The Vexilloid Tabloid #12, January 2007
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Federal Research Division Country Profile: Bulgaria, October 2006
Library of Congress – Federal Research Division Country Profile: Bulgaria, October 2006 COUNTRY PROFILE: BULGARIA October 2006 COUNTRY Formal Name: Republic of Bulgaria (Republika Bŭlgariya). Short Form: Bulgaria. Term for Citizens(s): Bulgarian(s). Capital: Sofia. Click to Enlarge Image Other Major Cities (in order of population): Plovdiv, Varna, Burgas, Ruse, Stara Zagora, Pleven, and Sliven. Independence: Bulgaria recognizes its independence day as September 22, 1908, when the Kingdom of Bulgaria declared its independence from the Ottoman Empire. Public Holidays: Bulgaria celebrates the following national holidays: New Year’s (January 1); National Day (March 3); Orthodox Easter (variable date in April or early May); Labor Day (May 1); St. George’s Day or Army Day (May 6); Education Day (May 24); Unification Day (September 6); Independence Day (September 22); Leaders of the Bulgarian Revival Day (November 1); and Christmas (December 24–26). Flag: The flag of Bulgaria has three equal horizontal stripes of white (top), green, and red. Click to Enlarge Image HISTORICAL BACKGROUND Early Settlement and Empire: According to archaeologists, present-day Bulgaria first attracted human settlement as early as the Neolithic Age, about 5000 B.C. The first known civilization in the region was that of the Thracians, whose culture reached a peak in the sixth century B.C. Because of disunity, in the ensuing centuries Thracian territory was occupied successively by the Greeks, Persians, Macedonians, and Romans. A Thracian kingdom still existed under the Roman Empire until the first century A.D., when Thrace was incorporated into the empire, and Serditsa was established as a trading center on the site of the modern Bulgarian capital, Sofia. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
Vexillum, June 2018, No. 2
Research and news of the North American Vexillological Association June 2018 No. Recherche et nouvelles de l’Association nord-américaine de vexillologie Juin 2018 2 INSIDE Page Editor’s Note 2 President’s Column 3 NAVA Membership Anniversaries 3 The Flag of Unity in Diversity 4 Incorporating NAVA News and Flag Research Quarterly Book Review: "A Flag Worth Dying For: The Power and Politics of National Symbols" 7 New Flags: 4 Reno, Nevada 8 The International Vegan Flag 9 Regional Group Report: The Flag of Unity Chesapeake Bay Flag Association 10 Vexi-News Celebrates First Anniversary 10 in Diversity Judge Carlos Moore, Mississippi Flag Activist 11 Stamp Celebrates 200th Anniversary of the Flag Act of 1818 12 Captain William Driver Award Guidelines 12 The Water The Water Protectors: Native American Nationalism, Environmentalism, and the Flags of the Dakota Access Pipeline Protectors Protests of 2016–2017 13 NAVA Grants 21 Evolutionary Vexillography in the Twenty-First Century 21 13 Help Support NAVA's Upcoming Vatican Flags Book 23 NAVA Annual Meeting Notice 24 Top: The Flag of Unity in Diversity Right: Demonstrators at the NoDAPL protests in January 2017. Source: https:// www.indianz.com/News/2017/01/27/delay-in- nodapl-response-points-to-more.asp 2 | June 2018 • Vexillum No. 2 June / Juin 2018 Number 2 / Numéro 2 Editor's Note | Note de la rédaction Dear Reader: We hope you enjoyed the premiere issue of Vexillum. In addition to offering my thanks Research and news of the North American to the contributors and our fine layout designer Jonathan Lehmann, I owe a special note Vexillological Association / Recherche et nouvelles de l’Association nord-américaine of gratitude to NAVA members Peter Ansoff, Stan Contrades, Xing Fei, Ted Kaye, Pete de vexillologie. -
The Individual and Collective Effect of Us Colonialism In
THE INDIVIDUAL AND COLLECTIVE EFFECT OF US COLONIALISM IN PUERTO RICO: A SCALE CONSTRUCTION AND VALIDATION, WITH IMPLICATIONS FOR SOCIAL WORK EDUCATION AND PRACTICE by MARÍA DE LOURDES MARTÍNEZ AVILÉS Presented to the Faculty of the Graduate School of The University of Texas at Arlington and Universidad Autónoma de Nuevo León in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON and UNIVERSIDAD AUTÓNOMA DE NUEVO LEÓN December 2011 Copyright © by María de Lourdes Martínez Avilés 2011 All Rights Reserved DEDICATION To Carmen Rivera de Alvarado, doña Isabelita Rosado, and Gloria Gerena, three inspirational Puerto Rican social workers who understood the link between colonialism and social work, and were committed to an emancipating practice. To my nephews Pedro Hommy and Kelvin, and my niece Sugeily, three examples of the Puerto Rican Diaspora. ACKNOWLEDGMENTS Special thanks go to my mother, who instilled in me the importance of education, hard work and honesty. My deepest appreciation to my daughter Attabeira del Mar, and my husband José E. Rodríguez Sellas, who helped me start and gave me the strengths to continue this long journey. To my extended but intimate family, especially my sister Maribel and her husband Pedro Maldonado; my cousins Awilda Berríos and the recently deceased Jossie Rojas. To my friends and colleagues who went through the Ph.D. binational program with me: Max Ramos, Dheeshana Jayasandura, Jesús Acevedo Agosto, Sachi Ando, Candy Madrigal, Miora Diaconou, Yasoda Sharma, Chloe Corbett, and Jamila Woods, My success would not be possible without you! To Dr. -
Department of State Bulletin ;
— : ; ' ; : and constructive disarmament negotiations. We of force against the territorial integrity or political inde- hope for positive and tangible response from the pendence of any State, or in any other manner incon- Soviet Government when the Disarmament Com- sistent with the purposes of the United Nations. The aim of a system of world-wide disarmament is to mission resumes its work. prevent war and release the world's Imman and economic The resolution as adopted by the Political resources for the purposes of peace, Committee does not in any way preclude the sub- 1. Takes 7vote of the report of the Disarmament Com- mission [and commends the Commission mission by the Soviet Government in the Dis- for its efforts to curry out the instructions laid down by the General armament Commission of any proposals the Soviet Assembly at its sixth regular session] ; Government, or any other member for that matter, 2. Reafflrms General Assembly resolution 502 (VI) desires to put forward. For our part, we pledge and requests the Disarmament Commission to continue its work for the development ourselves to continue to work constructively for by the United Nations of comprehensive and co-ordinated plans providing for a genuinely safeguarded .system of disarmament and at the same time to give sympathetic and (a) the regulation, limitation and balanced reduction of all armed forces and armaments; honest consideration to any concrete and practical (b) the elimination and prohibition of all major proposals which the Soviet Government may make weapons, including bacteriological, adaptable to mass toward this end. destruction (c) the effective international control of atomic energy to ensure the prohibition of atomic weapcjiis and the use of atomic energy for i)eaceful purposes Text of Resolution only. -
Nationalism from the Left Balkan Studies Library
Nationalism from the Left Balkan Studies Library Editor-in-Chief Zoran Milutinović, University College London Editorial Board Gordon N. Bardos, Columbia University Alex Drace-Francis, University of Liverpool Jasna Dragović-Soso, Goldsmiths, University of London Christian Voss, Humboldt University, Berlin Advisory Board Marie-Janine Calic, University of Munich Lenard J. Cohen, Simon Fraser University Radmila Gorup, Columbia University Robert M. Hayden, University of Pittsburgh Robert Hodel, Hamburg University Anna Krasteva, New Bulgarian University Galin Tihanov, The University of Manchester Maria Todorova, University of Illinois Andrew Wachtel, Northwestern University VOLUME 2 Nationalism from the Left The Bulgarian Communist Party during the Second World War and the Early Post-War Years By Yannis Sygkelos LEIDEN • BOSTON 2011 On the cover: Venev, Rabotnichesko Delo #03, 20.09.1944. The beast of fascism has been killed by the national and the red flags. Yet the national flag overshadows the red one. The sun of the new socialist era is shining, demonstrating the date of the communist takeover. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Sygkelos, Yannis. Nationalism from the left : the Bulgarian Communist Party during the Second World War and the early post-war years / by Yannis Sygkelos. p. cm. — (Balkan studies library ; 2) Includes bibliographical references and index. ISBN 978-90-04-19208-9 (hardback : acid-free paper) 1. Bulgarska komunisticheska partiia—History. 2. Communism—Bulgaria—History— 20th century. 3. Nationalism—Bulgaria—History—20th century. 4. Bulgaria— Politics and government—1944–1990. I. Title. II. Series. JN9609.A8K6854581 2011 324.2499’07509044—dc22 2010048896 ISSN 1877-6272 ISBN 978 9004 19208 9 Copyright 2011 by Koninklijke Brill NV, Leiden, The Netherlands. -
Flags and Banners
Flags and Banners A Wikipedia Compilation by Michael A. Linton Contents 1 Flag 1 1.1 History ................................................. 2 1.2 National flags ............................................. 4 1.2.1 Civil flags ........................................... 8 1.2.2 War flags ........................................... 8 1.2.3 International flags ....................................... 8 1.3 At sea ................................................. 8 1.4 Shapes and designs .......................................... 9 1.4.1 Vertical flags ......................................... 12 1.5 Religious flags ............................................. 13 1.6 Linguistic flags ............................................. 13 1.7 In sports ................................................ 16 1.8 Diplomatic flags ............................................ 18 1.9 In politics ............................................... 18 1.10 Vehicle flags .............................................. 18 1.11 Swimming flags ............................................ 19 1.12 Railway flags .............................................. 20 1.13 Flagpoles ............................................... 21 1.13.1 Record heights ........................................ 21 1.13.2 Design ............................................. 21 1.14 Hoisting the flag ............................................ 21 1.15 Flags and communication ....................................... 21 1.16 Flapping ................................................ 23 1.17 See also ............................................... -
Redalyc.Book Reviews
Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Book Reviews Centro Journal, vol. XXIV, núm. 2, 2012, pp. 201-227 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37730308009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative CENTRO JOURNAL • VOLUME XXIV • NUMBER I • 2012 Book Reviews • 201 Queer Ricans: Cultures and Sexualities in the Diaspora By Lawrence La Fountain-Strokes Minneapolis: University of Minnesota Press, 2009 ISBN: 978-0-8166-4092-8 272 pages; $22.50 [paper] Reviewer: Enmanuel Martínez, Rutgers, the State University of New Jersey Queer Ricans: Cultures and Sexualities in the Diaspora represents a major contribution to the study of “Queer Rican culture” (p. xxii). A revision and expansion of La Fountain-Strokes’ Ph.D. dissertation, Queer Ricans explores the “sexile” (“sexual exile”) experience of first-generation queer Puerto Ricans living on the island, as compared to that of second- and third-generation Puerto Rican LGBTQ immigrants residing within the continental United States. Following a “historical (chronological), spatial, and generational model” of analysis (p. xxiv), La Fountain-Strokes begins with an assessment of the culture and politics of “island-born” (p. xxiv) and raised queer Puerto Ricans in the 1960s, continuing with a look at queer cultural production by second-generation Puerto Rican LGBTQ immigrants who escape to the continental U.S. -
Flag of Armenia 1 Flag of Armenia
Flag of Armenia 1 Flag of Armenia Use National flag. Proportion 1:2 Adopted August 24, 1990 Design A horizontal tricolour of red, blue, and orange The national flag of Armenia, the Armenian Tricolour (known in Armenian as եռագույն, erraguyn), consists of three horizontal bands of equal width, red on the top, blue in the middle, and orange on the bottom. The Armenian Supreme Soviet adopted the current flag on August 24, 1990. On June 15, 2006, the Law on the National Flag of Armenia, governing its usage, was passed by the National Assembly of Armenia. Throughout history, there have been many variations of the Armenian flag. In ancient times, Armenian dynasties were represented by different symbolic animals displayed on their flags.[1] In the twentieth century, various Soviet flags represented the Armenian nation. Symbolism The meanings of the colors have been interpreted in many different ways. For example, red has stood for the blood shed by Armenian soldiers in war, blue for the Armenian sky, and orange represents the fertile lands of Armenia and the workers who work them.[2] The official definition of the colors, as stated in the Constitution of the Republic of Armenia, is: All Articles originate from VentiWiki (http://venti.local/trunk/) Flag of Armenia 2 All Articles originate from VentiWiki (http://venti.local/trunk/) Flag of Armenia 3 Design Since the Armenian government does not specify the exact shades of red, blue, and orange, two different versions of the flag are in common use. The more common version consists of brighter shades, whereas the colors of the less common version are more muted. -
The International Brigades in the Spanish War
The International Brigades in the Spanish PROCEEDINGS War 1936-1939: Flags and Symbols Sebastià Herreros i Agüí FFIAV Associació Catalana de Vexil·lologia “To my father” panied people gathered in Barcelona to celebrate the Olimpiada Popular (Fig. 1), meeting organised by sev- eral leftist organisations to show their opposition to the official Olympic Games of Berlin. This “People’s Olym- piad”, in which a young 18 year old athlete, Isaac Galan, Someone has described the presence of the international who later would be registered as the father of my wife volunteers in the Spanish War 1936-1939 as the “last Anne, provided the first 300 brigadists who, organised romantic war of the twentieth century”. I think there are in columns, immediately headed for the Aragon front. no such romantic wars. All wars are cruel. In the pre-war theatre of the Second World War, the Spanish War was the training field for new military tactics: massive troop transport from Africa to Spain, intimidatory bombardments over civil targets, etc. These tactics were used in the following European confrontation: Sicily, Normandy, Coventry, Dresden... The Spanish War was not only a “Civil War”, but the confrontation and clash of ideas: defence of democracy Fig. 1 against totalitarism. This confrontation of ideas – IDEA > IDEAL > IDEALISM > IDEALISATION – fed the romantic The first columns were organised in Barcelona, but there flavour, of defence of ideals, that impregnated the were also international groups in Madrid and Irun. majority of the “brigadists” who came from all around the world. In Barcelona were formed: The “franquist” propaganda has shown the brigades as ♦ Grupo Thaelmann a part of International Communism. -
THE GRAND HARMONIOUS SYMMETRY of JAPAN: an Investigation in Uncanny Flag Similarities Christopher J. Maddish
THE GRAND HARMONIOUS SYMMETRY OF JAPAN: An Investigation in Uncanny Flag Similarities Christopher J. Maddish The 47 prefectures of Japan have unique flags, whose designs came from various sources. Many flags employ a stylized version of Japanese alphabet in either Hiragana or Katakana on a solid field. Like most sub‐national flags, they are strongly influenced by the national colors and design. Conventional wisdom assumes this process of sub‐national flag selection is a fairly random, yet attenuated to the cultural tastes the particular nation. The thesis of this paper is that a pattern can be found among the prefectural flags of Japan. The revolutionary and rather uncanny pattern is that each prefecture’s flag has a kind of “harmonious twin”. This paper will first describe the methodology of how flags are paired, followed by several illustrative examples. This is a new system of classification of flags based on groups limited to two. This paper’s title, the Grand Harmonious Symmetry of Japan, hints that the flags of Japan exhibit a certain degree of harmony and the title itself exhibits a subtle relationship to Japan. By way of uncanny historical, geographical, and cultural events a pattern of harmonious symmetry will be presented. On the left is the name of Japan written in Japanese as Nihon, literally translated as Sun‐ Source. The upper kaniji that looks like a digital eight means sun, the lower kanji means source, book, and root. To the right is the classical name of Japan, Yamato. The upper kanji means grand or big. The kanji on the lower right means harmony. -
Guidelines for Display of Flags
Guidelines for Display of Flags This document was developed to offer Organizing Committees of curling competitions and events guidelines for proper display of flags of our Member Associations. Document version and last update: v.3.0, December 2013 General information Some may believe that the matter of displaying flags is simple and well-known. However, as soon as we are talking about the vertical display of flags, exceptions and special rules appear, while information sources are scarce, making the issue complicated. Furthermore, there are countries who use different layouts of their flag for different occasions and uses. The process The present document was developed starting from the horizontal versions of each flag, identifying the appropriate version to be used for sport events (usually, the Civil Flag), then trying to identify rules and exceptions for vertical display. In case no such special rule was present, the generic rule was applied that says: “A flag should be displayed vertically by maintaining its Honor Point (usually, the top-left corner) in the same position (still at the top-left). This means that most flags rotate 90 degrees and are then turned over. The color at the left will become the color at the top” (Graham Bartram – Flags of the World) Exceptions are highlighted under each country. As a general impression, hoisting flags vertically is an area lacking standardization, with history showing many variants for the display for some of the countries. There are IOC guidelines, edition London 2012, using simple rotation as generic rule (no flipping over). For cases where no standardization was found, IOC guidelines are used.