Food and Drink Spring 2021
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A Dinner at the Governor's Palace, 10 September 1770
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 A Dinner at the Governor's Palace, 10 September 1770 Mollie C. Malone College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons Recommended Citation Malone, Mollie C., "A Dinner at the Governor's Palace, 10 September 1770" (1998). Dissertations, Theses, and Masters Projects. Paper 1539626149. https://dx.doi.org/doi:10.21220/s2-0rxz-9w15 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. A DINNER AT THE GOVERNOR'S PALACE, 10 SEPTEMBER 1770 A Thesis Presented to The Faculty of the Department of American Studies The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Mollie C. Malone 1998 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts 'JYIQMajl C ^STIclU ilx^ Mollie Malone Approved, December 1998 P* Ofifr* * Barbara (farson Grey/Gundakerirevn Patricia Gibbs Colonial Williamsburg Foundation TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iv ABSTRACT V INTRODUCTION 2 HISTORIOGRAPHY 5 A DINNER AT THE GOVERNOR’S PALACE, 10 SEPTEMBER 1770 17 CONCLUSION 45 APPENDIX 47 BIBLIOGRAPHY 73 i i i ACKNOWLEDGMENTS I want to thank Professor Barbara Carson, under whose guidance this paper was completed, for her "no-nonsense" style and supportive advising throughout the project. -
Ti;Is Heading of This Article May Take Some of Oiir Readers
[f ;^ Ti;is heading of this article may take some of oiir readers "by surprise, ina prebends m^ thought o£ Been deemed scarcely ww Yet, the question of tte est^ otigbt ever, atoiongst any people, and in any progressive com to lie an object of no trifling consideration. In all times, as history in a multiplicity of instances has proved, the form ation of establishments of this character has not only obtained general approval, but) has been rightly considered matter of paramour importance. This having been so genemlly, the question naturally anseis to us, as Masons, why it should not apply to us part icularly. There is no reason—there can be no reason—why it should not. A system embodying some of the highest theoretical and practical principles which can fairly be said to constitute the existence of science itself, should not, in these onward days, be without its garner of lore, and its storehouse of those actual illustrations of the past which nntiring industry may have gathered, cultivated taste arranged, and religious care preserved. Sincere in these views, we hail with no ordinary degree of satis-, faction the effort which we find is being made towards the formation of a -5* . Masonic Library and Museum." At the forthcoming Grand Lodge, a resolution is to be brought forward relative to the establishment of an institution of the above character. So welUptentioned a step we believe to be one in " the right direction," as $. most valuable adj unct in the advancement of Masonry, and its decided and unquestioned interests. This move* Vol. -
Regency Food |Period Recipe
Regency food |period recipes|Main Dishes | A Platter of Pasties http://www.janeausten.co.uk/magazine/page.ihtml?pid=395&step=4 Online magazine: Regency Recipes Main Dishes A Platter of Pasties Pasties were the staple of the working man's noon meal. Legend holds that the meat filled pastry was brought all over England by miners from Cornwall. Cooks there would place each individuals' initials in the corner of the the pastie making them easily identifiable to the owner. There were various stratagies to eating your pastie-- though most included holding it at the seam and eating towards it-- this provided and handy way to identify unfinished pieces and avoid getting dirty hands on your lunch. Pasties are a delicious way to warm up on a chilly winter day. Petit Pasties Make a short crust, roll it thick, make them about as big as the bowl of a spoon and about an inch deep; take a piece of veal enough to fill the patty, as much bacon and beef-suet, shred them all very fine, season them with pepper and salt, and a little sweet herbs; put them into a little stew-pan, keep turning them about, with a few mushrooms chopped small, for eight or ten minutes; then fill your petty-patties and cover them with some crust; colour them with the yolk of an egg, and bake them. Hannah Glasse, The Art of Cookery made Plain & Easy, 1792 Pasties with White Wine Sauce 7 oz/ 200 g shortcrust pastry egg wash for glazing 5 oz/ 150 g lean cooked veal or chicken without gristle or bone 5 oz/ 150 g rindless bacon rashers (slices), blanched 1 tablespoon shredded suet salt and pepper to taste finely grated rind of ½ lemon 1 teaspoon finely chopped fresh parsley 1 oz/ 25 g mushrooms, finely chopped about 3 tablespoons white wine sauce (see method below) 1 of 2 11/30/2010 3:45 PM Regency food |period recipes|Main Dishes | A Platter of Pasties http://www.janeausten.co.uk/magazine/page.ihtml?pid=395&step=4 Make the patty cases first. -
Fall Flavor Weekend Recipes 2017
Fall Flavor Weekend Recipes 2017 These recipes are taken from original historical resources and contain spellings and references that will be unfamiliar to today’s cooks. These were retained for accuracy and are explained where possible. To Stew a Rump of Beef Having boiled it till it is a little more than half enough, take it up, and peel off the skin: take salt, pepper, beaten mace, grated nutmeg, a handful of parsley, a little thyme, winter-savory, sweet-mar- joram, all chopped fine and mixed, and stuff them in great holes in the fat and lean, the rest spread over it, with the yolks of two eggs; save the gravy that runs out, put to it a pint of claret, and put the meat in a deep pan, pour the liquor in, cover in close, and let it bake two hours, then put it into the dish, pour the liquor over it, and send it to the table. Hannah Glasse, The Art of Cookery Made Plain and Easy, 1796, p. 70 To Stew Pears Pare six pears, and either quarter them or do them whole; they make a pretty dish with one whole, the rest cut in quarters, and the cores taken out. Lay them in a deep earthen pot, with a few cloves, a piece of lemon-peel, a gill [1/2 cup] of red wine, and a quarter of a pound of fine sugar. If the pears are very large, they will take half a pound of sugar, and half a pint of red wine; cover them close with brown paper, and bake them till they are enough. -
A History of the French in London Liberty, Equality, Opportunity
A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick A history of the French in London liberty, equality, opportunity A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick LONDON INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU First published in print in 2013. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY- NCND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN 978 1 909646 48 3 (PDF edition) ISBN 978 1 905165 86 5 (hardback edition) Contents List of contributors vii List of figures xv List of tables xxi List of maps xxiii Acknowledgements xxv Introduction The French in London: a study in time and space 1 Martyn Cornick 1. A special case? London’s French Protestants 13 Elizabeth Randall 2. Montagu House, Bloomsbury: a French household in London, 1673–1733 43 Paul Boucher and Tessa Murdoch 3. The novelty of the French émigrés in London in the 1790s 69 Kirsty Carpenter Note on French Catholics in London after 1789 91 4. Courts in exile: Bourbons, Bonapartes and Orléans in London, from George III to Edward VII 99 Philip Mansel 5. The French in London during the 1830s: multidimensional occupancy 129 Máire Cross 6. Introductory exposition: French republicans and communists in exile to 1848 155 Fabrice Bensimon 7. -
B. Higman Cookbooks and Caribbean Cultural Identity
B. Higman Cookbooks and Caribbean cultural identity : an English-language hors d'oeuvre Analysis of 119 English-language cookbooks (1890-1997) published in or having to do with the Caribbean. This study of the history of cookbooks indicates what it means to be Caribbean or to identify with some smaller territory or grouping and how this meaning has changed in response to social and political developments. Concludes that cookbook-writers have not been successful in creating a single account of the Caribbean past or a single, unitary definition of Caribbean cuisine or culture. In: New West Indian Guide/ Nieuwe West-Indische Gids 72 (1998), no: 1/2, Leiden, 77-95 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/01/2021 12:18:56PM via free access B.W. HlGMAN COOKBOOKS AND CARIBBEAN CULTURAL IDENTITY: AN ENGLISH-LANGUAGE HORS D'OEUVRE In any attempt to understand the culture-history of food, the prescriptive texts hold an important place. The simple or complex fact of publication is significant in itself, indicating a codification of culinary rules and a notion that there exists a market for such information or an audience to be in- fluenced. It can be argued that the emergence of the cookbook marks a critical point in the development of any cuisine and that the specialization and ramification of texts has much to tell about the character of national, regional, and ethnic identities. For these several reasons, a study of the history of cookbooks published in and having to do with the Caribbean can be expected to throw some light on what it means to be Caribbean or to identify with some smaller territory or grouping, and how this meaning has changed in response to social and political development.1 The transition from the oral to the written represents an important stage in the fixing of an objective text and the standardization of its elements (as in the measures and cooking times appropriate to a recipe). -
Three Centuries of British Art
Three Centuries of British Art Three Centuries of British Art Friday 30th September – Saturday 22nd October 2011 Shepherd & Derom Galleries in association with Nicholas Bagshawe Fine Art, London Campbell Wilson, Aberdeenshire, Scotland Moore-Gwyn Fine Art, London EIGHTEENTH CENTURY cat. 1 Francis Wheatley, ra (1747–1801) Going Milking Oil on Canvas; 14 × 12 inches Francis Wheatley was born in Covent Garden in London in 1747. His artistic training took place first at Shipley’s drawing classes and then at the newly formed Royal Academy Schools. He was a gifted draughtsman and won a number of prizes as a young man from the Society of Artists. His early work consists mainly of portraits and conversation pieces. These recall the work of Johann Zoffany (1733–1810) and Benjamin Wilson (1721–1788), under whom he is thought to have studied. John Hamilton Mortimer (1740–1779), his friend and occasional collaborator, was also a considerable influence on him in his early years. Despite some success at the outset, Wheatley’s fortunes began to suffer due to an excessively extravagant life-style and in 1779 he travelled to Ireland, mainly to escape his creditors. There he survived by painting portraits and local scenes for patrons and by 1784 was back in England. On his return his painting changed direction and he began to produce a type of painting best described as sentimental genre, whose guiding influence was the work of the French artist Jean-Baptiste Greuze (1725–1805). Wheatley’s new work in this style began to attract considerable notice and in the 1790’s he embarked upon his famous series of The Cries of London – scenes of street vendors selling their wares in the capital. -
Sizzlethe American Culinary Federation Quarterly for Students of Cooking
SPRING 2014 sizzleTHE AMERICAN CULINARY FEDERatION QUARTERLY FOR STUDENTS OF COOKING develop vegetable explore the rediscovery business skills cuisine of England menu trend sizzle features The American Culinary Federation NEXT Quarterly for Students of Cooking 16 Minding Your Own Publisher IssUE American Culinary Federation, Inc. Business Skills • Chefs reveal their best career-beginning Editor-in-Chief Beyond cooking, plan to learn as much as you can decisions. Jody Shee about spreadsheets, profit-and-loss statements, math, • Learn the latest snack trends. Senior Editor computer programs and marketing in order to succeed. • Discover what it takes to Kay Orde 22 Veggie Invasion run a food truck. Senior Graphic Designer David Ristau Vegetables are becoming increasingly important on restaurant menus, especially as variety expands Graphic Designer and consumers become more health-conscious. Caralyn Farrell Director of Communications 28 Food Companies Hire Chefs Patricia A. Carroll Discover why the employee turnover rate is so low among chefs who work in corporate Contributing Editors positions for food manufacturers. Rob Benes Suzanne Hall Ethel Hammer Karen Weisberg departments 16 22 28 Direct all editorial, advertising and subscription inquiries to: American Culinary Federation, Inc. 4 President’s Message 180 Center Place Way ACF president Tom Macrina, CEC, CCA, AAC, discusses seizing all opportunities. St. Augustine, FL 32095 (800) 624-9458 [email protected] 6 Amuse-Bouche Student news, opportunities and more. Subscribe to Sizzle: www.acfchefs.org/sizzle 8 Slice of Life For information about ACF Jennifer Heggen walks us through a memorable day in her internship as pastry commis certification and membership, at Thomas Keller Restaurant Group’s Bouchon Bistro/Bakery in Yountville, Calif. -
Read'em Again Books, ABAA
Read’Em Again Books, ABAA Kurt and Gail Sanftleben Catalog 16-2 Summer - Fall of 2016 Sketch of the Atlanta Barracks Prison from Item 29 – An Archive of Material Documenting the Ordeal of a Conscripted Alabama Unionist Who Was Sentenced to Death by a Confederate Army Court-Martial - 1857-1873. Click on any title or catalog picture for more information and larger images. Read’Em Again Books – Catalog 16-2 – Summer-Fall of 2016 Terms of Sale If you have questions about anything you see in this catalog, please contact us at [email protected]. Prices quoted in the catalog are in U.S dollars. When applicable, we must charge sales tax for orders coming from or shipped to addresses in the Commonwealth of Virginia. Standard domestic shipping is at no charge. International shipping varies, but is usually around $30.00 for the first item. All shipments are insured. Reciprocal trade discounts are extended. Established customers and institutions may be invoiced; all others are asked to prepay. If you are viewing this catalog on-line, the easiest way for you to complete a purchase is to click on the Item # or the image associated with a listing. This will open a link at our webstore where you will be able to add the item to a shopping cart and complete your purchase by using a credit card or bank transfer through PayPal. We also accept checks, money orders, and non-PayPal bank transfers. International non-PayPal bank transfers will incur an additional fee of $30. Domestic non-PayPal bank transfers will incur an additional fee of $15. -
Erature Was Not Always Slavishly Followed, Adherence to These Values, Both at Work and at Home, Could Help Cement the Family’S Social Status
University of Alberta Science, Technology, and Management in the Middle-Class English Home, c. 1800-1880 by Caroline Lieffers A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in History Department of History and Classics ©Caroline Lieffers Fall 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Examining Committee Supervisor: Professor Beverly Lemire, Department of History and Classics, University of Alberta Internal Examiner: Professor Susan Smith, Department of History and Classics, University of Alberta Internal/External Examiner: Professor Susan Hamilton, Department of English and Film Studies, University of Alberta Abstract The nineteenth-century English middle class was strongly influenced by science, industry, and capitalist managerial techniques. These trends also made their way into the domestic space, where women negotiated their application, particularly in the kitchen. This thesis examines domestic life in the context of the popularization of science and the history of technology and management to come to a fuller understanding of how middle-class women ran their homes between about 1800 and 1880, a period of broad industrialisation and business growth. -
Alexis Soyer: El Colaborador De Florence Nightingale En Crimea
ALEXIS SOYER: EL COLABORADOR DE FLORENCE NIGHTINGALE EN CRIMEA PALABRAS CLAVE: ALEXIS SOYER; FLORENCE NIGHTINGALE; CRIMEA; ALIMENTACION; GASTRONOMIA; INNOVACIÓN. INTRODUCCIÓN Si hoy habláramos de los mejores cocineros de todo el mundo (Gutiérrez-Tapia, A. 2011) hablaríamos de Ferrán Adriá, de Alain Ducasse, de Keller Thomas. Pero si hiciéramos una lista con el top ten de los chefs de la alta cocina más famosos, o de más impacto, de todos los tiempos nos encotraríamos con Alexis Soyer en los puestos más altos del ranking (Curiosidades gastronómicas 2011; Blanc 2011). Este cocinero fráncés, que desarrolló su carrera profesional en Gran Bretaña, además de innovar e inventar numerosos útiles culinarios, técnicas de cocina y numerosas recetas (hoy diríamos que era un experto en I+D+I), además de publicar varios libros, estuvo con Florence Nightingale en Crimea organizando la alimentación de los hospitales militares y de las tropas británicas. Sus libros se estudian en las escuelas superiores de cocina, y en uno de ellos recoge sus experiencias en la guerra de Crimea, y su admiración por Florence Nightingale. FOTO 1 Portada del trabajo SUS ORÍGENES Y EL COMIENZO DE SU TRAYECTORIA Alexis Benoît Soyer (4 de febrero de 1810 – 5 de agosto de 1858) nació en Meaux-en- Brie (Marne- Francia) conocida por su queso. A los 11 años, tras su expulsión de la escuela (fue expulsado del seminario donde estudiaba, por haber llamado a rebato indebidamente), va a Paris a trabajar como aprendiz en el restaurante Grignon de su 1 hermano. A los 16 años ya es el cocinero jefe del restaurante “Boulevard des Italiens”. -
The French Migrant and French Gastronomy in London (Nineteenth to Twenty-First Centuries)
A Migrant Culture on Display: The French Migrant and French Gastronomy in London (Nineteenth to Twenty-First Centuries) Debra Kelly Oh, Madame Prunier, you give us fishes which we wouldn’t dream of eating anywhere; you call them by a funny French name, and we all adore them! (Prunier 2011, x–xi) Que se passe-t-il dans une assiette? Que retrouve-t-on qui exprime des idées, fasse sens et permette un message? Quelle est la nature de cette matière à réflexion? Quelle emblématique pour l’empire des signes culinaires? (Onfray 156)1 French Food Migrates to London: The French Migrant and London Food Culture2 In his social history of ‘eating out’ in England from the mid-nineteenth century to the turn of the twenty-first, John Burnett discusses thediffusion 1 Translation: ‘What happens on a plate? What is found there which may express ideas, make meaning, formulate a message? What is the nature of this material for reflection? How can the empire of culinary signs be symbolised’? The philosopher Michel Onfray is making explicit reference to Barthes’s L’Empire des signes (1970), and implicit reference to Barthes’s methods of analysing cultural myths, their construction and circulation. These methods also underlie the approach taken in this article to representation and meaning. 2 This article explores some of the preliminary research for a larger project which uses French cuisine as the lens through which to analyse the French (and Francophone) experience in the British capital, historically and in the contemporary city: ‘being’ French in London. It considers French culinary knowledge and practice at work in the city as a material form of identity, of culture and of cultural capital and examines its place in London’s constantly evolving culinary landscape: ‘eating’ French in London.