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Programa Juny 2021 (PDF) juny 2021 programa 06 núm. 110 Dorothy Arzner Mostra de Films de Dones Segundo de Chomón. 150 anys d’il·lusions Wallay! Cinema i jardí L3 (Liceu) Biblioteca de No ens hem oblidat de Dorothy Arz- Catalunya 02 c/ de l’Hospital ner. La retrospectiva de l’única di- Plaça de Dorothy Arzner, Sant Augustí rectora en el molt masculí Hollywood una dona a la Gran dels anys trenta i quaranta, progra- fàbrica de somnis Teatre del Plaça Liceu Reial mada ara fa un any, reapareix en con- La Rambla c/ d’En Robador cordança amb una nova edició de la 10 Mostra c/ de la Unió Mostra Internacional de Films de Do- c/ de Sant Pau Internacional de c/ Espalter nes. També recupera el seu espai al Films de Dones Rambla del Raval calendari el cinema africà, que arri- ba amb el Festival Wallay!, i acollim 19 la sessió prèvia del Most, una sempre Wallay! Festival de Cinema Africà c/ del Marqués de Barberà molt bona ocasió per brindar pel bon c/ Nou de la Rambla cinema. També torna el cicle Paradís perdut: cinema i jardí, Pablo García 25 Canga ens ofereix els seus Dies curts Paradís perdut: i segueixen els millors films de l’any, Cinema i jardí que inclouen els multipremiats My 30 Mexican Bretzel i Las niñas, i la polè- Con- Els millors films servatori mica Mank al voltant d’Orson Welles. de l’any Liceu L2 i L3 (Paral·lel) Iniciem la commemoració dels 150 36 anys del naixement de Segundo de Sessions Filmoteca de Catalunya L2 (Paral·lel) Chomón, celebrem el Dia Mundial especials Dues sales de cinema L3 (Liceu i Paral·lel) del Medi Ambient amb Ron Howard Exposicions i assistirem a l’autòpsia narrativa de 40 21, 59, 88, 91 Segundo Biblioteca especialitzada D20, D50 Jaws amb el novel·lista Albert Sán- Llibreria V11, V13, H14 de Chomón. chez Piñol. 150 anys Bar-restaurant d’il·lusions Plaça de Salvador Seguí, 1-9 Esteve Riambau 08001 Barcelona T 93 567 10 70 Director 42 Dies curts ISSN edició impresa: 2013-2743 ISSN edició electrònica: 2013-2662 D.L. B-38.546-81 Disseny i maquetació: Studio Aparte Impressió: www.uan-tu-tri.com Dorothy Arzner, Del 1927 al 1943 Dorothy Arzner va 04 dirigir gairebé una vintena de films. Working Girls una dona Durant tot aquest temps va ser l’úni- Noies treballadores ca dona directora a Hollywood. La Dance, Girl, Dance a la fàbrica seva excel·lent tasca com a muntado- Balla, noia, balla ra de cinema mut li va obrir el camí 05 de somnis a la direcció. Va ser la primera dona Get Your Man a dirigir un film sonor –va inventar el Aconsegueix el teu home micròfon de girafa– i a formar part The Wild Party del Sindicat de Directors dels Estats La festa salvatge Units. Rere les càmeres va aportar 06 una mirada més agredolça a la comè- Sarah and Son dia i al drama, qüestionant l’imagina- Sarah i el seu fill ri romàntic establert. Malgrat el codi Anybody’s Woman Hays, va mostrar la part més fosca del La dona de ningú matrimoni i va explorar la sororitat, el 07 concepte del compromís, el rol de les Honor Among dones treballadores i la relació entre Lovers classe social i gènere. Va potenciar L’honor entre amants i orientar la carrera d’un bon grapat Christopher d’estrelles femenines, a qui sempre Strong posava en primer terme i a les quals 08 conferia personalitats poderoses i Merrily We matisos poc o gens tractats alesho- Go to Hell Alegrement res… I malgrat tot va caure en l’oblit, anem a l’infern fins que als anys setanta el moviment The Bride feminista la va reivindicar. Wore Red La núvia anava de vermell Amb la col·laboració de Una cineasta única que mai més no tornarà a estar sola. La Mostra de 09 Agraïments: Cinema de Dones que l’acompanya Craig’s Wife en la programació d’aquest mes n’és L’esposa de Craig una evidència. First Come Courage El valor és el primer Dorothy Arzner, una dona a la fàbrica de … Dimecres 2 / 19.30 h Working Girls Noies treballadores Get Your Man Aconsegueix el teu home Dimarts 8 / 19.00 h Sala Chomón DOROTHY ARZNER, 1931. Int.: Judith Wood, Dorothy Hall, Claire Dodd, Frances DOROTHY ARZNER, 1927. Int.: Clara Bow, Charles ‘Buddy’ Rogers, Josef Sala Laya Diumenge 13 / 16.00 h Dee, Paul Lukas. EUA. VOSC. 77’. 35mm. Swickard. EUA. Muda, sonoritzada amb rètols en català. 60’. 35mm. Divendres 11 / 16.00 h Sala Chomón Agosarada i innovadora, Working Girls mai no es va Un home i una dona s’enamoren després de veure’s Sala Laya arribar a estrenar malgrat constituir una de les obres obligats a passar la nit al Museu de Cera de París quan més interessants d’Arzner. Escrita amb la guionis- s’hi queden tancats. Al matí ell li explica que està ta Zoe Arzner, narra la història de dues germanes promès amb una altra noia i que la boda s’esdevindrà d’Indiana que viatgen a Nova York amb la intenció aquella mateixa setmana. Aquesta comèdia, protago- d’aconseguir feina i marit. El film revela el compro- nitzada per Clara Bow quan estava al cim de la seva mís de la cineasta de tractar el paper de les dones tre- popularitat, va tenir molt bona acollida i va ser deci- balladores i gènere. siva perquè la Paramount confiés en Dorothy Arzner per dirigir de nou l’actriu a The Wild Party. Divendres 4 / 19.00 h Dance, Girl, Dance Balla, noia, balla Sala Laya DOROTHY ARZNER, 1940. Int.: Maureen O’Hara, Louis Hayward, Lucille Ball, The Wild Party La festa salvatge Dimecres 9 / 16.30 h Virginia Field, Ralph Bellamy, Maria Ouspenskaya. EUA. VOSC. 90’. DCP. Sala Chomón Dissabte 26 / 16.00 h DOROTHY ARZNER, 1929. Int.: Clara Bow, Fredrich March, Marceline Day, Shirley O’Hara, Adrienne Dore, Joyce Compton. EUA. VOSC. 77’. 35mm. Sala Chomón Dues companyes d’una troupe de ball encarnen pos- Dimarts 15 / 19.30 h tures diferents sobre la dansa, una es decanta pel Stella és la més esbojarrada i la més popular de totes Sala Chomón vodevil i les actuacions en night-clubs mentre que les noies de l’internat. La situació canviarà quan entri l’altra prefereix el ballet clàssic. El film, amb pa- en escena el nou i atractiu professor d’antropologia. raules de la mateixa Arzner, “és una reflexió sobre Partint d’aquesta trama, la directora desplega un ima- la disparitat entre art i comerç. Les dues ballarines ginari, present a tot el seu treball i poc vist al cinema, s’esforcen per preservar la seva pròpia integritat en el qual explora les relacions afectives entre dones feminista alhora que es disputen ser les principals als internats i introdueix el tema del lesbianisme. El protagonistes damunt l’escenari i la conquesta del film va ser tot un èxit, ja que el públic no es va voler mascle”. Amb muntatge de Robert Wise, és una de- perdre com sonava la veu de l’estrella del cinema mut núncia del costat fosc del music-hall que, a finals dels Clara Bow. L’actriu es va mostrar insegura a l’hora de seixanta, va tenir una segona vida comercial gràci- parlar a la càmera i, arran d’això, Dorothy Arzner va es al moviment feminista. És el film més conegut lligar el micròfon a una canya tot inventant el micrò- d’Arzner i conté la coneguda escena en la qual Mau- fon de girafa. Es va estrenar amb el títol La loca orgía. reen O’Hara s'encara des de l'escenaria a un públic masculí hostil. 4 5 Dorothy Arzner, una dona a la fàbrica de … Dijous 10 / 16.30 h Sarah and Son Sarah i el seu fill Honor Among Lovers L’honor entre amants Dimarts 15 / 16.00 h Sala Laya DOROTHY ARZNER, 1930. Int.: Ruth Chatterton, Fredric March, Fuller Mellish DOROTHY ARZNER, 1931. Int.: Claudette Colbert, Fredric March, Monroe Sala Laya Jr., Gilbert Emery, Doris Lloyd, William Stack. EUA. VOSC. 86’. 35mm. Owsley, Charles Ruggles, Ginger Rogers. EUA. VOSC. 75’. 35mm. Dimecres 16 / 19.00 h Dissabte 19 / 19.00 h Sala Laya Després de patir la mort d’una germana, una immi- Una noia treballa de secretària per a un agent de Sala Laya grant alemanya amb talent per al cant i el ball es casa borsa molt poderós. L’home intenta seduir-la, i ella, amb un canalla que acaba venent el fill que tenen en per treure-se’l de sobre, es casa amb un jove de futur comú a una família rica. Quan, passat un temps, el re- incert. El matrimoni serà el detonant de situacions clama a la família adoptiva, aquesta l’amenaça de fer que la noia no havia previst. “Arzner dona el millor que la tanquin a un psiquiàtric. “Una història colpidora d’ella mateixa quan dirigeix pel·lícules que no només sobre l’amor maternal que va rebre lloances de la críti- juguen amb les diferències entre homes i dones, sinó ca per «situar-se per damunt de la fórmula del melodra- també amb les de classe; Honor Among Lovers no n’és ma» i «dotar els conceptes dona directora i pel·lícula per cap excepció” (Judith Mayne). a dones d’un matís particular»” (Judith Mayne). Christopher Strong Dimarts 15 / 19.00 h Dissabte 12 / 19.00 h Anybody’s Woman La dona de ningú DOROTHY ARZNER, 1933. Int.: Katharine Hepburn, Colin Clive, Billie Burke, Sala Laya Helen Chandler, Ralph Forbes, Irene Browne, Jack La Rue.
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