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German Film Festival 2013: Focus Friedrich Wilhelm Murnau 1 GERMAN FILM FESTIVAL 2013 GERMAN FILM FESTIVAL 2012 2 2013 GERMAN FILM 2 2013 GERMAN FILM GERMANGERMAN FILMFILM FESTIVALFESTIVAL 20122012 GERMAN FILM FESTIVAL 2013 FOCUS FRIEDRICH WILHELM MURNAU 1 – 5 OCTOBER 2013 2 German Film Festival 2013: Focus Friedrich Wilhelm Murnau 3 LOCATION Design & Layout: The International Office “MURNAU WAS LIGHT YEARS AHEAD OF The New Zealand Film Archive Te Anakura Whitiahua Film texts: Maren Glander, Hans Günther HIS TIME.” SAID WIM WENDERS OF THIS 84 Taranaki Street Pflaum, German Films & Marketing GmbH, INNOVATIVE DIRECTOR. Corner Taranaki and Ghuznee Streets www.filmportal.de, www.goethe.de Wellington 6011 Images © F.W. Murnau-Nachlass, Friedrich- Phone: +64 4 3847647 Wilhelm-Murnau-Stiftung, Wiesbaden Website: www.filmarchive.org.nz (Förderer des Erwerbs des Nachlasses, DEFA-Stiftung und Deutsche Kinemathek Tickets: $ 8/6 – Museum für Film und Fernsehen), Opening Night: $ 15 Goethe-Institut IMPRINT PROGRAMME CHANGES Goethe-Institut New Zealand We reluctantly reserve the right to change WELCOME 150 Cuba Street the schedule by amending dates or PO Box 9253 replacing films. Any necessary changes will The Goethe-Institut team warmly welcomes Laugh and please don’t miss the Nosferatu Wellington 6141, New Zealand be advertised at the festival venue and on you to this year’s German Film Festival. double night – we guarantee a blood- the Goethe-Institut New Zealand website. curdling experience. Phone: +64 4 3856924 After focussing on contemporary Email: [email protected] All films will be screened from DVD or filmmakers for the last two years, we are In collaboration with the New Zealand Film Website: www.goethe.de/nz Blu-Ray. thrilled to explore a source of inspiration Archive, the Goethe-Institut is delighted for these directors – the ground breaking to be able to bring these and other films The Goethe-Institut is the Federal Republic expressionist silent films by renowned by Friedrich Wilhelm Murnau to the big of Germany’s cultural institute; it operates director Friedrich Wilhelm Murnau. screen for a Wellington audience. We wish 158 branches in 93 countries. In New to thank all those, both in Germany and Zealand the Goethe-Institut has been based We hope to see you at all our films, but if Wellington, who have worked hard to bring in Wellington since 1980. you should only have time for two of them, about the German Film Festival 2013. we strongly recommend you experience the revolutionary unchained camera Your Goethe-Institut Team technique of the tragicomedy The Last 4 German Film Festival 2013: Focus Friedrich Wilhelm Murnau 5 FRIEDRICH WILHELM MURNAU including Sunrise in association with Fox Studios. Sunrise became a critics’ favourite, Friedrich Wilhelm Murnau was one of the One of his first successes, the expressionist winning three Oscars at the first Academy most important film directors in the silent horror filmNosferatu: A Symphony of Awards ceremony in 1929. Despite being an era of the 1920s. His films still have great Horror, is still considered an influential artistic success, the film was a commercial influence on contemporary filmmakers. masterpiece of cinema and inspired Werner failure and Murnau was forced to modify his Wim Wenders, last year’s focus of the Herzog to direct an homage to the film in ideas in order to appeal to a wider audience. German Film Festival, once said of the 1978. Murnau’s virtuoso use of chiaroscuro This interference with his artistic ideas innovative director, “Murnau was light creates a highly sinister atmosphere. Another caused him to terminate his contract with years ahead of his time.” piece that trades on the horror movie theme Fox Studios. Murnau decided to change his is the 1922 expressionist and technically F.W.Murnau, film shootTabu way of life and set out on a sailing trip in Murnau, born Friedrich Wilhelm Plumpe in advanced adaption of Gerhart Hauptmann’s the South Pacific. However he still ended up Bielefeld in 1888, started directing Ibsen novel Phantom. It was celebrated for its literature, conjuring up connotations of what directing what was to become his last movie. plays at his family home and dabbling in surrealist and dreamlike sequences as well as Freud named “the uncanny”. The production of the docufictionTabu used the study of the likes of Nietzsche and the brilliant use of “the double”, a convention up all of Murnau’s financial savings but was Schopenhauer at the age of 12. Despite of silent cinema and German Romantic After those successes, Murnau was able to sold to Paramount after completion. The film his family’s lack of enthusiasm for his work with the major production company went on to win an Academy Award for Best career plans, Murnau moved to Berlin, Universum Film and directed his next Cinematography but Murnau never got to one of the most exciting intellectual and internationally acclaimed chamber drama experience the success of the movie. He died creative centres. While studying philology, The Last Laugh. Besides featuring new in a car crash a week before the premiere art history and literature he was invited technical developments such as the highly in 1931. to join Max Reinhardt’s acting school praised “unchained camera technique”, it Acknowledgements: in 1913. During that time, Murnau was also dealt with the universally significant Friedrich-Wilhelm-Murnau-Stiftung. URL… http:// involved with the Deutsches Theater themes of social injustice towards the murnau-stiftung.de/fwmurnau-leben-und-karriere and he also visited Vienna and Prague. working class and the importance of the World War I, along with his service for the uniform in German society. Jacobsen, Wolfgang: „Murnau, Friedrich Wilhelm“, German air force during which he survived in: Neue Deutsche Biographie 18 (1997), S. eight crashes, put a halt to his emerging Before moving to the US in 1926, Murnau 615-616 [Onlinefassung]. URL… http://www. deutsche-biographie.de/pnd118585878.html career. Murnau, however, kept up with occupied himself with another German developments in Berlin. During the postwar theme and produced a big budget Prinzler, Hans Helmut (Hg.): Friedrich Wilhelm period the German film industry flourished production combining elements of the Murnau. Der Melancholiker des Films. Berlin and so did Murnau’s opportunities to fulfil legendary tale of Faust with Goethe’s classic 2003. URL… http://www.hhprinzler.de/2003/01/ his cinematic aspirations. F.W.Murnau version. In the US he produced three films, friedrich-wilhelm-murnau 6 German Film Festival 2013: Focus Friedrich Wilhelm Murnau 7 FAUST: A GERMAN FOLK LEGEND THE LAST LAUGH FAUST: EINE DEUTSCHE VOLKSSAGE DER LETZTE MANN OPENING NIGHT, Tuesday, 1 October PLOT SUMMARY Wednesday, 2 October, 7:00pm PLOT SUMMARY Reception: 6:00pm While the devout scholar Faust praises The porter of the grand hotel is old and (film screening starts 7:00pm) mankind’s freedom to choose between Germany, 1924, b/w, 90 mins, silent film feeble and, although he does his job well, good and evil, God and Mephistopheles he is stripped of his identity and pride make a bet that will put Faust’s beliefs to Screenplay: Carl Mayer when the hotel director demotes him to a Germany, 1925/1926, b/w, 115 mins, silent film Cinematography: Karl Freund the test. Should Mephistopheles succeed in restroom attendant. On the very day of his Music: Guiseppe Becce convincing the scholar of the advantages of demotion, his niece celebrates her wedding. Screenplay: Hans Kyser, adaption from the play With: Emil Jannings, Maly Delschaft, Max W. by Johann Wolfgang von Goethe his might, he will gain ownership of the Hiller, Emilie Kurz, Hans Unterkircher, Olaf He secretly wears his old uniform so that Cinematography: Carl Hoffmann world. In order to achieve his goal, Storm, Hermann Vallentin, Georg John, Emmy he too can shine among the guests at the Music: Werner Richard Heymann Mephistopheles brings the plague upon Wyda, Erich Schönfelder wedding. But his few moments of regained With: Gösta Ekman, Emil Jannings, Camilla Horn, Faust’s town. After failing to find a cure for Production: Universum-Film AG (UFA) Berlin pride turn out to be a harsh awakening Frida Richard, Wilhelm Dieterle, Yvette Guilbert, the merciless epidemic, the desperate when he is recognized by an envious Eric Barclay, Hanna Ralph, Werner Fuetterer, Rating: G Hans Brausewetter scholar turns against faith and to colleague. The poor old man seems doomed Production: Universum-Film AG (UFA) Berlin Mephistopheles. He is willing to use evil to spend his remaining years cleaning the forces to perform good deeds. However, his hotel restrooms, until a wealthy young man Rating: PG – low level violence good intentions trigger a disastrous spiral dies in his restroom one day. of deceit, infidelity, lust, gluttony, murder and suicide. Despite these vicious events a new love is blossoming and the struggle against evil might not yet be lost. 8 German Film Festival 2013: Focus Friedrich Wilhelm Murnau 9 PHANTOM TABU – A STORY OF THE SOUTH SEAS Thursday, 3 October, 7:00pm PLOT SUMMARY Friday, 4 October, 7:00pm PLOT SUMMARY Based on Gerhart Hauptmann’s novel, the On a Southern Pacific Island, pearl diver Germany, 1922, colour tinted, 119 mins, film tells the story of the plain and USA, 1930/1931, b/w, 86 mins, silent film Matahi falls in love with the beautiful Reri. silent film responsible town chronicler Lorenz Lubota The news from the old chieftain and priest who is promised a publishing deal for his Screenplay: F.W. Murnau, Robert J. Flaherty Hitu takes them by surprise: Reri has been Screenplay: Thea von Harbou, based on the Cinematography: Floyd Crosby, Robert J. poems by the book binder Strake. Lubota’s dedicated to the gods and is therefore novel by Gerhart Hauptmann Flaherty behaviour changes after he is run over by “taboo”; no man may touch her.