Taking Stock Search

Total Page:16

File Type:pdf, Size:1020Kb

Taking Stock Search The Magazine for the Axel Springer Family June 2015 Digital Digest TAKING A SECURE SEARCH STOCK Qwant want to be Julian Deutz looks different from „Google“ back at his year on the Board THE TURBO THINKER Samir Fadlallah is the new Chief Information Officer at Axel Springer – and an achiever with both feet planted firmly on the ground EDITORIAL Dear Reader, I recently came across the following quote: “Would the cleaning lady un- derstand it, and also be interested in it?” It was a vital question posed by Eduard Rhein, one of the employees closest to Axel Springer during the founding years, and its aim was to make the editorial teams more sensitive to the needs of the readers. Te intention behind Rhein’s question remains as important today – especially for a digital publisher like Axel Springer. Tim Tolsdorff Like back then, media users today are also on the lookout for high-quality, Managing Editor relevant products – whether news reports, job offers or price comparisons they can rely on. And as the digital business marches forward, the way the media is used is changing rapidly, especially among young people. Tis prompted inside.mag to seek out members of the Axel Springer family who are treading new paths in order to understand such users. We found what we were looking for at Totaljobs Group in London, for example. Big data and powerful algorithms are being used there to help job see- kers and companies find one another. Simple, service-oriented and mobile. “Te news lives where the users are” – these words were uttered by the maker of US video platform NowTis, in which Axel Springer acquired shares at the beginning of this year. Tese residents of New York distribute their news videos solely via social media and rely on the symbiosis between editorial teams and sophisticated software to make sure they strike the right note on all channels. We tell you what you need to know about the company. Te colleagues at BILD and Transfermarkt. de have been relying for some time on the expertise of their users and we look at how they make use of “user-generated content”. Technology plays a significant role for this issue’s “United Artist” – Samir Fadlallah, the new Chief Information Officer at Axel Springer. And of course no issue of inside.mag would be complete without stories by and about the journal- ists, as our pieces about the “Germanwings” tragedy and POLITICO Europe demonstrate so clearly. Julian Deutz, Chief Financial Officer for a good year now, knows the con- tribution that the work of creative employees makes to a company’s books better than anyone. In an interview he takes stock for the first time, and states that “we don’t live from physical assets, but from the know-how of our employees who design excellent products.” Tese words would almost certainly have found resonance with Eduard Rhein and Axel Springer. Enjoy reading our latest issue of inside.mag! Yours Tim Tolsdorff 02 CONTENT CONTENT 04 10 PROFESSION: REPORTER NEW FAMILY MEMBER The Axel Springer media and The start-up Qwant the “Germanwings” tragedy operates a search engine and its goal is to protect user data 14 18 INTERVIEW NOWTHIS Julian Deutz talks about Eleven things you need decisions, parental leave and to know about the digital increased responsibility video specialists from New York 20 24 POLITICO UNITED ARTIST The new political and journal- Samir Fadlallah is Axel istic platform that aims to stir Springer’s new CIO and up Brussels – editor Florian wants to shape the digital Eder talks about the founding transformation months 26 30 ON SITE FAMILY LIFE Totaljobs Group in Britain Colleagues worldwide do everything they can to reveal what they’re up to – direct customers to their both professionally and in dream job their private lives 32 USER-GENERATED CONTENT User-generated content: at BILD and Transfermarkt.de the readers provide the editors with valuable news stories The Magazine for the Axel Springer Family Axel Springer SE, Corporate Communications, 10888 Berlin Tel: +49 30 2591-77640, [email protected] 03 The worst tragedy in a generation Te crash of “Germanwings” flight 4U9525 three months ago brought death and grief to the victims and their families and friends. Te air disaster also pushed many journal- ists to their limits. Tey had to report fast and precisely – and found themselves bang in the middle of a media crossfire caused by diffuse public criticism. Editor-in-Chief of the B.Z. Peter Huth tells us here how he experienced the first days after the crash. “united in pain”: The front page of the B.Z. from March 25, 2015 focused on the mourning throug- hout Europe 04 Alliance Photo: Picture PROFESSION: REPORTER The worst „Airbus A320 the moral compass of newspaper read ers and It was so close to home, so familiar online users, who do not appreciate that kind We thought about it: What does crashes in France of treatment. Flight 4U9525 mean to us? Charlie Hebdo (security circles) However, beyond that – and this ap- affected us deeply because we are journalists. cp/jes AFP“ plies to any tragedy – we must get to the core And the “Germanwings” tragedy affected us of the matter, to the point which differentia- because we are the “Easyjet generation”, able Tese few words announced as brea- tes it from other disasters. In the case of the to travel throughout Europe to see concerts, king news by AFP on March 24 at 11.43 a.m. Concorde inferno, it was the shattering of our visit museums, enjoy tapas or watch a foot- tragedy in a triggered off the biggest German news situati- faith in high technology and its belief that ball game thanks to cheap flights costing not on since the 1998 ICE tragedy in the town of “anything goes”. Eschede made us realize that much more than a taxi trip across town. We Eschede. Only minutes later it was clear that the railway, which we believed to be an extre- looked at the photos: the Spanish royal couple most of the passengers on the plane flying to mely safe form of transport, had weaknesses. with the head of the French government, Hol- Düsseldorf were German. Tis statement alo- And what was special about Charlie Hebdo lande and Merkel, the mourners in Barcelona ne – that the victims were mainly Germans was the attack on freedom of opinion. and Düsseldorf, and later on the pictures from – released a first wave of indignation and in Haltern. Is it not true that cheap air travel has the following days a collective shitstorm raged done more for the European idea than any against what is generally referred to as “the number of persuasive speeches? Tis was how media”. Tis storm got underway at a point we thought about the crash only hours after it generation PETER HUTH in time when the digital media were only just happened and long before the dramatic turn finding their way around the story and not of events, when the first suspicions about a one single newspaper had yet been printed. suicide were expressed by the public prosecu- Fears were expressed about boundaries being tor the Tursday following the crash. crossed, and some even deigned to instruct the An idea emerged for the front page media on how to act and what they were to “Europe united in pain” – to be expressed by a desist from. You might say that this was the collage of photos: the display board, the crash point at which the critics already discredited site, the politicians, the rescuers and of course themselves. the people in Düsseldorf waiting for news. In the initial hours after a tragedy like is 46 years old and lives with his family in Relatives. this, a lot of what happens is routine. News Berlin. He began his career working as a I’ve been working for almost 30 years stories are seen, a rough online schedule is trainee at the newspaper “Mitteldeutscher as a journalist and have been involved in re- established, new teams are put together, ca- Express” in Halle, going on to work for sev- porting dozens of disasters as a reporter, as a pacities rearranged and, above all, more space eral years there as a reporter and freelance news boss, as an editor-in-chief. Whether after is ordered. Te objective of the print issue journalist. He became head of news at the the 1996 airport disaster in Düsseldorf or the must be to present the news in a way that B.Z. in 1998, before transferring to the edi- disappearance of flight MH370 a year ago, we not only informs people and structures the torial office of BILD Hamburg in 2001 where have always shown the relatives grieving. It is, information, but also moves them. 150 dead he advanced to position of Chief Editor. to my mind, right to do so and absolutely in is a number. But behind that there are 150 Following a heart attack he brought out his line with the press codex. I consider the pro- human beings who should not end as a mere autobiography Infarkt. Eine Betriebsstö- tection of personal privacy to be extremely im- statistic. Tat is journalistic empathy. Any one rung” (literally: Heart attack. An operational portant, but I consider the right of the public who reduces this to voyeurism underestimates disruption), for which he was awarded the to receive extensive information to be more so. 2004 “Hamburger Förderpreis für Litera- tur”. In the same year he returned to his profession and became Editor-in-Chief of the B.Z.
Recommended publications
  • Annual Report 2019 Contents
    Annual Report 2019 Contents 4 Foreword 93 Report of the Supervisory Board 6 Executive Board 102 Consolidated Financial Statements 103 Consolidated Statement of 8 The Axel Springer share Financial Position 10 Combined Management Report 105 Consolidated Income Statement 106 Consolidated Statement of 13 Fundamentals of the Axel Springer Group Comprehensive Income 24 Economic Report 107 Consolidated Statement of 44 Economic Position of Axel Springer SE Cash Flows 48 Report on risks and opportunities 108 Consolidated Statement of Changes in Equity 60 Forecast Report 109 Consolidated Segment Report 71 Disclosures and explanatory report on the Executive Board pursuant to takeover law 110 Notes to the Consolidated Financial Statements 77 Corporate Governance Report 180 Responsibility Statement 181 Independent Auditor’s Report 187 Boards 2 Group Key Figures in € millions Change yoy 2019 2018 Group Revenues – 2.2 % 3,112.1 3,180.7 Digital revenue share1) 73.3 % 70.6 % 2) EBITDA, adjusted – 14.5 % 630.6 737.9 EBITDA margin, adjusted2) 20.3 % 23.2 % 2) EBIT, adjusted – 21.5 % 414.5 527.9 EBIT margin, adjusted 2) 13.3 % 16.6 % Net income – 35.4 % 134.6 208.4 2) Net income, adjusted – 21.5 % 263.7 335.7 Segments Revenues Classifieds Media 0.1 % 1,213.8 1,212.5 News Media – 4.4 % 1,430.9 1,496.2 Marketing Media 0.8 % 421.5 418.3 Services/Holding – 14.4 % 46.0 53.7 EBITDA, adjusted2) Classifieds Media – 3.8 % 468.4 487.2 News Media – 39.3 % 138.5 228.2 Marketing Media 20.3 % 107.8 89.6 Services/Holding − – 84.1 – 67.0 EBIT, adjusted2) Classifieds Media – 7.1 % 377.9 406.7 News Media – 54.4 % 72.1 158.2 Marketing Media 26.1 % 83.3 66.0 Services/Holding − – 118.6 – 103.0 Liquidity and financial position 2) Free cash flow (FCF) – 38.1 % 214.6 346.9 2) 3) FCF excl.
    [Show full text]
  • Youtube and the Vernacular Rhetorics of Web 2.0
    i REMEDIATING DEMOCRACY: YOUTUBE AND THE VERNACULAR RHETORICS OF WEB 2.0 Erin Dietel-McLaughlin A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Kristine Blair, Advisor Louisa Ha Graduate Faculty Representative Michael Butterworth Lee Nickoson ii ABSTRACT Kristine Blair, Advisor This dissertation examines the extent to which composing practices and rhetorical strategies common to ―Web 2.0‖ arenas may reinvigorate democracy. The project examines several digital composing practices as examples of what Gerard Hauser (1999) and others have dubbed ―vernacular rhetoric,‖ or common modes of communication that may resist or challenge more institutionalized forms of discourse. Using a cultural studies approach, this dissertation focuses on the popular video-sharing site, YouTube, and attempts to theorize several vernacular composing practices. First, this dissertation discusses the rhetorical trope of irreverence, with particular attention to the ways in which irreverent strategies such as new media parody transcend more traditional modes of public discourse. Second, this dissertation discusses three approaches to video remix (collection, Detournement, and mashing) as political strategies facilitated by Web 2.0 technologies, with particular attention to the ways in which these strategies challenge the construct of authorship and the power relationships inherent in that construct. This dissertation then considers the extent to which sites like YouTube remediate traditional rhetorical modes by focusing on the genre of epideictic rhetoric and the ways in which sites like YouTube encourage epideictic practice. Finally, in light of what these discussions reveal in terms of rhetorical practice and democracy in Web 2.0 arenas, this dissertation offers a concluding discussion of what our ―Web 2.0 world‖ might mean for composition studies in terms of theory, practice, and the teaching of writing.
    [Show full text]
  • Object Summary Collections 11/19/2019 Collection·Contains Text·"Manuscripts"·Or Collection·Contains Text·"University"·And Status·Does Not Contain Text·"Deaccessioned"
    Object_Summary_Collections 11/19/2019 Collection·Contains text·"Manuscripts"·or Collection·Contains text·"University"·and Status·Does not contain text·"Deaccessioned" Collection University Archives Artifact Collection Image (picture) Object ID 1993-002 Object Name Fan, Hand Description Fan with bamboo frame with paper fan picture of flowers and butterflies. With Chinese writing, bamboo stand is black with two legs. Collection University Archives Artifact Collection Image (picture) Object ID 1993-109.001 Object Name Plaque Description Metal plaque screwed on to wood. Plaque with screws in corner and engraved lettering. Inscription: Dr. F. K. Ramsey, Favorite professor, V. M. Class of 1952. Collection University Archives Artifact Collection Image (picture) Object ID 1993-109.002 Object Name Award Description Gold-colored, metal plaque, screwed on "walnut" wood; lettering on brown background. Inscription: Present with Christian love to Frank K. Ramsey in recognition of his leadership in the CUMC/WF resotration fund drive, June 17, 1984. Collection University Archives Artifact Collection Image (picture) Object ID 1993-109.003 Object Name Plaque Description Wood with metal plaque adhered to it; plque is silver and black, scroll with graphic design and lettering. Inscription: To Frank K. Ramsey, D. V. M. in appreciation for unerring dedication to teaching excellence and continuing support of the profession. Class of 1952. Page 1 Collection University Archives Artifact Collection Image (picture) Object ID 1993-109.004 Object Name Award Description Metal plaque screwed into wood; plaque is in scroll shape on top and bottom. Inscription: 1974; Veterinary Service Award, F. K. Ramsey, Iowa Veterinary Medical Association. Collection University Archives Artifact Collection Image (picture) Object ID 1993-109.005 Object Name Award Description Metal plaque screwed onto wood; raised metal spray of leaves on lower corner; black lettering.
    [Show full text]
  • Painting Photographs: Absence on Mohammed Mahmoud Street
    Bowling Green State University ScholarWorks@BGSU 19th Annual Africana Studies Student Research Africana Studies Student Research Conference Conference and Luncheon Feb 24th, 3:00 PM - 4:20 PM Painting Photographs: Absence on Mohammed Mahmoud Street Kirsten Stricker Follow this and additional works at: https://scholarworks.bgsu.edu/africana_studies_conf Part of the African Languages and Societies Commons Stricker, Kirsten, "Painting Photographs: Absence on Mohammed Mahmoud Street" (2017). Africana Studies Student Research Conference. 3. https://scholarworks.bgsu.edu/africana_studies_conf/2017/005/3 This Event is brought to you for free and open access by the Conferences and Events at ScholarWorks@BGSU. It has been accepted for inclusion in Africana Studies Student Research Conference by an authorized administrator of ScholarWorks@BGSU. Painting Photographs: Absence on Mohammed Mahmoud Street Kirsten E. Stricker Stricker 1 Mohammed Mahmoud Street is the metaphoric tomb of Tahrir Square, Cairo where violent protests erupted during the Egyptian Revolution which began in 2011.1 It is on the walls of this street that Ammar Abo Bakr painted outside of his studio for the first time.2 “Lost Eyes,” a large mural commemorating the men and women who lost their eyes in clashes during a demonstration against military rule on November 19, 2011, was the first large mural that he made commemorating those who were injured during the struggle for freedom (Figure 1). Since then Bakr has continued to work on an ever evolving mural on Mohammed Mahmoud Street. While he is responsible for a great number of fascinating pieces of art this paper will focus primarily on the mural he added to the wall in May 2012—a mural of mourning mothers holding photographs of their children who died in the revolution.
    [Show full text]
  • Holocaust Memorial Days an Overview of Remembrance and Education in the OSCE Region
    Holocaust Memorial Days An overview of remembrance and education in the OSCE region 27 January 2015 Updated October 2015 Table of Contents Foreword .................................................................................................................................... 1 Introduction ................................................................................................................................ 2 Albania ................................................................................................................................. 13 Andorra ................................................................................................................................. 14 Armenia ................................................................................................................................ 16 Austria .................................................................................................................................. 17 Azerbaijan ............................................................................................................................ 19 Belarus .................................................................................................................................. 21 Belgium ................................................................................................................................ 23 Bosnia and Herzegovina ....................................................................................................... 25 Bulgaria ...............................................................................................................................
    [Show full text]
  • Literaturverzeichnis
    Literaturverzeichnis Jürgen Peter Schmied Sebastian Haffner Eine Biographie 683 Seiten, Gebunden ISBN: 978-3-406-60585-7 © Verlag C.H.Beck oHG, München Quellen- und Literaturverzeichnis I. Quellen A Ungedruckte Quellen 1. Akten Archiv der Humboldt Universität zu Berlin. Matrikelbuch, Rektorat, 600/116. Jur. Fak., Bd. 309. BBC Written Archive Centre, Reading. RCont 1, Sebastian Haffner File 1. Bundesarchiv. Personalakte Raimund Pretzel, R 3001, 71184. Personalakte Raimund Pretzel, ehemals BDC, RKK 2101, Box 0963, File 09. Bundesbehörde für die Unterlagen des Staatssicherheitsdienstes der ehemaligen Deutschen Demokratischen Republik, Berlin. ZA, MfS – HA IX/11. AF Pressemappe. ZA, MfS – HA IX/11. AF Z I, Bd. 3. ZA, MfS – HA IX/11. AF N-II, Bd. 1, Bd. 2. ZA, MfS – F 16/HVA. ZA, MfS – F 22/HVA. National Archives, Kew. FO 371/24424 FO 371/26554 FO 371/106085 HO 334/219 INF 1/119 KV 2/1129 KV 2/1130 PREM 11/3357 Politisches Archiv des Auswärtigen Amtes, Berlin. B 8, Bd. 1498. B 11, Bd. 1019. 2 2. Nachlässe NL Konrad Adenauer Stiftung Bundeskanzler-Adenauer-Haus, Rhöndorf. NL Raymond Aron École des hautes études en sciences sociales, Paris. Centre de recherches politiques Raymond Aron. NL David Astor Privatbesitz. NL Margret Boveri Staatsbibliothek zu Berlin, Handschriftenabteilung. NL Willy Brandt Archiv der sozialen Demokratie. Friedrich-Ebert- Stiftung, Bonn. NL Eugen Brehm Institut für Zeitgeschichte, München. NL William Clark Bodleian Library, Oxford. Department of Special Col- lections and Western Manuscripts. NL Arthur Creech Jones Rhodes House Library, Oxford. NL Isaac Deutscher International Institute of Social History, Amsterdam. NL Sebastian Haffner Bundesarchiv.
    [Show full text]
  • Networked Collective Memory
    Networked Collective Memory A media-archeological approach towards digital collective memory Networked Collective Memory A media-archeological approach towards digital collective memory Patty Jansen Student number: 10219455 [email protected] [email protected] RMA Thesis Arts and Culture: Artistic Research Supervisor: dr. J.H. Hoogstad Second Reader: dr. J. Boomgaard Universiteit van Amsterdam Index 0.0 Introduction...........................................................................................................................4 1.0 Mediating Memory............................................................................................................... 7 Collective Memory ................................................................................................................................7 Official, Vernacular and Public Memory................................................................................................ 9 Portraits of Grief and Resilience............................................................................................................. 9 The Role of the User in Collective Memory.........................................................................................13 2.0 Network Memory................................................................................................................14 Timeless Time....................................................................................................................................... 14 Beyond News Paradigms
    [Show full text]
  • Ulrike Meinhof and the Red Army Faction
    Ulrike Meinhof and the Red Army Faction Ulrike Meinhof and the Red Army Faction Performing Terrorism Leith Passmore ulrike meinhof and the red army faction: performing terrorism Copyright © Leith Passmore, 2011. Softcover reprint of the hardcover 1st edition 2011 978-0-230-33747-3 All rights reserved. First published in 2011 by PALGRAVE MACMILLAN® in the United States— a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe, and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-34096-5 ISBN 978-0-230-37077-7 (eBook) DOI 10.1057/9780230370777 Library of Congress Cataloging-in-Publication Data Passmore, Leith, 1981– Ulrike Meinhof and the Red Army Faction : performing terrorism / Leith Passmore. p. cm. Includes bibliographical references and index. 1. Meinhof, Ulrike Marie. 2. Women terrorists—Germany (West)— Biography. 3. Women journalists—Germany (West)—Biography. 4. Terrorism— Germany (West)—History. 5. Rote Armee Fraktion—History. I. Title. HV6433.G3P37 2011 363.325092—dc22 2011016072 A catalogue record of the book is available from the British Library. Design by Scribe Inc. First edition: November 2011 Contents Acknowledgments vii Preface ix Introduction: Performing Terrorism 1 1 Where Words Fail 13 2 Writing Underground 33 3 The Art of Hunger 61 4 Show, Trial, and Error 83 5 SUICIDE = MURDER = SUICIDE 103 Conclusion: Voices and Echoes 119 Notes 127 Bibliography 183 Index 201 Acknowledgments This book is based largely on a rich archival source base.
    [Show full text]
  • Anna Rzeczyńska "Black Ribbon Day", Edward Sołtys, Toronto 2014 : [Recenzja]
    Anna Rzeczyńska "Black Ribbon Day", Edward Sołtys, Toronto 2014 : [recenzja] TransCanadiana 8, 326-328 2016 Anna Reczyńska Jagiellonian University in Kraków EDWARD SOŁTYS. BLACK RIBBON DAY. TORONTO: CANADIAN POLISH RESEARCH INSTITUTE, 2014. 313 PAGES. ISBN 978-0-920517-18-5 A black ribbon is a symbol of grief not only in European cultures but also in many others. In the late 1980s, a new movement was born in many different countries, a movement which added a new meaning to the black ribbon. It became a symbol of remembrance of the Molotov-Ribbentrop pact from 1939 and its tragic outcomes for millions of people. Since 1987, Black Ribbon Day has been commemorated around the world on August 23, the anniversary of the signing of the pact. On that day, various forms of protests and demonstrations take place, involving hundreds or thousands of people, featuring speeches by politicians, emigration activists, dissidents, and other people persecuted by totalitarian states. Academic sessions, discussions, and press conferences are also held, focusing on the pact that resulted in World War II, border changes, a new division of Europe, and tragedies of millions of people. The events pinpoint that due to the pact the three Baltic countries, Lithuania, Latvia, and Estonia, were forced, for several decades, to be the part of the USSR, while countries at the centre of the continent came under the strong influence of the aforementioned totalitarian regime. Black Ribbon Day also features secular and religious ceremonies commemorating the victims, prisoners, deportees, displaced persons, and refugees, all of whom were victims of totalitarian regimes.
    [Show full text]
  • Journalists Between Hitler and Adenauer 24
    Contents Introduction: Journalists and Freedom of Expression in the Twentieth Century 1 Clarifying the “Generation of ’32” 6 Defining “Inner Emigration” 9 Three “Inner Emigrants”?: Ernst Jünger, Margret Boveri, and Henri Nannen 11 The tructureS of Journalists between Hitler and Adenauer 24 1 Paul Sethe: Resistance and Its Post- Hitler Moral and Journalistic Consequences 26 Family and Academic Training 26 Writing for the Ohligser Anzeiger and the Crisis of the Weimar Republic 30 Sethe’s Politics and Journalism during 1932– 1933 31 Maneuvering in the Early Days of the Nazi Regime 37 Serving as Editor at Frankfurter Zeitung 45 On the Fringes of the Anti- Nazi Resistance 53 Flight from Berlin and Early Postwar Search for a New Career 57 Founding the Frankfurter Allgemeine Zeitung 61 Tensions over the FAZ’s Political Orientation and Freedom of Expression 66 Joining Axel Springer’s Die Welt 73 Sethe’s Separation from Springer and Move to Der Stern and Die Zeit 77 vv vi Contents 2 The Intellectual Journey of Marion Countess Dönhoff 85 Preface 85 Family Life and Career in Times of Peace and War 87 Anti- Nazi Resistance and the July 1944 Plot to Kill Hitler 94 Flight to West Germany, Mourning, and Defending the Anti- Nazi Resistance 97 Pondering Her Lost Heimat and the Idea of a Reunified Germany 110 Marion Dönhoff’s Atlanticism and Its Networks 116 Her “Prussian” Values and Critique of the Evolution of Capitalism 120 3 Hans Zehrer’s Intellectual Journey from Weimar Berlin to Postwar Hamburg: Struggling with Past and Present, 1923– 1966 129 The
    [Show full text]
  • View Annual Report
    09Annual Report Contents Foreword 2 Report of the Supervisory Board 107 Management Board 6 ullstein bild: Freedom 112 Axel Springer: Multimedially integrated 8 Consolidated Financial Statements 132 Auditor’s Report 133 The Axel Springer share 30 Consolidated Statement of 134 Financial Position Management Report of the Group and Consolidated Statement of 136 Management Report of Axel Springer AG 32 Comprehensive Income Business model, structure, and market position 33 Consolidated Statement of Cash Flows 137 Strategy and success monitoring 39 Consolidated Statement of Changes in Equity 138 Employees 43 Social responsibility 47 Notes to the Annual Financial Statements 140 Business development and performance 51 Financial situation and balance sheet 77 Boards 182 Economic position of Axel Springer AG 79 Profit utilization proposal 81 Glossary 184 Risk and Opportunities Report 81 Events after the balance sheet date 86 Outlook 87 Disclosures pursuant to Sections 289 (4), 91 315 (4) HGB and Explanatory Report pursuant to Section 176 (1) (1) AktG Declaration on Corporate Governance 94 pursuant to Section 289a HGB and Corporate Governance Report GroupGroup Key KeyFigure s Figures GroupGroup Key Figures Change in € millions 2005 2006 2007 2008 2009 yoy Revenues 2,391.5 2,375.9 2,577.9 2,728.5 2,611.6 – 4.3 % International revenues 383.7 383.2 537.2 596.8 547.6 – 8.2 % International revenues as percent of total revenues 16.0 % 16.1 % 20.8 % 21.9 % 21.0 % Pro forma revenues Digital Media 543.5 569.0 4.7 % Digital Media revenues as percent of total
    [Show full text]
  • Group Key Datakey Group Page 39 11 9 8 9 Segments
    Group Key Data Financial calendar ANNUAL REPORT 1999 REPORT ANNUAL Press conference on the in DM million 1995 1996 1997 1998 1999 Page annual financial statements 30th May 2000 Sales 4,256* 4,420 4,599 4,811 5,211 9 General meeting of shareholders 28th June 2000 Change (%) 4.7 3.8 4.1 4.6 8.3 Dividend payment 29th June 2000 Profit 8 Net profit for the year 142 164 211 276 295 Interim report End of August 2000 Return on sales (%) 3.4 3.7 4.6 5.7 5.7 Return on average equity capital (%) 22.8 24.3 28.3 31.8 29.5 Profit as per DVFA/SG** 108 121 201 193 196 Share details ANNUAL REPORT 1999 Balance sheet 11 Balance sheet total 2,506 2,571 2,712 2,984 3,134 1998 1999 Fixed assets 1,235 1,195 1,319 1,367 1,578 Fixed asset cover (%) 53.0 58.3 60.1 69.0 67.0 Liquid assets 632 686 686 715 557 Dividend DM 26.00 28.00 Shareholders' funds (excl. retained profits) 654 697 792 943 1,057 Tax credit DM 11.14 12.00 Equity ratio (%) 26.1 27.1 29.2 31.6 33.7 If you require further information about this Long-term liabilities 353 298 246 174 177 Dividend Annual Report, please contact (including tax credit) DM 37.14 40.00 Axel Springer Verlag AG Capital expenditure 218 240 395 283 476 DVFA/SG profit Finance and Accounting/ Depreciation 245 178 225 241 193 (excluding tax credit) € 29.07 29.44 Corporate Controlling Cash flow 418 361 448 530 492 Axel-Springer-Platz 1 Share price D-20350 Hamburg Share 9 at end of year € 716 1,185 Profit as per DVFA/SG Phone.: ++ 49 (0) 40 / 3 47 - 2 35 23 per share (DM)** 31.68 35.54 59.12 56.86 57.58 Highest share price € 828
    [Show full text]