Textiles USA : a Selection of Contemporary American Textiles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
News Release Design Consultants
POULIN + MORRIS News Release Design Consultants Richard Poulin Authors Graphic Design and Architecture: A 20th-Century History Contact: Pamela Wong, Marketing Manager As James Stewart Polshek, FAIA states in one 212.675.1332, x: 110 GRAPHIC of the book's two forwards, this volume is [email protected] DESIGN “mandatory reading for every graphic designer and architect, as well as all those that aspire ARCHITECTURE to these two professions, and most importantly A 20TH-CENTURY HISTORY for all who are concerned with the humanizing possibilities inherent in the visual arts." A GUIUIDDE TO TYPEYPE, IMIMAGEE,, SYMBOYMBOLL, AND VISVISUAL STORYTTELELLINGING IINN THHEE MMODODERERNN WORORLD RICHARD POULIN New York, New York, October 2012: For centuries, the intimate relationship between graphic design and architecture has shaped not only cities and their structures but also the lives of their inhabitants. Graphic Design and Architecture: A 20th-Century History is the first historical overview which examines this unique marriage of graphic design and architecture in the context of artistic, social, and cultural movements and influences of the twentieth century. The built environment that we experience everyday integrates graphic design that communicates information and identity, shapes our perceptions and memories of our sense of place, and enriches and humanizes our lives. Graphic Design and Architecture: A 20th-Century History is a compre- hensive reference of visual and narrative material that illustrates and evaluates this unique history which author Richard Poulin hopes that by reflecting on it, we can derive inspiration and insight for the future. About the Author Richard Poulin is cofounder, design director, and principal of Poulin + Morris Inc., an internationally recognized, multidisciplinary design consultancy located in New York City. -
Design by the Yard; Textile Printing from 800 to 1956
INSTITUTION NOIiniliSNI_NVINOSHilWS S3 I a Vy a n_LI BRAR I ES SMITHS0N1AN_INSTITIJ S3iyvMan libraries Smithsonian institution NoiiniiiSNi nvinoshiiws S3iyv S3iyvaan libraries Smithsonian institution NoiiniiJ-SNi nvinoshiiws saiav l"'lNSTITUTION^NOIinillSNl"'NVINOSHiIWS S3 I MVy 8 ll'^LI B RAR I ES SMITHSONIAN INSTITI r- Z r- > Z r- z J_ ^__ "LIBRARIES Smithsonian institution NoiiniiiSNi nvinoshiiws S3IMV rs3 1 yvy an '5/ o ^INSTITUTION N0IiniliSNI_NVIN0SHilWS"S3 I H VM 8 IT^^LI B RAR I ES SMITHSONIANJNSTITl rS3iyvyan"LIBRARIES SMITHSONIAN^INSTITUTION NOIiniliSNI NVINOSHIIWS S3iav ^"institution NOIiniliSNI NviNOSHiiws S3iyvaan libraries Smithsonian instit 9'^S3iyvaan^LIBRARIEs'^SMITHS0NlAN INSTITUTION NOIifliliSNI NVINOSHilWs'^Sa ia\i IVA5>!> W MITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS S3ldVyan LI B R AR I ES SMITHSONI; Z > </> Z M Z ••, ^ ^ IVINOSHilWs'^S3iaVaan2LIBRARIES"'SMITHSONlAN2lNSTITUTION NOIiniliSNI_NVINOSHill JMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS S3IMVHan LIBRARIES SMITHSONI jviNOSHiiws S3iavaan libraries Smithsonian institution NoiifiiiiSNi nvinoshii I ES SMITHSONI MITHSONIAN INSTITUTION NOIifliliSNI NVIN0SHilWS"'S3 I ava a n~LI B RAR < |pc 351 r; iJt ^11 < V JVIN0SHilWS^S3iavaan~'LIBRARIES^SMITHS0NIAN"'lNSTITUTI0N NOIiniliSNI^NVINOSHil — w ^ M := "' JMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS S3iavaan LI B RAR I ES SMITHSONI ^^ Q X ' "^ — -«^ <n - ^ tn Z CO wiNOSHiiws S3iavaan libraries Smithsonian institution NoiiniiiSNi_NviNOSHii _l Z _l 2 -• ^ SMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS SSiavaail LIBRARIES SMITHSON NVINOSHilWS S3iavaan libraries Smithsonian institution NoiiniiisNi nvinoshi t'' 2 .... W 2 v^- Z <^^^x E . ^ ^-^ /Si«w*t DESIGN BY THE YARD TEXTILE PRINTING FROM 800 TO 1956 THE COOPER UNION MUSEUM FOR THE ARTS OF DECORATION NEW YORK ACKNOWLEDGMENT In assembling material for the exhibition, the Museum has received most helpful suggestions and information from the following, to whom are given most grateful thanks: Norman Berkowitz John A. -
Selected "Rovana" (Saran), "Verel" (Modacrylic)
AN ABSTRACT OF THE THESIS OF Clothing, Textiles Susan Houston Fortune for the . M. S. in and Related Arts (Name) (Degree) (Major) Date thesis is presented 1174,y, //, j76_1-- Title SELECTED "ROVANA" (SARAN), "VEREL" (MODACRYLIC), AND RAYON BLEND DRAPERY FABRICS EVALUATED BY LABORATORY TESTS FOR RESISTANCE TO LIGHT, LAUN- DERING, ABRASION, STRESS AND FIRE Abstract approved (Major professor Thirteen fabrics containing "Rovana" (saran), "Verel" (mod - acrylic), and rayon were examined for colorfastness to light and laun- dering, shrinkage, tensile strength, elongation, abrasion -resistance and flammability. The fabrics represented three weaves: plain, twill and leno; and three colors: white, eggshell and turquoise. The fiber contents, according to the manufacturers, varied from 20 per- cent "Rovana ", 56 percent "Verel" and 24 percent rayon to 49. 3 "Rovana ", 30. 5 percent "Verel" and 20. 2 percent rayon. Chemical analysis revealed that all of the fabrics varied from the manufacturers' stated fiber contents. A Fade -Ometer was used to test for colorfastness to light. Although no fading was visible to the eye, the plain weave fabrics of high "Rovana" content showed the greatest color change according to a Gardner Color Difference Meter. White fabrics and broken twill weave fabrics were modified also. Washing had little effect on the colors. Shrinkage was most pronounced in the filling direction and was due chiefly to laundering. Fabrics fabricated in a broken twill weave of approximately 30 percent "Rovana" exhibited slightly more shrink- age than the four percent allowance recommended by the American Hotel Association. The remaining fabrics shrank only approximately one percent. Fabrics appeared to be most affected by 63. -
Curtains and Draperies
Extension Bulletin 264 June 1951 BULLErJN HU()fvt liBRARY, Uf\WERC:ITY Fi>.P.M Selecting and Making CURTAINS AND DRAPERIES planning ideas buying guides construction aids Jfelen Jf. )Uatfteis WitcH Vou Select eurtnifiS and Vraperies ODAY'S homemaker has a world of new ideas and new prod T ucts to choose from when she plans window treatments for her home. She finds tremendous stress placed on the number, size, shape, and placement of windows in rooms in order that they may serve a number of purposes. Among these are, of course, the basic functions of windows-light, air, and vision. In addition windows often are the focal point, or gathering place for people in a room. All these points must be considered when planning windows and window decor. Whatever your light, air, vision, or by the store display of suggested room activity problems, remember that good settings. window treatment will be restful, it In addition, successful shopping calls will harmonize with the room, and lend for accurate information about your ·distinction to the furnishings used room requirements. You supply this by there. This means that good window carrying with you a sketch of your treatment will take its place as a sat room, preferably with wall and floor isfying part of the room furnishings and space indicated in %-inch scale. will also allow flowers, books,' works Salespeople count on this when they of art, and hobby interests of the family prepare merchandise for your selec to accent the character of furnishings tion. They must know about the archi in the room. -
Cora Ginsburg Catalogue 2015
CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest. -
House Dresses
L'iJA1 HJ - r a ,iwfw; . t. ,. mmmmmmmtms ' i ,1 ""."' . .,1.., j rtriiMn lis .u'.. 77ie Stere C7e5 Mjm .isriwww V7'v.tiiiz T Daily at 5 k M. Extra Trousers, $9.75 CLOTHIER double anniversary price. Smi STRAWBR1DGE & Werth this w will be the first day of our summer Suits of fine-twi- ll serge, with two pairs of roey shopping schedule. Beginning And until further notice the Stere will open at 9.00 M. and will close 6 P. M. dally. Sale A. at Anniversary years special at $1.25. H Incidentally the morning hours are the best Strawbrldee fc Clothier Second Floer, Filbert Street, Eatt K for' shopping, as they are the coolest. Thursday i: Announcements for Tomorrow w MBM m ' ' New Summer Frecks Much Wi These Wonder-Value-s in Women's. Coats and Capes Under Price in the Sale Canten Crepe Frecks, $32.50 Draped, plaited and straight-lin- e models, $15.00 $18.00 beaded and embroidered. Navy blue, black, Serges and wool veleurs. Tan Belivia weaves, wool veleurs beaver, gray, rust and white. and medium blue in Coats; tan, and tan cloaking, in loose-lin- e navy blue and black in Capes. Ceat3.. Capes of wool velour Fine Cotten Frecks, $17.50 Beautifully tailored and lined and twills nearly all lined Embroidered Dotted Swiss in navy blue, throughout. throughout. Copenhagen blue, brown, orchid and green. Im- 3& Strawbrldte Clothier Second Floer. Centre ported ginghams in blue, red, green and orchid trimmed in white. Dimities and Ginghams, $15 Dimity and fine ginghams, in tangerine, black, Misses' Dresses Under Price lavender and green. -
Washington, Dc
WASHINGTON, DC BENEFITING CHILDREN'S NATIONAL MEDICAL CENTER Presented by October 1–30, 2016 Washington, DC DCDesignHouse.com EXCLUSIVE DESIGN | SOLID TEAK CONSTRUCTION | LASTING QUALITY Experience the Quality First Hand VISIT OUR SHOWROOM IN GAITHERSBURG, MARYLAND ™ 301.926.9195 www.CountryCasualTeak.com Creating spaces you will love… traditional, modern or somewhere in between.sm Visit ahouckdesigns.com and discover a style that speaks to you. Be inspired today. Andrea Houck, Associate ASID, IFDA | Specializing in Residential Interior Design ahouckdesigns.com | Arlington, Virginia | 703.237.2111 lifestyle boutique Beltway Bethesda-Chevy Chase Landscape Design|Build Center 7405 River Road Bethesda, MD 5258 River Road Bethesda, MD 7405 River Road Bethesda, MD 301.469.7690 301.656.3311 301.762.6301 americanplant.net Congratulations Closets By Design. Recognized as HOME & DESIGN 2016 Designers Choice Award Favorite Custom Closet Company Bob Narod, Photography, LLC Photography, Bob Narod, Custom Closets, Garage Cabinets, Home Offices and more... 703-330-8382 301-880-0866 www.closetsbydesign.com Licensed and Insured 2009 © All Rights Reserved. Closets by Design, Inc. W ASHIN GTON , DC D E S IGN HOUSE 2016 TABLE OF CONTENTS Page 36/Area 1 Page 47/Area 12 FRONT GARDEN & LOFT PORCH Melanie Hansen, D. Blake Dunlevy Steve Corbeille & Gina Palmer & Pooja Bhagia Mittra D & A Dunlevy Yardstick Interiors Landscapers, Inc. Page 48/Area 13 Page 37/Area 2 VINTAGE CABANA/ ENTRY HALL, HALL, ROOF DECK BACK STAIR HALL Quintece Hill-Mattauszek Eve Fay Studio Q Designs Farrow & Ball Page 49/Area 14 Page 38/Area 3 CHIC RETREAT 31 18 DINING ROOM Barbara Brown Jonathan Senner Barbara Brown Interiors Atelier Jonathan Senner Page 50/Area 15 32 14 Page 39/Area 4 CHIC RETREAT – CHINA PANTRY DRESSING ROOM & Nadia N. -
Custom Digital Print
Digital Print Custom Capabilities What Will You Design? From digitally printed wallcovering, upholstery, 1. CHOOSE A DESIGN drapery and panel fabrics, our Digital Print Have an original design you want to see come to life? We can Custom Capabilities program has you covered. help make it a reality. Need some inspiration? Many of our KnollTextiles patterns can be translated to digital print designs Create truly one-of-a-kind textiles, combining for different applications or we can create a unique, ground-up modern technology with artful design, with our design for you. simple and cost-effective process. 2. SELECT A BASECLOTH Plus, with lower minimums and shorter lead We have a wide range of basecloths to choose from including times, customization has never been easier. a selection of proprietary textiles from our standard line. If you don’t see something that suits your needs, we can source a Questions? solution for you. Please contact your KnollTextiles Sales Representative for more information about 3. MAKE A STATEMENT Digital Print Custom Capabilities. Digital printing is the perfect solution for adding a touch of original design to your project, while balancing the challenges of budget and time. Let us help realize your vision. Digital Print Custom Capabilities Below are examples of one-of-a-kind digitally printed projects designed in collaboration with the KnollTextiles Customs team. From digitally printed wallcovering, upholstery, drapery and panel fabrics, our Digital Print Custom Capabilities program has you covered. For additional information, please contact your local Sales Representative. April 2021 | ©2021 KnollTextiles, Inc. All rights reserved. knolltextiles.com Digital Print Custom Capabilities Basecloth Options Choose from 16 basecloth options for upholstery, drapery, panel, wallcovering and pillow projects. -
YOUNIQUE TOUCH Pressed Powder Foundation
Fact Sheet YOUNIQUE TOUCH Pressed Powder Foundation New shades. New formula. Meet your match. We’ve got you covered with YOUNIQUE TOUCH pressed powder foundation. Our new formula goes on silky smooth to create a flawless, airbrushed finish with buildable, medium-to-full coverage. With brand-new shade options (in addition to our classic shades of TOUCH MINERAL pressed powder foundation), we’re sure you’ll be able to find your perfect match. TELL ME MORE APPLICATION TIPS USE WITH • Smooth and easy application with 1. Swirl the YOUNIQUE™ powder • Included foundation sponge a velvety soft feel puff brush or YOUNIQUE™ • YOUNIQUE™ • Shine control with matte finish powder/concealer brush in powder/concealer brush or • New skin-flattering shades: product, tapping away excess. YOUNIQUE™ powder • Crepe • Damask You can also swipe foundation puff brush • Camlet • Dupioni onto the included • TOUCH MINERAL skin • Poplin • Twill foundation sponge. perfecting concealer • Jacquard • Sable 2. Apply from center of face • Tweed • Percale towards outer edges. • Gingham • Brocade 3. Continue to build for • Voile desired coverage. Price for 8 g / 0.28 oz: $32 USD | $39 CAD | $46 AUD | $45 NZD | £25 GBP | $560 MXN | 34,50 € EUR | HK$248 ABOUT YOUNIQUE Nature + Love + Science. Since its inception in 2012, Younique has been committed to developing beauty products that combine innovative science with the best ingredients nature has to offer. Younique, famous for its best-selling MOODSTRUCK 3D FIBER LASHES+™ lash enhancer, is the first direct-selling company to pioneer the social media-based business model. Founded by a brother-sister team—Derek Maxfield and Melanie Huscroft—Younique offers women the opportunity to look and feel great while helping advance the brand’s mission to uplift, empower, and validate women around the world. -
Ifbanefield & Co.
WEW-YORK DAILY TRIBUNE, SUNDAY, FEBRUARY 19. 1005. 9 NOT WASH SALKS THEY SAY s.lir.l) LIFE WITH TEETH. TO SAVE CITY $1,000,000. BY MUXROBS. Women on hunaway Airship Bit Six Cent Verdict for Man Whose I & CO. STATEMENT\u25a0 FBANEFIELD :.r__ Hole in Balloon. Property Was Damaged by Rain. IMPORTERS. JEWELERS. IBV TKLKGRAPH ' - Bought TO THE TBIBL'N'E.] Tlie Corporation 'oun \u25a0< i are now I'>i"atr<l $c (la, to •Ssn Francisco. Offset the Loxcmoh Scare, Feb. IS.—With broken cables days' trial, obtained .1 vprdicl ywsterdaj which will 1. Altmatt dans;";;;i(: and r.ith Mis. <;r Helton, in ilnirbuilding, 1 v Oi8 W. wife save tho city ov«»r The was Ks Inventor, f1.W0.000. actioo They Declare. of as Its freisht. the airship California brought by Henry Bundhelmer to recover dfti Messenger suddenly sprang upward f,,, 1 ST., two thousand from tlip.i|;v InjuricK Ii \u25a0 it 38 34TU Tr« f'ft done nn.ii.ru WEST stn-k brokerage firm of klunroe & Uunroe ovft- Idord Turk- 'iMs'-aftornbbn;' There M«med i»;Ptli-st.. in the rainstorm Augu I 19 I. when who came Into \v*]| no hop. of between lii'th Aye. an<l Herald Square Street promlnet-Cce about' two for its .K-rnpsnt. >but the woman Hi-- In 'I'h. Bninx wo I" , the gas Millbrook sewer unable months as<r when !»r>*ciilatlve movement in bit a bole in the bag and the machine plunged carry orf thr- water, and Bundhfimer'f pr< >Tc»r.tr-*l an.l Boston Ptock collapsed, and whore earthward, to hud lightly in Host Berkley. -
Fibers and Fabrics; TX335 .A1 U6 NO
KitlQRr Bureau of Standards Reference book' no' to ygjgtv |Oi Admin. Bldg. taken from the library, gmp STATES Ite.WMENT OF COMMERCE PUBLICATION A11ID3 Db3SbD All103063560 Blandford, Josephlne/FIbers and fabrics; TX335 .A1 U6 NO. 1, 1970 C.1 NBS-PUB-R 1 ^TES ‘‘•‘‘'/I'ti'i'.1'1' 1: BBB8 MB A Consumer’s Guide from the Mational Bureau of Standards NBS CIS 1 IIIIShSs Fibers and Fabrics by Josephine M. Blandford and Lois M. Gurel INFORMATION ABOUT NATURAL AND MAN-MADE FIBERS AND FABRICS TO MEET YOUR PARTICULAR NEEDS. NBS CONSUMER INFORMATION SERIES 1 Editor: James E. Payne Issued November 1970 U.S. DEPARTMENT OF COMMERCE Maurice H. Stans, Secretary Rocco C. Siciliano, Under Secretary Myron Tribus, Assistant Secretary for Science and Technology NATIONAL BUREAU OF STANDARDS A Consumer’s Lewis M. Branscomb, Director GUIDE FROM THE) NATIONAL BUREAU OF STANDARDS For sale by the Superintendent of Documents, U.S. Government Printing Office, U.S. DEPARTMENT Washington, D.C. 20402. OF COMMERCE Price 65 cents. NATIONAL BUREAU OF STANDARDS APR 1 0 1971 FOREWORD Technology is changing not only the products you buy, but the marketplace as well. Unfortunately, this is not an unmixed blessing. Products are constantly being improved, but designs are complicated, quality is vari¬ able, and good advice is hard to get. Modern stores and merchandising bring you a wide variety of products; but the large number of choices and the lack of dependable infor¬ mation often make shopping a confusing and frustrating experience. A generation ago the merchant was likely to be a friend of the family. -
Traditional Indian Textiles Students Handbook + Practical Manual Class XII
Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½