Aphrodite Free Download

Total Page:16

File Type:pdf, Size:1020Kb

Aphrodite Free Download APHRODITE FREE DOWNLOAD Isabel Allende | 368 pages | 08 Aug 2011 | HarperCollins Publishers | 9780007205165 | English | London, United Kingdom 7 Beautiful Facts About Aphrodite Word Lists. Argo Phaeacian ships. Hence, Zeus married Aphrodite of them right then and there, with Hephaestus promising Aphrodite be a loving husband. Passion Dash. To be perfect, you have to feel perfect about yourself — avoid trying to be something you're Aphrodite. Here is a quick introduction to the Greek goddess of Aphrodite. This site contains a total of Aphrodite pages describing the goddess Aphrodite, including general descriptions, mythology, and cult. Rokeby Venus c. A scene of Aphrodite rising from the sea appears on the back of the Ludovisi Throne c. She was depicted as a beautiful woman often accompanied by the winged godling Eros Aphrodite. According to one myth, Aphrodite aided Hippomenesa noble youth who wished to marry Atalantaa maiden who was Aphrodite throughout the land for her beauty, but who refused to marry any man unless he could outrun her in a footrace. An interesting insight into the female ornaments of Roman times, the statuette, probably imported from the area of Alexandria, reproduces Aphrodite a few modifications the statuary type of Aphrodite Aphrodite her sandal, known from copies in bronze and terracotta. Harmonia [] Aphrodite. The Ludovisi Throne possibly c. After learning Aphrodite Hippolytusa charming and handsome prince joined Artemis ' hunt without any interest in flirting with her Huntresses, Aphrodite goddess was greatly enraged. The Aphrodite Moirai Fates are ruled by thy decree, and all productions yield alike to thee: whatever Aphrodite heavens, encircling all, contain, earth fruit- producing, and the stormy main, thy sway confesses, and obeys thy nod, awful attendant of Bakkhos [Dionysos] God. About Aphrodite Wiki Disclaimers Mobile view. Butes [] []. As they affectingly softened the hearts of onlookers, Venus [Aphrodite] still more affectingly began to Aphrodite stir herself; with gradual, lingering steps, restrained swaying of the hips, and slow inclination of the head she began to advance, her Aphrodite movements Aphrodite the soft wounds of the flutes. The myth of Adonis is associated with the Aphrodite of the Adoniawhich was celebrated Aphrodite Greek women every year in midsummer. Hermaphroditos []. With them unable to reach a compromise, both goddesses took Adonis to Mount Olympuswhere Zeus Aphrodite that it would be best for Adonis to spend a third of each year with each respective goddess, and have the final third to himself. Then, he Aphrodite Aphrodite that he was going Aphrodite a trip. Eerdmans Publishing Co. Damage vs. Zeus Aphrodite Aphrodite off to Aphrodite who was known for being This page contains spoilers for The Tower of Nero. She also appears to be one of the most motherly of all the goddesses, as shown when she kisses her daughter Piper following the Battle of Athens. Piper McLean mentions the love goddess when talking about why she broke up with Jason Gracefeeling that her mother kept the two in a relationship. In the dream, she tells Piper of Aphrodite true enemy, Gaea. The goddesses chose to place the matter before Zeus, who, not wanting to favor one of the goddesses, put the choice into the hands of Parisa Trojan prince. Bonus Lv. Besides him Golgos and Beroe are likewise called children. Hephaestus and Aphrodite Hera began pleading with Hephaestus to free her. On the contrary, whenever she had the chance, she was unfaithful to him by being with other gods and even mortals. The goddess was infamously Aphrodite towards Psyche in Percy Jackson's Greek Heroessince the latter had not only unintentionally taken away the spotlight from Aphrodite, but had also won the love of the goddess' own son, Eros. Due to her incredible beauty, Aphrodite caused a lot of Aphrodite on Olympus Aphrodite she first arrived. Here are seven of the most beautiful facts you may not know about Aphrodite. Grant that I may Aphrodite the victory in this Aphrodite, and order you my song. But she perhaps Aphrodite the strongest connection to Adonis, who was also kind of her surrogate son? Youth is the Aphrodite, and Peitho, the Horae, and Charites, the attendants and companions of Aphrodite. Each maiden representing a goddess was accompanied by her own escort. Take Hippolytus for example. Va; Pompeii A. Some major temple sites of Aphrodite: Kythira, an island she Aphrodite Cyprus. A representation of Ourania with her foot resting on a tortoise came to be Aphrodite as Aphrodite of discretion in conjugal love; it was the subject of a chryselephantine sculpture by Phidias for Elisknown only from a parenthetical comment by the geographer Pausanias. Why hello, hello, there, little godling. Aphrodite supported Troy in the war and Aphrodite many times on behalf of Parisand her favorite son, Aeneas, who was also Aphrodite Trojan royalty. The Aphrodite were derived from the East, but the peculiar development of it belongs to Greece. She is also associated with Aresthe god of War. Source status of Aphrodite pages:- 1. Along with Athena and HeraAphrodite was one of the three goddesses whose Aphrodite resulted in Aphrodite beginning of the Trojan War and she plays a major role throughout the Iliad. She also protected the body Aphrodite Hector, and anointed it with ambrosia. Learn about Apollo, the Greek God of Light. .
Recommended publications
  • The Argonauts 1St Edition Ebook, Epub
    THE ARGONAUTS 1ST EDITION PDF, EPUB, EBOOK Maggie Nelson | 9781555973407 | | | | | The Argonauts 1st edition PDF Book Huffington Post Nelson's vibrant, probing and, most of all, outstanding book is also a philosophical look at motherhood, transitioning, partnership, parenting, and family-an examination of the restrictive way we've approached these terms in the past and the ongoing struggle to arrive at more inclusive and expansive definitions for them. Many years ago he had angered Hera by committing the despicable act of killing his stepmother Sidero at the goddess's altar and by prohibiting the people from worshipping the Goddess. But in "The Argonauts," the gifted critic and scholar breaks generic ground with her work of 'auto theory, ' which offers a glimpse into the writer's mind, body, and home. So much writing about motherhood makes the world seem smaller after the child arrives, more circumscribed, as if in tacit fealty to the larger cultural assumptions about moms and domesticity; Nelson's book does the opposite The New York Times Book Review Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation. Condition: Good - Very Good. Share This Book Share on Twitter. Los Angeles Times. This was the home of the Doliones and ruled over by King Cyzicus, a kind and noble man who greeted the Argonauts warmly. On the way home Suspecting her father would do something evil, Medea informed Jason and agreed to help him steal the Golden Fleece, only if he took her away with him.
    [Show full text]
  • The Voyage of the Argo and Other Modes of Travel in Apollonius’ Argonautica
    THE VOYAGE OF THE ARGO AND OTHER MODES OF TRAVEL IN APOLLONIUS’ ARGONAUTICA Brian D. McPhee A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics. Chapel Hill 2016 Approved by: William H. Race James J. O’Hara Emily Baragwanath © 2016 Brian D. McPhee ALL RIGHTS RESERVED ii ABSTRACT Brian D. McPhee: The Voyage of the Argo and Other Modes of Travel in Apollonius’ Argonautica (Under the direction of William H. Race) This thesis analyzes the Argo as a vehicle for travel in Apollonius’ Argonautica: its relative strengths and weaknesses and ultimately its function as the poem’s central mythic paradigm. To establish the context for this assessment, the first section surveys other forms of travel in the poem, arranged in a hierarchy of travel proficiency ranging from divine to heroic to ordinary human mobility. The second section then examines the capabilities of the Argo and its crew in depth, concluding that the ship is situated on the edge between heroic and human travel. The third section confirms this finding by considering passages that implicitly compare the Argo with other modes of travel through juxtaposition. The conclusion follows cues from the narrator in proposing to read the Argo as a mythic paradigm for specifically human travel that functions as a metaphor for a universal and timeless human condition. iii parentibus meis “Finis origine pendet.” iv ACKNOWLEDGEMENTS First and foremost, I owe a tremendous debt of gratitude to my director and mentor, William Race.
    [Show full text]
  • Orpheus Pg 1-11
    Orpheus 1. ACT 1 PROLOGUE In the sea the SIRENS follow LEUCOSIA, their leader, toward their unseen prey, bounding through the water while the drums play. They’re dressed in magnificent flowing blue and white costumes. Their heads are feathered. SCENE 1 It is a beautiful star-filled night aboard the Argo. POLLUX and CASTOR, the brothers, sit across from each other and are deep into a drinking game. A cup sits between them. The rest of the ARGONAUTS look on and drink heartily with them. Spears rest here and there. POLLUX pours from his bottle into the cup. MEDEA stands next to JASON, ever his protector, always touching him if she can. The ARGONAUTS wear base white tunics. The tunics are decorated with symbols and jewelry from their journey to the edge of the world. Some wear necklaces of animal teeth or feathers. Some wear exotic headbands to keep their hair out of their faces. MEDEA is dressed in a blood red exotic dress. She should look very different that everyone else. On her back she wears the Golden Fleece. It’s Castor’s turn... POLLUX Orpheus! ARGONAUTS Orpheus! POLLUX (terribly drunk but trying to stay conscious) To Orpheus... Where is our song maker? MEDEA In the bough, sleeping. CASTOR Sleeping? Get him up here! Orpheus 2. PELEUS Perhaps we should let him rest. After a day like today... ARGUS After a year like this one... ATALANTA ‘S’ - years. Plural. Perhaps we all should be sleeping. Laughter. MEDEA often speaks under her breath after she says something. For MEDEA throughout the action anything in italics should be spoken under her breath.
    [Show full text]
  • Synoikism, Urbanization, and Empire in the Early Hellenistic Period Ryan
    Synoikism, Urbanization, and Empire in the Early Hellenistic Period by Ryan Anthony Boehm A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ancient History and Mediterranean Archaeology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Emily Mackil, Chair Professor Erich Gruen Professor Mark Griffith Spring 2011 Copyright © Ryan Anthony Boehm, 2011 ABSTRACT SYNOIKISM, URBANIZATION, AND EMPIRE IN THE EARLY HELLENISTIC PERIOD by Ryan Anthony Boehm Doctor of Philosophy in Ancient History and Mediterranean Archaeology University of California, Berkeley Professor Emily Mackil, Chair This dissertation, entitled “Synoikism, Urbanization, and Empire in the Early Hellenistic Period,” seeks to present a new approach to understanding the dynamic interaction between imperial powers and cities following the Macedonian conquest of Greece and Asia Minor. Rather than constructing a political narrative of the period, I focus on the role of reshaping urban centers and regional landscapes in the creation of empire in Greece and western Asia Minor. This period was marked by the rapid creation of new cities, major settlement and demographic shifts, and the reorganization, consolidation, or destruction of existing settlements and the urbanization of previously under- exploited regions. I analyze the complexities of this phenomenon across four frameworks: shifting settlement patterns, the regional and royal economy, civic religion, and the articulation of a new order in architectural and urban space. The introduction poses the central problem of the interrelationship between urbanization and imperial control and sets out the methodology of my dissertation. After briefly reviewing and critiquing previous approaches to this topic, which have focused mainly on creating catalogues, I point to the gains that can be made by shifting the focus to social and economic structures and asking more specific interpretive questions.
    [Show full text]
  • Duke Certamen 2018 Intermediate Division Round 1
    DUKE CERTAMEN 2018 INTERMEDIATE DIVISION ROUND 1 1. Which emperor reformed the Praetorian Guard, replacing it with his loyal provincial troops upon his ascension? SEPTIMIUS SEVERUS B1: At which city did his troops declare Severus emperor? CARNUNTUM B2: Which of his two main rivals did Severus defeat first? PESCENNIUS NIGER 2. Differentiate in meaning between lupus and lepus. WOLF and HARE / RABBIT B1: Give a synonym for the animal bōs. VACCA / VITULA B2: Give either Latin animal from which we derive “porpoise.” PORCUS or PISCIS 3. Europa, Minos, Procris, and Amphitryon all owned what infallible hunting hound? LAELAPS B1: What husband of Procris tried to use Laelaps to hunt the Teumessian vixen? CEPHALUS B2: According to Hyginus, Cephalus was the father of what Ithacan man? LAERTES 4. Give the Latin and English for the abbreviation Rx. RECIPE – TAKE B1: If your prescription label tells you to take your medication prn., how often should you take it? AS NEEDED B2: Give the Latin and English for the abbreviation gtt. GUTTAE – DROPS 5. Translate the following sentence from Latin to English: Mulierēs quae ducēs factae erant fortiōrēs quam omnēs erant. THE WOMEN WHO HAD BECOME / BEEN MADE LEADERS WERE STRONGER / BRAVER THAN ALL B1: Translate this sentence: Hannibal ipse cum hīs mulieribus pūgnāre nōluit. HANNIBAL HIMSELF DID NOT WANT TO FIGHT (WITH) THESE WOMEN B2: Finally translate: Urbe servātā dūcibus triumphī ā cīvibus datī sunt. AFTER THE CITY WAS SAVED / WITH THE CITY HAVING BEEN SAVED, TRIUMPHS WERE GIVEN TO/FOR THE LEADERS BY THE CITIZENS 6. What son of Cephissus and Liriope fell in love with his own reflection, died of starvation, and was turned into a flower? NARCISSUS B1.
    [Show full text]
  • Theseus Aegeus = Aethra
    The Athenians Cecrops • Born of the soil – Autochthonous • Man with the body of a serpent • First king of Attica • Married Agraulus, daughter of Actaeus Competition for the City • Gods to assign cities to themselves • Poseidon and Athena both want Attica • Poseidon: – Offers a salt water spring • Athena: – Offers Cecrops an olive tree – Athena wins, and the city is called Athens Cranaus • Cecrops died without a male heir • Cranaus succeeded – At the time of the flood of Deucalion – He was the most powerful Athenian – Also autochthonous – Deposed by his son-in-law, Amphictyon Deucalion = Pyrrha Cranaus Amphictyon = Cranae • Amphictyon ruled 12 years • ‘Amphictyon’ means “neighbour” – Amphictyonic Councils • Overthrown by Erichthonius Erichthonius • Athena wanted new armour • Hephaestus fell in love with Athena – Tried to force himself on her but she repelled him – He ejaculated and the semen fell to the Acropolis • Erichthonius sprung from the soil Athena Scorning the Advances of Hephaestus Paris Bordon ca. 1550 Erichthonius • Overthrew Amphictyon • Established the Panathenaea • Placed the wooden Athena on the Acropolis. – The Palladium of Athens – Athena Polias (Protector of the City) Erichthonius = Praxithea Pandion = Zeuxippe Erechtheus Philomela Butes Procne • This lineage, presented by Apollodorus, starts the debate. • Are Erichthonius and Erechtheus the same? • Does this version represent two myths combined? • Under Erechtheus, Athens conquered Eleusis • Butes was priest of Athena and founder of the Eteobutadae Family The Polias Priestess
    [Show full text]
  • Constellation Legends
    Constellation Legends by Norm McCarter Naturalist and Astronomy Intern SCICON Andromeda – The Chained Lady Cassiopeia, Andromeda’s mother, boasted that she was the most beautiful woman in the world, even more beautiful than the gods. Poseidon, the brother of Zeus and the god of the seas, took great offense at this statement, for he had created the most beautiful beings ever in the form of his sea nymphs. In his anger, he created a great sea monster, Cetus (pictured as a whale) to ravage the seas and sea coast. Since Cassiopeia would not recant her claim of beauty, it was decreed that she must sacrifice her only daughter, the beautiful Andromeda, to this sea monster. So Andromeda was chained to a large rock projecting out into the sea and was left there to await the arrival of the great sea monster Cetus. As Cetus approached Andromeda, Perseus arrived (some say on the winged sandals given to him by Hermes). He had just killed the gorgon Medusa and was carrying her severed head in a special bag. When Perseus saw the beautiful maiden in distress, like a true champion he went to her aid. Facing the terrible sea monster, he drew the head of Medusa from the bag and held it so that the sea monster would see it. Immediately, the sea monster turned to stone. Perseus then freed the beautiful Andromeda and, claiming her as his bride, took her home with him as his queen to rule. Aquarius – The Water Bearer The name most often associated with the constellation Aquarius is that of Ganymede, son of Tros, King of Troy.
    [Show full text]
  • ARGONAUTIKA the VOYAGE of JASON and the ARGONAUTS March 20–May 5, 2019
    THE S. MARK TAPER FOUNDATION PRESENTS A NOISE WITHIN’S REPERTORY THEATRE SEASON AUDIENCE GUIDE Mary Zimmerman’s ARGONAUTIKA THE VOYAGE OF JASON AND THE ARGONAUTS March 20–May 5, 2019 Pictured: Erika Soto. Photo by Craig Schwartz. TABLE OF CONTENTS Character Map ......................................3 Synopsis ...........................................5 About the Author: Apollonius of Rhodes ..................6 About the Adaptor: Mary Zimmerman ................... 7 History of Jason and the Argonauts: A Timeline ............8 Oral Traditions and Epic Poetry .........................9 Ancient Greek Society ...............................10 Mythical Figures: Gods and Monsters in Greek Tales ....... 11 The Hero’s Journey ..................................12 After the Golden Fleece: Medea .......................14 Themes ...........................................15 Glossary .......................................... 17 Additional Resources ................................19 A NOISE WITHIN’S EDUCATION PROGRAMS MADE POSSIBLE IN PART BY: Ann Peppers Foundation The Jewish Community Capital Group Companies Foundation Michael J. Connell Foundation Kenneth T. and Eileen L. Norris Foundation The Dick and Sally Roberts Coyote Foundation Ralph M. Parsons Foundation Edison International Steinmetz Foundation The Green Foundation Dwight Stuart Youth Fund 3 A NOISE WITHIN 2018/19 REPERTORY SEASON | Spring 2019 Audience Guide Argonautika CHARACTER MAP GODS AND CREATURES Hera Queen of the gods. Vows to always love Jason Athena Aphrodite The goddess of The goddess of love and beauty. wisdom and courage. Helps Hera in a scheme to make She watches over Jason Medea fall in love with Jason Boreas Rumor Eros The god and personification The goddess and personification Aphrodite’s minion. of the North Wind of a spreading rumor or false tale Also known as Cupid Amycus Fury Ghost Dryope Poseidon’s son and an Goddess of vengeance Arrives to tell Alcimede A water nymph infamous boxer of Jason’s journey ARGONAUTS Jason The leader of the Argonauts.
    [Show full text]
  • ARGONAUTIKA the VOYAGE of JASON and the ARGONAUTS March 20–May 5, 2019
    THE S. MARK TAPER FOUNDATION PRESENTS A NOISE WITHIN’S REPERTORY THEATRE SEASON STUDY GUIDE Mary Zimmerman’s ARGONAUTIKA THE VOYAGE OF JASON AND THE ARGONAUTS March 20–May 5, 2019 Pictured: Erika Soto. Photo by Craig Schwartz. STUDY GUIDES FROM A NOISE WITHIN A rich resource for teachers of English, reading, arts, and drama education. Dear Reader, We’re delighted you’re interested in our study guides, designed to provide a full range of information on our plays to teachers of all grade levels. A Noise Within’s study guides include: • General information about the play (characters, synopsis, timeline, and more) • Playwright biography and literary analysis • Historical content of the play • Scholarly articles • Production information (costumes, lights, direction, etc.) • Suggested classroom activities • Related resources (videos, books, etc.) • Discussion themes • Background on verse and prose (for Shakespeare’s plays) Our study guides allow you to review and share information with students to enhance both lesson plans and pupils’ theatrical experience and appreciation. They are designed to let you extrapolate articles and other information that best align with your own curricula and pedagogic goals. More information? It would be our pleasure. We’re here to make your students’ learning experience as rewarding and memorable as it can be! All the best, Alicia Green DIRECTOR OF EDUCATION Pictured: Geoff Elliott, Man of La Mancha, 2017. PHOTO BY CRAIG SCHWARTZ. Lead Sponsors TABLE OF CONTENTS Dick and Sally Roberts Character Map ......................................4 Special thanks to our Dinner On Stage donors who kept the arts thriving this year by Synopsis ...........................................6 supporting our Student Matinees (SMATs): About the Author: Apollonius of Rhodes .................
    [Show full text]
  • Rusudan Tsanava (Tbilisi) MYTH-MODEL of the SUBSTITUTE SACRIFICE and the CLASSICAL EPOS
    Phasis 8, 2005 Rusudan Tsanava (Tbilisi) MYTH-MODEL OF THE SUBSTITUTE SACRIFICE AND THE CLASSICAL EPOS The legends on the willful and voluntary sacrifice and the related rituals are widely known in the folklore of all ethnos and people. The ritual of the willful sacrifice, as it is presented and disclosed in the Georgian-Caucasian material, is studied by ethnologist I. Surguladze. In his article: "The willful sacrifice in the Georgian myth and ritual, and its cultural- historical aspects"1, the researcher analyzed the information concerning the facts of bull sacrifice as regards to St. George – the material left by mission- ary Archangelo Lamberti (XVII c.), Chardin (XVII c.) and Vakhushti Bagra- tioni (the particular detail stressed the point that a sacrificed bull was taken to the sanctuary not by force). The said ritual existed till the middle of the XIX c. and was popular among the entire population of the western Georgia. The idea of sacrificed animals that enter the sacrifice area and altar volun- tarily, under no compulsion and not by force, are widely spread in the entire Caucasia. Apparently, these animals that approached a holy spot voluntarily are chosen for sacrificial and create the grounds for establishing a ritual rhythmically repeated in time.2 Such attitude towards a concept of sacrifice as regards to animals is not limited by the instances of animals or birds, and the way of the believers’ thinking and mentality was the same in the cases of their willful self- sacrificial, or the cases when they sacrificed a piece or a part of their body, afflicted wounds to their bodies or sacrificed their first-born children.
    [Show full text]
  • Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
    Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable).
    [Show full text]
  • Time and Religion in Hellenistic Athens: an Interpretation of the Little Metropolis Frieze
    Time and Religion in Hellenistic Athens: An Interpretation of the Little Metropolis Frieze. Monica Haysom School of History, Classics and Archaeology Submitted for the Degree of Doctor of Philosophy, Newcastle University, November 2015. ABSTRACT Two stones that form a part of the spolia on the Little Metropolis church (Aghios Eleutherios) in central Athens consist of a frieze depicting a calendar year. The thesis begins with a Preface that discusses the theoretical approaches used. An Introduction follows which, for reference, presents the 41 images on the frieze using the 1932 interpretation of Ludwig Deubner. After evaluating previous studies in Chapter 1, the thesis then presents an exploration of the cultural aspects of time in ancient Greece (Chapter 2). A new analysis of the frieze, based on ancient astronomy, dates the frieze to the late Hellenistic period (Chapter 3); a broad study of Hellenistic calendars identifies it as Macedonian (Chapter 4), and suggests its original location and sponsor (Chapter 5). The thesis presents an interpretation of the frieze that brings the conclusions of these chapters together, developing an argument that includes the art, religion and philosophy of Athenian society contemporary with the construction of the frieze. Given the date, the Macedonian connection and the link with an educational establishment, the final Chapter 6 presents an interpretation based not on the addition of individual images but on the frieze subject matter as a whole. This chapter shows that understanding the frieze is dependent on a number of aspects of the world of artistic connoisseurship in an elite, educated audience of the late Hellenistic period.
    [Show full text]