Reflection of Science, Reason and Religion in Shahnameh
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Classical Persian Literature Bahman Solati (Ph.D), 2015 University of California, Berkeley [email protected]
Classical Persian Literature Bahman Solati (Ph.D), 2015 University of California, Berkeley [email protected] Introduction Studying the roots of a particular literary history enables us to better understand the allusions the literature transmits and why we appreciate them. It also allows us to foresee how the literature may progress.1 I will try to keep this attitude in the reader’s mind in offering this brief summary of medieval Persian literature, a formidable task considering the variety and wealth of the texts and documentation on the subject.2 In this study we will pay special attention to the development of the Persian literature over the last millennia, focusing in particular on the initial development and background of various literary genres in Persian. Although the concept of literary genres is rather subjective and unstable,3 reviewing them is nonetheless a useful approach for a synopsis, facilitating greater understanding, deeper argumentation, and further speculation than would a simple listing of dates, titles, and basic biographical facts of the giants of Persian literature. Also key to literary examination is diachronicity, or the outlining of literary development through successive generations and periods. Thriving Persian literature, undoubtedly shaped by historic events, lends itself to this approach: one can observe vast differences between the Persian literature of the tenth century and that of the eleventh or the twelfth, and so on.4 The fourteenth century stands as a bridge between the previous and the later periods, the Mongol and Timurid, followed by the Ṣafavids in Persia and the Mughals in India. Given the importance of local courts and their support of poets and writers, it is quite understandable that literature would be significantly influenced by schools of thought in different provinces of the Persian world.5 In this essay, I use the word literature to refer to the written word adeptly and artistically created. -
Compare and Analyzing Mythical Characters in Shahname and Garshasb Nāmeh
WALIA journal 31(S4): 121-125, 2015 Available online at www.Waliaj.com ISSN 1026-3861 © 2015 WALIA Compare and analyzing mythical characters in Shahname and Garshasb Nāmeh Mohammadtaghi Fazeli 1, Behrooze Varnasery 2, * 1Department of Archaeology, Shushtar Branch, Islamic Azad University, Shushtar, Iran 2Department of Persian literature Shoushtar Branch, Islamic Azad University, Shoushtar Iran Abstract: The content difference in both works are seen in rhetorical Science, the unity of epic tone ,trait, behavior and deeds of heroes and Kings ,patriotism in accordance with moralities and their different infer from epic and mythology . Their similarities can be seen in love for king, obeying king, theology, pray and the heroes vigorous and physical power. Comparing these two works we concluded that epic and mythology is more natural in the Epic of the king than Garshaseb Nameh. The reason that Ferdowsi illustrates epic and mythological characters more natural and tangible is that their history is important for him while Garshaseb Nameh looks on the surface and outer part of epic and mythology. Key words: The epic of the king;.Epic; Mythology; Kings; Heroes 1. Introduction Sassanid king Yazdgerd who died years after Iran was occupied by muslims. It divides these kings into *Ferdowsi has bond thought, wisdom and culture four dynasties Pishdadian, Kayanids, Parthian and of ancient Iranian to the pre-Islam literature. sassanid.The first dynasties especially the first one Garshaseb Nameh has undoubtedly the most shares have root in myth but the last one has its roots in in introducing mythical and epic characters. This history (Ilgadavidshen, 1999) ballad reflexes the ethical and behavioral, trait, for 4) Asadi Tusi: The Persian literature history some of the kings and Garshaseb the hero. -
Anesthesia and Pain Management in Traditional Iranian Medicine
Pregledni rad Acta Med Hist Adriat 2016; 14(2);317-326 Review article ANESTHESIA AND PAIN MANAGEMENT IN TRADITIONAL IRANIAN MEDICINE ANESTEZIJA I UPRAVLJANJE BOLI U TRADICIONALNOJ IRANSKOJ MEDICINI Alireza Salehi, Faranak Alembizar, Ayda Hosseinkhani* Summary Studying the history of science could help develop an understanding of the contributions made by ancient nations towards scientific advances. Although Iranians had an import- ant impact on the improvement of science, the history of Iranian medicine seems not to have been given enough attention by historians. The present study focused on the history of anes- thesia and pain management in Iranian medical history. In this regard, related books such as Avesta and Shahnameh were studied in order to obtain the history of anesthesiology in Iranian pre Islamic era. This subject was also studied in the famous books of Rhazes, Haly Abbas, Avicenna, Jorjani, MomenTunekaboni and Aghili from different times of the Islamic era. Scientific data bases such as PubMed, Scopus and Google Scholar were searched using key words “Iranian”, “Persian”, “pain management” and “anesthesia”. It was discovered that pain management and anesthesiology were well known to the Iranians. Rhazes and Avicenna had innovations in this regard. Fourteen Mokhader (anesthetic) herbs, which were included in the collection of the previous knowledge of the 18th century entitled Makhzan al-Advieyh and used as the Persian Materia Medica, were identified and listed. This study introduces the history of anesthesiology and pain management at different periods in the history of Iran. Key words: Anesthesiology; pain management; traditional Iranian medicine. * Research centre for traditional medicine and history of medicine, Shiraz University of medical sciences Shiraz, Iran. -
Jami and Nava'i/Fani's Rewritings of Hafez's Opening Ghazal
Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal Marc Toutant To cite this version: Marc Toutant. Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal. Charles Melville. The Timurid Century, 9, I.B. Tauris, 2020, The Idea of Iran, 9781838606886. hal-02906016 HAL Id: hal-02906016 https://hal.archives-ouvertes.fr/hal-02906016 Submitted on 23 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal Marc Toutant (CNRS Paris) He was the unique of the age (nadera-ye zaman) and a prodigy of the world (o‘juba-ye jahan). These are the first words with which Dowlatshah Samarqandi begins the notice he devotes to Hafez in his Tazkerat al-sho‘ara in 1486. Then he adds: ‘His excellence (fazilat) and his perfection (kamal) are endless and the art of poetry is unworthy of his rank. He is incomparable in the science of Qur’an and he is illustrious in the sciences of the exoteric (zaher) and the esoteric (baten).’1 Although Hafez died in 1389, his poetry was widely celebrated one century later, as shown by Dowlatshah’s eulogy. -
Comparative Comparison Between the Characters of Jamie's Tale Of
Advances in Language and Literary Studies ISSN: 2203-4714 www.alls.aiac.org.au Comparative Comparison Between The Characters of Jamie’s Tale of (Salamon & Absal) and Avicenna ’s Hayy Ebn Yaqzan and Andalusian Ebn Tofeyl’s Hayy Ebn Yaqazan Mehdi Ebrahimi Hossein Ali Kennedy1*, Ali Asghar Halabi2 1Department of Persian Language and Literature, Islamic Azad University Central Tehran Branch, Tehran, Iran 2Islamic Azad University Central Tehran Branch, Tehran, Iran Corresponding Author: Mehdi Ebrahimi Hossein Ali Kennedy, E-mail: [email protected] ARTICLE INFO ABSTRACT Article history Brilliant models of allegory and secretive tales are observable in mystical and philosophical Received: January 28, 2017 works of Persian literature in verse and prose. Avicenna is the first person who has written Accepted: August 19, 2017 the philosophical tale of Hayy Ebn Yaqzan in mystical clothing and symbolic style. In this Published: August 31, 2017 philosophical and symbolic epistle, Avicenna has represented evolution stages of human in request of hidden secrets and sublime insight and spiritual life, and in travers of behavior stages Volume: 8 Issue: 4 he became aware of the truth that there is a spiritual life other than corporeal life. Therefore Advance access: August 2017 he is guided to spiritual world by sense and by the help of active wisdom. Then Andalusian Ebn Tofeyl has combined Avicenna ’s tales of Hayy Ebn Yaqzan and Salamon & Absal and Conflicts of interest: None recompiled it in a symbolic form and wrote it out with philosophical array. In this tale Hayy Ebn Funding: None Yaqzan was grown alone in an island and he was attracted by comprehension and perception of the reality by external senses, recognition of palpable worlds and by discovery. -
CHAPTER II. DISCUSSION of the PROBLEM and SOLUTION Here
CHAPTER II. DISCUSSION OF THE PROBLEM AND SOLUTION Here are the data found through literature review which explains about all the journey of Rumi on turning to Sufi mystic and Poet: II. 1 A Brief Introduction of Rumi Maulana Rumi was born in Persian Empire, on Eastern shores in Balkh city that is current Afghanistan on September 30, 1207. In order to avoid the Mongol’s invasion his family moved to Turkey and settled in the city today known as Konya. In the first years of 2000 Maulana Jalaluddin Rumi had known to be one of the most readable Persian poets on the West. People say he is on the same level as Mozart, Beathoven and Shakespeare for his talent and creativity. In our time, countries such Iran, Turkey and Afghanistan call the Sufis their national poets, but none of these countries actually existed at that time. Iran was known as Persian Empire, with its monarchy, and the area of this empire was much larger than today. This territory now includes the territories of modern countries of Iran, Afghanistan, as well as parts of Pakistan, Turkmenistan, Tajikistan, Uzbekistan, Turkey and Iraq. Turkey was not yet formed, and Afghanistan was part of the province of Khorasan in the old Persian Empire. In general, Rumi's life story is full of intrigues and drama, mixed with intense creative flashbacks. Rumi was a charming, wealthy nobleman, a brilliant theologian, a law professor and intelligent, wise scientist, who, at the age of thirty, met a wild man Shams. Rumi himself said that after meeting with Shams, he has changed from an ordinary student to a scientist, who realized that he was a seeker of passion for truth and universal love (Shahram Shiva 2018). -
The History and Characteristics of Traditional Sports in Central Asia : Tajikistan
The History and Characteristics of Traditional Sports in Central Asia : Tajikistan 著者 Ubaidulloev Zubaidullo journal or The bulletin of Faculty of Health and Sport publication title Sciences volume 38 page range 43-58 year 2015-03 URL http://hdl.handle.net/2241/00126173 筑波大学体育系紀要 Bull. Facul. Health & Sci., Univ. of Tsukuba 38 43-58, 2015 43 The History and Characteristics of Traditional Sports in Central Asia: Tajikistan Zubaidullo UBAIDULLOEV * Abstract Tajik people have a rich and old traditions of sports. The traditional sports and games of Tajik people, which from ancient times survived till our modern times, are: archery, jogging, jumping, wrestling, horse race, chavgon (equestrian polo), buzkashi, chess, nard (backgammon), etc. The article begins with an introduction observing the Tajik people, their history, origin and hardships to keep their culture, due to several foreign invasions. The article consists of sections Running, Jumping, Lance Throwing, Archery, Wrestling, Buzkashi, Chavgon, Chess, Nard (Backgammon) and Conclusion. In each section, the author tries to analyze the origin, history and characteristics of each game refering to ancient and old Persian literature. Traditional sports of Tajik people contribute as the symbol and identity of Persian culture at one hand, and at another, as the combination and synthesis of the Persian and Central Asian cultures. Central Asia has a rich history of the traditional sports and games, and significantly contributed to the sports world as the birthplace of many modern sports and games, such as polo, wrestling, chess etc. Unfortunately, this theme has not been yet studied academically and internationally in modern times. Few sources and materials are available in Russian, English and Central Asian languages, including Tajiki. -
Feminist Criticism of the Story of Homay Chehrzad's Kingdom in Shahnameh
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 2, No. 9, pp. 1980-1986, September 2012 © 2012 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.2.9.1980-1986 Feminist Criticism of the Story of Homay Chehrzad's Kingdom in Shahnameh Mohammad Behnamfar Birjand University, Iran Email: [email protected] Homeira Alizadeh Garmabesofla Birjand University, Iran Email: [email protected] Effat Fareq Birjand University, Iran Email: [email protected] Abstract—Feminism is a movement for the defense of women's rights and eliminating racial discrimination of all kinds and also it causes the women to be present in community like men. The aim of this kind of critique is that women present a definition of their own state and save themselves from the dominance of men. Also, this critique engages in women's issues in literary texts and studies a literary work either in terms of its author's sex or female characters existing in that work. In this paper, we try to study the feminist critique of Homay Chehrzad Kingdom story in Shahnameh Ferdowsi in terms of female characters created in the story. The results of this study are obtained according to the content analysis. The conducted results show that although women have been respected in the story but there is still cases of oppression and humiliation of men towards them. On the other hand, existence of the second wave of feminism which emphasizes on the masculine traits and characteristics and examples of the third wave, which is the incidence of maternal sentiment, is evident in this story. -
Ethnic and Traditional Iranian Breads: Different Types, and Historical and Cultural Aspects
J Ethn Foods - (2017) 1e7 Contents lists available at ScienceDirect Journal of Ethnic Foods journal homepage: http://journalofethnicfoods.net Original article Ethnic and traditional Iranian breads: different types, and historical and cultural aspects * Vahid Mohammadpour Karizaki Chemical Engineering Department, Quchan University of Advanced Technology, Quchan, Iran article info abstract Article history: Background: Bread making has a long history in Iran. Because of the inseparable relationship between Received 21 December 2016 Iranian people and bread, an increasingly wide variety of this healthy and nutritious food is prepared and Received in revised form consumed throughout the country. The present work aims at documenting and providing information 14 January 2017 about breads of Iranian cuisine. Accepted 20 January 2017 Methods: The required information was obtained via a direct face-to-face questionnaire-based survey Available online xxx among housewives, domestic people, and Iranian bakers. The statistical society was selected by random sampling among people from the top eight most populous cities in the country. Keywords: bread Results: More than 30 types of ethnic and traditional bread of Iranian cuisine are introduced in two main fi ethnic food categories: the rst group includes breads that are consumed all around the country, and the second Iran group consists of those that are prepared in special regions, or by ethnic groups. Conclusion: The historical and cultural aspects of the Iranian foods showed that bread is the most common and popular food in the country. © 2017 Korea Food Research Institute. Published by Elsevier B.V. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). -
The Shahnamah the Shahnamah,"The Book of Kings," Is
The Shahnamah The Shahnamah,"the Book of Kings," is the Iranian national epic outlining the four mythical/historical eras of pre-Islamic Iran: the Pishdadian, Kayanian, Ashkanians, and Sassanians. Many of the episodes of the Shahnamah have existed for thousands of years within the Iranian world's oral tradition, but it was first written by the poet Abu al-Qasim Firdowsi in the late tenth century in present-day Central Asia. The hymns of the Avesta (Yasts), for example, make reference to several the figures in the Shahnamah. Many early Arab and Persian historians make reference to books dealing with the stories of various Iranian heros and kings, and we also know of a prose text in Pahlavi called the Book of Kings (Xwaday-namag). Writing in the first half of the 10th cent., Hamza Isfahani notes that there were more than 10,000 folios written in "Persian script" narrating historical, heroic, and romantic traditions. There also exists a fragment of the Rustam cycle in Sogdian, though it is in poor condition, and these stories were likely extent in other Iranian languages. Ferdowsi's sources include "an old book," most likely the "Persian scripts" referred to above, as well as the works of his contemporaries and oral informants. The first to undertake the versification of this chronicle of pre-Islamic and legendary Persia was Daqiqi, a poet at the court of the Samanids. Daqiqi passed away having completed only 1000 verses (his verses deal with the rise of the prophet Zoroaster and the reign of King Goshtasp). Ferdowsi incorporated Daqiqi's lines into his poem with an acknowledgement. -
Nasir Khusraw's Philosophical
Nasir Khusraw’s Philosophical And intellectual tradition سنت فلسفی و عقﻻنی ناصر خسرو Prepared by: Dr. Nasruddin Shah Paikar ۱۱ محل March 31, 2013 ۱۹۳۱ “If some one is not your brother in faith, for sure he is your brother in humanity” Imam Ali " شاید فردی برادر هم کیش و هم آئین شما نباشد، اما بدون تردید و حتم برادر شما از دیدانداز بشری است" امام علی Abu Mo’in Hamid ad-Din Nasir ibn Khusraw al-Qubadiani or Nāsir Khusraw Qubādiyānī [also spelled as Tajik: Носири Хусрав) was a , ناصر خسرو قبادیانی :Nasir Khusrow and Naser Khosrow] (1004 – 1088 CE) (Persian Persian and Tajik poet, philosopher, Isma'ili scholar, traveler and one of the greatest writers in Persian literature. He was born in Qubadian province of Tajikistan (part of former Khorasan, and died in Yamagan, Central Asia (now in Afghanistan). He is considered one of the great poets and writers in Persian literature. The Safarnama, an account of his travels, is his most famous work.Nasir Khusraw was born in 1004 AD, in Balkh, a province in north of Afghanistan. He was well versed in the branches of the natural sciences, medicine, mathematics, astronomy and astrology, Greek philosophy, and the writings of al-Kindi, al-Farabi and Ibn Sina; and in the interpretation of the Qur'an. He also studied Arabic, Turkish, Greek, the vernacular languages of India and Sindh, and perhaps even Hebrew; and had visited Multan and Lahore, and the splendid Ghaznavid court under Sultan Mahmud, Firdousi's patron. He later chose Merv for his residence, and was the owner of a house and garden there. -
A Comparative Study of the Story of Esfandiar in Ferdowsi's Shahnameh and Achilles in Homer's Iliad
ISSN 2239-978X Journal of Educational and Social Research Vol. 3 No. 7 ISSN 2240-0524 MCSER Publishing, Rome-Italy October 2013 A Comparative Study of the Story of Esfandiar in Ferdowsi's Shahnameh and Achilles in Homer's Iliad Dr., Masoumeh Sadeghi Faculty member of Islamic Azad University, Garmsar branch [email protected] Doi:10.5901/jesr.2013.v3n7p550 Abstract Epic is a kind of descriptive poem which is based on describing heroic and manhood actions and prides of a nation or person so that it includes different symbols of their life.Iliad and Odysses of Homerus, Ramayana and Mehabeharatay of Indians and Shahnameh of Ferdowsi are three great epics of the world.These three epic works are related to Aryan race which has been divided into different branches and everyone has been settled in a land and this is why that there are some common characteristics between them. As epic of every nation is a mirror that shows their culture, nature and endogenous life, these relations and coordination of two Iranian and Greek epics, Shahnameh and Iliad and Odysses show proximity of the two nations in mirror of history. .Shahnameh has been divided into three mythological, heroic and historical parts Iliad and Odysses has been also composed by Homerus, famous Greek poet. Iliad book includes explanation of ten years war between Greece and Troas in 24 chapters and Odysses, which has 24 poems, is about Olis, one of heroes of Troas war and figures his braveries. These two great epics which show two known old culture, can be compared from different characteristics.