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Es42009133653-1.Ps, Page 1-108
2009 年第 36 期憲報第 4 號特別副刊 S. S. NO. 4 TO GAZETTE NO. 36/2009 D4149 2009 年 53 號特別公告 書刊註冊條例 ( 第 142 章 ) 2008 年第三季香港印刷書刊目錄 ( 由康樂及文化事務署公共圖書館書刊註冊組編訂 ) 本目錄列出 2008 年第三季根據上述條例而送交書刊註冊組註冊的書刊。其中包括: (1) 本季內在香港印刷、製作或出版的書籍,包括政府物流服務署出版的刊物,但不包括 個別條例草案、條例與規例的文本,以及單張、活頁和海報;及 (2) 本季內首次在本港印刷、製作或出版的期刊。本目錄只會載列有關期刊的創刊號或第 一期的資料。至於期刊的其他期數資料及相關資料,則會刋登於第四季的目錄。( 詳情請見下 列第三段 ) 本目錄內每一書刊右下方括號內的編號,代表年內該書刊送交書刊註冊組註冊的次序;至 於書刊左上方的順序編號,則純粹是排序用途,於第四季列出是年的作者索引,以便從每季目 錄中搜尋所需書刊。 每年第四季目錄除載列該季度送交書刊註冊組註冊的書刊外,還包括下列各部份: (1) 該年度中英文作者索引; (2) 該年度出版社名稱及地址; (3) 該年度印刷商名稱及地址 ; 及 (4) 該年度已登記的中英文期刊名稱、出版次數、價錢及出版者。 本目錄的英文書刊是參考英國出版的《英美編目條例》( 第二版) (Anglo-American Cataloguing Rules, 2nd edition) (AACR2) 編訂;香港特別行政區政府部門出版的刊物則屬例 外。中文書刊則參考劉國鈞的圖書著錄法。 英文書刊使用的簡寫表列如下: c Copyright p. pages cm centimeters pbk. paperback col. colour port. portrait ed. edition, editor sp. spiral et al. and others v volume ill. illustration, illustrated bibl. bibliography 各書刊的貨幣單位表列如下 : $ Hong Kong Dollars JPY Japanese Yuan CNY Chinese Yuan NTD Taiwan Dollars GBP Great Britain Pounds USD US Dollars 如對本目錄有任何查詢,請致電 (852) 2180 9145–6 與書刊註冊組聯絡。如需查閱本目錄 的電子版可瀏覽書刊註冊組的網頁,其網址為 http://www.hkpl.gov.hk/tc_chi/books_reg/books_reg_intro/books_reg_intro.html 2009 年第 36 期憲報第 4 號特別副刊 S. S. NO. 4 TO GAZETTE NO. 36/2009 D4151 ENGLISH BOOKS AND PERIODICALS 6297 A-Z in ophthalmology. Section A, Investigative 6293 ophthalmology, Book 3, Clinical visual electrophysiology / Timothy, Y. Lai, Ranjana 2007 manpower survey report : security Mathur, Lezheung Wu. — Hong Kong : services = 保安服務業二00七年人力調查報告. Bon Vision Limited, 2008. — xii, 146 p. : — Hong Kong : Vocational Training ill. (chiefly col.), charts ; 22 cm. Council. Security Services Training Board, Includes index 2008. — 237 p. : charts ; 30 cm. ISBN 978-988-97985-5-0 (pbk.) : Text in Chinese and English USD30.00 Unpriced (pbk.) (2008-06502) (2008-08828) 6298 6294 A-Z in ophthalmology. -
New Round of “Spend-To-Redeem Free Tours” Open for Registration Tomorrow
PRESS RELEASE 新聞稿 Date: 31 May 2021 Total page: 1 New Round of “Spend-to-Redeem Free Tours” Open for Registration Tomorrow The Hong Kong Tourism Board (HKTB) is rolling out a new round of the “Spend-to-Redeem Free Tours” programme, with registration opening tomorrow (1 June). About 190 itineraries, designed by various local tour operators, are available in the new round, which will be uploaded to the HKTB’s programme website in two batches. Starting from tomorrow, members of the public can choose from the first batch of about 130 itineraries and register directly with the tour operators. The first batch of itineraries uploaded cover a wide range of themes and experiences, including the Scenic Harbour, Lively Culture, Gastro-Fantasies, Endless Entertainment, Neighbourhoods and Family Fun. On top of local attractions, the itineraries include workshops related to gourmet food and handicrafts, fishing and farming activities, as well as pet-friendly experience. Half-day tours include at least two points of interests and one meal, many of which offer a hotel buffet, seafood tasting on an outlying island, or other delicacies (see appendix). Members of the public can register for a local tour with machine-printed receipt(s) after spending HK$800 or more at local retail and dining outlets. Registered participants are required to submit the receipt(s) to the tour operator and pay a deposit of HK$100 per person (to be returned on the day of the tour). To meet the government’s latest anti-pandemic requirements, all participating tour operators are required to sign the Anti-epidemic Undertakings for Local Tours. -
Views and Suggestions Received from the Public on the Review of Built Heritage Conservation Policy
LC Paper No. CB(2)1599/06-07(01) For discussion on 20 April 2007 Legislative Council Panel on Home Affairs Views and Suggestions Received from the Public on the Review of Built Heritage Conservation Policy Purpose This paper sets out a summary of the public views and suggestions gathered on the review of built heritage conservation policy from 2004 to early 2007. Background 2. At the meeting of the Legislative Council Panel on Home Affairs on 9 March 2007, Members proposed that the Administration should provide a summary of major views, concerns and suggestions received since the 2004 public consultation exercise. The summary should include views relating to legislative, funding or administrative proposals, as well as key issues over which consensus or divided views had been expressed by the public. Summary of Public Views 3. Against the above background, a summary of views, concerns, and suggestions covering the following main areas regarding built heritage conservation is at Annex – (a) What do we conserve; (b) How do we conserve; (c) How much, and who should pay; and (d) Suggestions on legislative and institutional measures. Page 1 4. The public views we have received so far point to the need for substantial improvements to the current policy and practices on built heritage conservation. There was general support for – (a) Adopting a holistic approach to heritage conservation; (b) Revising the current assessment and selection process of built heritage; (c) Expanding the scope of protection from individual buildings to “streets” and -
ART + AUCTION 'Power Issue', December 2015
ART + AUCTION 'Power Issue', December 2015 The bios and essays in Art+Auction’s guide to notable players in the art world will be rolled out on ARTINFO over the course of the next two weeks. Here, we present Part Three. Click here for an introduction to the entire series. Click here for previously published installments. Check back daily for new articles. Magnus Renfrew * Auctioneer In July 2014, Renfrew took the title deputy chairman and director of fine arts in Hong Kong for Bonhams, the house for which he initiated sales of contemporary Chinese art in 2006. In the interim he served as the founding director of the Hong Kong International Art Fair (Art HK) and oversaw its development from 2007 to 2011, when it was acquired by MCH Group, parent company of Art Basel. He then directed the first two editions of Art Basel Hong Kong, in 2013 and 2014. In 2013 Renfrew was named a Young Global Leader by the World Economic Forum, and he has been instrumental in positioning Hong Kong as a center for modern and contemporary art in Asia. At Bonhams, Renfrew now draws on his deep knowledge of the gallery and collector network and the overall Asian market while overseeing regional business strategies as well as the Classical, modern, and contemporary Asian art departments. // AUCTION STRATEGIES M a g n u s R e n f r e w press archive 1 HONG KONG ECONOMIC JOURNAL 'How to trade the new golden age of art', 18 November 2015 The 2008 financial crisis prompted investors to include alternative investment in their portfolio to diversify risk. -
Antiquities and Monuments Ordinance (Cap. 53) Antiquities and Monuments (Declaration of Monuments and Historical Buildings) (Consolidation) (Amendment) Notice 2019
File Ref.: DEVB/CHO/1B/CR/141 LEGISLATIVE COUNCIL BRIEF Antiquities and Monuments Ordinance (Cap. 53) Antiquities and Monuments (Declaration of Monuments and Historical Buildings) (Consolidation) (Amendment) Notice 2019 INTRODUCTION After consultation with the Antiquities Advisory Board (“AAB”)1 and with the approval of the Chief Executive, the Secretary for Development (“SDEV”), in his capacity as the Antiquities Authority under the Antiquities and Monuments Ordinance (Cap. 53) (the “Ordinance”), has decided to declare three historic items, i.e. the rock carving at Cape Collinson (黑角頭 石刻), Yuk Hui Temple (玉虛宮) and Hau Mei Fung Ancestral Hall (味峰侯 公祠), as monuments2 under section 3(1) of the Ordinance. 2. The declaration is made by the Antiquities and Monuments (Declaration of Monuments and Historical Buildings) (Consolidation) A (Amendment) Notice 2019 (the “Notice”) (Annex A), which will be published in the Gazette on 25 October 2019. 1 The Antiquities Advisory Board is a statutory body established under section 17 of the Antiquities and Monuments Ordinance (Cap. 53) to advise the Antiquities Authority on any matters relating to antiquities, proposed monuments or monuments or referred to it for consultation under sections 2A(1), 3(1) or 6(4) of the Ordinance. 2 Under section 2 of the Antiquities and Monuments Ordinance (Cap. 53), “monument” (古蹟) means a place, building, site or structure which is declared to be a monument, historical building or archaeological or palaeontological site or structure. JUSTIFICATIONS Heritage Significance 3. The Antiquities and Monuments Office (“AMO”)3 has carried out research on and assessed the heritage significance of the three historic items set out in paragraph 1 above. -
Legislative Council Panel on Economic Development
LC Paper No. CB(4)247/15-16(01) Legislative Council Panel on Economic Development Supplementary information requested during the discussion at the Panel meeting held on 26 October 2015 on Agenda Item IV : Revision of postage rates and miscellaneous postal fees and charges Purpose At the meeting of the Legislative Council Panel on Economic Development held on 26 October 2015, Members requested the Administration to provide supplementary information on the following issues: (a) the result of the review on the business operation of the Hongkong Post ("HKP") with the objectives of enabling the department to, among others, expand its service offerings in response to market needs; (b) actions that had been taken to preserve the historical records, equipment and tools relating to the postal services provided in Hong Kong, and whether HKP had any plan for the establishment of a postal museum in future; and (c) postal service(s) which was/were operating at a profit or at a loss, and measures, if any, implemented to increase the market share of those services that were making a profit. 2. The review on the HKP’s business operation under paragraph 1(a) is still in progress. We will report on the review outcome in due course separately. Information on the issues mentioned in paragraph 1(b) and (c) above is set out in the ensuing paragraphs. 2 Preservation of historical records, equipment and tools relating to postal service provision in Hong Kong 3. HKP has all along devoted effort to preserve records, equipment and tools relating to postal service provision in Hong Kong both for archival and public education purposes. -
Existing Upper Levels Police Station Heritage Impact Assessment (HIA)
Re-provisioning of David Trench Rehabilitation Centre at Existing Upper Levels Police Station Heritage Impact Assessment (HIA) Background • The need of re-provisioning is due to demolition of the existing David Trench Rehabilitation Centre (DTRC) to make way for the new entrance under MTR West Island Line. • The Site of Existing Old Upper Levels Police Station (ULPS) has been chosen for the re-provisioning of DTRC. • The Main Building of ex-ULPS, classified as a Grade III historic building, is the subject of this HIA submission. Background Dental Lab to ex-SYPJCP New Building ex-ULPS Background Site Plan Background – New Uses of Ex-ULPS Heritage Impact Assessment (HIA) • Heritage Impact Assessment was carried out to propose mitigation measures for its adaptive reuse. The HIA has included the following major elements: Under Conservation Management Plan: – Historical and contextual study of the building – Assessment of its cultural significance – Issues and Conservation Policy Under HIA Report: – Impact and Mitigation Measures History 1843 1890 History Police Numbering System • 1845 Central Police Station On Upper Station Street, Sheung Wan • 1853 No. 1 Police Station At the junction of Percival Street and Leighton Road, Causeway Bay • 1868 No. 2 Police Station At the junction of Wan Chai Road and Johnston Road, Wan Chai • 1847 No. 3 Police Station On the site of the Old Wan Chai Post Office on Queen's Road East, Wan Chai • 1863 No. 4 Police Station To the east of the Tamar site, Admiralty • 1857 No. 5 Police Station At the junction of Wellington Street and Queen's Road Central, Central • 1869 No. -
Historic Building Appraisal 1 Tsang Tai Uk Sha Tin, N.T
Historic Building Appraisal 1 Tsang Tai Uk Sha Tin, N.T. Tsang Tai Uk (曾大屋, literally the Big Mansion of the Tsang Family) is also Historical called Shan Ha Wai (山廈圍, literally, Walled Village at the Foothill). Its Interest construction was started in 1847 and completed in 1867. Measuring 45 metres by 137 metres, it was built by Tsang Koon-man (曾貫萬, 1808-1894), nicknamed Tsang Sam-li (曾三利), who was a Hakka (客家) originated from Wuhua (五華) of Guangdong (廣東) province which was famous for producing masons. He came to Hong Kong from Wuhua working as a quarryman at the age of 16 in Cha Kwo Ling (茶果嶺) and Shaukiwan (筲箕灣). He set up his quarry business in Shaukiwan having his shop called Sam Lee Quarry (三利石行). Due to the large demand for building stone when Hong Kong was developed as a city since it became a ceded territory of Britain in 1841, he made huge profit. He bought land in Sha Tin from the Tsangs and built the village. The completed village accommodated around 100 residential units for his family and descendents. It was a shelter of some 500 refugees during the Second World War and the name of Tsang Tai Uk has since been adopted. The sizable and huge fortified village is a typical Hakka three-hall-four-row Architectural (三堂四横) walled village. It is in a Qing (清) vernacular design having a Merit symmetrical layout with the main entrance, entrance hall, middle hall and main hall at the central axis. Two other entrances are to either side of the front wall. -
Cantonese and Putonghua in Hong Kong: Trends, Challenges, and Perspectives of Coexistence
CANTONESE AND PUTONGHUA IN HONG KONG: TRENDS, CHALLENGES, AND PERSPECTIVES OF COEXISTENCE Freie wissenschaftliche Arbeit zur Erlangung eines Mastergrades am Fachbereich Geschichts- und Kulturwissenschaften der Freien Universität Berlin im Masterstudiengang Chinastudien eingereicht von: Isabella Valentini Dr. Andreas Guder Univ.-Prof. Dr. Klaus Mühlhahn 0 Contents LIST OF ILLUSTRATIONS AND TABLES ........................................................................ 4 1. INTRODUCTION ......................................................................................................... 5 1.1. TERMINOLOGY ............................................................................................................ 7 2. THE FEATURES OF CANTONESE IN HONG KONG ............................................. AND MAINLAND CHINA ........................................................................................... 9 2.1. A LINGUISTIC AND HISTORICAL OUTLINE OF YUE AND CANTONESE .......................... 10 2.1.1. HISTORICAL BACKGROUND ....................................................................................... 12 2.1.2. YUE AND CANTONESE STUDIES ................................................................................. 14 2.2. CANTONESE AND PUTONGHUA IN GUANGDONG: ........................................................... THE EXPERIENCE IN THE MAINLAND .......................................................................... 18 2.2.1. THE BIRTH OF A UNIFIED CHINESE LANGUAGE .......................................................... -
July/August 2016 Volume 15, Number 4 Inside
J U L Y / A U G U S T 2 0 1 6 VOLUME 15, NUMBER 4 INSIDE Cross-Cultural Encounters in Modernist Calligraphy Hong Kong After the Umbrella Protests New Media Arts from Taiwan Artist Features: susan pui san lok, Wang Bing, Xie Nanxing, Zhang Kechun Buried Alive: Preface US$12.00 NT$350.00 PRINTED IN TAIWAN 6 VOLUME 15, NUMBER 4, JULY/AUGUST 2016 CONTENTS 29 2 Editor’s Note 4 Contributors 6 Lines in Translation: Cross-Cultural Encounters in Modernist Calligraphy, Early 1980s–Early 1990s Shao-Lan Hertel 53 29 Spots, Dust, Renderings, Picabia, Case Notes, Flavour, Light, Sound, and More: Xie Nanxing’s Creations Carol Yinghua Lu 45 Zhang Kechun: Photographing "China’s Sorrow" Adam Monohon 53 Hong Kong After the Umbrella Protests John Batten 65 65 RoCH Redux Alice Ming Wai Jim 71 Wuxia Makes Me Nervous Henry Tsang 76 New and Greater Prospects Beyond the Frame: New Media Arts from Taiwan Claudia Bohn-Spector 81 In and Out of the Dark with Extreme Duration: Documenting China One Person at a Time in 76 the Films of Wang Bing Brian Karl 91 Buried Alive: Preface Lu Huanzhi 111 Chinese Name Index Cover: Zhang Kechun, Buddha in a Coal Yard, Ningxia (detail), 81 from the series The Yellow River, 2011, archival pigment print, 107.95 x 132 cm. © Zhang Kechun. Courtesy of the artist. We thank JNBY Art Projects, D3E Art Limited, Chen Ping, and Stephanie Holmquist and Mark Allison for their generous contribution to the publication and distribution of Yishu. Vol. 15 No. -
For Discussion on 20 April 2007 Legislative Council Panel on Home
LC Paper No. CB(2)1599/06-07(01) For discussion on 20 April 2007 Legislative Council Panel on Home Affairs Views and Suggestions Received from the Public on the Review of Built Heritage Conservation Policy Purpose This paper sets out a summary of the public views and suggestions gathered on the review of built heritage conservation policy from 2004 to early 2007. Background 2. At the meeting of the Legislative Council Panel on Home Affairs on 9 March 2007, Members proposed that the Administration should provide a summary of major views, concerns and suggestions received since the 2004 public consultation exercise. The summary should include views relating to legislative, funding or administrative proposals, as well as key issues over which consensus or divided views had been expressed by the public. Summary of Public Views 3. Against the above background, a summary of views, concerns, and suggestions covering the following main areas regarding built heritage conservation is at Annex – (a) What do we conserve; (b) How do we conserve; (c) How much, and who should pay; and (d) Suggestions on legislative and institutional measures. Page 1 4. The public views we have received so far point to the need for substantial improvements to the current policy and practices on built heritage conservation. There was general support for – (a) Adopting a holistic approach to heritage conservation; (b) Revising the current assessment and selection process of built heritage; (c) Expanding the scope of protection from individual buildings to “streets” and -
This Article Is Written As Part of the New Hall Art Collection Asia
Eliza Gluckman and Phoebe Wong The Parallax of Generations and Genders: Women in Art, the Hong Kong Case his article is written as part of the New Hall Art Collection Asia Art Initiative, “Women in Art: Hong Kong,” a research project Tcommissioned in collaboration with the Asia Art Archive, Hong Kong, in 2017. The New Hall Art Collection currently boasts over five hundred works, housed at Murray Edwards College of the University of Cambridge, England, and is the largest collection of artworks by women in Europe. Founded in 1954 as New Hall, Murray Edwards College was created to increase educational opportunities for women, and it continues to advocate for equality. Murray Edwards College and the University have a long established relationship with Hong Kong and the development of this project went hand in hand with relationships old and new, leading to the addition of new works in the collection by artists from Hong Kong. In 1992, commentators who were invited to the launch of the New Hall Art Collection wrestled with the deceptively simple but contested term “women artists.” Feminist art historian Griselda Pollock suggested in her published address, “We can read the works for clues about the full complexity and possibility of what it might mean to live ‘as women’ under the sign ‘woman,’ ‘black woman,’ ‘lesbian,’ ‘mother,’ ‘artist,’ ‘citizen,’ and so forth. Therein in this collection we will find no consistency, no generality, no common thread.”1 And yet commonalities are discussedboth clichés and factsevery time a platform is opened to talk about "women artists," with recurring questions about women’s representation and visibility in art history, public institutions, and the market.