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Fact Sheet Ushuaia English.Pdf
Hotel: USHUAÏA IBIZA BEACH HOTEL Brand: USHUAÏA HOTELS Address: Carretera Playa d’en Bossa 10 07817 Ibiza, Spain Telephone: The Ushuaïa Club +34 971 396 710 The Ushuaïa Tower: 971396729 FAX: The Ushuaïa Club: +34 971 396 704 The Ushuaïa Tower: 971396703 Email: [email protected] Reservations: [email protected] Local currency: EUR Payement option: Visa, Mastercard, American Express, Paytouch, Cash EUR GPS-Position: 38º53’7.14”N, 1°24'17.44"E Total TAX: 10 % Construction: The Ushuaïa Club: Built in 1986, renovated in 2011, nº building: 5, nº floors: 2, lifts: 0 The Ushuaïa Tower: Built in 1969, renovated in 2012, nº building: 1, nº floors: 9, nº lifts: 2 indoor and 2 outdoor lifts with direct access to the roof top bar Hotel type: Beach Resort. Only for adults. Minimum age: 18 years old, not recommended for those under 22 years old. Updated: May 25, 2015 1. GENERAL INFORMATION Ushuaïa Ibiza Beach Hotel is the ideal choice for those who come to the White Isle looking for the world-famous daytime parties featuring live performances by the world’s top DJs and the most exclusive day and night ambience in a modern setting designed with all kinds of comforts, luxuries, and VIP services. All of this right on one of the island’s most exciting beaches, Playa d’en Bossa. Guests can either stay at The Ushuaïa Club, if they want to enjoy the hotel’s party’s right from their own balcony, or The Ushuaïa Tower, if they prefer more exclusivity and privacy. Ushuaïa Ibiza Beach Hotel, the trendy hotel that changed Ibiza forever, has now become a full complex with a whole new world of exclusive entertainment facilities and services. -
Inside Elrow, the Party Taking Over the World from Confetti Cannons to Inflatable Spaceships, This World-Travelling Carnival Is a Must-See
! " SUBSCRIBE Inside Elrow, The Party Taking Over The World From confetti cannons to inflatable spaceships, this world-travelling carnival is a must-see. BY LOUISE DONOVAN 06/12/2018 # $ % PABLO DASS Little green men sprint past me. A group of apes with toy guns parade onto the stage and start dancing. Moments later, astronauts with oversized bubble helmets rise up and start swinging from the ceiling on circus hoops. Giant confetti cannons explode without warning, while house music reverberates around the 5,000-strong capacity venue. I'm in Ibiza, at Elrow's closing party in superclub Amnesia. Whacky, explosive and filled with lots of balloons, their USP is immersive clubbing. This particular party? It's called RowAttacks and takes place in the year 3135 when all the other planets have disappeared. The galaxy and all space creatures 'died of boredom' after being 'killed off by the evil Planet Sensible.' Luckily, 'the wildest party animals from every planet survived.' % ANDREI OPRESCU Sounds mad, sure, but that's just tonight. Other themed parties included 'Psychedelic Trip' and Brazilian jungle carnivals. You might find yourself dancing next to a stormtrooper, or in front of lots of oversized space ships. What started as a jamboree on the outskirts of Barcelona has now expanded into a world-travelling carnival. In just two years, Elrow have gone from just Spain to hosting parties in Johannesburg, Australia Sao Paulo and Peru. They've expanded to five continents; next year they'll be doing 14 shows in China. In the UK, clubs have been shutting at an alarming rate (the numbers halved between 2005 and 2015). -
TECHNEWS Words: MICK WILSON
TECHNEWS words: MICK WILSON 138 TECH TALK — MANU GONZALEZ The Ibiza-based DJ/producer talks about how the island helped launch his tech voyage. DIGITAL LOVE 141 IN THE With the release of four new digital STUDIO products from Denon, has a new era We hear about French producer for DJs dawned? Vitalic’s studio gear. t’s undeniable that 2016 saw some pretty seismic shifts. Except, perhaps, in the DJ technology community. We kept on doing what we did with the I same old, same old. However, the new year may hold some surprises. We can now reveal a potential game- changer in the world of DJ technology, with the release of Denon DJ’s new DJ gear. Four new products aim to confront the dominance of Pioneer DJ in the booth: the SC5000 media player, Engine Prime music management system, X1800 mixer and the VL12 turntable. We suppose the biggest announcement was the new Denon 140 808 STATE DJ SC5000 Multimedia Player. When we first saw it, we Is Roland’s new DJ-808 controller were impressed by the way it looked, even before we had a set to become legendary? chance to get hands-on and find out what it could do. The DJ Mag Tech crew were amongst the first people to ever see and touch this array of new DJ technology. We welcomed it — after all, whilst there has been a cycle of industry standards over the years, there have only really been two periods of dominance without anything else really making a dent. Technics had its 1200s and Pioneer DJ had its CDJs; many tried to buck the trend but fell by the wayside. -
Castles in the Clouds They’Re Bold, Beautiful and Guarantee a Good Time
DESIGN NIGHTCLUB DESIGN castles in the clouds They’re bold, beautiful and guarantee a good time. Discover why nightclub designers are the life of a million-dollar party SEPTEMBER 2012 51 DESIGN NIGHTCLUB DESIGN PREVIOUS PAGE: Le Boutique Club by Parolio & Euphoria Lab. CLOCKWISE FROM FAR LEFT: Fashion in the Le Boutique Club; art at Club MUSÉE; Bigtime Design creates spaces where people can feel “a sense of community”; a Bigtime Design club entrance; Callin Fortis from Bigtime design; Le Marquis by Parolio & Euphoria Lab; Parolio himself; VIP area in Club MUSÉE. “FURNITURE AND STRUCTURAL DESIGN ELEMENTS for example, have multi-purpose uses. Furniture and structural design elements have to be not only visually HAVE TO BE VISUALLY APPEALING. LIGHTING MUST appealing, but also extremely durable and resistant. BE PERFECT, TO HELP THE VISITOR LOOK GOOD.” Lighting must be perfect, as it has to help the visitor look good.” For others, the design of the club can be used to positively alter the behaviour of the people inside. “I will purposely compress people as they enter a venue to THEY’RE LAVISH PALACES OF THE NIGHT; THE MUST-VISIT One of these is Madrid’s Club MUSÉE. Designed make them feel a sense of community, group energy and venues where it’s cool to be seen and even cooler not to be. by Parolio & Euphoria Lab, it’s part art gallery, part anticipation,” says Bigtime Design’s Callin Fortis. If your name’s on the right list, they’ll cater to your every nightclub. With bold colours, sculptural furniture and “Once they are in, I like to create a moment where they whim. -
EL CASO DE IBIZA (ESPAÑA) HOLOS, Vol
HOLOS ISSN: 1518-1634 [email protected] Instituto Federal de Educação, Ciência e Tecnologia do Rio Grande do Norte Brasil CARDONA, J. R.; AZPELICUETA-CRIADO, M. C.; SÁNCHEZ-FERNÁNDEZ, M. D. UNA CLASIFICACIÓN DE LOS ESTABLECIMIENTOS DE OCIO NOCTURNO: EL CASO DE IBIZA (ESPAÑA) HOLOS, vol. 7, 2016, pp. 418-437 Instituto Federal de Educação, Ciência e Tecnologia do Rio Grande do Norte Natal, Brasil Disponible en: http://www.redalyc.org/articulo.oa?id=481554871033 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto CARDONA, AZPELICUETA-CRIADO & SÁNCHEZ-FERNÁNDEZ (2016) UNA CLASIFICACIÓN DE LOS ESTABLECIMIENTOS DE OCIO NOCTURNO: EL CASO DE IBIZA (ESPAÑA) J. R. CARDONA1, M. C. AZPELICUETA-CRIADO1* y M. D. SÁNCHEZ-FERNÁNDEZ2 Universitat de les Illes Balears - España Universidad da Coruña - España [email protected]* Artículo presentado en marzo/2016 y aceptado en septiembre/2016 DOI: 10.15628/holos.2016.4301 RESUMEN Ibiza es muy conocida por sus discotecas y fiestas, siendo oferta formada por los Beach Clubs, los Lounge Clubs, los uno de los referentes mundiales del sector. El objetivo de Disco Pubs, los Hotel Clubs, los restaurantes espectáculo este trabajo es realizar una primera propuesta de y los Party Boats. La principal diferencia entre los dos clasificación de los establecimientos con eventos grandes grupos es que las discotecas son musicales en la isla de Ibiza. La metodología se basa en la establecimientos cuya actividad declarada principal es el consulta de bibliografía, prensa local y páginas web ocio nocturno, cobrando entrada, y el segundo grupo son especializadas. -
Pleasure-Dome.Pdf
Saturated with sun, sand and sex, Ibiza is renowned as one of the world’s hedonistic hot spots. Journeying there expecting Welcome one helluva party, David Leser pleasureto the is not in any way disappointed. d me here is a mysterious rock oF… Me I’m Famous parties. Such was the throb island off the south-west coast of of their electronic dance music, the gorgeousness Ibiza that is claimed to be one of of the people attending their weekly Thursday- the most magnetic points on night parties and the social barriers that appar- earth. It is called Es Vedrà and, ently came tumbling down behind Pacha’s walls Taccording to legend, this is where the sirens of (aided and abetted by many of the things you can Homer’s epic poems once lured sailors to their and can’t imagine) that everyone wanted to at- doom with songs of seduction. After six nights of tend a F… Me I’m Famous party – including this recent merry abandon, I can safely report that scrupulous chronicler of the human condition. something is definitely happening out here in the (Important caveat: I still can’t fathom two things. blue sweep of the Spanish Mediterranean. First, how is it that David Guetta gets paid €60,000 Call it natural journalistic curiosity (unlikely) to play music at Pacha for just half an hour? or an overdeveloped instinct for harvesting life’s Second, is the title of the party meant seriously or pleasures (far more plausible) but I have decided to be taken with great dollops of irony? Do they that it is only fit and proper – despite the sober- mean F… Me I’m Famous in the sense that I’m so ing realities of middle age – to test Ibiza’s infa- famous you may as well f… me? Or do they mean mous allure once and for all. -
Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture
Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture Feature Article Zoe Armour De Montfort University (UK) Abstract This article begins with a reconsideration of the parameters ofage in translocal EDM sound system and (super)club culture through the conceptualisation of a fluid multigenerationality in which attendees at EDM-events encompass a spectrum of ages from 0–75 years. Since the 1980s, it remains the case that the culture is fuelled through a constant influx of newcomers who are predominantly emerging youth, yet there are post-youth members in middle adulthood and later life that are also a growing body that continues to attend EDM-events. In this context, the baby rave initiative (2004–present) has capitalised on a gap in the family entertainment market and created a new chapter in (super)club and festival culture. I argue that the event is a catalyst for live heritage in which the accompanying children (aged from 0–12 years) temporarily become the beneficiaries of their parent’s attendee heritage and performance of an unauthored heritage. Keywords: fluid multigenerationality, EDM-family, baby rave, live heritage, unauthored heritage Zoe Armour is completing a PhD in electronic dance music culture. Her work is interdisciplinary and draws from the fields of cultural sociology, popular music, memory studies, media and communication and film. She is the author of two book chapters on Ageing Clubbers and the Internet and the British Free Party Counterculture in the late 1990s. She is a member of the Media Discourse Centre, IASPM and follows the group for Subcultures, Popular Music and Social Change. -
Underground Club Spaces and Interactive Performance
Underground Club Spaces and Interactive Performance: How might underground club spaces be read and developed as new environments for democratic/participatory/interactive performance and how are these performative spaces of play created, navigated and utilised by those who inhabit them? Kathleen Alice O‟Grady Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Performance and Cultural Industries December 2009 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. Acknowledgements This thesis is dedicated to my parents who have always believed in me and to my daughter, Maisie, who is my source of inspiration and joy. Gratitude goes to my PhD supervisors Professor Mick Wallis and Dr Martin Crick, both of whom have given me continued support and guidance throughout this research. Thanks also to my colleagues and my students at the School of Performance and Cultural Industries who have encouraged me and kept me going with their sense of humour, wise words and loyalty. Thank you to all the club and festival organizers that have allowed me access to their events, particularly those involved with Planet Angel, Synergy, Duckie, Riff Raff, Planet Zogg, Speedqueen, Manumission, Shamania, Beatherder, Nozstock and Solfest. Special gratitude to Fatmoon Psychedelic Playgrounds for allowing me the room to move creatively and to develop this practice in a supportive environment. -
Aristofreeks Is an Ibiza-Based DJ, Producer And
Aristofreeks is an Ibiza-based DJ, producer and remix collaboration between DMC mixing championship finalist Max Martire (Space/Amnesia Ibiza/Warner Music) and Shanti Matkin. Growing up in Ibiza, Max Martire is one of the pioneers of the Ibiza EDM DJ scene, and was instrumental in changing the musical direction of the island in its EDM Superclub infancy. Along with his Italian DJ partner Daniele Poli and their counterparts, British DJ duo Alex P and Brandon Block, they created the legendary Space Terrace phenomenon. By converting this neglected part of the Space discotheque into a sunny paradise, they changed the spirit of the island for all time. Max’s contribution shaped what is today’s Ushuaia. He has also held residencies at Space and Amnesia, as well as being a sought-after DJ for the largest, most exclusive private parties on the island. He has toured extensively throughout Europe, breaking first ground in the EDM global culture. His reputation for flawless mixing and beat-matching precision earned him the nickname “The Surgeon”. Max has been DJ’ing since he was 13 years old, and his life-long unique DJ style has been dedicated to playing 70’s funky, soulful disco house, delving into his collection of 22,000+ vinyls, and he is at the forefront of the “Nu-Disco” trend that is taking off throughout Ibiza and Europe. Shanti Matkin’s phenomenal output is the direct consequence of starting young and producing with a passion. He played his first club in Amsterdam at the age of 13, and with the mentoring of his older brother Riktam (GMS) he shaped his early recordings along with the first wave of trance pioneers resulting in dozens of XXX releases and DJ dates across the globe including regular outings to Europe, Mexico and Japan. -
Space's 25Th Anniversary
EVENT FOCUS: Space Turns 25 EVENT FOCUS: Space Turns 25 Opposite: Funktion-One’s loudspeakers were the PA of choice for the dance island’s Space celebration. Full Fat Audio’s FFA-6004 and FFA-10000 amplifiers powered the main system PA system. Below: The space technical team with Funktion-One’s Tony Andrews during set up for the 12-hour long gig. it’s not even a question. Through it, I’ve learned possible. While the event rightly expected plenty Delays consisting of four Funktion-One Evo quite a lot, which I’ve applied to other projects. of energy and impact in the audience area, the 7 EHs and six BR121 bass reflex speakers were “It’s somewhere we can try out new things, sound needed to be as contained as possible, in positioned about halfway up the space - the SPACE’S 25TH ANNIVERSARY and we do, and Space gets some of the newest order to avoid disturbance of the surrounding point at which the audience began to fan out to ideas first. In that respect and for many other environment. Both of these aims would be wider area. On stage, a Funktion-One PSM318 reasons, it is a very important venue for us.” achieved using the performance attributes of system, driven with FFA-6004 and FFA-10000 SPACE IBIZA HAS BEEN IN BUSINESS FOR 25 YEARS. ALL THOSE PEOPLE, ALL THAT MUSIC AND ALL THOSE Andrews worked closely with Full Fat Audio’s the new Funktion-One mid-high loudspeakers. amplifiers, took care of monitoring. Dave Millard, the Space technical team and Each side of the stage had four Funktion- Funktion-One’s Evo 7 EH and Evo 6 SH both EUPHORIC NIGHTS THAT HAVE TUMBLED INTO BLISSFUL MORNINGS. -
From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2010 From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs. Ambrose Colombo Claremont McKenna College Recommended Citation Colombo, Ambrose, "From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs." (2010). CMC Senior Theses. Paper 83. http://scholarship.claremont.edu/cmc_theses/83 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Table of Contents I. Introduction 1 II. Disco: New York, Philadelphia, Chicago, and Detroit in the 1970s 3 III. Sound and Technology 13 IV. Chicago House 17 V. Drugs and the UK Acid House Scene 24 VI. Acid house parties: the precursor to raves 32 VII. New genres and exportation to the US 44 VIII. Middle America and Large Festivals 52 IX. Conclusion 57 I. Introduction There are many beginnings to the history of Electronic Dance Music (EDM). It would be a mistake to exclude the impact that disco had upon house, techno, acid house, and dance music in general. While disco evolved mostly in the dance capital of America (New York), it proposed the idea that danceable songs could be mixed smoothly together, allowing for long term dancing to previously recorded music. Prior to the disco era, nightlife dancing was restricted to bands or jukeboxes, which limited variety and options of songs and genres. The selections of the DJs mattered more than their technical excellence at mixing. -
Awaken Ibiza 2013 Launches
Nov 29, 2012 16:55 GMT Awaken Ibiza 2013 Launches Here at Awaken HQ the team are very excited to launch Awaken Ibiza 2013. We have been working non-stop to bring you the best Ibiza experience possible. From June to September Ibiza is the centre of the World’s clubbing scene; and with Awaken we give you the chance to sample the best nights and see some of the world’s best DJ’s for a small price tag. June is the perfect time to go to Ibiza as the clubs have all just begun their seasons and the Island has just come alive again so the party spirit on the Island is like no other. Over the past two years we have taken over 600 of you to the White Isle and taken you to nights such as Cream @ Amnesia, We love @ Space, Tonight @ Amnesia, Sankeys Ibiza and Zoo Project to see DJ’s like Eric Prydz, James Zabelia, Paul Van Dyk and Gareth Emery. This year over 1000 of you will be joining us for the best week of your summers. We pride ourselves on a packed itinerary unmatched by any other trip. Here are some highlights from the Awaken HQ of Ibiza 2012… Cream @ Amnesia One of the best known clubs in the world and voted number 1 club of the last 25 years by Mixmag, Amnesia was the club to begin Awaken Ibiza 2012. Cream hosts some of the best Trance, House and Electro DJs the world has to offer, Paul van Dyk, Deadmau5 and John O’Callaghan were headlining the night we arrived on the Island.