12-December-1989.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Black Metal and Brews
Review: Roadburn Friday 20th April 2018 By Daniel Pietersen Day Two at Roadburn ‘18 and already Never wandering off into too-loose the bar is raised pretty high, with sets jam-band territory, the quartet unleash from Black Decades, Kælan Mikla and some of the best heads-down psych- Servants of the Apocalyptic Goat Rave rock I’ve seen and the crowd absolutely being my personal highlights from the lap it up over the set’s two-hour (two day before. We’ve a lot to get through, hours!) duration. though, and these bands won’t watch themselves. The Ruins of Beverast unleash a black metal stormcloud, all martial drums and lightning-strike guitars sweeping scythe-like over the field of nodding heads in a packed Green Room. It’s a ferocious, scathing display made all the more intense by the devastatingly tight musicianship. An immense start to the Panopticon (Paul Verhagen) day and that’s Roadburn in a nutshell; What Jeremy Bentham, the 18th even the first band on one of the century English philosopher who smaller stages are world class. developed the concept of the Panopticon, would think of his creation’s musical namesake is, sadly, impossible to know. I like to think that, even if the music were beyond him, the passionate social reformer would appreciate the politically relevant sentiments of the band, something which is made most obvious on their opening selection of country- influenced tracks. Banjo and mandolin Motorpsycho (Paul Verhagen) blend with mournful voices, singing of Next door, on the Main Stage, lost families and failing factories, into Motorpsycho are working up their songs that wouldn’t be out of place on groove and creating the kind of sounds, a Steve Earle record. -
Forever the Black Smoke Blows in Krems’ [Auto-Translated from German]
Kramar, Thomas. ‘Forever the black smoke blows in Krems’ [Auto-translated from German]. Die Presse Online. 26 April 2018 Forever the black smoke blows in Krems In the nineties it was in vogue to state ends. Today one fears the "endless present": this is the motto of this year's Danube Festival. How postmodern is that? Or is it again - modern? The virtual source never runs dry: "Western Flag (Spindletop, Texas)", video by John Gerrard. – © Danube Festival It was an anticipated, much-anticipated eruption: on January 10, 1901, oil spewed from a well at Spindletop Hill (southeast Texas), yes: to splash. Two months later, the nearby town of Beaumont was a boomtown and its population tripled. The Irish artist John Gerrard recalls the time when oil spilled on Spindletop Hill. In his video installation "Western Flag (Spindletop, Texas)" he simulates that this source would never run dry, would never run out, but only bring more dirt, not juice for traffic and industry: black smoke is constantly pouring out of the jets, into shape a flag. Gerrard suggests a trivial interpretation. "Among the greatest legacies of the 20th century are not only the population explosion and the better living conditions, but also the significantly increased CO2 concentrations in the atmosphere," he writes: "This flag gives this invisible gas, this international danger, a picture, a way to represent oneself. " Heaven is where nothing happens Thomas Edlinger, Director of the Danube Festival, now places Gerrard's video installation in Krems in a new context of meaning - as an illustration of this year's theme: "Endless Presence". -
PDF (1.47 Mib)
M M M M M M M M M M M M M M M M M M M M M M M M セ M M M M M M M M M M M M M M M セ M M M M M M セ ...-----------..-- .......... - - - - -- - arcade OCTOBER 17 2008 • 12 the spirit of Cold War Kids. It's as iflead singer Nathan Willett is perpetually and sloppily inebriated, balanc- SU D Y continued ing on the precipice of drunken brilliance and drunken oblivion. His stage presence is controlled, but with a passion and fervor that's remarkable. still feminine voice lends powerful sound to every tune she tack- Their latest release (Loyalty to Loyalty, 2008) stays true to the foundation they built musically in 2006's Rob- les. The Vettes do carry around some '80s influence, but it's tem- bers and Cowards. Voodoo audiences are sure to be impressed with their set for this year's show. Count on a pered with a modern sensibility that saves the music from falling little bit of absurdity and a lot of indie brilliance. -AmyHoliday into kitsch-ville. Fans ofDepeche Mode, the Cranberries and New Wave music in general will dig the Vettes at this year's Voodoo Fest. Known for its showmanship and manic energy, the band is certain to put on a kickass live show. Don't miss the ethereal meandering of 1:50-2:50 at Playstation/Billboard.com stage "Flame" on Voodoo Fest's main Web site. - F.G. Lupe Fiasco has been showing New Orleans a lot oflove lately, speaking at. -
Leon Bridges Black Moth Super Rainbow Melvins
POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges. -
Green the Green Book
Book # 1 THE GREEN BOOK Universal Zulu Nation Infinity Lessons Archive 1973 - 2000 FOR THE MASSES Compiled By : King Mark Luv & Malika Saphire Table of Contents Myths and Misconceptions ..................................................................................................................................................... 2 Laws and Regulations of the Universal Zulu Nation Part 1 (1 – 20) ........................................................................................ 4 Laws and Regulations of the Universal Zulu Nation Part 2 (21 – 46) ...................................................................................... 5 INFINITY LESSON ONE ............................................................................................................................................................. 6 ABOUT ZULU NATION ......................................................................................................................................................... 6 Message to the People........................................................................................................................................................ 7 INFINITY LESSON TWO ............................................................................................................................................................ 8 THE HISTORY OF AFRIKA BAMBAATAA ............................................................................................................................... 8 INFINITY LESSON THREE ....................................................................................................................................................... -
Blondie Eat to the Beat Mp3, Flac, Wma
Blondie Eat To The Beat mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Eat To The Beat Country: Sweden Released: 1979 Style: New Wave MP3 version RAR size: 1971 mb FLAC version RAR size: 1674 mb WMA version RAR size: 1855 mb Rating: 4.8 Votes: 904 Other Formats: ASF VOX MOD MPC AIFF VQF FLAC Tracklist Hide Credits Dreaming A1 3:04 Written-By – C. Stein*, D. Harry* The Hardest Part A2 3:40 Written-By – C. Stein*, D. Harry* Union City Blue A3 3:19 Written-By – D. Harry*, N. Harrison* Shayla A4 3:55 Written-By – C. Stein* Eat To The Beat A5 2:38 Written-By – D. Harry*, N. Harrison* Accidents Never Happen A6 4:12 Written-By – J. Destri* Heart Of Glass A7 5:48 Written-By – C. Stein*, D. Harry* Die Young Stay Pretty B1 3:32 Written-By – C. Stein*, D. Harry* Slow Motion B2 3:26 Written-By – J. Destri*, L. Davis* Atomic B3 4:38 Written-By – D. Harry*, J. Destri* Sound Asleep B4 4:13 Written-By – C. Stein*, D. Harry* Victor B5 3:17 Written-By – D. Harry*, F. Infante* Living In The Real World B6 2:42 Written-By – J. Destri* Sunday Girl B7 3:14 Written-By – C. Stein* Companies, etc. Recorded At – Power Station Recorded At – Electric Lady Studios Recorded At – Mediasound Mixed At – MCA Whitney Recording Studios Mastered At – MCA Whitney Recording Studios Published By – Rare Blue Music, Inc. Published By – Monster Island Music Phonographic Copyright (p) – Chrysalis Records Manufactured By – Toshiba EMI Ltd Credits Art Direction – Billy Bass Design, Photography By – Norman Seeff Design, Typography – John Van Hamersveld Engineer – David Tickle, Pete Coleman Mastered By – Steve Hall Producer – Mike Chapman Notes 1st Issue Chrisalys Promo White Labels - Promo Stickered Obi - 12" Poster - Printed Inner Sleeve - 4 Pages Insert With Lyrics Recorded at the Power Station, Electric Lady & Media Sound, N.Y. -
Recess Activities, Inc. Presents Gibby Haynes Paintings
FOR IMMEDIATE RELEASE Recess Activities, Inc. Presents Gibby Haynes Paintings April 26 - June 1, 2011 Red Hook, Brooklyn, April 26, 2011—Gibby Haynes will begin two months of work at Recess’s new Brooklyn outpost as part of its signature program, Session. Haynes’ project will be the second iteration of Recess’s collaboration with Charlotte Kidd and Dustin Yellin from Kidd Yellin Studios in Red Hook. Recess’s original location at 41 Grand Street in SoHo will remain open; both spaces will be free and open to the public. During his premiere US solo presentation, Haynes will adapt the residency room at Kidd Yellin into a production studio for a series of abstract, geometric paintings. Known for his work as a musician in the group Butthole Surfers, Haynes will translate his intimate relationship with sound and the hardcore movement into visual vocabulary. On eight-foot square canvases, the artist will use bold, contrasting colors issuing from the center in echoing circles. Revolving like a record, the canvas becomes vinyl and the paint etches vibration. About the Artist: Gibby Haynes is an American musician, radio personality, painter and the lead singer of the group Butthole Surfers. He received a BA from Trinity University. His work has been featured in exhibitions at Robert Berman Gallery in Santa Monica California and The Station in Houston Texas. Haynes currently lives in Brooklyn, New York with his wife, Melissa, their daughter, and their Westie. Recess Activities at Kidd Yellin 133 Imlay Street Brooklyn, NY . -
LE MONDE/PAGES<UNE>
www.lemonde.fr 58 ANNÉE – Nº 17861 – 1,20 ¤ – FRANCE MÉTROPOLITAINE --- SAMEDI 29 JUIN 2002 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI 0123 télévision La croissance est de retour La défense du service public BONNE nouvelle pour le gouver- f nement : la croissance « redécol- L’Insee prévoit PRISONS le », selon la note de conjoncture 2,5 % pour le publiée par l’Insee, vendredi 7 000 places à créer p. 9 28 juin. La reprise se confirme et deuxième semestre se solidifie : la croissance de l’éco- HONGKONG nomie française atteindrait le ryth- f me annuel de 2,5 % au deuxième La France espère Cinq ans avec semestre contre 0,6 % au premier. dépasser 3 % L’Insee explique qu’après la chute la Chine populaire p. 2 du quatrième trimestre 2001 en 2003 (– 0,1 %), l’activité économique a INCENDIES « retrouvé des couleurs » en étant f Les chefs d’Etat soutenue par la consommation La colère des sinistrés des ménages et par la reconstitu- du G8 sont d’Arizona p. 3 tion des stocks des entreprises. Au fil de 2002, la consommation va optimistes CHERBOURG « se raffermir », selon l’Insee, et pousser les entreprises à repren- f Le chômage dre progressivement leurs investis- Le succès de la sements. Sur l’ensemble de 2002, augmente en France : Cité de la mer p. 11 la croissance devrait être de 1,4 %. L’insee ne donne pas de pronostic + 0,5 % en mai pour 2003, mais le ministre des finances, Francis Mer, a déclaré f « Le Monde » publie que la croissance pourrait attein- dre au moins 3 %. -
MM" ,/ Ljtta) Fln; #-{
I99 KINGSToN RoAD LoNDON SW}g TeI,OI_540 oasi.. l 'rv MM" ,/ lJttA) fln; #-{ tru'rtterry Xffm-ry*LSS.e.Re.ffiS. seeffixss eg-ge"k&R"-4ffi *es-e cherry Red Recolds r. the Lond,on baeed, independ.ont Record. conpanyr have slgned, a three yo&r llce,'se a,greenent wtth the Sristol based gecords. Eeartbeat cherr! n"a sill-be marke! ?"d. prornote arl Eeartbeat product whicb wtli i*clud.ed, ritb cherry Redrs d,istriiutlon d.ear rriu-fp"rtan Rec ordg r First new release und,er the agreement nill be a l2,r track single by 3ristol. band. t0LAX0 4 $ersht6$ho"'A}n3.1'"]';f;i".;i'i:}'ix$i*;';;'kgr+BABrEsr wh,Lch iE rereased of stoqk for ine rait i;;; rsonthE. said raln Mc$ay on behar.f ol cherry Red,r?here are talented acts energlng f:rom tnl gristor so&e vexy will retaia totarTeY coirtioi-over &r€*r seaibeat conplo tetv ret'ain tbeir i"u*i-ii-"iiti.tbatr A. arrd, R. gid,e and havo the ad.vantage fiowever, they irr.rl 'ow of nationar *riirruutron asd havE il:fffr,tronotionaL and' markotlns raciriii.u ;;-*;;; i*,*r" ].lore luformatioa lain Uc$ay on 540 6g5I. ilrrsct*r: IeenMclrlry Registered Office, fr* S*uth .&udi*y Stre*t, fu*nc3*n W I t{u*r,r*+xl b€gK\S* €.ft*Jz-lr{ & Glaxo Babies : rliine Ilionths to the liscot (Cherry Red./ Heartbeat) Of all the new bands spawned in the Sristol area over the last few years, very few have had any lasting effect on the national scener most having dissolved into a mediochre pop/p.p soup. -
Top 40 Singles Top 40 Albums
23 July 1989 CHART #674 Top 40 Singles Top 40 Albums Bring Me Edelweiss Ring My Bell A New Flame Like A Prayer 1 Edelweiss 21 Collette 1 Simply Red 21 Madonna Last week 2 / 3 weeks WEA Last week - / 1 weeks CBS Last week 1 / 19 weeks Platinum / WEA Last week 8 / 16 weeks Platinum / WEA Batdance Buffalo Stance Open Up And Say . Aah! Avalon Sunset 2 Prince 22 Neneh Cherry 2 Poison 22 Van Morrison Last week 1 / 4 weeks WEA Last week 39 / 22 weeks VIRGIN Last week 3 / 43 weeks Platinum / FESTIVAL Last week 28 / 2 weeks POLYGRAM Funky Cold Medina Good Thing The Raw And The Cooked Union 3 Tone Loc 23 Fine Young Cannibals 3 Fine Young Cannibals 23 Toni Childs Last week 5 / 4 weeks FESTIVAL Last week 21 / 10 weeks POLYGRAM Last week 5 / 16 weeks Platinum / POLYGRAM Last week 16 / 36 weeks Platinum / FESTIVAL If You Don't Know Me By Now Rooms On Fire Don't Be Cruel Vivid 4 Simply Red 24 Stevie Nicks 4 Bobby Brown 24 Living Colour Last week 3 / 9 weeks Gold / WEA Last week 23 / 5 weeks EMI Last week 2 / 27 weeks Platinum / WEA Last week 26 / 14 weeks Gold / CBS Manchild The Best Of Me The Miracle Club Classics Vol I 5 Neneh Cherry 25 Cliff Richard 5 Queen 25 Soul II Soul Last week 12 / 4 weeks VIRGIN Last week 27 / 2 weeks EMI Last week 4 / 4 weeks Gold / EMI Last week 38 / 2 weeks VIRGIN Wind Beneath My Wings Americanos Past Present Southside 6 Bette Midler 26 Holly Johnson 6 Clannad 26 Texas Last week 16 / 3 weeks WEA Last week 19 / 7 weeks WEA Last week 47 / 2 weeks BMG Last week 20 / 4 weeks POLYGRAM Every Little Step Parihaka Appetite For -
Fordham Movie Misses Premiere by Pete Birle Twenty Hindsight Saw That We Wouldn't Make the Poe Papers, Otherwise Known As the It
Non-Profit Org. U.S. Postage PAID Bronx, New York Permit No. 7608 Mr. Manners - see centerfold Fordham Movie Misses Premiere by Pete Birle twenty hindsight saw that we wouldn't make The Poe Papers, otherwise known as The it. But, we were excited and determined that it Fordham Movie, was not ready for screening would be finished on time," she said. at the time of its scheduled premiere Friday The movie was scheduled to be shown at evening due to editing problems, according to 8:45 p.m., following a parade of the stars, an Drew Gagner, FC '88, master of ceremonies. opening address by Gagner, a salutation by While over 300 students, parents, faculty members, administrators, and trustees waited in the McGinley Center Ballroom for the arri- '' We should have made • val of the film, Director Sue Borden, resident I director of New Hall was down at Columbia the decision to University putting the finishing touches on the picture. Production and editing delays ensued, postpone it Wednesday and as a result, the showing was postponed I until Tuesday night. or Thursday. Twenty- "It became a nice, elegant affair that turned into a sham, a mockery. In a million twenty hindsight saw years, we could have never imagined this," Gagner said. that we wouldn H make hours. I had been editing all week, alone, with the phone call at 9:30 p.m. to bring the un- According to Tom Ellett, FC'86, execu- it" a lack of facilities," Borden said. "Friday ' tive producer, a total of $2640 was spent on finished film up to Rose Hill, she attempted to afternoon we had to redub a scene with Father make one more cut, which she said normally the premiere, with $1250 going loward renting — Susan Borden O'Hare.