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Eflags03.Pdf
ISSUE 3 March 2007 Greetings all Flag Institute members and welcome to our third edition of eFlags. As you can see we have developed our logo a bit now….at least it’s memorable! This edition seems to have developed something of an African theme growing out of the chairman’s visit to the cinema to see the ‘Last King of Scotland’ (an amazing and flesh cringing film…well worth a visit by the way). Events have also moved fast in the Institute’s development, and we hope the final section will keep you all in touch. Please do think about coming to one of our meetings, they are great fun, ( its one of the few occasions when you can talk about flags and not face the ridicule of your family or friends!) and we have a line up of some fascinating presentations. As always any comments or suggestions would be gratefully received at [email protected] . THE EMPEROR, THE MIGHTY WARRIOR & THE LORD OF THE ALL THE BEASTS page 2 NEW FLAG DISCOVERED page 9 FLAGS IN THE NEWS page 10 SITES OF VEXILLOGICAL INTEREST page 11 PUTTING A FACE ON FLAGS page 12 FLAG INSTITUTE EVENTS page 13 NEW COUNCIL MEMBERS page 14 HOW TO GET IN TOUCH WITH THE INSTITUTE page 15 1 The Emperor, the Mighty Warrior and the Lord of All the Beasts. The 1970s in Africa saw the rise of a number of ‘colourful’ figures in the national histories of various countries. Of course the term ‘colourful’ here is used to mean that very African blend of an eccentric figure of fun, with brutal psychopath. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
Vexillum, June 2018, No. 2
Research and news of the North American Vexillological Association June 2018 No. Recherche et nouvelles de l’Association nord-américaine de vexillologie Juin 2018 2 INSIDE Page Editor’s Note 2 President’s Column 3 NAVA Membership Anniversaries 3 The Flag of Unity in Diversity 4 Incorporating NAVA News and Flag Research Quarterly Book Review: "A Flag Worth Dying For: The Power and Politics of National Symbols" 7 New Flags: 4 Reno, Nevada 8 The International Vegan Flag 9 Regional Group Report: The Flag of Unity Chesapeake Bay Flag Association 10 Vexi-News Celebrates First Anniversary 10 in Diversity Judge Carlos Moore, Mississippi Flag Activist 11 Stamp Celebrates 200th Anniversary of the Flag Act of 1818 12 Captain William Driver Award Guidelines 12 The Water The Water Protectors: Native American Nationalism, Environmentalism, and the Flags of the Dakota Access Pipeline Protectors Protests of 2016–2017 13 NAVA Grants 21 Evolutionary Vexillography in the Twenty-First Century 21 13 Help Support NAVA's Upcoming Vatican Flags Book 23 NAVA Annual Meeting Notice 24 Top: The Flag of Unity in Diversity Right: Demonstrators at the NoDAPL protests in January 2017. Source: https:// www.indianz.com/News/2017/01/27/delay-in- nodapl-response-points-to-more.asp 2 | June 2018 • Vexillum No. 2 June / Juin 2018 Number 2 / Numéro 2 Editor's Note | Note de la rédaction Dear Reader: We hope you enjoyed the premiere issue of Vexillum. In addition to offering my thanks Research and news of the North American to the contributors and our fine layout designer Jonathan Lehmann, I owe a special note Vexillological Association / Recherche et nouvelles de l’Association nord-américaine of gratitude to NAVA members Peter Ansoff, Stan Contrades, Xing Fei, Ted Kaye, Pete de vexillologie. -
Flags and Banners
Flags and Banners A Wikipedia Compilation by Michael A. Linton Contents 1 Flag 1 1.1 History ................................................. 2 1.2 National flags ............................................. 4 1.2.1 Civil flags ........................................... 8 1.2.2 War flags ........................................... 8 1.2.3 International flags ....................................... 8 1.3 At sea ................................................. 8 1.4 Shapes and designs .......................................... 9 1.4.1 Vertical flags ......................................... 12 1.5 Religious flags ............................................. 13 1.6 Linguistic flags ............................................. 13 1.7 In sports ................................................ 16 1.8 Diplomatic flags ............................................ 18 1.9 In politics ............................................... 18 1.10 Vehicle flags .............................................. 18 1.11 Swimming flags ............................................ 19 1.12 Railway flags .............................................. 20 1.13 Flagpoles ............................................... 21 1.13.1 Record heights ........................................ 21 1.13.2 Design ............................................. 21 1.14 Hoisting the flag ............................................ 21 1.15 Flags and communication ....................................... 21 1.16 Flapping ................................................ 23 1.17 See also ............................................... -
The Vexilloid Tabloid #12, January 2007
Portland Flag Association Publication 1 Portland Flag Association “Free, and Worth Every Penny!” Issue 12 January 2007 INSIDE THIS ISSUE: DESIGNING FLAGS FOR FUN AND EXERCISE By Doug Lynch & John Hood Designing Flags For Fun & Exer- 1 ored paper, or whatever catches his Most of you know Doug Lynch, the eye. “Making a flag design with cut Confusable Flags 2 designer of the Portland City Flag. paper is consistent with the many January 2007 Flutterings 3 But did you know that just to keep years of making flags of cut and Next Meeting Announcement 4 his fingers limber and, “To keep you sewn cloth. We literate word people Flags in the News 4 amused,” he designs flags for any tend to gather and register our think- The Most Dangerous Flag 6 occasion. Having taken up the pen ing on flat, white paper; however, a Flag Related Websites 6 and brush in high school, Doug has limp, draped, furled piece of colored spent eighty years as a commercial cloth is our actual perception and The Flag Quiz 7 artist, graphic designer, teacher, art experience of a real flag,” he says. director and preservationist. Is it any As for what will become of Doug‟s wonder then that he should provide “finger exercises”, he says that if Portland with, what was considered some small town in Kansas wants in the NAVA survey, as the seventh one, he‟ll be delighted! Following are best city flag in the United States? a few of his creations. Most are ex- This, in turn, earned him the Vexil- actly as he drew them, but some have lonnaire Award in Montreal in 2003. -
THE GRAND HARMONIOUS SYMMETRY of JAPAN: an Investigation in Uncanny Flag Similarities Christopher J. Maddish
THE GRAND HARMONIOUS SYMMETRY OF JAPAN: An Investigation in Uncanny Flag Similarities Christopher J. Maddish The 47 prefectures of Japan have unique flags, whose designs came from various sources. Many flags employ a stylized version of Japanese alphabet in either Hiragana or Katakana on a solid field. Like most sub‐national flags, they are strongly influenced by the national colors and design. Conventional wisdom assumes this process of sub‐national flag selection is a fairly random, yet attenuated to the cultural tastes the particular nation. The thesis of this paper is that a pattern can be found among the prefectural flags of Japan. The revolutionary and rather uncanny pattern is that each prefecture’s flag has a kind of “harmonious twin”. This paper will first describe the methodology of how flags are paired, followed by several illustrative examples. This is a new system of classification of flags based on groups limited to two. This paper’s title, the Grand Harmonious Symmetry of Japan, hints that the flags of Japan exhibit a certain degree of harmony and the title itself exhibits a subtle relationship to Japan. By way of uncanny historical, geographical, and cultural events a pattern of harmonious symmetry will be presented. On the left is the name of Japan written in Japanese as Nihon, literally translated as Sun‐ Source. The upper kaniji that looks like a digital eight means sun, the lower kanji means source, book, and root. To the right is the classical name of Japan, Yamato. The upper kanji means grand or big. The kanji on the lower right means harmony. -
Dr. William Crampton: an Appreciation
Published by the New England Vexillological Association Nº5 DR. WILLIAM CRAMPTON: AN APPRECIATION by Whitney Smith While every vexillologist will when it was in his power to to express his spirit than those have a different memory or pursue them. he himself wrote in an imagi- image of him, it is significant That power is gone, but his nary interview on the occasion that there can scarcely be any spirit lives on. The lessons he of his 60th birthday, just last vexillologist in the world who taught — and the ones he year. Responding to the ques- does not know of our late tion he was frequently asked colleague. From the early by real interviewers — “How days of our nascent science, did you first get interested he worked at every oppor- in flags?” — he responded: tunity in every way with This is always a star- every one to create and so- tling question for a lidify and expand knowl- vexillologist, because it edge and understanding implies that his interest and activities regarding is an unusual or peculiar flags. If not all his efforts one, instead of being the were successful, he well very stuff of life. It is like understood the principle asking, when did you that only boundless enthu- first start breathing? siasm, dogged tenacity, William started breathing vivid imagination, and re- vexillology before the word lentless energy would help itself was invented and us achieve success. never ceased doing so. Inevitably, others were caught up in that spirit and learned — are now the heri- were moved to make contribu- tage of those of us who remain INSIDE tions which they otherwise to carry on the unfinished tasks Crampton Bibliography ............. -
Scanned Using Book Scancenter 5131
XI CONGRESO INTERNACIONAL DE VEXILOLOGIA MADRID, 26 - 31 MAYO 1985 COHUNICACIONES RECUEIL PAPERS COHUNICAZIONI BEITRSGE SOCIEDAD ESPANOLA DE VEXILOLOGIA Barcelona, 1987 Publicaci6n de la Socledad Espanola de Vexilologia, de dlstribucion gratuita a los congresistas. Ediclon: SOCIEDAD ESPASOLA DE VEXILOLOGIA Redaccldn y composicidn: SebastlAn Herreros Agvii Jordi Perez IbAnez Dibujos complementarios: Adolfo Duran Rodriguez Primera edicidn: Julio 1987 Tirade: 200 ejemplares numerados Ejenplar Oil Impresion: Estudi-6 C/ Balmes, 252 08006 Barcelona ISBN:84 404-0109-4 Dep. Legal: B-29.614-1987 I N D I C E XI Congreso Internaciona1 de Vexilologia. Ficha Tecnica. ... 5 Programa ....................................................... ® Llsta de congresistas y acompanantes . .'.................... 9 Acta de la Asamblea General de la FIAV...................... 16 Hiembros de la Federacion Internaciona1 de Asociaciones Vexi lologicas (FIAV)...................................... 25 COHUMICACIONES La actual bandera espanola proyectada por el Almirante Valdes, sintesis de las banderas de los . reinos espanoles. (Jose Maria Codon Fernandez).................... ■............... 27 The Flags of the Mary Rose. (Bruce Nicolls).................. 32 Una bandera para Andalucia. (Marcos Ramos Romero)............ 42 Emblemas reglonales de Italia. (Roberto Rossetti)............... 57 Province of Bumbunga. Study of a Self-Proclaimed Independent State within Australia. (Ralph G. Barlett)................ 68 Representaciones vexilologicas en las Cantigas de Alfonso X el Sabio. (Maria Jose Sastre i Arribas)...................... 78 Sobre el peculiar privilegio de usar pano en las fiestas piiblicas concedido en 1691 a la ciudad de Alcala de Henares (Manuel Vicente Sanchez Holto).............. '............. 93 Child of the Sun Returning: State Arms and Seals of the Philippines. (David C.R. Heisser) ........................ 101 Flags of National Life-Boat Societies. (Giinter Hattern). 125 Les drapeaux royaux de Roumanie et les pavilions de la marine militaire de ce pays au XX-e siecle. -
Info-FIAV No
Info-FIAV No. 40, February 2016 ISSN 1560-9979 Fédération internationale des associations vexillologiques Federación Internacional de Asociaciones Vexilológicas www.FIAV.org International Federation of Vexillological Associations Internationale Föderation Vexillologischer Gesellschaften www.Facebook.com/FIAV.org MINUTES OF THE TWENTY-FOURTH SESSION OF THE FIAV GENERAL ASSEMBLY SEPTEMBER 1, 2015 SYDNEY, NEW SOUTH WALES, AUSTRALIA Summary: ! GA 23 minutes approved as amended ! Board has worked to enforce FIAV Constitution article 12(b) ! President discussed problems of public campaigning for fellowships; Board asks any Member which does not trust Board to award Fellows to place issue of direct election of Fellows by General Assembly on agenda for GA 25 in 2017 ! Website has been replaced; Board will ask for licenses to host digital copies of the Proceedings of the International Congresses of Vexillology on the website ! VAST donated FIAV flag set consisting of organizational and Officer flags ! Expressions of interesting in organizing IVC 29 (2021) by GSI for Dún Laoghaire and HS for Ljubljana ! ICV 27 (2017) will be held in London ! Current Board reelected ! No new Members admitted ! Vexillological Conventions for Flag Descriptions Commission concluded its work by recommending that no action be taken and that General Assembly at GA 25 vote to take no further action on the Flag Information Code ! AVS, CFA, CFZ, FRCSL, HAVSOM, IHW, MBV, NFF, NF, PH, PTW, RCVH, SRV, TWMF, UHT, and VSHS did not send a delegate (Constitution article 8(a): “A Member voluntarily resigns if it does not send a delegate to three consecutive sessions of the General Assembly. The resignation is effective at the adjournment of the third consecutive session.”) ! AVS, HAVSOM, MBV, NFF, SRV, TWMF, and VSHS voluntarily resigned as Members effective at the adjournment of this session ! Awards and honors presented at closing banquet ! Best Paper Award presented to Anne M. -
ABSTRACT Title of Thesis: BETWEEN REBEL FLAGS: IRAQI
ABSTRACT Title of Thesis: BETWEEN REBEL FLAGS: IRAQI VEXILLOLOGY AND STATE ICONOGRAPHY, 1921 – 2017 John T. Andrews, Master of Arts 2020 Thesis directed by: Professor Peter Wien Department of History In under a century of existence, the Republic of Iraq has adopted seven national flags. The circumstances of these modifications occurred under times of tremendous political transformation following wars and military coups. The evolution of Iraqi vexillology often corresponded to sub-national violence and direct challenges to state authority. This thesis considers Iraqi identity through the lens of its national flags and iconography from 1921 to 2017. It argues that Iraqi flags and iconography constitute an archive revealing a national identity organized around an emphasis on ethnicity and transhistorical relationships. BETWEEN REBEL FLAGS: IRAQI VEXILLOLOGY AND STATE ICONOGRAPHY, 1921 – 2017 by John T. Andrews Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment Of the requirements for the degree Master of Arts 2020 Advisory Committee: Professor Peter Wien, Chair Professor Shay Hazkani Professor Colleen Woods © Copyright by John T. Andrews 2020 ii For my family iii Table of Contents Dedication ………………………………………………………………………………………..iii Table of Contents ………………………………………………………………………………...iv List of Tables …………………………………………………………………………………….vi List of Figures …………………………………………………………………………………...vii Introduction ……………………………………………………………………………………… 1 Chapter 2 ………………………………………………………………………………………….4 -
King Maximilian Starts His Own Country! King Maximilian’S Country 1 by Max Liberman in Order of Precedence: Nicknames of Flags 2 the Kingdom of Æfira Is a Sover
Portland Flag Association Publication 1 Portland Flag Association “Free, and Worth Every Penny!” Issue 22 July 2009 INSIDE THIS ISSUE: King Maximilian Starts His Own Country! King Maximilian’s Country 1 By Max Liberman In order of precedence: Nicknames of Flags 2 The Kingdom of Æfira is a sover- Flags from Elsewhere 3 eign nation of twenty citizens, established in 2007 as an experi- Flags in the News 4 ment in constitutional monarchy. Flag Related Websites 6 Next Meeting Announcement 6 Æfira is governed by its Parlia- July 2009 Flutterings 7 ment, consisting of the Sovereign The Flag Quiz 9 (elected for life; presently His Majesty King Maximilian), the appointed House of Lords and The Royal Banner the elected House of Commons. The government is largely based on the Westminster system and the English common-law tradi- tion, although numerous reforms, including a written constitution, have been made. For the inter- The National Flag and Jack (CSW/---) ested, more information may be found at http://aefira.net/. The following flags were adopted with the passage of the Flags Act 2009 and the Flags and Ensigns The Royal Navy White Ensign (---/--W) Order 2009. They are primarily inspired by the flags and ensigns of the United Kingdom; the fret azure was chosen in place of the crosses of SS. George, Andrew “There is no flag large and Patrick as a simple, secular The Royal Air Force Ensign enough to cover the and (relatively) unique national (Continued on page 6) shame of killing innocent symbol. people.”—Howard Zinn, If you wish to compliment the editor, or to contribute in the future, contact John Hood American Historian at 503-238-7666 or [email protected]. -
Convergence and Unification: the National Flag of South Africa (1994) in Historical Perspective
CONVERGENCE AND UNIFICATION: THE NATIONAL FLAG OF SOUTH AFRICA (1994) IN HISTORICAL PERSPECTIVE by FREDERICK GORDON BROWNELL submitted as partial requirement for the degree DOCTOR PHILOSOPHIAE (HISTORY) in the Faculty of Humanities University of Pretoria Pretoria Promoter: Prof. K.L. Harris 2015 i Contents ACKNOWLEDGEMENTS ...................................................................................................... iii ABSTRACT .............................................................................................................................. iv ABBREVIATIONS AND ACRONYMS ................................................................................... v CHAPTER I - INTRODUCTION: FLYING FLAGS ................................................................ 1 1.1 Flag history as a genre ................................................................................................. 1 1.2 Defining flags .............................................................................................................. 4 1.3 Flag characteristics and terminology ......................................................................... 23 1.4 Outline of the chapters ............................................................................................... 28 CHAPTER II- LITERATURE SURVEY: FLAGGING HISTORIES .................................... 31 2.1 Flag plates, flag books and flag histories ................................................................... 31 2.2 Evolution of vexillology and the emergence of flag literature