DOCSLIB.ORG

Willem De Kooning

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Willem De Kooning WILLEM DE KOONING Born 1904 Rotterdam, Netherlands Died 1997 East Hampton, New York SELECTED ONE-PERSON EXHIBITIONS 2019 — de Kooning: Five Decades, Mnuchin Gallery, New York, NY, USA 2017 — de Kooning: Late Paintings, Skarstedt, London, United Kingdom — Willem de Kooning - Zao Wou Ki, Lévy Gorvy, New York 2015 — de Kooning. Sculptures 1972 - 1974, Skarstedt Gallery, New York, NY, USA 2014 — Willem de Kooning from the John and Kimiko Powers Collection, Bridgestone Museum of Art, Ishibashi Foundation, Tokyo, Japan 2013 — Willem de Kooning: Ten Paintings, 1983-1985, Gagosian Gallery in collaboration with The Willem de Kooning Foundation, New York, NY, USA (cat.) 2011 — Willem de Kooning, The Figure: Movement and Gesture, The Pace Gallery, New York, NY, USA (cat.) — de Kooning: A Retrospective, The Museum of Modern Art, New York, NY, USA (cat.) 2010 — Bon a Tirer: A Lithographic Process, Organized by the Millbrook School and The Willem de Kooning Foundation, Warner Gallery, Millbrook School, Millbrook, NY, USA — Willem de Kooning: Figure & Light, L&M Arts, Los Angeles, CA, USA (cat.) 2008 — Willem de Kooning: Works on Paper, Galerie Xavier Hufkens, Brussels, Belgium (cat.) — Willem de Kooning: Werke auf Papier, Galerie Fred Jahn, Munich, Germany 2007 — Willem de Kooning: Women, Craig F. Starr Associates, New York, NY, USA, brochure — Willem de Kooning: Works on Paper, 1940-1970, Mark Borghi Fine Art Inc., Bridgehampton, NY, USA — Willem de Kooning, 1981-1986, L&M Arts, New York, NY, USA (cat.) — Willem de Kooning: The Last Beginning, Organized by Gagosian Gallery and the Johanna Liesbeth de Kooning Trust, Gagosian Gallery, New York, NY, USA (cat.) — Willem de Kooning Drawings: 1920s - 1970s, Allan Stone Gallery, New York, NY, USA (cat.) 2006 — Willem de Kooning: Paintings, 1975-1978, L&M Arts, New York, NY, USA (cat.) — Willem de Kooning: Sketchbook, Matthew Marks Gallery, New York, NY, USA (cat.) — Willem de Kooning: The Late Paintings, Organized by Hermitage Projects, travelled to The State Hermitage Museum, St. Petersburg, Russia; Museo Carlo Bilotti, Rome, Italy (cat.) — Willem de Kooning: Paintings and Sculptures from Dutch Public Collections, De Pont Museum of Contemporary Art, Tilburg, The Netherlands — Willem de Kooning: Slipping Glimpses 1920s to 1960s, Allan Stone Gallery, Art Basel Miami Beach, Miami Beach, FL, USA (cat.) 2005 — Willem de Kooning, Organized by BA-CA Kunstforum, Vienna, Austria, travelled to BA-CA Kunstforum, Vienna, Austria; Kunsthal Rotterdam, Rotterdam, The Netherlands (cat.) — Willem de Kooning: Zeichnungen, Aquarelle, Pastelle 1965- 1980, Galerie Fred Jahn, Munich, Germany — de Kooning: Paintings, 1960-1980, Kunstmuseum Basel, Basel, Switzerland (cat.) 2004 — Willem de Kooning: A Centennial Exhibition, Gagosian Gallery, New York, NY, USA (cat.) — de Kooning: Paintings from the Forties and Fifties, Richard Gray Gallery, New York, NY, USA (cat.) — Garden in Delft: de Kooning Landscapes, 1928-1988, MitchellInnes & Nash, New York, NY, USA (cat.) 2002 — Willem de Kooning: Works on Paper and Selected Paintings, Organized by Paul Thiebaud Gallery, San Francisco, CA, USA, travelled to Paul Thiebaud Gallery, San Francisco, CA, USA (cat.) — Willem de Kooning: Ten Works 1936-1974, Paul Thiebaud Gallery, New York, NY, USA (cat.) — The Artist’s Hand: Willem de Kooning Drawings, 1937 to 1954, Organized by Mitchell- Innes & Nash in collaboration with Matthew Marks Gallery, New York, NY, USA, travelled to Mitchell-Innes and Nash, New York, NY, USA (cat.); The Butler Institute of American Art, Youngstown, OH, USA (cat.) — Willem de Kooning: Tracing the Figure, Organized by The Museum of Contemporary Art, Los Angeles, CA, USA, travelled to The Museum of Contemporary Art, Los Angeles, CA, USA; San Francisco Museum of Modern Art, San Francisco, CA, USA; National Gallery of Art, Washington, DC, USA (cat.) — Willem de Kooning: 1967-1997 , Organized by Gallery Seomi and MitchellInnes & Nash, Gallery Seomi, Seoul, South Korea (cat.) — Willem de Kooning: Paintings, 1967-1984, Organized by John Berggruen Gallery, Mitchell- Innes & Nash, and Matthew Marks Gallery, John Berggruen Gallery, San Francisco, CA, USA (cat.) 2001 — Willem de Kooning’s Drawings, 1940-1964, Los Angeles County Museum of Art, Los Angeles, CA, USA (cat.) — Willem de Kooning: Vellums, Mitchell-Innes & Nash, New York, NY, USA (cat.) — Willem de Kooning, Organized by Institut Valencià d’Art Modern (IVAM) Centre Julio Gonzalez, Valencia, Spain, travelled to Institut Valencià d’Art Modern (IVAM) Centre Julio Gonzalez, Valencia, Spain; Fundacion “la Caixa,” Madrid, Spain (cat.) — Willem de Kooning: Malerei auf Papier, Galerie Fred Jahn, Munich, Germany — Willem de Kooning: 1987 Paintings, Matthew Marks Gallery, New York, NY, USA (cat.) 2000 — Willem de Kooning: In Process , Organized by Museum of Art Fort Lauderdale, Fort Lauderdale, FL, USA, travelled to The Menil Collection, Houston, TX, USA; Museum of Art, Fort Lauderdale, Fort Lauderdale, TX, USA; Guild Hall Museum, East Hampton, NY, USA; Aspen Art Museum, Aspen, CO, USA; Corcoran Gallery of Art, Washington, DC, USA (cat.) — Willem de Kooning: Mostly Women, Drawings and Paintings from the Collection of John and Kimiko Powers, Gagosian Gallery, New York, NY, USA (cat.) — Willem de Kooning, Galerie Fred Jahn, Munich, Germany — Willem de Kooning: Selected Paintings and Sculpture 1964- 1973, C & M Arts, New York, NY, USA (cat.) 1999 — Willem de Kooning, Thomas Ammann Fine Art, Zurich, Switzerland (cat.) — Drawings with Eyes Closed (1966), Kabinet Overholland, Stedelijk Museum, Amsterdam, The Netherlands 1998 — Willem de Kooning: Selected Works from 1948-1978, John Berggruen Gallery, San Francisco, CA, USA — Willem de Kooning, Organized by Public Art Fund, Central Park and Bryant Park, New York, NY, USA, brochure — Willem de Kooning: Drawing Seeing/Seeing Drawing, Organized by The Drawing Center, New York, NY, USA, The Drawing Center, New York, NY, USA; The Addison Gallery of American Art, Phillips Academy, Andover, MS, USA (cat.) — Wexner Center for the Arts, The Ohio State University, Columbus, OH, USA (cat.) — Willem de Kooning: Drawings and Sculpture, Joint exhibition organized by Matthew Marks Gallery and Mitchell-Innes & Nash, Matthew Marks Gallery, New York, NY, USA and Mitchell- Innes & Nash, New York, NY, USA (cat.) 1997 — Willem de Kooning: Paintings, 1983-84, Organized by Matthew Marks Gallery & Mitchell- Innes & Nash, Matthew Marks Gallery, New York, NY, USA (cat.) — Willem de Kooning: Drawings, 1965-1980, Niagara Galleries, Melbourne, Australia, (cat.) 1996 — Willem de Kooning: Paintings, 1982-1986, C & M Arts, New York, NY, USA (cat.) — Willem de Kooning: Sculpture, Matthew Marks Gallery, New York, NY, USA (cat.) 1995 — Willem de Kooning: Paintings and Drawings, Locks Gallery, Philadelphia, PA, USA — Willem de Kooning, Thomas Ammann Fine Art, Zurich, Switzerland (cat.) — de Kooning: The Women, Works on Paper, 1947 - 1954, C & M Arts, New York, NY, USA (cat.) — Willem de Kooning: The Late Paintings, The 1980s, Organized by San Francisco Museum of Modern Art and Walker Art Center, travelled to San Francisco Museum of Modern Art, San Francisco, CA, USA; Walker Art Center, Minneapolis, MN, USA; Stadtisches Kunstmuseum Bonn, Bonn, Germany; Museum Boijmans Van Beuningen, Rotterdam, The Netherlands; The Museum of Modern Art, New York, NY, USA (cat.) — Willem de Kooning’s Door Cycle, Organized by Davis Museum and Cultural Center, Wellesley College, Wellesley, MS, USA, travelled to Davis Museum and Cultural Center, Wellesley College, Wellesley, MS, USA; Whitney Museum of American Art, New York, NY, USA (cat.) — Willem de Kooning in Seattle: Selected Works from 1943 to 1985 in Public and Private Collections, Seattle Art Museum, Seattle, WA, USA (cat.) 1994 — Works on Display in Honor of Willem de Kooning’s Birthday, The Tate Gallery, London, UK — Willem de Kooning: Paintings, Organized by National Gallery of Art, Washington, DC, USA, travelled to National Gallery of Art, Washington, DC, USA; The Metropolitan Museum of Art, New York, NY, USA; The Tate Gallery, London, UK (cat.) — Willem de Kooning: Selected Works, 1950s-1980s, C & M Arts, New York, NY, USA — Celebrating Willem de Kooning: Selected Paintings and Sculpture, Guild Hall Museum, East Hampton, NY, USA (cat.) — Willem de Kooning: Liquefying Cubism, Allan Stone Gallery, New York, NY, USA (cat.) 1993 — Willem de Kooning: Transcending Landscape, Paintings 1975- 1979, C & M Arts, New York, NY, USA (cat.) — Willem de Kooning from the Hirshhorn Museum Collection, Organized by Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, USA, travelled to Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, USA; Fundació “La Caixa,” Centre Cultural, Barcelona, Spain; High Museum of Art, Atlanta, GA; Museum of Fine Arts, Boston, Boston, MS, USA; The Museum of Fine Arts, Houston, Houston, TX, USA (cat.) — Willem de Kooning: Works on Paper, Barbara Mathes Gallery, New York, NY, USA 1991 — Willem de Kooning: Important Paintings and Works on Paper, Salander-O’Reilly Galleries, Beverly Hills, CA, USA — Willem de Kooning: Printer’s Proofs from the Collection of Irwin Hollander, Master Printer, Organized by Salander-O’Reilly Galleries, Inc. in association with Canal Arts, travelled to Meredith Long & Co., Houston, TX, USA, Salander-O’Reilly Galleries, Inc., Beverly Hills, CA, USA, Galeria Afinsa, Madrid, Spain, Salander-O’Reilly Galleries, Inc., Berlin, Germany, Salander- O’Reilly Galleries, Inc., New York, NY,
Load more

Recommended publications
  • Leonard Bernstein Festival of the Creative Arts
    LEONARD FREE AND OPEN TO THE PUBLIC BERNSTEIN FESTIVAL OF APRIL 7-14, 2019 THE CREATIVE ARTS The Festival of the Creative Arts was founded in 1952 by the brilliant composer and conductor Leonard Bernstein. Each spring, Brandeis cele- brates the abundant creativity of its students, faculty, staff and alumni, joined by professional artists from around the country. Festival events are free and open to the public unless otherwise noted. For schedule updates, visit brandeis.edu/arts/festival. LEONARD BERNSTEIN Leonard Bernstein (1918-90) was one of the great American he conducted concerts on both sides of the wall. In the early artists of the 20th century. A composer, conductor, pianist, days of AIDS research, Bernstein raised the first million dol- teacher, thinker and adventurous spirit, he transformed the lars for a community-based clinical trials program run by the way we hear music and experience the arts. American Foundation for AIDS Research. Bernstein’s successes ranged from the Broadway stage Bernstein was a member of the Brandeis music department (“West Side Story,” “Candide,” “On the Town”) to television faculty from 1951-56. He received an honorary doctorate from and film, to international concert halls. His major concert Brandeis in 1959 and served as a University Fellow from 1958- works, including the symphony “Kaddish” and the choral 76 and on the university’s board of trustees from 1976-81. He works “Mass” and “Chichester Psalms,” are studied and was a trustee emeritus until his death in 1990. performed around the world. He was a dynamic leader of the world’s greatest orchestras, including the New York For the university’s first commencement, in 1952, Bernstein Philharmonic (1958-69).
    [Show full text]
  • The Economist Print Edition
    The Pop master's highs and lows Nov 26th 2009 From The Economist print edition Andy Warhol is the bellwether The Andy Warhol Foundation $100m-worth of Elvises “EIGHT ELVISES” is a 12-foot painting that has all the virtues of a great Andy Warhol: fame, repetition and the threat of death. The canvas is also awash with the artist’s favourite colour, silver, and dates from a vintage Warhol year, 1963. It did not leave the home of Annibale Berlingieri, a Roman collector, for 40 years, but in autumn 2008 it sold for over $100m in a deal brokered by Philippe Ségalot, the French art consultant. That sale was a world record for Warhol and a benchmark that only four other artists—Pablo Picasso, Jackson Pollock, Willem De Kooning and Gustav Klimt— have ever achieved. Warhol’s oeuvre is huge. It consists of about 10,000 artworks made between 1961, when the artist gave up graphic design, and 1987, when he died suddenly at the age of 58. Most of these are silk-screen paintings portraying anything from Campbell’s soup cans to Jackie Kennedy and Mao Zedong, drag queens and commissioning collectors. Warhol also created “disaster paintings” from newspaper clippings, as well as abstract works such as shadows and oxidations. The paintings come in series of various sizes. There are only 20 “Most Wanted Men” canvases, for example, but about 650 “Flower” paintings. Warhol also made sculpture and many experimental films, which contribute greatly to his legacy as an innovator. The Warhol market is considered the bellwether of post-war and contemporary art for many reasons, including its size and range, its emblematic transactions and the artist’s reputation as a trendsetter.
    [Show full text]
  • Rose Art Museum's Sam Hunter Emerging Artists Fund Committee
    FOR IMMEDIATE RELEASE Contact: Nina J. Berger, [email protected] 617.543.1595 High-resolution images available on request ROSE ART MUSEUM’S SAM HUNTER EMERGING ARTISTS FUND COMMITTEE SELECTS TWO WORKS BY B. INGRID OLSON TO ENTER THE COLLECTION (Waltham, MA) –The Rose Art Museum has announced that work by B. Ingrid Olson has been selected for acquisition by the Sam Hunter Emerging Artists Acquisition Fund Committee. Inspired by the legacy of the Rose’s founding director, Sam Hunter, the fund is generated annually and administered by a committee that aims to collect the work of promising artists on the cusp of recognition. Two works by Chicago-based Olson–Arched fold, bent of another movement, 2017 and Firing distance, scission, 2017–have been acquired for the Rose Art Museum’s collection. Straddling sculpture and photography, Olson’s work plays fascinating games with perception and vision. Olson was recently featured in a two-person exhibition at The Renaissance Society in Chicago, and her first solo museum show will open at the Albright-Knox Art Gallery in March 2018. Her work will also be included in Being: New Photography 2018, at the Museum of Modern Art, New York (March 2018) and in a group show at the MCA Chicago, Picture Fiction: Kenneth Josephson and Contemporary Photography (April 28– December 30, 2018). “Ingrid is an extraordinary photographer, pushing the bounds of the medium while engaging with pressing issues of gender identity and representation,” say Leslie Aronzon, a member of this year’s committee. “Her work fits in well with the Rose collection, and we are so excited to add her impressive and fresh works to our permanent collection.” Joining Aronzon on this year’s committee are Kim Allen-Niesen, Steven Bunson, Tory Fair, Betsy Pfau, and Lisa Wyett.
    [Show full text]
  • The Ronald S. Lauder Collection Selections from the 3Rd Century Bc to the 20Th Century Germany, Austria, and France
    000-000-NGRLC-JACKET_EINZEL 01.09.11 10:20 Seite 1 THE RONALD S. LAUDER COLLECTION SELECTIONS FROM THE 3RD CENTURY BC TO THE 20TH CENTURY GERMANY, AUSTRIA, AND FRANCE PRESTEL 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 1 THE RONALD S. LAUDER COLLECTION 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 2 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 3 THE RONALD S. LAUDER COLLECTION SELECTIONS FROM THE 3RD CENTURY BC TO THE 20TH CENTURY GERMANY, AUSTRIA, AND FRANCE With preface by Ronald S. Lauder, foreword by Renée Price, and contributions by Alessandra Comini, Stuart Pyhrr, Elizabeth Szancer Kujawski, Ann Temkin, Eugene Thaw, Christian Witt-Dörring, and William D. Wixom PRESTEL MUNICH • LONDON • NEW YORK 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 4 This catalogue has been published in conjunction with the exhibition The Ronald S. Lauder Collection: Selections from the 3rd Century BC to the 20th Century. Germany, Austria, and France Neue Galerie New York, October 27, 2011 – April 2, 2012 Director of publications: Scott Gutterman Managing editor: Janis Staggs Editorial assistance: Liesbet van Leemput Curator, Ronald S . Lauder Collection: Elizabeth Szancer K ujawski Exhibition designer: Peter de Kimpe Installation: Tom Zoufaly Book design: Richard Pandiscio, William Loccisano / Pandiscio Co. Translation: Steven Lindberg Project coordination: Anja Besserer Production: Andrea Cobré Origination: royalmedia, Munich Printing and Binding: APPL aprinta, W emding for the text © Neue Galerie, New Y ork, 2011 © Prestel Verlag, Munich · London · New Y ork 2011 Prestel, a member of V erlagsgruppe Random House GmbH Prestel Verlag Neumarkter Strasse 28 81673 Munich +49 (0)89 4136-0 Tel.
    [Show full text]
  • Framework for the Future
    THE FRAMEWORK FOR THE FUTURE FINAL REPORT January 2020 The Framework for the Future: Prefatory Remarks Brandeis University is at an important crossroads in its 72-year history. Founded by the American Jewish community on the principles of academic excellence and openness in hiring and admissions practices, Brandeis has achieved an inspiring degree of success — not just as a young university committed to educating undergraduates in the liberal arts but also as a major research institution. The Framework for the Future provides a scaffolding for the university’s coming decades. It is rooted in the institution’s history and builds upon its unique place in higher education. The Framework is the synthesis of more than three years of broad consultations with focus groups, including prospective students, current students, alumni, faculty, staff, trustees, friends, and parents. It is also based on responses from multiple alumni surveys; information gleaned from 30 “self-reflection” documents written by faculty and administrators; and the work of four task forces, composed of 11 working groups, which forwarded for consideration more than 250 recommendations. The synthesis of these sources does not include many of the recommendations that came out of the task force reports. Rather, it offers some overarching themes that require our attention most urgently as we seek to plan and advance Brandeis’ future. And while the Framework provides guideposts within which we will pursue many initiatives, its purpose is not to identify all the university’s plans, strengths, and achievements. Instead, it outlines a series of strategic initiatives and investments, especially in areas where we have over the years underinvested, which will allow us to build a stronger Brandeis over the next several years.
    [Show full text]
  • Brice Marden Bibliography
    G A G O S I A N Brice Marden Bibliography Selected Monographs and Solo Exhibition Catalogues: 2019 Brice Marden: Workbook. New York: Gagosian. 2018 Rales, Emily Wei, Ali Nemerov, and Suzanne Hudson. Brice Marden. Potomac and New York: Glenstone Museum and D.A.P. 2017 Hills, Paul, Noah Dillon, Gary Hume, Tim Marlow and Brice Marden. Brice Marden. London: Gagosian. 2016 Connors, Matt and Brice Marden. Brice Marden. New York: Matthew Marks Gallery. 2015 Brice Marden: Notebook Sept. 1964–Sept.1967. New York: Karma. Brice Marden: Notebook Feb. 1968–. New York: Karma. 2013 Brice Marden: Book of Images, 1970. New York: Karma. Costello, Eileen. Brice Marden. New York: Phaidon. Galvez, Paul. Brice Marden: Graphite Drawings. New York: Matthew Marks Gallery. Weiss, Jeffrey, et al. Brice Marden: Red Yellow Blue. New York: Gagosian Gallery. 2012 Anfam, David. Brice Marden: Ru Ware, Marbles, Polke. New York: Matthew Marks Gallery. Brown, Robert. Brice Marden. Zürich: Thomas Ammann Fine Art. 2010 Weiss, Jeffrey. Brice Marden: Letters. New York: Matthew Marks Gallery. 2008 Dannenberger, Hanne and Jörg Daur. Brice Marden – Jawlensky-Preisträger: Retrospektive der Druckgraphik. Wiesbaden: Museum Wiesbaden. Ehrenworth, Andrew, and Sonalea Shukri. Brice Marden: Prints. New York: Susan Sheehan Gallery. 2007 Müller, Christian. Brice Marden: Werke auf Papier. Basel: Kunstmuseum Basel. 2006 Garrels, Gary, Brenda Richardson, and Richard Shiff. Plane Image: A Brice Marden Retrospective. New York: Museum of Modern Art. Liebmann, Lisa. Brice Marden: Paintings on Marble. New York: Matthew Marks Gallery. 2003 Keller, Eva, and Regula Malin. Brice Marden. Zürich : Daros Services AG and Scalo. 2002 Duncan, Michael. Brice Marden at Gemini.
    [Show full text]
  • Bleckner Biography
    ROSS BLECKNER BIOGRAPHY Born in New York City, New York, 1949. Education: New York University, NYC, B.A., 1971. California Institute of the Arts, Valencia, California, M.F.A., 1973. Lives in New York City. Selected Solo Shows: 1983 Mary Boone Gallery, NYC, NY. 1986 Mario Diacono Gallery, Boston, Massachusetts. Mary Boone Gallery, NYC, NY. 1987 Mary Boone Gallery, NYC, NY. 1988 San Francisco Museum of Modern Art, San Francisco, California. Mary Boone Gallery, NYC, NY. 1989 Milwaukee Art Museum, Milwaukee, Wisconsin. Contemporary Arts Museum, Houston, Texas. Carnegie Museum of Art, Pittsburgh, Pennsylvania. 1990 Art Gallery of Ontario, Toronto, Canada. Kunsthalle Zurich, Zurich, Switzerland. 1991 Kolnischer Kunstverein, Koln, Germany. Moderna Museet, Stockholm, Sweden. Mary Boone Gallery, NYC, NY. 1993 Galerie Max Hetzler, Koln, Germany. 1994 Mary Boone Gallery, NYC, NY. 1995 Solomon R. Guggenheim Museum, NYC, NY. Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway. I.V.A.M., Centre Julio Gonzalez, Valencia, Spain. 1996 Mary Boone Gallery, NYC, NY. 1997 Galerie Daniel Templon, Paris, France. Bawag Foundation, Vienna, Austria. 1999 Mary Boone Gallery, NYC, NY. 2000 Mario Diacono Gallery, Boston, Massachusetts. Galerie Ernst Beyeler, Basel, Switzerland. Maureen Paley/Interim Art, London, England. ROSS BLECKNER BIOGRAPHY (continued) : Selected Solo Shows: 2001 Mary Boone Gallery, NYC, NY. 2003 Lehmann Maupin Gallery, NYC, NY. Mary Boone Gallery, NYC, NY. 2004 “Dialogue with Space”, Esbjerg Art Museum, Esbjerg, Denmark. 2005 Ruzicska Gallery, Salzburg, Austria. 2007 Thomas Ammann Fine Art, Zurich, Switzerland. Cais Gallery, Seoul, South Korea. Mary Boone Gallery, NYC, NY. 2008 “New Paintings”, Imago Galleries, Palm Desert, California. 2010 Mary Boone Gallery, NYC, NY.
    [Show full text]
  • Lisa Russell CV 2018
    Lisa Russell EDUCATION MFA School of the Museum of Fine Arts, Tufts University, Boston MA BFA Massachusetts College of Art, Boston MA SELECTED EXHIBITIONS 2018 Here and Now, Dolby Chadwick Gallery, San Francisco, CA Nature, Attleboro Museum, Attleboro MA Still-life: Captured Moments, University Place Gallery, Cambridge MA 2018 Exhibition, Artist of the Year Award, University Place Gallery, Cambridge MA 5th Monotype/Monoprint, Art Complex Museum, Duxbury MA CAA Fall Salon, Katheryn Schultz Gallery, Cambridge MA Pressing Matters, Monotype Guild, Lynn Arts, MA 2017 Catamount Film and Arts, Arts Connect Catamount Arts, Johnsbury, VT Juror: Andrea Rosen, Curator Fleming Museum of Art, Burlington, VT Flower, Attleboro Museum, Attleboro, MA Small Wonders, Monotype Guild of New England , Hopkinton Center for the Art, Hopkinton, MA 2-D Works, Bannister Gallery, Rhode Island College, Providence RI Mary Schein Fall Salon , Kathryn Schultz Gallery, Cambridge MA Salon Des Refuses, Galleries at Kimball Jenkins Estate, Concord, NH 2016 Painterly Interplay: Perception and Reality, Kathryn Schultz Gallery, Cambridge, MA Lisa Russell, Edwina Rissland, Roz Sommer Blue, University Place Gallery, Cambridge MA Fourth, Monotype Guild of NENG, Attleboro Museum, Attleboro, MA Winter Break, University Place Gallery, Cambridge, MA Salon, Kathryn Schultz Gallery, Cambridge, MA Red Biennial, CAA, Cambridge, MA 2015 14th National Kathryn Schultz Gallery, Cambridge, MA Juror: Caitilin Doherty, Curator and Deputy Director Curatorial Affairs, Eli & Edythe Broad Art Museum,
    [Show full text]
  • The Rose Art Museum
    The Rose Art Museum “The Rose at Brandeis: Works from the Collection” Curated by Adelina Jedrzejczak and Roy Dawes Oct. 28, 2009 – May 23, 2010 The Rose Art Museum Brandeis University Fall exhibition, special catalogue will mark celebration of The Rose Art Museum’s permanent collection WALTHAM, Mass.— In fall 2009, The Rose Art Museum at Brandeis University will feature its renowned collection, which includes modern and contemporary masterworks by some of the 20th century’s most revered artists, in an historic exhibition and catalogue. The wide-ranging show entitled, “The Rose at Brandeis: Works from the Collection” opens on Oct. 28th and will present the breadth of the collection by including pieces from dozens of artists who represent different historical periods, from Willem de Kooning, to Jasper Johns, Roy Lichtenstein, Morris Louis, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Max Weber, Cindy Sherman, Kiki Smith, Larry Rivers, Philip Guston, Frank Stella, Jennifer Bartlett, Hans Hoffman, Louise Nevelson and Elsworth Kelley, among others. The exhibition will also explore the depth of The Rose’s holdings by focusing on groupings of artworks by several artists, to expose both artistic development and the process of collecting. “The length of the exhibition, running from October through May 23, 2010, will allow students and the public unprecedented access to some of the key artworks in the collection,” said show co-curator and Director of Museum Operations Roy Dawes. “It will allow museum visitors time to properly see, contemplate, study, revisit and gain perspective on this stupendous collection.” “The Rose at Brandeis” coincides with the Oct.1 publication of the first comprehensive catalogue of the museum’s collection.
    [Show full text]
  • Every Rose Has Its Thorn: a New Approach to Deaccession Andrew W
    Hastings Business Law Journal Volume 6 Article 4 Number 2 Summer 2010 Summer 1-1-2010 Every Rose Has Its Thorn: A New Approach to Deaccession Andrew W. Eklund Follow this and additional works at: https://repository.uchastings.edu/ hastings_business_law_journal Part of the Business Organizations Law Commons Recommended Citation Andrew W. Eklund, Every Rose Has Its Thorn: A New Approach to Deaccession, 6 Hastings Bus. L.J. 467 (2010). Available at: https://repository.uchastings.edu/hastings_business_law_journal/vol6/iss2/4 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Business Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. EVERY ROSE HAS ITS THORN: A NEW APPROACH TO DEACCESSION Andrew W. Eklund* INTRODUCTION In 1961, Edgar and Bertha Rose donated $1 million to Brandeis University to form the Rose Art Museum ("the Rose").' Initially, the Rose had no acquisition budget, so the now-7000-piece collection was built on gifts.2 Focused on twentieth-century art, the collection includes a strong selection of post-war artists like Andy Warhol, Jasper Johns, and Roy Lichtenstein,3 many of which were acquired through the initial gifts to the museum.4 In the face of the financial crisis and reduced donations due to the Bernard Madoff scandal, Brandeis University's board of trustees voted unanimously to close the Rose and sell the entire collection on January 26, 2009.5 Valued at approximately $350 million, the Rose was targeted to help deal with Brandeis' budget deficit, alleged to be as much as $10 million,6 as well as a decline in the University's endowment, from $712 million to $549 million, or twenty-three percent, since the financial crisis began.
    [Show full text]
  • Annual Report 2003 Annual Report 2003
    THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2003 ANNUAL REPORT 2003 1 ARcover2003.p65 1 6/1/2004, 11:41 PM Annual Report 2003 ARpp01-21.p65 1 6/1/2004, 11:45 PM The Cleveland Cover: School The Annual Report The type is Bembo right in the United 46, 68, 72, 82, 87, 92, Museum of Art children are enthralled was produced by the and TheSans adapted States of America or 100; Becky Bristol: p. 11150 East with the ten litho- External Affairs for this publication. abroad and may not 95; Philip Brutz: pp. Boulevard graphs in Color division of the Composed with be reproduced in any 90 (right), 96; © Cleveland, Ohio Numeral Series (cour- Cleveland Museum of Adobe PC form or medium Disney/Pixar: p. 94; 44106-1797 tesy Margo Leavin Art. PageMaker 6.5. without permission Gregory M. Donley: Copyright © 2004 Gallery, Los Angeles), Narrative: Gregory Photography credits: from the copyright pp. 9 (left), 12, 13, on view in the holders. The follow- 37, 39, 44 (top), 45 The Cleveland M. Donley Works of art in the Museum of Art landmark exhibition ing photographers are (bottom), 47 (bot- Jasper Johns: Numbers. Editing: Barbara J. collection were pho- acknowledged: tom), 49 (top), 67, All rights reserved. Bradley and Kathleen tographed by museum Frontispiece: The Howard Agresti: pp. 71, 77, 79, 80, 89 No portion of this Mills photographers 1, 7, 8 (all), 10 (both), (all); Ann Koslow: p. publication may be museum and lagoon Howard Agriesti and in winter. Design: Thomas H. 36, 38, 40, 43, 44 71 (left); Shannon reproduced in any Barnard Gary Kirchenbauer; (middle and bottom), Masterson: p.
    [Show full text]
  • Download Complete Artist CV
    Elizabeth Murray Curriculum Vitae Page 1 of 37 ELIZABETH MURRAY Born 1940, Chicago, IL Died 2007, Washington County, NY SOLO EXHIBITIONS 2019 “Elizabeth Murray: Flying Bye,” Camden Arts Centre, Camden, UK, July 4–September 15, 2019 (exhibition brochure with essay by Anna Katz). 2018 “Spotlight on Elizabeth Murray.” Anderson Collection, Stanford University, Stanford, CA, September 27, 2018–March 25, 2019. “Her Story by Elizabeth Murray and Anne Waldman,” Henry Art Gallery, University of Washington, Seattle, WA, May 5–November 4, 2018. 2017 “Elizabeth Murray: Paintings in the '80s,” Pace Gallery, 510 West 25th Street, New York, NY, November 2–January 13, 2018. (Catalogue; text by Dr. Kellie Jones) “Torn from the Notebook: drawings of Elizabeth Murray,” curated by Jason Andrew, David & Schweitzer, Brooklyn, NY, November 3–December 10, 2017. 2016 “Elizabeth Murray,” curated by Carroll Dunham and Dan Nadel, CANADA, New York, December 10, 2016–January 29, 2017. “Elizabeth Murray,” curated by Samuel Gross, Musée d’art moderne et contemporaine (MAMCO), Geneva, Switzerland, October 12, 2016–January 29, 2017. “Elizabeth Murray: When The House Is Quiet,” Galerie Maria Bernheim, Zurich, Switzerland, February 19–April 2, 2016. Elizabeth Murray: Heart and Mind, BAM, Brooklyn, NY, January 14–February 13, 2016. 2015 “Elizabeth Murray,” OMI International Arts Center, Ghent, New York, March 27–May 31, 2015. 2014 “Her Story: Prints by Elizabeth Murray, 1986–2006,” Cantor Arts Center, Stanford University, California, January 22– March 30, 2014. “Elizabeth Murray: Selected Works,” Gemini G.E.L at Joni Moisant Weyl, New York, June 5–September 13, 2014. 2012 “Exuberance Unbound: Elizabeth Murray at Gemini G.E.L.
    [Show full text]