Introduction: the Millennial Dream
Notes Introduction: The Millennial Dream 1. Charles Dickens, Dombey and Son, ed. Peter Fairclough, intr. Raymond Williams (1846–48; Harmondsworth: Penguin, 1979), pp. 87–8; further page references appear in parentheses. 2. Raymond Williams, “Introduction,” in Dickens, Dombey and Son, pp. 11–24 (11–12). 3. Edward W. Said, Culture and Imperialism (London: Vintage, 1994), p. 14. 4. “The Great Exhibition,” The Times (17 March 1851),p.8. 5. Roland Robertson, Globalization: Social Theory and Global Culture (London: Sage, 1992),p.8. 6. John Barrell, “Visualising the Division of Labour: William Pyne’s Micro- cosm,” The Birth of Pandora and the Division of Knowledge (London: Macmillan Press, 1992), pp. 89–118 (89). 7. David Harvey, TheCondition of Postmodernity: An Enquiry into the Origins of Cultural Change (1989; Oxford: Blackwell, 1997), p. 27. 8. Paul Smith, Millennial Dreams: Contemporary Culture and Capital in the North (London: Verso, 1997), p.9. 9. Jeffrey A. Auerbach, The Great Exhibition of 1851: A Nation on Display (New Haven: Yale Univesity Press, 1999);John R. Davis, TheGreatExhibition (Stroud: Sutton, 1999).Athird recent history, Hermione Hobhouse’s The Crystal Palace and the Great Exhibition (London: Athlone, 2002), provides a detailed analysis of the display’s organization and legacy. 10. Auerbach, Great Exhibition, p. 1. 11. Auerbach, GreatExhibition,pp. 2–3. 12. Davis, GreatExhibition,p.x. 13. Auerbach, Great Exhibition, p. 1; Davis, Great Exhibition, p. xi. 14. Henceforth I use the generic term “Exhibition commentary” in order to refer tothese various texts. 15. Karl Marx and Friedrich Engels, The Communist Manifesto (1848), Karl Marx: Selected Writings, ed.
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