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OCCIDENTAL MYTHOLOGY INTRODUCTION 5 Gone, Who Art Gone to the Yonder Shore, Who at the Yonder Shore Tide and Was Followed by the Victories of Rome
Aiso BY JOSEPH CAMPBELL The Masks of God: Oriental Mythology JOSEPH CAMPBELL The Masks of God: Primitive Mythology The Hero with a Thousand Faces A Skcleton Key to Finncgans Wake THE (WITH HENRY MORTON ROBINSON) EDITED BY JOSEPH CAMPBELL MASKS OF 60D: The Portafale Arabian Nights OCCIDENTAL MYTHOLOGY LONDON SECK.ER & WARBURG : 1965 + + + » + * 4444 + * t »4-*-4t* 4+4-44444 »+•» 4- Copyright (c) 1964 by Joseph Campbell All rights reserved CONTENTS First published in England 1965 by Martin Secker & Warburg Limited » + «4+4+444+44 14 Carlisle Street, Soho Square W. l PART ONE: THE..AGE OF THE The Scripture quotations in this publication are from the Revised Standard Version of the Bible, copyrighted 1946 and 1952 by the Di- GODDESS Introduction. Myth and Ritual: East vision of Christian Education, National Council of Churches, and used by permission. and West 9 Chapter 1. The Serpent's Bride 9 The author wishes to acknowledge \vith gratitude ihe 17 generous support of his researches by the Bollingen Foundation i. The Mother Goddess Eve n. 31 The Gorgon's Blood 34 m. Ultima Thule Printed in England by IV. Mother Right D. R. Hillman & Son Ltd 42 Frome Chapter 2. The Consort of the Bull 42 45 i. The Mother of God 54 ir. The Two Queens 72 m. The Mother of the Minotaur iv. The Victory of the Sons of Light PART TWO: THE AGE OF HERDES Chapter 3. Gods and Heroes of the Levant: 1500-500 B.C. 95 i. The Book of the Lord The 95 n. Mythological Age The Age 101 m. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
1 2019 Gally Academic Track Friday, February 15
2019 Gally Academic Track Friday, February 15, 2019 3:00-3:15 KEYNOTE “The Fandom Hierarchy: Women of Color’s Fight For Visibility In Fandom Spaces” Tai Gooden Women of Color (WoC) have been fervent Doctor Who fans for several decades. However, the fandom often reflects societal hierarchies upheld by White privilege that result in ignoring and diminishing WoC’s opinions, contributions, and legitimate concerns about issues in terms of representation. Additionally, WoC and non-binary (NB) people of color’s voices are not centered as often in journalism, podcasting, and media formats nor convention panels as much as their White counterparts. This noticeable disparity has led to many WoC, even those who are deemed “important” in fandom spaces, to encounter racism, sexism, and, depending on the individual, homophobia and transphobia in a place that is supposed to have open availability to everyone. I can attest to this experience as someone who has a somewhat heightened level of visibility in fandom as a pop culture/entertainment writer who extensively covers Doctor Who. This presentation will examine women of color in the Doctor Who fandom in terms of their interactions with non-POC fans and difficulties obtaining opportunities in media, online, and at conventions. The show’s representation of fandom and the necessity for equity versus equality will also be discussed to craft a better understanding of how to tackle this pervasive issue. Other actionable solutions to encourage intersectionality in the fandom will be discussed including privileged people listening to WoC and non- binary people’s concerns/suggestions, respectfully interacting with them online and in person, recognizing and utilizing their privilege to encourage more inclusivity, standing in solidarity with them on critical issues, and lending their support to WoC creatives. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
Space and Time Shooting
An Adventure in Space & Time - SHOOTING SCRIPT - 01/02/13 1. 1 TV SCREEN 1 The BBC globe spins. ANNOUNCER This is the BBC. The following programme is based on actual events. It is important to remember, however, that you can’t rewrite History. Not one line. Except, perhaps, when you embark on an Adventure in Space and Time... Fade from this black and white image into... CUT TO: 2 EXT. BARNES COMMON. FLASH-FORWARD NIGHT X [37] (18:46) 2 July 1966. Fog. Dense. Unhealthy. British. A tired-looking road sign reads ‘Barnes Common’. The fog clears a little to reveal: a police telephone box. Old. Battered. And, as we fade from black and white to colour... Blue. A sign on one door panel reads: ‘Officers and cars respond to urgent calls’. Traffic goes carefully past. Caption: 1966. One car trundles to a halt and just stays there, headlights carving yellow tunnels into the fog. The door of the Police Box opens, throwing a shaft of light into the night, and a policeman, REG, appears. He looks out towards the road and sees the stationary car, its engine ticking over. He frowns, clicks on a powerful torch and walks down to the road. CUT TO: 3 INT/EXT. BILL’S CAR. FLASH-FORWARD NIGHT X [37] (18:48) 3 Sitting at the wheel of the car, staring into space, is a grey-faced man, much older-looking than his 58 years. William Hartnell - BILL to his friends. At the moment, he doesn’t have many of those. Copyright BBC PRIVATE AND CONFIDENTIAL An Adventure in Space & Time - SHOOTING SCRIPT - 01/02/13 2. -
Rich's Notes: the Ten Doctors: a Graphic Novel by Rich Morris 102
The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 102 Rich's Notes: Since the Daleks are struggling to destroy eachother as well as their attackers, the advantage goes to the Federation forces. Things are going well and the 5th Doctor checks in with the 3rd to see how the battle is playing out. The 3rd Doctor confirms that all is well so far, but then gets a new set of signals. A massive fleet of Sontaran ships unexpectedly comes out of nowhere, an the Sontaran reveal a plot to eliminate the Daleks, the Federation fleet AND the Time Lords! The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 103 Rich's Notes: The 3rd Doctor is restrained by the Sontarans before he can warn the fleet. The 5th Doctor tries as well, but the Master has jammed his signal. The Master explains how he plans to use his new, augmented Sontarans to take over the universe. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 104 Rich's Notes: Mistaking the Sontarans as surprise allies hoping to gain the lion’s share of the glory, the Draconian Ambassador and the Ice Warrior general move to greet them as befits their honour and station. But they get a nasty surprise when the Sontarans attack them. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 105 Rich's Notes: The Master, his plot revealed, now uses the sabotaged computer to take over control of the 5th Doctor’s ship. He uses it to torment his old enemy, but causing him to destroy the Federation allies. -
Alerted by the Constant Use of the Daleks Time Machines, a Time
A SQUAD OF SSSS SONTARANS A SINGLE SONTARAN Alerted by the constant use of the Alerted by the constant use of the Dalek time machines, a time Daleks time machines, a time traveling group of Sontarons beams traveling Sontaron beams in looking in looking for the Daleks Time for the cause. He will attempt to Destructor. They immediately attack capture and beam out with a Dalek. any Daleks or anything else they Sontarons despise anything non- can see, except humans who they Sontaron and will always fight to the will try to capture. They despise death if attacked... anything non-Sontaron and will always fight to the death if attacked... EFFECT: Run by umpires, a single Sontaron, from the Sontaron Army EFFECT: Run by umpires, the Space Corp, will now attempt to squad of Sontarons from the capture a DALEK with his Osmic Sontaron Special Space Service will Projector, (by getting within two now attempt to deal-out swift death squares of a DALEK and rolling a to any DALEKS they come 4,5 or 6 on a d6, he gets two rolls). across…Sontarons are very tough! (Sontarons use same stats as (use same stats as Cybermen). Insert Cybermen), 1 chit for activation. 1 chit each for activation, 3 to 4 Sontarons). YETI BEAM IN POINT (GIVE THIS CARD TO UMPIRE) A SINGLE SONTARAN A transmat entrance & exit to Tibet Alerted by the constant use of the EFFECT: The Great Intelligence has Daleks time machines, a time sent two of his Yeti to steal a Dalek (or traveling Sontaron beams in looking preferably Davros himself) to increase his for the cause. -
The Ultimate Foe
The Black Archive #14 THE ULTIMATE FOE By James Cooray Smith Published November 2017 by Obverse Books Cover Design © Cody Schell Text © James Cooray Smith, 2017 Range Editor: Philip Purser-Hallard James Cooray Smith has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 INTERMISSION: WHO IS THE VALEYARD In Holmes’ draft of Part 13, the Valeyard’s identity is straightforward. But it would not remain so for long. MASTER Your twelfth and final incarnation… and may I say you do not improve with age1. By the intermediate draft represented by the novelisation2 this has become: ‘The Valeyard, Doctor, is your penultimate reincarnation… Somewhere between your twelfth and thirteenth regeneration… and I may I say, you do not improve with age..!’3 The shooting script has: 1 While Robert Holmes had introduced the idea of a Time Lord being limited to 12 regenerations, (and thus 13 lives, as the first incarnation of a Time Lord has not yet regenerated) in his script for The Deadly Assassin, his draft conflates incarnations and regenerations in a way that suggests that either he was no longer au fait with how the terminology had come to be used in Doctor Who by the 1980s (e.g. -
Doctor Returns to Gallifrey, He Learns That His Bio Data Extract Has Been Stolen from the Time Lords’ Master Computer Known As the Matrix
When the Doctor returns to Gallifrey, he learns that his bio data extract has been stolen from the Time Lords’ master computer known as the Matrix. The bio data extract is a detailed description of the Doctor’s molecular structure—and this information, in the wrong hands, could be exploited with disastrous effect. The Gallifreyan High Council believe that anti-matter will be infiltrated into the universe as a result of the theft. In order to render the information useless, they decide the Doctor must die... Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Sunmakers Doctor Who Crossword Book Doctor Who — Time-Flight Doctor Who — Meglos Doctor Who — Four to Doomsday Doctor Who — Earthshock GB £ NET +001.35 ISBN 0-426-19342-3 UK: £1.35 *Australia: $3.95 *Recommended Price ,-7IA4C6-bjdecf-:k;k;L;N;p TV tie-in DOCTOR WHO ARC OF INFINITY Based on the BBC television serial by Johnny Byrne by arrangement with the British Broadcasting Corporation TERRANCE DICKS A TARGET BOOK published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & WyndhamCompany 44 Hill Street, London W1X 8LB First published in Great Britain by W.H. Allen & Co. Ltd 1983 Novelisation copyright © Terrance Dicks 1983 Original script copyright © Johnny Byrne 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Anchor Brendon Ltd, Tiptree, Essex ISBN 0 426 19342 3 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Rich's Notes: 1 Chapter 1 the Ten Doctors: a Graphic Novel by Rich
The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 1 Rich's Notes: The 10th (and current) Doctor goes to The Eye of Orion (the Five Doctors) to reflect after the events of The Runaway Bride. He meets up with his previous incarnation, the 9th Doctor and Rose, here exploring the Eye of Orion sometime between the events of Father’s Day and The Empty Child. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 2 Rich's Notes: The 9th and 10th Doctors and Rose stumble upon the 7th Doctor and Ace, who we join at some point between Dimensions in Time and The Enemy Within(aka. The Fox Movie) You’ll notice the style of the drawings changing a bit from page to page as I struggle to settle on a realism vs. cartoony feel for this comic. Hopefully it’ll settle soon. And hopefully none of you will give a rat’s bottom. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 3 Rich's Notes: The 10th Doctor, in order to keep the peace, attempts to explain the situation to Ace and Rose. Ace, however, has an advantage. She's seen some of the Doctor's previous incarnations in a strange time trap set up by the Rani (The 30th Anniversary special: Dimensions in Time, which blew chunks). The 2nd Doctor arrives, seemingly already understanding the situation, accompanied by Jamie and Zoe. (The 2nd Doctor arrives from some curious timeline not fully explained by the TV series. Presumably his onscreen regeneration was a farce and he was employed by the Time Lords for a time to run missions for them before they finally changed him into the 3rd Doctor. -
Digital Booklet
ORIGINAL TELEVISION SCORE ADDITIONAL CUES FOR 4-PART VERSION 01 Doctor Who - Opening Theme (The Five Doctors) 0.36 34 End of Episode 1 (Sarah Falls) 0.11 02 New Console 0.24 35 End of Episode 2 (Cybermen III variation) 0.13 03 The Eye of Orion 0.57 36 End of Episode 3 (Nothing to Fear) 0.09 04 Cosmic Angst 1.18 05 Melting Icebergs 0.40 37 The Five Doctors Special Edition: Prologue (Premix) 1.22 06 Great Balls of Fire 1.02 07 My Other Selves 0.38 08 No Coordinates 0.26 09 Bus Stop 0.23 10 No Where, No Time 0.31 11 Dalek Alley and The Death Zone 3.00 12 Hand in the Wall 0.21 13 Who Are You? 1.04 14 The Dark Tower / My Best Enemy 1.24 15 The Game of Rassilon 0.18 16 Cybermen I 0.22 17 Below 0.29 18 Cybermen II 0.58 19 The Castellan Accused / Cybermen III 0.34 20 Raston Robot 0.24 21 Not the Mind Probe 0.10 22 Where There’s a Wind, There’s a Way 0.43 23 Cybermen vs Raston Robot 2.02 24 Above and Between 1.41 25 As Easy as Pi 0.23 26 Phantoms 1.41 27 The Tomb of Rassilon 0.24 28 Killing You Once Was Never Enough 0.39 29 Oh, Borusa 1.21 30 Mindlock 1.12 31 Immortality 1.18 32 Doctor Who Closing Theme - The Five Doctors Edit 1.19 33 Death Zone Atmosphere 3.51 SPECIAL EDITION SCORE 56 The Game of Rassilon (Special Edition) 0.17 57 Cybermen I (Special Edition) 0.22 38 Doctor Who - Opening Theme (The Five Doctors Special Edition) 0.35 58 Below (Special Edition) 0.43 39 The Five Doctors Special Edition: Prologue 1.17 59 Cybermen II (Special Edition) 1.12 40 The Eye of Orion / Cosmic Angst (Special Edition) 2.22 60 The Castellan Accused / Cybermen -
Julia Franco First Year Seminar Science Fiction Tuesday 9:30-10:45
Julia Franco First Year Seminar Science Fiction Tuesday 9:30-10:45/ Friday 9:30-12:15 Allegories in Time and Space1 On November 23rd 1963, the BBC launched their new TV show Doctor Who. They did not anticipate the cultural phenomenon.what would grow out of their low budget show with cheesy special effects. British children were enchanted by William Hartnal’s Doctor and his companions: Ian, Barbara and Susan, and gleefully scared by the fearsome salt shakers of doom: The Daleks. The stories were anywhere from 4 to 12 parts, each around 25 minutes and were serialized weekly. But lying beneath the light hearted self resolving stories ran deeper elements reflecting attitudes towards history and current events. Deeply rooted in the series was the allegory to World War II. The Daleks take the place of the Nazis and the Time Lords therefore fill the opposing role of the Alliance. At many points, the story reads as if it is a future history of what would have happen if the Nazis had won World War II. This tapped into the subconscious fears of the nation as the war was still fresh in the minds of the parents of Britain. But also tied into the contemporary fears of the Cold War and the Soviet threat. These allegorical elements along with the characters in Doctor Who, such as the Daleks and the Time Lords, that correspond to actual historical events and people make the show what it is today: timeless and timely. The Daleks would not exist if not for one man- Terry Nation.