A New Beginning for the New World
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Friday Hindu Story
Lord Brahma Brahma is the creator of the universe and all knowledge. He is the first god in the Hindu Trimurti (three gods who are responsible for the creation, preservation and destruction of the world). Brahma grew inside a lotus from the navel of a sleeping Vishnu. He has 4 heads and has the goddess Saraswati as a companion. Brahma is sometimes depicted with a beard. Lord Vishnu Vishnu is the Hindu god who preserves the universe and people. He is the second god in the Hindu Trimurti. Hindus believe that he has saved his followers by appearing to them in other forms. Vishnu has four arms to represent the four corners of the world. Lord Shiva Shiva is the destroyer of the universe so that new life can come again. He restores the balance between good and evil. He is the third god in the Hindu Trimurti. Ganesh Ganesh is the elephant-headed god and the Lord of all living things. He is the god who helps people overcome their problems by granting them wisdom and strength. It is said that the god Shiva cut off his original head and restored him to life by giving him the head of an elephant. Lakshmi Lakshmi is the wife of Vishnu and travels on a lotus flower. She is the goddess of wealth and success. Sita Sita is actually an incarnation of the goddess Lakshmi. She is a beautiful, loyal wife and a role model for Hindu women. Rama Rama is the ‘perfect’ avatar of Vishnu. He is a symbol of chivalry and virtue. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
Devotional Practices (Part -1)
Devotional Practices (Part -1) Hare Krishna Sunday School International Society for Krishna Consciousness Founder Acarya : His Divine Grace AC. Bhaktivedanta Swami Prabhupada Price : $4 Name _ Class _ Devotional Practices ( Part - 1) Compiled By : Tapasvini devi dasi Vasantaranjani devi dasi Vishnu das Art Work By: Mahahari das & Jay Baldeva das Hare Krishna Sunday School , , ,-:: . :', . • '> ,'';- ',' "j",.v'. "'.~~ " ""'... ,. A." \'" , ."" ~ .. This book is dedicated to His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, the founder acarya ofthe Hare Krishna Movement. He taught /IS how to perform pure devotional service unto the lotus feet of Sri Sri Radha & Krishna. Contents Lesson Page No. l. Chanting Hare Krishna 1 2. Wearing Tilak 13 3. Vaisnava Dress and Appearance 28 4. Deity Worship 32 5. Offering Arati 41 6. Offering Obeisances 46 Lesson 1 Chanting Hare Krishna A. Introduction Lord Caitanya Mahaprabhu, an incarnation ofKrishna who appeared 500 years ago, taught the easiest method for self-realization - chanting the Hare Krishna Maha-mantra. Hare Krishna Hare Krishna '. Krishna Krishna Hare Hare Hare Rama Hare Rams Rams Rama Hare Hare if' ,. These sixteen words make up the Maha-mantra. Maha means "great." Mantra means "a sound vibration that relieves the mind of all anxieties". We chant this mantra every day, but why? B. Chanting is the recommended process for this age. As you know, there are four different ages: Satya-yuga, Treta-yuga, Dvapara-yuga and Kali-yuga. People in Satya yuga lived for almost 100,000 years whereas in Kali-yuga they live for 100 years at best. In each age there is a different process for self realization or understanding God . -
Single Footed Deities: Glimpses from Art and Literature
Single Footed Deities: Glimpses from Art and Literature Prachi Virag Sontakke1 1. Arya Mahila P.G. College, Varanasi, Uttar Pradesh, India (Email: prachi.kushwaha @gmail.com) Received: 28 June 2015; Accepted: 03 August 2015; Revised: 10 September 2015 Heritage: Journal of Multidisciplinary Studies in Archaeology 3 (2015): 608‐617 Abstract: Deities of religious pantheon are divine and hence they are attributed divine forms. The divinity of Gods is further glorified by conceiving their appearance as super natural. That is why we find Gods and Goddesses with multiple arms, heads and even limbs. These traits assert the power, superiority and divinity of deities before man. It is therefore very interesting to note that there is one such deity who is defined in literature and sculptural examples as having a single foot. Current paper is an attempt to understand the concept of emergence and development of this very single footed deity in India. In course of aforesaid trail, issues relating to antiquity of such a tradition, nomenclature of such deity, its identification with different Gods, respective iconography are also dealt with. Keywords: Ekpada, Antiquity, Art, Literature, Identification, Iconography, Chronology Introduction Iconography, though meant for art, is actually a science. Every aspect an icon is not only well defined but also well justified according to the iconographic principles laid down in the texts. When it came to sculpture making, artist’s freedom of portrayal and experimentation was rather limited. But this did not account for the lack of creativity and imagination in ancient Indian art. We have many examples where unrealistic depictions/forms were included in an icon to highlight the divine, supreme and all powerful aspect of deity and to make it different from ordinary humans. -
HINDU GODS and GODDESSES 1. BRAHMA the First Deity of The
HINDU GODS AND GODDESSES 1. BRAHMA The first deity of the Hindu trinity, Lord Brahma is considered to be the god of Creation, including the cosmos and all of its beings. Brahma also symbolizes the mind and intellect since he is the source of all knowledge necessary for the universe. Typically you’ll find Brahma depicted with four faces, which symbolize the completeness of his knowledge, as well as four hands that each represent an aspect of the human personality (mind, intellect, ego and consciousness). 2. VISHNU The second deity of the Hindu trinity, Vishnu is the Preserver (of life). He is believed to sustain life through his adherence to principle, order, righteousness and truth. He also encourages his devotees to show kindness and compassion to all creatures. Vishnu is typically depicted with four arms to represent his omnipotence and omnipresence. It is also common to see Vishnu seated upon a coiled snake, symbolizing the ability to remain at peace in the face of fear or worry. 3. SHIVA The final deity of the Hindu trinity is Shiva, also known as the Destroyer. He is said to protect his followers from greed, lust and anger, as well as the illusion and ignorance that stand in the way of divine enlightenment. However, he is also considered to be responsible for death, destroying in order to bring rebirth and new life. Shiva is often depicted with a serpent around his neck, which represents Kundalini, or life energy. 4. GANESHA One of the most prevalent and best-known deities is Ganesha, easily recognized by his elephant head. -
The Deities of New Vrindaban
The Deities of New Vrindaban Aaron Boyd, Maggie Dorsten, Lauren Spartano, and Stephanie Villaire 1 Deity Worship in the Hare Krishna Faith Hare Krishna devotees make the distinction that they perform Deity worship and not idol worship. Madhudvisa dasa, a member of the New Vrindaban community, explains, “It is Krishna on the altar, not a stone statue or an idol. But unless our eyes are purified we can’t see Krishna, we think he is a statue…but he is Krishna. We worship Krishna, not a ‘form of Krishna’ or a ‘statue of Krishna’.” In other words, Krishna is so spiritual that He cannot be seen with the senses. Therefore, Krishna agrees to appear in the form of a Deity so that devotees can worship and make offerings to Him. More specifically, each day, the devotees cook seven meals for Krishna, bathe and dress Him, and chant and sing songs for Him. Deity Construction No hard and fast rules exist to govern the type of material from which the Deities must be constructed. A Deity (also known as a “murti”) can be made out of any type of material because devotees believe that Krishna can appear in any form. According to Madhudvisa dasa, “The Deity is made by a devotee, but the devotee doesn’t try to ‘make’ Krishna. He prays for Krishna to appear in the form of the Deity.” Installing Deities The question of whether or not to open a Hare Krishna center must be considered carefully before actions are taken. Once a Hare Krishna temple is installed, it is impossible to un-install the Deities within it. -
The Emergence of Gaudiya Vaishnavism in Manipur and Its Impact on Nat Sankirtana
ISSN (Online): 2350-0530 International Journal of Research -GRANTHAALAYAH ISSN (Print): 2394-3629 July 2020, Vol 8(07), 130 – 136 DOI: https://doi.org/10.29121/granthaalayah.v8.i7.2020.620 THE EMERGENCE OF GAUDIYA VAISHNAVISM IN MANIPUR AND ITS IMPACT ON NAT SANKIRTANA Subhendu Manna *1 *1 Guest Assistant Professor, Rajiv Gandhi University DOI: https://doi.org/10.29121/granthaalayah.v8.i7.2020.620 Article Type: Research Article ABSTRACT The Gaudiya Vaishnavism that emerged with Shri Chaitanya in the Article Citation: Subhendu Manna. fifteenth century continued even after his passing in the hands of his (2020). THE EMERGENCE OF disciples and spread to far-away Manipur. Bhagyachandra – the King of GAUDIYA VAISHNAVISM IN Manipur along with his daughter Bimbabati Devi, visited Nabadwip and MANIPUR AND ITS IMPACT ON NAT SANKIRTANA. International Journal established a temple to Lord Govinda which stands till today in the village of Research -GRANTHAALAYAH, called Manipuri in Nabadwip. Therefore, the strand of Bengal’s Gaudiya 8( ), 130-136. Vaishnavism that Bhagyachandra brought to Manipur continues to flow https://doi.org/10.29121/granthaa through the cultural life of the Manipuri people even today, a prime layah.v8.i7 7.2020.620 example of which is Nat Sankirtana. The influence of Gaudiya Vaishnavism on Nat Sankirtana is unparalleled. Received Date: 02 July 2020 Accepted Date: 27 July 2020 Keywords: Nat Sankirtana Pung Gaudiya Vaishnavism 1. INTRODUCTION The state of Manipur, in the North-Eastern region of India, currently occupies an area of 22,327 square Nagaland, at its south Mizoram. Assam is to its west and Myanmar is to the east. -
Is the Gaudiya Vaishnava Sampradaya Connected to the Madhva Line?
Is the Gaudiya Vaishnava sampradaya connected to the Madhva line? Is the Gaudiya Vaishnava sampradaya connected to the Madhva line? – Jagadananda Das – The relationship of the Madhva-sampradaya to the Gaudiya Vaishnavas is one that has been sensitive for more than 200 years. Not only did it rear its head in the time of Baladeva Vidyabhushan, when the legitimacy of the Gaudiyas was challenged in Jaipur, but repeatedly since then. Bhaktivinoda Thakur wrote in his 1892 work Mahaprabhura siksha that those who reject this connection are “the greatest enemies of Sri Krishna Chaitanya’s family of followers.” In subsequent years, nearly every scholar of Bengal Vaishnavism has cast his doubts on this connection including S. K. De, Surendranath Dasgupta, Sundarananda Vidyavinoda, Friedhelm Hardy and others. The degree to which these various authors reject this connection is different. According to Gaudiya tradition, Madhavendra Puri appeared in the 14th century. He was a guru of the Brahma or Madhva-sampradaya, one of the four (Brahma, Sri, Rudra and Sanaka) legitimate Vaishnava lineages of the Kali Yuga. Madhavendra’s disciple Isvara Puri took Sri Krishna Chaitanya as his disciple. The followers of Sri Chaitanya are thus members of the Madhva line. The authoritative sources for this identification with the Madhva lineage are principally four: Kavi Karnapura’s Gaura-ganoddesa-dipika (1576), the writings of Gopala Guru Goswami from around the same time, Baladeva’s Prameya-ratnavali from the late 18th century, and anothe late 18th century work, Narahari’s -
Hinduism Summary Key Words
Hinduism Summary Key Words Hindu Someone who follows Hinduism. Hinduism is the oldest of the world’s religions. It is now practised all over the world but originated in South East Asia. It is a mix of different Brahman Hindus recognise one God, Brahman. The other Gods of Hinduism are different aspects of Brahman (The universal supreme God) beliefs, cultures and traditions dating back over 4000 years. Hindus Vishnu Hindu god who protects the universe. recognise one God, Brahman. The gods of Hinduism are different aspects Brahma Hindu god of creation. of Brahman. The main three aspects (Trimurti) are Vishnu, Brahma and Shiva. The three great goddesses (Tridevi) are Saraswati, Lakshmi and Shiva Hindu god of destruction and regeneration Shakti. Hindus can pray to different gods and goddesses for help with Trimurti The three aspects of the universal supreme God. (Vishnu, Brahma and Shiva) All of which can be represented in male or female forms. different needs. There are over 1.1 billion Hindus in the world today. mandir A special place for Hindus to worship. Avatars of the three main aspects of Brahman puja Act of worship for Hindus. murtis Special statues or images of Hindu gods and goddesses. Brahma Shiva Vishnu shrine A holy place to pray. (the creator) (the protector) (the destroyer of evil) Shruti Hindu holy scriptures which contain the four Vedas. Smriti Hindu holy scriptures which contain legends, myths and history. Vedas Ancient Hindu text. Avatar In Hinduism, this usually refers to an incarnation of God or His aspects, either as a man or even an animal or some mythical creature. -
Painting Reckoner Session: 2020-21
SALWAN PUBLIC SCHOOL MAYUR VIHAR PAINTING RECKONER SESSION: 2020-21 NAME: CLASS: XI SECTION: Preface The course in Painting at Senior Secondary stage as an elective subject is aimed to develop aesthetic sense of the students through the understanding of various important well known aspects and modes of visual art expression in India’s rich cultural heritage from the period of Indus valley to the present time. It also encompasses practical exercises in drawing and painting to develop their mental faculties of observation, imagination, creation and physical skills required for its expressions. The Ready Reckoner for Class XI has been prepared in conformity with the National Curriculum Framework and latest CBSE syllabus and pattern. We believe, this text will make apparent the content and scope of the Subject and provide the foundation for further learning. With necessary assignments within each part, chapters are devoted to the subtopics, and the assignments are designed according to the lower and higher order thinking skills. Chapter- opening summary is intended to capture the reader's interest in preparation for the subject matter that follows. In short, every effort has been made to gain and retain student attention— the essential first step in the learning process. INDEX 1. Objectives 2. Important Art Terminologies 3. Syllabus and Division of Marks 4. Prehistoric Rock Paintings 5. Indus Valley Civilization 6. Mauryan Period 7. Art of Ajanta 8. Temple Architecture 9. Bronze Sculptures 10. Some Aspects of Indo-Islamic Architecture 11. Sample Papers Objectives A) Theory (History of Indian Art) The objective of including the history of Indian Art for the students is to familiarize them with the various styles and modes of art expressions from different parts of India. -
Theosophist V32 Index
THE THEOSOPHIST A MAGAZINE OF Brotherhood, Oriental Philosophy, Art. Literature and Occultism EDITED BY ... f \\ . p. ANNIE BESANT, t. s. "v v- Vol. XXXII PART 1. October 1910 to March 1911 PUBLISHED BY THE THEOSOPHIST OFFICE ADYAB, MADRAS, [NDIA 1911 Generated for Dannu Hutwohl (University of New Mexico) on 2016-01-07 00:14 GMT / http://hdl.handle.net/2027/nyp.33433087382424 Public Domain in the United States, Google-digitized / http://www.hathitrust.org/access_use#pd-us-google THE NEW YORK PUBLIC, LIBRARY , f M A8TOR, LENOX ANO T1LOEN FOUNDATIONS. R 1911 L Generated for Dannu Hutwohl (University of New Mexico) on 2016-01-07 00:14 GMT / http://hdl.handle.net/2027/nyp.33433087382424 Public Domain in the United States, Google-digitized / http://www.hathitrust.org/access_use#pd-us-google INDEX PAGE Activity, Desire and Color, by D. Van Hinloopen Labberton ... ... ... ... ... 962 Ancient Indian Medicine, by K. Narayanasvami Iyer ... ... ... ... ... ... 65 Astrological Symbolism and the Sacred Word, by H. E. M. M. 227 A Theosophist : His Relation to Himself and to Others, by William M. Thompson ... ... 898 Baz Bahadur and Rupmati, by Dr. A. K. Coomara- 8v5mi ... ... ... ... ... 450 Brotherhood of Friends, The, by Baij Nath Singh ... 909 Brotherhood of Religions, The, by Annie Besant ... ... 19, 185, 327, 481, 72 J, Centres of Magnetism, by C. W. Leadbeater ... './..'.. /931 Chantecler as a Mystic Play, by Jean Delaire . .. .678, ' Contemporaries, Onr, by B. P. W. ... -...1^0,-4^5.--_: ' ' Cross of Calvary, The, by Eva Blytt ... , .:.;'.. jfljQ?/' ' Doctor Indeed, A, by Elisabeth Severs ... ..''»'»..'. 686 ' Doctrine of the Great Self in Western Philosophy, \..' by H.