Gordon Huether Studio Art Matters Introduction

gordon huether studio art matters introduction

When I was about 17 years old, after making my second stained glass window at my father’s kitchen table, I made a life decision: I promised myself that one day I would edify the spirit of humanity by bringing beauty and meaning into the world through art. I am happy to report that almost 40 years later, I am honoring that promise by creating art every day for every conceivable kind of building, home and landscape.

From the beginning of my career, I’ve been fascinated by the interplay between light and glass as I explored the artistic possibilities of refraction and reflection in glass fabrications. As I developed as an artist, I began exploring other media, moving between highly refined, polished materials like polished aluminum and dichroic glass to gritty, repurposed and salvaged materials like rusted steel and weathered wood. I’ve learned to let the story I am telling lead me towards the right material. Salvaged and repurposed materials allow me to explore the effect of time and nature on man-made materials or, as in the case for the Napa 9/11 Memorial, convey the devastating aftermath of inhumanity. Using a variety of glass techniques and applications for university campuses and houses of worship captures the experience of inspiration and illumination often found there.

My work investigates intellectual precepts and explores emotional complexities. It is about shaping a story and expressing an idea, not just creating an object of beauty. When developing a concept for a new public artwork, I endeavor to connect to the site by researching its history and culture; connect to the viewer by listening to the community and understanding their vision for the project; and finally, connect to the landscape and architecture surrounding the work by choosing materials that respond and engage with the location. For a private commission, I establish a relationship with the client in order to fully engage with their needs and goals for the project and create work that meets, if not surpasses, their expectations.

I am passionate about the process of creating art and humbled by the privilege of making it everyday. In a time when the speed and ease of technology robs us of daily personal interactions, art has the power to remind us of the importance of the human touch. My spirit is in everything I make and I am honored to share it with you.

Gordon Huether 4 contents

Civic 5 Hospitality 69 Napa 9/11 Memorial | Napa, CA 6 Archer Hotel | New York, NY 70 The Bridge North Texas | Dallas, TX 10 Sugar House Casino | Philadelphia, PA 71 Historic Route 66 | Albuquerque, NM 14 J Vineyards & Winery | Healdsburg, CA 72 Salt Palace Convention Center | Salt Lake City, UT 16 Artesa Vineyards & Winery | Napa, CA 73 Regional San | Sacramento, CA 18 Residential 75 Fire Station #17 | San Jose, CA 20 Private Residence | Carmel by the Sea, CA 76 Art Walk | Yountville, CA 21 Private Residence | Los Altos, CA 80 Corporate + Private Development 23 Private Residence | St. Helena, CA 81 Arburg GmbH & Co. KG | Loßburg, Germany 24 Private Residence | Napa, CA 82 535 Mission Street | San Francisco, CA 28 Private Residence | San Jose, CA 83 Miramar Village | White Rock, BC, Canada 32 Spiritual 85 TIAA-CREF | Charlotte, NC 36 Congregation Beth Shalom of Napa Valley | Napa, CA 86 BioMarin Pharmaceutical | Novato, CA 37 Parish Church St. Laurentius | Bobenheim - Roxheim, Germany 88 Deloitte & Touche | San Francisco, CA 38 St. John The Baptist Catholic Church | Napa, CA 89 SmithGroup | San Francisco, CA 39 Jewish Community Center | Long Beach, CA 90 Umpqua Bank | Napa, CA 40 Congregational Church of San Mateo | San Mateo, CA 91 Pfluger Architects | Austin, TX 41 Lafayette Orinda Presbyterian Church (LOPC) | Lafayette, CA 92 East Village Parking Garage | Kansas City, MO 42 Diocese of Santa Rosa | Santa Rosa, CA 93 Arena Parking Garage | Stockton, CA 43 Transportation 95 5th Street Parking Garage | Napa, CA 44 Raleigh-Durham Int’l Airport | Morrisville, NC 96 Ovation Waterfront Condominiums | St. Petersburg, FL 45 Salt Lake City Int’l Airport TRAX Station | Salt Lake City, UT 100 Education 47 William P. Hobby Airport | Houston, TX 104 LBJ Presidential Library | Austin, TX 48 Coliseum BART Station | Oakland, CA 108 LBJ School of Public Affairs | Austin, TX 52 Jacksonville Int’l Airport | Jacksonville, FL 112 University of Toledo | Toledo, OH 53 San Bruno BART Station | San Bruno, CA 114 Oregon State University | Corvallis, OR 54 SEPTA | Philadelphia, PA 115 Healthcare 57 Fine Art 117 John Muir Medical Center | Walnut Creek, CA 58 Celadon Series | Gordon Huether Gallery 118 El Camino Hospital | Mountain View, CA 62 Big Boy, Metal Meddle Series | Last Call 4|5 119 UCSD Medical Center | San Diego, CA 64 Gordon Huether Gallery | Popular Science Series 120 UCSF Mount Zion | San Francisco, CA 65 Magic Lanterns | Gordon Huether Studio 121 Sletten Cancer Institute | Great Falls, MT 66 About The Artist 122 St. Joseph’s Hospital and Medical Center | Phoenix, AZ 67 About The Team + The Studio 123 Gordon Huether | Résumé 124 Index 130

5 6 vitality andbeautytourbansettings. the public’s engagement and add sculptural elementsthatenhance iconic gateways, way findersand encourage civic pride. Huether creates strengthen communityidentityand public placesandlooktoartists recognize thevalue ofart in throughout theworldincreasingly and historyofamunicipality. Cities expresses theculture, character for Huethertocreateworkthat Civic centerspresentopportunities

civic Napa 9/11 Memorial

Napa, CA | 2013 23’H x 25’D Salvaged Steel Beams, Glass Commissioned by the City of Napa Gretchen Stranzl McCann | Landscape Architect

In a unique public-private collaboration, the citizens of Napa planned the 9/11 Memorial garden to honor the memories of those killed on 9/11 and the first responders who risked their own lives in their efforts to save them. Huether was commissioned to create the Memorial working with 30 tons of steel received by the community from the wreckage of the Twin Towers. The garden and Huether’s installation have become a place for the community to engage in quiet contemplation and reflection and express the courage, caring and compassion the world experienced in the aftermath of this terrible terrorist act.

8 9 10 11 The Bridge North Texas

Homeless Assistance Center | Dallas, TX | 2008 7 Panels, each 8’6”H x 3’6”W Glass Commissioned by Dallas County Overland Partners | Architect Camargo Copeland | Architect

The Bridge North Texas Homeless Assistance Center serves more than 6,000 clients throughout the Dallas Metropolitan area. For the center, Huether created art glass windows using various glass techniques, including mouth-blown and etched glass. He forged a real connection with the Center’s homeless clients; they contributed personal essays for the project, portions of which Huether etched into the glass by-hand. This project received two 2009 American Institute of Architects Housing Awards and a USGBC LEED™ Silver Rating.

12 13 14 15 This Page + Next: Aluminum Yucca | Historic Route 66 | Albuquerque, NM | 2003 16 17 This Page + Next: Salt Palace Convention Center | Salt Lake City, UT | 2006 18 19 Vessel | Regional San (Sacramento Regional County Sanitation District) | Sacramento, CA | 2009 20 Waterfall | Regional San (Sacramento Regional County Sanitation District) | Sacramento, CA | 2009 21 Fire Station #17 | San Jose, CA | 2008 22 Red Head | Art Walk | Yountville, CA | 2013 23 24 lines betweenartandarchitecture. integrated into asite, blurring the a spaceandallowforarttobe and heightentheaestheticsof with anopportunitytoenrich commissions oftenprovideHuether and private intersect. These environments wherethepublic sector’s commitmenttoenhancing is areflectionoftheprivate settings andprivate development Huether’s workforcorporate

corporate + private development Globussphäre

Arburg GmbH & Co. KG Loßburg, Germany | 2009 16’ DIA Stainless Steel, Pyrex, Dichroic Glass, Boro-artistic Glass Rods Commissioned by Arburg GmbH & Co. KG Schmelzle + Partner Architekten BDA | Architect

Arburg, a leading manufacturer of injection molding machines for plastics, commissioned Huether to create this oversized globe for the exterior of its new customer center. The spherical form symbolizes Arburg’s global reach and the dichroic glass panels and acrylic rods reference the company’s product. The sculpture is a vibrant complement to the building’s stacked rectangles and has become an iconic and unifying symbol for the entire community.

26 27 28 29 Applique da Parete

535 Mission Street | San Francisco, CA | 2014 140’L x 18’H x 15”D Dichroic Glass, Mirrored Glass, Etched Glass Commissioned by Boston Properties Boston Properties | Developer HOK | Architect

Boston Properties developed 535 Mission, a 27-story addition to the San Francisco skyline, and commissioned Huether to create artwork for the lobby space. The multi- pieced work starts on the building’s exterior façade on Mission Street, continues through the lobby and comes to an end on the Minna Street façade, breaching the traditional boundary between outdoor and in.

Huether’s large-scale wall installation brims with vibrant color, texture and pattern that is refracted, transmitted and reflected, resulting in a wall of light that brings life and excitement to 535 Mission’s public space.

30 31 32 33 Rostrum

Miramar Village | White Rock, BC, Canada | 2013 14’W x 14’H x 8’D Stainless Steel, Locally Sourced Cedar Blocks Commissioned by Bosa Properties Bosa Properties | Developer NSDA Architects | Architect

Rostrum, an amphitheater-like installation made of stainless steel and native cedar timbers, takes its aesthetic cue from the landscape and architectural design of the site. Huether blurs the line between art, sculpture and nature by creating beautiful art that also functions as an outbuilding. Residents engage with Rostrum by using the space as a gathering place, as well as interacting with it as art. Huether embedded fifty LED lights into the curved stainless steel pipes to create a beautiful glow at night.

education Lady Bird Mural

LBJ Presidential Library | Austin, TX | 2011 16 Panels, each 10’H x 4’W Thermally Bonded Print & Acid Etch on Glass, Fused Glass Flowers Commissioned by University of Texas at Austin Skidmore, Owings & Merrill | Architect Brooks, Barr, Graeber and White | Architect

Huether’s striking glass-paneled mural memorializes Lady Bird Johnson’s tireless support of President Johnson, civil rights, social justice and the Highway Beautification Act. Huether worked with Lady Bird’s daughters, project architects and Presidential Library staff to select imagery that reflects Lady Bird’s dynamic personality and life experiences. Back lit with fiber optic illumination, the mural acts as a wall of light for the corridor space. A border of Lady Bird’s beloved Texas wildflowers, fabricated in fused glass adds a bold flourish to this beautiful installation.

50 51 52 53 LBJ School of Public Affairs | University of Texas | Austin, TX | 2010 54 Portal | University of Toledo | Toledo, OH | 2013 55 This Page + Next: Hoops | Oregon State University | Basketball Practice Facility | Corvallis, OR | 2014 56 57 58 the healthcare environment. and palliativeelementsto creates workthataddsbeauty and receptionareas, Huether spaces, gardens, andlobby hospital chapels, meditation By integrating his work into often difficultcircumstances. as a welcomerespite from being, reduces stress and serves setting enhancespatients’well integrated intoahealthcare Huether believesthatart

healthcare Mountain Range & River of Light

John Muir Medical Center | Walnut Creek, CA | 2010 Mountain Range - 90’L x 6’6”H x 2’D Corten Steel, Glass River of Light - 190’L x 4”- 11”W Integrated Glass Tiles Commissioned by John Muir Health Gates + Associates | Landscape Architect

Drawing inspiration from environmentalist John Muir’s reverence for the San Francisco Bay Area’s natural beauty, Huether incorporates references to the Bay Area’s mountains and waterways and integrates natural landscape and architectural elements into the overall design. Mountain Range, fabricated with two layers of acid-etched glass and one layer of Corten steel, adds rhythm and dimension to the plaza space and is illuminated by LEDs for an ambient glow at night. The 200-foot, dichroic glass River of Light embedded in the plaza serves as a way-finder, leading visitors from the parking lot to the building’s entrance. This two-part installation serves as an iconic, place-making sculpture work for the John Muir Medical Center.

hospitality Lichtregen | Archer Hotel | New York, NY | 2014 72 Bundled Stix | Sugar House Casino | Philadelphia, PA | 2010 73 J Vineyards & Winery | Healdsburg, CA | 1999 74 Artesa Vineyards & Winery | Fountain | Napa, CA | 1999 75 76 integrated intohisclient’s residences. some oftheapproachesHuetherhas and suspendedinstallationsarejust doors, artglasswall applications vision.sculptures, Three-dimensional collaboration withthehomeowner’s aesthetics ofthehome, thelocationand residence ishisdirectresponsetothe the client, Huether’s artworkforaprivate result ofan intense collaboration with on a more intimate scale. Often the opportunity forHuethertocreatework Residential commissionsprovidean

residential Private Residence

Carmel by the Sea, CA | 2009 Outdoor Wall, Foyer Glass Screen, Bathroom Glass Installations & Guest Room Glass Installation Commissioned by Lynda & Tom Christal Overland Partners | Architect

Huether was inspired by the motion of sand and water for the art glass additions to a client’s home in Carmel by the Sea. Huether etched delicate sand patterns on a glass garden wall in the home’s landscaped exterior space that is illuminated by programmed LEDs at night. Cascading water and sea foam inspired the glass screen separating the home’s foyer from the dining area. Dichroic glass was inserted between two slabs of etched glass, creating a shifting display of color that is transformed as light, and the viewer’s angle, changes throughout the day.

78 79 80 81 Private Residence | Suspended Sculpture | Los Altos, CA | 2010 82 Stix & Stones | Private Residence | St. Helena, CA | 2006 83 Private Residence | Office Glass Sliding Door | Napa, CA | 2012 84 Private Residence | Glass Front Door | San Jose, CA | 2008 85 86 cultural symbolsthroughouttheworld. enduring appealofreligiousartand worshipers andreaffirmingthe strengthening theexperienceof breathes newlifeintosanctuaries, the congregation, Huether’s work working inclosecollaboration with the liturgicalandspiritual. Often spaces givesartisticexpressionto worship andcommunity-gathering Huether’s artworkinhouses of

spiritual This Page + Next: The Twelve Tribes of Israel | Congregation Beth Shalom of Napa Valley | Napa, CA | 2014 88 89 Parish Church St. Laurentius | Bobenheim - Roxheim, Germany | 2013 90 Radiant Cross | St. John The Baptist Catholic Church | Napa, CA | 2012 91 Jewish Community Center | Long Beach, CA | 1999 92 The Tree of Life | Congregational Church of San Mateo | San Mateo, CA | 2013 93 Lafayette Orinda Presbyterian Church (LOPC) | Lafayette, CA | 2009 94 Diocese of Santa Rosa | Santa Rosa, CA | 1998 95 96 in anoftensterileandimpersonalspace. injects asenseofsurpriseanddiscovery significant voyage, Huether’s artwork undertaking adailycommuteor character oftheregion. For travelers work conveysthecultural vitalityand concepts intransportation hubsandhis is oftenattheheartofHuether’s space. Local and regional identity revitalize theirexperienceofthetransit opportunity toengagetravelers and of artintransportation systemsasan Huether approachestheintegration

transportation Highwire Travelers

Raleigh-Durham International Airport, Terminal 1 Baggage Claim | Morrisville, NC | 2014 Figures heights range between 5’2” and 6’2” Stainless Steel, High-density Foam, Polyurethane Plastic, Latex Paint Commissioned by the Raleigh-Durham Airport Authority Clark Nexsen | Architect

To create this installation of seven life-sized figures for the baggage claim area of the new terminal at the Raleigh- Durham International Airport, Huether scanned models with a three-dimensional digital scanner then employed a CNC machine to carve the figures out of high-density foam. The installation ingeniously integrates technology with the creative process and is designed to introduce surprise and whimsy into the space. The neutral color of the figures blends gracefully with the light and airy building aesthetic.

Each figure has a personal connection to Huether. Family, friends and co-workers, along with a self-portrait, are included and represent the wide-array of travelers who will experience the terminal on a daily basis. Each of the “travelers” carries their own baggage, adding further distinction to each character and relating to the experience of the real travelers in the baggage claim area below. The installation provokes a strong response from travelers, whether by identifying with the figure balancing precariously while holding suitcases on the tightrope or the “tourist” photographing the scenery from her perch on an overhead beam.

98 99 100 101 The Canyon

Salt Lake City International Airport TRAX Station Salt Lake City, UT | 2012 96’L x 3’ – 8’H Powder-Coated Steel Commissioned by the Utah Transit Authority FKKR Architects | Architect

For The Canyon, Huether evoked the profile of nearby Wasatch and Oquirrh Mountain ranges, and then visually segmented the mountain scape by placing vertical steel plates at specific distances apart along the station’s platform. The sculpture is powder-coated to resemble the intense burnt orange colors of the sun setting in Bryce Canyon. The steel plates, much like rows of grapevines or trees in an orchard, appear to “open and close” as passengers speed by from the seat of a commuter train or car. What is clearly stationary appears to be in motion for observers of this passively kinetic installation.

102 103 104 105 Over Houston

William P. Hobby Airport | Houston, TX | 2009 6 Panels, each 11’H x 20’W Fused, Etched, Enameled, Carved, Sand-blasted, Laminated Glass Commissioned by the Houston Airport System Lockwood, Andrews & Newman | Architect

Huether created Over Houston by photographing the

city and its environs from the window of a small chartered

plane. He then abstracted and integrated vibrant colors into

the images for use in this luminous installation. Huether

used special art glass techniques, including etching, fusing

and laminating to fabricate the 48 individual panels. Over

Houston tells a story of air travel and illuminates the

unique, natural and urban landscape as seen from above.

106 107 108 109 A-Round Oakland

Coliseum BART Station | Oakland, CA | 2014 50 Fused Glass Discs, 18”– 36” DIA Commissioned by Bay Area Rapid Transit (BART) ED2 International | Architect

Huether created this hip, active, engaging, sophisticated and gleaming installation in response to the diverse community that BART serves. The fused glass discs that Huether installed transmit and refract color, creating a constantly shifting pattern of light and shadow that bounces throughout the BART station. This complex and multi-dimensional installation delights and engages travelers as they embark on their journeys.

110 111 112 113 This Page + Next: Gotta Go! | Jacksonville International Airport | Jacksonville, FL | 2008 114 115 San Bruno BART Station | San Bruno, CA | 2002 116 SEPTA | Frankfort Transportation Center | Philadelphia, PA | 2001 117 118 cities throughouttheUnitedStates. museums andgalleriesinmajor interior designersandexhibitedat It is widely collected, favored by personal andintenselyeclectic. imagery. Huether’s workisdeeply and usingquirkyrepurposedvintage artificial lightsources, lush textures, of richlysaturated color, natural and investigating theseductiveproperties his smaller-scale fine art work by Huether exploresdifferentmediain

Gordon Huether, the child of German immigrants, was born in Rochester, New York in 1959 and raised in Napa, California where he still resides and is an active member of the community. With dual citizenship in Germany and the United States, Huether has moved between the two countries throughout his life. He learned art composition and appreciation at an early age from his father, an artist and craftsman who designed window displays for a department store in the small town of Napa. International experiences and the verdant countryside of the Napa Valley region strongly influenced Huether’s initial artistic exploration and he resolved at an early age to create a lasting impact on the world through the creation of large-scale public art.

In 1987, Huether opened his studio in Napa, California and in 1989 he received his first public art commission from the University of Alaska Geophysical Institute. For the first time, Huether collaborated with architectural, design and construction teams to realize his vision, a significant step forward in his career. In his nearly 30-year career, Huether has created more than 70 public art installations for city centers, transportation hubs, and corporate and university campuses throughout the world. He has completed several hundred private commissions, in addition to creating fine art work.

124 about the team + the studio

Gordon Huether Studio + Gallery is a turnkey, full service studio that works closely with institutions, city governments, private developers, consultants and individual clients to develop, fabricate and install unique, one of a kind large-scale, site specific public art and private commissions. A highly professional, skilled and experienced team of fabricators and artisans work at the studio with Huether from initial design concept to project development, fabrication and final installation. A fully staffed administrative office coordinates and oversees client services and all business matters relating to the creation of art, ensuring that every project is executed on time and on budget and every client’s needs are met.

The “Hay Barn” houses Gordon Huether’s design studio, project gallery, fabrication facilities, administrative offices and gallery. Guests are welcome to visit Gordon Huether Studio + Gallery. The Gallery is located at 1821 Monticello Road in Napa, California and is open Monday through Friday, from 9 AM - 4 PM. For after- hours appointments or groups of more than four people, please call 707.255.5954 to schedule a visit.

125 gordon huether | résumé

BIRTHPLACE 1959 Rochester, NY

EDUCATION 1990-92 Life Center Collaborative Project with Professor Johannes Schreiter, Napa, CA 1986 Pilchuck Glass School, Stanwood, WA 1980-82 Apprenticeship at Universal Glass Studio, Blieskastel, Germany

LECTURES / TEACHING / APPOINTMENTS 2014 AAAE Arts in the Airport Workshop, “Trials, Tribulations & Triumphs of Integrating Art into Airports” San Francisco, CA 2011 American Institute of Architects Design Conference, “The Great Collaboration: Integrating Art & Architecture” Monterey, CA 2009 Stained Glass Association of America, “Stained Glass Then and Now” Oklahoma City, OK University of San Francisco, School of Architecture, “Art in Architecture” San Francisco, CA 2008 Homeless Assistance Center, “Art Matters” Dallas, TX 2007 BECon Conference, “Making Art, Love and Money” Portland, OR 2006 Board Member, American Institute of Architects SF, Center for Architecture & Design 2005 Chairman, Planning Commission, Napa, CA 2002 President, Board of Trustees, Napa Valley Museum, Napa, CA 2000 Urban Art Commission & The American Institute of Architects, “Designing our Community Through Art in Architecture” Memphis, TN 1999 American Institute of Architects National Conference, Guest Lecture, “Public Art in America” Dallas, TX 1998 American Institute of Architects National Conference, “Redefining Contemporary Glass” San Francisco, CA 1997 Society for Environmental Graphic Design National Conference, Guest Lecture, San Francisco, CA 1996 PLANETREE Annual Conference, “Light and Color: Elements that Heal” San Francisco, CA

MOST RECENT SELECTED EXHIBITIONS 1997 – Present Resident Artist, Artesa Winery, Napa, CA 2014 – Present Rotating Solo Exhibit at St. Supéry Estate Vineyards & Winery, Rutherford, CA 2012 – 2014 Art On First, Public Art Walk, Napa, CA 2010 – 2015 Art Walk, Yountville, CA 2014 12 x 12, Artamo Gallery, Santa Barbara, CA 2009 Beauty, Group Exhibition, The Gallery at Cliff Lede Vineyards, Yountville, CA 2007 Metal Matters, Solo Exhibition, Robert Mondavi Winery, Oakville, CA 2006 Art + Architecture, Group Exhibition. Keller Estate Winery, Petaluma, CA 2005 Summer in Southpark, Group Exhibition. Andrea Schwartz Gallery, San Francisco, CA 2005 Orange Door-Blue Window, Solo Exhibition. Metalstone Gallery, New York, NY 2005 Group Exhibition, Artamo Gallery, Santa Barbara, CA 2005 El Paseo Exhibition, El Paseo Drive, Palm Desert, CA 2004 In Nature’s Light, New York Hall of Science, New York, NY

126 AWARDS 2014 Napa 9/11 Memorial, CoDAWOrX Video Awards Top 100, Collaboration of Art and Design 2013 John Muir Medical Center, CoDAWOrX Awards Top 100, Collaboration of Art and Design 2010 Certificate of Merit, American Society of Interior Designers, California Peninsula Chapter 2009 Gotta Go, Jacksonville International Airport, Jacksonville, FL, Best Public Art in the United States, Americans for the Arts Public Art Network 2009 The Bridge Homeless Assistance Center, Dallas, TX, Featuring a Public Art Installation by Gordon Huether, Housing Committee Award for Special Housing, American Institute of Architects, Award for Community-Informed Design, Department of Housing and Urban Development 2006 Stockton Arena Public Parking Structure, Stockton, CA, Best Public Art in the United States, Americans for the Arts Public Art Network

SELECTED PUBLIC ART AWARDS 2014 Rockland County Office Building |AIPP Sculpture, New City, NY Awarded by: Rockland County Art in Public Places 2013 535 Mission Street, San Francisco, CA Awarded by: Boston Properties Wards Corner, Norfolk, VA Awarded by: City of Norfolk Basketball Practice Facility, Oregon State University, Corvallis, OR Awarded by: Oregon State Arts Commission Hatcher Road Streetscape Project, Phoenix, AZ Awarded by: City of Phoenix University of Toledo Roundabout, Toledo, OH Awarded by: University of Toledo 2012 Raleigh-Durham International Airport, Raleigh, NC Awarded by: Raleigh-Durham International Airport Parish Church St. Laurentius, Bobenheim-Roxheim, Germany Awarded by: Bistum Speyer, Episcopalian Building Authority BART Oakland Coliseum Connector Station, Oakland, CA Awarded by: Bay Area Rapid Transit Authority Henry Belmon Research Center, Oklahoma State University, Oklahoma City, OK Awarded by: Oklahoma Art in Public Places Centennial Plaza Sculpture, Peoria, AZ Awarded by: City of Peoria 2011 Century Napa Valley Cineplex, Cinemark, Napa, CA Awarded by: Peter A and Vernice H. Gasser Foundation, Inc. University Health System, Medical Center Campus, San Antonio, TX Awarded by: Bexar County Hospital District Exchange Parkway Median Enhancement, Allen, TX Awarded by: City of Allen 2010 Houston Police Department, Midwest Police Station, Houston, TX Awarded by: Houston Arts Alliance, City of Houston Sun Tran Bus Storage & Maintenance Facility, Tucson, AZ Awarded by: Tucson Pima Arts Council

127 South Patrol Station, Kansas City Police Department, Kansas City, MO Awarded by: Kansas City The Canyon, TRAX Station, Salt Lake City International Airport, Salt Lake City, UT Awarded by: Salt Lake City, Utah Transit Authority Millcreek Community Center, Salt Lake County, UT Awarded by: Salt Lake County, UT 2009 Rostrum, Miramar Town Center, White Rock, BC, Canada Awarded by: City of White Rock, BOSA Properties LBJ Presidential Library & School of Public Affairs, Austin, TX Awarded by: University of Texas, Austin 2300 Empire Center, Burbank, CA Awarded by: WH Empire Center, Chicago, IL 2008 O Wave, Ovation Condominiums, St. Petersburg, FL Awarded by: JMC Communities, St. Petersburg, FL East Village Parking Facility, Kansas City, MO Awarded by: Kansas City Municipal Art Commission Lot 5 Project, Chapel Hill, NC Awarded by: Town of Chapel Hill Napa Fifth Street Parking Garage, Napa, CA Awarded by: City of Napa Jack London Square, Oakland, CA Awarded by: City of Oakland, Jack London Square Partners 2007 Gotta Go, Jacksonville International Airport, Jacksonville, FL Awarded by: Jacksonville International Airport Arts Commission Richmond Civic Center, Richmond, CA Awarded by: City of Richmond Tucson Justice Court, Municipal Court Complex, Tucson, AZ Awarded by: Tucson Pima Arts Council Texas Tech University School of Law, Lubbock, TX Awarded by: Texas Tech University John Muir Medical Center, Walnut Creek, CA Awarded by: John Muir Health Foundation, City of Walnut Creek 2006 Dallas Homeless Assistance Center, Dallas, TX Awarded by: Dallas County Marsh Creek Bridge, Brentwood, CA Awarded by: The City of Brentwood Sacramento Regional County Sanitation District, Sacramento, CA Awarded by: Sacramento Metropolitan Arts Commission The Collection, Burbank, CA Awarded by: City of Burbank, Champion Development 2005 Salt Palace Convention Center, Salt Lake City, UT Awarded by: Salt Lake County 2005 Foothills Recreation & Aquatics Center, Glendale, AZ Awarded by: Glendale Arts Commission

128 2004 San Jose Fire Department Station 17, San Jose, CA Awarded by: City of San Jose, CA St. Josephs Hospital and Medical Center, Phoenix, AZ Awarded by: St. Joseph’s Hospital and Medical Center Issaquah Transit Center, Issaquah, WA Awarded by: Sound Transit Board Arena Parking Structure, Stockton, CA Awarded by: City of Stockton San Mateo Public Library, San Mateo, CA Awarded by: City of San Mateo 2003 Polaris K-12 Alternative School, Anchorage, AK Awarded by: Municipality of Anchorage San Joaquin Council of Governments, Stockton, CA Awarded by: City of Stockton, San Joaquin Council of Governments William P. Hobby Airport, Houston, TX, Awarded by: Houston Airport System, Cultural Arts Council of Houston and Harris Counties BioMarin, Novato, CA Awarded by: BioMarin Pharmaceutical Inc. 2002 Denver International Airport Child Care Center, Denver, CO Awarded by: Denver International Airport Public Art Program Aluminum Yucca, East Gateway Project, Albuquerque, NM Awarded by: City of Albuquerque, New Mexico Arts Playground Fantastico, Napa, CA Awarded by: City of Napa, Napa Valley Arts Council Sunnyvale Older Adults Center, Sunnyvale, CA Awarded by: City of Sunnyvale, CA, Sunnyvale Arts Commission 2001 BART San Bruno Station, San Bruno, CA Awarded by: Bay Area Rapid Transit Authority Sacramento Midtown Parking Garage, Sacramento, CA Awarded by: Sacramento Metropolitan Arts Commission SEPTA Frankford Transportation Center, Philadelphia, PA Awarded by: Philadelphia Arts Commission, Southeastern Pennsylvania Transportation Authority 2000 Charles Schwab Building, San Francisco, CA Awarded by: San Francisco Arts Commission , HOK Architects Hickory Ridge Middle School, Memphis, TN Awarded by: Memphis Arts Council, Memphis City School Board 1999 Recreation & Fitness Center, University of Oregon, Eugene, OR, Awarded by: Oregon Arts Commission, Oregon University System 1998 Mozart Corporation, Mountain View, CA Awarded by: City of Mountain View, Korth, Sunseri, Hagey Architects Widstoe Hall Science Learning Center, Utah State University, Logan, UT Awarded by: Utah Arts Council, Utah State University 1997 Utah Transit Authority Delta Center Station, Salt Lake City, UT

129 Awarded by: Salt Lake City Arts Council, Utah Transit Authority Arts in Transit Program Entertainment Partners, Burbank, CA Awarded by: City of Burbank, Daniel Chudnovsky Architects Skaggs Biology Building, University of Utah, Salt Lake City, U Awarded by: Salt Lake City Arts, University of Utah

SELECTED PRIVATE COMMISSIONS 2014 Provenance Hewitt Vineyards, Rutherford, CA Commissioned by Provenance Hewitt Vineyards Nichols Residence, St. Helena, CA Commissioned by Amy & John Nichols Otton Residence, Napa, CA Commissioned by Nancy & Terry Otton 2013 Congregation Beth Shalom, Napa, CA Commissioned by: Congregation Beth Shalom 2012 Fischer Residence, Napa, CA Commissioned by: Karen & Joe Fischer 2011 St. John the Baptist Catholic Church, Napa, CA Commissioned by: St. John the Baptist Catholic Church 2010 Jacober Residence, New York City, NY Commissioned by: Dana & Joseph Jacober Temple Beth Elohim, Wellesley, MA Commissioned by: Temple Beth Elohim 2010 Vasudevan Residence, Los Altos, CA Commissioned by: R. & Jayashree Vasudevan 2009 Arburg GmbH & Co. KG, Loßburg, Germany Commissioned by: Eugen Hehl, Arburg GmbH & Co. KG 2008 Christal Residence, Carmel by the Sea, CA Commissioned by: Lynda & Tom Christal Warner Residence, San Jose Commissioned by: Laurie & Mike Warner Gotschall Residence, Laguna Beach Commissioned by: Susan & Ed Gotschall Weiss Residence, Big Sur, CA Commissioned by: Jean & Tim Weiss 2006 Taft Residence, Los Altos, CA. Commissioned by: Edward & Pamela Taft Owens Residence, Elmhurst, IL Commissioned by: Gigi Owens The Rock, St. Helena, CA Commissioned by: St. Helena Castle Investments 2005 Devine Residence, Laguna Beach, CA Commissioned by: Leason Pomeroy, L3 Architects Sletten Regional Cancer Institute, Great Falls, MT

130 Commissioned by: Benefis Healthcare Umpqua Bank, Napa, CA Commissioned by: The Gasser Foundation Patin Residence, Irvine, CA Commissioned by: Nicolas Patin 2004 Hospice of Napa Valley, Napa, CA Commissioned by: Hospice of Napa Valley UCSF Parnassus, Mofit-Long Emergency Center, San Francisco, CA Commissioned by University of California San Francisco 2001 Congregation Beth Israel, San Diego, CA Commissioned by: Congregation Beth Israel in conjunction with Austin Veum Robbins & Parshalle 2000 The Glass Forest, TIAA-CREF Corporate Headquarters, Charlotte, NC Commissioned by: TIAA-CREF in conjunction with - Hughes Good O’Leary & Ryan UCSF Comprehensive Cancer Care Center at Mount Zion, San Francisco, CA Commissioned by: University of California at San Francisco Arts for Recovery Program 1999 J Vineyards & Winery, Healdsburg, CA Commissioned by: Judy Jordan in conjunction with Hall & Bartley KPMG, Los Angeles, CA Commissioned by: KPMG in conjunction with BC Art Consultants 1998 Art Hotels Sapporo, Sapporo, Japan Commissioned by: Art Hotels Sapporo in conjunction with Killingsworth, Stricker, Lindgren, Wilson + Assoc. Arch. Jewish Community Center of Long Beach, Long Beach, CA Commissioned by: The Jewish Federation of the Long Beach and Greater Orange County

Civic 5 Red Head 21 Napa 9/11 Memorial 6 Art Walk | Yountville, CA | 2013 Napa, CA | 2013 20’H x 4’W x 4’D | Powder-Coated Steel 23’H x 25’D | Salvaged Steel Beams, Glass Commissioned by the Town of Yountville Commissioned by the City of Napa Infinity Visuals | Photography Gretchen Stranzl McCann | Landscape Architect Infinity Visuals | Photography Corporate + Private Development 23 Globussphäre The Bridge North Texas 10 24 Homeless Assistance Center | Dallas, TX | 2008 Arburg GmbH & Co. KG | Loßburg, Germany | 2009 7 Panels, each 8’6”H x 3’6”W | Glass 16’ DIA | Stainless Steel, Pyrex, Dichroic Glass, Boro-artistic Glass Rods Commissioned by Dallas County Commissioned by Arburg GmbH & Co. KG Overland Partners | Architect Schmelzle + Partner Architekten BDA | Architect Camargo Copeland | Architect Arburg GmbH & Co. KG | Photography Hovis Smith | Photography Applique da Parete 28 Aluminum Yucca 14 535 Mission Street | San Francisco, CA | 2014 Historic Route 66 | Albuquerque, NM | 2003 355 Panels, entire Installation: 140’L x 18’H x 15”D 22’H x 15’W x 15’D Dichroic Glass, Mirrored Glass On Edge, Etched Dichroic Glass, Salvaged Aluminum, Solar Powered LED Lighting Etched Glass Commissioned by New Mexico Arts Commissioned by Boston Properties Gordon Huether, Alexander Albrecht | Photography HOK | Architect Steel Blue LLC | Renderings Salt Palace Convention Center | Interior 16 Rostrum Salt Lake City, UT | 2006 32 12’H x 55’W x 4’D | Salvaged Metal Miramar Village | White Rock, BC, Canada | 2013 Commissioned by Salt Lake City and County 14’W x 14’H x 8’D | Stainless Steel, Locally Sourced Cedar Blocks EDA Architects | Architect Commissioned by Bosa Properties Paul Richer | Photography Miramar Development Company | Developer NSDA Architects | Architect Salt Palace Convention Center | Exterior 17 Sama Jim Canzian | Photography Salt Lake City, UT | 2006 Glass Forest 18’H x 90’W x 3’D | Salvaged Metal, Harlequin Paint 36 Commissioned by Salt Lake City and County TIAA-CREF | Charlotte, NC | 2002 EDA Architects | Architect 15’H x 25’W x 25’D | Steel, Pyrex Tubes, Glass Paul Richer | Photography Commissioned by TIAA-CREF Hughes, Good, O’Leary & Ryan | Landscape Architect Vessel 18 Steve Dolan | Photography Regional San (Sacramento Regional County Sanitation District) The Great Wall Sacramento, CA | 2009 37 14’H x 6’W | Glass BioMarin Pharmaceutical | Novato, CA | 2005 Commissioned by Sacramento Metropolitan Arts Commission 2’H to 6’H x 200’L | Corten Laser-Cut Steel Williams + Paddon | Architect Commissioned by BioMarin Pharmaceutical Misha Bruk | Photography NBBJ | Architect SWA Group | Landscape Architect Waterfall 19 Misha Bruk | Photography Regional San (Sacramento Regional County Sanitation District) Sacramento, CA | 2009 Deloitte & Touche 38 11 Waves, each 13’6”H x 70’W | Acrylic, Stainless Steel Aircraft Cable San Francisco, CA | 1999 Commissioned by Sacramento Metropolitan Arts Commission 8’H x 7’W x 8”D | Glass, Steel Williams & Paddon | Architect Commissioned by Deloitte & Touche Misha Bruk | Photography Misha Bruk | Photography

132 SmithGroup 39 LBJ School of Public Affairs 52 San Francisco, CA | 2005 University of Texas | Austin, TX | 2010 10’H x 8’W | Safety Glass, Collaged, Digital Silk-Screened Image 9’6”H x 16’ W | Thermally Bonded Print & Acid Commissioned by SmithGroup Etch on Tempered Glass with GNA Glass, Patinated Laser-cut Steel SmithGroup | Architect Commissioned by University of Texas at Austin Gordon Huether Studio | Photography Skidmore, Owings & Merrill | Architect Brooks, Barr, Graeber and White | Architect Umpqua Bank 40 Misha Bruk | Photography Napa, CA | 2005 8’H x 18”W x 18”D | Starphire Glass on Edge Portal 53 Commissioned by Umpqua Bank University of Toledo | Toledo, OH | 2013 Wayne Holland | Architect 14’H x 14’W x 4’D | Aluminum, Dichroic Glass Infinity Visuals | Photography Commissioned by the University of Toledo Munger Munger + Associates Architects Inc. | Architect Aha Moment 41 Logan Robertson | Photography Pfluger Architects | Austin, TX | 2014 24’L x 14’H x 7’D | Steel, Paint Hoops 54 Commissioned by Pfluger Architects, Aha Digital Marketing + Creative Oregon State University | Basketball Practice Facility Eric Pohl | Photography Corvallis, OR | 2014 4’1”W x 40’H x 4’1”D | 154 Metal Basketball Hoops Red Eye 42 Commissioned by Oregon’s One Percent for Art In Public Places Program, East Village Parking Garage | Kansas City, MO | 2010 Managed by the Oregon Arts Commission 18’H x 50’W | Laminated GNA Glass, Hand-painted Aluminum, Acrylic HNTB | Architect Commissioned by Kansas City Municipal Art Commission Josh Partee | Photography BNIM | Architect 360 Architecture | Architect Healthcare 57 Misha Bruk | Photography Mountain Range & River of Light 58 John Muir Medical Center | Walnut Creek, CA | 2010 Arena Parking Garage 43 Mountain Range | 90’L x 6’6”’H x 2’D | Corten Steel, Glass Stockton, CA | 2006 River of Light | 190’L x 4’ - 11’W | Integrated Glass Tiles 16’H x 32’W | Toy Cars, Steel Frame Commissioned by John Muir Health Commissioned by the City of Stockton Gates + Associates | Landscape Architect WMB Architects | Architect Misha Bruk | Photography F+H Construction | Design Build Misha Bruk | Photography Light Forest 62 El Camino Hospital | Mountain View, CA | 2010 Retro Woman 44 4’W x 10’H x 25’L | Pyrex Tubes, Laminated Dichroic Fins, 5th Street Parking Garage | Napa, CA | 2008 Mirror Polished Stainless Steel Tubes 19’H x 7’W | High Density Thermoencapsulated Film Photo Print, Commissioned by El Camino Hospital Stainless Steel, Hubcaps KMD Architects | Architect Commissioned by the City of Napa Misha Bruk | Photography RIM Architects | Architect Misha Bruk | Photography Pixel Care 63 El Camino Hospital | Mountain View, CA | 2009 O Wave 45 88 Wall Sculptures, entire Installation: 17’H x 19’W x 10”D Ovation Waterfront Condominiums | St. Petersburg, FL | 2009 Stainless Steel, Dichroic Glass 16’H x 12’W x 4’D | Stainless Steel, Dichroic Glass Commissioned by El Camino Hospital JMC Communities | Developer KMD Architects | Architect Santiesteban & Associates Architects | Architect Misha Bruk | Photography Bob Horn | Photography UCSD Medical Center 64 Education 47 Meditation Room | San Diego, CA | 1992 Lady Bird Mural 48 10’H x 15’W | Glass with Sculpted Lead LBJ Presidential Library | Austin, TX | 2011 Commissioned by the University of California, San Diego 9’8”H x 62’6”W | 16 Panels, each 10’H x 4’W Carmen Farnum Igonda | Design Thermally Bonded Print, Acid Etch on Glass, Fused Glass Flowers KMD Architects | Architect Commissioned by University of Texas at Austin Misha Bruk | Photography Skidmore, Owings & Merrill | Architect Brooks, Barr, Graeber and White | Architect Misha Bruk | Photography

133 UCSF Mount Zion | Comprehensive Cancer Center 65 Glass, Dichroic Glass, LED Lighting Quiet Room | San Francisco, CA | 2001 Commissioned by Lynda & Tom Christal Medallion – 5’6”DIA | Glass, Steel Overland Partners | Architect Commissioned by the University of California, San Francisco Misha Bruk | Photography SmithGroup | Architect Misha Bruk | Photography Private Residence 80 Suspended Sculpture | Los Altos, CA | 2010 Sletten Cancer Institute 66 40 Strands, entire Installation: 14’H x 8’6”D Great Falls, MT | 2006 Art Glass Bubbles, Dichroic Glass, Stainless Steel 1 Panel, 6’H x 2’W | 1 Panel, 10’H x 4’W | Glass Commissioned by a Private Client Commissioned by Benefis Healthcare Gordon Huether Studio | Photography NTD Stichler | Architect JK Lawrence Photography | Photography Stix & Stones 81 Private Residence | Stairwell Sculpture | St. Helena, CA | 2006 St. Joseph’s Hospital and Medical Center 67 30’H x 3’D | Glass Rods, Dichroic Glass Meditation Room + Rotunda | Phoenix, AZ | 2006 Commissioned by Kathy Smith, Castle Trove Inc. Meditation Wall | 8’H X 6’W | Glass, Dichroic Glass, Steel Samonsky + Pometta | Architect Stations of Cross | 4”H x 4”W | Glass, Dichroic Glass Misha Bruk | Photography 3 Rotundas | Each 10’H x 24’W | Glass Commissioned by Catholic Healthcare West Private Residence 82 Perkins + Will | Architect Office Glass Sliding Door | Napa, CA | 2012 Mark Delasso | Photography 4’7”W x 6’9”H | Glass Commissioned by Karen & Joe Fischer Hospitality 69 Juan Carlos Fernandez | Remodel Architect Lichtregen 70 April Powers | Interior Design Archer Hotel | New York, NY | 2014 Adrián Gregorutti | Photography 2 Panels, each 3’5”W x 4’D x 3’ - 4’L Dichronized Acrylic, Acrylic Rods Private Residence 83 Commissioned by Lodgeworks Glass Front Door | San Jose, CA | 2008 Glen & Company | Interior Designer 85”H x 70”W | Glass Alex Hayden | Photography Commissioned by Laurie & Mike Warner James G. Stavoy | Architect Bundled Stix 71 Misha Bruk | Photography Sugar House Casino | Philadelphia, PA | 2010 6 Bundles, each 8’L x 18”W x 20”H | Acrylic Rods, Dichroic Acrylic, Spiritual 85 Hot Rolled Patinated Steel The Twelve Tribes of Israel 86 Commissioned by Floss Barber Inc. in conjunction with Congregation Beth Shalom of Napa Valley | Napa, CA | 2014 Sugar House Casino 12 Windows, each 3’2”W x 3’7”H Floss Barber Inc. | Interior Designer Fused Glass, Laminated Glass Misha Bruk | Photography Commissioned by Congregation Beth Shalom Paul Kelly Architect | Architect J Vineyards & Winery 72 Frank Deras Jr. | Photography Healdsburg, CA | 1999 18’H x 24’W | Steel, Glass on Edge, Fiber Optics Parish Church St. Laurentius 88 Commissioned by Judy Jordan Bobenheim-Roxheim, Germany | 2013 Hall & Bartley Architects | Architect 5 Panels, 6’W x 12’H each Misha Bruk | Photography Sandblasted Glass, Dichroic Glass, Hand Crafted Brass Elements Commissioned by Bistum Speyer, Episcopalian Building Authority Artesa Vineyards & Winery 73 Ludwig Becker | Architect Fountain | Napa, CA | 1999 Leo Ohl | Remodeling Architect 6 Sculptures, each 7’H | Cast Resin, Aluminum Composite Sebastian Willeke | Photography Commissioned by The Raventos Family Domingo Triay | Architect Radiant Cross 89 Adrián Gregorutti, Artesa | Photography St. John The Baptist Catholic Church | Napa, CA | 2012 30‘H x 16’W x 2’3“D | Glass Commissioned by St. John the Baptist Catholic Church Residential 75 Aesthetics in Architecture – Wayne Waechtler | Architect Private Residence 76 Infinity Visuals | Photography Foyer Glass Screen, Outdoor Wall, Living Room Glass Installation & Bathroom Glass Installations | Carmel by the Sea, CA | 2009

134 Jewish Community Center 90 Gotta Go! 112 Long Beach, CA | 1999 Jacksonville International Airport | Jacksonville, FL | 2008 10’H x 10’W x 2”D | Glass 2 Murals, each 35’H x 35’W | Digital Print, Dichroic Glass Commissioned by the Long Beach Jewish Community Center Commissioned by Jacksonville International Airport Arts Commission VCBO Architecture | Architect RSH Architects | Architect Misha Bruk | Photography Misha Bruk | Photography

The Tree of Life 91 San Bruno BART Station 114 Congregational Church of San Mateo | San Mateo, CA | 2013 San Bruno, CA | 2002 5 Chancel Windows, each 2’W x 10’H | Glass 2 Murals, each 15’H x 15’W | Glass Commissioned by the Congregational Church of San Mateo Commissioned by Bay Area Rapid Transit (BART) Architectural Resources Group, Inc. | Architect Greg Roja & Associates | Architect Infinity Visuals | Photography HNTB | Architect Misha Bruk | Photography Lafayette Orinda Presbyterian Church (LOPC) 92 Lafayette, CA | 2009 South Eastern Pennsylvania Transit Authority (SEPTA) 115 17’H x 5’2”W | Glass, Steel Frankford Transportation Center | Philadelphia, PA | 2001 Commissioned by LOPC 6 Towers, each 22’ Tall | Stainless Steel, Glass HKIT Architects | Architect Commissioned by SEPTA in conjunction with the Misha Bruk | Photography Philadelphia Art Commission Synterra, Ltd. | Reconstruction Architect Diocese of Santa Rosa 93 Jenny Lynn | Photography Santa Rosa, CA | 1998 6’3”H x 2’6”W | Glass Fine Art 117 Commissioned by the Diocese of Santa Rosa Gordon Huether Gallery 118 Gordon Huether Studio | Photography Adrián Gregorutti | Photography

Transportation 95 Celadon Series | 2010 | 17”W x 28”H x 4”D each 118 Highwire Travelers 96 Salvaged Wood, Dichroic Glass, Photo Transfer on Glass Raleigh-Durham International Airport | Terminal 1, Baggage Claim Adrián Gregorutti | Photography Morrisville, NC | 2014 Figures heights range between 5’2” and 6’2” Big Boy, Metal Meddle Series 119 Stainless Steel, High-density Foam, Polyurethane Plastic, Latex Paint 2012 | 11.5’W x 38”H x 3”D Commissioned by the Raleigh-Durham Airport Authority Salvaged Metal, Glass Lenses Clark Nexsen | Architect Adrián Gregorutti | Photography Sterling E. Stevens | Photography Last Call 4|5, Last Call Series 119 The Canyon 100 2012 | 59”W x 26”H x 3”D Salt Lake City International Airport TRAX Station Salvaged Steel, Fused Glass, Fused Glass Salt Lake City, UT | 2012 Joey Colombo | Photography 96’L x 3’ - 8’H | Powder-Coated Steel Commissioned by the Utah Transit Authority Gordon Huether Gallery 120 FKKR Architects | Architect Adrián Gregorutti | Photography Michael Skarsten | Photography Popular Science Series | 2014 |12”W x 12”H x 3.25”D 120 Over Houston 104 Salvaged Materials, Shellac William P. Hobby Airport | Houston, TX | 2009 Adrián Gregorutti, Christina Rosenberger | Photography 11’H x 120’W (24 Panels, 8’H x 5’W; 24 Panels, 3’H x 5’W) | Glass Commissioned by the Houston Airport System Gordon Huether Studio 121 Lockwood, Andrews & Newman | Architect Adrián Gregorutti | Photography Misha Bruk | Photography Magic Lanterns | 2009 | 13’9”W x 2’7”H x 5’D 121 A-Round Oakland 108 Hand-Colored Glass Slides, Fresnel Lenses, Acrylic Coliseum BART Station | Oakland, CA | 2014 Adrián Gregorutti | Photography 50 Fused Glass Discs, 18” - 36” DIA Commissioned by Bay Area Rapid Transit (BART) About The Artist 122 ED2 International | Architect Ed Anderson, Christina Rosenberger | Photography Adrián Gregorutti | Photography About The Team + The Studio 123 Misha Bruk | Photography

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1821 Monticello Road Napa, CA 94558 707.255.5954 gordonhuether.com