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Centri Ricreativi Estivi
CENTRI RICREATIVI ESTIVI Anche quest’anno i piccoli cittadini del Municipio Roma I Centro avranno a disposizione i centri estivi municipali attivati nelle scuole LEOPARDI (Monte Mario) - Ass. Noi della Leopardi: [email protected] - 3277506933 PISTELLI (Prati) - Coop. L'Albero delle Ciliegie: [email protected] - 3351430977, 3351430976 REGINA ELENA e PESTALOZZI (Ludovisi / Castro pretorio) - Ass. Via Andante: [email protected] 0699702424 3494296164 RUSPOLI (Campo Marzio) solo giugno - Ass. ALT Academy: [email protected] - 06.4070056, 3939753042 DI DONATO (Esquilino) - Ass. Genitori Di Donato: [email protected] FRANCHETTI (San Saba) - Ass. Piccolo Principe: [email protected] - 3888620491 REGINA MARGHERITA (Trastevere) - Ass. Scuola Regina Margherita: [email protected] 3389322076, 3408627063 GRILLI (Gianicolo) - ASD Polisportiva Virgilio: [email protected] 3475721290, 3490547472 VICO (Trionfale) - ASD Azzurra 83: [email protected] - 3337659314 BACCARINI (Monti) - Ass. Il Colle Incantato: [email protected] 3206905308 I centri estivi sono aperti a tutti i bambini frequentanti le scuole del Primo Municipio o residenti nel territorio municipale. E’ facoltà di ogni organismo attuatore accogliere anche bambini di altra provenienza, subordina- tamente alla disponibilità dei posti. Nel mese di luglio i centri estivi accoglieranno anche i bambini della fascia di età 3-6 anni residenti o iscritti alle scuole dell'infanzia . Per i residenti o iscritti nelle scuole -
You Are Cordially Invited
We appreciate the businesses below for advertising in our bulletin, please patronize these businesses. PARISH BULLETIN July11, 2021 And when you do, mention that you saw their ad in our bulletin! Fifteenth Sunday in Ordinary Time Immaculate Conception Parish St. Joseph Parish-Fairview 341 W Main St PO Box 188 N13740 Fairview Rd In Memory of Alma Center WI 54611-0188 Fairchild WI 54741-8514 John Selz FAMILY SUMMER COOK-OUT—TODAY!!!! SUNDAY, JULY 11 Selz-Pralle Dairy Family 11:15 AM Immaculate Conception Lunch - Fellowship - Games - Spiritual guidance from Fr Dan All are welcome! VFW Post 8494 NEIGHBORS IN NEED Bob Danke Post Cmdr 715-984-2478 Since 1993 more than 1000 Hall rental available helped. If you know of anyone St Joseph’s 150th Anniversary Celebration! (Ad donated in memory of with a special need, call Bernard & Dorothy Jeff Smith @ 715-334-3983 Laufenberg) 1870 - 2020 You are cordially 150 years invited To the Sesquicentennial Sponsors: James Forsting Dennis and Jan The Esser Family Anniversary Celebration for Families Elfering St Joseph - Fairview Catholic Parish Janke’s Never †Martin & Dorothy In Loving Memory of the †Ray & Lorraine Saturday, July 17, 2021 Rest Farms Kalina Laufenberg Family 11:00 AM Mass St Joseph Catholic PARISH - Fairview Immaculate Conception Annual Roast Beef Dinner There will be limited seating at the Mass FRIENDS’ SHARING FOOD Some of the ladies from Immaculate Conception met to dis- N13740 Fairview Rd ESSENTIAL NEEDS PROGRAM Dinner to follow-all are invited cuss the annual roast beef dinner, and how to hold it safely this Fairchild WI 54741 Located at 411 Gebhardt Rd, Black River Falls year. -
Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere)
DALE KINNEY Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere) Abstract The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social conditions in which early Christian liturgies ‘rewired’ their participants. This paper demon- strates that liturgical transformation was a two-way process, in which liturgy was the object as well as the agent of change. Three essential factors – the liturgy of the Eucharist, the space of the early Christian basilica, and the local Christian community – are described as they existed in Rome from the fourth through the ninth centuries. The essay then takes up the specific case of the Basilica Julii, showing how these three factors interacted in the con- crete conditions of a particular titular church. The basilica’s early Christian liturgical layout endured until the ninth century, when it was reconfigured by Pope Gregory IV (827-844) to bring the liturgical sub-spaces up-to- date. In Pope Gregory’s remodeling the original non-hierarchical layout was replaced by one in which celebrants were elevated above the congregation, women were segregated from men, and higher-ranking lay people were accorded places of honor distinct from those of lesser stature. These alterations brought the Basilica Julii in line with the requirements of the ninth-century papal stational liturgy. The stational liturgy was hierarchically orga- nized from the beginning, but distinctions became sharper in the course of the early Middle Ages in accordance with the expansion of papal authority and changes in lay society. -
The Spirit of Rome, by Vernon Lee 1
The Spirit of Rome, by Vernon Lee 1 The Spirit of Rome, by Vernon Lee The Project Gutenberg EBook of The Spirit of Rome, by Vernon Lee This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Spirit of Rome Author: Vernon Lee Release Date: January 22, 2009 [EBook #27873] Language: English Character set encoding: ISO-8859-1 The Spirit of Rome, by Vernon Lee 2 *** START OF THIS PROJECT GUTENBERG EBOOK THE SPIRIT OF ROME *** Produced by Delphine Lettau & the Online Distributed Proofreading Team at http://www.pgdpcanada.net This file was produced from images generously made available by The Internet Archive/American Libraries. THE SPIRIT OF ROME BY VERNON LEE. CONTENTS. Explanatory and Apologetic I. First Return to Rome II. A Pontifical Mass at the Sixtine Chapel III. Second Return to Rome IV. Ara Coeli V. Villa Cæsia VI. The Pantheon VII. By the Cemetery SPRING 1895. I. Villa Livia II. Colonna Gallery III. San Saba IV. S. Paolo Fuori V. Pineta Torlonia SPRING 1897. I. Return at Midnight II. Villa Madama III. From Valmontone to Olevano IV. From Olevano to Subiaco V. Acqua Marcia VI. The Sacra Speco VII. The Valley of the Anio VIII. Vicovaro IX. Tor Pignattara X. Villa Adriana XI. S. Lorenzo Fuori XII. On the Alban Hills XIII. Maundy Thursday XIV. Good Friday XV. -
The Wars of the Roses
Unit 2: Roman Church and the Rise of the Papal State © Jason Asbell, 2019 Unit 2: Roman Church and the Rise of the Papal State © Jason Asbell, 2019 © Jason Asbell, 2019 © Jason Asbell, 2019 © Jason Asbell, 2019 SW India evangelized 1st Cent. AD Manicheanism was a Gnostic belief that was semi-Christian, but believed in a dualistic cosmology in which Good and Evil were equally powerful – this belief system lasted a long time…eventually almost all Manichean believers assimilated into either more mainstream versions of Christianity, Buddhism, or Islam © Jason Asbell, 2019 Unit 2: Roman Church and the Rise of the Papal State © Jason Asbell, 2019 St. Miltiades: First African Pope. First pope after the end of the persecution of Christians through the Edict of Milan (313 AD). Presided over the Lateran council of 313. St. Sylvester I: 1st Council of Nicaea (325). Built St. John Lateran, Santa Croce in Gerusalemme and Old St. Peter's Basilica. Stated recipient of Donation of Constantine (later shown to be a forgery) Papal Reigns: St. Miltiades to St. Gregory I "the Great" MILTIADES INNOCENT I FELIX III (II?) JOHN II (2 JULY 311 – 10 JAN 314) (21 DEC 401 – 12 MARCH 417) (13 MARCH 483 – 1 MARCH 492) (2 JAN 533 – 8 MAY 535) MARK BONIFACE I ANASTASIUS II VIGILIUS (336) (28 DEC 418 – 4 SEP 422) (24 NOV 496 – 19 NOV 498) (29 MARCH 537 – 7 JUNE 555) LIBERIUS SIXTUS III HORMISDAS JOHN III (17 MAY 352 – 24 SEP 366) (31 JULY 432 – 18 AUG 440) (20 JULY 514 – 6 AUG 523) (17 JULY 561 – 13 JULY 574) SIRICIUS HILARIUS FELIX IV PELAGIUS II (17 DEC 384 – 26 NOV -
The Annunciation Red Chalk on Light Brown Paper, Laid Down
Giuseppe Cesari Cavaliere d'Arpino (Arpino 1568 - Rome 1640) The Annunciation Red chalk on light brown paper, laid down. Indistinctly inscribed B. Ellins[?] Vices[?] at the lower left and, in a different hand, Corregio at the lower right. Numbered 30 at the lower right. 245 x 213 mm. (9 5/8 x 8 3/8 in.) ACQUIRED BY THE CHAPEL ART CENTER, ST. ANSELM COLLEGE, MANCHESTER, NEW HAMPSHIRE. This fine sheet is an exceptional example of Arpino’s confident draughtsmanship. The drawing is a preparatory study for an altarpiece of The Annunciation, painted between 1594 and 1596 for the Cappella Aldobrandini in the church of Santa Maria in Via in Rome. The decoration of the chapel had been left unfinished by Jacopo Zucchi in 1594, and Arpino was commissioned by Cardinal Pietro Aldobrandini to paint the altarpiece and two frescoes on the lateral walls of the chapel, which served as the resting place of his father, also called Pietro Aldobrandini. A related compositional drawing by Arpino for the Aldobrandini Annunciation, also in red chalk and formerly in the Maranzi collection in Rome, appeared at auction in London in 1967 and 2008. Of the two drawings, the present sheet is closer to the final painting in the poses of the figures, though the ex- Maranzi drawing more faithfully reproduces the architectural background of the altarpiece. Herwarth Röttgen has noted of the former drawing (and, by extension, the present sheet) that it shows Arpino’s tendency to make his figures quite youthful in appearance, endowing them with a sense of innocence and charm. -
Extraordinary Jubilee of Mercy 2015-2016
EEXXTTRRAAOORRDDIINNAARRYY JJUUBBIILLEEEE ooff MMEERRCCYY The Extraordinary Jubilee of Mercy 2015-2016 Pope Francis, who is moved by the human, social and cultural issues of our times, wished to give the City of Rome and the Universal Church a special and extraordinary Holy Year of Grace, Mercy and Peace. The “Misericordiae VulTus” Bull of indicTion The Apostolic Exhortation Evangelii Gaudium, which continues to be the programmatic outline for the pontificate of Pope Francis, offers a meaningful expression of the very essence of the Extraordinary Jubilee which was announced on 11 April 2015: “The Church has an endless desire to show mercy, the fruit of its own experience of the power of the Father’s infinite mercy” (EG 24). It is with this desire in mind that we should re-read the Bull of Indiction of the Jubilee, Misericordiae Vultus, in which Pope Fran- cis details the aims of the Holy Year. As we know, the two dates already marked out are 8 December 2015, the Solemnity of the Immaculate Conception, the day of the opening of the Holy Door of St. Peter’s Basilica, and 20 November 2016, the Solemnity of Our Lord Jesus Christ, King of the Universe, which will conclude the Holy Year. Between these two dates a calendar of celebrations will see many different events take place. The Pope wants this Jubilee to be experienced in Rome as well as in local Churches; this brings partic- ular attention to the life of the individual Churches and their needs, so that initiatives are not just additions to the calendar but rather complementary. -
3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome
Anna Bortolozzi 3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome Rome fut tout le monde, & tout le monde est Rome1 Drawing in the past, drawing in the present: Two attitudes towards the study of Roman antiquity In the early 1530s, the Sienese architect Baldassare Peruzzi drew a section along the principal axis of the Pantheon on a sheet now preserved in the municipal library in Ferrara (Fig. 3.1).2 In the sixteenth century, the Pantheon was generally considered the most notable example of ancient architecture in Rome, and the drawing is among the finest of Peruzzi’s surviving architectural drawings after the antique. The section is shown in orthogonal projection, complemented by detailed mea- surements in Florentine braccia, subdivided into minuti, and by a number of expla- natory notes on the construction elements and building materials. By choosing this particular drawing convention, Peruzzi avoided the use of foreshortening and per- spective, allowing measurements to be taken from the drawing. Though no scale is indicated, the representation of the building and its main elements are perfectly to scale. Peruzzi’s analytical representation of the Pantheon served as the model for several later authors – Serlio’s illustrations of the section of the portico (Fig. 3.2)3 and the roof girders (Fig. 3.3) in his Il Terzo Libro (1540) were very probably derived from the Ferrara drawing.4 In an article from 1966, Howard Burns analysed Peruzzi’s drawing in detail, and suggested that the architect and antiquarian Pirro Ligorio took the sheet to Ferrara in 1569. -
Immagini Mariane a Roma : Storia, Arte, Tradizioni / Mauro Stramacci
Ceri*? Premessa pag. 5 CAPITOLO PRIMO - Duemila anni di culto maricino a Roma dcdle catacombe ai nostri giorni » 7 CAPITOLO SECONDO - Antiche immagini nelle chiese dedicate alla Madonna » 21 Santa Maria Maggiore » 23 Santa Maria Antiqua » 31 Santa Maria degli Angeli e dei Martiri » 35 Santa Maria dell'Anima » 38 Santa Maria in Aquiro » 42 Santa Maria in Aracoeli » 45 Santa Maria in Campitelli » 49 Santa Maria in Campo Marzio » 51 Santa Maria della Consolazione » 54 Santa Maria in Cosmedin » 58 Santa Maria in Domnica » 61 Santa Maria delle Grazie alle Fornaci » 63 Santa Maria Immacolata » 65 Santa Maria di Loreto » 69 Santa Maria ad Martyres » 71 Santa Maria Sopra Minerva » 74 Santa Maria dei Miracoli » 76 Santa Maria in Monserrato » 78 Santa Maria in Montesanto » 80 Santa Maria in Monticeli» » 82 Santa Maria Nova » 85 Santa Maria dell'Orazione e Morte » 87 ìNDici- GÌ;NFRALK " ' < ' pag. 89 » 91 ' ' ' * » 93 » 95 1 1 4 j i » 96 ',.' . ia » 99 > < » 100 < ' J - )Iori » 102 IÌ 1 • > ' 1 ' /' 1 * ina » 103 1 \ 1 ,. <^' re » 106 ' ., f j 11 , <•> ; » 108 • 1 ' 1 ',.'!',> M(a » 110 ' Ì.I ) ' . , r V. 1 ,, 113 •» 1 'Vi >i < 1 , Zia t ' » Il6 ". > l "' '( '\V f (' ia » 119 11 ', ' •lì, 1 '( ! JilM » 122 ^ - .'\ . <> rj' i/Ui, » 125 |*'. » -d '.i' ), . (1 >!'. K'O Cuore » 127 CAPITOLO TY.R'/.O - Antiche immagini in chiese non dedicate alla Ma dolina » 12 g Santa Maria della Salute (ai Santi Cosina e Damiano) » 131 Santa Maria dell'Acquasantino (in San Rocco) » 132 Santa Maria della Colonna (nella Basilica di San Pietro) » 133 Santa Maria della -
Anne Wingenter E-Mail: [email protected] Phone: 0635403095 Office: Wed 12:30-2:00 Or by Appt
History 324 Wed 9:30-12:30 Instructor: Anne Wingenter e-mail: [email protected] phone: 0635403095 office: Wed 12:30-2:00 or by appt. Italy in the 19th and 20th Centuries – Writing Intensive This course will introduce students to the major political, cultural and social trends in Italy since the defeat of Napoleon. Within this broad overview three historical “problems” will be examined in depth. These are: 1) the place of the Risorgimento in Italian unification; 2) the rise and fall of Italian Fascism; and 3) the immigration waves of the past 3 decades and their impact on Italian identity. By analyzing these problems students should gain a command not only of the "names and dates" of modern Italian history but also come to understand the dynamics involved: the interplay of regional influences, the basic trends of continuity and change, and the role of the individual and of social forces. Required Texts: 1. Christopher Duggan, The Force of Destiny: A History of Italy Since 1796. 2. Carlo Levi, Christ Stopped at Eboli. (any edition) Expected Learning Outcomes: Skills: History as a discipline consists of analysis and expository writing. Consequently, the “writing intensive” aspect of this course is designed both to improve your general writing skills and to develop your ability to “do” history. Through engagement with controversial subjects and conflicting interpretations across primary sources and secondary texts, you will further develop your abilities to read and write critically and to recognize and question the political implications of history writing. Knowledge: You will learn to define some perhaps familiar political terms (for example, Liberalism, Republicanism, Fascism, Socialism, Communism, Christian Democracy) in the context of Italian politics. -
SOMMARIO L. Le Storie Di San Pietro E San Paolo Nell'oratorio Di Giovanni VII in San Pietro in Vaticano, K. Quezjo 2. Il Perduto
SOMMARIO INTRODUZIONE 13 ScHEDE l. Le Storie di san Pietro e san Paolo nell'oratorio di Giovanni VII in San Pietro in Vaticano, K. Quezjo 51 2. Il perduto medaglione Paparoni nel pavimento di Santa Maria Maggiore, K. Queijo 54 3. Gli affreschi staccati dall'abside di San Basilio ai Pantani. L'Ascensione, I. Quadri e K. Queijo 56 4. L'affresco con la Vergine, il Bambino e santi in San Bartolomeo all'Isola, I. Quadri 59 5. Il mosaico absidale di San Pietro in Vaticano, K. Queijo 62 6. La Leggenda di Ansedonia sull'Arco di Carlomagno all'abbazia delle T re Fontane, I. Quadri 67 7. Il mosaico con la Virgo lactam e le vergini sagge e folli sulla facciata di Santa Maria in T rastevere, K. Queijo 72 7a. Prima fase: gruppo centrale e vergini S2, Sl, D l e D2 73 7b. Seconda fase: vergini D3 e D4 75 8. Il mosaico absidale di San Paolo fuori le mura, K. Queijo 77 9. L'icona musiva con la Vergine e il Bambino in San Paolo fuori le Mura, K. Queijo 88 10. Il mosaico dell'ingresso monumentale di San Tommaso in Formis, K. Quezjo 90 11. Il fregio a mosaico sull'architrave del portico di San Lorenzo fuori le mura, K. Quezjo 92 12. La decorazione a finti mattoni nel portico di San Lorenzo fuori le mura, K. Quezjo 94 13. La perduta Croa/issione con Onorio III e Iacobus penitentiarius al Laterano (?), K. Queijo 95 14. Il volto duecentesco dell'icona di Santa Maria Nova, K. -
View / Open Whitford Kelly Anne Ma2011fa.Pdf
PRESENT IN THE PERFORMANCE: STEFANO MADERNO’S SANTA CECILIA AND THE FRAME OF THE JUBILEE OF 1600 by KELLY ANNE WHITFORD A THESIS Presented to the Department of Art History and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts December 2011 THESIS APPROVAL PAGE Student: Kelly Anne Whitford Title: Present in the Performance: Stefano Maderno’s Santa Cecilia and the Frame of the Jubilee of 1600 This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of Art History by: Dr. James Harper Chairperson Dr. Nicola Camerlenghi Member Dr. Jessica Maier Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded December 2011 ii © 2011 Kelly Anne Whitford iii THESIS ABSTRACT Kelly Anne Whitford Master of Arts Department of Art History December 2011 Title: Present in the Performance: Stefano Maderno’s Santa Cecilia and the Frame of the Jubilee of 1600 In 1599, in commemoration of the remarkable discovery of the incorrupt remains of the early Christian martyr St. Cecilia, Cardinal Paolo Emilio Sfondrato commissioned Stefano Maderno to create a memorial sculpture which dramatically departed from earlier and contemporary monuments. While previous scholars have considered the influence of the historical setting on the conception of Maderno’s Santa Cecilia, none have studied how this historical moment affected the beholder of the work. In 1600, the Church’s Holy Year of Jubilee drew hundreds of thousands of pilgrims to Rome to take part in Church rites and rituals.