Framework for the Future
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Leonard Bernstein Festival of the Creative Arts
LEONARD FREE AND OPEN TO THE PUBLIC BERNSTEIN FESTIVAL OF APRIL 7-14, 2019 THE CREATIVE ARTS The Festival of the Creative Arts was founded in 1952 by the brilliant composer and conductor Leonard Bernstein. Each spring, Brandeis cele- brates the abundant creativity of its students, faculty, staff and alumni, joined by professional artists from around the country. Festival events are free and open to the public unless otherwise noted. For schedule updates, visit brandeis.edu/arts/festival. LEONARD BERNSTEIN Leonard Bernstein (1918-90) was one of the great American he conducted concerts on both sides of the wall. In the early artists of the 20th century. A composer, conductor, pianist, days of AIDS research, Bernstein raised the first million dol- teacher, thinker and adventurous spirit, he transformed the lars for a community-based clinical trials program run by the way we hear music and experience the arts. American Foundation for AIDS Research. Bernstein’s successes ranged from the Broadway stage Bernstein was a member of the Brandeis music department (“West Side Story,” “Candide,” “On the Town”) to television faculty from 1951-56. He received an honorary doctorate from and film, to international concert halls. His major concert Brandeis in 1959 and served as a University Fellow from 1958- works, including the symphony “Kaddish” and the choral 76 and on the university’s board of trustees from 1976-81. He works “Mass” and “Chichester Psalms,” are studied and was a trustee emeritus until his death in 1990. performed around the world. He was a dynamic leader of the world’s greatest orchestras, including the New York For the university’s first commencement, in 1952, Bernstein Philharmonic (1958-69). -
Sept. 30 Issue Final
UNIVERSITY OF PENNSYLVANIA Tuesday September 30, 2003 Volume 50 Number 6 www.upenn.edu/almanac Two Endowed Chairs in Political Science Dr. Ian S. Lustick, professor of political director of the Solomon Asch Center for Study ternational Organization, and Journal of Inter- science, has been appointed to the Bess Hey- of Ethnopolitical Conflict. national Law and Politics. The author of five man Professorship. After earning his B.A. at A specialist in areas of comparative politics, books and monographs, he received the Amer- Brandeis University, Dr. Lustick completed international politics, organization theory, and ican Political Science Associationʼs J. David both his M.A. and Ph.D. at the University of Middle Eastern politics, Dr. Lustick is respon- Greenstone Award for the Best Book in Politics California, Berkeley. sible for developing the computational model- and History in 1995 for his Unsettled States, Dr. Lustick came to ing platform known as PS-I. This software pro- Disputed Lands: Britain and Ireland, France Penn in 1991 following gram, which he created in collaboration with and Algeria, Israel and the West Bank-Gaza. In 15 years on the Dart- Dr. Vladimir Dergachev, GEngʼ99, Grʼ00, al- addition to serving as a member of the Council mouth faculty. From lows social scientists to simulate political phe- on Foreign Relations, Dr. Lustick is the former 1997 to 2000, he served nomena in an effort to apply agent-based model- president of the Politics and History Section of as chair of the depart- ing to public policy problems. His current work the American Political Science Association and ment of political sci- includes research on rights of return in Zionism of the Association for Israel Studies. -
Executive Mba for Physicians
EXECUTIVE MBA FOR PHYSICIANS AN ACCELERATED 16-MONTH PROGRAM FOR PHYSICIAN LEADERS heller.brandeis.edu/physiciansemba The Heller Executive MBA for Physicians Improving patient care experiences, clinical “Compared to a traditional EMBA, outcomes, and decision-making efficiency this one taught the subjects with a The Heller School’s Executive MBA (EMBA) for Physicians is healthcare focus. My interests aligned focused on improving clinical outcomes, financial performance, much better with my classmates; and patient experiences in healthcare organizations. It is we all speak the same language and designed for practicing physicians who are – or seek to be – in executive positions of management or leadership. The understand each other.” accelerated 16-month program trains physician leaders in the new science of medicine and management by integrating Amir Taghinia, MD, MBA students’ medical expertise with new knowledge in critical Staff Surgeon areas ranging from health policy and economics to operations, Boston Children’s Hospital high performance leadership, and healthcare innovation. “The balance of on-site and remote Why do physicians need an MBA? classes works incredibly well. Today’s highly complex healthcare landscape is rife with The technology and conduct of the medical reforms and regulations that challenge established remote sessions keep you in close management assumptions and behaviors. At the same time, healthcare demands high quality, patient-centered care and contact with classmates, which is an dramatically decreased costs. Leaders must have advanced essential component of the program.” expertise in both clinical care and management to ensure optimal medical outcomes and robust financial performance. Evan Lipsitz, MD, MBA Chief, Division of Vascular and Endovascular Surgery Neither medical nor business schools teach this essential Montefiore Medical Center and the Albert Einstein combination of medicine and management required to lead College of Medicine the 21st-century healthcare institution or practice. -
(MUS) Fall 2021 Department of Music Chairperson Christina Dahl Staller
MUSIC (MUS) Fall 2021 Department of Music Chairperson Christina Dahl Staller Center 3304 (631) 632-7330 Graduate Program Director Erika Honisch Staller Center 3346 (631) 632-4433 Degrees Awarded M.A. in Music History and Theory; M.A. in Ethnomusicology; M.A. in Composition; M.M. in Music Performance; Ph.D. in History and Theory; Ph.D in Ethnomusicology; Ph.D. in Composition; D.M.A. in Music Performance. Website https://www.stonybrook.edu/commcms/music/ Application Applications to our programs can be found on our website here: https://www.stonybrook.edu/commcms/music/academics/_graduate/index.php Description of the Department of Music The Department of Music offers programs that normally lead to the Doctor of Philosophy degree in Music History and Theory, in Ethnomusicology, and in Composition. The Department also offers programs that normally lead to the Doctor of Musical Arts degree in Music Performance. Masters Degrees in Music History and Theory, in Ethnomusicology, in Composition, and in Music Performance are also available. Stony Brook’s programs have grown out of an unusual partnership between the academy and the conservatory. The Music Department has a distinguished and well-balanced faculty in the areas of music history, theory, ethnomusicology, composition, and performance. The degree programs are designed to favor interaction among musical disciplines that have traditionally been kept separate. For example, the performance programs at Stony Brook all have an academic component. Graduate courses typically have a healthy mix of students from all areas. A number of courses are team taught by two or more faculty members, examining topics from several disciplinary viewpoints. -
Supreme Court of the United States ------♦
Nos. 02-214 and 02-516 ================================================================ In The Supreme Court of the United States --------------------------------- ♦ --------------------------------- BARBARA GRUTTER, Petitioner, v. LEE BOLLINGER, et al., Respondents. --------------------------------- ♦ --------------------------------- JENNIFER GRATZ AND PATRICK HAMACHER, Petitioners, v. LEE BOLLINGER, et al., Respondents. --------------------------------- ♦ --------------------------------- On Writ Of Certiorari To The United States Court Of Appeals For The Sixth Circuit --------------------------------- ♦ --------------------------------- BRIEF OF CARNEGIE MELLON UNIVERSITY AND 37 FELLOW PRIVATE COLLEGES AND UNIVERSITIES AS AMICUS CURIAE IN SUPPORT OF RESPONDENTS [Individual Amici Listed On Inside Cover] --------------------------------- ♦ --------------------------------- MARY JO DIVELY W. THOMAS MCGOUGH, JR.* Vice President and KATHY M. BANKE General Counsel GARY L. KAPLAN CARNEGIE MELLON UNIVERSITY EDWARD N. STONER II 5000 Forbes Avenue REED SMITH LLP Pittsburgh, PA 15213 435 Sixth Avenue Telephone: 412.268.2000 Pittsburgh, PA 15219 Telephone: 412.288.3131 Facsimile: 412.288.3063 *Counsel of Record ================================================================ COCKLE LAW BRIEF PRINTING CO. (800) 225-6964 OR CALL COLLECT (402) 342-2831 --------------------------------- ♦ --------------------------------- AMERICAN UNIVERSITY BELMONT UNIVERSITY BOSTON COLLEGE BRANDEIS UNIVERSITY BUCKNELL UNIVERSITY CALIFORNIA INSTITUTE OF TECHNOLOGY -
Online Education
President’s Page Online Education By Joel Seligman model. Twenty-six percent of nursing’s tu- ition revenue, or $3.9 million, is generated In mid-November the University an- by online education. nounced that it had joined Semester On- As School of Nursing Dean Kathy Ride- line, a consortium of universities created to out explains, the challenge of sustaining explore the implementation of for-credit and growing the current model is provid- undergraduate online education. ing adequate support for online teaching The Semester Online consortium in- and learning. Instructional design teams cludes the University of Rochester, are needed to collaborate with faculty on Brandeis University, Duke University, Emo- development of courses. Faculty develop- ry University, Northwestern University, the ment programs are essential, and a team of University of North Carolina at Chapel Hill, technical specialists is critical. University of Notre Dame, Vanderbilt Uni- Collaborations such as Semester Online versity, Wake Forest University, and Wash- are promising. With built-in technical and ington University in St. Louis. multimedia support, Semester Online has We have entered into this exploratory the potential to provide our undergraduate partnership so that we are better prepared students with rigorous course offerings, to address potential opportunities to create taught by professors, and offered in small quality online instruction. groups where students are surrounded by Joining this consortium gives the Univer- outstanding peers—much as they would be sity an opportunity to participate in conver- if they were on campus. sations about the future of online education is one example of how the University is em- But there are challenges and much we do with peer institutions that see the same val- ploying technology to offer quality, flexible, not know. -
Rose Art Museum's Sam Hunter Emerging Artists Fund Committee
FOR IMMEDIATE RELEASE Contact: Nina J. Berger, [email protected] 617.543.1595 High-resolution images available on request ROSE ART MUSEUM’S SAM HUNTER EMERGING ARTISTS FUND COMMITTEE SELECTS TWO WORKS BY B. INGRID OLSON TO ENTER THE COLLECTION (Waltham, MA) –The Rose Art Museum has announced that work by B. Ingrid Olson has been selected for acquisition by the Sam Hunter Emerging Artists Acquisition Fund Committee. Inspired by the legacy of the Rose’s founding director, Sam Hunter, the fund is generated annually and administered by a committee that aims to collect the work of promising artists on the cusp of recognition. Two works by Chicago-based Olson–Arched fold, bent of another movement, 2017 and Firing distance, scission, 2017–have been acquired for the Rose Art Museum’s collection. Straddling sculpture and photography, Olson’s work plays fascinating games with perception and vision. Olson was recently featured in a two-person exhibition at The Renaissance Society in Chicago, and her first solo museum show will open at the Albright-Knox Art Gallery in March 2018. Her work will also be included in Being: New Photography 2018, at the Museum of Modern Art, New York (March 2018) and in a group show at the MCA Chicago, Picture Fiction: Kenneth Josephson and Contemporary Photography (April 28– December 30, 2018). “Ingrid is an extraordinary photographer, pushing the bounds of the medium while engaging with pressing issues of gender identity and representation,” say Leslie Aronzon, a member of this year’s committee. “Her work fits in well with the Rose collection, and we are so excited to add her impressive and fresh works to our permanent collection.” Joining Aronzon on this year’s committee are Kim Allen-Niesen, Steven Bunson, Tory Fair, Betsy Pfau, and Lisa Wyett. -
Join Us for a Presentation by Dr. Don Martin
Thinking about grad school? Not sure exactly where to start in the research and/or application process? Join us for a presentation by Dr. Don Martin Presentation Title: Grad School 101 When: October 11th from 12:30 – 1:30 p.m. Where: To Be Announced Dr. Martin is a former admissions dean at top schools such as Columbia, the University of Chicago and Northwestern. He now coaches prospective graduate students in the admissions process and has maintained a 97% acceptance rate since he started coaching in 2008. For a list of schools where Dr. Don’s coaching clients have gained admission – turn this page over. Dr. Don’s coaching clients have been admitted to the following graduate programs: Master’s Study: MBA: American University Babson College (Olin) Bentley University Boston College (Carroll) Brandeis University Boston University (Questrom) Brown University Carnegie Mellon University (Tepper) Carnegie Mellon University College of William and Mary (Mason) Case Western Reserve University Columbia Business School College of William and Mary Cornell University (Johnson) Columbia University Dartmouth College (Tuck) Cornell University Duke University (Fuqua) Drexel University Harvard Business School Duke University Indiana University (Kelley) Fordham University INSEAD Business School George Washington University Johns Hopkins University (Carey) Georgetown University London Business School Harvard University MIT (Sloan) Illinois Institute of Technology Northwestern University (Kellogg) Johns Hopkins University Stanford Graduate School of Business -
Lisa Russell CV 2018
Lisa Russell EDUCATION MFA School of the Museum of Fine Arts, Tufts University, Boston MA BFA Massachusetts College of Art, Boston MA SELECTED EXHIBITIONS 2018 Here and Now, Dolby Chadwick Gallery, San Francisco, CA Nature, Attleboro Museum, Attleboro MA Still-life: Captured Moments, University Place Gallery, Cambridge MA 2018 Exhibition, Artist of the Year Award, University Place Gallery, Cambridge MA 5th Monotype/Monoprint, Art Complex Museum, Duxbury MA CAA Fall Salon, Katheryn Schultz Gallery, Cambridge MA Pressing Matters, Monotype Guild, Lynn Arts, MA 2017 Catamount Film and Arts, Arts Connect Catamount Arts, Johnsbury, VT Juror: Andrea Rosen, Curator Fleming Museum of Art, Burlington, VT Flower, Attleboro Museum, Attleboro, MA Small Wonders, Monotype Guild of New England , Hopkinton Center for the Art, Hopkinton, MA 2-D Works, Bannister Gallery, Rhode Island College, Providence RI Mary Schein Fall Salon , Kathryn Schultz Gallery, Cambridge MA Salon Des Refuses, Galleries at Kimball Jenkins Estate, Concord, NH 2016 Painterly Interplay: Perception and Reality, Kathryn Schultz Gallery, Cambridge, MA Lisa Russell, Edwina Rissland, Roz Sommer Blue, University Place Gallery, Cambridge MA Fourth, Monotype Guild of NENG, Attleboro Museum, Attleboro, MA Winter Break, University Place Gallery, Cambridge, MA Salon, Kathryn Schultz Gallery, Cambridge, MA Red Biennial, CAA, Cambridge, MA 2015 14th National Kathryn Schultz Gallery, Cambridge, MA Juror: Caitilin Doherty, Curator and Deputy Director Curatorial Affairs, Eli & Edythe Broad Art Museum, -
The Rose Art Museum
The Rose Art Museum “The Rose at Brandeis: Works from the Collection” Curated by Adelina Jedrzejczak and Roy Dawes Oct. 28, 2009 – May 23, 2010 The Rose Art Museum Brandeis University Fall exhibition, special catalogue will mark celebration of The Rose Art Museum’s permanent collection WALTHAM, Mass.— In fall 2009, The Rose Art Museum at Brandeis University will feature its renowned collection, which includes modern and contemporary masterworks by some of the 20th century’s most revered artists, in an historic exhibition and catalogue. The wide-ranging show entitled, “The Rose at Brandeis: Works from the Collection” opens on Oct. 28th and will present the breadth of the collection by including pieces from dozens of artists who represent different historical periods, from Willem de Kooning, to Jasper Johns, Roy Lichtenstein, Morris Louis, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Max Weber, Cindy Sherman, Kiki Smith, Larry Rivers, Philip Guston, Frank Stella, Jennifer Bartlett, Hans Hoffman, Louise Nevelson and Elsworth Kelley, among others. The exhibition will also explore the depth of The Rose’s holdings by focusing on groupings of artworks by several artists, to expose both artistic development and the process of collecting. “The length of the exhibition, running from October through May 23, 2010, will allow students and the public unprecedented access to some of the key artworks in the collection,” said show co-curator and Director of Museum Operations Roy Dawes. “It will allow museum visitors time to properly see, contemplate, study, revisit and gain perspective on this stupendous collection.” “The Rose at Brandeis” coincides with the Oct.1 publication of the first comprehensive catalogue of the museum’s collection. -
Master of Public Health Program Asserts Its Commitment to Excellence in Research for the Benefit of the Public's Health in Its Mission Statement
Stony Brook University Master of Public Health Degree Program Preliminary Self-Study Document Master of Public Health Stony Brook ProgramMedicine Program in Public Health FINAL SELF STUDY FOR RE-ACCREDITATION Prepared for the Council on Education for Public Health March 2021 Lisa Benz Scott, PhD, Program Director [email protected] (631) 858-9522 www.publicheath.stonybrookmedicine.edu Stony Brook University Master of Public Health Degree Program Final Self-Study Document TABLE OF CONTENTS Introduction 1. Institutional Environment ........................................................................................................................... 3 2. Organizational Charts ........................................................................................................................... 7, 9 3. Instructional Matrix for Degree Programs and Concentrations ............................................................... 11 Criteria A1. Organization and Administrative Processes ......................................................................................... 13 A2. Multi-partner Programs ...................................................................................................... Not applicable A3. Student Engagement ............................................................................................................................ 28 A4. Autonomy for Schools of Public Health ............................................................................. Not applicable A5. Degree Offerings in -
Every Rose Has Its Thorn: a New Approach to Deaccession Andrew W
Hastings Business Law Journal Volume 6 Article 4 Number 2 Summer 2010 Summer 1-1-2010 Every Rose Has Its Thorn: A New Approach to Deaccession Andrew W. Eklund Follow this and additional works at: https://repository.uchastings.edu/ hastings_business_law_journal Part of the Business Organizations Law Commons Recommended Citation Andrew W. Eklund, Every Rose Has Its Thorn: A New Approach to Deaccession, 6 Hastings Bus. L.J. 467 (2010). Available at: https://repository.uchastings.edu/hastings_business_law_journal/vol6/iss2/4 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Business Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. EVERY ROSE HAS ITS THORN: A NEW APPROACH TO DEACCESSION Andrew W. Eklund* INTRODUCTION In 1961, Edgar and Bertha Rose donated $1 million to Brandeis University to form the Rose Art Museum ("the Rose").' Initially, the Rose had no acquisition budget, so the now-7000-piece collection was built on gifts.2 Focused on twentieth-century art, the collection includes a strong selection of post-war artists like Andy Warhol, Jasper Johns, and Roy Lichtenstein,3 many of which were acquired through the initial gifts to the museum.4 In the face of the financial crisis and reduced donations due to the Bernard Madoff scandal, Brandeis University's board of trustees voted unanimously to close the Rose and sell the entire collection on January 26, 2009.5 Valued at approximately $350 million, the Rose was targeted to help deal with Brandeis' budget deficit, alleged to be as much as $10 million,6 as well as a decline in the University's endowment, from $712 million to $549 million, or twenty-three percent, since the financial crisis began.