "Innovations in Bending and Tempering Dix ans d'eglomises. Volker Staab. Boost the Market for Architectural Glass." Bruxelles: Editions Delta, 1999, 125 pp., ill. Glas Ingenieur, v. 9, no. 3, May/June 1999, English summary. 1154 Heye, Hans-Gerd. pp. 58-62, ill. Reverse foil engraving and painting on glass. "Hochwertiges Sonnenschutzglas sorgt fur Wohlfuhlklima: Einkaufscenter 'Forum Kope- 1166 Keenan, Terrance. 1178 Levy, Mark. nick' in Berlin." "Robert Oddy's Light in the Window: New Life "Leslie Perlis: A Peek Inside the Ever Chang­ Glaswelt, v. 52, no. 10, Oct. 1999, p. 46+, ill. in an Ancient Art." ing World of a Grown-Up Glass Artist." Barrel-vault glass ceiling over Berlin shopping Central New York Art Guide, Summer 1999, Glass Craftsman, no. 158, Feb./March 2000, center. p. 45, ill. pp. 6-9+, ill. 1179 Lichtman, Linda. 1190 "Keepers: The Making of Kokomo's 1202 Oddy, Robert. "Review: Six Voix/Six Voices: Contemporary Latest Exhibition Piece." "Thoughts of an Artist in Stained Glass." Canadian Architectural Glass." Glass Craftsman, no. 160, June/July 2000, Central New York Art Guide, Fall [1999], Glass Gazette (Glass Art Association of Can­ pp. 6-13, ill. p. 61+, ill. ada), v. 3, no. 38, Nov. 1999, pp. 10-12, ill. The artist discusses the design and construc­ Exhibition in Chartres, France. tion of his latest work. 1203 Olson, Sheri. "How Seattle Learned to Stop Worrying and Love ' Plans for a New Central 1180 Lioutomski, Nikolai and Osipov, Via- 1191 Meister, Ralf. Library." cheslav. "Grenzenlose Offenheit: Andachtsraum auf Architectural Record, [v. 188], no. 8, [Aug.] "Architectural Glass Market in Russia" [in] dem Frankfurter Flughafen." 2000, pp. 120-125, ill. 2nd International Conference on Coatings on Kunst und Kirche, no. 2, 2000, pp. 106-107, ill. Building will be "cloaked by a continuous Glass, ICCG: High-Performance Coatings for Window by Johannes Schreiter at Frankfurt glass curtain wall." Transparent Systems in Large-Area and/or airport. High-Volume Applications (Saarbrucken, Ger­ many, Sept. 6-10, 1998). 1192 Meyer, Betty H. 1204 Oriol, Anne-Marie and Cedric. Max Ingrand (1908-1969): Catalogue de I'ex­ Amsterdam: Elsevier, 1999, pp. 17-23, ill. "Four Generations of Quality." position. Includes recent architectural examples. Faith & Form (Journal of the Interfaith Forum on Religion, Art & Architecture), v. 32, no. 3, Curzay-sur-Vonne: Musee du Vitrail du Pays 1999, pp. 20-21, ill. Melusin, 1996, 63 pp., ill. 1181 London. Sanderson Exhibition Gallery. One-hundredth anniversary of Rambusch Stained Glass for Contemporary Interiors: An Studios. 1205 Pavey, Ruth. Exhibition of Work by Members of the British "Commissions: Parklands House, the Royal Society of Master Glass Painters at Sander­ 1193 "Yoked Together in History: Project - Oldham Hospital." son Exhibition Gallery (Text: Alfred Fisher). Two Stained Glass Windows, Grace Episco­ Crafts (U.K.), no. 159, July/Aug. 1999, London: the society, [1986], 32 pp., ill. pal Church, Vineyard Haven, MA." pp. 20-23, ill. Faith & Form (Journal of the Interfaith Forum Etched glass panels by Martin Donlin. 1182 Longo, Linda. on Religion, Art & Architecture), v. 32, no. 3, 1206 Pontavice, Marie-Carmen. "Let There Be Light... StoneLight." 1999, p. 16+, ill. Vitraux de I'eglise paroissiale de Solesmes: Home Lighting & Accessories, v. 82, no. 8, Windows designed by Lyn Hovey depict the Rencontre du del et de la terre.... Aug. 1999, p. 70+, ill. African-American clergymen Absalom Jones [Solesmes?: s.n., 1992?], 10 pp., ill. Trent Shearn creates Tiffany-like beveled and and John Melville Burgess. Stained glass windows for church in France stained glass lighting fixtures. 1194 Millard, Dick. designed by Marie-Carmen du Pontavice and "The State of Stained Glass Education." made with the assistance of Cot Dezande. 1183 Lypchuk, Donna. Glass Art, v. 16, no. 1, Nov./Dec. 2000, "Windows of the Soul: Four Prominent Artists pp. 20-26. 1207 Porch, Richard. Shed Light on Their Work." "The Glass Is Singing." Ontario Craft, v. 24, no. 2, Winter 1999-2000, Art Review, v. 52, Dec. 1999/Jan. 2000, 1195 Millard, Richard. pp. 8-11, ill. pp. 48-49, ill. "The Nicolas Family: A Dynasty in Art." Canadian stained glass artists Mimi Gellman, Examines contemporary stained glass in Glass Craftsman, no. 157, Dec. 1999/Jan. Sarah Hall, Stuart Reid, and Mark Thompson. Wales. 2000, pp. 33-36+, ill. Five generations of art and glass from this 1208 Purdy, Martin and Hiscott, Amber. 1184 MacKay, Rob. family. "Die westliche Lichtkuppel der Kathedrale von "Transparent Attractions: Ornamental Glass Sheffield: Zur Sanierung einer Konstruktion Adds Class to Plain Windowpanes." 1196 Moor, Andrew. aus den 60er Jahren." Brooklyn Bridge, v. 4, no. 10, Summer 1999, "Lead Is Dead." Das Munster, v. 52, no. 4, 1999, pp. 369-372, pp. 132-133, ill. Glass Craftsman, no. 157, Dec. 1999/Jan. ill. 2000, pp. 12-16+, ill. 1185 Mackey, Mary. 1209 Rasmussen, Sinne Lundgaard. "Glass Tales and Explorations: Women's Sixth 1197 Moor, Andrew, ed. "Carl-Henning Pedersen: The Painter and the International Stained Glass Workshop, Part Working with Light: A Look at Contemporary Glass." Two." Stained Glass in Architecture. This Side Up! (Valkenswaard, the Nether­ The Glass Society of Ireland Newsletter, [London: Andrew Moor & Associates and lands), no. 6, Summer 1999, pp. 8-9, ill. no. 23, April 2000, pp. 11-12, ill. Derix Glass Studios, n.d.], [30] pp., ill. Danish artist.

1198 Mori, Hitoshi. 1210 Reed, Karen. 1186 Malfatti, Patrizia. "A Tale of Stained Glass." "Walking the Path with Cappy Thompson." "Narrativa progettuale." Glass and Art (Tokyo), no. 20, Winter 1998, Glass Craftsman, no. 156, Oct./Nov. 1999, Abitare, no. 393, March 2000, pp. 172-177, ill. pp. 74-76, ill. In Japanese. pp. 49-51, ill. In Italian and English. See also: no. 21, Spring 1998, pp. 71-74. Use of sandblasted glass in New York loft. 1211 Robinson, Geoffrey. 1199 Mujika, Alasne. "My Life in Stained Glass." 1187 "Spazi di vetro." "Cristales de colores en unas viviendas de The Journal of Stained Glass (British Society Abitare, no. 388, Oct. 1999, pp. 116-121, ill. Paris." of Master Glass Painters), v. 23, 1999, In Italian and English. Vitrea, no. 5, April 1999, pp. 50-54, ill. pp. 62-65, ill. Glass stairs, floors, balustrades, and skylight Colored glass frescoes cover entire facade of Author served apprenticeship under Eddie allow for reflections of light and water in this Paris apartment building. Nuttgens and ran Joseph Bell & Son. London house. 1200 Muller, Frans. 1212 Romont, Switzerland. Musee Suisse "The Innovative Style of Modern Local Gov­ du Vitrail. 1188 Malkinson, Brenda. ernment." Franco Bianchetti nell'Officina Santhome = "Mark Thompson." Stained Glass, v. 95, no. 2, Summer 2000, Franco Bianchetti in der Officina Santhome. In AISG Flat Glass Journal (Artists in Stained pp. 108-111, ill. German and Italian. Glass, Toronto), v. 24, no. 1, [Summer 1999], Author's stained glass installation in municipal Bergamo: Lubrina, 1998, 79 pp., ill. pp. 6-8, ill. building in the Netherlands. 1213 Ross, John F. 1189 McGrain, Peter. 1201 Obata, Sue. "People in Glass Houses...." "Designing into the 21st Century: A Compre­ "Debora Coombs." Smithsonian, v. 31, no. 2, May 2000, hensive Approach." AISG Flat Glass Journal (Artists in Stained pp. 134-138+, ill. Stained Glass, v. 95, no. 2, Summer 2000, Glass, Toronto), v. 24, no. 1, [Summer 1999], Use of glass in contemporary Japanese archi­ pp. 120-128, ill. pp. 9-12, ill. tecture. 1214 Rothrock, Jenni. 1224 Scharkey, Shannon. 1237 Swash, Caroline. "One North Wacker Drive: Anatomy of a Glass "New Dimensions in Glass Furniture." "On Contemporary Glass." Building - New Structure Breaks Ground in the Glass Digest, v. 79, no. 7, July 15, 2000, The Journal of Stained Glass (British Society Use of Glass." pp. 36-39, ill. of Master Glass Painters), v. 23, 1999, Glass Magazine (National Glass Association, pp. 66-72, ill. McLean, VA), v. 50, no. 6, June 2000, 1225 Schittich, Christian and others. pp. 52-54, ill. Glasbau Atlas. 1238 Thompson, Sandy. Documents use of glass in this 54-story Chi­ Basel: Birkhauser; Munchen: Edition Detail, "Gordon Huether in His Own Right." cago building. 1998, 328 pp., ill. Stained Glass, v. 95, no. 1, Spring 2000, Glass in architecture. pp. 52-57, ill. 1215 Rubinstein, Raphael. Architectural glass designer. "Consecrated by Color." 1226 Glass Construction Manual. Art in America, v. 88, no. 5, May 2000, Basel: Birkhauser; Munchen: Edition Detail, 1239 Tidbury, Jane. pp. 128-133, ill. 1999, 328 pp., ill. "Light from Above: A Flash of Inspiration Stained glass windows by Shirley Jaffe for re­ Translation of the German edition. Transformed an Awkward Site into a Light- stored 600-year-old chapel in southern France. Filled Family House." 1227 Seince, Frangoise. House & Garden (British edition), v. 55, no. 7, 1216 Russell, James S. "Emmanuel Barrois et le verre du XXIe siecle." July 2000, pp. 142-147, ill. "Projects: James Carpenter." Le Courrierdes Metiers d'Art, no. 190, June Glass walls and roof in house of British archi­ Glass: The UrbanGlass Art Quarterly, no. 77, 2000, p. 21, ill. tects Richard Paxton and Heidi Locher. Winter 1999, pp. 18-23, ill. Brief profile of the artist. Architectural projects. 1240 Tosi, Andrea. 1228 "Les Murs lumiere de Frangois Cha- "Anzolo Fuga: II 'Professore' dei maestri mu- 1217 Sabroe, Poul. puis." ranesi = The 'Professor' of the Murano Glass "Kunst i kloster og kontor." Le Courrierdes Metiers d'Art, no. 190, June Masters." GlasMagasinet, v. 9, no. 1, Feb. 2000, 2000, p. 23, ill. Vetro (Centro Studio Vetro, Murano), no. 1, pp. 20-21, ill. Oct. 1998, pp. 54-56, ill. In Italian and English. Includes interview with Per Steen Hebsgaard. 1229 "Prix de la Formation aux metiers d'art." Le Courrierdes Metiers d'Art, no. 187, March 1241 Trocme, Suzanne. 1218 "Pa : Europas storste 2000, pp. 24-25, ill. "Glass Mountain: Jonathan Reed Creates a glashus." Arnaud Siebering awarded prize for stained Model Penthouse within London's New Monte- GlasMagasinet, v. 9, no. 1, Feb. 2000, glass. vetro Development." pp. 18-19, ill. , v. 71, no. 8, June 2000, Architectural glass at corporate center in Ber­ 1230 "Thierry Boissel, le verre desacralise." pp. 134-141, ill. lin. Le Courrierdes Metiers d'Art, no. 190, June 2000, p. 22, ill. 1242 Troster, Christian. 1219 Saint-Die, France. Musee de Saint-Die. "GroBe Gesten aus Glas und Beton." Asse, Bazaine, J. Bony, Collot, Gutherz, Elvire 1231 Smith, McKelden and Barstow, Lor­ Art (Das Kunstmagazin), no. 10, Oct. 2000, Jean, Lautrec, Le Moal, Manessier, C. de raine H. pp. 32-42, ill. Rougemont: Maquettes des vitraux de la cate- Matisse & Chagall at the Union Church of Po- Glass and concrete buildings by architect Hadi drale et oeuvres recentes (Text: Jean-Pierre cantico Hills. Teherani. Greff). [Tarrytown, NY: Historic Hudson Valley Press], [Saint-Die: the museum], [1988], 144 pp., ill. 1999, 52 pp., ill. 1243 Tupper-Carey, Fiona. "From Painting to Photography, from Rock to 1220 San lldefonso, Segovia, Spain. Funda- 1232 Stano, Bernadeta. Religion." "Witraze Adama Gerzabka" [in] Dziedzictwo cion Centro Nacional del Vidrio, Real Fabrica Glass Style (Milan), v. 1, no. 1, June-Dec. de Cristales de La Granja. polskiej sztuki witrazowej (Krystyna Paw- 1998, pp. 118-124, ill. Narcissus Quagliata: Fusiones de luz - Puer- towska and Joanna Budyn-Kamykowska, eds.). Stained glass artist Brian Clarke. ta a la Noche y otras obras = Light fusions - Krakow: Stowarzyszenie Mitosnikow Witrazy, Gateway into Night and Other Works. 2000, pp. 200-209, ill. San lldefonso: the center; Roma: II Cigno Ga­ 1244 Le Vitrail d'Yvetot: Max Ingrand, maitre- verrier dans I'Eglise Saint-Pierre d'Yvetot. lileo Galilei Edizioni di Arte e Scienza, 1997, 1233 Stephens, Suzanne. [S.I.: s.n., 1993], 157 pp., ill. 45 pp., ill. In Spanish and English. "Frank Gehry Conjures Up a Sinuous Titanium Images of Ingrand's works combined with Fused glass and "painting with light." and Glass Interior World for the Conde Nast poems by Eugene Royer. Cafeteria at Four Times Square in New York 1221 Save, Colette. City." "Claude Baillon: A I'assaut du vitrail." Architectural Record, [v. 188], no. 6, [June] 1245 Waggoner, Shawn. La Revue de la Ceramique et du Verre, 2000, pp. 116-123, ill. "Elaborating on Architectural Statements: no. 110, Jan./Feb. 2000, pp. 28-31, ill. English Includes 12-foot-high "complexly curved" pan­ J. Piercey Studios Inc." summary. els of laminated glass throughout the interior. Glass Art, v. 16, no. 1, Nov./Dec. 2000, French stained glass artist created floating pp. 4-8+, ill. sculpture composed of sandblasted flowers 1234 "Not Far from Stonehenge, the Sleek cut from bottle glass. White Crescent House by Ken Shuttleworth 1246 "Sticking to Their Guns: Powers Retraces Patterns of Millennia-Old Monu­ Brothers Stained Glass Studio Strikes Gold." 1222 Save, Colette and Beaumont, Thierry ments." Glass Art, v. 15, no. 4, May/June 2000, de. Architectural Record, v. 188, no. 4, April 2000, pp. 38-43, ill. "Perrin & Perrin: Les Murs ont la parole." pp. 100-107, ill. Stained glass artists emphasize Western Verre (Institut du Verre, Paris), v. 6, no. 3, House with 79-foot-long concave glass wall. themes in their detailed works. June 2000, pp. 59-61, ill. Architectural glass by artists Jacki and Mar- 1235 "Philippe Starck Once Again Unbottles 1247 Watts, David C. tine Perrin. His joie de vivre to a Bracing Effect in St Mar­ "Glass in the Sur-Real World." tins Lane Hotel Near Covent Garden." Glass Circle News, no. 77, Dec. 1998, p. 6, ill. 1223 Scarfi, Silvia. Architectural Record, v. 188, no. 1, Jan. 2000, Architectural uses of glass. "Ricerca di luce e trasparenze: Acquerelli su pp. 90-95, ill. vetro e carta di Angelo Zennaro in mostra alia Use of glass inside and on the facade of a 1248 Weathersby, William, Jr. galleria S. Nicolo a Venezia = Experimentation London hotel. "Sauerbruch Hutton Harnesses Form, Color, in Light and Transparency: Watercolor on and Light to Turn a Former Berlin Lightbulb Glass and Paper by Angelo Zennaro on Ex­ 1236 Stoll, Rainer. Factory into a New Zumtobel Staff Showroom." hibit at the Galleria S. Nicolo in Venice." "Experiments in Color." Architectural Record, [v. 188], no. 9, [Sept.] Vetro (Centro Studio Vetro, Murano), no. 5, Schott Info, no. 91, Oct. 1999, pp. 28-29, ill. 2000, pp. 108-115, ill. Oct.-Dec. 1999, pp. 60-61, ill. In Italian and Colored glass in contemporary architectural Includes colored glass panels, tinted glass English. design. screens, and sandblasted glass wall. 1249 Webb, Michael. 1254 Wichert, Geoff. 1259 Zimmer, Jenny. "Chow Bella: Michael Chow's New L.A. Res­ "Dick Weiss." "Johannes Schreiter: Band II - 1987-1997." taurant Is Pure White and Pure Theater." Glass: The UrbanGlass Art Quarterly, no. 76, Craft Arts International, no. 45, 1999, Interiors, v. 158, no. 10, Oct. 1999, pp. 60-63, Fall 1999, p. 58, ill. pp. 114-116, ill. ill. Exhibition review. Book review. Glass floor in center of room allows diners to view wine cellar; glass wall allows them to see 1260 Zunino, Maria Giulia. 1255 Wilhite, Sue. kitchen area. "Accademia dell'Emscher Park." "Indian Creek Gallery." Abitare, no. 392, Feb. 2000, pp. 96-101, ill. In Stained Glass, v. 95, no. 2, Summer 2000, 1250 Weckerling, Jurgen. Italian and English. pp. 138-141, ill. "Transparente Ansichten: Chromatic Reso­ "Climate-controlled conservatory structure" re­ Art glass studio in Sullivan, Missouri. nance - Die plakative Inszenierung einer Glas- claims an abandoned industrial site. fassade." GFF, Zeitschrift fur Glas, Fenster, Fassade, no. 12, Dec. 1999, pp. 61-62, ill. 1256 Wrigley, Lynette. 1261 "Percorso nella Basilica = Walkways in Painted panels by Bernhard Huber for build­ Stained Glass. the Basilica." ing's facade. London: New Holland, 1998, 128 pp., ill. Abitare, no. 392, Feb. 2000, pp. 102-105, ill. Illustrates modern figurative, abstract, secular, In Italian and English. and non-secular designs. Glass walkways suspended over mosaics in a 1251 Weis, Helene. basilica in the archdiocese of Gorizia. "Iconography for Stained Glass: Part III - Planning for a Specific Site." 1257 Yefet, Shalom. 1262 "Project 222 in Druidstone Haven." Stained Glass, v. 94, no. 4, Winter 1999, "Stained Glass: Art and Architecture." Abitare, no. 389, Nov. 1999, pp. 90-95, ill. In pp. 268-272, ill. Stained Glass, v. 95, no. 2, Summer 2000, Italian and English. pp. 112-115, ill. "Immersed" in a Welsh hillside, this house has 1252 "Iconography for Stained Glass: Part Stained glass windows and mosaic for Shaare a glass wall with porthole openings facing the IV - Success! We Got the Job!" Shalom of B'nai Sepharadim in Hollywood, coastline. Stained Glass, v. 95, no. 1, Spring 2000, Florida. pp. 24-27, ill. 1263 2ychowska, Maria. 1253 Weissinger, Sabine. 1258 Zaske, Sarah. "Sztuka witrazownicza w Krakowie w 2. poi. "Cafe Bravo in Berlin." "Touching Lives, Lifting Spirits: The La Porte XX wieku" [in] Dziedzictwo polskiej sztuki Glasforum, v. 49, no. 5, Nov. 1999, pp. 3-6, ill. Hospital Family Chapel and Conrad Schmitt witrazowej (Krystyna Pawtowska and Joanna English summary, p. 3. Studios." Budyn-Kamykowska, eds.). Architectural space made of glass and mirrors, Stained Glass, v. 94, no. 4, Winter 1999, Krakow: Stowarzyszenie Mitosnikow Witrazy designed by Dan Graham. pp. 294-297, ill. 2000, pp. 194-199, ill.

TECHNOLOGY (after 1945)rTECHN0L0GIE (nach 1945)

1264 Anonymous. 1270 "Fire and Ice: Dewdrop Orchid Lamp- 1276 "The Great Australian Roll-Up: A Tour­ "2000 Years of Glass." work - In the Making." ing Workshop." Glass Industry, v. 80, no. 12 [13], Dec. 1999, Reflections ( Paperweight The Bullseye Bulletin, Winter 2000, pp. 3-5, ill. pp. 30-32, ill. Collectors Society), no. 17, Winter 1999, Rolling kiln-formed glass tiles into vessels and Advancements in glassmaking. pp. 12-13, ill. other three-dimensional forms. Step-by-step guide in paperweight's creation. 1265 "Crafting Glass Ornaments." 1277 "Guidelines for Preventing Glass Stain­ The Polonaise Glassblower (Polonaise Col­ 1271 "Fusing, la tecnica decorativa de mayor ing and Damage." lector's Guild Newsletter), v. 1, no. 3, Fall expansion." Glass Magazine (National Glass Association, 1998, pp. 2-4, ill. Vftrea, no. 8, Jan. 2000, pp. 70-73, ill. McLean, VA), v. 50, no. 1, Jan. 2000, pp. 76-77. 1266 "The Design Continuum." 1272 "The Future of Glass." This Side Up! (Valkenswaard, the Nether­ SGT News (Society of Glass Technology) 1278 "Hydrofluoric Acid: Not for Amateurs." lands), no. 2, Summer 1998, pp. 21-22, ill. no. 3, 2000, pp. 1-2. ACTS Facts (Arts, Crafts and Theater Safety), Method for identifying "the different categories "Overview of the flat glass industry and a v. 14, no. 3, March 2000, p. 3. of shapes" in glass design. glimpse of the potential future of ." Hazards, treatment, and advice.

1267 "Downstream Effects." ACTS Facts (Arts, Crafts and Theater Safety), 1273 "Glass Bytes." 1279 "The Instrument 'Baschet Cristal': v. 13, no. 12, Dec. 1999, p. 1. Glass Line, irregular series, v. 13, no. 5, Feb./ Invented by Frangois and Bernard Baschet." Warns of ways that the "lead, cadmium, and March 2000 - v. 14, no. 4, Dec. Glass Music World, Spring 2000, p. 4, ill. arsenic ... commonly found in glass colorants 2000/Jan. 2001. Glass rods and tuned metal bars. and frits" may become airborne. 1274 "Glass CDs - Not Just Long-Lasting! 1280 "Jordi Vidal, artesano de tradicion: 1268 "Eyewear for Glass, Ceramic, & Metal Everlasting!" Grabado al acido, paso a paso...." Workers: Updated Recommendations." Kahch (All India Glass Manufacturers' Federa­ Vftrea, no. 6, June 1999, p. 10+, ill. ACTS Facts (Arts, Crafts and Theater Safety), tion, New Delhi), v. 7, no. 2, Sept. 1999, p. 27, Step-by-step process of acid engraving. v. 14, no. 4, April 2000, pp. 3-4. ill. Glowing-hot glass emits infrared radiation. 1281 "Know Your Glass: Float and Other 1275 "'Glass Is Liquid': An Urban Legend." Window Glasses." 1269 "Featured Technique: Fusing." Kahch (All India Glass Manufacturers' Federa­ Kahch (All India Glass Manufacturers' Federa­ The Glass Society of Ireland Newsletter, tion, New Delhi), v. 7, no. 1, June 1999, p. 12, tion, New Delhi), v. 7, no. 2, Sept. 1999, p. 7, no. 22, Dec. 1999, pp. 13-15, ill. ill. ill. 1282 "Laminated Glass Takes a Dangerous 1295 Beadle, The Venerable. 1309 "Is Glass Hot, Warm, or Cold?" Weapon Out of the Terrorist's Arsenal." "The Bead Column: Graal Beads." This Side Up! (Valkenswaard, the Nether­ Architectural Record, v. 189 [188], no. 2, Feb. Glass Line, v. 12, no. 4, Dec. 1998/Jan. 1999, lands), no. 1, Spring 1998, pp. 6-7, ill. 2000, p. 187, ill. pp. 14-17+, ill. Includes glossary of glass terms in English Bomb blasts fracture windows made of lami­ Brief history and description of the technique. and Dutch. nated glass, but do not send shards flying. 1296 "The Bead Column: Hollow Blown 1310 "Patterned Glass." 1283 "Manual practico de muelas para bise- Glass Dichroic Beads." This Side Up! (Valkenswaard, the Nether­ lar." Glass Line, v. 12, no. 3, Oct./Nov. 1998, p. 1+, lands), no. 3, Autumn 1998, p. 21, ill. Revista del Vidrio Piano, no. 58, April 2000, ill. Making patterned glass at factory in Roux, pp. 54-56+, ill. How to make hollow beads using dichroic Belgium. Beveling guide. sheet glass. 1311 "De techniek van het bevangen." 1284 "Opportunities Beckon from the Czech 1297 Benefield, Scott. Glasbulletin, Vereniging van Vrienden van Republic." "Technical Article: Building a Better Pipe Modern Glas, v. 13, no. 3, 1999, pp. 16-18, ill. Glass, Monthly Journal of the European Glass Cooler." Industry, v. 76, no. 11, Nov. 1999, p. 361, ill. GAS News (Glass Art Society), Nov./Dec. "MB Glass offers a comprehensive range of 1999, p. 6, ill. 1312 "De techniek van het glasgieten." training courses from its base in the town of Glasbulletin, Vereniging van Vrienden van Svetla." Modern Glas, v. 13, no. 4, 1999, pp. 19-22, ill. 1298 "Technical Article: Rolling Pastorale." . GAS News (Glass Art Society), v. 11, no. 3, 1285 "Schott Advanced Processing: Laser May/June/July 2000, p. 7, ill. Cutting." 1313 "De techniek van het glasslijpen en Australian and New Zealand Scientific Glass- 1299 Bennett, Alan. glassnijden." blowing Journal, v. 7, no. 1, Feb. 2000, "The Single Surface Vessel Collection." Glasbulletin, Vereniging van Vrienden van pp. 6-7, ill. Fusion (Journal of the American Scientific Modern Glas, v. 14, no. 3, 2000, pp. 6-9, ill. Glassblowers Society), v. 46, no. 4, Nov. 1999, Glass grinding and cutting. 1286 "La tecnica del Fussing: Nueva plata- pp. 13-21, ill. forma para la decoracion vitrea." 1314 Burra, Neera. Vftrea, no. 4, Feb. 1999, pp. 74-76, ill. 1300 Bills, Rick. Born to Work: Child Labour in India. "Cathedral Glass Enhancement Techniques Delhi; Oxford: Oxford University Press, 1995, 1287 "Telescope Mirror Arrives Safely." for Stained Glass Stepping Stones." 285 pp., ill. Glass Industry, v. 81, no. 4, April 2000, p. 6. Glass Craftsman, no. 156, Oct./Nov. 1999, "Children in the Glass Industry," pp. 35-54. Brief report on the mirror for the Gemini tele­ pp. 33-35, ill. scope project in Chile. 1315 Caba, Randy. 1301 Bloch, Thomas. "Neon Art, Part One: Tube and Glass Working 1288 "The Types of Glass: A Wide Array of Thomas Bloch: Glassharmonica, ondes mar- Effects." Product Is Available; Here Is an Explanation teno, crista! baschet. Sign Builder Illustrated, no. 67, Nov. 2000, of the Main Categories." [Colmar, France: the author, 1998?], [5] pp., ill. p. 34+, ill. Glass Magazine (National Glass Association, McLean, VA), v. 50, no. 6, June 2000, p. 45. Heat-strengthened, fully tempered, chemically 1302 Boothe, Anna; Chardiet, Jose; and 1316 "Self-Training, Part One: Cutting Tubes." strengthened, and laminated glass. Frolic, Irene. Sign Builder Illustrated, no. 65, July/Aug. "Panel: In the Mold." 2000, p. 50+, ill. Glass Art Society Journal, 1999, pp. 72-75, ill. Glassblowing for neon tubing. 1289 "Vidriera emplomada: Paso a paso...." Vitrea, no. 4, Feb. 1999, pp. 78-82, ill. Step-by-step process of fitting lead in stained 1303 Bosworth, Diane C. 1317 "Self-Training, Part Three: Circles, glass. "Laser Engraving on Glass." Tubes, and Bubbles." A&E (The Magazine for Awards & Engraving Sign Builder Illustrated, no. 67, Nov. 2000, Professionals), v. 13, no. 6, Aug. 2000, p. 102. 1290 "What I Want to Know Is...[Bill Litman]." p. 60+, ill. Crystal Highlights (), v. 1, no. 12, 1968, p. 1, ill. 1304 Broul, Julius. 1318 "Self-Training, Part Two: Forming Let­ Interview with Bill Litman, Fostoria's produc­ "Historie cesko-belgickych vztahu v oblasti ters." tion manager, about how crystal is made. vyroby plocheho skla. II. Zrcadlove sklo = Sign Builder Illustrated, no. 66, Sept./Oct. From the History of Czech-Belgian Relations 2000, p. 54+, ill. 1291 "What I Want to Know Is ... [Herman in the Field of Flat Glass Production. Part 2. Flat Polished Glass." Snedeker]." 1319 Chouinard, Joanne and Druyan, Mary Crystal Highlights (Fostoria Glass Company), Sklara Keramik, v. 50, no. 3, March 2000, pp. 55-58, ill. English summary. Ellen. v. 1, no. 13, 1968, pp. 1-2, ill. "Fire Safety: Make Sure That Creative Spark Interview with Fostoria glassblower Herman Doesn't Burn Your Studio Down!" 1305 "Z historie cesko-francouzskych Snedeker. Glass Craftsman, no. 159, April/May 2000, vztahu v oblasti vyroby plocheho skla = The pp. 16-17+, ill. 1292 "What's New in Fiber Optics?" History of Czech-French Relations in the Area Home Lighting & Accessories, v. 81, no. 11, of Flat Glass Production." Nov. 1998, p. 106+, ill. Sklara Keramik, v. 46, no. 10, Oct. 1996, 1320 Clay, Ben. pp. 243-249, ill. English summary. "How to Control Light from Your Soft Box: Part 1 - Barn Doors and Louvers." 1293 Akerblom, Borje. 1306 Burght, Angela van der. Professional Photographer, v. 126, no. 2249, "La Technologie du verre = Glastechnologie = Oct. 1999, pp. 62-64, ill. Glass Technology" [in] Autriche, Suede, Fin- "Clean Art: The Invisible Danger of Lead." This Side Up! (Valkenswaard, the Nether­ Translucent glass vase used to show effects lande: Les Nouvelles frontieres du verre eu- of various lighting setups. ropeen = Osterreich, Schweden, Finn land: Die lands), no. 6, Summer 1999, p. 12, ill. neuen Grenzen der europaischen Glaskunst = Austria, Sweden, Finland: The New Frontiers 1307 "Eureka! Leopold Lanegger." 1321 "Lighting for Reflective Semi-Trans­ of European Glass Art. This Side Up! (Valkenswaard, the Nether­ parent Objects." Milan: Skira, 1995, pp. 163-173. In French, lands), no. 10, Summer 2000, pp. 13-14, ill. Professional Photographer, v. 127, no. 2252, German, and English. Profile of innovator in early 20th-century glass Jan. 2000, pp. 42-44+, ill. industry. Photographing a glass wine decanter. 1294 Andreozzi, Lori. "What's New in Neon." 1308 "Finishing Techniques of Float Glass." 1322 Clayman, Daniel. Sign Builder Illustrated, no. 60, Nov./Dec. This Side Up! (Valkenswaard, the Nether­ Some Glass Casting Information. 1999, pp. 98-102+, ill. lands), no. 11, Autumn 2000, pp. 5-9, ill. [S.I.: s.n.], 2000, 1 v. (various pagings), ill. 1323 Clevenger, Phil. 1337 Ellazam, Ron. 1350 Hall, Sarah and Kraegel, Jeffrey. "Making Mold-Blown Ornaments." "The Glasscutter." "The Devil's in the Details." Glass Line, v. 13, no. 5, Feb./March 2000, Craft Victoria Bulletin, v. 8, no. 1, March 2000, Glass Art, v. 15, no. 4, May/June 2000, p. 5+, ill. pp. 17-18. pp. 22-25, ill. Some thoughts on using the tool and on sepa­ Advice on protecting stained glass during con­ 1324 Corning France. Departement Optique- rating scored glass. struction, transportation, and installation. Lunetterie. Glass and Opthalmic Optics. 1338 Ellis, Tom. 1351 "Tracing the Line." Fontainebleau-Avon, France: the company, "Scrolling, Swirling, or Feathering." Glass Art, v. 15, no. 5, July/Aug. 2000, 1988, 71 pp., ill. Glass on Metal, v. 19, no. 4, Oct. 2000, pp. 58-61, ill. pp. 84-85, ill. Using and avoiding lead lines in modern 1325 Crestou, Nicole. Enameling technique. stained glass windows. "Devenir facteur de perles en verre." La Revue de la Ceramique et du Verre, 1339 Eppen, Joan. 1352 Harris, Mary. no. 106, May/June 1999, pp. 50-51, ill. "BeadBrains for Lampworked Beads." "Customized Glass Tiling: Innovative Table Includes illustrations of Eric Seydoux and The Bead Society of Newsletter, and Wall Surfaces." Nicole Zumkeller making glass beads. v. 25, no. 2, June 1999, p. 3. Glass Craftsman, no. 161, Aug./Sept. 2000, Reports on video of Cathi Milligan making pp. 19-22+, ill. 1326 Day, Julie Bishop. beads. Advice on the technique. "Mosaics & Stepping Stones: Making Mosaics to Last." 1340 Evans, Robin. 1353 Hatz, Doni. Stained Glass News, no. 46, Nov. 1999, "Glass Mosaic Tables: Fabulous & Functional "Demonstrations: Cased, Blown, Twisted, pp. 10-11, ill. Art." Jacketed." Problems and solutions. Glass Craftsman, no. 158, Feb./March 2000, Glass Art Society Journal, 1999, pp. 99-100, pp. 30-34, ill. ill. 1327 De Armond, John. "Photographing Glass." Glass Line, v. 13, no. 3, Oct./Nov. 1999, 1341 "Outdoor Mosaics: This One's for the 1354 Holt, Pauline. pp. 14-17, ill. Birds." " for ." Glass Craftsman, no. 160, June/July 2000, Bead Society of Great Britain Newsletter, pp. 18-22, ill. no. 51, Dec. 1999, p. 6, ill. 1328 De Obaldia, Isabel. How-to article for creating mosaic birdbath. "From Painting to Casting and Engraving in Panama." 1355 Hulet, Dinah. Glass Art Society Journal, 1999, pp. 62-63, ill. 1342 Foti, Renato. "Demonstrations: The Image Within - Creating The artist discusses her techniques. "Making the Masks." Figurative Cane at the Torch." Glass Craftsman, no. 160, June/July 2000, Glass Art Society Journal, 1999, pp. 100-101, 1329 Dobbins, Norm and Dobbins, Ruth. pp. 14-17, ill. ill. "Glass Ideas: Basics for the Beginner." Tips and techniques for casting and mold- Stained Glass News, no. 46, Nov. 1999, making. 1356 Ikemoto, Kazumi. pp. 14-15, ill. "Ikemoto Kazumi's Flat Work Made Easy." 1343 Fowle, Kate. Glass and Art (Tokyo), no. 20, Winter 1998, 1330 "How to Etch Glass Awards & Gifts." "Glass Snowman Bead: Intermediate Glass pp. 71-73, ill. In Japanese. A&E (The Magazine for Awards & Engraving Bead-Making Project." Professionals), v. 13, no. 8, Oct. 2000, Lapidary Journal, v. 54, no. 6, Sept. 2000, 1357 Isenberg, Anita and Isenberg, Seymour. pp. 110-112+, ill. pp. 59-61, ill. How to Work in Stained Glass. lola, Wl: Krause Publications, 1998, 347 pp., 1331 "Using Photo Resist for Multi-Stage 1344 Freeman-Jurney, Roberta H. ill. Sandcarving." "Kim Sargent: Architectural Photographer." Glass Art, v. 15, no. 6, Sept./Oct. 2000, Glass Craftsman, no. 159, April/May 2000, 1358 Ito, Makoto. pp. 14-18, ill. pp. 34-36+, ill. "Ito Makoto's Hot Work Made Easy." Photographing stained glass art. Glass and Art (Tokyo), no. 20, Winter 1998, 1332 Dodson, Ricky Charles. pp. 67-69, ill. In Japanese. "Thermal Indifference Assembly 'through 1345 Fritts, Drew. See also: no. 21, Spring 1998, pp. 57-59. Proper .'" "Bullseye Marbles." Glass Line, v. 13, no. 4, Dec. 1999/Jan. 2000, Glass Line, v. 12, no. 5, Feb./March 1999, p. 1+. 1359 Jenik, Pfemysl. p. 1+, ill. "Uprava pracovniho stanoviste malire skla." Making marbles out of "scraps of sheet glass." Sklara Keramik, v. 13, no. 7, 1963, 1333 Dugger, Pam. pp. 172-176, ill. Russian, English, French, "How to Make Hollow Beads." 1346 "Lampworked Marbles: A Getting and German summaries. The Bead Release, v. 7, no. 2, Spring 2000, Started FAQ." Analysis of glass painters' work space. pp. 6-8, ill. Glass Line, v. 13, no. 1, June/July 1999, pp. 6-10. 1360 Jerman, Tim. 1334 Dunham, Bandhu Scott. Frequently asked questions and their answers. "II calice a lume = Lampworked Goblets." "Demonstrations: Colored ." Vetro (Centro Studio Vetro, Murano), no. 4, Glass Art Society Journal, 1999, pp. 101-102, July-Sept. 1999, pp. 39-45, ill. In Italian and 1347 Gritsch, Rudi. ill. English. "10 Ways to Improve Your Cutting." Flameworking. Notes how "a few artists treat the primary ele­ The Bullseye Bulletin, Winter 2000, pp. 16-17, ments of the goblet form." ill. 1361 Jonson, Bo. "No Lead, No Barium ... No Crystal? A Review 1335 "Latheworking: Part I." 1348 Gross, Richard. of Crystal Definitions and Formulation Possi­ Glass Art, v. 15, no. 5, July/Aug. 2000, "Photographing Stained Glass: Part One." bilities." pp. 50-52+ ill. Stained Glass, v. 95, no. 3, Fall 2000, Glasteknisk Tidskrift, v. 49, no. 2, 1994, Part 2: v. 15, no. 6, Sept./Oct. 2000, pp. 216-219, ill. pp. 43-49, ill. Swedish summary. pp. 22-29. 1349 "Usually It Takes Me a Little Time to Be 1362 Kenny, Megan J. 1336 Eberhart, Harald Wolfgang. Happy: Edge Gluing Process Using Hxtal "Simple Solutions: Mould Making and the Lost "Lampworking Ingenuity Part #1." Nyl-1 Epoxy." Wax Process." Glass Line, v. 14, no. 3, Oct./Nov. 2000, Stained Glass, v. 95, no. 2, Summer 2000, Glass Gazette (Glass Art Association of Can­ pp. 8-11, ill. pp. 118-119+, ill. ada), v. 3, no. 42, Oct. 2000, pp. 9-10, ill. 1363 Kervin, Jim. 1377 Marson, Percival. 1390 Peterson, Roger. "Kiln Casting: The Flat Look Is Dead." Glass and Glass Manufacture. "Striking Colors." Glass Craftsman, no. 156, Oct./Nov. 1999, London: Pitman, 1949, 145 pp., ill. Glass Line, v. 13, no. 3, Oct./Nov. 1999, pp. 21-23, ill. pp. 7-8. Looks at how several artists are using the 1378 Mathel, Jerry. Understanding what causes color in glass and techniques of kiln casting and pate de verre. "Sandblasting Glass and Mirror." "what is involved when a particular glass Sign Builder Illustrated, no. 66, Sept./Oct. strikes to a different color." 1364 King, Candice. 2000, p. 42+, ill. "Glass Bytes." 1391 Pohlman, Jenny and Knowles, Sabrina. Glass Line, continuing series, v. 12, no. 5, "Demonstrations: Blown and Solid Sculpted Feb./March 1999 - v. 13, no. 4, Dec. 1999/ 1379 "Water on Glass." Sign Builder Illustrated, no. 63, April 2000, Glass Using the Garage." Jan. 2000. pp. 138-142+, ill. Glass Art Society Journal, 1999, pp. 93-94, ill. Mirror gold lettering on window glass. 1365 "A Lathe Is Not Scary." Glass Line, v. 13, no. 2, Aug./Sept. 1999, 1392 Rakov, Vladimir A. p. 1+, ill. 1380 McClellan, Duncan. "The Dominick Labino Lecture: Lightning Making a Christmas ornament with color over­ "Demonstrations: Graal Pick Up." Makes Glass." lay serves as example for advice on using a Glass Art Society Journal, 1999, p. 93, ill. Glass Art Society Journal, 1999, pp. 45-50, ill. lathe. Fulgurite is glass "made as a result of a cloud- 1381 McGregor, Lani. to-ground lightning discharge." 1366 "Mini Blowpipes and Flameworking: "The Tale of the Tool." Amphora Pendant." The Bullseye Bulletin, Winter 2000, 1393 Rao, Krishnaraj. Glass Line, v. 13, no. 3, Oct./Nov. 1999, p. 1+, pp. 18-19, ill. "Export Possibilities: Jewels of Glass." ill. Interview with Rudi Gritsch about his prefer­ Kahch (All India Glass Manufacturers' Federa­ Examines the techniques used by artist Stevi ences in glassworking tools. tion, New Delhi), v. 7, no. 2, Sept. 1999, p. 26, Belle. ill. 1382 Mellichamp, Fae. Advice on fabricating fused dichroic glass 1367 "Patti Walton: Flower Garden Bead." "How Important Is Annealing?" pendants. Glass Line, v. 13, no. 5, Feb./March 2000, The Bead Release, v. 7, no. 2, Spring 2000, p. 1+, ill. pp. 12-13+. 1394 Reynolds, Gil. Annealing for beadmakers. 1368 Klopsch, Bill. "Kiln Crafting: Hot Tips for Fusing and Slump­ "Working Large: Tips for Tackling Bigger Win­ ing." dows." 1383 Mellichamp, Fae and Mellichamp, Bud. Stained Glass News, continuing series, Stained Glass News, continuing series, "Glass Rod and Stringer Storage: Let's Get no. 47, Feb. 2000 - no. 50, Nov. 2000. no. 47, Feb. 2000 - no. 50, Nov. 2000. Organized!" The Bead Release, v. 7, no. 2, Spring 2000, pp. 10-11, ill. 1395 Rodgers, Vicki. 1369 Koss, Gene. "Summer School 2000: Casting Workshop "Demonstrations: Hot Casting." with Tessa Clegg." Glass Art Society Journal, 1999, p. 92, ill. 1384 Meltzer, Steve. New Zealand Society of Artists in Glass "Extreme Photography: Pushing Photography Newsletter, April 2000, p. 5. 1370 Lambert, Susan. to Its Limits - The Smallest, Dullest, Darkest Brief article includes some tips for casters. "Embellished Fused Glass Cabochons. Begin­ and Most Complex Work." ner Project, Part I of II: Fusing." The Crafts Report, v. 26, no. 285, Jan. 2000, Lapidary Journal, v. 54, no. 3, June 2000, pp. 44-45, ill. 1396 Romero Langle, Marco. pp. 63-64, ill. Includes challenge of photographing a glass "Vidrio para fusionar = Fused Glass." plate made by Karen Reed. Vidrio (Asociacion de Artistas del Vidrio), 1371 "Embellished Fused Glass Cabochons. no. 3, Oct.-Dec. 1999, pp. 37-38, ill. In Span­ Beginner Project, Part II of II: Beading the 1385 Merker, Gemot H. ish and English. Cabochons." "Festival der Gravur = Festival of Engraving." Lapidary Journal, v. 54, no. 4, July 2000, Glashaus/Glasshouse (Internationales Maga- 1397 Schell, James. pp. 77-79, ill. zin fur Studioglas), no. 4, 1999, pp. 4-5, ill. In "Ultraviolet (UV) and Infrared (IR): Concerns German and English. for Hot Glass Artists, Jewelers, Potters, Metal 1372 Lauwer, Inge. Review of symposium in Kamenicky Senov. Casters and Blacksmiths." "Safe Art: Sustainability in the Glassblowing Glass Art, v. 15, no. 6, Sept./Oct. 2000, Studio - Is There an Afterlife?" 1386 Mickelsen, Robert A. p. 72+. This Side Up! (Valkenswaard, the Nether­ "Principles of Flameworking Tubing." lands), no. 10, Summer 2000, pp. 22-23, ill. Glass Line, v. 14, no. 2, Aug./Sept. 2000, 1398 Shevchenko, Victor; Shevchenko, p. 1+. 1373 Littleton, Harvey K. Zhenya; and Kotsai, Galina. Glassblowing: A Search for Form. "The Prospective Use of Soft Glass for Artistic New York: Van Nostrand Reinhold, 1980, 1387 Montfort, Nick. Glassmaking." "Beware of Growing Objects: Prototyping." 143 pp., ill. Glass Line, v. 14, no. 1, June/July 2000, p. 1+. I.D. (International Design Magazine), v. 46, Energy-conserving method is important in the no. 7,.Nov. 1999, p. 109, ill. . 1374 Liu, Robert K. Article on rapid-prototype modeling systems "Larry Scott: Torch-Drawn Glass Cane Beads." includes information on glass chaise longue Ornament, v. 23, no. 4, Summer 2000, designed by students. 1399 Singletary, Preston. pp. 54-55, ill. "Demonstrations: Glassblowing." Glass Art Society Journal, 1999, p. 95, ill. 1375 Maher, Bruce St. John. 1388 Oddy, Robert. "Cutting Flat Glass for Beads: Advanced Proj­ "The Anatomy of a Commission: Could a Rose, 1400 Society of Glass and Ceramic Decora­ ect." By Any Other Technique, Look So Sweet?" tors. Lapidary Journal, v. 54, no. 6, Sept. 2000, Glass Craftsman, no. 158, Feb./March 2000, Glossary of Glass and Ceramic Decorating pp. 51-54, ill. pp. 14-15+, ill. Terminology. Washington, DC: the society, 1999, 38 pp. 1376 Manual de Recomendaciones practi- 1389 Peltre, Carole. cas en la fabricacion de vidrio artesanal: Ser­ "Les Differentes families d'adhesifs utilisables vices comunes para las PYMES, artesanos y dans des assemblages verre/verre et verre/ 1401 Spence, J. Stephen. artistas vidrieros. autres materiaux." "Engraving Glass with a Laser." San lldefonso, Segovia, Spain: Fundacion CERFAV Infos (Lettre de la Plate-Forme Ver- A&E (The Magazine for Awards & Engraving Centro Nacional del Vidrio, Real Fabrica de riere de Vannes-le-Chatel), no. 21, June 1998, Professionals), v. 13, no. 3, May 2000, Cristales de La Granja, [n.d.], 84 pp., ill. p. 1+, ill. pp. 54-56+, ill. 1402 Stone, Edward H. 1414 "The Great Australian Glass Roll-Up." 1425 Young, Butch. "Gold, Glass and Eglomise." Glass Art, v. 15, no. 5, July/Aug. 2000, "Holiday Glass." The Gilder's , no. 1, 2000, pp. 4-7, ill. pp. 4-6+, ill. A&E (The Magazine for Awards & Engraving Includes advice for etching designs in gold leaf Describes the combination kiln/furnace tech­ Professionals), v. 13, no. 9, Nov. 2000, p. 14+, on glass. nique. ill. Discusses etching and blasting on flashed 1403 Thiel, Ana. 1415 Walker, Brad. glass. "Seeing, Drawing, and Casting: A Creative Contemporary : A Guide to Fusing, Process." Slumping, and Kiln-Forming Techniques. 1426 "Making Color Cheap, Fast and Easy." Glass Art Society Journal, 1999, pp. 64-65, ill. Clemmons, NC: Four Corners International, A&E (The Magazine for Awards & Engraving The artist discusses her techniques. 2000, 154 pp., ill. Professionals), v. 12, no. 4, June 1999, Features techniques and processes for basic pp. 72-75, ill. 1404 Thielen, Marcus. fusing and slumping projects; information on "Neon Basics: Fundamentals of Light and materials; instructions for compatibility testing; 1427 "Making Your Own Blanks: Cutting Color." advanced techniques; and an introduction to Shapes into Glass." Signs of the Times, v. 222, no. 5, April 2000, kiln casting and glass painting. A&E (The Magazine for Awards & Engraving p. 54+, ill. Professionals), v. 13, no. 8, Oct. 2000, p. 20+, 1416 Wardell, Randy. ill. 1405 "Neon Basics: Fundamentals of Neon- "Working with Stained Glass: Hints & Tips for Tube Operation and Fabrication." Hobbyists." 1428 "Nameplate: A Study in Flexible De­ Signs of the Times, v. 222, no. 3, Feb. 2000, Stained Glass News, continuing series, no. 47, sign." p. 54+, ill. Feb. 2000 - no. 50, Nov. 2000. A&E (The Magazine for Awards & Engraving Professionals), v. 12, no. 9, Nov. 1999, 1406 "Neon Techniques: Gassy Questions - pp. 72-75, ill. 1417 Watson, Dan M. Some Thoughts on Glassbending Fires." "Annealing Workshop: Practical Measurement- Signs of the Times, v. 222, no. 8, July 2000, Based Annealing" [in] 11th Biennial Ausglass 1429 "Replicating Patterns from Broken p. 36+, ill. Conference: Conference Papers (Wagga Mirror." Wagga, Jan. 29-31, 1999). A&E (The Magazine for Awards & Engraving 1407 "Neon Techniques: Glass-O-Maniacs - McKinnon, Victoria, Australia: Australian As­ Professionals), v. 12, no. 12, Feb. 2000, Some Hints to Improve Your Glassworking sociation of Glass Artists (Ausglass), 1999, p. 22+, ill. Skills." pp. 90-94. Signs of the Times, v. 222, no. 10, Sept. 2000, 1430 "Straight Lines: Part Three." p. 36+, ill. 1418 Watts, David C. A&E (The Magazine for Awards & Engraving "Tricks of the Trade: Making a Twist, Baluster Professionals), v. 13, no. 4, June 2000, 1408 "Setting Up a Neon Shop in 3,000 Easy Stem and a Coin Glass." p. 82+, ill. Steps: Part 3 - Selecting Adequate Pumping, Glass Circle News, no. 81, Dec. 1999, p. 4+, ill. "Applying a straight blasted line on flat glass." Bombarding and Aging Equipment." Signs of the Times, v. 222, no. 1, Jan. 2000, 1431 "Ten Tools I Can't Live Without." p. 34+, ill. 1419 Weiss, Bert. A&E (The Magazine for Awards & Engraving "The Glass Fountain Project: Learning to Fuse Professionals), v. 12, no. 11, Jan. 2000, p. 60+, 1409 "Setting Up Shop in 3,000 Easy Steps: the Trickle-Down Way!" ill. Part 1 - Training and Physical Space Are Glass Craftsman, no. 160, June/July 2000, pp. 24-26+, ill. Fundamental Considerations." 1432 "Thin Resist: Part One." Signs of the Times, v. 221, no. 11, Oct. 1999, A&E (The Magazine for Awards & Engraving p. 60+, ill. 1420 Weiss, Richard J. Professionals), v. 13, no. 7, Sept. 2000, p. 90+, "The Research Scene: Glasmeister Solves ill. 1410 "Setting Up Shop in 3,000 Easy Steps: Optical Problems." Glass Music World, Fall 1999, pp. 1-2, ill. Part 2 - Supply Systems and Glass-Bending 1433 Young, Butch and Long, Rita. Biographical notes on the scientific career of Equipment." "Gold-Leafing: The Midas Touch - Part 1." Gerhard Finkenbeiner, who also constructed Signs of the Times, v. 221, no. 13, Dec. 1999, Glass Art, v. 15, no. 4, May/June 2000, contemporary glass armonicas. p. 36+, ill. pp. 10-12+, ill. Part 2: v. 15, no. 5, July/Aug. 2000, 1411 Valkema, Durk. 1421 Willenbrink, Karen. pp. 22-26+. "Furnace/Studio Building: Hi-Tech and Tradi­ "Demonstrations: Glassblowing - Adorning the tional Thoughts." Heron." 1434 "The Lighting and Display of Etched Glass Art Society Journal, 1999, pp. 78-79, ill. Glass Art Society Journal, 1999, p. 96, ill. and Carved Glass." Glass Art, v. 16, no. 1, Nov./Dec. 2000, 1412 Vogt, Lisa. 1422 Wolfersberger, Stan. pp. 14-16+, ill. "Color Enhanced Glass Sculpting: Designing "Heads Up! Ventilation Basics." in Depth." The Bead Release, v. 6, no. 4, Fall 1999, p. 6. Glass Craftsman, no. 159, April/May 2000, 1435 Zaccaria, Donatella. Decorer avec le verre: Objets, vitraux. pp. 12-15, ill. Artist describes creation of a stained glass pan­ 1423 Woodard, Kathy L. Milan: Libri & Grandi Opere, 1996, 159 pp., ill. el that is "rich in botanicals and hydrangeas." "Profiles in Ceramics: George H. Beall." The American Ceramic Society Bulletin, v. 79, 1436 Zambai, Janet. 1413 Waggoner, Shawn. no. 6, June 2000, pp. 34-39, ill. "Blasting Room/Cabinet Combo: An Idea That "'Cornerstones Polished after the Similitude of Glass-ceramic innovator. Saves Both Space and Money!" a Palace': The Restoration of Chatham's Tif­ Glass Craftsman, no. 160, June/July 2000, fany Alumnae Memorial Window." 1424 "Profiles in Ceramics: S. Donald Stoo- pp. 45-48, ill. Glass Art, v. 15, no. 5, July/Aug. 2000, key." pp. 44-48, ill. The American Ceramic Society Bulletin, v. 79, 1437 Zimmerman, Alice Foster. Windows restored and reinstalled at Chatham no. 3, March 2000, pp. 34-39, ill. Lampwork Beads: The Book. College in Pittsburgh, Pennsylvania. Glass-ceramic innovator. [Glendale, AZ: KBA], 1996, [25] pp., ill. FILMS AND VIDEOTAPES/FILME UND VIDEOKASSETTEN

1438 The Aquarium Bead. 1449 Corning Museum of Glass 1999 Semi­ 1460 [Itoko Iwata: Glass Tower]. Pati Walton, 1999. nar. NHKTV, 1999. 45 min., sound, color. Tape 1: Welcoming Remarks; Frederick Car­ 30 min., sound, color. The artist makes an aquarium bead and dem­ der in England: His Technical and Artistic onstrates the use of murrine in a lamp- Background, by Charles R. Hajdamach. 1461 Las manos de Pons Cirac. worked paperweight turtle button. The Corning Museum of Glass, 1999. [S.n.], 1966. 90 min., sound, color. 18 min., sound, color. 1439 Arner Linquist. Spanish glass artist Pons Cirac, who uses WWVU-TV, 1971. 1450 Tape 2: Coming into the Country: cutting to decorate glass vases and panels. 16 min., sound, color. English Glassmakers in America, by Jane Arner Linquist was the last master cutter at Shadel Spillman, and The European Roots of 1462 The Master Class Series, Volume III: Seneca Glass Co. American Engraved Glass, by Jutta-Annette Engraving on Glass with Jirf Harcuba. Page. The Studio of The Corning Museum of Glass, 1440 Art of Glass. 120 min., sound, color. 1999. Metro Video Productions, 1999. 30 min., sound, color. 15 min., sound, color. Dale Chihuly, William Morris, Therman Sta- 1451 Tape 3: The Rose and the Sumac: The 1463 Metamorphosi: Oki Izumi. tom, and Stephen Antonakos. Stained Glass of Charles Rennie Mackintosh [S.n., 1991?]. and Frank Lloyd Wright, by Julie L. Sloan, and 1 videocassette, sound, color. 1441 Bead Torch 101. Introduction to the Glass Innovation Center, Mark Lauckner, [2000?]. by Robert K. Cassetti. 1464 Peter Bremers: Metamorphosis. 75 min., sound, color. 120 min., sound, color. Galerie Rob van den Doel, 2000. How to make a simple surface mix beading 1 videocassette, sound, color. torch, and how to turn a cutting torch into a 1452 Tape 4: : The Missing hand-held surface mix torch. Ceramic Years, by Brian A. Musselwhite, and 1465 Phoenix and Consolidated Glass Col­ Glass in the Arts and Crafts Home, by Jill lectors' Club: 7th Annual Convention. 1442 Bohemian Beadmaking: A Documen­ Thomas-Clark and Michael Clark. [S.n.], 1999. tary. 120 min., sound, color. 75 min., sound, color. Paradise & Co., 2000. 48 min., sound, color. 1466 The Polonaise Collection. 1453 Tape 5: Frederick Carder: Some Deco­ Beadmaking in East Germany, Czechoslo­ [Kurt S. Adler?, n.d.]. rations and Applications, by Thomas P. Dimi- vakia, and before and after the 1 videocassette, sound, color. troff, and New Acquisitions Review: The Rock­ fall of the Berlin Wall. Depicts the Komozja factory in Poland, where well Museum and The Corning Museum of glass ornaments are made. Glass, by Robyn Peterson and Jane Shadel 1443 Bologna Bottle. Spillman. [S.n.], 1981. 120 min., sound, color. 1467 [ Richard Posner: Assorted Videos]. 20 min., sound, color. [S.n., 1983-1997?]. Bologna bottles/phials are used to determine 4 tapes: 19 min., sound, color. the color and quality of the glass batch; the 1454 Dale Chihuly: Glass Artist. bottle itself is an example of tempered tubing. CNN News, 1994. 1468 Shards of Splendour. 3 min., sound, color. Vauben, [n.d.]. 1444 Chihuly: Atlantis. 10 min., sound, color. Portland Press, 1999. 1455 Dave Schwarz: lllusionary Space. David Maude-Roxby-Montalto di Fragnito, an 30 min., sound, color. 5 min., sound, color. English artist who does stipple engraving. Creation of four sculptures for the Atlantis Re­ sort on Paradise Island. 1469 Stained Glass Masters: Heaton, Butler, 1456 Emile Galle: Art, Industry, Justice. Bayne. 1445 Chihuly in the Light of Jerusalem 2000. Artis, 1999. Krogstad Studios, 2000. Portland Press, 1999. 64 min., sound, color. 58 min., sound, color. 58 min., sound, color. 1457 Farbige Kostbarkeiten aus Glas. 1470 Sultan of Brunei. 1446 Chihuly: Niijima Floats. Bayerisches Nationalmuseum, 1999. [S.n., n.d.]. Portland Press, 1999. 1 videocassette, sound, color. 1 videocassette, sound, color. 30 min., sound, color. Stipple-engraved portrait of the Sultan of Bru­ nei by David Maude-Roxby-Montalto di 1447 Chihuly: River of Glass. 1458 Glass Engraving with Peter Dreiser. Fragnito. Portland Press, 1999. Vivian, [1999?]. 30 min., sound, color. 175 min., sound, color. 1471 Vetroricerche: Sogno di una notte di Demonstrates the use of the lathe and the mezza estate; omaggio a W. Shakespeare. flexible drive drill. 1448 The 'Colour Pot' Electric Glass Melting Vetroricerca, [1999?]. Furnace. 20 min., sound, color. Mark Lauckner, [1999?]. 1459 Introduction to the Fusing and Slump­ 2 tapes: 75 min., sound, color. ing of Glass. 1472 The World of Glass: Gallery. Design and building of an energy-efficient Dragon Glass, [2000?]. Centre Screen Productions, [2000?]. electric melting furnace. 1 videocassette, sound, color. 1 videocassette, sound, color. A SELECTIVE INDEX OF PROPER NAMES AND PLACES AUSGEWAHLTES REGISTER VON EIGENNAMEN UND ORTEN

This is a subject index to the "Bibliogra­ Es handelt sich im Folgenden urn ein denen die entsprechenden Personen phy" of New Glass Review 22. The num­ Sachregister zur „Bibliographie" der New oder Orte behandelt werden. bers following the names below are Glass Review 22. Die Zahlen hinter den keyed to the numbers preceding the indi­ Namen entsprechen den Zahlen, die den vidual "Bibliography" entries in which Eintragungen der einzelnen Beitrage der these persons and places are discussed. „Bibliographie" vorangestellt sind, in

Aldridge, Peter, 353 Dunham, Bandhu Scott, 1334 Hydman-Vallien, Ulrica, 287, 422 Andolina, Gary, 495 Edenfalk, Bengt, 192 Ikemoto, Kazumi, 1356 Angus, Mark, 368 Edols, Benjamin/Elliott, Kathy, 397, 437, 728 Ink, Jack, 188 Antonakos, Stephen, 7, 787, 1440 Eisch, Erwin, 353 Ito, Makoto, 1358 Baldwin, Philip/Guggisberg, Monica, 376, 579 Elias, Bohumil, 117, 240, 308, 538, 539, 690 Iwata, Itoko, 1460 Bazaine, Jean, 1219 Elliott, Judi, 145 Iwata, Rury, 353 Beck, Rick, 705 Engman, Kjell, 666 Janak, Frantisek, 620 Beebe, Jane, 951 Exnar, Jan, 539, 690 Jezek, Pavel, 88, 688 Begou, Alain/Begou, Marisa, 800 Filer, Mary, 385 Jolley, Richard, 686 Beleschenko, Alexander, 1156 Fisar, Jan, 457 Karel, Marian, 499, 734 Ben Tre, Howard, 326, 702, 868 Flavell, Ray, 553 Koda, Masami, 491 Bettison, Giles, 347 Flavin, Dan, 218, 361 Kopecky, Vladimir, 377, 734 Bianchin, Christiano, 32, 233, 659, 961 Fornasier, Fabio, 938 Koss, Gene, 1369 Bicker Caarten, Joost, 229 Friedman, Lance, 293 Kuhn, Jon, 294 Blomdahl, Sonja, 981 Frijns, Bert, 579 Kustner, Gabriele, 349, 837 Blondel, Michele, 1026 Frolic, Irene, 486, 527, 1302 Lagerbielke, Erika, 666 Bohus, Zoltan, 654 Fujita, Kyohei, 641, 912 LaMonte, Karen, 705, 836 Boissel, Thierry, 1105, 1230 Gardner, Ann, 396 Lane, Danny, 325 Bouchard, Michel, 809 Gass, Nabo, 1079, 1090, 1158 Lechner, Florian, 393 Boyadjiev, Latchezar, 1025 Gherardi, Lisa, 229 Leibovitz, Edward, 608, 1083 Bremers, Peter, 175, 261, 709, 1464 Ginneke, Vincent van, 182, 795, 956 Leloup, Louis, 141 Burato, Michele, 966, 967, 968 Giuman, Giuliano, 391, 522 Leperlier, Antoine, 157, 604, 803 Cagianelli, Antonio, 151 Glancy, Michael, 392, 579, 658 Levenson, Silvia, 52, 66, 241, 730, 782 Carlgren, Anna, 229, 410 Glass Art Society, 225, 502, 480, 676 Libensky, Stanislav, 279 Carlson, William, 302 Glovsky, Alan, 286 Libensky, Stanislav/Brychtova, Jaroslava, 353, Carpenter, James, 272, 866, 1216 Gomez, Javier, 610 363, 441, 579, 734, 890, 1028, 1033 Chagall, Marc, 1157 Graham, Dan, 1040, 1253 Lieberman, Walter, 915, 1163 Chardiet, Jose, 297, 498, 1302 Gray, Katherine, 1008 Lillie, Jacqueline, 236, 726 Chihuly, Dale, 24, 25, 303, 304, 305, 353, 405, Grebenickova, Stanislava, 459 Lin, Maya, 134, 149 446, 473, 497, 527, 581, 657, 686, 700, Groot, Mieke, 78, 181, 232, 504 Lipski, Donald, 26, 353, 515 731, 834, 862, 974, 984, 985, 1440, 1444, 1445, 1446, 1447, 1454 Gross, Renate, 857 Littleton, Harvey K., 338 Cho, Simsa, 229 Guerin, Henri, 1143 Liza Lou, 336, 703 Cigler, Vaclav, 565 Hall, Sarah, 1109, 1183 Loire, Gabriel, 1128 Clarke, Brian, 118, 351, 734, 1047, 1115, Ham, Frank van den, 416 Loo, Bert van, 167, 216, 282 1243 Handl, Milan, 459 Lugossy, Maria, 75, 242, 873 Clayman, Daniel, 485, 721 Harcuba, Jiff, 561, 1462 Lynggaard, Finn, 316, 450 Clegg, Tessa, 156, 681, 705 Haufschild, Lutz, 1152 Mandelbaum, Ellen, 1042 Conrad-Lindig, Ingrid, 828 Hazlegrove, Page, 760 Manessier, Alfred, 1219 Coombs, Debora, 1201 Hebsgaard, PerSteen, 1217 Mansau, Serge, 359 Copier, A. D., 180, 354 Heesen, Bernard, 17, 164 Marangoni, Federica, 614 Cribbs, Keke, 298 Heesen, Willem, 176 Marioni, Dante, 64, 295, 686, 1003 Croze, Nani, 162 Hellsten, Lars, 957 Marioni, Paul, 1, 492 Cummings, Keith, 250 Higgins, Frances, 475 Marquis, Richard, 617 Cyren, Gunnar, 406 Higgins, Michael, 73, 475 Martens, Dino, 429 Dailey, Dan, 986 Hirst, Brian, 346, 438, 505 Mastroianni, Umberto, 792 de la Torre, Einar/de la Torre, Jamex, 13, 899 Hiscott, Amber, 1208 Matous, Jaroslav, 539, 690 Deboni, Franco, 963 Hlava, Pavel, 639, 910 Maude-Roxby-Montalto di Fragnito, David, Dejonghe, Bernard, 95, 227, 597, 797 Hobson, Diana, 835 327, 1468, 1470 Donefer, Laura, 112 Hoglund, Erik, 143, 357, 360, 454 McElheny, Josiah, 76, 202, 434, 632, 865 Dowler, David, 1014 Holler, Franz Xaver, 244 McGrain, Peter, 1190 Mee, Nancy, 579 Ruffner, Ginny, 224, 277, 853 Vobruba, Milan, 191 Meitner, Richard, 365, 514 Rybak, Jaromir, 539, 690 Wahlstrom, Ann, 666, 917 Meydam, Floris, 161 Rynkiewicz, Mariusz, 672 Wang, Heinrich, 402, 663, 908 Mickelsen, Robert, 284, 992 Sabokova, Gizela, 540, 635, 820 Warff, Goran, 1015 Moje, Klaus, 68, 348 Sahlin, Gunnel, 666 Wax, Jack, 1009 Monod, Isabelle, 805 Salo, Markku, 122, 569 Weinberg, Steven, 300, 849 Moore, Simon, 100 Santarossa, Hella, 541 Willenbrink, Karen, 1421 Morellet, Frangois, 554 Santillana, Laura de, 101, 659, 680, 1005 Wilmarth, Christopher, 549, 665 Moretti, Carlo, 103 Sarpaneva, Timo, 431, 650 Wilson, David, 1075 Morris, William, 7, 313, 345, 353, 657, 765, Sautner, Barry, 281, 796 Wirkkala, Tapio, 274, 692 990, 1007, 1011, 1020, 1440 Scarpa, Carlo, 597 Wolfe, Jon, 60 Mukaide, Keiko, 445, 553, 902 Schaechter, Judith, 1086 Wolff, Ann, 61, 158, 826 Mulcahy, Kathleen, 546 Schaffrath, Ludwig, 1100 Yukutake, Harumi, 353 Myers, Joel Philip, 716, 774, 1023 Scheiner, Michael, 27 Zamecmkova, Dana, 353, 734, 1027 Nason, Ermanno, 936 Schetting, Katja, 884 Zembok, Udo, 1105, 1139 Navarra, Douglas, 286 Schilt, Frangois-Paul, 852 Zertova, Jirina, 540 Negreanu, Matei, 526, 810, 794 Schliwinski, Marianne, 237 Zijst, Jan-Willem van, 683, 1083 Newell, Steven, 902 Schreiter, Johannes, 1098, 1155, 1191, 1259 Zijst, Sunny van, 263 Niederer, Roberto, 575 Schwarzer-Litwornia, Krystyna, 905 Zilio, Andrea, 967 Nordio, Massimo, 964, 965 Scoon, Thomas, 301 Zuber, Czeslaw, 527, 949 Novaro, Jean-Claude, 947 Scott, Joyce, 2, 19, 201, 398, 571, 707, 989 Zuccheri, Toni, 1032 Obaldia, Isabel de, 660 Seguso, Archimede, 5, 206, 759, 856 Zynsky, Toots, 23, 84, 112, 415 Ohira, Yoichi, 568, 659, 942, 960 Seguso, Livio, 588 Oki, Izumi, 1463 Seide, Paul, 579 Othoniel, Jean-Michel, 922 Shaffer, Mary, 115, 296, 509 Palova, Zora, 740 Signoretto, Pino, 738, 907, 931 Pantano, Chris, 394 Simpson, Josh, 652, 700, 768 Papke, Bernd, 186 Singletary, Preston, 433, 1399 Patkin, Izhar, 481 Skibska, Anna, 97, 494, 727, 1001, 1002 Pennell, Ronald, 144, 697, 1000, 1017 Smith, Kiki, 136, 423 Perlis, Leslie, 1178 Sottsass, Ettore, 99, 383, 593, 693, 770 Pesce, Gaetano, 959 Sramkova, Ivana, 540 Pfeifer, Jens H., 229 Stankard, Paul, 3, 199, 200, 342, 874, 939, 1031 Pilchuck Glass School, 489, 493, 557, 558, 854 Statom, Therman, 1, 7, 286, 353, 399, 1440 Pini, Pino, 970 Still, Nanny, 531, 754 Plum, Susan, 378, 707, 989 Stumm, Johannes von, 599 Poilprez, Isabelle, 806, 967 Suhajek, Jiff, 34 Pollard, Donald, 895, 896, 897 Sundberg, Per B., 586 Pons Cirac, Antoni, 972, 1461 Svoboda, Jaroslav, 613 Posner, Richard, 1467 Tagliapietra, Lino, 37, 72, 116, 180, 354, 678, 729, 732, 1006, 1007 Powell, Stephen Rolfe, 572 Takahashi, Yoshihiko, 925 Powers, Pike, 657, 1004 Thiel, Ana, 4, 8, 112, 1403 Precht, Volkhard, 458 Thompson, Cappy, 1210 Price, Richard, 229 Tjiang, Paulus, 407, 484 Prince, Jocelyne, 139, 491 Tobin, Steve, 705 Quagliata, Narcissus, 1220 Toffolo, Cesare, 284 Rahn, Catherine, 700, 875 Toikka, Oiva, 430 Rainey, Clifford, 213 Trabucco, David, 871 Raman, Ingegerd, 649, 742 Trabucco, Jon, 871 Ramshaw, Wendy, 1156 Traylor, Pamina, 403 Raymond, Jean-Paul, 521 Trinkley, Karla, 22 Reay-Young, Helga, 694, 837, 903 Turrell, James, 361 Reekie, David, 799 Umbdenstock, Jean-Pierre, 111 Reid, Colin, 248, 249, 469, 471, 988 Vachtova, Dana, 540 Reid, Stuart, 1141, 1183 Vallien, Bertil, 204, 287, 353, 419, 516, 578, Rhoads, Kait, 491 657, 855, 898 Ries, Christopher, 307, 527 Vandenhoucke, Silvie, 59, 252, 253 Roubicek, Rene, 333, 411, 442, 600, 623 Vanderstukken, Koen, 683 Roubickova, Miluse, 411, 600, 625 Varotsos, Costas, 579, 832, 833 Rougemont, Claire de, 1219 Varrela, Vesa, 15, 756 Royal, Richard, 65, 299 Vennola, Jorma, 217