The Golden Fleece and the Heroes Who Lived Before Achilles the Macmillan Company
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The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
Mailch 16, Hlol. Cientri1nc AMERJCAN SUPPLEMENT
MAIlCH 16, HlOl. �CIENtrI1NC AMERJCAN SUPPLEMENT, No. 1315 21083 of this piece is remar kable ; bu t what adds peculiar ley." Turning, then, to the particular examples before had already been transferred to the skies, i. e., we have interest are the bright colors with which it is set off. us, we find 4 : constellation-figures as coin-types. The Lion, Grab and The body is colored pale red; the hair is of a darker No. 1. H erakles kneeUng. "HerakIes, bearded Water-snake of the modern globe preserve the story. red, and alm ost brown, and the wings are white. Upon naked, kneeling on one knee, r." With club, strung King Herakles could not be placed next thern, even in the back, a delicate stripe of gold descends along the bow, and two arrows; behind, Tunny. Cyzicus. Cir. the Bab. Sphere, as he had already been located else spinal column, bifurcates and passes aver the sid�s. B. C. 500-450. Every Sign of the Zodaic, except where. These obvious instances justify us in presum This curious figurine, so artistically fashioned, seems Aquarius, and other constellation-figures, whether as ing a probable, or almost certain, connection between to be comparable as a work of art to the best terra such or not, appear on the coins of this city, which, constellation-figure and coin-type where, at first sight, cottas of the Cyrenaic period. through Miletus and Lampsacus, is connected with the evidence may not be quite so clear. Herakles is Visitors to the museum can scarcely believe that this Crete and Ph. -
The Argonautica, Book 1;
'^THE ARGONAUTICA OF GAIUS VALERIUS FLACCUS (SETINUS BALBUS BOOK I TRANSLATED INTO ENGLISH PROSE WITH INTRODUCTION AND NOTES BY H. G. BLOMFIELD, M.A., I.C.S. LATE SCHOLAR OF EXETER COLLEGE, OXFORD OXFORD B. H. BLACKWELL, BROAD STREET 1916 NEW YORK LONGMANS GREEN & CO. FOURTH AVENUE AND 30TH STREET TO MY WIFE h2 ; ; ; — CANDIDO LECTORI Reader, I'll spin you, if you please, A tough yarn of the good ship Argo, And how she carried o'er the seas Her somewhat miscellaneous cargo; And how one Jason did with ease (Spite of the Colchian King's embargo) Contrive to bone the fleecy prize That by the dragon fierce was guarded, Closing its soporific eyes By spells with honey interlarded How, spite of favouring winds and skies, His homeward voyage was retarded And how the Princess, by whose aid Her father's purpose had been thwarted, With the Greek stranger in the glade Of Ares secretly consorted, And how his converse with the maid Is generally thus reported : ' Medea, the premature decease Of my respected parent causes A vacancy in Northern Greece, And no one's claim 's as good as yours is To fill the blank : come, take the lease. Conditioned by the following clauses : You'll have to do a midnight bunk With me aboard the S.S. Argo But there 's no earthly need to funk, Or think the crew cannot so far go : They're not invariably drunk, And you can act as supercargo. — CANDIDO LECTORI • Nor should you very greatly care If sometimes you're a little sea-sick; There's no escape from mal-de-mer, Why, storms have actually made me sick : Take a Pope-Roach, and don't despair ; The best thing simply is to be sick.' H. -
Myth Made Fact Lesson 8: Jason with Dr
Myth Made Fact Lesson 8: Jason with Dr. Louis Markos Outline: Jason Jason was a foundling, who was a royal child who grew up as a peasant. Jason was son of Eason. Eason was king until Pelias threw him into exile, also sending Jason away. When he came of age he decided to go to fulfill his destiny. On his way to the palace he helped an old man cross a river. When Jason arrived he came with only one sandal, as the other had been ripped off in the river. Pelias had been warned, “Beware the man with one sandal.” Pelias challenges Jason to go and bring back the Golden Fleece. About a generation or so earlier there had been a cruel king who tried to gain favor with the gods by sacrificing a boy and a girl. o Before he could do it, the gods sent a rescue mission. They sent a golden ram with a golden fleece that could fly. The ram flew Phrixos and Helle away. o The ram came to Colchis, in the southeast corner of the Black Sea. Helle slipped and fell and drowned in the Hellespont, which means Helle’s bridge (between Europe and Asia). o Phrixos sacrificed the ram and gave the fleece as a gift to the people of Colchis, to King Aeetes. o The Golden Fleece gives King Aeetes power. Jason builds the Argo. The Argonauts are the sailors of the Argo. Jason and the Argonauts go on the journey to get the Golden Fleece. Many of the Argonauts are the fathers of the soldiers of the Trojan War. -
1999 Extra Toss-Up Questions I. Henry the Lion Founded It in 1158
ST. LOUIS OPEN -1999 Extra Toss-Up Questions I. Henry the Lion founded it in 1158 as a mint and marketplace. In 1255, the powelful Wittelsbach family made this city their residence and ruled from there as dukes of the surrounding lands. It was destroyed by fire in 1327 and later rebuilt by the Holy Roman emperor Louis IV. In 1632, Gustavus Adolphus II of Sweden captured it, and after World War I, it was the center of the political unrest that led to the rise of National Socialism under Adolf Hitler. FTP, identify this German city that saw Hitler's 1923 "beer hall putsch," the capital of Bavaria. Answer: Munich or Miinchen 2. Among its unofficial peliodicals are The Witness and The Living Church. Its govemment is democratic and its supreme policymaking body is a triennial general convention consisting of a house of bishops and a house of deputies. The Apostle's Creed and the Nicene Creed are accepted as statements of faith, and it believes in only two sacraments, baptism and the Eucharist, much like the Anglican Church. FTP, identify this Christian denomination that accepts the standards of worship in the Book OjCOlIIlIIOIl Prayer, founded in Philadelphia in 1789. Answer: Episcopal Church or Episcopalians 3. Twice the area between the 45-degree line and this curve is called the Gini coefficient, which is a common measure of income inequality. The curve would be a 45-degree line if income were distributed equally among the population. If income were very concentrated in a small pOition of the population, this cw"Ve would be velY bowed. -
A Catalogue Page Lovingly Prepared by Weatherbys
0974Q22.GOI 00Eucharist (IRE)|2020|C|D|2768549 Consigned by Mortlestown Stables 85 85 Kodiac Danehill Rafha Kodi Bear (IRE) Mujtahid BROWN COLT FOAL Hawattef (IRE) Madary March 28th, 2020 Acclamation Royal Applause Eucharist (IRE) Princess Athena (2008) Lujain Satin Rose Shamwari E.B.F. Nominated. 1st dam Eucharist (IRE): 4 wins at 2 and £50,920 and placed 4 times inc. 3rd Dubai Duty Free Fred Darling S., Gr.3; dam of 7 previous foals; 3 runners; 1 winner: Valdolobo (IRE) (15 g. by Lope de Vega (IRE)): 2 wins to 2020 in U.S.A. and £29,217 and placed 3 times; also placed 4 times at 2 and 3. Milagre da Vida (IRE) (16 f. by Bated Breath (GB)): placed 3 times at 3, 2019. Fannie Porter (IRE) (17 f. by Tagula (IRE)): 3-y-o unraced to date. She also has a 2-y-o colt by Ajaya (GB) and a yearling filly by Moohaajim (IRE). 2nd dam SATIN ROSE (GB): winner at 3 and placed; also placed over hurdles; dam of 10 foals; 6 runners; 3 winners inc.: Eucharist (IRE) (f. by Acclamation (GB)): see above. She also has a 2-y-o colt and a yearling colt both by Ampere (FR). 3rd dam SHAMWARI (USA) (by Shahrastani (USA)): placed 6 times at 3 and 4; dam of 7 foals; 6 runners; 5 winners inc.: Cornell Precedent (GB): winner over hurdles and placed twice inc. 2nd Weatherbys Bank Wensleydale Juv. Hurdle, L. 4th dam EXOTIC TREAT (USA): unraced; dam of 11 foals; 9 runners; 5 winners inc.: GOLDEN FLEECE (USA): Champion 3yr old in Europe in 1982, 4 wins inc. -
Orpheus and Mousikê in Greek Tragedy
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2016 Orpheus and mousikê in Greek Tragedy Semenzato, Camille Abstract: Much as he is famous, Orpheus is only mentioned by name fourteen times in the Greek tragedies and tragic fragments that have survived the ravages of time. Furthermore he is never shown as a protagonist, but always evoked by a dramatic character as an example, a parallel, a peculiarity, or a fantasy. This legendary singer is mentioned every time, if not explicitly, at least implicitly, in conjunction with DOI: https://doi.org/10.1515/tc-2016-0016 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-171919 Journal Article Published Version Originally published at: Semenzato, Camille (2016). Orpheus and mousikê in Greek Tragedy. Trends in Classics, 8(2):295-316. DOI: https://doi.org/10.1515/tc-2016-0016 TC 2016; 8(2): 295–316 Camille Semenzato* Orpheus and mousikê in Greek Tragedy DOI 10.1515/tc-2016-0016 Abstract: Much as he is famous, Orpheus is only mentioned by name fourteen times in the Greek tragedies and tragic fragments that have survived the ravages of time. Furthermore he is never shown as a protagonist, but always evoked by a dramatic character as an example, a parallel, a peculiarity, or a fantasy. This leg- endary singer is mentioned every time, if not explicitly, at least implicitly, in con- junction with μουσική, the ‘art of the Muses’, namely ‘music’ in its fullest sense. -
Reshaping Hypsipyle's Narrative in Statius' Thebaid
Erret inops, exspes, caede cruenta sua: Reshaping Hypsipyle’s Narrative in Statius’ Thebaid Many scholars have recognized that Statius owes much to his epic predecessors for the characterization of his own characters in the Thebaid. More recently, Alison Keith (2016) has noted the Ovidian influences in Statius’ Thebaid, namely how Statius draws upon the Theban origin story in Ovid’s Metamorphoses for the creation of his own Theban history. While I agree that Statius owes much to the Metamorphoses, in my paper I will argue that Statius relies on another Ovidian text, the Heroides, for inspiration for his Hypsipyle, who dominates Books 4-6 of the Thebaid. By considering the rhetoric of the heroines of letters 6 and 12 of the Heroides, Hypsipyle and Medea, I will demonstrate how Statius refashions his Hypsipyle into Medea figure, a figure who is able to twist her narrative from one of infanticide to one of an abandoned woman. If the reader views Statius’ Hypsipyle through the lens of the Ovidian heroine, the reader is able to see how Hypsipyle carefully rewrites her story and thus reshapes her image, drawing sympathy from the reader and preventing the reader from viewing her merely as an infanticide. In order to understand how Statius’ Hypsipyle is influenced by the Ovidian heroines, I will first look at her introduction to the narrative as a wandering exile (4.746ff), noting specifically how the passage corresponds with the curse Hypsipyle utters against Medea in the Heroides. As Hypsipyle’s rage against Medea builds, she cries out that Medea should “wander helpless, hopeless, and bloody from her own slaughter” (erret inops, exspes, caede cruenta sua, Her. -
Apollonius of Rhodes Argonautica Book 3, Translated by Robert Cooper Seaton, Harvard University Press, Cambridge MA, 1912
Apollonius of Rhodes Argonautica book 3, translated by Robert Cooper Seaton, Harvard University Press, Cambridge MA, 1912. (http://oaks.nvg.org/sa4ra16.html#tres) Come Now, Erato, stand by my side, and say next how Jason brought back the fleece to Iolcus aided by the love of Medea. For you share the power of Cypris, and by your love-cares charm unwedded maidens; wherefore to you too is attached a name that tells of love. Thus the heroes, unobserved, were waiting in ambush amid the thick reed-beds; but Hera and Athena took note of them, and, apart from Zeus and the other immortals, entered a chamber and took counsel together; and Hera first made trial of Athena: "Do you now first, daughter of Zeus, give advice. What must be done? Will you devise some scheme whereby they may seize the golden fleece of Aeetes and bear it to Hellas, or can they deceive the king with soft words and so work persuasion? Of a truth he is terribly overweening. Still it is right to shrink from no endeavour." Thus she spoke, and at once Athena addressed her: "I too was pondering such thoughts in my heart, Hera, when you did ask me outright. But not yet do I think that I have conceived a scheme to aid the courage of the heroes, though I have balanced many plans." She ended, and the goddesses fixed their eyes on the ground at their feet, brooding apart; and straightway Hera was the first to speak her thought: "Come, let us go to Cypris; let both of us accost her and urge her to bid her son (if only he will obey) speed his shaft at the daughter of Aeetes, the enchantress, and charm her with love for Jason. -
THE ARGONAUTIKA He'd Gone on His Vain Quest with Peirithoos: That Couple Would Have Made Their Task's Fulfillment Far Easier for Them All
Book I Starting from you, Phoibos, the deeds ofthose old-time mortals I shall relute, who by way ofthe Black Sea's mouth and through the cobalt-dark rocks, at King Pelias 's commandment, in search of the Golden Fleece drove tight-thwarted Argo. For Pelias heard it voiced that in time thereafter a grim fate would await him, death at the prompting of the man he saw come, one-sandaled, from folk in the country: and not much later-in accordance with your word-Jason, fording on foot the Anauros's wintry waters, saved from the mud one sandal, but left the other stuck fast in the flooded estuary, pressed straight on to have his share in the sacred feast that Pelias was preparing for Poseidon his father, and the rest of the gods, though paying no heed to Pelasgian Hera. The moment Pelias saw him, he knew, and devised him a trial of most perilous seamanship, that in deep waters or away among foreign folk he might lose his homecoming. ,\row singers before 7ny time have recounted how the vessel was fashioned 4 Argos with the guidance of Athena. IW~cctIplan to do now is tell the name and farnib of each hero, describe their long voyage, all they accomplished in their wanderings: may the Muses inspire mnj sinpng! First in our record be Orpheus, whom famous Kalliope, after bedding Thracian Oikgros, bore, they tell us, 44 THE XRGONAUTIKA hard by Pimpleia's high rocky lookout: Orpheus, who's said to have charmed unshiftable upland boulders and the flow of rivers with the sound of his music. -
Flowers in Greek Mythology
Flowers in Greek Mythology Everybody knows how rich and exciting Greek Mythology is. Everybody also knows how rich and exciting Greek Flora is. Find out some of the famous Greek myths flower inspired. Find out how feelings and passions were mixed together with flowers to make wonderful stories still famous in nowadays. Anemone:The name of the plant is directly linked to the well known ancient erotic myth of Adonis and Aphrodite (Venus). It has been inspired great poets like Ovidius or, much later, Shakespeare, to compose hymns dedicated to love. According to this myth, while Adonis was hunting in the forest, the ex- lover of Aphrodite, Ares, disguised himself as a wild boar and attacked Adonis causing him lethal injuries. Aphrodite heard the groans of Adonis and rushed to him, but it was too late. Aphrodite got in her arms the lifeless body of her beloved Adonis and it is said the she used nectar in order to spray the wood. The mixture of the nectar and blood sprang a beautiful flower. However, the life of this 1 beautiful flower doesn’t not last. When the wind blows, makes the buds of the plant to bloom and then drifted away. This flower is called Anemone because the wind helps the flowering and its decline. Adonis:It would be an omission if we do not mention that there is a flower named Adonis, which has medicinal properties. According to the myth, this flower is familiar to us as poppy meadows with the beautiful red colour. (Adonis blood). Iris: The flower got its name from the Greek goddess Iris, goddess of the rainbow. -
Female Familial Relationships in Valerius' Argonautica and Statius
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2021 Female Familial Relationships in Valerius’ Argonautica and Statius’ Thebaid Sophia Warnement Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Classical Literature and Philology Commons Recommended Citation Warnement, Sophia, "Female Familial Relationships in Valerius’ Argonautica and Statius’ Thebaid" (2021). Undergraduate Honors Theses. Paper 1619. https://scholarworks.wm.edu/honorstheses/1619 This Honors Thesis -- Open Access is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Female Familial Relationships in Valerius’ Argonautica and Statius’ Thebaid A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in Department of Classical Studies from The College of William and Mary by Sophia Irene Warnement Accepted for ______Honors___________________________ (Honors, Highest Honors) __Vassiliki Panoussi___________________ Vassiliki Panoussi, Director __Molly Swetnam-Burland____________ Molly Swetnam-Burland __Jennifer Gülly___ ____________________ Jennifer Gülly Williamsburg, VA May 07, 2021 Table of Contents ACKNOWLEDGMENTS ..........................................................................................................................................