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Akshay Moorti Art
+91-8048859584 Akshay Moorti Art https://www.indiamart.com/akshaymoortiart/ Established as a Proprietor firm in the year 1991, we “Akshay Moorti Art” are a leading Manufacturer of a wide range of Ram Darbar Statues, Decorative Statue, Bani Thani Statues, etc. About Us Established as a Proprietor firm in the year 1991, we “Akshay Moorti Art” are a leading Manufacturer of a wide range of Ram Darbar Statues, Decorative Statue, Bani Thani Statues, etc. Situated in Jaipur (Rajasthan, India), we have constructed a wide and well functional infrastructural unit that plays an important role in the growth of our company. We offer these products at reasonable rates and deliver these within the promised time-frame. Under the headship of “Mr. Hemant Sharma” (Manager), we have gained a huge clientele across the nation. For more information, please visit https://www.indiamart.com/akshaymoortiart/profile.html RADHA KRISHNA STATUE O u r P r o d u c t R a n g e Marble Radha Krishna Statue Radha Krishna Goddess Marble Statue Marble Radha Krishna Statue Marble Radha Krishna Statue KALI MATA STATUE O u r P r o d u c t R a n g e Marble Kali Mata Statue Marble Shera Wali Mata Statue Marble Kali Mata Statue Kali Statue MARBLE STATUE O u r P r o d u c t R a n g e Marble Bhim Rao Ambedkar Marble Gandhi Ji Statue Statue White Marble Statues Marble Santoshi Mata Statue RAM DARBAR STATUES O u r P r o d u c t R a n g e Marble Ram Darbar Statue Ram Darbar Statue 2 Feet Lord Rama Darbar 1 Feet Marble Ram Darbar Statue Statue BHERU BABA STATUE O u r P r o d u c t R a -
Dixit Art Sculpturals
+91-8048417510 Dixit Art Sculpturals https://www.indiamart.com/dixitartsculpturals/ Dixit Art Sculpturals “DAS” was Established in the year 1978, is regarded amongst the premier Manufacturers, Suppliers, Wholesaler and Retailer of an elaborate range of Marble Murties and Statues. About Us "Building Long Lasting Relations with our Customers and Provide them with best quality work at reasonable prices and enhance their satisfaction". Dixit Art Sculpturals “DAS” was Established in the year 1978, is regarded amongst the premier manufacturers, suppliers, wholesaler and retailer of an elaborate range of Marble Murties and Statues. We have a wide and well functional infrastructural unit at Jaipur, Rajasthan India and which helps us in carving and designing a remarkable collection of Marble statues as per the Customer’s Requirements. “DAS” was established by Mr. Sitaram Dixit with lot of efforts, hard-work and enthusiasm Now our firm is running under the leadership and direction of Mr. Hemant Dixit and Mr. Kapil Dixit. They benefit the organization with immeasurable knowledge and experiences gained over the years and help us maintain the creditability of our enterprise. We are manufacturers, suppliers, wholesaler, retailer and trader of marble Murties, idols, statues and other customized marble based products. Our statues are an amalgamation of rich traditional & modern art, and this enthralling range will add to the divine and aesthetic beauty of temples, homes, offices, hotels and other establishments. We have our expertise in God and Goddess -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
Tokujinyoshioka Waterfall.Pdf
Tokujin Yoshioka Waterfall Sherman Contemporary Art Foundation Sydney Contents Tokujin Yoshioka Waterfall Sherman 7 October 5 Preface Gene Sherman Contemporary – 17 December Art 2011 9 Waterfall Foundation 20 An Interview with Tokujin Yoshioka Dolla S. Merrillees 27 Nature as a Presence Mami Kataoka 45 Tornado 57 Snow 69 VENUS – Natural crystal chair 79 Rainbow Church 89 List of Works 90 Artist Selected Biography 91 Artist Selected Bibliography 92 Contributors 95 Acknowledgements 3 Preface Gene Sherman Chairman and Executive Director Sherman Contemporary Art Foundation The Sherman Contemporary Art Foundation (SCAF) Tokujin Yoshioka installation represents a milestone in the exhibition history of the Foundation, which has curated and organised twelve commissions and projects since April 2008. While Tokujin is an artist – a representative of SCAF’s core focus group – he most frequently works within the framework of functional design: furniture, lighting and cutting-edge retail, restaurant and fashion interiors. Art and design, long separated into rigorous categories, now periodically overlap in the upper echelons of innovative creative practices. In the second decade of the twenty- first century, how do these two disciplines interrelate? The aftermath of the postmodern period has given rise to intersecting creative endeavours. Art schools worldwide no longer pigeonhole students in sculpture, painting, printmaking or medium-specific departments. Emerging practitioners most commonly conceptualise their projects, selecting the best pathway to realisation from amongst the many technical methodologies their education has placed at their disposal. Similar forces were at work, of course, during fin-de-siècle and early twentieth century artistic movements: between 1903 and 1932, the Wiener Werkstätte, spearheaded by Josef Hoffmann and Koloman Moser (with Gustav Klimt’s early participation), encouraged avant-garde collectors1 to commission or acquire paintings, furniture, lighting, carpets and tableware linked by aesthetic and philosophical considerations. -
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 6, Issue 4 October 2012 Hari OM
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 6, Issue 4 October 2012 Hari OM Lord Ganesha is worshipped before one begins anything new in life. He is also called Vigneshwara, the word “Vigna” means “obstacles” and he is the lord for removing obstacles. The birth of Lord Ganesha is celebrated as Vinayaka Chavithi. Using turmeric paste, Goddess Parvathi created Lord Ganesha as her loyal son and protector. Lord Shiva, not knowing the truth got furious with Lord Ganesha when he was not let to enter his own house. Furious Lord Shiva lost his patience and severed Lord Ganesha’s head killing him instantly. When Goddess Parvathi heard of this, she threatened to destroy the entire creation. Lord Shiva understood what had happened, ordered Lord Brahma to get the head of first animal he encounters facing north. Lord Brahma returned with the head of a powerful elephant. Lord Shiva placed it on Lord Ganesha, breathed new life into him and announced him as his son as well. He also declared Lord Ganesha to be the foremost of all gods and leader of all ganas (being of life) and hence the name ‘Ganapathi’. This year Diwali Mahalakhsmi Vinayaka Chavithi was observed on 19th of September. Devotees all over the world get Lord Ganesha’s idol made out of clay, perform puja and offer Lord Ganesha’s favorite Blessedness, eternal peace, Arising from perfect modak as prasadam. On the day of Ananta Chaturdasi, they freedom, is the highest conception of religion immerse Lord Ganesha into water. Lord Ganesha’s idol in underlying all the ideas of God in Vedanta absolutely our Balaji Temple arrived and installation was done on this free existence, not bound by anything, no change, no nature, nothing that can produce a change in Him. -
Pedigree of the Wilson Family N O P
Pedigree of the Wilson Family N O P Namur** . NOP-1 Pegonitissa . NOP-203 Namur** . NOP-6 Pelaez** . NOP-205 Nantes** . NOP-10 Pembridge . NOP-208 Naples** . NOP-13 Peninton . NOP-210 Naples*** . NOP-16 Penthievre**. NOP-212 Narbonne** . NOP-27 Peplesham . NOP-217 Navarre*** . NOP-30 Perche** . NOP-220 Navarre*** . NOP-40 Percy** . NOP-224 Neuchatel** . NOP-51 Percy** . NOP-236 Neufmarche** . NOP-55 Periton . NOP-244 Nevers**. NOP-66 Pershale . NOP-246 Nevil . NOP-68 Pettendorf* . NOP-248 Neville** . NOP-70 Peverel . NOP-251 Neville** . NOP-78 Peverel . NOP-253 Noel* . NOP-84 Peverel . NOP-255 Nordmark . NOP-89 Pichard . NOP-257 Normandy** . NOP-92 Picot . NOP-259 Northeim**. NOP-96 Picquigny . NOP-261 Northumberland/Northumbria** . NOP-100 Pierrepont . NOP-263 Norton . NOP-103 Pigot . NOP-266 Norwood** . NOP-105 Plaiz . NOP-268 Nottingham . NOP-112 Plantagenet*** . NOP-270 Noyers** . NOP-114 Plantagenet** . NOP-288 Nullenburg . NOP-117 Plessis . NOP-295 Nunwicke . NOP-119 Poland*** . NOP-297 Olafsdotter*** . NOP-121 Pole*** . NOP-356 Olofsdottir*** . NOP-142 Pollington . NOP-360 O’Neill*** . NOP-148 Polotsk** . NOP-363 Orleans*** . NOP-153 Ponthieu . NOP-366 Orreby . NOP-157 Porhoet** . NOP-368 Osborn . NOP-160 Port . NOP-372 Ostmark** . NOP-163 Port* . NOP-374 O’Toole*** . NOP-166 Portugal*** . NOP-376 Ovequiz . NOP-173 Poynings . NOP-387 Oviedo* . NOP-175 Prendergast** . NOP-390 Oxton . NOP-178 Prescott . NOP-394 Pamplona . NOP-180 Preuilly . NOP-396 Pantolph . NOP-183 Provence*** . NOP-398 Paris*** . NOP-185 Provence** . NOP-400 Paris** . NOP-187 Provence** . NOP-406 Pateshull . NOP-189 Purefoy/Purifoy . NOP-410 Paunton . NOP-191 Pusterthal . -
Movement for Special Province of Orissa
Orissa Review * April - 2006 Movement for Special Province of Orissa Dr. Janmejay Choudhury The British contact with Orissa began in the first had been separated from the Mughal dominion half of the 17th century. Orissa emerged as one and as such from the rest of Orissa. Those areas of the eleven units of British India in the 20th were known as Northern Sarkars under the century.1 From the beginning of the 16th century Muslim rulers of the south. Following the death external aggression became virulent and when the of Aurangzeb when the Mughal Empire began to Surya Vamsa came to an end, Orissa entered into distintegrate, Orissa passed under the rule of the a confused period of internecine struggle. The last virtually independent Nawabs of Bengal. The independent king of Orissa, Mukunda Dev, was Nawabs, however, could not rule for long. killed by one of his feudatory chiefs while engaged Frequest Maratha attack on the dominion of in a prolonged struggle with the Afghan rulers of Alivardi Khan, the Subedar of Bengal, Bihar and Bengal. In 1568, Medieval Orissa lost her Orissa, finally forced him to surrender Orissa to independence. It was one of the last Hindu Raghuji Bhonsla of Nagpur in 1751. The River kingdoms of India to fall to the Muslims. Before Subarnarekha became the new boundary the Afghans could consolidate their power, the between the Maratha dominion of Orissa and Mughals entered the field and in 1592 Mansingh Alibardi's Subah of Bengal, Bihar and Orissa. The annexed Orissa to Akbar's empire. By the time northern territories of Orissa beyond the river of Akbar, the territories of Orissa were Subarnarekha thus remained with the Nawab of apportioned into five Sarkars such as Jaleswar, Bengal. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Littérature Et Folklore Dans Le Récit Médiéval
Littérature et folklore dans le récit médiéval Collège Eötvös József ELTE Budapest, 2011 Littérature et folklore dans le récit médiéval Actes du colloque international de Budapest, les 4–5 juin 2010 édités par EMESE EGEDI-KOVÁCS Collège Eötvös József ELTE Budapest, 2011 Textes réunis et édités par : Emese Egedi-Kovács Relecture par : Arnaud Prêtre ISBN 978-963-89326-0-0 © Les auteurs, 2011 © Emese Egedi-Kovács (éd.), 2011 © Collège Eötvös József ELTE, 2011 Tout droits de traduction et de reproduction réservés. Table des Matières Table des Matières .....................................................................................................................5 Préface par Michelle Szkilnik ...........................................................................................7 Michelle Szkilnik: Le retour des fées dans le Pas du Perron fée et le Jouvencel ......9 Imre Szabics: Chevaliers détournés : Jaufré et la fée de Gibel – Le Bel Inconnu et la fée de l’Île d’Or .........................................................................21 Christine Ferlampin-Acher: Les métamorphoses du versipelles romanesque (Guillaume de Palerne, Guillaume d’Angleterre, Perceforest) ...............................27 Bénédicte Milland-Bove: Barbarie et courtoisie : le motif de la tête coupée ou l’écriture de la violence dans le roman arthurien, du vers à la prose ....................43 Edina Bozóky: La naissance d’Attila dans la littérature médiévale franco-italienne ................................................................................................................59 -
Religion Or Magic?
Religion or Magic? Some Remarks Concerning Divinatory Practices Mentioned in the Oldest Japanese Literature Nelly NAUMANN (Freiburg i. Br.) One of the most important human concerns has always been to know before- hand what the future would bring, whether a certain project or scheme would prove successful or a failure. If the future was thought to lie in the hands of the gods, the gods had to be asked to reveal it. But there might be yet other mecha- nisms which – if they only were known and could be used – would necessarily lead to the revelation of events to come. The many methods which were (and are) devised and employed everywhere in this world and through all times show how much energy man has devoted to this task. What are these methods? The Encyclopdia of Religion and Ethics (4: 776a, H. J. ROSE) states that divination »may be roughly divided into two kinds: (a) ‘automatic’ divination, in which an omen is looked for and interpreted, so to speak, in its own right, with no thought of appeal to any supernormal power, god, or spirit; and (b) divination proper, in the strict etymological sense of the word, which inquires of some sort of a deity, generally by means of signs con- ceived of as being sent by him.« But »of many cases it is hard to say which category they fall under«, so there are limitations in the use of this division. The proposed dichotomy seems also to be valid for Japan. There are methods to call down the gods and have them speak through the mouth of a human be- ing. -
1 Church and State ( : Ritsuryo Saisei Itchi Kami
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Welcome to TRUSpace | TRUSpace 1 State Shinto and the Use of Shrines in Japanese Colonies By Cary S. Takagaki In the third month of 1868, the newly formed Meiji government announced its intention to return to the ritsuryo system of government that had been in place during the Nara and Heian periods. This was a system that held to the concept of unity between church and state (saisei itchi). Thus, the Jingikan, Office of (Shinto) Deities (often translated as Office of Kami Worship), was revived in that same month as one of seven departments in the Dajokan, the administrative organ of the state, and in an attempt to “purify” the tradition, a policy of separating Buddhism from Shinto (shinbutsu bunri-rei) was adopted.1 However, in July of 1869, the Jingikan was given the highest rank of all government offices, placing it above the Dajokan, and in the following year an Imperial Rescript on the Enshrinement of the Kami was issued, asserting that, along with various Shinto gods, all the emperors of Japan were to be worshiped as kami: Now that the imperial dignity has passed to Us, small and frail of form though we be, we are afraid both night and day that there will be some want in Our performance of the Imperial duties. We thereby enshrine with the Jingikan (The Office of Kami Worship), the kami of Heaven and Earth, together with the eight kami of Kamimusubi-no-kami, Takamimusubi-no-kami, Tamatsu-memusubi-no-kami, Ikumusubi-no-kami, Taramusubi-no-kami, Omiyame-no-kami, Miketsukami and Kotoshironushi-no-kami, and along with them, the souls of all past Emperors. -
O'leary on Bowring, 'In Search of the Way: Thought and Religion in Early-Modern Japan, 1582-1860'
H-Buddhism O'Leary on Bowring, 'In Search of the Way: Thought and Religion in Early-Modern Japan, 1582-1860' Review published on Monday, December 11, 2017 Richard Bowring. In Search of the Way: Thought and Religion in Early-Modern Japan, 1582-1860. Oxford: Oxford University Press, 2017. xiv + 329 pp. $111.55 (cloth), ISBN 978-0-19-879523-0. Reviewed by Joseph S. O'Leary (Professor English Literature, Sophia University, 1988-2015; Roche Chair for Interreligious Research, Nanzan University, 2015-16.)Published on H-Buddhism (December, 2017) Commissioned by Erez Joskovich Printable Version: http://www.h-net.org/reviews/showpdf.php?id=49178 This masterful account of the intellectual and spiritual life of Edo Period Japan is a sequel to Bowring’s The Religious Traditions of Japan 500-1600 (2005), and no doubt will be followed by a third volume on the period since the Meiji Restoration. Bowring’s writing becomes more engaging as he moves toward modern times, and we may augur that the final volume, when he rejoins his original field of study—seen in Mori Ōgai and the Modernization of Japanese Culture (1979)—will be the most exciting of the three. The very broad cultural and literary horizons from which he approaches his ambitious project are further illustrated in his studies of Lady Murasaki—seeThe Diary of Lady Murasaki (1996)—and his work with Peter Kornicki on The Cambridge Encyclopedia of Japan (1993). The first volume of Bowring’s history covered Buddhism extensively, even giving an account of Chinese Chan as background to the Japanese Zen schools, but in the present volume Buddhism is put on the back burner and is seen mainly through the eyes of its opponents.