DOCSLIB.ORG

Courier Gazette : September 28, 1939

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Courier Gazette : September 28, 1939 he ourier azette T Entered as Second ClassC Mall Matter -G THREE CENTS A COPY Established January, 1846. By The Courier-Gazette. 485 Main St. Rockland, Maine, Thursday, September 28, 1939 V olum e 94...................N um ber 1 16. The Courier-Gazette Knox Pomona Grange [EDITORIAL] THREE-TIMES-A-WEEK KEEPING OUT OF WAR The program of Knox Pomona in THE FARNSWORTH MEMORIAL BUILDING “The Black Cat” Editor Keep the United States out of war! That is the burden WM. O PULLER Warren Oct. 7 will consist of: Song, Associate Editor of many prayers, and the earnest hope of every good Ameri­ FRANK A. WINSLOW "America, the Beautiful;*’ greeting, can, particularly those who are old enough to remember the Trustee Asks That Certain Changes Be Made The first rear room on the tnirl Charles Trone. master Warren horrors of the World War. The wish is father to the thought, floor of the Farnsworth building on Subscription* 83 80 per year payable a range; response Walter Aver In advance: single copies three cents ' 8 ’ pvu»e. waiver Ayer, but how many thmkers and how many observers honestly be­ In Plans Specified By the Will the east side ol Main street to be Advertising rates baaed upon clrcula- treasurer Knox Pomona; speaker on lieve that we will be that fortunate. On the matter of neu­ “ ° “ ™ d construction, William B Deer- put in condition for use as an Art trality will Congress stand pat or will it let down the bars? GaJery, in whicn will rc hung por- j The Rockland oaeette was estab- ‘ng, executive committee Maine The peoples of all nations have their ears to the ground for llf hed ln 1848. In 1874 the Courier was state Grance Ever since the death of Lucy C I Tlie general public is familiar established and consolidated with the _ the purpose of catching the momentous answer. traits of Miss Farnsworth's father 1 Oaaette In 1882 The Free Press was ’ Poem, "Concord Hvnill.'* Athleer. Farnsworth speculation has been1 with the terms of the Farnsworth and brother. Other portraits and j established ln 1855 and ln 1891 changed _ its name to the Tribune These papers Rcbinson, roll call. New England rife as to when the proposed Wil­ will by virtue of their publication statuary to be placed there. T he' consolidated March 17. 1897. Products; topic, "Beauty 8pots of liam A. Farnsworth Memorial in this newspaper at the time the building referred to is located at A T U R K E Y SURPLUS New England," Emma Simmons; Building, corner of Main and Elm wil1 was fUed- and thelr repetition 431-4311 Main street, a short dis­ song, "Sidewalks of New York” by The New England Crop Reporting Service tells us that in the report of the Probate Court streets would be erected. tance south of Tlie Courier-Gazette j — Force may subdue, but love ^G range; paper, ‘'Historical Spots of there are 22 percent more turkeys available this season than hearing. office. By The Roving Reporter w in s—William Penn The trustees have not been idle ; relating <(J {he Me Z Maine," J. R. Danforth; piano solo, there were a year ago—31537.000. to be exact. Perhaps it may The wifi of Lucy C. Farnsworth j I *■ Kathryn Peabody; “Sketch of not be a bad idea to have two Thanksgivings, after all. in the matter, and carefully re- | mortal Building called for a three- inventoried at $972,564 98 in addi­ Stephen Posters Life," Addle Nor­ viewing the terms of Miss Farns- story structure costing $75,000. hav- tion to which was real estate valued J Who remembers when a cog rail­ way ran to the summit of Cadillac School And College wood. worth's will have come froward with (lng the frontage on Main street of at $48,150 and expectant cash re­ | Mountain. Any reader of this 1 Group singing of Stephen Poster "THE WEATHER" a proposition which, in the.r ap- i the buildings which were destroyed ceipts of $100,000—so that the total I column use it? Rockland Students Who sOngs: talk for onc mlnut« on Places Pretty soon we arc going to put our Weather Man on the pearance will better serve the plan by fire and extending back from estate was well above $1,000,000. HaveGone Elsewhere F o r'ot lnt€rest ln the 8outh: dlscusslon* job. W ith overpowering heat in the West and bona fide which Miss Farnsworth had in Main street approximately 100 feet. | The trustees have attended to Straw soaked in a solution of Resolved that traffic laws should snowstorms in the North, somebody ought to be doing some­ mind, as well as the public, which The basement and ground floor the homestead, but are of the opin- caustic soda for 24 hours and then Advanced Education be uniform in all States." Walter thing about it. is to profit thereby. The proposi- , would be used for stores; the sec- Ion th a t the terms of the will washed out can be eaten by cows Ayer Albert Goss, Fred Kenniston; The Courier-Gazette today pre-, 0-----------O---------- 0 tion is outlined in a bill ln equity ond floor for offices, with a library would better be fulflllled if the and sheep Possibbr It is even bet- eents a partial list of Rockland "Hlghllghts <* the New York brought by the Boston Safe Deposit in the rear room; and the third treasures of the Art Gallery were ter than some of the breakfayt students who are attending insti­ World's Pair;" chorus, "Beautiful “FOR TRAINING PURPOSES” and Trust Company, trustee of the floor for a hall. housed in a building of fireproof foods used by humans tutions of higher education. This Ohio;" "Highlights of the San Uncle Sam is sending an undefined number of his war­ Estate, against Franz U. Burkett The net proceeds from the rental | construction. The attorney for the ' paper will be Indebted to any read­ Francisco Exposition," Bernys ships to Hawaii. For “training purposes,” the despatches as Attorney Oeneral and those con­ of the stores, offices and hall woulld j trustees is Charles L. Hutchinson W hat do you suppose Admiral er who may be able to add other Jameson; song. "When I ts Spring­ say. But in these days of strategy one cannot be too choice testants of the will with whom a be used for the maintenance of thf ; of Portland, Byrd is planning to take on his pro­ Rockland names. The list; time in the Rockies" by young peo- of his words. settlement was made after the proposed library, art gallery and' The bill In equity Is brought jected South Pole expedition? Not University of Maine—Barbara pie. o-----------o-------------o hearing in Knox Probate Court. homestead. The library would be against the Attorney Oeneral be- to keep you in suspense I will tell Orff, Eleanor Look, Betty McAlary, The proposition in brief is to open Mondays, (Wednesdays, and cause it is the duty of th a t official! you that it is a five-gallon ice "JITTERY” OVERDONE Frederick Perry, Grant Davis, Pleasant Valley Grange will ob­ erect a two-story building at the Fridays, the books not to be re- to see to the proper application of cream freezer. I should think that Charles Duff. Clarence Peterson. serve at its next meeting .Broste, Tlie word jittery is being sadly overdone in the news­ corner of Main and Elm st-eets in moved. The will specified that the funds in charitable trust. It is hot cocoa apparatus would be more Paul Horeyseck. Meredith Dondis, night. Owing to the absence of the papers and the magazines, but we suppose it will have to place of the contemplated three-1 structure should be known as the returnable to the Supreme Judicial suitable but every m an to his taste, Richard Karl. Gordon Thompson. lecturer, the prog-am will be pre- , stand until somebody discovers another Taney catchword. story structure and to have therein "William A Farnsworth Building Court in Bath Oct. 3. B«wdoin—Harold Dondis, Elmer ' P « cd b>’ the chspiRin. Vallle Mac- Just think how long the press correspondents sent airships the art gallery which, under the and L i b r a r y j And here is what tlie trustees set Interest in the Dionne quintuplets s Bird : Laughlin. All Grangers and friends j "roaring" into the night. terms of tlie will would be housed The terms of the will, with ref- forth: is certainly not waning. Another Bates—Doris Borgerson. Marion fbe Orange are welcome. O ffl-1 ln a back room of the th . .-e-story erence to the homestead, and the j Since the testatrix has died there half million of tourists have visited Ludwtck. Dorothy Frost James ' cers are requested U> be present at Farnsworth block on the etst side four days on which It will .be open I has been erected in Rockland a 1 the famous nursery the past sum­ of Main street. to the public are well known. 1 (Continued on Page Eight) Pelllcane. Wilbur Connon Robert 7 °'cl«k. WAR COST TO AMERICA mer. making a total of 2,000,000 P Harmon. (Boston Transcript, visitors who have journeyed 200 miles north of Toronto to see the Colby—Ruth Thomas, Gordon Thompson The recent upsurge of the New York stock market was a suit of his efforts is reflected in the | ) prize-winning quintet. Having had Richardson. James East Dartmouth College—William An- heady tonic. It stimulated Imaginations and whetted appe­ handsome fruit which was yielded.
Load more

Recommended publications
  • The Films of Raoul Walsh, Part 1
    Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
    [Show full text]
  • The British Monarchy on Screen
    6 Elizabeth I: the cinematic afterlife of an early modern political diva Elisabeth Bronfen and Barbara Straumann In the American TV mini-series Political Animals (2012), Sigourney Weaver plays Elaine Barrish Hammond, a divorced former First Lady who serves as Secretary of State. In a trailer for the series, Hammond explains her own will to power by invoking a comparison to historical female politicians: ‘I took this job as Secretary of State because I feel I can make a diff erence. Eleanor Roosevelt, Cleopatra, Elizabeth the First. That’s the kind of company I want to keep.’ 1 Because it traces the imaginary legacy of its protagonist not only to the tragic last pharaoh of ancient Egypt but also to the last of the Tudors, this recent TV drama serves as a useful point of departure for this essay, which aims to look at Elizabeth I in relation to cultural anxieties regarding women and public power in the twentieth century. Discussing Elizabeth I as an early modern political media diva may seem preposterous, and yet our claim is that she anticipates the very enmeshment between celebrity culture and political power that is so particular to the charisma of celebrities in the public arena in the twentieth and early twenty-fi rst century. What is at stake in our discussion is, therefore, a self-consciously ahistorical reading of Elizabeth I through the lens of her subse- quent recycling as a fi lm icon. In proposing to look at Elizabeth through her cinematic refi gurations, we take our cue from Mieke Bal’s notion of doing a preposterous history, by which she means reversing chronological order and looking at the past through the lens of its subsequent recyclings.
    [Show full text]
  • 282 the Streetcar Named Desire Jewel Case 283
    282 ASPREY, LONDON established 1781 The Streetcar Named Desire Jewel Case stamped Asprey, London crocodile skin, gold-velvet, brass and canvas the lid gilt-tooled ‘V. L. O. / 12th October 1949’, with a velvet lined interior and lift-out fitted tray, fitted with brass locks signed ‘Bramah / 11 Old Bond Street W.I / Joseph Bramah’, including a protective canvas cover 11 by 31.5 by 24cm., 4¼ by 12¼ by 9½in. Made circa 1949. 282 detail of top showing gilt-tooling PROVENANCE Probably a gift to Vivien Leigh on the 12 October 1949, the opening night of A Streetcar Named Desire at the Aldwych Theatre, London. This was directed by Laurence Olivier, whom was possibly the giver of this present. The performance starred Bonar Colleano, Renee Asherson with Vivien Leigh in the title role of Blanche DuBois. The presentation of this jewel case on the opening night of the theatrical production of Tennessee Williams’ play A Streetcar Named Desire could well be a subtle reference to Blanche DuBois, the central character. In the play Blanche arrives at her sister, Stella’s, in New Orleans, with a large quantity of luggage. These suitcases and trunks are important props as they represent the trappings of a former more youthful life, a happier period with Blanche as a glamorous Southern belle. Ⴚ£ 800-1,200 € 900-1,350 US$ 1,100-1,600 282 283 VIVIEN’S POWDER COMPACT enamel, glass the exterior applied with stripes of blue enamel, the hinged lid opening to reveal a mirror and powder compartment. approximately 75 by 56 by 27mm £ 1,500-2,000 € 1,700-2,250 US$ 2,000-2,650 283 284 THREE COMMEMORATIVE COINS, ISLE OF MAN 1965 set of three gold coins, Isle of Man, Bicentenary of the Revestment Act 1965, including five-pounds, a Sovereign and a half Sovereign, uncased, gross weight approximately 53 grams; together with a half-crown from the Republic of Ireland, dated 1959.
    [Show full text]
  • Representing History
    Representing History The Pianist To Kill A King Why use film? History is currently `in vogue’ with the media. Documentaries cover the five terrestrial channels, historical non-fiction tops the best selling charts and Simon Schama, Michael Wood and David Starkey are now superstar presenters. Time Team and Restoration positively encourage us to take a `hands on’ approach – we can now affect what happens to our heritage directly. Historical films are also as popular as ever, with Pirates of the Caribbean currently topping the UK Box Office (although historians may argue exactly which historical period it is from!) and there are still many costume drama classics that draw in audiences across the world. Films that attempt to show history are sometimes derided by historians and critics for their lack of accuracy and sometimes hilariously bad casting - John Wayne as Genghis Khan anyone? However, if we view historical films as documents to begin an investigation, and if we look at how the film itself works, as well as examining how it purports to tell us about the past, the result can be a rewarding and enjoyable journey. A film can capture a feeling for a time; can create a mood and a picture of the past that perhaps, with further historical research and examination of the other contemporary art forms (drama, literature, painting, music etc.) can make that world come to life. © Film Education 2003 1 Curriculum Links The case study films below have been chosen both for their specific links to historical topics but also because of their filmic interest, either as a new take on a particular subject or an innovative way of telling a story.
    [Show full text]
  • A Salute to the National Film Archive, British Film Institute
    The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART ENTRANCE at 18 W. 54 release #10 FOR IMMEDIATE RELEASE A SALUTE TO THE NATIONAL FILM ARCHIVE, BRITISH FILM INSTITUTE April 29 - May 19, 1983 In celebration of the 50th Anniversary of the British Film Institute, and as part of the city-wide "Britain Salutes New York" Festival, The Department of Film of The Museum of Modern Art and The National Film Archive of the British Film Institute will co-present 18 programs of films culled from the London archive. The three-week series, to be screened in MoMA's Roy and Niuta Titus Theater 2 from April 29 through May 19, 1983, will include an eclectic sampling of British films preserved by the National Film Archive. The series will'include such classics as Alfred Hitchcock's 1926 The Lodger, Laurence Olivier's Henry V (1944), Alexander Korda's Rem­ brandt (1936) with Charles Laughton in the title role, E.A. Dupont's Piccadilly (1929), also starring Laughton with Anna May Wong, and, in a newly restored color print, Herbert Wilcox's 1937 Victoria the Great. The series will feature some exciting rediscoveries as well, among them Laburnum Grove (1936), an early Carol Reed comedy from the J.B. Priestley play, and Victor Saville's elegant First a Girl (1935), starring Jessie Matthews and taken from the same source as Blake Edwards's recent Victor/Victoria. Other programs include the directorial debut of writers Frank Launder and Sidney Gilliat with their 1943 wartime drama, Millions Like Us, to be shown in its original version for the first time in the U.S.; John and Roy Boulting's tense and low-key thriller, Seven Days to Noon (1950); and No Funny Business, a 1933 trifle (in its abbreviated 1951 reissue version) in which Laurence Olivier watches Gertrude Lawrence play the piano in a most unusual fashion.
    [Show full text]
  • Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
    Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience.
    [Show full text]
  • Notes and References
    Notes and References CHAPTER 1 To provide an intellectual and cultural framework for examining Carol Reed's films, a history of the British cinema from its origins through to the Second World War is offered in this chapter. Although Reed began directing in 1935, 1939 seemed a tidier, more logical cut-off point for the survey. All the information in the chapter is synthesized from several excellent works on the subject: Roy Armes's A Critical History of the British Cinema, Ernest Betts' The Film Business, Ivan Butler's Cinema in Britain, Denis Gifford's British Film Catalogue, Rachel Low's History of the British Film, and George Perry's The Great British Picture Show. CHAPTER 2 1. Michael Korda, Charmed Lives (New York, 1979) p. 229; Madeleine Bingham, The Great Lover (London, 1978). 2. Frances Donaldson, The Actor-Managers (London, 1970) p. 165. 3. Interview with the author. Unless otherwise identified, all quota­ tions in this study from Max Reed, Michael Korda and Andrew Birkin derive from interviews. 4. C. A. Lejeune, 'Portrait of England's No.1 Director', New York Times, 7 September 1941, p. 3. 5. Harvey Breit, ' "I Give the Public What I Like" " New York Times Magazine, 15January 1950, pp. 18-19. 6. Korda, Charmed Lives, p. 244. 7. Kevin Thomas, 'Director of "Eagle" Stays Unflappable', The Los Angeles Times, 24 August 1969. CHAPTER 3 1. Michael Voigt, 'Pictures of Innocence: Sir Carol Reed', Focus on Film, no. 17 (Spring 1974) 34. 2. 'Midshipman Easy', The Times, 23 December 1935. 271 272 Notes and References 3.
    [Show full text]
  • Film Estimates
    136 THE VIRGINIA TEACHER [Volume 18, No. 6 FILM ESTIMATES Recognizing that one man's meat may be another's poison, the National Committee on Current Theatrical Films gives three ratings: A, for discriminating adults; Y, for youth; and C, for children. These estimates are printed by special arrangement with The Educational Screen, Chicago. Beethoven Concerto (Russian, excellent Eng- lish titles) (Amkino) Notable Russian picture, dominated by_ children, with two extraordinary LITERATURE AND HISTORY little heroes in national competition for violin The Prince and the Pauper (Mauch Twins honors. Acting notable, music beautiful, human and outstanding cast) (1st Nat.) Mark Twain's interest strong. Culture and happiness presented fanciful tale of 16th Century English Court splen- as Russian norm. didly screened, in spirit of book and times. Only (A) Very good (Y) Good (C) Perhaps a trying moment or two for very sensitive chil- Captains Courageous (Bartholomew, S. Tracy, dren. A much-loved classic admirably handled. L. Barrymore) (MGM) Powerful portrayal of No romance lugged in! rich little snob transformed by hard knocks and (A) Excellent (Y) Excellent (C) Good high adventure among rough but understanding Revolutionists (Russian, with English titles) fishermen. Grand Banks schooner life magnifi- (Amkino) Sincere, convincing story of actual cently shown in tense, convincing, human drama. growth of revolution from Czarist terrorism of Masterpiece of cinema, '96 through bloody climax of 1905. Some naivete (A) Excellent (Y) Excellent (C) Very strong still, but notably good photography, acting and Elephant Boy (Sabu, Indian boy, and Kala narrative. Avoids raucous sound, dragging tempo, Nag, the elephant) (UA) Another masterpiece and overdone close-ups.
    [Show full text]
  • Library of Congress Motion Picture Conservation Center Quarterly Production Reports, 2000 – 2005
    Description of document: The Library of Congress Motion Picture Conservation Center quarterly production reports, 2000 – 2005 Requested date: 20-February-2006 Released date: 22-June-2006 Posted date: 11-January-2008 Title of Document Quarterly Production Report [various periods] Production Report [various periods] Date/date range of document: 16-May-2000 – 13-July-2005 Source of document: The Library of Congress Office Systems Services 101 Independence Avenue, S.E. Washington, D.C. 20540-9440 The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. THE LIBRARY OF CONGRESS 101 INDEPENDENCE AVENUE, S.E. WASIDNGTON, D.C. 20540-9440 OFFICE SYSTEMS SERVICES June 22, 2006 We acknowledge receipt ofcheck number in the amount of$58.50 for information requested in your letter ofFebruary 20,2006. Enclosed are 83 pages of 1st Quarter 2000 through 2nd Quarter 2005 Motion Picture Conservation Center quarterly production reports. Note that only an annual report was compiled for the time period July 2001 - July 2002 and is included with the quarterly reports requested.
    [Show full text]
  • This Month on Tcm
    THIS MONTH ON TCM S ® WEDNESDAYS 1 31 DAYS OF OSCAR GOES TO COLLEGE 8 ELVIS IN HAWAII 17 ST. PATRICK’S DAY WEEKLY SHOWCASES Elmer’s Candid Camera (’40) Blue Hawaii (’61) The Quiet Man (’52) STAR OF THE MONTH: Psychology Dept. – Abnormal Psychology Scent-imental Over You (’47) Girls! Girls! Girls! (’62) Young Cassidy (’65) RONALD REAGAN The Three Faces of Eve (’57) Haredevil Hare (’48) THE ESSENTIALS Shake Hands with the Devil (’59) Psycho (’60) Duck Amuck (’53) 9 ROBERT OSBORNE’S PICKS My Left Foot (’89) Spellbound (’45) One Froggy Evening (’55) Must-See Classics Three Cheers for the Irish (’40) Possessed (’47) Lured (’47) What’s Opera, Doc? (’57) Saturdays at 8:00pm (ET) 5:00pm (PT) On Our Merry Way (’48) Night Must Fall (’37) 18 SRONALD REAGAN The Dot and the Line (’65) Harold and Maude (’71) ® The Bear That Wasn’t (’67) A Night at the Opera (’35) 2 31 DAYS OF OSCAR GOES TO COLLEGE The Man in the Iron Mask (’39) Classic Movie Lines The Phantom Tollbooth (’69) Rocky (’76) Journalism Dept. – Journalism Ethics Knute Rockne, All-American (’40) (“Win one 10 BRIDGE NIGHT S Cat Ballou (’65) It Happened Tomorrow (’44) for the Gipper.”) 25 RONALD REAGAN The Philadelphia Story (’40) The Bridge at Remagen (’69) Kings Row (’42) (“Where’s the rest of me?”) Westerns Ben-Hur (’59) A Bridge Too Far (’77) It Happened One Night (’34) Reagan in Love Santa Fe Trail (’40) The Bridge on the River Kwai (’57) Meet John Doe (’41) The Girl from Jones Beach (’49) The Bad Man (’41) The Bridges at Toko Ri (’54) TCM UNDERGROUND Mr.
    [Show full text]
  • Past and Present 19/7/05 3:53 Pm Page I
    2725 M&M Past and Present 19/7/05 3:53 pm Page i Turner Classic Movies British Film Guides General Editor: Jeffrey Richards Brighton Rock Dracula The 39 Steps Steve Chibnall Peter Hutchings Mark Glancy A Hard Day’s Night Get Carter The Dam Busters Stephen Glynn Steve Chibnall John Ramsden My Beautiful The Charge of the Light A Night to Remember Launderette Brigade Jeffrey Richards Christine Geraghty Mark Connelly The Private Life of Whiskey Galore! & The Henry VIII Maggie Greg Walker Colin McArthur Cinema and Society Series General Editor: Jeffrey Richards ‘Banned in the USA’: British Films in the United States and Their Censorship, 1933–1960 Anthony Slide Best of British: Cinema and Society from 1930 to the Present Anthony Aldgate & Jeffrey Richards Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema Colin McArthur British Cinema and the Cold War Tony Shaw The British at War: Cinema, State and Propaganda, 1939–1945 James Chapman Christmas at the Movies: Images of Christmas in American, British and European Cinema Edited by Mark Connelly The Crowded Prairie: American National Identity in the Hollywood Western Michael Coyne Distorted Images: British National Identity and Film in the 1920s Kenton Bamford An Everyday Magic: Cinema and Cultural Memory Annette Kuhn Film and Community in Britain and France: From La Règle du Jeu to Room at the Top Margaret Butler 2725 M&M Past and Present 19/7/05 3:53 pm Page ii Film Propaganda: Soviet Russia and Nazi Germany Richard Taylor Hollywood Genres and Post-War America: Masculinity,
    [Show full text]
  • The Keep Eastern Illinois University
    Eastern Illinois University The Keep 2004 Press Releases 3-3-2004 03/03/2004 - Musical Fanfare To Welcome Queen Elizabeth I To EIU.pdf University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_2004 Recommended Citation University Marketing and Communications, "03/03/2004 - Musical Fanfare To Welcome Queen Elizabeth I To EIU.pdf" (2004). 2004. 12. http://thekeep.eiu.edu/press_releases_2004/12 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 2004 by an authorized administrator of The Keep. For more information, please contact [email protected]. Musical Fanfare to Welcome Queen Elizabeth I to EIU Campus Mar-03-2004 A six-week commemoration of the rule of Queen Elizabeth I will begin Thursday with some of the same pageantry the queen herself experienced 400 years ago. A musical fanfare will open the ceremony, scheduled to begin at 7 p.m. in Eastern Illinois University 's Booth Library's Marvin Foyer. All interested persons are invited to attend. The highlight of the evening will be the unveiling of a new traveling exhibition - "Elizabeth I: Ruler and Legend" - which examines the queen's long and colorful life and reign. The exhibition, which is based upon images reproduced from rare books, manuscripts, maps, letters, paintings and artifacts, will be on display at the library through April 16. Subsequent events planned for the month of March include a performance by Eastern's Symphonic Wind Ensemble at 3 p.m. Sunday, March 7, in McAfee Auditorium.
    [Show full text]